1. °¡µ¥,´Ò½º, ±³Çâ°î 1, c, Op.5, 36m $ Copenhagen Collegium Musicum/Michael Schonwandt, * Niels Gade(1817-1890 Danish)
  2. °¡µ¥,´Ò½º, ±³Çâ°î 2, E, Op.10, 28m, # Copenhagen Collegium Musicum/Michael Schonwandt
  3. °¡µ¥,´Ò½º, ±³Çâ°î 4, Bb, Op.20, 22m
  4. °¡µ¥,´Ò½º, ±³Çâ°î 7, F, Op.45, 32m$, $ Danish National Radio Symphony Orchestra/Christopher Hogwood
  5. °¡µ¥,´Ò½º, ³ëº§·¹Å×(Novelletter), E, Op.58, ºÏÀ¯·´ÀÇ ÀÚ¿¬À» ³ë·¡
  6. °¡µ¥,´Ò½º, ¼º¾Ç°î "Jealousy Tango", ten.Placido Domingo
  7. °¡µ¥,´Ò½º, ¿À½Ã¾ÈÀÇ ¸Þ¾Æ¸® ¼­°î(Echoes of Ossian Overture), Op.1
  8. °¡¸£µ¨,Ä«¸¦·Î½º, ¼º¾Ç°î "±ÍÇâ(Volver)", ten.Placido Domingo, * Carlos Gardel(1890-1935 French Argentine singer) ÅÊ°í ¿¡ Áö´ëÇÑ ¿µÇâ
  9. °¡¸£µ¨,Ä«¸¦·Î½º, ¼º¾Ç°î "´ç½ÅÀÌ ³ª¸¦ »ç¶ûÇÏ°Ô µÇ´Â ³¯(El dia Que Me Quieras)" #, ten.Juan Diego Florez
  10. °¡¸£µ¨,Ä«¸¦·Î½º, ¼º¾Ç°î "Æ÷¸£ ¿ì³ª Ä«º£ÀÚ(Por Una Cabeza)", ten.Marcelo Alvarez
  11. °¡¸£µ¨,Ä«¸¦·Î½º, ¼º¾Ç°î "Mano a mano", ten.Marcelo Alvarez
  12. °¡ºê¸®¿¤¸®(Domenico Gabrielli), ¼Ò³ªÅ¸, G
  13. °¡ºê¸±¸°, ¹ß·¹ <¾Æ´ºÅ¸(Anyuta)> - ¿ÐÃ÷ * Valery Gavrilin(1939-1999 Russian)
  14. °¡½ºÅ»µ·(Gasstaldon), ¼º¾Ç°î "±ÝÁöµÈ ³ë·¡(Musica Probita)", Luciano Pavarotti(ten)
  15. °¡½º,Á¸, ÿ·ÎÇùÁÖ°î 6, G, Op.1-6, Richard Tunnicliffe, cello/The Avison Ensemble/Pavlo Beznosiuk, * John Garth(1721-1810 English)
  16. °¥·¹,Á¶¼Á, ¼Ò³ªÅ¸ 7, b, * Josep Galles(1758-1836 Catalan, Org)
  17. °¥·çÇÇ, ¼Ò³ªÅ¸, Bb, Pf, 8m * Baldassarre Galuppi(1706-1785 Italian)
  18. °¥·çÇÇ, ¼Ò³ªÅ¸, d, Pf, 8m
  19. °¥·çÇÇ, ¿ÀÆä¶ó , /±×°ÍÀÌ ¿ÇÀ»Áö¶óµµ
  20. °¥·çÇÇ, ÇùÁÖ°î 6, Bb, Ensemble Il Falcone/Fabrizio Haim Cipriani
  21. °¥·çÇÇ, ÇùÁÖ°î 7, A, 11m, Ensemble Il Falcone/Fabrizio Haim Cipriani
  22. °¥¸®¾Æ³ë(Richard Galliano), Opale Concerto, (accordion), 18m
  23. °Å½®, "Boy what love has done to me", Andre Previn (Pf), 4m
  24. °Å½®, "I got rhythm"º¯ÁÖ°î(Variations on "I got rhythm" for Piano and Orchestra), 9m
  25. °Å½®, "Love walked in", Benjamin Grosvenor(Pf), 4m
  26. °Å½®, ´º¿å·¦¼Òµð
  27. °Å½®, ·¦¼Òµð ÀÎ ºÒ·ç, °üÇö¾Ç°î, °Áî ±â¹ýÀÇ ÇǾƳëÇùÁÖ°î
  28. °Å½®, ¹ÂÁöÄà <±×´ë¸¦ À§ÇØ ³ë·¡ ºÎ¸£¸®>;
      • "±×´ë¸¦ À§ÇØ ³ë·¡ ºÎ¸£¸®(Of Thee I Sing)"
      • "Some Girls Can Bake a Pie"
  29. °Å½®, ¼º¾Ç°î "I got rhythm", # sop. Kiri Te Kanawa
  30. °Å½®, ¿ÀÆä¶ó ;
      • "He loves and she loves"
  31. °Å½®, ¿ÀÆä¶ó <Æ÷±â¿Í º£½º>;
      • "I Love You Porgy"
      • "Summertime"
  32. °Å½®, ÆÄ¸®ÀÇ ¾Æ¸Þ¸®Ä«ÀÎ, °üÇö¾Ç°î
  33. °Å½®, ÇǾƳëÇùÁÖ°î, F, À¯ÀÏÇÑ PC, °ÁîÀ½¾Ç ¹ÙÅÁ,27m#, Garrick Ohlsson(pf),San Francisco Symphony/Michael Tilson Thomas
  34. °í´Ù¸£,º¥ÀÚ¹Î, ¼º¾Ç°î "ÁÒ½½·©ÀÇ ÀÚÀå°¡", ten. Kenneth McKeller, * Benjamin Godard(1849-1895 French Vn &comp Romantic)
  35. °í´Ù¸£,º¥ÀÚ¹Î, ¼º¾Ç°î "Ç÷θ®¾ÈÀÇ ³ë·¡(Chanson de florian)", sop. Joan Sutherland
  36. °í´Ù¸£,º¥ÀÚ¹Î, ¿ÀÆä¶ó <Á¶½½·©>; /"Á¶½½·©ÀÇ ÀÚÀå°¡"
  37. °í´Ù¸£,º¥ÀÚ¹Î, ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, OP.116#
  38. °í´Ù¸£,º¥ÀÚ¹Î, ÇǾƳëÇùÁÖ°î 1, a, Op.31, 30m, Howard Shelly(pf),Tasmanian Symphony Orchestra
  39. °íº£¸£,Çʸ³, ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ È¯»ó°î, 6m, * Phillip Gaubert(1879-1941 French)
  40. °í›®, °¡º¸Æ®(Gavotte), Vn_Pf, * Fransois-Joseph Gossec(1734-1829 French
  41. °í›®, ±³Çâ°î, F, Op.12-6, 15m
  42. °íÃÝÅ©,·çÀÌ, Manchega, RO.143/Op.38, Pf, 4m
  43. °ñµå,ÄÚ¸¥, ¹ÙÀ̿ø°ÇùÁÖ°î, D, ¸»·¯ÀÇ Á¦ÀÚ·Î ¸»·¯ºÎÀο¡°Ô ÇåÁ¤
  44. °ñÆ®¸¶¸£Å©,Ä®, ±³Çâ°î, Eb, Op.26, "Àü¿ø °áÈ¥½Ä(Rustic wedding)", 2M:½ÅºÎÀÇ ³ë·¡, 3M:¼¼·¹³ªµ¥, 42m$, Utah Symphony Orchestra/Maurice Abravanel, * Karl Goldmark(1830-1915 Hungarian)
  45. °ñÆ®¸¶¸£Å©,Ä®, ¹ÙÀ̿ø°ÇùÁÖ°î, a, Op.28, 32m, Çë°¡¸®Å»ý
  46. °ñÆ®¸¶¸£Å©,Ä®, "ÀÌÅ»¸®¾Æ¿¡¼­" ¼­°î(In Italien Overture), Op.49, 12m
  47. °ú¸£´Ï¿¡¸®, ÇǾƳëÇùÁÖ°î, 19m, Caio Pagano(pf)/Czech National Symphony Orchestra/Paul Freeman, * Camargo Mozart Guarnieri(1907-1993 Brazilian)
  48. ±«µðÄÉ, ÄÜü¸£Æ¼³ë,D, Op.11,(µ¶ÁÖ ºÎºÐ) ÇǾƳë, 14m * Alexander Goedicke(1877-1957) - Russian composer and pianist. * concertino(=Concerstueck) = ¼ÒÇùÁÖ°î(ÇÕÁÖÇùÁÖ°îÀÇ µ¶ÁÖ ºÎºÐ:µ¶ÁÖÇùÁÖ°î)
  49. ±¸³ë, °ü¾Ç±â¸¦ À§ÇÑ ÀÛÀº ±³Çâ°î(Petite Symphonie for wind instruments)
  50. ±¸³ë, ±³Çâ°î 2, Eb, 37m, Netherlands Chamber Orchestra/Gordan Nicolic
  51. ±¸³ë, ·¹Äû¿¥, C, 36m
  52. ±¸³ë, ¼º¾Ç°î "¼¼·¹³ªµ¥" * Charles Gounod(1818-1893 French)
  53. ±¸³ë, ¼º¾Ç°î "¾Æº£¸¶¸®¾Æ"
  54. ±¸³ë, ¼º¾Ç°î "¾ø´Â »ç¶÷(L'Absent)"
  55. ±¸³ë, ¿ÀÆä¶ó <»çÆ÷(Sapho)>; /"¿À, ³ªÀÇ ºÒ¸êÀÇ ¸®¶ó¿©(Ou suis-je... O ma lyre immortelle)"
  56. ±¸³ë, ¿ÀÆä¶ó <·Î¹Ì¿À¿Í Á츮¿§>;
      • "L'amour, l'amour"
      • "¾Æ, ²Þ ¼Ó¿¡ »ì°í ½Í¾î¶ó(Ah! Je veux vivre dans ce reve)"-Á츮¿§ÀÇ ¾Æ¸®¾Æ(1), sop.Angela Gheorghiu
      • "°¡¼¼¿ä, ´ç½ÅÀ» ¿ë¼­Çϰھî¿ä"
      • "»ç¶û½º·± õ»ç¿©(Ange adorable)"1:2Áßâ, ten. Roberto Alagna, sop. Angela Gheorghiu
      • "»ç¶ûÀÌ¿©, ¾Æ! ¶°¿Ã¶ó¶ó, žçÀÌ¿©(L¡¯amour, Ah! Leve-toi, Soleil)"-2:·Î¹Ì¿ÀÀÇ ¾Æ¸®¾Æ, ten. Roberto Alagna
      • "»ç¶ûÀÌ¿©, Á¦°Ô ¿ë±â¸¦ ÁÖ¼¼¿ä(Amour, ranime mon courage)", sop.Angela Gheorghiu
      • "½½ÆÛÇÏÁö ¸»¾Æ¿ä, ºÒÇàÇÑ ¿µÈ¥ÀÌ¿©(Console-toi, pauvre ame)"-5:Çdz¯·¹ ·Î¹Ì¿À¿Í ÁÙ¸®¿§ÀÇ ÃÖÈÄÀÇ 2Áßâ, ten. Roberto Alagna, sop. Angela Gheorghiu
      • "¿À ½Å¼ºÇÑ ¹ãÀÌ¿©! ±×´ë¿¡°Ô ¾Ö¿øÇϳë´Ï(O nuit divine! je t¡¯implore!)"-2:»ç¶ûÀÇ 2Áßâ, sop.Mirella Freni Franco Corelli
      • "¿ì¿ïÇϰí Àû¸·ÇÑ ¹«´ý¿¡ °æ¹è¸¦(Salut! tombeau)"
  57. ±¸³ë, ¿ÀÆä¶ó <¹Ì·¹À¯(Mireille)>; /"õ±¹ÀÇ Ãµ»çµéÀÌ¿©"
  58. ±¸³ë, ¿ÀÆä¶ó <ÆÄ¿ì½ºÆ®>;
      • "²Þ ¼Ó¿¡ »ì°í ½Í¾î"
      • "¸ÞÇǽºÅäÀÇ ¼¼·¹³ªµ¥(Vous qui faites l¡¯endormie)", bass. Nicolai Ghiaurov
      • "º´»çµéÀÇ ÇÕâ"
      • "º¸¼®ÀÇ ³ë·¡(Ah! je ris de voir)", sop.Juliane Banse
      • "½ÅÀº ³»°Ô ¹» ¿øÇϽô°¡(Mais ce Dieu)", ten.Placido Domingo
      • "¿ÐÃ÷"
      • "Àáµç ô ÇÏ´Â ±×´ë(Vous qui faites l¡¯endorie)"
      • "Á¤°áÇÑ Áý(Salut! demeure chaste et pure)", ten.Jose Carreras
      • "Åø·¹ÀÇ ¿Õ(Il etait un roi de Thule)"-¸¶¸£°Ô¸®Å¸ÀÇ ¾Æ¸®¾Æ:2, sop.Montserrat Caballe
      • "Ȳ±Ý¼Û¾ÆÁöÀÇ ³ë·¡(Le veau d¡¯or)", bass-bar. Erwin Schrott
  59. ±¸³ë, ¿ÀÆä¶ó <Ç÷óÆ®(Polyeucte)>;
      • "´ÞÄÞÇÑ º½³¯ÀÌ¿©(Source delicieuse)", ten.Jose Carreras
  60. ±¸³ë, Æä´ÞÇǾƳëÇùÁÖ°î, Eb, CG.534, Roberto Prosseda(pedal piano), 19m
  61. ±¸³ë, È£¸¥À» À§ÇÑ 6°³ÀÇ ¸á·Îµð(Six melodies pour le Cor a Pistons)
  62. ±¸·¹Ã÷Ű, ±³Çâ°î 3, Op.36, "½½ÇÄÀÇ ³ë·¡ ±³Çâ°î(Symphony of Sorrowful Songs)", 53m$, $ Dawn Upshaw(Sop.),London Sinfonietta/David Zinman, * Henryk Gorecki(1933-2010 Polish)
  63. ±¸ºñ,·çÀÌ Å׿Àµµ¸£, ½ÅÆ÷´Ï¿¡Å¸, D, Op.80, * Louis Theodore Gouvy(1819-1898 French)
  64. ±¸¾Æ½ºÅ¸ºñ³ë, Ä«¸¦·Î½º, ¼º¾Ç°î "Àå¹Ì¿Í ¹öµå³ª¹«(La rosa e el sauce)", Carlos Guastavino(b.1912 Argentine)
  65. ±¼´Ù, ÿ·ÎÇùÁÖ°î, 32m, cf) °Áî ½ºÅ¸ÀÏ
  66. ±×¶ó³ªµµ½º, °í¿¡½ºÄ«½º(Goyescas) 1Áý, ÇǾƳë°î, ¿ÀÆä¶ó·Î ¸¸µë
  67. ±×¶ó³ªµµ½º, °í¿¡½ºÄ«½º 2Áý
  68. ±×¶ó³ªµµ½º, ¼º¾Ç°î "°í¾ßÀÇ ¸¶ÇÏ(La Maja de Goya)", # sop.Kathleen Battle
  69. ±×¶ó³ªµµ½º, ¼º¾Ç°î "¿µ¿øÇÑ ½½ÇÄ(Elegia eterna)", sop.Margaret Price
  70. ±×¶ó³ªµµ½º, ½ºÆäÀÎ ¹«°î(12°³ÀÇ), /Op.37-2 "¿À¸®¿£Å»" 10m /Op.37-5, 5m
  71. ±×¶ó³ªµµ½º, ½ÃÀûÀÎ ¿ÐÃ÷(Valses Poeticos), Op.10
  72. ±×¶ó³ªµµ½º, ½ÃÀûÀÎ Àå¸éµé(Escenas Poeticas: Book I), 10m
  73. ±×¶ó³ªµµ½º, ¾È´Þ·ç½Ã¾Æ(Andaluza)
  74. ±×¶ó³ªµµ½º, ÇǾƳë3ÁßÁÖ°î, 29m
  75. ±×¶ó³Ä´Ï, ±âŸ 3ÁßÁÖ°î, D, Op.12, * Filippo Gragnani(1768-1820 Italian Guitarist&)
  76. ±×¶ó³Ä´Ï, ¹ÙÀ̿ø°, Ŭ¶ó¸®³Ý°ú µÎ ´ëÀÇ ±âŸ¸¦ À§ÇÑ 4ÁßÁÖ°î, A, Op.8, Consortium Classicum
  77. ±×¶ó¿ìÇÁ³Ê, °üÇö¾Ç ¸ðÀ½°î(Suite for Flute, Viola d'Amore and Chalumeau ), F, GWV.450, 1) Ouverture, 2) Air en Gavotte, 3) Hornepipe, 4) Air en Sarabande, 5) Air en Polonaise, 6) Air en Menuet, 21m#, * Christoph Graupner(1683-1760 German, Baroque)
  78. ±×¶ó¿ìÇÁ³Ê, °üÇö¾Ç ¸ðÀ½°î(Suite for Flute, Viola d'Amore, 2 Chalumeaux and Horn), F, GWV.451; 1) Overture, 2) Air, 3) Sarabande, 4) Menuet, 5) Marche, 6) Chaconne
  79. ±×¶ó¿ìÇÁ³Ê, °üÇö¾Ç ¸ðÀ½°î(Viola d'Amore and Bassoon), G, GWV.458, 25m, 1) Overture, 2) Air, 3) Tempo di Sarabande, 4) Tempo di Bourree I-II, 5) Air: Largo, 6) Menuet I-II, # Finnish Baroque Orchestra/Sirkka-Liisa Kaakinen-Pilch
  80. ±×¶ó¿ìÇÁ³Ê, ÇùÁÖ°î, C, GWV.302, 10m
  81. ±×¶ó¿ìÇÁ³Ê, Entrada per La Musica di Tavola for strings, g, GWV.468
  82. ±×¶ó¿î,¿äÇÑ °íƲ¸®ÇÁ, Concerto Concertata for Viola da Gamba, WV A:XIII:14, 24m#, * Johann Gottlieb Graun(1703-1771 German Baroque/Classical)
  83. ±×¶ó¿î,¿äÇÑ °íƲ¸®ÇÁ, ¹ÙÀ̿ø°ÇùÁÖ°î, A, Daniel Sepec(vn),Wiener Akademie/Martin Haselbock
  84. ±×¶ó¿î,¿äÇÑ °íƲ¸®ÇÁ, Trio per Cembalo obligato e Viola, c, 22m
  85. ±×¶ó¿î,Ä® ÇÏÀθ®È÷, Å× µ¥¿ò(Te Deum), Te Deum: early Christian hymn, * Carl Heinrich Graun(1704-1759 German)
  86. ±×¶õÀÚ´Ï,¸¶¸£¼¿, ÇÏÀ̵ç ÁÖÁ¦¿¡ ÀÇÇÑ ÇÏÇÁ¸¦ À§ÇÑ È¯»ó°î, * Marcel Grandjany(1891-1975 French-born American Hrp)
  87. ±×·¹¹ö, ¼º¾Ç°î "»ç¶ûÇÑ´Ù°í ¸»Çß¾úÁÒ(Te quiero, dijiste)", Placido Domingo(Ten), * Maria Grever(1885-1951 Mexican:F)
  88. ±×·¹¹ö, ¼º¾Ç°î "¾à¼ÓÇØÁà(Jurame)", ten.Juan Diego Florez
  89. ±×·¹Ã¤´Ï³ëÇÁ, ¼ö³­ÁÖ°£(Passion Week), Op.58 * Alexander Tikhonovich Grechaninov 1) Behold, the Bridegroom 2) I see Thy bridal chamber 3) In Thy Kingdom 4) Gladsome Light 5) Let my prayer be set forth 6) Now the powers of heaven 7) At Thy mystical supper 8) The wise thief 9) Thou who clothest Thyself 10) The Lord is God... The noble Joseph 11) Weep not for me, O Mother 12) As many of you ... Arise, O God 13) Let all mortal flesh
  90. ±×·¹¹ö,¸¶¸®¾Æ, ¼º¾Ç°î "ÁÁ¾ÆÇÑ´Ù°í ¸»Çß¾î(te quiero, dijiste)" * Maria Grever(1894-1951 Mexican)
  91. ±×·¹Æ®¸®,¾Óµå·¹, Suite Rococo, Vc&orch. * Andre-Ernest-Modeste Gretry(1741-1813 Belgian-French)
  92. ±×·¹Æ®¸®,¾Óµå·¹, ÇÃ·çÆ®ÇùÁÖ°î, C
  93. ±×·ÎÆä, ±×·£µå ij³â ¸ðÀ½°î, °üÇö¾Ç ¸ðÀ½°î, 32m, $ New York Philharmonic/Leonard Bernstein, * Ferde Grofe(1892-1972 American)
  94. ±×·ÎÆä, ¹Ì½Ã½ÃÇÇ ¸ðÀ½°î
  95. ±×¸®°í¸®¿ì,ÁÒÁö, ¿ÀÆä¶ó <´Ù´ººê °­>; * George Grigoriu(1927-1999 Romanian)
      • "À½¾ÇÀÌ¿©(Muzica)"
  96. ±×¸®±×, 2°³ÀÇ ºÏÀ¯·´ ¼±À²(Two Nordic Melodies: In Folk Style), Op.63, 8m#
  97. ±×¸®±×, °¡°î "°íÇâÀ¸·Î °¡´Â ±æ"
  98. ±×¸®±×, °¡°î "±×´ë¸¦ »ç¶ûÇØ(Ich Liebe dich)", bar.Hermann Prey
  99. ±×¸®±×, °¡°î "´ÞÆØÀÌ", Op.69-4
  100. ±×¸®±×, °¡°î "µå¶óÅ©¸¸ÀÇ 6°³ÀÇ ½Ã(Seks Digte f Holger Drachmann)", Op.49; 1) º½ºñ(spring rain), No.6
  101. ±×¸®±×, °¡°î "ºñ´Ï¿¡ ½Ã¿¡ ºÙÀÎ 12°³ÀÇ ³ë·¡(Tolv Melodier til Digte af Aasmund Olavsson Vinje)", Op.33; 1) º½(spring), No.2, 2) °³¿ï µû¶ó(along a stream), No.5
  102. ±×¸®±×, °¡°î "¾î¸°ÀÌ ³ë·¡(Barnlige Sange)", Op.61; 1) ºÎ¸£´Â ¼Ò¸®(call); Bjornson, No.3
  103. ±×¸®±×, °¡°î "6°³ÀÇ ³ë·¡(Seks Sange)", Op.48; 1) Àλç(greeting); Heinrich Heine, 2) ¾î´À ³¯ ³ªÀÇ »ó³äÀº(one day, my thought); Emanuel Geibel, 3) ¼¼»óÀÇ º¯È­(the way of the world); Ludwig Uhland, 4) Á¶¿ëÇÑ ³ªÀÌÆÃ°ÔÀÏ(the secretive Nightingale); Vogelweide, 5) Àå ¹ÌÀÇ °èÀý(the time of roses); Johann Wolfgang von Goethe), 6) ²Þ (a dream)
  104. ±×¸®±×, °¡°î "¿µÈ¥ÀÇ ³ë·¡(Hjertets Melodier af H.C.Andersen)", Op.5; 1) µÎ °³ÀÇ °¥»ö ´«(two brown eyes), No.1, 2) ±×´ë¸¦ »ç¶ûÇØ(I love you), No.3
  105. ±×¸®±×, °¡°î "ÀÔ¼¾ÀÇ 6°³ÀÇ ½Ã(Seks Digte af Henrik Ibsen)", Op.25; 1) ¹éÁ¶ (swan); Henrik Ibsen, No.2, 2) ¼ö·Ã°ú ÇÔ²²(with a waterlily); Henrik Ibsen, No.4
  106. ±×¸®±×, °¡°î "Å©¶óÅ©ÀÇ ½Ã(Digte af Vilhelm Krag)", Op.60; 1) ±â´Ù¸®´Â µ¿¾È (while I wait), No.3
  107. ±×¸®±×, °¡°î "ÆÄ¿ï¼¾ÀÇ 5°³ÀÇ ½Ã(Fem Digte af John Paulsen)", Op.26; 1) Èñ¸Á (Hope), No.1
  108. ±×¸®±×, °¡À»ÀÇ ÆøÇ³, Op.18-4, ÈÄ¿¡ ÀÌ °îÀ» °üÇö¾ÇÀ» À§ÇÑ ¿¬ÁÖȸ¿ë ¼­°î('°¡À»¿¡', Op.11)À¸·Î ÀÛ°î
  109. ±×¸®±×, ±³Çâ°î, c, 37m
  110. ±×¸®±×, ±³ÇâÀû ¹«°î(Symphonic Dance), Op.64
  111. ±×¸®±×, ³ë¸£¿þÀÌ¾È ´í½º
  112. ±×¸®±×, ·Î¸Á½º(Romancer), Op.39, 1) ÇÉÄ¡¿À ¾ð´öÀ¸·Î ºÎÅÍ(from monte Pincio); Bjornson, No.3
  113. ±×¸®±×, ¸ðÀ½°î(Çö¾ÇÇÕÁÖ¸¦ À§ÇÑ), "Ȧº£¸£Å© ¸ðÀ½°î", Op.40,5°î ±¸¼º, ¹ÙÈå½Ã´ëÀÇ µ§ ¸¶Å© Ȧº£¸£Å© ³²ÀÛ Åº»ý 200Áֳ⠱â³ä ÀÛ°î
  114. ±×¸®±×, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, F, Op.8, 22m$ 1M>ÁøÁÖó·³ ºû³­´Ù´Â Æò°¡, 3VSÁß 3¹øÀÌ À¯¸í
  115. ±×¸®±×, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, G, Op.13, 21m#, Oleg Kagan(vn)/Sviatoslav Richter(pf)
  116. ±×¸®±×, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, c, Op.45, 44¼¼(1887)¿¡ ÀÛ°î, 2¹ø¿¡ ºñÇØ ¹ÎÁ·Àû ¿ä¼Ò°¡ ¿ÏÈ­µÇ¾î ÀÖ°í º¸Æí¼ºÀ» ¶ì°í ÀÖÀ½, 24m
  117. ±×¸®±×, »êó³à;°¡¸£º¸¸® ½Ã¿¡ ºÙÀÎ ³ë·¡Áý(Haugtussa(The Mountain Maid); Song cycle to poems by Arne Gaborg), Op.67; 1) À¯È¤(enticement), 2)¼Ò ³à(the little maiden), 3) ºí·çº£¸® ºñÅ»±æ(Blueberry slope), 4) ¸¸³²(the encounter), 5) »ç¶û(love), 6) ¾î¸° ¿°¼ÒµéÀÇ Ãã(kids' dance), 7) ½½Ç ³ª³¯(sorrowful day), 8) °³Æ² ½Ã³Á°¡¿¡¼­(at Gjatle brook)
  118. ±×¸®±×, ¼­Á¤ ¸ðÀ½°î(Lyric Pieces), ±×¸®±×°¡ ÀÛ°îÇÑ 66°îÀÇ ¼­Á¤ ¼Òǰ Áß 4°îÀ» »Ì¾Æ ³ë¸£¿þÀÌÀÇ ¾Æ¸§´Ù¿î dz°æÀ» ¹¦»çÇÏ´Â °üÇö¾Ç°îÀ¸·Î Æí°î
  119. ±×¸®±×, ¼­Á¤ ¼Ò°îÁý 8(Lyric Pieces: Book 8), Op.65; 1) From early years 2) Peasant's song 3) Melancholy 4) Salon 5) Ballad 6) Wedding day at Troldhaugen
  120. ±×¸®±×, ¼º¾Ç°î "±×´ë¸¦ »ç¶ûÇØ"
  121. ±×¸®±×, ¼º¾Ç°î "º½(Varen)", bar.Harald Bjoerkoey
  122. ±×¸®±×, ¼º¾Ç°î "½ÃÀÎÀÇ °íº°", ms.Monica Groop/Roger Vignoles(pf)
  123. ±×¸®±×, ¿¬ÁÖȸ¿ë ¼­°î(°üÇö¾ÇÀ» À§ÇÑ), Op.11, "°¡À»¿¡"
  124. ±×¸®±×, ÿ·Î¼Ò³ªÅ¸, a, Op.36, 28m
  125. ±×¸®±×, Æä¸£ ±ÏÆ®, Á¦1 ¸ðÀ½°î, Op.46, 4°î±¸¼º, 1) ¾ÆÄ§±âºÐ, 2) ¿ÀÁ¦ÀÇ Á×À½, 3) ¾Æ´ÏÆ®¶óÀÇ Ãã, 4) »ê¼Ó ¸¶¿ÕÀÇ Àü´ç¿¡¼­, Gothenburg Symphony Orchestra/Neeme Jaervi
  126. ±×¸®±×, Æä¸£ ±ÏÆ®, Á¦2 ¸ðÀ½°î, Op.55, 4°î±¸¼º, 1) À×±Û¸®µåÀÇ Åº½Ä 2) ¾Æ¶óºñ¾ÆÀÇ Ãã 3) Æä¸£±ÏÆ®ÀÇ ±ÍÇâ 4) ¼Öº£ÁöÀÇ ³ë·¡
  127. ±×¸®±×, ÇǾƳë¼Ò³ªÅ¸, e, Op.7 >Glenn Gould $
  128. ±×¸®±×, ÇǾƳëÇùÁÖ°î, a, Op.16, /Arthur Rubinstein #&
  129. ±×¸®±×, Çö¾Ç4ÁßÁÖ°î, g, Op.27, 32m#, ³ë¸£¿þÀ̱¹¹Î°¨°¢ Ç¥Çö, g,FÁß g°¡ À¯¸í, Guarneri Quartet
  130. ±×¸®±×, "Ȧº£¸£±×ÀÇ ½Ã´ë·ÎºÎÅÍ(Fra Holbergs tid)" ¸ðÀ½°î(Holberg Suite), Op.40, * 5°³ÀÇ °îÀ¸·Î ±¸¼º- 1) ÀüÁÖ°î(Praeludium) 2) »ç¶ó¹æµå(Sarabande) 3) °¡º¸Æ®¿Í ¹¿Á¦Æ®(Gavotte et Musette) 4) ¿¡¾î(Air:¿¡¸£,¾Æ¸®¾Æ) 5) ¸®°íµ¿(Rigaudon)
  131. ±×¸®ÇÁ½º,Âû½º Å踰½¼, ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ ½Ã°î(Poem for Flute and Orchestra), A.93, 10m$, # Scott Goff(fl),Seattle Symphony/Gerard Schwarz, * Charles Tomlinson Griffes(1884-1920 American)
  132. ±×¸°,¸ð¸®½º, ¼­°î 3, C, * Maurice Greene(1696-1755 English)
  133. ±×¸°,¸ð¸®½º, ¼­°î 5
  134. ±Û·¡½º,Çʸ³, ±³Çâ°î 4, "¿µ¿õ(Heroes)", 44m, American Composers Orchestra/Dennis Russell Davies, * Philip Glass(1937- American)
  135. ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 1, E, Op.5, "Slavyanskaya", 33m, Royal Scottish National Orchestra/Jose Serebrier
  136. ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 3, D, Op.33, 49m#, * Alexander Glazunov(1865-1936 Russian)
  137. ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 5, Bb, Op.55, 36m, # Royal Scottish National Orchestra/Jose Serebrier
  138. ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 6, c, Op.58, 42m#, USSR Ministry of Culture Symphony Orchestra/Gennady Rozhdestvensky
  139. ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 7, F, "Àü¿ø(Pastoral)", 36m
  140. ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 8, Eb, Op.83, 47m
  141. ±Û¶óÁÖ³ëÇÁ, µ¿¾çdzÀÇ ±¤½Ã°î(Oriental Rhapsody for Large Symphony Orchestra), Op.29, 25m
  142. ±Û¶óÁÖ³ëÇÁ, Mazurka-oberek(¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ), D
  143. ±Û¶óÁÖ³ëÇÁ, ¸í»ó°î, Op.32
  144. ±Û¶óÁÖ³ëÇÁ, "¹Ù´Ù(La Mer)", °üÇö¾Ç°î, Op.28, 15m
  145. ±Û¶óÁÖ³ëÇÁ, ¹ÙÀ̿ø°ÇùÁÖ°î, a, Op.82, 21m, 1) Leila Josefowicz(Vn),Montreal Symphony Orchestra/Charles Dutoit, 2) Jascha Heifetz(vn),RCA Victor Symphony Orchestra/Walter Hendl
  146. ±Û¶óÁÖ³ëÇÁ, ¹ß·¹ÀÇ Àå¸é(Scenes de Ballet), Op.52, °üÇö¾Ç°î, 28m
  147. ±Û¶óÁÖ³ëÇÁ, ºñ°¡(Elegie for Viola and Piano), Op.44, 5m, Michael Kugel(va), Boris Berezovsky(pf)
  148. ±Û¶óÁÖ³ëÇÁ, »ç°è(The Seasons), ¹ß·¹¸ðÀ½°î, Op.67, 1¸·4Àå ¹«°î, 1) °Ü¿ï- ¼­¸® ¾óÀ½ ½Î¶ó±â´« µî 4°³ÀÇ º¯ÁÖ°î 2) º½ 3)¿©¸§- µµ±úºñ ºÎä¿Í ¾ç±ÍºñÀÇ ¿ùÃ÷, ¹î³ë·¡ 4) °¡À»- ¹ÙÄ«³¯, °¡À»ÀÇ ¸ÚÁø ¼öÈ®ÀÇ ÃàÁ¦, # Philharmonia Orchestra/Evgeny Svetlanov
  149. ±Û¶óÁÖ³ëÇÁ, ¼­»ç½Ã(Poeme epique), Op.posth., 15m#
  150. ±Û¶óÁÖ³ëÇÁ, ¼­Á¤Àû ½Ã(Poeme lyrique), Op.12, °üÇö¾Ç°î
  151. ±Û¶óÁÖ³ëÇÁ, ½½¶óºê ÃàÁ¦(Une fete slave), Op.26, °üÇö¾Ç°î, 12m, Moscow Symphony Orchestra/Konstantin Krimets
  152. ±Û¶óÁÖ³ëÇÁ, Äܼ­Æ® ¿ÐÃ÷ 1(Concert Waltz), D, Op.47, Orchestra of the Suisse Romande/Kazuki Yamada
  153. ±Û¶óÁÖ³ëÇÁ, Å©·½¸°(The Kremlin), Op.30, °üÇö¾Ç°î, 27m$, # Moscow Symphony Orchestra/Konstantin Krimets
  154. ±Û¶óÁÖ³ëÇÁ, ÇǾƳëÇùÁÖ°î 1, f, Op.92, 35m
  155. ±Û¶óÁÖ³ëÇÁ, ÇǾƳëÇùÁÖ°î 2, B, Op.100, 18m
  156. ±Û¶óÁÖ³ëÇÁ, È£¸¥°ú ÇǾƳ븦 À§ÇÑ "²Þ"(Reverie for horn and piano), Db, Op.24
  157. ±Û·¡½º,Çʸ³, ¹ÙÀ̿ø°ÇùÁÖ°î 2, "The American Four Seasons", 42m /Gidon Kremer * Philip Glass(1937- American)
  158. ±Û·è, ¼º¾Ç°î "¿À ³ªÀÇ °¨¹Ì·Î¿î »ç¶û(O del mio dolce ardor)", bar. Renato Bruson
  159. ±Û·è, ½ÅÆ÷´Ï¾Æ, G, 6m
  160. ±Û·è, "¾Æ¿ï¸®µ¥ÀÇ ÀÌÇǰԳ×À̾Æ" ¼­°î(Iphigenie en Aulide: Suite)
  161. ±Û·è, ¿À¸£Æä¿À¿Í ¿¡¿ì¸®µðü(Orpheus and Eurydice), ¹ß·¹À½¾Ç; /"Dance of the Blessed Spirits", /"¿¡¿ì¸®µðü ¾øÀÌ ¾î¶»°Ô »ì¾Æ°¡³ª(Che faro senza Euridice)"
  162. ±Û·è, ¿ÀÆä¶ó <¾Ëü½ºÅ×(Alceste)>; /"½ºÆ½½ºÀÇ ½Å(Divinite du Styx)"
  163. ±Û·è, ¿ÀÆä¶ó <¿À¸£Æä¿À¿Í ¿¡¿ì¸®µðü(Orpheus and Eurydice)>; ¼­°î
      • "³ªÀÇ À¯¸®µðü´Â ¾îµð¿¡(Che faro senza Euridice)",# contralto/Kathleen Ferrier
      • "¸¼Àº ÇÏ´ÃÀÌ¿©(Che puro ciel!)"
  164. ±Û·è, ¿ÀÆä¶ó <ÆÄ¸®µ¥¿Í ¿¤·¹³ª(Paride and Elena)>;
      • "¿À °¨¹Ì·Î¿î ³ªÀÇ »ç¶û(O! del mio dolce ardor)", bar.Renato Bruson
  165. ±Û¸®½º,¾Æ¼­, ÇǾƳëÇùÁÖ°î,¹Ì±¹Àû À½¾ÇÀ» ÅëÇØ ¹Ì ¿µ ¿ìÈ£ÁõÁø¿¡ ³ë·Â
  166. ±Û¸®¿¡¸£, È£¸¥ÇùÁÖ°î, Bb, Op.91, 23m * Reinhold Gliere(1875-1956 Russian)
  167. ±Û¸®¿¡¸£, Humoresque for Bassoon and Piano, Op.35-8
  168. ±Û¸µÄ«, ·ç½º¶õ°ú ·çµå¹Ð¶ó(Ruslan and Ludmilla): ¼­°î
  169. ±Û¸µÄ«, ºñâ 3ÁßÁÖ°î(Trio pathetique), d, 16m
  170. ±Û¸µÄ«, ¼º¾Ç°î "°¡³­ÇÑ ½ÃÀÎ", contralto.Lina Mkrtchyan
  171. ±Û¸µÄ«, ¼º¾Ç°î "³­ ¸ÚÁø ¼ø°£À» ±â¾ïÇÕ´Ï´Ù", $, sop. Galina Gorchakova
  172. ±Û¸µÄ«, ¼º¾Ç°î "¿©ÇàÀÇ ³ë·¡", bar.Sergei Leiferkus
  173. ±Û¸µÄ«, ¼º¾Ç°î "ÀǽÉ(Doubt)"
  174. ±Û¸µÄ«, ¼º¾Ç°î "Á¾´Þ»õ", Sergei Leiferkus(Bar)
  175. ±Û¸µÄ«, ¾È´ÜÅ× Ä­Å¸ºô·¹¿Í ·Ðµµ, d, 18m
  176. ±Û¸µÄ«, ¾ß»ó°î(Nocturne), Eb, Pf, Hp, Xavier de Maistre(hp)
  177. ±âÀ¯¸Í, Ä«ÇÁ¸®Ä¡¿À 2, ¹ÙÀ̿ø° °î, 5m * ·çÀÌ °¡ºê¸®¿¤ ±âÀ¯¸Í(Louis Gabriel Guillemain:1705-1770)
  178. ±æ¹þÆ® & ¼³¸®¹ø, ¼º¾Ç°î, "I have a song to sing."
  179. ±æ¹þÆ® & ¼³¸®¹ø, ¿ÀÆä¶ó <°ïµ¹¶ó »ç°ø(Gondoliers)>; /"Take a pair of sparkling eyes"
  180. ±î¸£ÅÚ¸®¿¡¸®, ±³Çâ°î 2, E, 11m, Antonio Cartellieri(1772-1807 Polish-Austrian)
  181. ±î¸£ÅÚ¸®¿¡¸®, ±³Çâ°î 3, C, 23m
  182. ³ª¸£µð´Ï(ÇÇ¿¡Æ®·Î), ¼Ò³ªÅ¸, D, Vn & Pf, 15m * Pietro Nardini(1722-1793 Italian:&vn)
  183. ³ªÀÚ·¹½º(¿¡¸£³×½ºÅä), Brazilian Dances, Brejeiro(Àå³­±â ¾î¸°), ÇÇ¾Æ³ë µ¶ÁÖ°î * Ernesto Nazareth(1863-1934 Brazilian &pianist)
  184. ³×µå¹ß, ½½Ç ¿ÐÃ÷: ¹ß·¹ ÆÇÅ丶ÀÓ "Àè¿¡ ´ëÇÑ µ¿È­" Áß(Valse Triste from ballet pantomime "A Fairy Tale about Jack"), ½Ç³»¾Ç, * Oskar Nedbal(1874-1930 Czech Va)
  185. ³×Å©,Ç츣¸¸, Å©½ÃÄÚ½ºÀÇ ¿ìÆí¸¶Â÷(Csikos Post), * Hermann Necke(1850-1912 German)
  186. ³Ú½¼, ¼º¾Ç°î "Make a Rainbow", Marilyn Horne(Ms), * Portia Nelson(1920-2001 American popular singer/F)- songwriter, cf) The Sound of Music (1965)
  187. ³ëÀÌÄÞ,Áö±â½º¹®Æ®, ¿µ¿õÀû ´ë±³Çâ°î(Grande Sinfonie heroique), Op.19, 24m * Sigismund von Neukomm(1778-1858 Austria)
  188. ´ÏÄݶóÀÌ, ¿ÀÆä¶ó <À©ÀúÀÇ À¯ÄèÇÑ ¾Æ³«³×µé(Die Lustigen Weiber von Windsor)>; ¼­°î,
      • "±×¸®ÇÏ¿© ±×³¯ ¹ãÀÇ À¯ÄèÇÑ ¼Ò±ØÀº...(So hat denn der schwank der frohlichen Nacht...)"-3:Çdz¯·¹, sop. Edith Mathis, ms. Hanna Schwarz, sop. Helen Donath, bass. Kurt Moll
      • "´ÞÀÇ ÇÕâ"
      • "µé¾îºÁ, Á¾´Þ»õ°¡ ÀÛÀº ½£¿¡¼­ ³ë·¡ÇØ(Horch, die Lerche singt im Hain)"-2:ÆæÅæÀÇ ¾Æ¸®¾Æ, ten.Peter Schreier
      • "¹ÏÀ» ¼ö ¾ø±º »·»·½º·¯¿î Àΰ£(Nein, das ist wirklich doch zu keck)"-1:ÇÃ·çÆ® ºÎÀΰú ¶óÀÌÈ÷ ºÎÀÎÀÇ 2Áßâ, sop.Edith Mathis, ms.Hanna Schwarz
      • "»¡·¡Åë¿¡´Ù°¡?(In einem Waschkorb?)"-2:ÇÃ·çÆ®¾¾¿Í ÆÈ½ºÅ¸ÇÁÀÇ 2Áßâ, bar. Bernd Weikl, bass. Kurt Moll
      • "¾ö¸¶ ǰ ¼ÓÀÇ °³±¸ÀïÀÌ ¶§ºÎÅÍ(Als Bueblein klein an der Mutter Brust)"-2:ÆÈ½ºÅ¸ÇÁÀÇ ¾Æ¸®¾Æ(Drinking Song), bass.Kurt Moll, º£¸¦¸° µµÀÌÄ¡ ±¹¸³¿ÀÆä¶ó ÇÕâ´Ü
      • "¿À ¾Æ¸§´Ù¿î ´ÞÀÌ¿©(O susser Mond)"-3:ÇÕâ, º£¸¦¸° µµÀÌÄ¡ ±¹¸³¿ÀÆä¶ó ÇÕâ´Ü
      • "ÆÈ½ºÅ¸ÇÁ(Falstaff)ÀÇ ¼ú³ë·¡"
      • "ÆæÅæ! ³» »ç¶û ¾È³ª!(Fenton! Mein Maedchen)"-2:ÆæÅæ°ú ¾È³ªÀÇ »ç¶ûÀÇ 2Áßâ, ten. Peter Schreier, sop. Helen Donath
  189. ´Ò¼¾, ±³Çâ°î 1, g, Op.7, 33m >London Symphony Orchestra/Colin Davis, * Carl August Nielsen(1865-1931 Danish)
  190. ´Ò¼¾, ±³Çâ°î 2, Op.16, "³× °¡Áö ±âÁú(The Four Temperaments)", 32m, $ New York Philharmonic/Alan Gilbert
  191. ´Ò¼¾, ±³Çâ°î 3, Op.27, "È®Àå±³Çâ°î(Sinfonia espanziva)", 35m # Nancy Wait Kromm(Sop),Kevin McMillan(Bar),San Francisco Symphony/Herbert Blomstedt
  192. ´Ò¼¾, ±³Çâ°î 4, Op.29, "ºÒ¸ê(Inextinguishable)", 35m, # BBC Symphony Orchestra/Andrew Davis
  193. ´Ò¼¾, ±³Çâ°î 5, Op.50, 34m#, BBC Symphony Orch./Andrew Davis
  194. ´Ò¼¾, ¹ÙÀ̿ø°ÇùÁÖ°î, Op.33,36m
  195. ´Ò¼¾, »ç¶ûÀÇ Âù°¡
  196. ´Ò¼¾, ¾È°³´Â È帣°í, ÇÃ·çÆ®°î
  197. ´Ò¼¾, ¿Àº¸¿Í ÇǾƳ븦 À§ÇÑ 2°³ÀÇ È¯»ó°î(Fantasy Pieces(2) for Oboe and Piano), FS.8/Op.2
  198. ´Ò¼¾, ÀÛÀº ¸ðÀ½°î(Little Suite), a, Op.1, 15m
  199. ´Ò¼¾, Áö¹æ¿¡¼­ÀÇ ¼¼·¹³ªÅ¸(Serenata in Vano), FS.68(1914), 7m
  200. ´Ò¼¾, ÇÃ·çÆ®ÇùÁÖ°î
  201. ´Ò¼¾, Ç︮¿À½º ¼­°î(Helios Overture), Op.17
  202. ´Ò¼¾, Çö¾Ç4ÁßÁÖ°î, g, Op.13, 26m
  203. ´Ò¼¾, Çö¾Ç5ÁßÁÖ°î, G, FS.5, 25m#, Tim Frederiksen(va)/The Young Danish String Quartet
  204. ´Ùºñµå,Æä¸£µð³­Æ®, Æ®·Òº»ÇùÁÖ°î(Trombone Concertino), Eb, Op.4, * Ferdinand David(1810-1873 German Vn &comp)
  205. ´Ù¿ï·£µå, ´«¹°ÀÇ ÆÄ¹Ý(Lachrimae antiquae pavan), Daniel Taylor(countertenor),Andreas Martin(lute),Les Voix Humaines, * John Dowland(1563-1626 English)
  206. ´Ù¿ï·£µå, µ§¸¶Å© ¿ÕÀÇ °¡À̾߸£(The King of Denmark's Galliard), ½Ç³»¾Ç, Christoph Denoth(Guitar)
  207. ´Ù¿ï·£µå, ¶óÅ©¸®¸Þ ¶Ç´Â 7°³ÀÇ ´«¹°(Lachrimae or Seven Tears), 26m, Elizabeth Kenny(lute)
  208. ´Ù¿ï·£µå, ¼º¾Ç°î "Come Again", ct.Iestyn Davies/Thomas Dunford (lute)
  209. ´Ù¿ï·£µå, ¼º¾Ç°î "Me, Me and None but Me", ct.Andreas Scholl
  210. ´Ù¿ï·£µå, ¼º¾Ç°î "Shall I sue?"
  211. ´Ù¿ï·£µå, ¼º¾Ç°î "Time Stands Still", ct. Daniel Taylor
  212. ´Ù¿ï·£µå, ¼º¾Ç°î "Weep you no more sad fountains"
  213. ´Ù¿ï·£µå, ¼º¾Ç°î "³»°¡ Á¶±Ýµµ Á¶±ÞÇÏÁö ¾Ê´Ù¸é(What If I never Speed)", sop.Kathleen Battle/Christopher Parkening(gt)
  214. ´Ù¿ï·£µå, ¼º¾Ç°î "´ÞÄÞÇÑ »ç¶ûÀÌ¿©, ´Ù½Ã µ¹¾Æ¿Í¿ä(Come Again! Sweet Love Doth Now Invite)"
  215. ´Ù¿ï·£µå, ¼º¾Ç°î "Èê·¯¶ó, ³» ´«¹°ÀÌ¿©(Flow, My Tears, Fall From Your Springs)"
  216. ´Ù¿ï·£µå, Dance Suite, 14m, Buffalo Guitar Quartet
  217. ´Ù¿ï·£µå, ÀëÆÛ ´Ù¿ï·£µå ÀëÆÛ µ¹·»½º(Semper Dowland semper dolens), P.9, 7m, Paul O'Dette(Baroque Lute)
  218. ´Ù¿ï·£µå, Sir Henry Umptons Funeral
  219. ´ÜÄ¡, 5ÁßÁÖ°î, Bb, Op.51-1, 13m; * Franz Danzi(1763-1826 German vc)
  220. ´ÜÄ¡, °ü¾Ç5ÁßÁÖ°î, Bb, Op.56-1, 13m
  221. ´ÜÄ¡, °ü¾Ç5ÁßÁÖ°î, Eb, Op.67-3, 16m#, Albert Schweitzer Quintett
  222. ´ÜÄ¡, ¹Ù¼øÇùÁÖ°î, F, 18m
  223. ´ÜÄ¡, Ŭ¶ó¸®³Ý°ú ÇÃ·çÆ®¸¦ À§ÇÑ ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×, Bb, Op.41, 20m#, Robert Dohn(fl),Dieter Klocker(cl),Academy of St. Martin in the Fields/Iona Brown
  224. ´Þ¶ó, ¼º¾Ç°î "Ä«·ç¼Ò(Caruso)", ten. Luciano Pavarotti, * Lucio Dalla(1943-2012 Italian singer)
  225. ´Þ¶ó¹ÙÄÚ,ÁÖ¼¼Æä Ŭ·¹¸àÅ×, ÿ·Î¼Ò³ªÅ¸, d, ABV.35, Giuseppe Clemente Dall'Abaco(1710-1805 Italian)
  226. ´Þ¶óÇÇÄݶó, ±âµµ
  227. ´Þ¶óÇÇÄݶó, ÀÛÀº ¾ß»ó°î,¼¾º£¸£Å©ÀÇ 12À½±â¹ý »ç¿ë
  228. ´óµð, 3ÁßÁÖ°î 2, G, Op.98, (Pf Vn Vc), * Vincent d'Indy(1851-1931 French)
  229. ´óµð, ±³Çâ°î(ÇÁ¶û½º »ê»ç¶÷µé¿¡ ÀÇÇÑ)(Symphony On A French Mountain Air), Op.25, $ Francois-Joel Thiollier(Pf),National Symphony Orchestra of Ireland/Antonio de Almeida
  230. ´óµð, ´Ùä·Î¿î ÄÚ¶ö(Choral varie), Op.55, ÇùÁÖ°î, 11m, Theodore Kerkezos(saxophone),London Symphony Orchestra/Yuri Simonov
  231. ´óµð, Ŭ¶ó¸®³Ý/¹ÙÀ̿ø°, ÇǾƳë, ÿ·Î¸¦ À§ÇÑ 3ÁßÁÖ°î, Bb, Op.29, 35m#, Amici Ensemble
  232. µ¥ ¶ó ¸¶ÀÚ(·¹Áö³ë ¼¼ÀÎÁî), ¾È´Þ·çÀÚ(Andaluza), 3m, ±âŸ°î, * Regino Sainz de la Maza(1896-1981 Spanish Guitarist &comp)
  233. µ¥ Å©·¹¼¾Á¶(De Crescenzo), ¼º¾Ç°î "Á¦ºñ´Â µ¹¾Æ¿À°Ç¸¸(Rondine al nido)"
  234. µ¥ Å©·çƼ½º, ¼º¾Ç°î "°¡À»", * Ernesto De Curtis(1875-1937 Italian)
  235. µ¥ Å©·çƼ½º, ¼º¾Ç°î "±×´ë¸¦ ³Ê¹«³ª »ç¶ûÇØ (Ti voglio tanto bene)"
  236. µ¥ Å©·çƼ½º(De Curtis), ¼º¾Ç°î "³Í ¿Ö ¿ïÁö ¾Ê°í(Tu ca nun chiagne)", Giuseppe di Stefano(Ten)
  237. µ¥ Å©·çƼ½º(De Curtis), ¼º¾Ç°î "µ¹¾Æ¿À¶ó ¼Ò·»Åä·Î(Torna a surriento)", # ten.Luciano Pavarotti
  238. µ¥ Å©·çƼ½º, ¼º¾Ç°î "¹°¸ÁÃÊ:³ª¸¦ ÀØÁö ¸»¾Æ¶ó(Non ti scordar di me)" /Ferruccio Tagliavini #&
  239. µ¥À̺ñµå,Á¸, ¼º¾Ç°î "You are the new day." * John David(1946- Welsh)
  240. µ¥ÇÁ·¹,Á¶½ºÄ», ¼º¸ð ¸¶¸®¾Æ ¹Ì»ç(Missa "Ave Maris Stella), 33m#, Taverner Choir/Andrew Parrott(cond), * Josquin des Prez(1450/1455-1521)
  241. µ¥ÇÁ·¹,Á¶½ºÄ», Three Chansons
  242. µ§Â÷, ¼º¾Ç°î "±×´ë°¡ ³¯ ÀÌÇØÇÑ´Ù¸é(Si vous l¡¯aviez compris)", ten. Jose Carreras, * Luisi Denza(1846-1922)
  243. µ§Â÷, ¼º¾Ç°î "¸ÅȤÀÇ ´«(Occhi di fata)" $, ten.Luciano Pavarotti
  244. µ§Â÷, ¼º¾Ç°î "»ç¶ûÀÇ µÎ·Á¿ò(J'ai peur de l¡¯aimer)", sop. Joan Sutherland
  245. µ§Â÷, ¼º¾Ç°î "Funiculi-Funicula", ten.Giuseppe di Stefano
  246. µ¨¶óÄí¾Æ,¿¡¹Ù, ¼º¾Ç°î "¸ñ°¡(Villanelle)", sop. Rita Streich, * Eva Dell'Acqua(1856-1930 Belgian &singer)
  247. µ¨¸®¿ì½º, °üÇö¾Ç°î "¹ã¿¡(At Night)", 8m# * Frederick Delius(1862-1934 English)
  248. µ¨¸®¿ì½º, °üÇö¾Ç°î "ºê¸®±×ÀÇ À峯-¿µ±¹ ±¤½Ã°î(Brigg Fair: An English Rhapsody)", 16m
  249. µ¨¸®¿ì½º, °üÇö¾Ç°î "¾ÖÆÈ¶óÄ¡¾Æ(Appalachia)", 38m, ¼º¾Ç°î Appalachia: Sir Thomas Beecham(arranger) * Frederick Delius(1862-1934 English)
  250. µ¨¸®¿ì½º, °üÇö¾Ç°î "¾ð´ö ³Ê¸Ó Àú ¸Ö¸®(Over the Hills and Far Away)", 13m, $ Royal Philharmonic Orch./Sir Thomas Beecham
  251. µ¨¸®¿ì½º, °üÇö¾Ç°î "¿©¸§ ³ë·¡(A Song of Summer)", 11m
  252. µ¨¸®¿ì½º, °üÇö¾Ç°î "¿©¸§ Á¤¿ø¿¡¼­(In a Summer Garden)", 15m $
  253. µ¨¸®¿ì½º, °üÇö¾Ç°î "Àϸô(Sunset-Near the Plantation)", 10m
  254. µ¨¸®¿ì½º, ¿ÀÆä¶ó <·Î¹Ì¿À¿Í ÁÙ¸®¿§ ¸¶À»(A Village Romeo and Juliet)>; "The Walk to the Paradise Garden"
  255. µ¨¸®¿ì½º, Ç÷θ®´Ù ¸ðÀ½°î; "Daybreak - Dance", "By the River", "Sunset - Near the Plantation", "At Night"
  256. µ¨¸®¿ì½º, ÿ·ÎÇùÁÖ°î, 1921ÀÛ°î,24m (Frederick Delius,b.1862 ¿µ±¹)
  257. µµ³ª¿ìµð, ¼º¾Ç°î "±×¸®¿î ¾ó±¼/¾Æ¸§´Ù¿î ±×´ë¸ð½À(Vaghissima sembianza)", ten. Carlo Bergonzi, * Stefano Donaudy(1879-1925 Naples)
  258. µµ³ª¿ìµð, ¼º¾Ç°î "ºÒ¾î¶ó »êµé¹Ù¶÷(Spirate pur spirate)", sop.Emma Rosati
  259. µµ³ª¿ìµð, ¼º¾Ç°î "¿À ±×¸®¿î ³» »ç¶û(O del mio amoto ben)"
  260. µµ´ÏÁ¦Æ¼, ±³Çâ°î, D, 19m
  261. µµ´ÏÁ¦Æ¼, ±³Çâ°î, d, 22m$, Failoni Chamber Orchestra/Geza Oberfrank
  262. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "´«¹°(Una lacrima)"
  263. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¹Ù´Ù ÇÑ °¡¿îµ¥ Áý ÇÑ Ã¤ Áö¾úÀ¸¸é"
  264. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¹î»ç°ø(Il Barcaiolo)", sop.Eva Mei
  265. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¹î»ç¶÷ÀÇ »ç¶û(Amor marinano)"
  266. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "ºÒ±æÇÑ »ç¶û(L'amor funesto)"
  267. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¾Æ¸§´Ù¿î ÁýÀ» °®°í ½Í¾î(Me voglio fa'na casa)", 1) ten.Jose Carreras 2) ten.sCarlo Bergonzi
  268. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¾î¸Ó´Ï¿Í ¾ÆÀÌ(La mere et l¡¯enfant)", ten.Rolando Villazon
  269. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¤½ÃÀÇ ¿©ÀÎ(La Zingara)"
  270. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "ź½Ä(Il sospiro)"
  271. µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "Ȳȥ(Le crepuscule)"
  272. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <µ· ÆÄ½ºÄå·¹(Don Pasquale)>;
      • "4¿ùÀÇ ¹ãÀº ¾ó¸¶³ª ¾Æ¸§´Ù¿îÁö(Com¡¯e gentil)", ten.Luciano Pavarotti
      • "°í¿äÇÔ ¼Ó¿¡"
      • "±× ´«±æÀÌ ±â»çÀÇ ¸¶À½À» »ç·ÎÀâ¾Æ(Quel guardo il cavaliere)", sop.Angela Gheorghiu
      • "´Ù½Ã Çѹø »ç¶ûÀÇ ¸»À»(Tornami a dir)"-¿¡¸£³×½ºÅä¿Í ³ë¸®³ªÀÇ 2Áßâ, sop.Barbara Hendricks/ten.Luca Canonici
  273. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¶ó ÆÄº¸¸®Å¸(La Favorita)>;
      • "·¹¿À³ë¶ó, ±×ÀÇ »ç¶û¿¡ ´äÇÏ¿©..."
      • "·¹¿À³ë¶ó¿©, ¿À¶ó"
      • "ºÎµå·¯¿î ¿µÈ¥ÀÌ¿©(Spirito gentil)"
      • "¿À, ³ªÀÇ Æä¸£³­µµ¿©(O mio Fernando)", ms. Fiorenza Cossotto
      • "À§´ëÇÑ »ç¶ûÀ» À§ÇØ ÀÀ´äÇØ ÁÖ¿À"
  274. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¶÷¸Þ¸£¹«¾îÀÇ ·çÄ¡¾Æ(Lucia di Lammermoor)>;
      • "°¨¹Ì·Î¿î ±×ÀÇ À½¼ºÀÌ µé·Á¿À³×(Il dolce suono mi colpi di sua voce)"-3:±¤¶õÀÇ Àå¸é, Maria Callas(Sop)
      • "³ª´Â Á×À½ÀÇ Ç°¿¡ ¾È°ÜÀÖ´Ù"
      • "³ªÀÇ ÇѼûÀ» »êµé¹Ù¶÷¿¡ ½Ç¾î(Verranno a te sull¡¯aure)"
      • "³¯°³¸¦ Æì°í Çϴ÷Π°£ ±×´ë¿©(tu che a dio spiegasti l¡¯ali)"
      • "³» Á¶»óÀÇ ¹«´ýÀÌ¿©"
      • "½ÅºÎµéÀÇ ÇÕâ"
      • "ÀÌ ¼ø°£ ¹«¾ùÀÌ ³ªÀÇ ºÐ³ë¸¦ ¸ØÃß°Ô ÇÒ °ÍÀΰ¡?(Chi mi frena in tal momento?)"-2: °áÈ¥¼­¾à Àå¸é~6Áßâ, ·çÄ¡¾Æ:Joan Sutherland(Sop) /¿¡µå°¡¸£µµ:Luciano Pavarotti(Ten) /¿£¸®ÄÚ:Sherrill Milnes(Bar) /¾Æ¸£Åõ·Î:Ryland Davies(Ten) /¶óÀ̸óµµ:Nicolai Ghiaurov(Bass) /¾Ë¸®»ç:Huguette Tourangeau(Mezzo-Sop), Royal Opera House Covent Garden Orchestra & Choir/Richard Bonynge
      • "ÁÖÀ§´Â ħ¹¬¿¡ Àá±â°í(regnava nel silenzio)"
      • "ÇâÀº ÇǾî¿À¸£°í"
  275. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <·çÅ©·¹Ä¡¾Æ º¸¸£ÀÚ(Lucrezia Borgia)>;
      • "±×´Â ÆòÈ­·Ó°Ô ½¬°í"
      • "´ç½ÅÀº »ç¶÷ÀÇ ¸ð½ÀÀ» ÇÑ Ãµ»ç"
      • "ÀÌ ¾ó¸¶³ª ¾Æ¸§´Ù¿î°¡"
      • "ÇູÀÇ ºñ¹ÐÀ» °æÇè¿¡¼­ ¹è¿ì°í(Il segreto per esser felici)", ms. Shirley Verrett/RCA ÀÌÅ»¸®¾Æ³ª ÇÕâ´Ü
  276. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <»ç¶ûÀÇ ¹¦¾à(Liebestrank)>;
      • "µé¾îº¸¿À, µé¾îº¸¿À, ¸¶À» »ç¶÷µé(Udite, udite, o rustici)"-µÑÄ«¸¶¶óÀÇ ¾Æ¸®¾Æ$, bar.Fernando Corena
      • "¾ó¸¶³ª ¾Æ¸§´Ù¿î°¡! ¾ó¸¶³ª »ç¶û½º·¯¿î°¡(Quanto e bella, quanto e cara)"$, /ten.Luciano Pavarotti#&
      • "¿¾³¯¿¡ ÆÄ¸®½º°¡ ÇÑ °Íó·³"
      • "À¯È¤ÇÏ´Â »êµé¹Ù¶÷¿¡°Ô ¹°¾îº¸¼¼¿ä(Chiedi all¡¯aura lusinghiera)"-³×¸ð¸®³ë¿Í ¾Æµð³ªÀÇ 2Áßâ, sop.Kathleen Battle, ten.Luciano Pavarotti
  277. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <»þ¸ð´ÏÀÇ ¸°´Ù>;
      • "¾Æ, ³Ê¹« Å« ±â´ë¿´³ª...ÀÌ ¸¶À½ÀÇ ºû"
      • "¿À ´ç½ÅÀº ³» ¸¶À½ÀÇ ºû(O luce di quest¡®anima)", sop.Ruth Ann Swenson
  278. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¾È³ª º¼·¹³ª(Anna Bolena)>;
      • "±¤¶õÀÇ Àå¸é"
      • "°íÇâÀÇ ¼ºÀ¸·Î µ¥·Á´Ù ÁÖ¿À"
      • "³» ¸¶À½À» µé¿©´Ù º¸½Ã´Â ÇÏ´À´Ô(Dio che me vedi in core)"-2:¾È³ª¿Í Á¶¹Ý³ªÀÇ 2Áßâ
      • "³» ¼Õ¿¡ ¶³¾îÁø ±×ÀÇ ´«¹°ÀÌ(Io senti sulla mio mano)"-1:¾È³ª ¹× ¸®Ä«¸£µµ µîÀÇ 5Áßâ
      • "´ç½Å ¶³°í ÀÖ³ª¿ä..(Tremate voi? ...si tremo)"
      • "´ç½ÅÀÇ ½½ÇÄÀº ¹Ì¼Òó·³ ¾Æ¸§´ä°í(Deh! non voler constringere)"-1:½º¸ÞÅæÀÇ ·Î¸Á½º
      • "ÀþÀº ³¯¿£ ¼øÁøÇß¾úÁö(Come, innocente giovane)"-¾È³ªÀÇ ¾Æ¸®¾Æ
  279. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¾Ë¹Ù(Alba) °øÀÛ)>;
      • "¼ø°áÇÏ°í ¾Æ¸§´Ù¿î õ»ç¿©"
  280. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¿¬´ëÀÇ µþ>;
      • "±×·¸°Ô µÇ¾ú³×..ÇÁ¶û½º ¸¸¼¼(C¡¯en est donc fait.. Salut a la France)"-sop.Natalie Dessay
  281. µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <ÄÉ´Ò¿ö½º ¼ºÀÇ ¿¤¸®ÀÚº£Å¸(Elisabetta al castello di Kenilworth)>;
      • "±×°¡ ³»°Ô ´Ù½Ã ¸»ÇÏ´Â µí(Par che mi dica ancora)"
  282. µµ´ÏÁ¦Æ¼, À×±Û¸®½¬ È¥ ÄÜü¸£Æ¼³ë(Concertino for English Horn), G, 11m
  283. µµ¸£³Ú,·çÀÌ ¾ÓÆ®¿Ï, ¸ðÀ½°î(Suitte en Trio for chamber ensemble), e, * Louis-Antoine Dornel(1685-1765 French)
  284. µµ¸£³Ú,·çÀÌ ¾ÓÆ®¿Ï, ¸ðÀ½°î(Suitte), a, 11m
  285. µµ¸®¾Æ, ¼º¾Ç°î "Ȳ±Ýºû ¹Ð¹çÀÇ ³ë·¡"
  286. µµ½ºÅ»,´ÏÄÚ, ¼º¾Ç°î "»ç¶÷µéÀº ¶§¶§·Î ¿©ÇàÀ» ÇØ¾ß µÅ¿ä(Man muss mal ab und zu verreisen)", * Nico Dostal(1895-1981 Austrian)-operetta & film music
  287. µµ½¼,Àª¸®¾ö, ÈæÀÎ ¹Î¿ä ±³Çâ°î(Negro Folk Symphony), 36m, Detroit Symphony Orchestra/Neeme Jarvi, * William Dawson(1899-1990 American)
  288. µµÇ÷¯,ÇÁ¶õÃ÷, ¾È´ÜÅ×¿Í ·Ðµµ, (Fl,Vn,Pf), * Franz Doppler(1821-1883 Polish &Fl) Flute ÀÛǰÀ¸·Î À¯¸í
  289. µµÇ÷¯,ÇÁ¶õÃ÷, Çë°¡¸® Àü¿ø ȯ»ó°î, Op.26
  290. µµÈ峪´Ï, Pastorale on a Hungarian Christmas Song, WoO, 6m * Erno (Ernst von) Dohnanyi(1877-1960 Hungarian)
  291. µµÈ峪´Ï, Çë°¡¸® ¸ñ°¡(Ruralia hungarica for Orchestra(5)), Op.32b:No.1, 8m, Danubia Symphony Orchetra/Domonkos Heja, cf) /Ruralia hungarica (7) for Piano, Op.32a, /Ruralia hungarica (5) for Orchestra, Op.32b, /Ruralia hungarica (3) for Violin and Piano, Op.32c, /Ruralia hungarica for Cello and Piano, Op.32d
  292. µÎ¶õÅ×,ÇÁ¶õü½ºÄÚ, ¼º¾Ç°î "»ç¶ûÀÌ °¡µæ Âù ¼º¸ð(Vergin tutto amor)", sop.Charlotte Margiono, * Francesco Durante(1684-1755 Neapolitan:Italian)
  293. µÎ¼¼Å©,¶óµð½½¶óÇÁ, ÇǾƳëÇùÁÖ°î, C, Op.29, 23m, * Jan Ladislav Dussek(1760-1812 Czech)
  294. µÎ¼¼Å©,¶óµð½½¶óÇÁ, ÇǾƳëÇùÁÖ°î, g, Op.49
  295. µÎ¼¼Å©,¶óµð½½¶óÇÁ, ÇǾƳëÇùÁÖ°î, Eb, Op.70, 30m
  296. µÚ·òÇ÷¹, ·¹Äû¿¥, Op.9, 38m * Maurice Durufle(1902-1986,French)
  297. µÚÄ«, ¸¶¼ú»çÀÇ Á¦ÀÚ(The Sorcerer¡¯s Apprentice), °üÇö¾Ç°î, ±«Å×ÀÇ ½Ã¸¦ ¹¦»ç, # London Symphony Orch./Leopold Stokowski, * Paul Dukas(1865-1935 French)
  298. µÚÄ«, Æú¸®À¡Å×(Polyeucte), °üÇö¾Ç°î
  299. µÚÆÄ¸£Å©, °¡°î "·ÎÀÚ¸ùµå °ü"(Le Manoir de Rosamonde), Robert de Bonnie` res(P)
  300. µÚÆÄ¸£Å©, °¡°î "½½Ç ³ë·¡"(Chanson Triste), Jean Lahor(P)
  301. µÚÆÄ¸£Å©, °¡°î "¿©Çà¿¡ÀÇ ÃÊ´ë"(L'Invitation au Voyage), Charles Baudelaire(P)
  302. µÚÆÄ¸£Å©, °¡°î "Àü»ý"(La ie Ante'rieure), Charles Baudelair(P)
  303. µÚÆÄ¸£Å©, °¡°î "ȲȦ"(Extase), Jean Lahor(P)
  304. µÚÆÄÀÌ, ÄܽºÅºÆ¼³ëÇÃÀ» À§ÇÑ ¾Ö°¡(Lamentatio sanctae matris ecclesiae Constantinopolitanae), * Guillaume DuFay(1397-1474 French)
  305. µÚÆ÷¸£, Àå »ß¿¡¸£, ÿ·Î¼Ò³ªÅ¸ 1, d * Jean-Pierre Duport(1741-1818:classical French Vc)
  306. µÚÇø®,ÀÚÅ©, La Damanzy, 5m, Yves Prefontaine(harpsichord), * Jacques Duphly(1715-1789 French harpsichordist)
  307. µÚÇø®,ÀÚÅ©, Medee, Yves Prefontaine(harpsichord)
  308. µÚÇø®,ÀÚÅ©, Æ÷¸£Å©·¹(La Forqueray), 5m, Skip Sempe(harpsichord)
  309. µå º£¸®¿À,»þ¸¦, ¹ÙÀ̿ø°ÇùÁÖ°î 5, D, Op.55, 15m, Philippe Quint(vn)/Slovak Radio Symphony Orchestra/Kirk Trevo, * Charles-Auguste de Beriot(1802-1870 Belgian)
  310. µåº¸¸£ÀÛ, 7°³ÀÇ °£ÁÖ°î(Seven Interludes for small orchestra), B.15,23m#3, Russian Philharmonic Orchestra/Dmitry Yablonsky
  311. µåº¸¸£ÀÛ, ±³Çâ°î 1, c, Op.3, "Áñ·Î´ÏüÀÇ Á¾(Bells of Zlonice)",51m
  312. µåº¸¸£ÀÛ, ±³Çâ°î 2, Bb, Op.4, 54m
  313. µåº¸¸£ÀÛ, ±³Çâ°î 3, Eb, Op.10, 38m, Berlin Philharmonic Orchestra/Rafael Kubelik
  314. µåº¸¸£ÀÛ, ±³Çâ°î 4, d, Op.13, 40m, # London Symphony Orchestra/Istvan Kertesz
  315. µåº¸¸£ÀÛ, ±³Çâ°î 5, F, Op.76, 28m
  316. µåº¸¸£ÀÛ, ±³Çâ°î 6, Op.60, ºê¶÷½º dz¿¡ º¸Çì¹Ì¾ÈÀÇ Ç³(ƯÈ÷ 3m)À» °áÇÕ, 43m, # Baltimore Symphony Orchestra/Marin Alsop
  317. µåº¸¸£ÀÛ, ±³Çâ°î 7, d, Op.70, 37m #3 $1) London Philharmonic Orchestra/Carlo Maria Giulini, 2) Bournemouth Symphony Orchestra/Jose Serebrier, 3) London Symphony Orchestra/Istvan Kertesz
  318. µåº¸¸£ÀÛ, ±³Çâ°î 8, G, Op.88, "¿µ±¹±³Çâ°î", Ä·ºê¸®Áö¿¡¼­ ÇÐÀ§ÃëµæÈÄ ¿¬ÁÖ, S9 ´ÙÀ½À¸·Î À¯¸í, Czech Philharmonic Orchestra/Vaclav Talich
  319. µåº¸¸£ÀÛ, ±³Çâ°î 9, e, Op.95, "½Å¼¼°è", 2M>²Þ ¼ÓÀÇ °íÇâ, $ Czech Philharmonic Orchestra/Karel Ancerl
  320. µåº¸¸£ÀÛ, ±³ÇâÀûº¯ÁÖ°î(Symphonic Variations), Op.78, ½½¶óºêÀû °¡¶ô, 23m#
  321. µåº¸¸£ÀÛ, ³¶¸¸Àû ¼Òǰ(4°³ÀÇ), Op.75, Vc¿Í Pf·Îµµ Æí°î ¿¬ÁÖ, # Renaud Capucon(Vn)/Khatia Buniatishvili(Pf)
  322. µåº¸¸£ÀÛ, ·Î¸Á½º(¹ÙÀ̿ø°°ú ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ), f, Op.11
  323. µåº¸¸£ÀÛ, ·Ðµµ(ÿ·Î¿Í ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ), g, Op.94, #
  324. µåº¸¸£ÀÛ, ¸ð¶óºñ¾Æ 2Áßâ(Moravian Duets), Op.32; 4) ½½Çľø´Â À̺°, sop. Genia Kuehmeier/ms. Bernarda
  325. µåº¸¸£ÀÛ, ¸ðÀ½°î, A, Op.98b, "American", 16m
  326. µåº¸¸£ÀÛ, ¹Ì»ç(Mass for soloists, mixed chorus, and orchestra), D, Op.86, 39m
  327. µåº¸¸£ÀÛ, ¹°±Í½Å(The Water Goblin), Op.107, 20m#, °üÇö¾Ç°î, $ London Symphony Orchestra/Istvan Kertesz
  328. µåº¸¸£ÀÛ, 2´ëÀÇ ¹ÙÀ̿ø°°ú ºñ¿Ã¶ó¸¦ À§ÇÑ 3ÁßÁÖ(Terzetto for 2 Violins and Viola), C, Op.74, Josef Suk & Miroslav Ambros(Vn),Karel Unterm?ller(Va)
  329. µåº¸¸£ÀÛ, ¹ÙÀ̿ø° ¼Ò³ªÅ¸, F, Op.57, 24m
  330. µåº¸¸£ÀÛ, ¹ÙÀ̿ø° ¼Ò³ªÆ¼³ª, G, Op.100, "Àεð¾ð ¾Ö°¡(Indian Lament)", 17m, Wolfgang Schneiderhan(vn)/Walter Klien(pf)
  331. µåº¸¸£ÀÛ, ¹ÙÀ̿ø°ÇùÁÖ°î, a, Op.53, {$Anne-Sophie Mutter(vn),Berlin Philharmonic Orchestra/Manfred Honeck}
  332. µåº¸¸£ÀÛ, ¹ß¶óµå, d, Op.15, Vn & Pf
  333. µåº¸¸£ÀÛ, º¸Çì¹Ì¾ÆÀÇ ½£¿¡¼­(From the Bohemian Forest), Op.68
      • "1) Á¦»ç½Ç¿¡¼­(In the Spinning-Room)"
      • "2) ¾îµÎ¿î È£¼ö°¡¿¡¼­(By the Black Lake)"
      • "3) ¸¶³àÀÇ ¾È½ÄÀÏ(Witches' Sabbath)"
      • "4) ¸Á´ë¿¡¼­(On the Watch)"
      • "5) °í¿äÇÑ ½£(Silent Woods)"
      • "6) ½Ã²ô·¯¿î ÇÑ ¶§(In Troubled Times)"
  334. µåº¸¸£ÀÛ, »çÀ°Á¦¼­°î, Op.92, C87
  335. µåº¸¸£ÀÛ, ¼º¾Ç°î "¾î¸Ó´Ô²²¼­ °¡¸£ÃÄ ÁֽŠ³ë·¡(Songs my mother taught me)", Op.55:4
  336. µåº¸¸£ÀÛ, ¼º¾Ç°î "ÀÛÀº º½²É(Eine kleine Fruehlingsweise)"
  337. µåº¸¸£ÀÛ, ¼¼·¹³ªµ¥(ÇöÀ» À§ÇÑ), E, Op.22, 28m
  338. µåº¸¸£ÀÛ, ¼¼·¹³ªµ¥, d, Op.44, 23m,
  339. µåº¸¸£ÀÛ, ½£ÀÇ ºñµÑ±â, Op.110, 19m, Scottish National Orchestra/Neeme Jarvi
  340. µåº¸¸£ÀÛ, ½ºÄɸ£Á¶ Ä«ÇÁ¸®Ä¡¿À¼Ò(Scherzo capriccioso), Op.66 $
  341. µåº¸¸£ÀÛ, ½ºÅ¸¹ÙÆ® ¸¶Å׸£(Stabat Mater), Op.58, 10°î ±¸¼º, 85ms
  342. µåº¸¸£ÀÛ, ½½¶óºê ±¤½Ã°î 2, g, Op.45-2, 11m
  343. µåº¸¸£ÀÛ, ½½¶óºê ±¤½Ã°î 3, Ab, Op.45-3, 12m
  344. µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 1, C, Op.46-1, (Furiant), °üÇö¾Ç°î, °¢°¢ 8°îÀ¸·Î ±¸¼ºµÈ Op.46, Op.72 µÎ °³ÀÇ ÀÛǰÀÌ ÀÖÀ½ (No.1, No.8 > C87)
  345. µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 2, e, Op.46-2, (Dumka), °üÇö¾Ç°î
  346. µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 3, Ab, Op.46-3, (Polka), °üÇö¾Ç°î
  347. µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 4, F, Op.46-4, (Sousedska), # Cleveland Orchestra/Christoph Von Dohnanyi
  348. µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 10, e, Op.72-2, (Starodavny), 5m, $ 1) Cleveland Orchestra/George Szell, 2) Budapest Festival Orchestra/Ivan Fischer
  349. µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 12, Db, Op.72-4, (Dumka), $ Czech Philharmonic Orchestra/Vaclav Neumann
  350. µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 16, Ab, Op.72-8, (Sousedska), 8m
  351. µåº¸¸£ÀÛ, ¿À¼¿·Î ¼­°î, Op.93, °üÇö¾Ç°î, 14m
  352. µåº¸¸£ÀÛ, ¿ÀÆä¶ó <·ç»ìÄ«>; * ·ç»ìÄ«°¡ Àΰ£¼¼°èÀÇ »ç¶÷°ú ¸ø ÀÌ·é »ç¶ûÀ» Ç¥Çö
      • "´Þ¿¡°Ô ±â¿øÇÏ´Â ³ë·¡"
      • "´ÞÀÇ ¿äÁ¤"
      • "º¸Çì¹Ì¾ÆÀÇ ¿äÁ¤"
      • "Àººû ´ÞÀÌ¿©"
      • "ÇÑ ¹øµµ º» Àû ¾ø´Â ¾Æ¸§´Ù¿î ¸ð½À(Vidino divna, p?esladka)"-¿ÕÀÚÀÇ ¾Æ¸®¾Æ, ten.Piotr Beczala
  353. µåº¸¸£ÀÛ, ¿µ¿õÀÇ ³ë·¡(Heroic song), Op.111, °üÇö¾Ç°î, 20m, BBC Symphony Orchestra/Jiri Belohlavek
  354. µåº¸¸£ÀÛ, ¿ùÃ÷, Op.54-4
  355. µåº¸¸£ÀÛ, À¯¸ð·¹½ºÅ©, ÇǾƳë°î, Op.101-7
  356. µåº¸¸£ÀÛ, Àεð¾È ·¯¸àÆ®,¹ÙÀ̿ø°°î, Op.100, V&Pf C 2MÀ» Ŭ¶óÀ̽½·¯°¡ V·Î Æí°î
  357. µåº¸¸£ÀÛ, Àü¼³(10 Legends), Op.59, °üÇö¾Ç°î, 43m#, English Chamber Orchestra/Rafael Kubelik, cf) $Op.59-4
  358. µåº¸¸£ÀÛ, Á¶¿ëÇÑ ½£¼Ó(Silent Woods), °üÇö¾Ç°î, Op.68-5 >, from (From the Bohemian Forest, Op.68); C40
  359. µåº¸¸£ÀÛ, üÄÚ ¸ðÀ½°î(Czech Suite), Op.39
  360. µåº¸¸£ÀÛ, ÿ·ÎÇùÁÖ°î, b, Op.104 > C40, $ Andre Navarra(vc)/New Symphony Orchestra of London/Rudolf Schwarz
  361. µåº¸¸£ÀÛ, Ãø¹é³ª¹«(Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ), B.152, ¿¬ÀÛ °¡°îÁß 12°îÀ» Çö¾Ç4ÁßÁÖ·Î ¸¸µë, ¾Çº¸¿¡´Â "³ë·¡ÀÇ ¸Þ¾Æ¸®"¶ó°í ÀûÇô ÀÖÀ½, 1) ´ÞÄÞÇÑ »ç¶û 2) »ç¶ûÀº °ð Á×À½ 3) ºÎµå·¯¿î ±×´ë ´«µ¿ÀÚ 4) ½½Ç ¿ì¸® »ç¶û 5) ±×´ëÀÇ ÆíÁö¸¦ ãÀ¸¸ç 6) ¸ÅȤÀûÀÎ ³ë¶õ Àå¹Ì¿© 7) ±× Áý ¾ÕÀ» ¼­¼ºÀ̸ç 8) ³ª ¿©±â, ¾îµÎ¿î ½£ ¼Ó¿¡¼­ 9) ³» »ç¶û ¿ÀÁ÷ ±×´ë »Ó 10) Ãß¾ïÀÇ ÀÚ¸® 11) ¸ðµÎ Àáµç ÈÄ 12) ³» ³ë·¡ÀÇ Àǹ̸¦ ¹¯´Â ±×´ë
  362. µåº¸¸£ÀÛ, ÇǾƳë3ÁßÁÖ°î 2, g, Op.26, 32m, $ Beaux Arts Trio
  363. µåº¸¸£ÀÛ, ÇǾƳë3ÁßÁÖ°î 3, f, Op.65, üÄÚÀÇ ÀúÇ׿½Ã´ë¿¡ ÀÛ°î(1883), ÇâÅä»ö
  364. µåº¸¸£ÀÛ, ÇǾƳë3ÁßÁÖ°î 4, e, Op.90, "µÒŰ(Dumky)" >ºñ°¡
  365. µåº¸¸£ÀÛ, ÇǾƳë4ÁßÁÖ°î 2, Eb, Op.87, 35m
  366. µåº¸¸£ÀÛ, ÇǾƳë5ÁßÁÖ°î, A, Op.81, 39m, $ Menahem Pressler(Pf)/Emerson String Quartet, Sviatoslav Richter(pf)/Borodin Quartet
  367. µåº¸¸£ÀÛ, ÇǾƳëÇùÁÖ°î, g, Op.33,41m, # Stephen Hough(pf),City of Birmingham Symphony Orchestra/Andris Nelsons
  368. µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 10, Eb, Op.51, 32m, $ Emerson String Quartet
  369. µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 11, C, Op.61, 39m
  370. µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 12, F, Op.96, "¾Æ¸Þ¸®Ä«", $µåº¸¸£ÀÛ ½Ç³»¾ÇÁß °¡Àå À¯¸í
  371. µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 13, G, Op.106
  372. µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 14, Ab, Op.105 >Emerson String Quartet
  373. µåº¸¸£ÀÛ, Çö¾Ç5ÁßÁÖ°î 2, G, Op.77, Vn1 Vn2 Va Vc¿¡ ´õºíº£À̽º Ãß°¡, 41m$, $ Marlboro Festival Ensemble
  374. µåº¸¸£ÀÛ, Çö¾Ç5ÁßÁÖ°î 3, Eb, Op.97
  375. µåº¸¸£ÀÛ, Ȳ±Ý ¹°·¹(The Golden Spinning-Wheel), Op.109, 28m, $ Berlin Philharmonic Orchestra:Sir Simon Rattle
  376. µåºß½Ã, °¥»ö¸Ó¸® ¼Ò³à(La fille aux cheveux de lin)
  377. µåºß½Ã, ±¤½Ã°î(Ŭ¶ó¸®³ÝÀ» À§ÇÑ), ¹ãÀÇ ±âºÐÀ» ½ÃÀûÀ¸·Î Ç¥Çö * Claude Debussy(1862-1918 French)
  378. µåºß½Ã, ±³Çâ°î, b, 11m, arranger:Tony Finno, National Orchestra of Lyon/Jun Markl
  379. µåºß½Ã, ±³ÇâÀû ¸ðÀ½°î "º½(Printemps)", 17m
  380. µåºß½Ã, ±â»ÝÀÇ ¼¶(L'Isle joyeuse), Pf(Sviatoslav Richter)
  381. µåºß½Ã, ·»Å亸´Ù ´õ ´À¸®°Ô(La plus que lente), Pf
  382. µåºß½Ã, ¸ñ½ÅÀÇ ¿ÀÈÄ¿¡ÀÇ ÀüÁÖ°î,±³Çâ½Ã°î,ÀλóÆÄ À½¾ÇÀÇ Ã¢½ÃÀÚ,°¨°¢ Áß¿ä½Ã
  383. µåºß½Ã, ¹Ù´Ù(La Mer)-3°³ÀÇ ±³Çâ¾ÇÀû ½ºÄÏÄ¡, 24m
  384. µåºß½Ã, ¹ÙÀ̿ø°¼Ò³ªÅ¸, G, 17m
  385. µåºß½Ã, ¹éÀϸù(Reverie), °üÇö¾Ç°î
  386. µåºß½Ã, º£¸£°¡¸¶½ºÅ© ¸ðÀ½°î(Suite bergamasque), 1) ÀüÁÖ°î(Prelude) 2) ¹ÌÀ¯¿¡Æ®(Menuet) 3) ´Þºû(Clair de lune) 4) ÆÄ½ºÇÇ¿¡(Passepied)
  387. µåºß½Ã, ¼º ¼¼¹Ù½ºÂùÀÇ ¼ø±³(Martyrdom of St. Sebastian: Symphonic Fragments), °üÇö¾Ç°î,
  388. µåºß½Ã, ¼º¾Ç°î "³ªºñ(Les papillons)", sop. Sandrine Piau
  389. µåºß½Ã, ¼º¾Ç°î "´Þºû(Claire de lune)" $
  390. µåºß½Ã, ¼º¾Ç°î "¸¸µ¹¸°"
  391. µåºß½Ã, ¼º¾Ç°î "¾Æ¸§´Ù¿î Àú³á"
  392. µåºß½Ã, ¼º¾Ç°î "Àú³áÀÇ Çϸð´Ï(Harmonie du Soir)"
  393. µåºß½Ã, ¼º¾Ç°î "Áß±¹Ç³ÀÇ ·Ðµµ(Rondel Chinois)"
  394. µåºß½Ã, ½Ãµù½º(¹«¹ÝÁÖ ÇÃ·çÆ®¸¦ À§ÇÑ); ¸ñ½ÅÀ» À§ÇÏ¿©,Ææ½Å?,3m
  395. µåºß½Ã, ¾Æ¶óº£½ºÅ© 1, ÇǾƳë°î
  396. µåºß½Ã, ¾Æ¶óº£½ºÅ© 2
  397. µåºß½Ã, ¾ß»ó°î, °üÇö¾Ç°î, 27m, ¼¼¹øÂ° °î ¼¼·¹³×½º´Â º¸Ä®¸®½º·Î ³ë·¡µÊ, $ Ambrosian Singers,Philharmonia Orchestra/Michael Tilson Thomas
  398. µåºß½Ã, ¾î¸°ÀÌ ¼¼°è, ÇÇ¾Æ³ë ¸ðÀ½°î, 6°î±¸¼º; 1) ±×¶óµÎ½º ¾Æµå ÆÄ¸£³ª¼û ¹Ú»ç(Doctor Gradus ad Parnassum), 2) Áüº¸ÀÇ ÀÚÀå°¡(Jimbo's Lullaby)(Áüº¸´Â ½´½´ÀÇ ÄÚ³¢¸® ÀÎÇü), 3) ÀÎÇüÀ» À§ÇÑ ¼¼·¹³ªµ¥(Serenade for the Doll), 4) ´«¼ÛÀ̰¡ ÃãÃá´Ù(The snow is dancing), 5) ¾î¸° ¾çÄ¡±â(The little Shepherd), 6) °ñ¸®¿ö±×ÀÇ ÄÉÀÌÅ©¿öÅ©(Golliwogg's Cake-walk)
  399. µåºß½Ã, ¿µ»ó 1Áý, °üÇö¾Ç°î, 1) ¹°¿¡ ºñÄ¡´Â ±×¸²ÀÚ 2) ¶ó¸ð¸¦ Âù¾çÇϸç 3) ¿òÁ÷ÀÓ * 2): ÇÁ¶û½º°¡ ³ºÀº õÀç ¶ó¸ð¿¡ ´ëÇÑ ¼­Á¤Àû ½ÉÁ¤
  400. µåºß½Ã, ¿µ»ó 2Áý, 1) ÀÙ»õ¿¡ È帣´Â Á¾¼Ò¸® 2) ȲÆóÇÑ Àý¿¡ °É¸° ´Þ 3) ±Ýºû °í±â
  401. µåºß½Ã, ¿µ¿õÀÇ ÀÚÀå°¡, 1Â÷´ëÀü½Ã µ¶ÀÏ¿¡ ´ëÇ×ÇÏ´Â º§±â¿¡ ±¹¿ÕÀÇ ¿µ¿õÀû ¸ð½À ¹¦»ç
  402. µåºß½Ã, À¯Èñ(Jeux), °üÇö¾Ç°î, 18m, # London Symphony Orchestra/Valery Gergiev
  403. µåºß½Ã, ÀÛÀº ¸ðÀ½°î(Petite Suite), L.65, 12m $ National Orchestra of Lyon/Jun Markl
  404. µåºß½Ã, Àå³­°¨ »óÀÚ(La Boite a Joujoux (The Box of Toys)), L.128, 33m, # London Symphony Orchestra/Michael Tilson Thomas, Montreal Symphony Orchestra/Charles Dutoit
  405. µåºß½Ã, ÀüÁÖ°î 1Áý, ÇǾƳë°îÁý, 12°î
  406. µåºß½Ã, ÀüÁÖ°î 2Áý, ÇǾƳë°îÁý, 12°î, 3,5,6,8,12ÀÇ 5°î¸¸ ÀϹÝÀû
  407. µåºß½Ã, ÿ·Î¼Ò³ªÅ¸, d, #
  408. µåºß½Ã, Ŭ¶ó¸®³Ý°ú °üÇö¾ÇÀ» À§ÇÑ Ã¹ ¹øÂ° ·¦¼Òµð(Premiere Rhapsodie for Clarinet and Orchestra), L.116, 8m
  409. µåºß½Ã, ÇÃ·çÆ®¿Í ºñ¿Ã¶ó ±×¸®°í ÇÏÇÁ¸¦ À§ÇÑ ¼Ò³ªÅ¸, 18m $
  410. µåºß½Ã, ÆÇÈ­(Estampes), ÇǾƳë°îÁý
  411. µåºß½Ã, ÇǾƳ븦 À§ÇÏ¿©(Pour le Piano), pf, 14m
  412. µåºß½Ã, ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ È¯»ó°î, 24m
  413. µåºß½Ã, Çö¾Ç4ÁßÁÖ°î,g, Op.10, 25m#
  414. µåºß½Ã, È­·ÁÇÑ ÀÜÄ¡ 1Áý,3°î ±¸¼º,1.¼Ò¹ÚÇÑ »ç¶÷µé 2.¸ñ½Å 3. °¨»óÀûÀÎ ´ëÈ­
  415. µåºß½Ã, È­·ÁÇÑ ÀÜÄ¡ 1Áý,3°î ±¸¼º,1.Àº¹ÐÇÏ°Ô 2.²ÀµÏ°¢½Ã 3. ´Þºû
  416. µåºñ¿£´À, 3ÁßÁÖ°î 1, Op.27, 10m * Francois Devienne(1759-1803, French)
  417. µåºñ¿£´À, ¹Ù¼ø°ú Çö¾Ç 3ÁßÁÖ¸¦ À§ÇÑ 4ÁßÁÖ°î, g, O.73-3, 17m, Musica Reale
  418. µåºñ¿£´À, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 1, C
  419. µåºñ¿£´À, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 2, Eb
  420. µåºñ¿£´À, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, Bb
  421. µåºñ¿£´À, ÇÃ·çÆ®ÇùÁÖ°î 3, G, 15m
  422. µé¶ö¶ûµå,¹Ì¼Ð ¸®»þ¸£, Å©¸®½º¸¶½º ±³Çâ°î(Symphony for Christmas), * Michel Richard Delalande(1657-1726 French Baroque)
  423. µé¸®ºê, ¼º¾Ç°î "Ä«µð½ºÀÇ ¾Æ°¡¾¾µé(Chanson Espagnole: Les filles de Cadix)", * Leo Delibes(1836-1891 French)
  424. µé¸®ºê, ¿ÀÆä¶ó <¶óÅ©¸Þ(Lakme)>;
      • "²ÉÀÇ ÀÌÁßâ", sop.Joan Sutherland/ms.Jane Berbie
      • "º¸¼®À» ½ºÄÉÄ¡ÇÏ·Á Çϳ×(Prendre le dessin d¡¯un bijou)"-Á¦¶öµåÀÇ ¾Æ¸®¾Æ, ten.Gregory Kunde
      • "»ç¶ûÇÏ´Â ¿¬ÀÎÀº ¼Õ¿¡ ¼ÕÀ» Àâ°í ÀÖ¾úÁÒ... ±×°¡ Àú±â¿¡ ÀÖ´Ù(Ils allaient deux a deux...C¡¯est lui! C¡¯est lui!)"-3¸· Çdz¯·¹, sop.Natalie Dessay(¶óÅ©¸Þ)/ten.Gregory Kunde(Á¦¶öµå)/bar.Jose van Dam (´Ò¶óĭŸ)
      • Á¾ÀÇ ³ë·¡:"ÀþÀº ÈùµÎ ¾Æ°¡¾¾, ¾îµð·Î °¡½Ã³ª¿ä?(Ou va la jeune Hindoue)"-¶óÅ©¸ÞÀÇ ¾Æ¸®¾Æ, sop.Natalie Dessay
  425. µé¸®ºê, ÄÚÆç¸®¾Æ,¹«¿ë¸ðÀ½°î
  426. µð ¶óÂ¥·Î(Di Lazzaro), °¡°î "·Î¸¶ÀÇ ±âŸ"(Chitarra Romana), ten.Vittorio Grigolo
  427. µð īǪ¾Æ(Di Capua), ¼º¾Ç°î "±×´ë »´¿¡ ÀÔ ¸ÂÃ߸®(I te vurria vasa)", ten. Luciano Pavarotti
  428. µð īǪ¾Æ, ¼º¾Ç°î "¸¶¸®¾Æ ¸¶¸®(Maria Mari)", $ ten. Giuseppe di Stefano
  429. µð īǪ¾Æ, ¼º¾Ç°î "¿À ³ªÀÇ Å¾ç(O sole mio)", ten.Jose Carreras
  430. µð¾Æº§¸®, ±âŸ¼Ò³ªÅ¸, A * Anton Diabelli(1781-1858 Austrian music publisher)
  431. µðÅͽºµµ¸£ÇÁ, ½ÅÆ÷´Ï¾Æ 1, C, "¼¼»óÀÇ 4¼¼´ë(The Four Ages of the World)", 17m, Carl Ditters von Dittersdorf(1739~1799 Austrian)
  432. µðÅͽºµµ¸£ÇÁ, ½ÅÆ÷´Ï¾Æ 4, F, "Æä¸£¼¼¿ì½º·ÎºÎÅÍ ±¸¿ø¹ÞÀº ¾Èµå·Î¸Þ´Ù(The Rescue of Andromeda by Perseus)", 30m$, Failoni Orchestra Budapest/Hanspeter Gmuer
  433. µðÅͽºµµ¸£ÇÁ, ½ÅÆ÷´Ï¾Æ 5, A, "°³±¸¸®·Î º¯ÇÑ ¸®Å°¾Æ ³óºÎµé(Transformation of the Lycian Peasants into Frogs)", 23m#
  434. µðÅͽºµµ¸£ÇÁ, ¿Àº¸ÇùÁÖ°î, G, 15m * Dittersdorf, Carl Ditters von(1739 ~ 1799 )
  435. µðÅͽºµµ¸£ÇÁ, Çö¾Ç4ÁßÁÖ°î 2, Bb, 16m
  436. µòµð¾Æ(½ÃÁö½º¸óµµ)(Sigismondo d'India), ¼º¾Ç°î, "µé¸®Áö ¾Ê´ø°¡¿ä, ³ªÀÌÆÃ°ÔÀÏ ¼Ò¸®°¡" * (Sigismondo d'India: 1582 -before 1629)
  437. µô¸®¾î½º, °¡°î "°íÇâÀ¸·Î °¡´Â ±æ"
  438. µô¸®¾î½º, ¿©¸§ÀÇ Á¤¿ø
  439. ¶¼Á¦(Taize) ¼º°¡, "³» ¿µÈ¥¾Æ ÁÖ¸¦ Âù¾çÇ϶ó"
  440. ¶óµ¼½ºÅ°, Magnificat anima mea Dominum, * Mikolaj Radomski(or Miko©©aj Radomia, 15c, Polish)
  441. ¶ó¶ó, ¼º¾Ç°î "±×¶ó³ª´Ù"(Granada), * Agustin Lara(1897-1970 Spanish)
  442. ¶ó¶ó, ¼º¾Ç°î "±×´ë´Â ³» ¸¶À½ ¼Ó¿¡(You belong to my heart.)"
  443. ¶ó¶ó, ¼º¾Ç°î "Çѹø¸¸(Solamente una vez)", ten.Jose Carreras, Gloria Estefan
  444. ¶ó¸¶, ¼º¾Ç°î "Á¶¿ëÈ÷ ºÎ¸£´Â ³ë·¡"(Silenzio cantatore)", ten.Franco Corelli, * Gaetano Lama(1886-1950 Italian)
  445. ¶ó¸ð, ³ªÀ̽º(Nais) ¸ðÀ½°î, /Entry of the Combatants * Jean-Philippe Rameau(1683-1764 French; Baroque)
  446. ¶ó¸ð, ¼º¾Ç°î, "»ç¶û¿¡ ºüÁø ³ªÀÌÆÃ°ÔÀÏ"
  447. ¶ó¸ð, ¿ÀÆä¶ó <´Ù¸£´Ù´©½º(Dardanus)>; /¼­°î
      • "ºñ³Ê½ºÀÇ µîÀå(5)"
      • "½½ÇÄÀÇ ¸ñ¼Ò¸®"
  448. ¶ó¸ð, ¿ÀÆä¶ó <¿ì¾ÆÇÑ ÀεµÀÇ ³ª¶óµé>;
      • "º¯´ö½º·¯¿î ³ªºñ(Papillon inconstant)", sop. Noemi Rime
  449. ¶ó¸ð, ¿ÀÆä¶ó <Ç캣ÀÇ ÃàÁ¦(Les Fetes d'Hebe)>; Suite
  450. ¶ó¸ð, ¿ë°¨ÇÑ ÀεµÁ¦±¹(Les Indes galantes); Overture, Airs, and Dances, ¹ß·¹¸ðÀ½°î
  451. ¶ó¸ð, Å©·¦»ó °îÁý, 1683B
  452. ¶ó¸ð, ÅÁºÎ·©
  453. ¶ó¸ð, Æú¸²´ÏÀÇ ÃàÁ¦(Les Fetes de Polymnie)
  454. ¶ó¸ð, ÇöóÅ× ¸ðÀ½°î(Platee Suite), 43m#, Philharmonia Baroque Orchestra/Nicholas McGegan
  455. ¶ó¸ð, ÇDZ׸»¸®¿Â ¸ðÀ½°î(Pigmalion Suite), °üÇö¾Ç°î, 15m
  456. ¶ó¸ð, Concert No.2, "La Laborde", 18m$, Elaine Comparone.hpsc,The Queen's Chamber Band
  457. ¶ó¹Ì·¹½º, ¹Ì»ç Å©¸®¿Ã¶ó(Misa Criolla); /$ Gloria, /Sanctus, * Ariel Ramirez(1921-2010 Argentine)
  458. ¶óº§, °Å¿ï, ÇǾƳë°îÁý, 5°î±¸¼º> 1) ¹ã³ª¹æ(Noctuelles), 2) ½½Ç »õµé(Oiseaux tristes), 3) ¹Ù´Ù À§ÀÇ Á¶°¢¹è(Une barque sur l'ocean), 4) ¾î¸´±¤´ëÀÇ ¾ÆÄ§ ³ë·¡(Alborada del gracioso). 5) °ñÂ¥±âÀÇ Á¾(La vall?e des cloches) * 4)°¡ °¡Àå À¯¸í
  459. ¶óº§, °í»óÇÏ°í °¨»óÀûÀÎ ¿ÐÃ÷(Valses nobles et sentimentales), °üÇö¾Ç°î
  460. ¶óº§, ´ÙÇÁ´Ï½º¿Í Ŭ·Î¿¡(Daphnis et Chloe), ¹«¿ë ¸ðÀ½°î 1, ¾ß»ó°î, °£ÁÖ°î, ½Î¿òÀÇ ÃãÀÇ 3°î
  461. ¶óº§, ´ÙÇÁ´Ï½º¿Í Ŭ·Î¿¡(Daphnis et Chloe), ¹«¿ë ¸ðÀ½°î 2, »õº®, ÆÇÆ®¹Ò, Àϵ¿ÀÇ ÃãÀÇ 3°î
  462. ¶óº§, <µÑÄ¡³× °øÁÖ¿¡°Ô ¸¶À½ »¯±ä µ·Å°È£Å×>;
      • 1) °ø»óÀûÀÎ ³ë·¡(Chanson romanesque), bar. Gerard Souzay
      • 2) ¼­»çÀûÀÎ ³ë·¡(Chanson epique), bar. Gerard Souzay
      • 3) Ãà¹èÀÇ ³ë·¡(Chanson a boire), bar. Gerard Souzay
  463. ¶óº§, ¶ó ¹ß½º(La Valse), ¹«¿ë½Ã, 11m, Chicago Symphony Orchestra/Jean Martinon
  464. ¶óº§, ¸¶´Ù°¡½ºÄ«¸£¼¶ ÅäÀεéÀÇ ³ë·¡,°¡°î,3°î> 1) ¸¸³ëºÎ 2) ¾Æ¿ì¾Èµ¥ 3) ÈÞ½Ä
  465. ¶óº§, ¹°ÀÇ Èñ·Õ(Jeux d'eau), ÇǾƳë°î
  466. ¶óº§, ¹ÙÀ̿ø°°ú ÿ·Î¸¦ À§ÇÑ ¼Ò³ªÅ¸
  467. ¶óº§, ¹ÙÀ̿ø°¼Ò³ªÅ¸, G, 17m, ´Ü¾ÇÀå ±¸¼ºÀÇ VS ¹ß°ßÀ¸·Î VS 2·Î Ç¥±âµÇ±âµµ ÇÔ, Janine Jansen(Vn)/Itamar Golan(Pf)
  468. ¶óº§, ¹ãÀÇ °¡½ºÆÄ¸£, ÇǾƳë°îÁý, ¹°ÀÇ ¿äÁ¤, ±³¼ö´ë, ³­ÀïÀÌ, ½ºÄ«¸£º¸( µµ±úºñºÒ) 3°î ±¸¼º
  469. ¶óº§, º¼·¹·Î,°üÇö¾Ç°î,ÀÛÀº ºÏÀ¸·Î ½ÃÀ۵Ǵ ÁÖÁ¦¸®µëÀÌ 169ȸ ¹Ýº¹
  470. ¶óº§, ¼­ÁÖ¿Í ¾Ë·¹±×·Î(ÇÏÇÁ, ÇÃ·çÆ®, Ŭ¶ó¸®³ÝÀ» À§ÇÑ), Çö¾Ç4ÁßÁÖ ÇÃ·çÆ® Ŭ¶ó¸®³ÝÀÇ ¹ÝÁÖ, 10m
  471. ¶óº§, ½ºÆäÀÎ ±¤½Ã°î(Rhapsodie Espagnole), °üÇö¾Ç°î#, 4°î ±¸¼º: 1) ¹ãÀÇ ÀüÁÖ°î(Prelude a la nuit), 2) ¸»¶ó°Ô³Ä(Malaguena), 3) ÇϹٳ׶ó(Habanera), 4) ÃàÁ¦(Feria), Ulster Orch./Yan Pascal Tortelier
  472. ¶óº§, ¾î¸´±¤´ëÀÇ ¾ÆÄ§³ë·¡(Albora del gracioso), °üÇö¾Ç°î, #Orchestre de la Suisse Romande/Ernest Ansermet
  473. ¶óº§, ¾î¹Ì °ÅÀ§ ¸ðÀ½°î(Mother Goose Suite (Ma mere l'oye)), 5°î ±¸¼º: 1) ÀáÀÚ´Â ½£ ¼ÓÀÇ ¹Ì³àÀÇ ÆÄ¹Ý(Pavane de la Belle au Bois dormant) 2) ³­ÀïÀÌ(Petit Poucet) 3) ÆÄ°í´ÙÀÇ ¿©¿Õ ·¹µå·Î³×Æ®(Laideronnette, Imp?rantrice des Pagodes) 4) ¹Ì³à¿Í ¾ß¼öÀÇ ´ëÈ­(Les Entretiens de la Belle et de la Bete) 5) ¿äÁ¤ÀÇ Á¤¿ø(La Jardin feerique)
  474. ¶óº§, ¿ì¾ÆÇÏ°í °¨»óÀûÀÎ ¿ÐÃ÷(Valses nobles et sentimentales), Pf, 15m, Bertrand Chamayou(pf)$
  475. ¶óº§, Ä¡°£´À(Tzigane)(¹ÙÀ̿ø°°ú °üÇö¾Ç ¶Ç´Â ÇǾƳ븦 À§ÇÑ), 10m
  476. ¶óº§, ÄíÇÁ¶ûÀÇ ¹«´ý, °üÇö¾Ç ¸ðÀ½°î, ÀüÁÖ°î, Æú¶õ, ¸®°íµç, ¹Ì´º¿§ÀÇ 4°î
  477. ¶óº§, ÆÄ¹Ý´À(Á×Àº ¿Õ³à¸¦ À§ÇÑ), ÇǾƳë°î, ÆÄ¹Ý> °øÀÛÃã
  478. ¶óº§, ÇǾƳë3ÁßÁÖ°î, a, 27m >Morgenstern Trio
  479. ¶óº§, ÇǾƳë¼Ò³ªÆ¼³×
  480. ¶óº§, ÇǾƳëÇùÁÖ°î(¿Þ¼ÕÀ» À§ÇÑ)
  481. ¶óº§, ÇǾƳëÇùÁÖ°î, G, µÎ °³ÀÇ PC, 21m, $ Steven Osborne(pf)/BBC Scottish Symphony Orchestra/Ludovic Morlot
  482. ¶óº§, ÇϹٳڶódzÀÇ º¸Ä®¸®½º ¿¬½À°î
  483. ¶óº§, Çö¾Ç4ÁßÁÖ°î, F, 28m#, Jupiter String Quartet
  484. ¶óº¸,¾Ó¸®, ±³Çâ½Ã(Nicolas LenauÀÇ ½Ã¿¡ ÀÇÇÑ), "Procession Nocturne", Op.6 * Henri Rabaud(1873-1949 French)
  485. ¶óº¸,¾Ó¸®, Suite anglaise No.2, 7m, °üÇö¾Ç°î
  486. ¶ó¼ö½º,¿Ã¶õµå µå, Missa Pro Defunctis, 33m#, * Orlande de Lassus(1532-1594 Netherlandish)
  487. ¶ó¿ì·Î,¾ÈÅä´Ï¿À, ±âŸ¸¦ À§ÇÑ 4°³ÀÇ º£³×ÁÖ¿¤¶ó ¿ùÃ÷, * Antonio Lauro(1917-1986 Venezuelan)
  488. ¶ó¿ì¹ö(¿äÁ¦ÇÁ), 4°³ÀÇ Áß¼¼Ç³ ¹«°î * Joseph Lauber(1864-1952)
  489. ¶ó¿ìŸ¹Ù¶ó, °¡À»ÀÇ Á¤¿øµé(Autumn Gardens, 26m, $ Vladimir Ashkenazy(pf),Helsinki Philharmonic/Vladimir Ashkenazy, * Einojuhani Rautavaara(1928-, Finnish)
  490. ¶ó¿ìŸ¹Ù¶ó, ±³Çâ°î 7, "ºûÀÇ Ãµ»ç(Angel of Light)", 37m, Helsinki Philharmonic/Leif Segerstam
  491. ¶ó¿ìŸ¹Ù¶ó, õ»óÀÇ ¾Æ´ÙÁö¿À(Çö¾Ç ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ:Adagio Celeste for String Orchestra), 7m
  492. ¶óÀ̽ðÅ, ¼º¾Ç°î "Çâ¼öÀÇ ³ë·¡", ³¶¸¸Àû ¼­Á¤À» ÇÇ¾Æ³ë ¹ÝÁÖ¿Í ÇÔ²² È£¸¥À¸·Î Ç¥Çö
  493. ¶óÀ̳×ÄÉ,Ä®, ºñ¿Ã¶ó¿Í ÇǾƳ븦 À§ÇÑ 3°îÀÇ È¯»ó ¼Òǰ, Op.43, 13m
  494. ¶óÀ̳×ÄÉ,Ä®, ÿ·Î¼Ò³ªÅ¸, G, Op.238, 21m * Carl Reinecke(1824-1910 German)
  495. ¶óÀ̳×ÄÉ,Ä®, ÇÃ·çÆ® ¼Ò³ªÅ¸, Op.167 "¿îµð³×(Undine)"
  496. ¶óÀ̳×ÄÉ,Ä®, ÇǾƳë4ÁßÁÖ°î, D, Op.272, 18m
  497. ¶óÀÌÄ«,¾ÈÅæ, ¸ðÂ¥¸£Æ® ÁÖÁ¦¿¡ ÀÇÇÑ ¼Ò³ªÅ¸, <¸¶¼úÇǸ®> 2¸·ÀÇ »çÁ¦µéÀÇ ÇàÁø, 19m, Ivan Illic(pf)
  498. ¶óÀÌÄ«,¾ÈÅæ, ¼­°î, D, 10m, Symphony Orchestra Wuppertal/Peter Gulke, * Anton Reicha(1770-1836 Czech)
  499. ¶óÀκ£¸£°Å, ¿À¸£°£,¹ÙÀ̿ø°°ú ÿ·Î¸¦ À§ÇÑ ¸ðÀ½°î, Op.149, * Joseph Rheinberger(1839-1901)
  500. ¶óÀκ£¸£°Å, È£¸¥¼Ò³ªÅ¸, Eb, Op.178
  501. ¶óÂ¥·Î(Lazzaro), ¼º¾Ç°î "Chitarra Romana"
  502. ¶óÄ®·¹, ¼º¾Ç°î "¾Æ¸¶Æú¶ó(Amapola:¾Æ¸§´Ù¿î ¿©ÀÎ)" * Joseph Maria Lacalle(1860-1937 Spanish->American Cl&)
  503. ¶óÄÚ½ºÅ¸, ¼º¾Ç°î "Áø½ÇÇÑ »ç¶û" * Genaro Monreal Lacosta(1894-1974)
  504. ¶óÇÁ, ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¿©¼¸ °³ÀÇ »ì·ÕdzÀÇ ¼Òǰ, Op.85, $(No.3:Cavatina No.6:Tarantella) * Joseph Joachim Raff(1822-1882 German-Swiss)
  505. ¶óÈå³Ê,ÇÁ¶õÃ÷, °üÇö¾Ç¸ðÀ½°î 1, d, Op.113, 43m * Franz Lachner(1803-1890 German &cond)
  506. ¶óÈå³Ê,ÇÁ¶õÃ÷, °üÇö¾Ç¸ðÀ½°î 7, d, Op.190, 30m
  507. ¶óÈå³Ê,ÇÁ¶õÃ÷, ¼º¾Ç°î "Áú¹®(Fragen)", sop.Joan Sutherland
  508. ¶óÈ帶´Ï³ëÇÁ, ±³Çâ°î 1, d, Op.13
  509. ¶óÈ帶´Ï³ëÇÁ, ±³Çâ°î 2, e, Op.27, 60m, 1908ÃÊ¿¬½Ã ½ºÅ©¸®¾Æºó ¹ý¿­ÀÇ ½Ã ´É°¡ ±Û¸µÄ«»ó ¼ö»ó, # London Symphony Orchestra/Valery Gergiev
  510. ¶óÈ帶´Ï³ëÇÁ, ±³Çâ°î 3, a, Op.44, 41m#, USSR RTV Large Symphony Orchestra/Evgeny Svetlanov
  511. ¶óÈ帶´Ï³ëÇÁ, ±³ÇâÀû ¹«°î(Symphonic Dances), Op.45, 3°î ±¸¼º, 35m#, USSR Symphony Orchestra/Evgeny Svetlanov, Royal Concertgebouw Orchestra/Mariss Jansons
  512. ¶óÈ帶´Ï³ëÇÁ, ·Î¸Á½º, a, vn & pf, 5m
  513. ¶óÈ帶´Ï³ëÇÁ, º¯ÁÖ°î(¼îÆØ ÁÖÁ¦¿¡ ÀÇÇÑ), Op.22, 27m
  514. ¶óÈ帶´Ï³ëÇÁ, º¯ÁÖ°î 18(ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ ±¤½Ã°î¿¡ µû¸¥), 4m
  515. ¶óÈ帶´Ï³ëÇÁ, º¸Ä®¸®½º(Vocalise), Op.34-14, ÀÚ½ÅÀÇ ÃÊ»óÈ­¿¡ ÇØ´çÇÏ´Â ÀÛǰ,7m, 14°³ÀÇ °¡°î(Op.34)ÀÇ ¸¶Áö¸· °î
  516. ¶óÈ帶´Ï³ëÇÁ, Áý½Ã ÁÖÁ¦¿¡ ÀÇÇÑ ±â»ó°î(Capriccio on Gypsy Themes) "º¸Çì¹Ì¾Æ ±â»ó°î(Caprice bohemien)", Op.12, °üÇö¾Ç°î,
  517. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î: 12°³ÀÇ ³ë·¡(Op.21), 1) "¿î¸í(fate)"-Op.21-1,
  518. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Christ is risen" (Hristos vakres), Op.26-6, D.Myeryezhkoskii
  519. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Dream; And I had a native land(Son; I u min'a byl kraj radnoj)", Op.8-1, A.Pleschcheyev
  520. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Fragment from A.Musset; Why does my aching heart (Atryvak iz A.Musset; Shto tak usilenna)", Op.21-6, Apukhtin
  521. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "He has taken everything from me (Fs'o otn'al u min'a)", Op.26-2, F.Tyutchyev
  522. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Oh, no, I beseech you, do not leave! (O, net, mal'u, ni uhadi!)", Op.4-1, D.Myeryezhkovskii
  523. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "She is as fair as day (Ana kak polden' harasha)", Op.14-9, N.Minski
  524. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Yesterday we met (Fchira my fstretilis)", Op.26-13, Ya Polonskii
  525. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "³ªÀÇ ¾ÆÀ̾ß, ²É¾î·³ ¾Æ¸§´ä±¸³ª(My child, you are beautiful as a flower)", Op.8-2
  526. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "¹ãÀÇ °í¿äÇÑ Ä§¹¬ ¼Ó¿¡¼­(In the Mysterious Silence of the Night; Oh, I will spend long moments),(V malchan'ji nochi tajnay; O, dolga budu ja)", Op.4-3, Fyet
  527. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "¾Æ¸§´Ù¿î ¿©ÀÎÀÌ¿© ³ª¸¦ À§ÇØ ³ë·¡ÇÏÁö¸¶¿À[±×´ë¿©, ³ë·¡ÇÏÁö ¸»¾ÆÁÖ¿À](Let me not hear you sing (Ne poj, krasavitsa, pri mne))", OP.4-4, A.Pushkin, # sop. Barbara Hendricks
  528. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "¿©±ä ¾ó¸¶³ª ¾Æ¸§´Ù¿î°¡(Zdes¡¯ Choroso)", Op.21-7, sop.Renee Fleming,Jean-Yves Thibaudet(pf)
  529. ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Àú³á±âµµ(Vespers(All-Night Vigil))", Op.37, 53m
  530. ¶óÈ帶´Ï³ëÇÁ, ÀüÁÖ°î(10°³ÀÇ), Op.23, Pf * (Op.23-2: Bb, Op.23-4: D)
  531. ¶óÈ帶´Ï³ëÇÁ, ÀüÁÖ°î, c#, Op.3-2,ÇǾƳë°î,13°îÀÇ ÀüÁÖ°îÁß $, Á¾¼Ò¸®¿¡¼­ ¾Ï½Ã
  532. ¶óÈ帶´Ï³ëÇÁ, Á×À½ÀÇ ¼¶(The Isle of the Dead), Op.29, °üÇö¾Ç°î, 21m#
  533. ¶óÈ帶´Ï³ëÇÁ, ÿ·Î¼Ò³ªÅ¸, g, Op.19, 35m, $1) Mstislav Rostropovich(Vc), Vladimir Horowitz(Pf) 2) Truls Mork(Vc)/Jean-Yves Thibaudet(Pf)
  534. ¶óÈ帶´Ï³ëÇÁ, ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ µÎ °³ÀÇ ÀÛǰ Áß "µ¿¾çdzÀÇ Ãã°î", Op.2-2
  535. ¶óÈ帶´Ï³ëÇÁ, ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ ¶óÈ帶´Ï³ëÇÁ ÁÖÁ¦¿¡ ÀÇÇÑ ¸á·Îµð, D
  536. ¶óÈ帶´Ï³ëÇÁ, ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ ·¦¼Òµð, Op.43, 21m, ¼­ÁÖ(1º¯ÁÖ)¸¦ Æ÷ÇÔÇÏ¿© 24º¯ÁÖ·Î ±¸¼º, $
  537. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î(2´ëÀÇ) 2, g, Op.17
  538. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳë3ÁßÁÖ°î 1(¿¤·¹Áö3ÁßÁÖ 1: Trio Elegiaque), g, Op.posth.
  539. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳë3ÁßÁÖ°î 2(¿¤·¹Áö3ÁßÁÖ 2: Trio Elegiaque), d, Op.9
  540. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳë¼Ò³ªÅ¸ 1, d, Op.28, 33m
  541. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳë¼Ò³ªÅ¸ 2, bb, Op.36,18m$, $ Alexis Weissenberg(pf)
  542. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳëÇùÁÖ°î 1, f#, Op.1
  543. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳëÇùÁÖ°î 2, c, Op.18, 4°îÁß 2,3¹ø ÀÚÁÖ ¿¬ÁÖ,2¹øÀÌ À¯¸í, 32m$, # Julius Katchen(Pf), London Symphony Orchestra/Georg Solti, # Moura Lympany(pf), Royal Concertgebouw Orchestra/Malcolm Sargent
  544. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳëÇùÁÖ°î 3, d, Op.30#, Martha Argerich, # Berlin Radio Symphony Orchestra/Riccardo Chailly, #1) Byron Janis(pf)/London Symphony Orchestra/Antal Dorati, #2) Vladimir Feltsman(pf), Russian National Symphony Orchestra/Mikhail Pletnev, 3) Vladimir Ashkenazy(pf)/London Symphony Orchestra/Anatole Fistoulari
  545. ¶óÈ帶´Ï³ëÇÁ, ÇǾƳëÇùÁÖ°î 4, g, Op.40, 1926c, 24m
  546. ¶õ³Ê, ¸ðÂ÷¸£Æ® ¿¬ÁÖÀÚ-¿ÐÃ÷(Die Mozartisten-Waltzer), Op.196, 9m, Vienna Philharmonic Orchestra/Mariss Jansons, * Joseph Lanner(1801-1843 Austrian)
  547. ¶õ³ëÀÌ, 3ÁßÁÖ°î, Bb, Op.15, (cl,vc,pf) * Eduard von Lannoy(1787-1853 Flemish)
  548. ¶ö·Î, ±³Çâ°î, G, 25m * Edouard Lalo(1823-1892 French)
  549. ¶ö·Î, ¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ ·Î¸Á½º-¼¼·¹³ªµ¥(Romance-Serenade for Violin and Orchestra), 5m, Jean-Jacques Kantorow(vn)/Tapiola infonietta/Kees Bakels
  550. ¶ö·Î, ½ºÆäÀα³Çâ°î(Symphonie espagnole),¹ÙÀ̿ø°°ú °üÇö¾Ç°î, d, Op.21, ¹ÙÀ̿ø°ÇùÁÖ°î2¿¡ ÇØ´ç, # Ida Haendel(violin),Czech Philharmonic Orchestra/Karel Ancerl
  551. ¶ö·Î, ¿ÀÆä¶ó <À̽ºÀÇ ¿Õ(Le Roi d'Ys)> /"Lorsque je t'ai vu"
  552. ¶ö·Î, ÿ·ÎÇùÁÖ°î, d, 26m # Jacqueline Du Pre(vc),Cleveland Orchestra/Daniel Barenboim
  553. ¶û½ºÆ®·ö, Divertimento Elegiaco, 16m, Swedish Chamber Orchestra/Petter Sundkvist, * Ture Rangstrom(1884-1947 Swedish)
  554. ¸®ÅÍ,¾Æ¿ì±¸½ºÆ®, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(Sinfonia concertante for two Bassoons), F, 17m, * August Gottfried Ritter(1811-1885 German Romatic &Org)
  555. ·¯ÅÍ,Á¸, "Draw on, sweet night" polyphony, 6m, John Rutter(1945- British)
  556. ·¯ÅÍ,Á¸, ·¹Äû¿¥(Requiem), Op.66, 37m#, Choir of Kings College,City of London Sinfonia/John Rutter
  557. ·¯ÅÍ,Á¸, ¼­Á¤ ¸ðÀ½°î, * Waltz(4), Catrin Finch(Hp),Sinfonia Cymru/John Rutter
  558. ·¯ÅÍ,Á¸, ¼º¾Ç°î "All Things Bright and Beautiful", The Choirgirl
  559. ·¯ÅÍ,Á¸, ¼º¾Ç°î "Clap Your Hands"
  560. ·¯ÅÍ,Á¸, ¼º¾Ç°î "Deep Peace", Libera
  561. ·¯ÅÍ,Á¸, ¼º¾Ç°î "³ªÀÇ ´«À» ¿­¾îÁÖ¼Ò¼­(Open thou Mine Eyes)", ¼º ¸¶¸£Å© ÇÕâ´Ü
  562. ·¯ÅÍ,Á¸, ¼º¾Ç°î "ÁÖ´Ô ÁֽŠ¾Æ¸§´Ù¿î ¼¼»ó(For the Beauty of the Earth)", #St. John¡¯s ¹Ì±¹¼º°øÈ¸ ¼Ò³â¼Ò³à ÇÕâ´Ü
  563. ·¹°Å,¸·½º, 8°³ÀÇ ¼º°¡°î(Acht Geistliche Gesange/8 Sacred Songs for Chorus), Op.138, 19m, * Max Reger(1873-1916 German)
  564. ·¹°Å,¸·½º, ¹«¹ÝÁÖ ºñ¿Ã¶ó¸ðÀ½°î 1, g, Op.131-1
  565. ·¹°Å,¸·½º, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î, G, Op.131c-1, vc, 13m
  566. ·¹°Å,¸·½º, ¼º¾Ç°î "¸¶À̾ÆÀÇ ÀÚÀå°¡(Maria Wiegenlied)", sop.Eva Marton
  567. ·¹°Å,¸·½º, ÇǾƳëÇùÁÖ°î, f, Op.114, 41m
  568. ·¹¹ÙÀÌ, ¹ÙÀ̿ø°°ú ±âŸ¸¦ À§ÇÑ ¼Ò³ªÅ¸, e, 23m * Ferdinand Rebay(1880-1953 Austrian)
  569. ·¹ºê·é, ¿Àº¸ÇùÁÖ°î 3, C, 16m#, Heinz Holliger(ob),Camerata Bern/Thomas Furi, * Ludwig August Lebrun(1752-1790 German Ob)
  570. ·¹ºê·é, ¿Àº¸ÇùÁÖ°î 4, Bb, 18m, # Heinz Holliger(ob),Camerata Bern/Thomas Furi
  571. ·¹ºê·é, ¿Àº¸ÇùÁÖ°î 6, F, 19m, # Heinz Holliger(ob)/Camerata Bern/Thomas Furi
  572. ·¹½ºÇDZâ, 5°³ÀÇ ³ë·¡- »ê¸²ÀÇ ½Å: 1) ¸ñ¾ç½Å 2) Á¤¿øÀÇ ³ë·¡ 3) Á¤¿øÀÇ ¸ð½À 4) ¹° 5) Ȳȥ, ·çÇdzëÀÇ ½Ã¿¡ ±âÃÊ, ½º½Â ¸²½ºÅ°ÄÝ»çÄÚÇÁÀÇ ¿µÇâ
  573. ·¹½ºÇDZâ, °¡À»ÀÇ ½Ã°î, °üÇö¾Ç°î
  574. ·¹½ºÇDZâ, °ídzÀû ¹«°î°ú ¾Æ¸®¾Æ(Ancient Airs and Dances)-¸ðÀ½°î 2, 18m#2, Los Angeles Chamber Orchestra/Sir Neville Marriner
  575. ·¹½ºÇDZâ, °ídzÀû ¹«°î°ú ¾Æ¸®¾Æ(Ancient Airs and Dances)-¸ðÀ½°î 3, 16m
  576. ·¹½ºÇDZâ, ±³È¸ÀÇ À¯¸®Ã¢(Church Windows), °üÇö¾Ç°î, 24m, The Philadelphia Orchestra/Eugene Ormandy
  577. ·¹½ºÇDZâ, º¯ÁÖ°îdzÀÇ ¾ÆµðÁö¿À(Adagio con variazioni for cello and orchestra), P.133
  578. ·¹½ºÇDZâ, ·Î¸¶ÀÇ »ù(Fountains of Rome), ±³Çâ½Ã, >BPO/Karajan
  579. ·¹½ºÇDZâ, ·Î¸¶ÀÇ ¼Ò³ª¹«,±³Çâ¾Ç½Ã, 4ºÎ±¸¼º
  580. ·¹½ºÇDZâ, ·Î¸¶ÀÇ ÃàÁ¦
  581. ·¹½ºÇDZâ, ¹ÙÀ̿ø°¼Ò³ªÅ¸,2M> ¸®Çϸ£Æ® ½´Æ®¶ó¿ì½º¿Í À¯»çÇÑ ºÐÀ§±â
  582. ·¹½ºÇDZâ, ¹ÙÀ̿ø°ÇùÁÖ°î, A, P.49
  583. ·¹½ºÇDZâ, ºê¶óÁúÀÇ Àλó(Brazilian Impressions), °üÇö¾Ç°î, Buffalo Philharmonic Orchestra//JoAnn Falletta
  584. ·¹½ºÇDZâ, »õ, ¸ðÀ½°î, 1) ÀüÁÖ°î 2) ºñµé±â 3) ¾Ïż 4) ¹ã²Ò²¿¸® 5) »µ²Ú»õ
  585. ·¹½ºÇDZâ, ȯ»óÀûÀÎ Àå³­°¨ °¡°Ô(La Boutique fantasque: ·Î½Ã´Ï ¿øÀÛ), °üÇö¾Ç°î, 27m
  586. ·¹¿ÂÄ«¹ß·Î, ¼º¾Ç°î "³ªÆú¸®ÀÇ ¼¼·¹³ªµ¥"
  587. ·¹¿ÂÄ«¹ß·Î, ¼º¾Ç°î "µ· ÁÖ¾ÓÀÇ ³ë·¡"
  588. ·¹¿ÂÄ«¹ß·Î, ¼º¾Ç°î "¾ÆÄ§ÀÇ ³ë·¡(Mattinata)"
  589. ·¹¿ÂÄ«¹ß·Î, ¼º¾Ç°î "ÇÁ¶û½º ¼¼·¹³ªµ¥(Serenata Francese)", ten.Roberto Alagna
  590. ·¹¿ÂÄ«¹ß·Î, ¿ÀÆä¶ó <ÆÈ¸®¾ÆÄ¡(Pagliacci)>;
      • "½Å»ç¼÷³à ¿©·¯ºÐ! ¾È³çÇϼ¼¿ä?(Prologo Si puo? Signore! Signori!)"-Prologue, {# bar. Geraint Evans, # bar. Juan Pons(Åä´Ï¿À)}
      • "¾îÂî ±×´ë´Â ³ª¸¦ ¸ÅȤÇß³ª?(Decidi il mio destin)"-½Çºñ¿À¿Í ³Ý´ÙÀÇ »ç¶ûÀÇ 2Áßâ, bar. Alberto Rinaldi(½Çºñ¿À)/sop. Teresa Stratas(³Ý´Ù)
      • "ÀÇ»óÀ» ÀÔ¾î¶ó(Vesti la giubba)", {$ten. Luciano Pavarotti, $ten. Placido Domingo(Ä«´Ï¿À)}
      • "ÀÌÁ¦ ³ª´Â ´õ ÀÌ»ó ±¤´ë°¡ ¾Æ´Ï´Ù(No, Pagliaccio non son)"-Çdz¯·¹, /ten. Placido Domingo(Ä«´Ï¿À)/bar. Alberto Rinaldi(½Çºñ¿À)/sop. Teresa Stratas(³Ý´Ù)/bar. Juan Pons(Åä´Ï¿À)
      • "Á¾ÀÇ ÇÕâ(Don, din, don)"
      • "Åä´Ï¿ÀÀÇ ÇÁ·Ñ·Î±×"
      • "ÆÈ¸®¾ÆÄ¡°¡ ¿Ô´Ù!(Son qua! Ritornano)", ten. Placido Domingo(Ä«´Ï¿À)/sop. Teresa Stratas(³Ý´Ù)
  591. ·¹À̸óµå, ¼º¾Ç°î "ÇÏÀ̵¨º£¸£Å©¿¡ µÎ°í ¿Â ³»¸¶À½(Ich hab¡¯ mein Herz in Heidelberg verloren)", Bar.Hermann Prey, * Fred Raymond(1900-1954 Austrian)
  592. ·¹ÀÌ¿¡,Àå-¹äƼ½ºÆ®(Ghent), Æ®¸®¿À¼Ò³ªÅ¸(Trio Sonata for recorder, oboe & continuo), F, Op.2/2, * Jean Baptiste Loeillet of Ghent(1688-1720 Belgian)
  593. ·¹ÀÌÇÏ,¿äÁ¦ÇÁ, ÿ·ÎÇùÁÖ°î, A, Op.4-1, 28m, Mikael Ericsson(vc),Czech Chamber Orch./Ondrej Kukal, * Josef Reicha(1752-1795 Czech &cellist)
  594. ·¹Áî´Ïüũ, µµ³ª µð¾Æ³ª ¼­°î
  595. ·¹Äõ³ª, ¼º¾Ç°î "Siboney", ten.Placido Domingo, * Ernesto Lecuona(1895-1963 Cuban)
  596. ·¹Äõ³ª, ½ºÆäÀÎ ¸ðÀ½°î(Suite espanola): Gitanerias, Malaguena & Cordoba, Pf
  597. ·¹ÇÇü(¸®Ä¡´Ï¿À), ¼º¾Ç°î "±¸¸§ÀÇ ±×¸²ÀÚ(Ombra di nube)" * Licinio Refice (1883-1954, Italian composer)
  598. ·¹Çϸ£, "±Ý°ú Àº" ¿ùÃ÷, Op.79
  599. ·¹Çϸ£, ¿ÀÆä·¹Å¸ <¹Ì¼ÒÀÇ ¶¥>;
      • "¾ðÁ¦³ª ¹Ì¼Ò¸¦ ¸Ó±Ý°í(Immer nur Laecheln)", ten.Rene Kollo
  600. ·¹Çϸ£, ¿ÀÆä·¹Å¸ <¸Þ¸® À§µµ¿ì>;
      • "±Ý°ú Àº" ¿ÐÃ÷
      • "¸Þ¸®À§µµ¿ì" ¿ùÃ÷
      • "¹Ùº¸°°Àº ±â¸¶º´ÀÌ¿©(Heia, Maedel, aufgeschaut)", sop.Cheryl Studer, bar.Bo Skovhus
      • "ºô·ªÀÇ ³ë·¡(Vilja Song)"
      • "»ç¶ûÀº ¸»ÀÌ ¾ø´Â °Í(Lippen Schweigen)", ten. Nicolai Gedda/sop. Annelise
      • "¿À Á¶±¹ÀÌ¿©, ±×´ë´Â ³ª¸¦ ½ÃÇèÇϰí(O Vaterland, du machst beu Tag)", bar.Thomas Hampson
      • "Àå¹Ì ²ÉÀÙÀÌ ¿­¸®µí(Wie eine Rosenknospe)", ten.Rainer Trost/sop.Barbara Bonney
      • "Àú´Â Á¤¼÷ÇÑ À¯ºÎ³à¶ø´Ï´Ù(Ich bin eine anstaendige Frau)"-¹ß¶û½Ã¿£´À¿Í Ä«¹ÌÀ¯ÀÇ 2Áßâ, ten.Werner Hollweg/sop.Teresa Strata
      • "Á¶¿ëÈ÷ ÀÔ¼úÀ» ´Ù¹«¼¼¿ä"
  601. ·¹Çϸ£, ¿ÀÆä·¹Å¸ <¼¼»óÀº ¾Æ¸§´Ù¿ö>; /"¼¼»óÀº ¾Æ¸§´Ù¿ö"
  602. ·¹Çϸ£, ¿ÀÆä·¹Å¸ <ÁêµðŸ(Giuditta)>; /"³» ÀÔ¼ú, ±× ÀÔ¸ÂÃãÀº ¶ß°Ì°í(Meine Lippen, die kuessen so heiss)"
  603. ·¹Çϸ£, ¿ÀÆä·¹Å¸ <¤½ÃÀÇ »ç¶û>;
      • "ħ¹ß·Ò ¼Ò¸®¸¦ µéÀ»¶§¸¶´Ù(Hoer ich Zimbalklaenge)"-Csardas, ms.Elina Garanca
  604. ·¹Çϸ£, ¿ÀÆä·¹Å¸ <ÆÄ°¡´Ï´Ï>; /"±â»Û ¸¶À½À¸·Î Ű½ºÇϳ×(2_¾Æ¸®¶ó)"
  605. ·¹Çϸ£, õÀϾßÈ­(A Tale from One Thousand and One Nights), °üÇö¾Ç°î, Berlin Radio Symphony Orchestra/Michail Jurowski
  606. ·Îµå¸®°í, ¸¶µå¸®°¥ ÇùÁÖ°î(2´ëÀÇ ±âŸ¸¦ À§ÇÑ) * Joaquin Rodrigo(1901-1999 Spanish)
  607. ·Îµå¸®°í, ¼º¾Ç°î "»ç¶ûÀÇ ¾Æ¶õÈѽº(En Aranjuez con tu amor)"
  608. ·Îµå¸®°í, ½ºÆäÀÎdzÀÇ ¼Òǰ(3°³ÀÇ)(Tre Piezas Espanolas), guitar, 14m, # Julian Bream(Gt)
  609. ·Îµå¸®°í, ¾Æ¶õÈѽºÇùÁÖ°î(±âŸ¸¦ À§ÇÑ), 23m
  610. ·Îµå¸®°í, ¾È´Ù·Î½Ã¾ÆÇùÁÖ°î(4°³ÀÇ ±âŸ¸¦ À§ÇÑ), 25m
  611. ·Îµå¸®°í, ¾î´À ±ÍÀÎÀ» À§ÇÑ È¯»ó°î(Fantasia para un gentilhombre), 20m, Pepe Romero(guitar)/Academy of St Martin in the Fields/Neville Marriner
  612. ·Îµå¸®°í, ÇÏÇÁÇùÁÖ°î, "¼¼·¹³ªµ¥ÇùÁÖ°î(Concierto Serenata)", 23m, $ Nicanor Zabaleta(Hrp),Berlin Radio Symphony Orchestra/Ernst Marzendorfer
  613. ·Îµå¸®°í, Tres viejos aires de danza
  614. ·Î¸£Äª, ¿ÀÆä¶ó <¿îµð³×(Undine)>; "¾Æ¹öÁö, ¾î¸Ó´Ï, ÇüÁ¦Àڸſ©(Vater, Mutter, Schwestern, Brueder)", # ten.Rene Kollo, * Gustav Albert Lortzing(1801-1851 German)
  615. ·Î»ç, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(Sinfonia Concertante for Violin, Cello and Orchestra), Op.29 * Miklos Rozsa(1907-1995 Hungarian)
  616. ·Î»ç½º, ÆÄµµ¸¦ ³Ñ¾î(Over the waves), ¸ß½ÃÄÚ À½¾Ç°¡(1868-1894)·Î¼­ »ì·Õ¿ë À½¾ÇÀ» ÀÛ°î, 1891³â Èñ¸ÁÀ» ÁÖÁ¦·Î ÀÛ°îÇÑ ÀÌ °îÀ¸·Î ¼¼°èÀûÀ¸·Î À¯¸íÇØÁü
  617. ·Î¼¼Æ¼,¾ÈÅä´Ï¿À, ±³Çâ°î 25, Bb, 18m, Concerto Koln, * Antonio Rosetti(1750-1792 Czech)
  618. ·Î¼¼Æ¼,¾ÈÅä´Ï¿À, ±³Çâ°î 28, D, 15m, Hamburg Symphony Orchestra/Johannes Moesus
  619. ·Î¼¼Æ¼,¾ÈÅä´Ï¿À, ±³Çâ°î 32, Eb, 18m, Concerto Koeln:Ensemble
  620. ·Î½º, ÄÜ¼ÒÆ® 4(Royall Consorts: Suite), D, 12m, * consort: a group of people who play very old music, or the group of old-fashioned instruments they use, * William Lawes(1602-1645 English)
  621. ·Î½º, ÄÜ¼ÒÆ® 5(Royall Consorts: Suite), D, 11m
  622. ·Î½º, ÄÜ¼ÒÆ® 8(Royall Consorts: Suite), C, 13m, # Purcell Quartet
  623. ·Î½º, ÄÜ¼ÒÆ® 9(Royall Consorts: Suite), F, 16m, # Purcell Quartet
  624. ·Î½º, ÄÜ¼ÒÆ® 10(Royall Consorts: Suite), Bb, 10m, Purcell Quartet
  625. ·Î½º³Ê, Gentle Musicke(for Flute and String orchestra), Op.44 * Arnold Rosner(1945-2013, American)
  626. ·Î½Ã´Ï, 4Áß¼Ò³ªÅ¸ 6(µÎ´ëÀÇ ¹ÙÀ̿ø° ÿ·Î ¹× ´õºíº£À̽º¸¦ À§ÇÑ), D
  627. ·Î½Ã´Ï, µµµÏ±îÄ¡ ¼­°î
  628. ·Î½Ã´Ï, "¸¶È£¸ÞÆ® 2¼¼(Maometto II)" ¼­°î, °üÇö¾Ç°î
  629. ·Î½Ã´Ï, ¼­ÁÖ¿Í º¯ÁÖ°î(Ŭ¶ó¸®³Ý°ú °üÇö¾ÇÀ» À§ÇÑ), Ŭ¶ó¸®³Ý> »ç¶÷¼Ò¸®¿¡ °¡Àå °¡±õ´Ù 13m
  630. ·Î½Ã´Ï, ¼º¾Ç°î, "°í¾çÀÌ 2Áßâ(Duetto buffo di due gatti)", sop.Edita Gruberova/ms.Vesselina Kasarova
  631. ·Î½Ã´Ï, ¼º¾Ç°î, "²ÉÀ¸·Î Àå½ÄµÈ Áö±Ý(Or che di fiori adomo)"
  632. ·Î½Ã´Ï, ¼º¾Ç°î, "¸¶Áö¸· ±â¾ï(L¡¯Ultimo Ricordo)", ms.Marilyn Horne
  633. ·Î½Ã´Ï, ¼º¾Ç°î, "¸Ö¸®(La lontananza)"
  634. ·Î½Ã´Ï, ¼º¾Ç°î, "¹î³ë·¡(Barcarolle)", ms.Anna Bonitatibus
  635. ·Î½Ã´Ï, ¼º¾Ç°î, "º£³×Ä¡¾Æ ¿äÆ®°æÁÖ(La Regata Veneziana)", Felicity Lott(Sop),Ann Murray(Ms)
  636. ·Î½Ã´Ï, ¼º¾Ç°î, "½ºÆäÀÎdzÀÇ ³ë·¡(Canzonetta spagnuola)"
  637. ·Î½Ã´Ï, ¼º¾Ç°î, "¾Æ±âÀÇ ³ë·¡(La chanson du bebe)", # bar.Thomas Hampson
  638. ·Î½Ã´Ï, ¼º¾Ç°î, "¾ËÇÁ½ºÀÇ ¾çÄ¡±â ¼Ò³à"
  639. ·Î½Ã´Ï, ¼º¾Ç°î, "¾à¼Ó(La Promessa)"
  640. ·Î½Ã´Ï, ¼º¾Ç°î, "¿¹»Û Áý½Ã ¾Æ°¡¾¾(La petite bohemienne)", ms.Marilyn Horne
  641. ·Î½Ã´Ï, ¼º¾Ç°î, "À¯¶û(L'esule)"
  642. ·Î½Ã´Ï, ¼º¾Ç°î, "ÀÛÀº Áý½Ã¼Ò³à(La petite bohemienne)"
  643. ·Î½Ã´Ï, ¼º¾Ç°î, "Áñ°Å¿î ÈÞ½Ä(Le Lazzarone)", # bar.Michel Brodard, # ms.Anna Bonitatibus
  644. ·Î½Ã´Ï, ¼º¾Ç°î, "ÃÖÈÄÀÇ Ãß¾ï(L¡¯ultimo ricordo)"
  645. ·Î½Ã´Ï, ¼º¾Ç°î, "Ãã(La Danza)", ten.Lawrence Brownlee
  646. ·Î½Ã´Ï, ¼º¾Ç°î, "ÇÇ·»Ã¼ÀÇ ²ÉÆÄ´Â ¾Æ°¡¾¾(La fioraia fiorentina)", sop.Jessica Pratt
  647. ·Î½Ã´Ï, ½ºÅ¸¹ÙÆ® ¸¶ÅÍ(Stabat Mater); /"ź½ÄÇÏ´Â ¼º¸ð´ÔÀÇ ¸¶À½(Cujus animam gementem)"
  648. ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 1, G, Va´ë½Å ÄÜÆ®¶óº£À̽º »ç¿ë,Vn1 Vn2 Ce Cb
  649. ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 2(Sonata a quattro), A, 13m, Berlin Philharmonic Orchestra/Herbert von Karajan
  650. ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 3, C, 6°îÁß 3,5¹ø À¯¸í,11m
  651. ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 4, Bb, 13m
  652. ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 5, Eb, 6°îÁß 3,5¹ø À¯¸í,14m
  653. ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 6, D
  654. ·Î½Ã´Ï, ¿ÀÆä¶ó <µµµÏ±îÄ¡>;
      • "³ªÀÇ °¡½¿Àº ±â»Ý¿¡ µé¶°(Di piacer mi balza il cor)"-´Ï³×ŸÀÇ ¾Æ¸®¾Æ, sop. Mady Mesple
  655. ·Î½Ã´Ï, ¿ÀÆä¶ó <¶ó ü³×·»Åç¶ó>;
      • "½½ÇÄÀº »ç¶óÁö°í(Non piu mesta)", ms.Cecilia Bartoli
  656. ·Î½Ã´Ï, ¿ÀÆä¶ó <¼¼¹Ì¶ó¹Ìµ¥>;
      • "³ª¸¦ À¯È¤ÇÏ´Â ¾Æ¸§´Ù¿î ºûÀÌ¿©(Bel raggio lusinghier)", ms.Teresa Berganza
      • "dzºÎÇÑ »ó»ó·ÂÀ¸·Î(Alle piu calde immagini)", sop.Montserrat Caballe,ms.Shirley Verrett
      • "Èñ¸Á°ú ȯÈñÀÇ ¾Æ¸§´Ù¿î ºû"
  657. ·Î½Ã´Ï, ¿ÀÆä¶ó <¼¼ºô¸®¾ÆÀÇ À̹߻ç>; ¼­°î
      • "±×°Ç Àú¿¹¿ä(Dunque io son)", ms. Cecila Bartoli/bar. Bryn Terfel
      • "±×·³ ³­... ³¯ ¼ÓÀÎ °ÍÀÌ ¾Æ´Ñ°¡¿ä?"
      • "³ª´Â ¸¶À»ÀÇ Á¦1ÀÎÀÚ(Largo al factotum)", bar. Leo Nucci
      • "¹æ±Ý µé¸° ±×´ë À½¼º(una voce poco fa)", ms.Teresa Berganza
      • "º¸¾Æ¶ó... ¿ôÀ¸¸ç ÇÏ´ÃÀ» º¸¾Æ¶ó(Ecco, ridente in cielo)"
      • "Çè´ãÀ̶û »êµé¹Ù¶÷ó·³(La calunnia e un venticello)", bass.Paolo Montarsolo
  658. ·Î½Ã´Ï, ¿ÀÆä¶ó <½Åµ¥·¼¶ó>; /"½½Çİú ´«¹° ¼Ó¿¡¼­ ž"
  659. ·Î½Ã´Ï, ¿ÀÆä¶ó <¾ËÁ¦¸®ÀÇ ÀÌÅ»¸®¾Æ ¿©ÀÎ(L'Italiana in Algeri)>;
      • "¾Æ¸§´Ù¿î ¿©ÀÎÀ» ±×¸®¿ö Çϸ鼭"
      • "»ç¶ûÇÏ´Â ±×¸¦ À§ÇÏ¿©(Per lui che adoro)", Elina Garanca
      • "ÀÜÀÎÇÑ ¿î¸íÀÌ¿©! ÀÜȤÇÑ »ç¶ûÀÌ¿©(Cruda sorte! Amor tiranno!)", ms.Cecilia Bartoli, ms.Agnes Baltsa
  660. ·Î½Ã´Ï, ¿ÀÆä¶ó <¿µ±¹¿©¿Õ ¿¤¸®ÀÚºª>;
      • "°¡·ÃÇÑ ³ª¸¦"-3Áßâ
  661. ·Î½Ã´Ï, ¿ÀÆä¶ó <¿À¸® ¹éÀÛ(Le Comte Ory)>;
      • "½½ÇÄ¿¡ »ç·ÎÀâÇô"
      • "ÀÌ °¡½¿¿¡ µå¸®¿î ¾µ¾µÇÔ"
  662. ·Î½Ã´Ï, ¿ÀÆä¶ó <Àª¸®¾ö ÅÚ(William Tell)>; ¼­°î-Swingle Singers, * <ºôÇ︧ ÅÚ>, <±¼¸®¿¤¸ð ÅÚ(Guillaume Tell)>·Î ºÒ¸®¸ç ¿øÀü ¿ÀÆä¶ó´Â <±â¿è ÅÚ>
      • "³» ¾Æµé¾Æ...¿òÁ÷ÀÌ¸é ¾ÈµÈ´Ù(Mio figlio...Resta immobile)", bar.Sherrill Milnes
      • "´Þ·Á°¡ÀÚ! ³¯¾Æ°¡ÀÚ!!(Corriam! Voliam!)"
      • "¾îµÎ¿î ½£(Sombre foret)", sop.Montserrat Caballe
      • "¿À ħ¹¬ÀÇ ¾È½Äó¿©(O muto asil)"
      • "¿òÁ÷ÀÌ¸é ¾ÈµÈ´Ù(Resta immobile, e ver la terra)"-3: Àª¸®¾ö ÅÚÀÇ ¾Æ¸®¾Æ, bar.Sherrill Milnes(Àª¸®¾öÅÚ)
      • "ÇÇó·³ °­ÇÏ°Ô ½ñ¾ÆÁö´Â(Allor che scorre de¡¯forti il sangue)"-2:¾Æ¸£³îµµ, ÅÚ, °ýƼ¿¡·ÎÀÇ 3Áßâ, ten.Luciano Pavarotti(¾Æ¸£³îµµ),bar.Sherrill Milnes(Àª¸®¾öÅÚ),bass.Nicolai Ghiaurov(°ýƼ¿¡·Î)
  663. ·Î½Ã´Ï, ¿ÀÆä¶ó <ÀÌÅ»¸®¾ÆÀÇ ÅÍŰÀÎ(Il turco in Italia)>; /¼­°î
  664. ·Î½Ã´Ï, ¿ÀÆä¶ó <ÅÁÅ©·¹µð(Tancredi)>;
      • "³» ¸¶À½À» ¿©´Â ´ç½Å"
      • "¼³·¹´Â °¡½¿(Di tanti Palpiti)"
  665. ·Î½Ã´Ï, ¿ÀÆä¶ó <È£¼öÀÇ ¿©ÀÎ(/¹Ì³à)>;
      • "±× ¼ø°£¿¡ ±×ó·³ ¸¹Àº °¨Á¤ÀÌ(Tanti affetti in tal momento)", ms.Cecilia Bartoli
      • "³Ê´Â ³» ½½ÇÄÀ» µèÁö ¸øÇϴ±¸³ª"
      • "»ç¶ûÀ» °¡µæ ´ã¾Æ(tanti affetti in tal momento)"
      • "¾Æ! ¾î¶»°Ô ¼û±æ ¼ö ÀÖÀ»±î, ³» Àý½ÇÇÑ ¿­Á¤À»"
  666. ·Î½Ã´Ï, Àª¸®¾ö ÅÚ ¼­°î,»õº® ÆøÇ³¿ì Àû¸· ¾ËÇÁ½ºÀÇ ÀÚ¿¬À» ¹¦»ç>4ºÎ ±¸¼º
  667. ·Î½Ã´Ï, ÆÄ°¡´Ï´Ï¿¡ ºÎÄ¡´Â ¸»-¹ÙÀ̿ø°°ú ÇöÀ» À§ÇÑ ºñ°¡(Un Mot a Paganini per violino e archi)
  668. ·ÎÀ̾î, Duos Concertante, A, Op.31-1, µÎ ´ëÀÇ ±âŸ¸¦ À§ÇÑ °î, 3°îÀÇ Duos Concertante, * Antoine De Lhoyer(1768-1852 French Guitarist)
  669. ·ÎÀ̾î, Allemande, Jean Rondeau(harpsichord), * Joseph-Nicolas-Pancrace Royer(1705-1755 French &harpsichordist)
  670. ·ÎÀ̾î, ÇÕ½ÃÄÚµå ÀÛǰÁý 1±Ç
  671. ·ÎÀÔÄÉ, ÇǾƳë¼Ò³ªÅ¸, Bb, 29m * Julius Reubke
  672. ·ÎÀú½º, ¼º¾Ç°î "Blue Moon", * Richard Rodgers(1902-1979 American)
  673. ·ÎÀú½º, ¼º¾Ç°î "Climb ev'ry mountain"
  674. ·ÎÀú½º, ¼º¾Ç°î "Manhattan", sop.Dawn Upshaw
  675. ·ÎÀú½º, ¼º¾Ç°î "You¡¯ll Never Walk Alone", Susan Boyle
  676. ·ÎÀú½º, ¹ÂÁöÄà <³²ÅÂÆò¾ç>;
      • "Bali Ha¡¯i", Sarah Vaughan
      • "Happy Talk"
      • "I'm in love with a wonderful guy", $ sop.Kiri Te Kanawa
      • "¾î´À ȲȦÇÑ Àú³á(Some Enchanted Evening)", ten. Jose Carreras
  677. ·ÎÀú½º, ¹ÂÁöÄà ;
      • "Climb Every Mountain", ten. Placido Domingo
      • "Edelweiss", bar.Bryn Terfel
      • "Maria", ten. Francisco Araiza
      • "Something Good", ms.Anne Sofie von Otter
  678. ·ÎÀú½º, ¹ÂÁöÄà <¾Ë·¹±×·Î>;
      • "What a Lovely Day for a Wedding", #, bar. Bryn Terfel, Chorus of Opera North
  679. ·ÎÀú½º, ¹ÂÁöÄà <¿ÀŬ¶óÈ£¸¶>;
      • "What a Beautiful Morning",#, bar.Bryn Terfel
  680. ·ÎÀú½º, ¹ÂÁöÄà <¿Õ°ú ³ª>;
      • "I Whistle a Happy Tune", Debora Kerr
      • "Shall We Dance?", Debora Kerr
  681. ·ÎÁ¦Æ¼,¾ÈÅä´Ï¿À, ±³Çâ°î 28, D, 15m * Antonio Rosetti(1750-1792)
  682. ·ÎÁ¦Æ¼,¾ÈÅä´Ï¿À, È£¸¥ÇùÁÖ°î(2´ëÀÇ È£¸¥°ú °üÇö¾ÇÀ» À§ÇÑ), 18m
  683. ·ÎÁ¨¹Á·¯, ±³È¸ÇùÁÖ°î, "±Û·Î¸®¾Æ"
  684. ·ÎÄ«ÅÚ¸®, ¼­ÁÖ 4, G, 4m * Pietro Antonio Locatelli(1695-1764 Italian Baroque &Vn)
  685. ·ÎÄ«ÅÚ¸®, 24°³ÀÇ Ä«ÇÁ¸®½º(24 Capriccios), Vn
  686. ·ÎÄ«ÅÚ¸®, Concerto XI a Quattro, c, # Freiburg Baroque Orchestra/Gottfried von der Goltz
  687. ·ÎÄ«ÅÚ¸®, Concerto VII a Cinque, F, 7m, Freiburg Baroque Orchestra/Gottfried von der Goltz
  688. ·ÎÄ«ÅÚ¸®, ¼Ò³ªÅ¸(2´ë vn°ú BC¸¦ À§ÇÑ), D, Op.8-8, 12m, Musica Alta Ripa
  689. ·ÎÅ©, The Tempest: Incidental Music, 20m# * Matthew Locke(1621-1677 English Baroque)
  690. ·ÎÅ©, »ïÈ­À½(Tripla concordia: Suite), G
  691. ·ÎŸ,´Ï³ë, 3ÁßÁÖ(ÇÃ·çÆ® ¹ÙÀ̿ø° ÇǾƳ븦 À§ÇÑ), 13m * Nino Rota(1911-1979 Italian)
  692. ·ÎŸ,´Ï³ë, 9ÁßÁÖ(Nonetto per flauto, oboe, clarinetto, fagotto, corno, violino, viola, violoncello e contrabbasso), 26m
  693. ·ÎƼ,¾ÈÅä´Ï¿À, ¼º¾Ç°î "±×´ë´Â ´ÙÁ¤ÇÑ ÀÔ¼ú·Î ¸»Çß¾úÁö(Pur dicesti o bocca bella)", ten. Ramon Vargas, * Antonio Lotti(1667-1740 Italian Baroque)
  694. ·ÎÆÄ¸£Ã÷, 3ÁßÁÖ°î(ÇǾƳë¿Í ÇöÀ» À§ÇÑ), a, Vn Va Pf, * Joseph Guy Ropartz(b1864)
  695. ·Ñ¶ó,¾Ë·¹»êµå·Î, ±³Çâ°î, Bb, BI.540, 11m, Milan Chamber Orchestra/Massimiliano Caldi, * Alessandro Rolla(1757-1841 Italian Va&Vn)
  696. ·Ñ¶ó,¾Ë·¹»êµå·Î, ±³Çâ°î, D, BI.553
  697. ·Òº£¸£Å©,Áö±×¹®Æ®, ¹ÂÁöÄà ; /"Lover come back to me", * Sigmund Romberg(1887-1951 Austro-Hungarian)
  698. ·Òº£¸£Å©,Áö±×¹®Æ®, ¼º¾Ç°î "¼¼·¹³ªµ¥(Serenade)", ten.Placido Domingo
  699. ·Òº£¸£Å©,Áö±×¹®Æ®, ¿ÀÆä·¹Å¸ <»ç¸·ÀÇ ³ë·¡>;
      • "One Alone", ten.Robert White
      • "»ç¸·ÀÇ ³ë·¡(The Desert Song)", sop.Judith Raskin/ten.Mario Lanza
  700. ·Òº£¸£Å©,Áö±×¹®Æ®, ¿ÀÆä·¹Å¸ <¾î¸°¿ÕÀÚ>, ·Òº£¸£Å©ÀÇ ¼º°øÀÛ, drink drink °î
  701. ·Òº£¸£Å©,Áö±×¹®Æ®, ¿ÀÆä·¹Å¸ <ȲÅÂÀÚÀÇ Ã¹»ç¶û(The Student Prince)>; /"Deep in my heart", /"Golden Days"
  702. ·Úº£, ¼º¾Ç°î, "Canzonetta", sop. Elly Ameling
  703. ·Úº£, ¼º¾Ç°î, "½ÃÀÎ Åè(Tom der Reimer)", Op.135a, * Carl Loewe(1796-1869 German &Br:singer)
  704. ·Úº£, ¼º¾Ç°î, "¿ÀµòÀÇ ¹Ù´Ù ¿©Çà(Odins meeresritt)", bs-bar. Thomas Quasthoff
  705. ·Úº£, ¼º¾Ç°î, "¿Ã·çÇÁ ¾¾(Herr Oluf)", Op.2-2, bar.Thomas Quasthoff/Justus Zeyen(pf)
  706. ·ÛÆ®°Õ,ÁÙ¸®¾î½º, A Little Song of the Sea, Op.45, 12m, North German Radio Orchestra/David Porcelijn, * Julius Rontgen(1855-1932 German-Dutch)
  707. ·Ü¸®, ¾Ëü½ºÅ× ¸ðÀ½°î(Alceste: Suite), LWV.50, cf) Opera , 21m#3, Le Concert des Nations/Jordi Savall
  708. ·Ü¸®, »ç¶ûÀÇ ½Â¸®(Le Triomphe de l'amour), LWV.59, °üÇö¾Ç°î, * Jean-Baptiste Lully(1632-1687 Italian-born French)
  709. ·Ü¸®, ¼­¹Î ±ÍÁ·(Le Bourgeois Gentilhomme):¸ðÀ½°î, LWV.43, 17m $,Le Concert des Nations/Jordi Savall
  710. ·Ü¸®, ¿ÀÆä¶ó <¾Æ¸£¹Ìµ¥(Armide)>; /Overture and Dances
  711. ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ·Î¸Á½º, Eb, Op.44-1 * Anton Rubinstein(1829-1894 Russian Pf &comp)
  712. ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ¸á·Îµð(Melodie), F, Op.3-1
  713. ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ¿ÀÆä¶ó <³×·Î>; '³ª ±×´ë¿¡°Ô ³ë·¡Çϳ×'
  714. ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ÿ·Î¼Ò³ªÅ¸ 1, D, Op.18, 29m#
  715. ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ÇǾƳëÇùÁÖ°î 4, d, Op.70, 29m, $ Michael Ponti(pf),Philharmonia Hungarica/Othmar Maga
  716. ·ç¼¿, ±³Çâ°î 1, Op.7, "½£ÀÇ ½Ã", ÇÁ¶ûÅ©ÀÇ ¼øÈ¯±â¹ý »ç¿ë
  717. ·çÂî(Luzzi), ¼º¾Ç°î, "¾Æº£¸¶¸®¾Æ"
  718. ·çÂ÷½ºÅ°, ¼º¾Ç°î "¿À º½ÀÌ¿©(O Primavera)", sop.Catherine Bott, * Luzzasco Luzzaschi(1545-1607 Italian &org)
  719. ·çÄ«µô¸®, ±ØÀådz ¼­°î5,D, Op.4-5,1729c
  720. ·çÅ佺¿ÍÇÁ½ºÅ°, ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î (Variations on a theme of Paganini), 5m#, Pf, * Witold Lutoslawski(1913-1994 Polish)
  721. ¸£±×¶û,¹Ì¼Ð, ¼º¾Ç°î "ÀÌ ¼¼»ó ³¡ÀÇ Çâ±â(Un parfum de fin du monde)", $ Bruno Laplante(Bar),France Duval(Sop), * Michel Legrand(1932- French musical composer)-arranger, conductor, and pianist, cf) film music- "The Umbrellas of Cherbourg(1964)"
  722. ¸£´©¾Æ¸£,Àö, ¼º¾Ç°î "»ç¶ûÇÑ´Ù°í ¸»ÇØÁÖ¿À(Parlez-moi d¡¯amour)", Bruno Laplante, # ms. Anne Sofie von Otter, # bar. Bruno Laplante, * Jean Lenoir(1891-1976 French)
  723. ¸£´Ï¿¡,¾Ó¸®¿¡¶ß, Àü¼³(Legende, dapres 'Les Elfes' de Leconte de Ilsle), 10m$ Valerie Milot(Hp) * Henriette Renie(1875-1956 French Hp& F)
  724. ¸£º§,Àå Æä¸®, Sonate cinquieme, D, * Jean-Fery Rebel(1666-1747 French Baroque)
  725. ¸£º§,Àå Æä¸®, ¿ø¼Ò(Les Elemens: Air pour l'amour...Caprice), °üÇö¾Ç°î
  726. ¸£Äê(±â¿è), ¹ÙÀ̿ø°¼Ò³ªÅ¸, G, 29m * Guillaume Lekeu(1870-1894) º§±â¿¡ ÀÛ°î°¡
  727. ¸£Äê(±â¿è), ÿ·Î¼Ò³ªÅ¸, f, 43m, $ Luc Dewez(vc), Luc Devos(pf)
  728. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, e, Op.5-3 $ * Jean-Marie Leclair(1697-1764 French Baroque &Vn)
  729. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, D, Op.9-3, Vn & Pf, 11m
  730. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸(µÎ ´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), e
  731. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 5, a, Op.7-5, 15m, Simon Standage(vn)/Collegium Musicum 90/Simon Standage
  732. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 1(Concertos (6) for Violin, Strings and Basso Continuo), Bb, Op.10-1, 14m, # Simon Standage(vn), Collegium Musicum 90/Simon Standage
  733. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 3, D, Op.10-3, 14m, Simon Standage(vn)/Collegium Musicum 90/Simon Standage
  734. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 5, e, Op.10-5, 17m
  735. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 6, g, Op.10-6, 17m, Simon Standage(vn),Collegium Musicum 90
  736. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, Op.2-1
  737. ¸£Å¬·¹¸£,Àö-¸¶¸®, ¿ÀÆä¶ó <½ºÅ³¶ó¿Í ±Û¶ó¿ìÄí½º(Scylla et Glaucus)>: ¹ß·¹À½¾Ç
  738. ¸£Å¬·¹¸£,Àö-¸¶¸®, ÇÃ·çÆ®¼Ò³ªÅ¸, C
  739. ¸£Æäºê¸£, Ŭ¶ó¸®³Ý4ÁßÁÖ°î 4, c, 18m * Jean-Xavier Lefe`vre(1763 ~ 1829) ½ºÀ§½º Å»ýÀÇ Å¬¶ó¸®³Ý ÁÖÀÚ
  740. ¸®,¹ÌÄ¡, ¹ÂÁöÄà <¶ó¸¸Â÷ÀÇ »ç³ªÀÌ>; * Mitch Leigh(1928-2014 American)
      • "Impossible Dream", # ten.Jose Carreras
  741. ¸®°ÔƼ, ¹Ù°¡ÅÚ(6°³ÀÇ), (bagatelle)-ÇÇ¾Æ³ë ¿¬ÁÖ¿ë µÎ ¼¼µµ¸· Çü½ÄÀÇ ¼Òǰ°î * Gyoergy Ligeti(1923-2006 Hungarian:contemporary classical music)
  742. ¸®ºù½ºÅÏ,Á¦ÀÌ, ¼º¾Ç°î "Mona Lisa", Jose Carreras(Ten), Jay Livingston (1915-2001 American)
  743. ¸®½º,Æä¸£µð³­µå, 8ÁßÁÖ°î, f, Op.128, º£Å亥ÀÇ Á¦ÀÚ, º£Å亥ÀÇ ½º½ÂÀÎ ¾ÈÅæ¸®½ºÀÇ ¾Æµé * Ferdinand Ries(1784-1838 German)
  744. ¸®½º,Æä¸£µð³­µå, ±³Çâ°î 1, D, Op.23, 26m, $ Zurich Chamber Orchestra/Howard Griffiths
  745. ¸®½º,Æä¸£µð³­µå, ¼Ò³ªÆ¼³ª(Sonatina), C, Op.6, (for four hands), # Susan Kagan(pf)/Vassily Primakov(pf)
  746. ¸®½º,Æä¸£µð³­µå, ½º¿þµ§ ±¹°¡ º¯ÁÖ°î(Swedish National Airs with Variations), Op.52, Concerto(Pf)
  747. ¸®½º,Æä¸£µð³­µå, Ŭ¶ó¸®³Ý3ÁßÁÖ(Trio for Clarinet/Violin, Cello and Piano), Op.28, 23m, #3 Dieter Klocker(Cl),Armin Fromm(Vc),Thomas Duis(Pf)
  748. ¸®½º,Æä¸£µð³­µå, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, Op.169, 20m#, Dieter Klocker(Cl)/Thomas Duis(Pf)
  749. ¸®½º,Æä¸£µð³­µå, ÇÃ·çÆ®4ÁßÁÖ°î(Quartet for flute, violin, viola and violoncello), d, WoO.35/1, 29m, Ardinghello Ensemble 29:02
  750. ¸®½º,Æä¸£µð³­µå, ÇǾƳë¼Ò³ªÅ¸, Bb, Op.47, 13m
  751. ¸®½º,Æä¸£µð³­µå, ÇǾƳëÇùÁÖ°î, Ab, Op.151, "¶óÀÎÀÇ Àλç(Gruss an den Rhein)"
  752. ¸®½º,Æä¸£µð³­µå, ÇǾƳëÇùÁÖ°î 3, c#, Op.55
  753. ¸®½º,Æä¸£µð³­µå, ÇǾƳëÇùÁÖ°î 7, a, Op.132, "Farewell to England(/London)"
  754. ¸®½º,Æä¸£µð³­µå, ÇǾƳëÇùÁÖ°î 9, g, Op.177, 28m
  755. ¸®½ºÆ®, Les Morts - Oraison pour Grand Orchestre. S.112/1, 8m, Orchester Wiener Akademie/Marin Haselboeck
  756. ¸®½ºÆ®, Grand duo concertant, S.128 cf) Vn & Pf, 12m
  757. ¸®½ºÆ®, 2°³ÀÇ Àü¼³(Deux Legendes), ÇǾƳë°î, S.175, # Pierre-Laurent Aimard(pf)
  758. ¸®½ºÆ®, ±³Çâ½Ã "¿ä¶÷¿¡¼­ ¹«´ý±îÁö(Von der Wiege bis zum Grabe)", S.107
  759. ¸®½ºÆ®, ±³Çâ½Ã "ÇÁ·Î¸ÞÅ׿콺", 13m
  760. ¸®½ºÆ®, ±³Çâ½Ã6, "¸¶Á¦ÆÄ", ºòÅç À¯°íÀÇ ½Ã¿¡ ÀǰÅ
  761. ¸®½ºÆ®, ±³Çâ½Ã "Çܸ´", S.104, Gewandhausorchester Leipzig/Kurt Masur
  762. ¸®½ºÆ®, ³ë¸£¸¶ÀÇ È¸»ó(Reminiscences de Norma), S.394, 16m, Benjamin Grosvenor(pf)
  763. ¸®½ºÆ®, ´ÜÅ× ±³Çâ°î(Dante Symphony), S.109, 51m#, Rotterdam Philharmonic Orchestra/Helmond Concert Choir/James Conlon
  764. ¸®½ºÆ®, º£³×Ä¡¾Æ¿Í ³ªÆú¸®
  765. ¸®½ºÆ®, º£¾ÆÃ¼ÇÏ¿¡ ÀÇÇÑ È¯»ó°î°ú Ǫ°¡(Fantasy and Fugue on B-A-C-H), 11m
  766. ¸®½ºÆ®, ºñ°¡ 1(Premiere Elegie)
  767. ¸®½ºÆ®, ºñ°¡ 2(Deuxieme Elegie)
  768. ¸®½ºÆ®, »ç¶ûÀÇ ²Þ3,ÇǾƳë°î,Ab,3°îÀÇ »ç¶ûÀÇ ²Þ>3¹ø $
  769. ¸®½ºÆ®, ¼º¾Ç°î "³»°¡ ÀáµÑ¾úÀ» ¶§ (¿À ²Þ¿¡ ¿À¼Ò¼­)(Quand je dors)", sop.Barbara Hendricks, Steffan Scheja, #ten. Nicolai Gedda
  770. ¸®½ºÆ®, ¼º¾Ç°î "±×°ÍÀº ³î¶ó¿î ÀÏÀ̾ú³×(Es muss ein wunderbares sein), ten. Peter Schreier"
  771. ¸®½ºÆ®, ¼º¾Ç°î "¶óÀÎ, ¾Æ¸§´Ù¿î È帧 ¼Ó¿¡"
  772. ¸®½ºÆ®, ¼º¾Ç°î "·Î·¼¶óÀÌ(Die Loreley)"
  773. ¸®½ºÆ®, ¼º¾Ç°î ºòÅ丣 À§°íÀÇ ½Ã¿¡ ºÙÀÎ °¡°î "¾ÆÀ̾ß, ³»°¡ ¿ÕÀ̶ó¸é ³×°Ô ³» ¿Õ±¹À» ¹°·ÁÁÙÅÙµ¥..."
  774. ¸®½ºÆ®, ¼º¾Ç°î "»ç¶ûÀÇ ²Þ 3(Liebestraum)"
  775. ¸®½ºÆ®, ¼º¾Ç°î "¾Æº£¸¶¸®¾Æ(Ave Maria)"
  776. ¸®½ºÆ®, ¼º¾Ç°î "¿À ²Þ¿¡ ¿À¼Ò¼­(Oh! quand je dors)", ten.Dennis O¡¯Neill
  777. ¸®½ºÆ®, ¼º¾Ç°î "¿À »ç¶ûÀÌ¿©, »ç¶ûÇÒ ¼ö ÀÖ´Â ÇÑ »ç¶ûÇ϶ó(O lieb so lang du lieben kannst)" S.298, $ sop.Margaret Price
  778. ¸®½ºÆ®, ¼º¾Ç°î "Á¶¿ëÈ÷ ¿ï·Á¶ó, ³ªÀÇ ³ë·¡¿©(Kling leise, mein Lied)", sop.Margaret Price/Cyprien Katsaris(pf)
  779. ¸®½ºÆ®, ¼Ò³ªÅ¸Ç³ÀÇ È¯»ó°î "´ÜÅ׸¦ Àаí", S.161-7, 16m
  780. ¸®½ºÆ®, Sonetto 104 del Petrarca, 5m, Vladimir Horowitz(pf)
  781. ¸®½ºÆ®, ½ºÆäÀα¤½Ã°î, S.254, 13m
  782. ¸®½ºÆ®, ¿¬½À°î(ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ), 6°î, ¶ó įÆÄ³Ú¶ó,ÆÄ°¡´Ï´Ï VC2ÀÇ ·Ðµµ¸¦ ÁÖÁ¦
  783. ¸®½ºÆ®, ¿¬ÁÖȸ¿ë ¿¬½À°î(3°³ÀÇ); 1)¾Ö°¡(Il lamento), 2)°æÄèÇÔ(La Leggierezza), 3)ź½Ä(Un Sospiro), 22m, Claudio Arrau(pf)
  784. ¸®½ºÆ®, ¿À¶óÅ丮¿À <±×¸®½ºµµ(Christus)>, 68m
  785. ¸®½ºÆ®, ¿ì¿ïÇÑ ¿ÐÃ÷(Valse melancolique), S210a, 5m, Leslie Howard(pf)
  786. ¸®½ºÆ®, ÀüÁÖ°î, ±³Çâ½Ã3,5ºÎ±¸¼º,13°îÀÇ ±³Çâ½Ã
  787. ¸®½ºÆ®, ÀüÁÖ°î, S511a
  788. ¸®½ºÆ®, ÃÊÀý±â±³ ¿¬½À°î(Transcendental Etudes), 1) Preludio, 2) Etude in a minor, 3) Paysage, 4) Mazeppa, 5) Feux-Follets, 6) Vision, 7) Eroica, 8) Wilde Jagd, 9) Ricordanza, 10) Etude in f minor, 11) Harmonies du soir, 12) Chasse-Neige, Lazar Berman(pf) 63m
  789. ¸®½ºÆ®, ź½Ä(Un Sospiro), pf, 6m
  790. ¸®½ºÆ®, ÆÄ¿ì½ºÆ® ±³Çâ°î(Faust Symphony), 77m
  791. ¸®½ºÆ®, ÆäÆ®¶ó¸£Ä«ÀÇ ¼Ò³×Åä 104(Sonetto 104 del Petrarca), Vladimir Horowitz(pf)
  792. ¸®½ºÆ®, ÇǾƳë¼Ò³ªÅ¸, b, S.178, 30m, Pf: Martha Argerich
  793. ¸®½ºÆ®, ÇǾƳëÇùÁÖ°î 1, Eb > C29
  794. ¸®½ºÆ®, ÇǾƳëÇùÁÖ°î 2, A
  795. ¸®½ºÆ®, Çë°¡¸® ±¤½Ã°î, °üÇö¾Ç°î(6°î), ÇǾƳë°îÀÎ Çë°¡¸®±¤½Ã°î¿¡¼­ 6°î °üÇö¾Ç°îÀ¸·Î Æí°î > C85, 1°î: ÇǾƳë°î No.14, 2°î: ÇǾƳë°î No.12, 3°î: No.6, 4°î: No.2, 5°î: NO.5, 6°î: No.9, "Carnival in Pest"
  796. ¸®½ºÆ®, Çë°¡¸® ±¤½Ã°î,ÇǾƳë°îÁý, 15°î, No.2 C# $, No.6 Db, No.15 a
  797. ¸®½ºÆ®, ȯ»ó°î(Çë°¡¸® ¹Î¿ä ¼±À²¿¡ ÀÇÇÑ)
  798. ¸®Ã÷, ¿Àº¸ÇùÁÖ°îÁý, f, Op.33, 14m, * Rietz, Julius(1812-1877)
  799. ¸®Ã÷, Ŭ¶ó¸®³ÝÇùÁÖ°î, g, Op.29, 21m
  800. ¸®Å¬, Cassation, Eb, 24m, * Johann Georg Lickl(1769-1843 Austrian &org)
  801. ¸®Å¬, ¿Àº¸¿¡4ÁßÁÖ°î, C, Op.26-1, 14m
  802. ¸®ÇɽºÅ°, Grande Caprice, ¹ÙÀ̿ø°°î, 4m * Lipinsky, Karol Jozef(1790-1861), Æú·£µå Å»ýÀÇ Vn ´ë°¡ÀÌÀÚ ÀÛ°î°¡
  803. ¸®È÷ÅÍ,¸Æ½º, ÀÚºñ(Mercy), ½Ç³»¾Ç, 5m, * Max Richter(1966- Germany)
  804. ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ±³Çâ°î 43, f, Op.3-5, 15m
  805. ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ½ÅÆ÷´Ï¾Æ 2, F, 9m, Helsinki Baroque Orchestra/Aapo Hakkinen, * Franz Xaver Richter(1709-1789 Czech Vn &comp)
  806. ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ½ÅÆ÷´Ï¾Æ 4, F, 12m
  807. ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ½ÅÆ÷´Ï¾Æ 5, F, 13m, Helsinki Baroque Orchestra/Aapo Hakkinen
  808. ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ½ÅÆ÷´Ï¾Æ 10, e, 13m
  809. ¸°µ¥¸¸, »êŸũ·Î½º ¿À½Ã´Ù
  810. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, 5ÁßÁÖ°î(Quintet for flute, clarinet, horn, bassoon, and piano), Bb, # Nash Ensemble
  811. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ±³Çâ°î 1, e, Op.1, 26m
  812. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ±³Çâ°î 2, f#, Op.9 "¾ÈŸ¸£(Antar)", 34m, # Pittsburgh Symphony Orchestra/Lorin Maazel
  813. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ±³Çâ°î 3, C, Op.32, 30m, London Symphony Orchestra/Yondani Butt
  814. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ±Ý°è ¸ðÀ½°î(Le Coq d'or Suite (The Golden Cockerel)), * ¿ÀÆä¶ó <±Ý°è>¿¡¼­ ³× Àå¸éÀ» °üÇö¾Ç°îÀ¸·Î Æí°î
      • 1) ¿Õ±¹ÀÇ µµµ· ¿Õ
      • 2) ÀüÀïÅÍÀÇ µµµ· ¿Õ
      • 3) ¼¼¸¶Ä« ¿©¿ÕÀÇ ¼Õ´Ô µµµ· ¿Õ
      • 4) °áÈ¥ÀÜÄ¡¿Í µµµ·ÀÇ ½½Ç Á×À½
  815. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ·¯½Ã¾ÆºÎȰÁ¦, Op.36
  816. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, »çµåÄÚ(Sadko), Op.5, °üÇö¾Ç°î, # Bergen Philharmonic Orchestra/Dmitri Kitayenko
  817. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, »ìź ȲÁ¦ÀÇ À̾߱â-¸ðÀ½°î(The Tale of Tsar Saltan-Suite), Op.57, 19m
  818. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¼º¾Ç°î "¹Ù¶÷ÀÌ ¾Æ´Ï¶ó³×, Àú ¾ð´ö¿¡¼­ ºÒ¾î¿Í", Op.43-2
  819. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¼¼Çì¶óÀÚµ¥, ±³Çâ¾Ç ¸ðÀ½°î, Op.35, 45m, London Symphony Orchestra/Igor Markevitch
      • 1) ¹Ù´Ù¿Í ½Å¹åµåÀÇ ¹è
      • 2) Ä«·»´Ù¸£ ¿ÕÀÚÀÇ À̾߱â
      • 3) ÀþÀº ¿ÕÀÚ¿Í ÀþÀº ¿Õ³à
      • 4) ¹Ù±×´ÙµåÀÇ ÃàÁ¦,¹Ù´Ù
  820. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ½ºÆäÀÎ ±â»ó°î, °üÇö¾Ç°î, Op.34, ÇØ±º º¹¹«½ÃÀý¿¡ ½ºÄÏÄ¡
  821. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¿ÀÆä¶ó <±Ý°è(Le Coq d'or)>; žçÀÇ Âù°¡
  822. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¿ÀÆä¶ó <»çµåÄÚ>; ÀεµÀÇ ³ë·¡
  823. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¿Õ¹úÀÇ ºñÇà, °üÇö¾Ç°î
  824. ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ȯ»ó°î, Op.33,8m
  825. ¸¶µ¥¸£³ª, ¿À¶ó(AURA), »õ·Î¿î ÀλóÁÖÀÇ Ã¢Á¶¸¦ ¸ñÀûÀ¸·Î ÀÛ°î
  826. ¸¶·¹,¸¶·À, ±¤±âÀÇ 2Çà½Ã(½ºÆäÀÎÀÇ ±¤±â)[Couplets de Folies (Folies d'Espagne)], ½Ç³»¾Ç(2 viola da gamba, harpsichord), 18m
  827. ¸¶·¹,¸¶·À, ¸®ÄÚ´õ¸ðÀ½°î, g, 10°îÀ¸·Î ±¸¼º, 6°³ÀÇ ¸®ÄÚ´õ¸ðÀ½°î * Marin Marais(1656-1728 French)
  828. ¸¶·¹,¸¶·À, ¸¶·¹Áö¿£´ÀdzÀÇ ¼Ò³ªÅ¸(Sonate a la Maresienne), 12m
  829. ¸¶·¹,¸¶·À, ¸ðÀ½°î, d, 33m
  830. ¸¶·¹,¸¶·À, ¸ðÀ½°î, G
  831. ¸¶·¹,¸¶·À, ¾Ë½Ã¿Â(Alcyone) ¸ðÀ½°î: Chaconne
  832. ¸¶·¹,¸¶·À, ÆÄ¸®»ê ¼º Áê´Àºñ¿¡ºê ¼º´çÀÇ Á¾¼Ò¸®(La Sonnerie de Sainte-Genevieve du Mont de Paris), Reinhard Goebel(Vn)/Musica Antiqua Koeln
  833. ¸¶·¹,¸¶·À, Sujet diversitez(theme and variations) for viola da gamba and continuo, 13m
  834. ¸¶¸£²²½º,¾Æ¸£¶Ñ·Î(Arturo Marquez), Danzon no.2, ´ëÇ¥°î * ¸ß½ÃÄÚÀÇ ´ëÇ¥Àû Çö´ëÀ½¾Ç°¡
  835. ¸¶¸£½´³Ê, ¹èºÎ ¼­°î(Der Baebu: Overture), Op.98, °üÇö¾Ç°î, * Heinrich August Marschner(1795-1861 German)
  836. ¸¶¸£Ã¿·Î,º£³×µ¥Åä, ¼º¾Ç°î "³ª¿¡°Ô Ÿ¿À¸£´Â ºÒ²É(Quella fiamma che m¡¯accende)", ms.Cecilia Bartoli, * Benedetto Marcello(1686-1739 Italian)
  837. ¸¶¸£Ã¿·Î,¾Ë·¹»êµå·Î, ¿Àº¸ÇùÁÖ°î, d, * Alessandro Marcello(1673-1747 Italian), ÀϹÝÀûÀ¸·Î ¸»ÇÏ´Â ¸¶¸£Ã¿·Î´Â º£³×µ¥Åä ¸¶¸£Ã¿·ÎÀÓ
  838. ¸¶¸£ÅõÄ¡,ÁÖÁ¦Æä, ÿ·Î ¼Ò³ªÅ¸, f#, Op.52, 28m, Raphaela Gromes(vc)/Julien Riem(pf), * Martucci, Giuseppe(1856-1909, Italian)
  839. ¸¶¸£Æ¼´Ï, ¼º¾Ç°î "»ç¶ûÀÇ ±â»Ý(Plaisir d'amour)", sop.Benita Valente/bar.Thomas Allen
  840. ¸¶¸®´Ï,ºñ¾ÆÁö¿À, ¼º¾Ç°î "â°øÀÇ º°°ú ÇÔ²²(Con le stelle in ciel)", # ms.Magdalena Kozena, * Biagio Marini(1594-1663 Italian &vn)
  841. ¸¶¸®´Ï,ºñ¾ÆÁö¿À, ¼Ò³ªÅ¸ "¼ÒÇÁ¶ó ¶ó ¸ð´ÏÄ«(sopra la Monica)", Op.8, 3m
  842. ¸¶¸®¿À, ¼º¾Ç°î "¸Õ »êŸ ·çÄ¡¾Æ(Santa Lucia Luntana)", ten.Andrea Bocelli, * E.A.Mario(1884-1961 Italian)
  843. ¸¶¼î, ¼º¾Ç°î "Foy porter", sop.Emma Kirkby
  844. ¸¶¼î, "¿¹»Û ´ÞÄÞÇÑ ºÎÀÎ(Virelai)"; "³ªÀÇ ºÎÀο¡ ´ëÇØ¼­(Rondeau)"; "¾ÆÁÖ ´ÞÄÞÇÑ ºÎÀÎ, »ç¶ûÀÌ ³ª·Î ÇÏ¿©±Ý ¿øÇÏ°Ô ÇÑ´Ù(Ballade)", µ¶Ã¢°î, Áß¼¼À½¾ÇÀÇ ÇÑ Çü½Ä> refrain ¹è¿­ * Guillaume de Machaut(1300-1377 Medieval French)
  845. ¸¶¼î, ¼º¸ð¸¶¸®¾ÆÀÇ ¹Ì»ç, "³ëƲ´ã ¹Ì»ç", 14c ÇÁ¶û½º Áß¿äÇÑ À½¾Ç°¡, 1) Kyrie eleison:Lord have mercy 2) Gloria 3) Credo:I believe 4) Sanctus 5) Agunus Dei:Lamb of God
  846. ¸¶½¬,Á¸, ±³Çâ°î 6, D, 18m * John Marsh(1752-1828 English)
  847. ¸¶½º³×, °üÇö¾Ç¸ðÀ½°î 1, Op.13, 24m # Hong Kong Philharmonic Orchestra/Kenneth Jean * Jules Massenet(1842-1912 French)
  848. ¸¶½º³×, ±×¸² °°Àº dz°æ ¸ðÀ½°î, 4°î±¸¼º
  849. ¸¶½º³×, ¿ÀÆä¶ó <¸£ ½Ãµå>, "¿ï¾î¶ó, ³» ´«ÀÌ¿©"
  850. ¸¶½º³×, ¿ÀÆä¶ó <µ·Å°È£Å×(Don Quichotte)>;
      • "¿À ³ªÀÇ ÁÖÀδÔ(O mon maitre, o mon grand)"-Çdz¯·¹ µ·Å°È£Å×ÀÇ Á×À½Àå¸é, bar.Sorin Coliban/bass-bar.Erwin Schrott
  851. ¸¶½º³×, ¿ÀÆä¶ó <¸¶³ó(Manon)>;
      • "²ÞÀÇ ³ë·¡: ´«À» °¨À¸¸é(En fermant le yeux)"
      • "³ª´Â ¼¼»óÀÇ Áö¹èÀÚó·³"
      • "³»°¡ °Å¸®¸¦ °É¾î°¥ ¶§¸é"
      • "³»°¡ ±×·¸°Ô ¿¹»Û°¡¿ä?"
      • "¾È³ç, ¿ì¸®ÀÇ ÀÛÀº Å×À̺íÀÌ¿©(Adieu, notre petite table)"-2
      • "Ç×»ó ºÎµå·¯¿î »ç¶ûÀ» µû¸£¼¼¿ä(Obeissons quand leur voix appelle)"-¸¶³óÀÇ °¡º¸Æ®, sop.Rita Streich
  852. ¸¶½º³×, ¿ÀÆä¶ó <º£¸£Å׸£>;
      • "º£¸£Å׸£, º£¸£Å׸£.. ±×°¡ ³» ¸¶À½ ¼Ó¿¡ ÀÖ´Ù°í ´©°¡ »ó»óÀ̳ª Çϰڴ°¡..."
      • "º½¹Ù¶÷ÀÌ¿©, ¿Ö ³ªÀÇ ÀáÀ» ±ú¿ì³ª?(Pourquoi me reveiller?)", ten.Rolando Villazon
  853. ¸¶½º³×, ¿ÀÆä¶ó <ÄÉ·çºó>;
      • "²Þ²Ù´Â »ç¶û ¿µ¿øÇ϶ó(Vive amour qui reve)"-¾ÆÄ§ÀÇ ³ë·¡, sop. Angela Gheorghiu
  854. ¸¶½º³×, ¿ÀÆä¶ó <ŸÀ̽º>;
      • "³ª´Â ŸÀ̽º, ±úÁö±â ½¬¿î ¿ì»ó(C¡¯est Thais, l¡¯idole fragile)"-1:ŸÀ̽º¿Í ´Ï½Ã¾Æ½ºÀÇ 2Áßâ, sop. Renee Fleming(ŸÀ̽º), ten.Giuseppe Sabbatini(´Ï½Ã¾Æ½º)
      • "³»°¡ ¾Æ¸§´ä´Ù°í ¸»ÇØÁÖ·Å(Dis-moi que je suis belle)"-°Å¿ïÀÇ ¾Æ¸®¾Æ, $, sop.Nino Machaidze
      • "¸í»ó°î"
      • "Àú±â ³¸¼± ÀÌ´Â ´©±¸Àΰ¡¿ä?(Quel est cet etranger)"-1:ŸÀ̽º¿Í ¾ÆÅ¸³ª¿¤ÀÇ ´ë¸é Àå¸é, sop. Renee Fleming(ŸÀ̽º), bar. Thomas Hampson(¾ÆÅ¸³ª¿¤)
  855. ¸¶½ºÄ«´Ï, ¼º¾Ç°î "¾Æº£¸¶¸®¾Æ(Ave Maria)", Placido Domingo(Ten)
  856. ¸¶½ºÄ«´Ï, ¿ÀÆä¶ó <Ä£±¸ ÇÁ¸®Ã÷>;
      • "º£Æäµµ »ç¶ûÇØ(Ed anche Beppe amo...O amore)", ten.Beniamino Gigli
      • ü¸® ÀÌÁßâ, ten.Luciano Pavarotti & sop.Mirella Freni
  857. ¸¶½ºÄ«´Ï, ¿ÀÆä¶ó <Ä«¹ß·¹¸®¾Æ ·ç½ºÆ¼Ä«³ª>; °£ÁÖ°î$
      • "¾î¸Ó´Ôµµ ¾Æ½Ã´Ù½ÃÇÇ"
      • "¿À·»Áö²É Çâ±â´Â ¹Ù¶÷¿¡ ³¯¸®°í(Gli aranci olezzano)", ÁµÇÁ¸® ¹Ì¼Ð ÇÕâ´Ü
      • "¿À ·Ñ¶ó, ±×´ëÀÇ »´Àº Àå¹Ì¿Íµµ °°ÀÌ"
  858. ¸¶½½¶õÄ«, ¸ñ°ü5ÁßÁÖ°î 2, 22m, * Maslanka, David(b.1943, U.S.), Missouri Quintet
  859. ¸¶À̾î,¿¡µå°¡, 1B: Vn,Ce,Double Bass, 4m * Edgar Meyer(1960- American Bassist) /Yo-Yo Ma#&
  860. ¸¶À̾î,¿¡µå°¡, Short Trip Home
  861. ¸¶À̾¾î, ¿ÀÆä¶ó <µð³ë¶ó(Dinorah)>;
      • "±×¸²ÀÚÀÇ ³ë·¡(Ombra leggiera)", sop.Maria Callas, # sop. Eva Lind
      • "½Ã°è°¡ ¿ï¸± ¶§(Quand l¡¯heure sonnera)", ten.Jerry Hadley/bar.Thomas Hampson
  862. ¸¶À̾¾î, ¿ÀÆä¶ó <¾ÆÇÁ¸®Ä«ÀÇ ¿©ÀÎ>;
      • "¿À ³«¿øÀÌ¿©(O paradis)", ten.Placido Domingo
  863. ¸¶À̾¾î, ¿ÀÆä¶ó <¾Ç¸¶ ·Îº£¸£(Robert le Diable)>; /"Ballet des Nonnes(Ballet of Nuns)";°üÇö¾Ç
  864. ¸¶À̾, Ä«¹ÙƼ³ª
  865. ¸¶Æ¾,À̽ºÅäÇÁ, ¼º¾Ç°î "Come to the Fair", Kiri Te Kanawa(Sop), * Easthope Martin(1882-1925 English)
  866. ¸¸Åä¹Ù´Ï, Áý½Ã Ä«´Ï¹ß
  867. ¸»·¯, °¡°îÁý(·òÄɸ£Æ® ½Ã¿¡ ÀÇÇÑ), 5°î ±¸¼º
      • 1) ¼¼»ó¿¡ ³ª±×³× µÇ¾î[³ª´Â ¼¼»ó¿¡¼­ Ȧ·Î µÇ¾î
      • 2) ¾Æ¸§´Ù¿òÀ» »ç¶ûÇÑ´Ù¸é ³ª¸¦ »ç¶ûÇÏÁö ¸»¾Æ¿ä
      • 3) ³» ³ë·¡¸¦ º¸Áö ¸¶¿À
      • 4) ¶óÀÓ ¿À·»Áö Çâ±â¸¦ ¸¶¼Ì³×
      • 5) Çѹ㿡 ±ú¾î[/ÇÑ ¹ãÁß¿¡]
  868. ¸»·¯, ±³Çâ°î 1, D, "°ÅÀÎ(The Titan)", 50m, # Boston Symphony Orchestra/Ozawa Seiji, # Koelner Rundfunk-Sinfonieorchester/Gary Bertini
  869. ¸»·¯, ±³Çâ°î 2, c, "ºÎȰ(Resurrection)", 4M-Primordial Light:a solo 5M - Resurrection: so solo chorus, 88m
  870. ¸»·¯, ±³Çâ°î 3, d, "¿©¸§ ¾ÆÄ§ÀÇ ²Þ", 6¾ÇÀå ±¸¼º, ÀüüÀÇ ¹ÝÀÌ µÇ´Â 1¾ÇÀåÀ» 1ºÎ ³ª¸ÓÁö 5¾ÇÀåÀ» 2ºÎ·Î ÇÔ, ¸»·¯ ±³Çâ°îÀÇ °Å´ëÈ­°¡ ¶Ñ·ÇÇØÁö°í ÀÖÀ½
  871. ¸»·¯, ±³Çâ°î 4, G, "Ode to Heavenly Joy", 57m, # sop. Judith Raskin,Cleveland Orchestra/George Szell, $ Helen Donath(sop),Radio-Sinfonie-Orchester Frankfurt/Eliahu Inbal, Judith Raskin(sop)/Cleveland Orchestra/George Szell
  872. ¸»·¯, ±³Çâ°î 5, c#, 1M:Àå¼ÛÇàÁø°î, 72m, 5¾ÇÀå ±¸¼º, 2-4¹øÀº ¼º¾ÇÀÌ Ãß°¡µÇ¾úÀ¸³ª 5-7¹øÀº ¼ø¼ö ±â¾ÇÀûÀÎ ±³Çâ°î, 1) Radio-Sinfonie-Orchester Frankfurt/Eliahu Inbal, 2) Symphonieorchester des Bayerischen Rundfunks/Mariss Jansons
  873. ¸»·¯, ±³Çâ°î 6, a, "ºñ±ØÀû(tragic)", 87m, Wiener Philharmoniker/Leonard Bernstein
  874. ¸»·¯, ±³Çâ°î 7, e, "¹ã³ë·¡(Song of the Night)", 74m#
  875. ¸»·¯, ±³Çâ°î 8, Eb, "õ¸íÀÇ ±³Çâ°î", 1ºÎ:¿À¼Ò¼­ âÁ¶ÀÚ¿©, 2ºÎ:ÆÄ¿ì½ºÆ®, 1907c, C103-4
  876. ¸»·¯, ±³Çâ°î 9, D, 82m
  877. ¸»·¯, ±³Çâ°î 10, f#/F#, 77m#
  878. ¸»·¯, ´ëÁöÀÇ ³ë·¡(Das Lied von der Erde), ÀÌÅÂ¹é µîÀÇ ½Ã¿¡ °îÀ» ºÙÀÓ, 1) ´ëÁöÀÇ ¾Ö¼ö¸¦ ³ë·¡ÇÏ´Â ¼úÀÇ ³ë·¡(ÀÌŹé) 2) °¡À»ÀÇ °íµ¶(Àü±â) 3) ûÃá¿¡ ´ëÇÏ¿©(ÀÌŹé) 4) ¾Æ¸§´Ù¿ò¿¡ ´ëÇÏ¿©(ÀÌŹé) 5) º½¿¡ ÃëÇÏ´Â »ç¶÷(ÀÌŹé) 6) À̺°(¸ÍÈ£¿¬, ¿ÕÀ¯), 61m
  879. ¸»·¯, ·òÄɸ£Æ® °¡°î(Ruckertlieder)
  880. ¸»·¯, <¹æ¶ûÇÏ´Â ÀþÀºÀÌÀÇ ³ë·¡>, °¡°îÁý(4°î);
      • 1) "±×³àÀÇ È¥·ÊÀÇ ³¯(Wenn mein Schatz Hochzeit macht)"
      • 2) "¾ÆÄ§¿¡ µéÀ» °Å´Ò¸ç(Ging heut' Morgen ubers Feld)"
      • 3) "³» °¡½¿¿¡ ¹ÚÈù ¶ß°Å¿î Ä®ÀÌ(Ich hab' ein gluhend Messer)"
      • 4) "Ǫ¸¥ µÎ ´«µ¿ÀÚ(Die zwei blauen Augen)"
  881. ¸»·¯, ¼º¾Ç°î "À̺°°ú ±âÇÇ(Scheiden und Meiden)", ms.Janet Baker/Gerald Moore(pf)
  882. ¸»·¯, ¼º¾Ç°î "¼¼ õ»ç°¡ ³ë·¡ ºÒ·¶´Ù(Es sungen drei Engel)", from S.3, ms.Janet Baker/·±´ø ½ÉÆ÷´Ï ÇÕâ´Ü/»ç¿ì½º ¿£µå ¼Ò³âÇÕâ´Ü
  883. ¸»·¯, ¾î¸°ÀÌÀÇ ÀÌ»óÇÑ »ÔÇǸ®, °¡°îÁý(12°î)
  884. ¸»·¯, <ÀþÀº³¯ÀÇ ³ë·¡>;
      • "³ª´Â Áñ°Ì°Ô Ǫ¸¥ ½£¼ÓÀ» °É¾ú³×(Ich ging mit Lust durch einen gruenen Wald)", bar.Dietrich Fischer-Dieskau
  885. ¸»·¯, Á×Àº ¾ÆÀ̸¦ Ã߸ðÇÏ´Â ³ë·¡, ¼º¾Ç°î;
      • 1) "ÀÌÁ¦ ºû³ª´Â ÇØ°¡ ¶°¿À¸¥´Ù"
      • 2) "¿Ö ±×·¸°Ô ¾îµÎ¿î ´«Ãʸ®¸¦"
      • 3) "³ÊÀÇ ¾î¸Ó´Ï°¡ µé¾î¿Ã ¶§"{¾ö¸¶°¡ ¹®À» ¿­°í µé¾î¼³ ¶§}
      • 4) "¾ÆÀ̵éÀº Àá½Ã ¿ÜÃâÇßÀ» »ÓÀÌ´Ù"
      • 5) "ÀÌ·± ºñ¹Ù¶÷¿¡"{ÀÌ·¸°Ô ±ÄÀº ³¯¾¾¿¡}
  886. ¸»·¯, ÇǾƳë4ÁßÁÖ°î, a, 12m# n2, 1¾ÇÀåÀ¸·Î ÀÛ°îÀÌ Áß´ÜµÈ ¹Ì¿Ï¼º°î, ¸»·¯ÀÇ À¯ÀÏÇÑ ½Ç³»¾Ç°î
  887. ¸Á°í·¹, ¸¶µå¸®°¥(Madrigal), Gt * Agustin Barrios Mangore(1885-1944 Paraguayan classical guitarist)
  888. ¸Á°í·¹, Mazurka appassionata, 5m, John Williams(guitar)
  889. ¸ÆÄËÁö(Alexander Campbell Mackenzie:1847-1935), Scottish Concerto, Op.55, 28m, ½ºÄÚÆ²·£µåÀÇ ³¶¸¸ÆÄ ÀÛ°î°¡
  890. ¸Þµ¥¸£, Sonata, "Der Polnische Pracher", 12m$ * Johann Valentin Meder(1649-1719 German)
  891. ¸Þ¸£Ä«´ÜÅ×, ÇÃ·çÆ®ÇùÁÖ°î 2, e, Op.57 * Saverio Mercadante(1795-1870 Italian)
  892. ¸Þ¸®Ä­Åä, ¼º¾Ç°î "±×´ë´Â ¾ÆÁ÷µµ ±× ¼º°¡¸¦ ±â¾ïÇϴ°¡(Do you remember still that hymn?)" #& * Oskar Merikanto(1868-1924 Finnish)
  893. ¸Þ»çÁ¦,¾Óµå·¹, ¿ÀÆä·¹Å¸ <°¡¸éÀ» ¾´ »ç¶û>; * Andre Messager(1853-1929 French)
      • "³»°Õ µÎ¸íÀÇ ¿¬ÀÎÀÌ ÀÖ¾î¿ä(J¡¯ai deux amants)"
  894. ¸Þ½Ã¾Ó, 4ÁßÁÖ°î(¼¼»óÀÇ Á¾¸»À» À§ÇÑ;Quartet for the End of Time), 8ºÎºÐÀÇ Á¾±³Àû ÁÖÁ¦·Î ±¸¼º,T2, (Vn Cl Ce Pf), 44m
  895. ¸Þ½Ã¾Ó, °ËÀº ƼƼ»õ, T2~
  896. ¸Þ½Ã¾Ó, »ýÅ© ¸£½Ã¾Ó(5°³ÀÇ Èķű¸),T3
  897. ¸ÞÀª,¿¡Æ¼¿£´À ´ÏÄݶó½º, ±³Çâ°î 2, D, 26m $, * Etienne-Nicolas Mehul(1763-1817 French)
  898. ¸ÞÀÌ,Çѽº, ¼º¾Ç°î "¼¼»ó¿¡ ¿ï·Á ÆÛÁö´Â ³ë·¡(Ein Lied geht um die Welt)", * Hans May(1886-1958, Austrian-born Film Composer, in Britain)
  899. ¸ÞÀ̽¼, "Nearer my God to Thee" * Lowell Mason
  900. ¸ÞīƮ´Ï,Æú, ¿À¶óÅ丮¿À <¸®¹öÇ®>, 2Â÷´ëÀü ´ç½Ã ¸ÞīƮ´Ï°¡ ¸®¹öÇ®¿¡¼­ ž ÀÚ¶ó¸é¼­ ´À³¤ ÀüÀï¿¡ ´ëÇÑ °øÆ÷ Á¤°æ µîÀ» ¹¦»ç
  901. ¸ÞÆ®³Ê, ¾Æ¶óº£½ºÅ©(3°³ÀÇ), Op.7, ÇÇ¾Æ³ë µ¶ÁÖ°î * Nikolai Medtner(1880-1951 Russian)
  902. ¸ÞÆ®³Ê, ¾ß»ó°î(3°³ÀÇ), Op.16, 13m
  903. ¸ÞÆ®³Ê, ÀØÇôÁø ¸á·Îµð(Forgotten Melodies) Op.38 - "Alla Reminiscenza"
  904. ¸àµ¨½ºÁ¸, °í¿äÇÑ ¹Ù´Ù¿Í Áñ°Å¿î Ç×ÇØ-¼­°î(Calm Sea and Prosperous Voyage Overture), °üÇö¾Ç°î, Op.27 * Felix Mendelssohn(1809-1847 German)
  905. ¸àµ¨½ºÁ¸, ±³Çâ°î 1, c, Op.11, 30m
  906. ¸àµ¨½ºÁ¸, ±³Çâ°î 2, Bb, Op.52, "°æ¹èÂù¼Û(Lobgesang)" $ New Philharmonia Orchestra/New Philharmonia Chorus/Wolfgang Sawallisch
  907. ¸àµ¨½ºÁ¸, ±³Çâ°î 3, a, Op.56, "½ºÄÚÆ²·£µå(Scottish)", London Symphony Orchestra/Riccardo Chailly
  908. ¸àµ¨½ºÁ¸, ±³Çâ°î 4, A, Op.90, "ÀÌŸ®", 4M:»ìŸ·¼·Î(ºü¸¥ 3¹ÚÀÚ Ãã°î), 30m
  909. ¸àµ¨½ºÁ¸, ±³Çâ°î 5, D, Op.107, "Á¾±³°³Çõ(Reformation)", 5SÁß °¡Àå Àå¾ö, 4M: Choral "ÄÚ¶ö ¡®³» ÁÖ´Â °­ÇÑ ¼º(Ein¡¯ feste Burg ist unser Gott)", Gewandhausorchester Leipzig/Kurt Masur, 27m
  910. ¸àµ¨½ºÁ¸, ·Ðµµ Ä«ÇÁ¸®Ä¡¿À¼Ò, Op.14, pf, 6m, Wilhelm Backhaus(pf)
  911. ¸àµ¨½ºÁ¸, ¹«¾ð°¡(Lieder ohne Worte;Songs without words), Pf, 8Áý 49°î ±¸¼º, * 1Áý:Op.19(6°î:2-a 'ÈÄȸ', 3-A '»ç³ÉÀÇ ³ë·¡'), 2Áý:Op.30(6°î), 3Áý:Op.38(6°î), 4Áý:Op.53(6°î), 5Áý:Op.62(6°î), 6Áý:Op.67(6°î), 7Áý:Op.85(6°î), 8Áý:Op.102(6°î), ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ ¹«¾ð°¡:Op.109
  912. ¸àµ¨½ºÁ¸, ¹«¾ð°¡(Lieder ohne Worte;Songs without words), f#, Op.30-6, "º£³×Ä¡¾ÆÀÇ ¹î³ë·¡"-3°îÀÌ ÀÖÀ½. * 1Áý:Op.19ÀÇ 6°î, g(Á¦1 º£³×Ä¡¾ÆÀÇ ¹î³ë·¡: Das venetianisches Gondellied I), 2Áý:Op.30ÀÇ 6°î, f#(Á¦2 º£³×Ä¡¾ÆÀÇ ¹î³ë·¡: Das venetianisches Gondellied II), 5Áý:Op.62ÀÇ 5°î, a(Á¦3 º£³×Ä¡¾ÆÀÇ ¹î³ë·¡: Das venetianisches Gondellied III)
  913. ¸àµ¨½ºÁ¸, ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ÇùÁÖ°î, d, 36m
  914. ¸àµ¨½ºÁ¸, ¹ÙÀ̿ø°ÇùÁÖ°î, e, Op.64,3´ë VC>º£Å亥(¾Æ´ã) ºê¶÷½º,À¯ÀÏÇÑ VC, À̺ê ÇùÁÖ°î, C106,
  915. ¸àµ¨½ºÁ¸, º¯ÁÖ°î(ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ ÇùÁÖÀû: Variations concertantes), D, Op.17, 9m#2, Lynn Harrell(vc)/Bruno Canino(pf)
  916. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "°¡À»¿¡(Im Herbst)" Op.9-5
  917. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "°¡À»ÀÇ ³ë·¡(Herbstlied)", Op.84-2
  918. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "°¥´ëÀÇ ³ë·¡(Schilflied)", Op.71-4
  919. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "±×´ëÀÇ Çª¸¥ ´«µ¿ÀÚ(Aquellos ojos verdes)", ten. Juan Diego Florez
  920. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "³ë·¡ÀÇ ³¯°³ À§¿¡(Auf Flu"geln des Gesanges)", Op.34-2
  921. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "¹è ¿©Çà"
  922. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "º£³×Ä¡¾ÆÀÇ °ïµ¹¶ó ³ë·¡(Venezianisches Gondellied)", Op.57-5
  923. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "º½ ³ë·¡(Fruhlingslied )", Op.34-3, ten.Peter Schreier
  924. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "¾çÄ¡±âÀÇ ³ë·¡"
  925. ¸àµ¨½ºÁ¸, ¼º¾Ç°î "¿À ÆòÈ­ÀÇ ºñµÑ±â¿©(O for the wings for a dove)", boy sop.Aled Jones
  926. ¸àµ¨½ºÁ¸, ¼º¾Ç°î: 2Áßâ(1), "³»»ç¶ûÀ» ¸»·Î ÇÒ ¼ö ÀÖ´Ù¸é(Ich wollt¡¯, meine Lieb¡¯)", Op.63-1, Op.63:part I,II(°¢ 3°î), sop. Isobel Baillie/contralto. Kathleen Ferrier
  927. ¸àµ¨½ºÁ¸, ¼º¾Ç°î: 2Áßâ(5), "¹Î¿ä(Volkslied)", sop. Benita Valente, sop. Ilona Kombrink
  928. ¸àµ¨½ºÁ¸, ¾ö°ÝÇÑ º¯ÁÖ°î, d, Op.54,ÁÖÁ¦¿Í 17°³ º¯ÁÖ°îÀ¸·Î ±¸¼º,11m
  929. ¸àµ¨½ºÁ¸, ¿¬ÁÖȸ¿ë ¼Òǰ 2(Konzertstuck for Clarinet, Basset horn and Piano), D, Op.114, 9m
  930. ¸àµ¨½ºÁ¸, ¿À¶óÅ丮¿À <¿¤¸®¾Æ>; /"ÁÖ¿©, °¨»çÇϳªÀÌ´Ù", /"´«À» µé¾î »êÀ» º¸¶ó(Lift Thine Eyes)"
  931. ¸àµ¨½ºÁ¸, ¿À¸£°µ¼Ò³ªÅ¸ 2, Op.65
  932. ¸àµ¨½ºÁ¸, ÿ·Î¼Ò³ªÅ¸ 1, Bb, Op.45, 22m $, 1) Steven Isserlis(vc)/Melvyn Tan(pf), 2) Esther Nyffenegger(vc)/Gerard Wyss(pf)
  933. ¸àµ¨½ºÁ¸, ÿ·Î¼Ò³ªÅ¸ 2, D, Op.58, 25m
  934. ¸àµ¨½ºÁ¸, Ä«ÇÁ¸®Ä¡¿À(3°³ÀÇ), Op.33, Pierre Leconte(pf)
  935. ¸àµ¨½ºÁ¸, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, Eb, 21m
  936. ¸àµ¨½ºÁ¸, ÇǾƳë3ÁßÁÖ°î 1, d, Op.49,$
  937. ¸àµ¨½ºÁ¸, ÇǾƳë3ÁßÁÖ°î 2, c, Op.66, 31m, # Sitkovetsky Trio
  938. ¸àµ¨½ºÁ¸, ÇǾƳë¼Ò³ªÅ¸, E, Op.6, 22m
  939. ¸àµ¨½ºÁ¸, ÇǾƳë¼Ò³ªÅ¸, Bb, Op.106, 19m, # Frederic Chiu(Pf)
  940. ¸àµ¨½ºÁ¸, ÇǾƳëÇùÁÖ°î 1, g, Op.25,19m, Á¾´Þ»õ°¡ ÁöÀú±Í´Â ´À³¦
  941. ¸àµ¨½ºÁ¸, ÇǾƳëÇùÁÖ°î 2, d, Op.40, 23m#, * Rudolf Serkin(pf)/Columbia Symphony Orchestra/Eugene Ormandy
  942. ¸àµ¨½ºÁ¸, Çΰ¥ÀÇ µ¿±¼ ¼­°î, Op.26, Gewandhausorchester Leipzig/Kurt Masur
  943. ¸àµ¨½ºÁ¸, ÇÑ ¿©¸§¹ãÀÇ ²Þ,ºÎ¼öÀ½¾Ç, Op.61, # "¾ó·è¹«´Ì ¹ìÀÌ¿©(You Spotted Snakes)", sop. Lilian Watson, ms. Delia Wallis
  944. ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 1, Eb, Op.12, 23m$, Ysaye Quartet
  945. ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 2, a, Op.13, 30m, $ Ebene String Quartet, Juilliard String Quartet
  946. ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 3, D, Op.44-1,29m, # Emerson String Quartet
  947. ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 4, e, Op.44-2, 29m
  948. ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 5, Eb, Op.44-3, 33m, $ Emerson String Quartet
  949. ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 6, f, Op.80, 26m
  950. ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î, Eb, 20m
  951. ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ 4°³ÀÇ ¼Òǰ(¾È´ÜÅ×, ½ºÄɸ£ÂÉ, Ä«ÇÁ¸®Ä¡¿À, Ǫ°¡), Op.81, 21m
  952. ¸àµ¨½ºÁ¸, Çö¾Ç5ÁßÁÖ°î 2, Bb, Op.87, 31m n2, #2
  953. ¸àµ¨½ºÁ¸, Çö¾Ç8ÁßÁÖ°î, Eb, Op.20, ±«Å× ÀÛǰÀÇ ½Ã»óÀ» Ç¥Çö, 16¼¼ ¶§ ÀÛǰ, 4´ëÀÇ Çö¾Ç±â¿¡ 2´ëÀÇ Va 2´ëÀÇ Vc
  954. ¸àµ¨½ºÁ¸, Çö¾Ç±³Çâ°î 1(String Symphony), C, 11m
  955. ¸àµ¨½ºÁ¸, Çö¾Ç±³Çâ°î 2(String Symphony), D, 11m
  956. ¸àµ¨½ºÁ¸,ÆÄ´Ï, ¼º¾Ç°î "°¡À»¿¡" * Fanny Mendelssohn(1805-1847 German Pf)
  957. ¸àµ¨½ºÁ¸,ÆÄ´Ï, Çö¾Ç4ÁßÁÖ°î, Eb,
  958. ¸á¶ó¸£Æ¾, ¼­Á¤ ¸ðÀ½°î 3(Suite Lyrique), Op.93, "º§±â¿¡ÀÇ Àλóµé", °üÇö¾Ç°î, Erkki Melartin(1875-1937 Finnish)
  959. ¸ð´Ï¿ì½´ÄÚ,½ºÅ¸´Ï½º¿ÍÇÁ, The Countess: Overture, * Stanislaw Moniuszko(1819-1872 Polish)
  960. ¸ð´Ï¿ì½´ÄÚ,½ºÅ¸´Ï½º¿ÍÇÁ, The Raftsman: Overture
  961. ¸ð´Ï¿ì½´ÄÚ,½ºÅ¸´Ï½º¿ÍÇÁ, µ¿È­ ¼­°î(The Fairy Tale: Concert Overture), 13m, Warsaw Philharmonic Orchestra/Antoni Wit
  962. ¸ðµÎ¿ì´¢(Domenico Modugno), °¡°î "º¼¶ó·¹(Volare)"
  963. ¸ð¶õ,·Î¹öÆ®, Trinity Requiem, * Robert Moran(1937- American)
  964. ¸ð¶ö·¹½º, Missa Quaeramus cum pastoribus, * Cristobal de Morales(1500-1553 Spanish)
  965. ¸ð·¼, ºê¶óÁú ¹«°î(Danza Brasileira), * Jorge morel(1931- Argentina classical guitarist&)
  966. ¸ð¸®ÄÚ³×,¿£´Ï¿À, µ¥º¸¶óÀÇ Å׸¶(Deborah's Theme:(Once upona time in America), ¿µÈ­À½¾Ç ÀÛ°î°¡, * Ennio Morricone(1928- Italian)
  967. ¸ð¸®ÄÚ³×,¿£´Ï¿À, Nella Fantasia, #2, Chloe David Agnew(ob), Celtic Woman
  968. ¸ð¼Ð·¹½º, ÇÃ·çÆ®, ¿Àº¸¿¡¿Í °üÇö¾ÇÀ» À§ÇÑ ÄÜü¸£ÅºÅ×, F, 14m, $, * Ignaz Moscheles(1794-1870 Bohemian)
  969. ¸ð½´ÄÚÇÁ½ºÅ°,¸ð¸®Ã÷, ½ºÆäÀι«°î, Op.12, 14m, San Francisco Ballet Orchestra/Martin West * Moritz Moszkowski(1854-1925 German-Polish)
  970. ¸ð½´ÄÚÇÁ½ºÅ°,¸ð¸®Ã÷, ÇǾƳëÇùÁÖ°î, b, Op.3, 53m, Ludmil Angelov(pf), BBC Scottish Symphony Orchestra/Vladimir Kiradjiev
  971. ¸ðÂ¥¸£Æ®, ±³Çâ°î, a, K.16a, "Odense", 13m
  972. ¸ðÂ¥¸£Æ®, ±³Çâ°î 1, Eb, K.16, 13m, 8¼¼¶§ ÀÛ°î,ÇÏÀ̵çÀÇ ¿µÇâ * Wolfgang Amadeus Mozart(1756-1791 Austrian Classical)
  973. ¸ðÂ¥¸£Æ®, ±³Çâ°î 2, Bb, K.17, 20m
  974. ¸ðÂ¥¸£Æ®, ±³Çâ°î 3, Eb, K.18, 15m
  975. ¸ðÂ¥¸£Æ®, ±³Çâ°î 4, D, K.19, 14m
  976. ¸ðÂ¥¸£Æ®, ±³Çâ°î 5, Bb, K.22, 7m
  977. ¸ðÂ¥¸£Æ®, ±³Çâ°î 6, F, K.43, 14m
  978. ¸ðÂ¥¸£Æ®, ±³Çâ°î 7, D, K.45, 12m
  979. ¸ðÂ¥¸£Æ®, ±³Çâ°î 8, D, K.48, 15m
  980. ¸ðÂ¥¸£Æ®, ±³Çâ°î 9, C, K.73, 13m
  981. ¸ðÂ¥¸£Æ®, ±³Çâ°î 10, G, K.74, 9m
  982. ¸ðÂ¥¸£Æ®, ±³Çâ°î 11, D, K.84, 11m
  983. ¸ðÂ¥¸£Æ®, ±³Çâ°î 12, G, K.110, 15m
  984. ¸ðÂ¥¸£Æ®, ±³Çâ°î 13, F, K.112, 12m
  985. ¸ðÂ¥¸£Æ®, ±³Çâ°î 14, A, K.114, 20m
  986. ¸ðÂ¥¸£Æ®, ±³Çâ°î 15, G, K.124, 12m
  987. ¸ðÂ¥¸£Æ®, ±³Çâ°î 16, C, K.128, 12m
  988. ¸ðÂ¥¸£Æ®, ±³Çâ°î 17, G, K.129, 12m
  989. ¸ðÂ¥¸£Æ®, ±³Çâ°î 18, F, K.130, 19m, The English Concert[Europe's leading baroque orch.]//Trevor Pinnock,
  990. ¸ðÂ¥¸£Æ®, ±³Çâ°î 19, Eb, K.132, 17m, Danish Radio Sinfonietta/Adam Fischer
  991. ¸ðÂ¥¸£Æ®, ±³Çâ°î 20, D, K.133, 25m
  992. ¸ðÂ¥¸£Æ®, ±³Çâ°î 21, A, K.134, 20m
  993. ¸ðÂ¥¸£Æ®, ±³Çâ°î 23, D, K.162b, 9m
  994. ¸ðÂ¥¸£Æ®, ±³Çâ°î 24, F, K.491, 31m, #
  995. ¸ðÂ¥¸£Æ®, ±³Çâ°î 25, g, K.183, 2°³ÀÇ g S> S25:ÀÛÀº g S, S40:Å« g S, 27m$
  996. ¸ðÂ¥¸£Æ®, ±³Çâ°î 26, Eb, K.184(161a/166a), 28m
  997. ¸ðÂ¥¸£Æ®, ±³Çâ°î 27, G, K.199(161b/162a)
  998. ¸ðÂ¥¸£Æ®, ±³Çâ°î 28, C, K.200, 24m#, Wiener Philharmoniker/James Levine
  999. ¸ðÂ¥¸£Æ®, ±³Çâ°î 29, A, K.201, 21m
  1000. ¸ðÂ¥¸£Æ®, ±³Çâ°î 30, D, K.202(186b), 26m
  1001. ¸ðÂ¥¸£Æ®, ±³Çâ°î 31, "ÆÄ¸®"
  1002. ¸ðÂ¥¸£Æ®, ±³Çâ°î 32, G, K.318, ÀÌŸ®Ç³ÀÇ ¼­°îÇü½Ä& °¡Àå ªÀº ±³Çâ°îÀ̱⿡ ¼­°î À̶ó°íµµ ÇÔ, 9m
  1003. ¸ðÂ¥¸£Æ®, ±³Çâ°î 33, Bb, K.319
  1004. ¸ðÂ¥¸£Æ®, ±³Çâ°î 34, C, K.338,¿ø·¡ 3M minuetÀÌ ¾øÀ¸¸ç S38ÀÇ minuet »ç¿ë?
  1005. ¸ðÂ¥¸£Æ®, ±³Çâ°î 35, D, K.385, "ÇÏÇÁ³Ê(Haffner)"
  1006. ¸ðÂ¥¸£Æ®, ±³Çâ°î 36, C, K.425, "¸°Ã÷(Linz)", 28m, $1) Vienna Philharmonic/Carlos Kleiber, 2) Berlin Staatskapelle Orchestra/Erich Kleiber
  1007. ¸ðÂ¥¸£Æ®, ±³Çâ°î 37, G, K.444/425a, Royal Philharmonic Orchestra/Erich Leinsdorf (Conductor)
  1008. ¸ðÂ¥¸£Æ®, ±³Çâ°î 38, D, K.504, "ÇÁ¶óÇÏ(Prague)", 24m$, Berliner Philharmoniker/Carl Schuricht
  1009. ¸ðÂ¥¸£Æ®, ±³Çâ°î 39, Eb, K.543, "¹éÁ¶ÀÇ ³ë·¡"
  1010. ¸ðÂ¥¸£Æ®, ±³Çâ°î 40, g, K.550, ¸ðÂ¥¸£Æ® ÃÖ°íÀÇ °ÉÀÛÀ¸·Î °£ÁÖ, C42, $1) Royal Concertgebouw Orchestra/Nikolaus Harnoncourt, 2) Staatskapelle Dresden/Otmar Suitner
  1011. ¸ðÂ¥¸£Æ®, ±³Çâ°î 41, C, K.551, "ÁêÇÇÅÍ(Jupiter)", 38m$, Royal Philharmonic Orchestra/Rene Leibowitz
  1012. ¸ðÂ¥¸£Æ®, ±³Çâ°î 43, F, K.76-42a
  1013. ¸ðÂ¥¸£Æ®, ±³Çâ°î 44, D, K.81-731
  1014. ¸ðÂ¥¸£Æ®, ±³Çâ°î 45, D, K.95
  1015. ¸ðÂ¥¸£Æ®, ±³Çâ°î 46, C, K.96-111b, 12m
  1016. ¸ðÂ¥¸£Æ®, ±³Çâ°î 47, D, K.97(K.73m), 8m
  1017. ¸ðÂ¥¸£Æ®, ±³È¸ ¼Ò³ªÅ¸, C, K.336
  1018. ¸ðÂ¥¸£Æ®, ´ë¹Ì»ç(Grosse Messe), c, K.427, "Great", 52m, 1) Camilla Tilling(Sop),Sarah Connolly(Sop),Timothy Robinson(Ten),Neal Davies(Bas),Gabrieli Consort and Players/Paul McCreesh, 2) Maria Stader, Hertha Toepper(sop), Ernst Haefliger(ten), Ivan Sardi(bass)/ Chor der St.-Hedwigs-Kathedral/Radio-Symphonie-Orchester Berlin/Ferenc Fricsay, 3) London Symphony Orchestra & Chorus/Colin Davis
  1019. ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 1(Divertimento for String Quartet), ÈñÀ¯°î, D, K.136(125a), 12m
  1020. ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 2, K.137(125b)
  1021. ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 3, F, K.138(125c)
  1022. ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 7(Divertimento for 2 Horns, Bassoon and Strings), D, K.205(167a)
  1023. ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 11, D, K.251, 25m $
  1024. ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 12, Eb, K.252, 11m
  1025. ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 17, D, K.334(320b), 46m, Berlin Philharmonic Orchestra/Herbert von Karajan
  1026. ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä(¹ÙÀ̿ø° ºñ¿Ã¶ó ÿ·Î¸¦ À§ÇÑ), Eb, K.563, 39m
  1027. ¸ðÂ¥¸£Æ®, ¶ó¸£°ÔÅä¿Í ¾Ë·¹±×·Î(Larghetto and Allegro in E flat for Piano four Hands), Eb, K.deest, 7m, Ingrid Haebler(pf) and Jorg Demus(pf)
  1028. ¸ðÂ¥¸£Æ®, ·¹±â³ª ÄÚÀϸ®(Regina coeli), C, K276
  1029. ¸ðÂ¥¸£Æ®, ·¹Äû¿¥, d, K.626, 52m, $ Concentus musicus Wien/Nikolaus Harnoncourt
  1030. ¸ðÂ¥¸£Æ®, ·Ðµµ(ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ), D, K.Anh.184, C95
  1031. ¸ðÂ¥¸£Æ®, ·Ðµµ, D, K.382
  1032. ¸ðÂ¥¸£Æ®, ·Ðµµ, A, K.386
  1033. ¸ðÂ¥¸£Æ®, ·Ðµµ, D, K.485, $ Ingrid Haebler(Pf)
  1034. ¸ðÂ¥¸£Æ®, ·Ðµµ, a, K.511, 10m, Mitsuko Uchida(Pf)
  1035. ¸ðÂ¥¸£Æ®, ¸ðÅׯ®, "ÃãÃç¶ó ±â»µÇ϶ó ÇູÇÑ È¯Èñ¿©(Exsultate, jubilate/Rejoice, shout)", K.165, ¼º´çÀÇ ¹«¹ÝÁÖÇÕâ°î, 17m
  1036. ¸ðÂ¥¸£Æ®, ¹Ì´º¿§(6°³ÀÇ), K.105
  1037. ¸ðÂ¥¸£Æ®, ¹Ì»ç°î, C, K.66 *13¼¼ ¶§ ÀÛ°î
  1038. ¸ðÂ¥¸£Æ®, ¹Ì»ç°î 14, C, K.317 "´ë°ü½Ä ¹Ì»ç°î(Coronation Mass)", 27m, $ Berlin Philharmonic Orchestra,Vienna Singverein/Herbert von Karajan
  1039. ¸ðÂ¥¸£Æ®, ¹Ì»ç ºê·¹ºñ½º(Missa brevis), C, K.259
  1040. ¸ðÂ¥¸£Æ®, ¹Ù¼øÇùÁÖ°î, Bb, K.191, ÆÄ°÷À¸·Î µ¶Á־DZâ·Î´Â °ÅÀÇ »ç¿ëµÇÁö ¾ÊÀ½, 18m#
  1041. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 17, C, K.296, 15m
  1042. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 18, G, K.301
  1043. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 20, C, K.303
  1044. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 21, e, K.304, 12m#, Karl Suske(vn)/Walter Olbertz(pf)
  1045. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 22, A, K.305/293d $ >Itzhak Perlman/Daniel Barenboim
  1046. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 23, D, K.306, 20m, Riccardo Minasi(vn)/Maxim Emelyanychev(fortepiano)
  1047. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 24, F, K.376/374d
  1048. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 25, F, K.377/374e $
  1049. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 26, Bb, K.378/317d
  1050. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 27, G, K.379/373a, 19m
  1051. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 28, Eb, K.380/374f, 20m#, Anne-Sophie Mutter(Vn)/Lambert Orkis(Pf)
  1052. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 29, A, K.402/385e, * Alina Ibragimova(vn)/Cedric Tiberghien(pf)
  1053. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 30, C, K.403/385c, 12m
  1054. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 32, Bb, K.454, 42°îÁß ´ëÇ¥Àû ÀÛǰ
  1055. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 33, Eb, K.481, 19m $
  1056. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 35, A, K.526, 22m, # Christian Tetzlaff(Vn),Lars Vogt(Pf)
  1057. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°(µÎ ´ëÀÇ)°ú °üÇö¾ÇÀ» À§ÇÑ ÄÜü¸£Åä³×(2´ëÀÇ: Concertone for 2 Violins and Orchestra), C, K.190, 29m, $ Itzhak Perlman,Pinchas Zukerman(Vn),Chaim Jouval(Ob),Marcel Bergman(Vc),Israel Philharmonic Orchestra/Zubin Mehta
  1058. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 1, Bb, K.207, "©Ã÷ºÎ¸£Å©ÇùÁÖ°î": K.207, 211, 216, 218, 219, 22m, 7 Vn C.
  1059. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 2, D, K.211, 21m, $ David Oistrakh(vn),Berliner Philharmoniker
  1060. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 3, G, K.216, ½ºÆ®¶ó½ººÎ¸£Å© ¹Î¿ä¸¦ ¼ÒÀç,N5
  1061. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 4, D, K.218, "±º´ëÇùÁÖ°î" < 1MÇàÁø°îdz, 23m#, 1)$ Henryk Szeryng(Vn),New Philharmonia Orchestra/Sir Alexander Gibson, 2)$ Reinhold Barchet(vn)/Pro Musica Orchestra/Rolf Reinhardt
  1062. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 5, A, K.219, "Å;îŰ½¬", 27m, 3¾ÇÀå ·Ðµµ°¡ ÅÍŰdzÇàÁø°î, °¡Àå ºó¹øÈ÷ ¿¬ÁÖ, $ Frank Peter Zimmermann(vn),Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks/Radoslaw Szulc, $ Zino Francescatti(vn),Zurich Chamber Orchestra/Edmond de Stoutz
  1063. ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 7, Eb, K.268,24m
  1064. ¸ðÂ¥¸£Æ®, º£½ºÆä¸£ Áõ°ÅÀÚ ÃàÀÏ - Àå¾ö Àú³á±âµµ, K.339, /"ÁÖ´ÔÀ» Âù¾çÇ϶ó(Laudate dominum)"
  1065. ¸ðÂ¥¸£Æ®, 12°³ º¯ÁÖ°î("¾Æ, ¾î¸Ó´Ï²² ¸»¾¸µå¸±°Ô¿ä(Ah vous dirai-je, Maman:¹Ý¦¹Ý¦ ÀÛÀº º°)" ÁÖÁ¦¿¡ ÀÇÇÑ), C, K.265, 12m
  1066. ¸ðÂ¥¸£Æ®, 12°³ º¯ÁÖ°î(Variations on "La bergere Celimene", G, K.359/374a
  1067. ¸ðÂ¥¸£Æ®, 12°³ º¯ÁÖ°î(variations on the romance "Je suis Lindor"), Eb, K.354, 18m
  1068. ¸ðÂ¥¸£Æ®, 7°³ÀÇ º¯ÁÖ°î ("»ç¶ûÀ» ´À³¢´Â ³²ÀÚµéÀº(Bei Mannern, welche Liebe Fuhlen)" ÁÖÁ¦¿¡ ÀÇÇÑ: Mozart's "The Magic Flute"), Eb, WoO.46, (Vc Pf)
  1069. ¸ðÂ¥¸£Æ®, 7°³ÀÇ º¯ÁÖ°î(Seven Variations), D, K.25
  1070. ¸ðÂ¥¸£Æ®, º¯ÁÖ°î(La ci darem la mano ÁÖÁ¦¿¡ ÀÇÇÑ)-<µ· ÁÒ¹Ù´Ï>, Cyprien Katsaris(pf)
  1071. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "Ave Verum Corpus", K.618, Toelzer knabenchoir Toelz Boys Choir
  1072. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "°æ°í(Warnung)", K.433, sop.Irmgard Seefried /pf. Gerald Moore
  1073. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "°æ¼ÖÇÑ ¾Æ¸£¹Ùü¿©!"(¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ)
  1074. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "°í¿äÇÔÀº ¹Ì¼ÒÁþ°í(Ridente la calma)", K.152, 1) Elly Amelling(Sop) 2) sop.Irmgard Seefried/Gerald Moore(pf)
  1075. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "±×´ë ¾øÀÌ ¾îÂîÇ϶ó°í", K.505 cf) ¾Æ¸®¾Æ
  1076. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "³ª´Â ±×°ÍÀ» ÁüÀÛÇß¾î¿ä"
  1077. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "³ªÀÇ ¼Ò¿ø"
  1078. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "³» °¨»ç¸¦ ¹Þ¾ÆÁÖ¿À(Nehmt meinen Dank)"-Äܼ­Æ® ¾Æ¸®¾Æ, K.383, sop.Renee Fleming
  1079. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "´ÄÀº ¿©ÀÎ", K.517
  1080. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¸¶¹ý»ç(Der Zauberer)", K.472, sop.Barbara Bonney
  1081. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¸¸Á·(Die Zufriedenheit)", K.473, sop.Edith Mathis
  1082. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "º¯ÇÔ¾ø´Â »ç¶ûÀ»(L¡¯amero, saro costante)", sop. Emma Kirkby
  1083. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "º½À» ±â´Ù¸®¸ç(Sehnsucht nach dem Fruehling)", K.596,#, Elisabeth Schwarzkopf(sop)
  1084. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "º½ÀÇ µ¿°æ"
  1085. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "»ç¶û½º·± ¿©ÀÎÀÌ¿©, ³ª¿Í ÇÔ²² °©½Ã´Ù(Nun Liebes Weibchen ziehst mit mir)", K.625, sop.Erika Koeth, bass. Walter Berry
  1086. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "(ÀÌÁßâ)ÀÌÁ¦ ³ª¿Í ÇÔ²² °©½Ã´Ù"
  1087. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "½Ç Àã´Â ¾î¸° ¼Ò³à(Die kleine Spinnerin)", K.531
  1088. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¿À, ½ÅÀÌ¿©! Á¦ ¾ê±â¸¦ µé¾îº¸¼Ò¼­(Vorrei Spiegarvi, Oh Dio)"-Äܼ­Æ® ¾Æ¸®¾Æ, K.418, sop.Patricia Petibon
  1089. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¾Æ¸§´Ù¿î º½Àº ¹ú½á ¹Ì¼Ò Áþ°í(Schon lacht der holde Fruhling)"-concert aria, K.580, #2 sop.Sabine Devieilhe
  1090. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¿Ü·Î¿î ½£¿¡¼­(Dans un bois solitaire)", K.308, $, 1)Barbara Bonney(sop), 2) sop.Rita Streich
  1091. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¿ë¼­ÇÏ¿À, ³ªÀÇ ´ÔÀÌ¿©(Per pieta, bell idol mio)"-Äܼ­Æ® ¾Æ¸®¾Æ, K.78, sop.Edita Gruberova
  1092. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "À̺°ÀÇ ³ë·¡(Trennugslied)" K.519 ~Sop. Arleen Auger
  1093. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "Àú³áÀÇ »ý°¢[/Àú³áÀÇ Á¤Ãë](Abendempfindung)" K.523, Sop. Elisabeth Schwarzkopf
  1094. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "Á¦ºñ²É(Das Veilchen)", K.476
  1095. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "Ŭ·Î¿¡¿¡°Ô(An Chloe)", K.524, $, Peter Schreier(Ten), # Barbara Bonney(Sop)
  1096. ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "ÇÏ´ÃÀÇ ¿©¿Õ(Regina Coeli)", K.276, ¶óÀÌÇÁÄ¡È÷ ¹æ¼ÛÇÕâ´Ü
  1097. ¸ðÂ¥¸£Æ®, <¼ºÃ¼ÃàÀÏÀ» À§ÇÑ ¿¬µµ>, KV.243
      • "Çϴ÷κÎÅÍ ³»·Á¿Â »ý¸íÀÇ ¾ç½Ä(Panis vivus)", ten.Uwe Heilmann
  1098. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 4, D, K.203, "Colleredo"
  1099. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 5, D, K.204
  1100. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 6, D, K.239, "Serenata notturna", 15m, Bamberger Symphoniker/Joseph Keiberth
  1101. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 7, D, K.250, "ÇÏÇÁ³Ê", 10°îÁß °¡Àå À¯¸í
  1102. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 9, D, K.320 "Æ÷½ºÆ®È£¸¥(Posthorn)", 45m, $ Vienna Philharmonic Orchestra/James Levine
  1103. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 10, Bb, K.361, "±×¶ûÆÄ¸£Æ¼Å¸(Gran Partita)", 49m, # Winds of the Berlin Philharmonic/Zubin Mehta
  1104. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 11, Eb, K.375,13°³ÀÇ ¼¼·¹³ªµ¥,24m
  1105. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 12, c, K.388(384a), 23m, # Orpheus Chamber Orchestra
  1106. ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 13, G, K.525, Eine Kleine Nachtmusik
  1107. ¸ðÂ¥¸£Æ®, ÇàÁø°î(March for Orchestra), D, K.249
  1108. ¸ðÂ¥¸£Æ®, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(4´ëÀÇ ¸ñ°üÀ» À§ÇÑ) (Sinfonia concertante: Fl/Cl, Ob, Bsn, Hrn), Eb, K.297b, 30m, $ New York Philharmonic/Alan Gilbert
  1109. ¸ðÂ¥¸£Æ®, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(¹ÙÀ̿ø° ºñ¿Ã¶ó & ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ), Eb, K.364, 2SC> µ¶Á־DZ⠿¬Áֺθ¦ °¡Áø 18c ½ÉÆ÷´ÏÇüÅÂÀÓ
  1110. ¸ðÂ¥¸£Æ®, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(¿Àº¸ Ŭ¶ó¸®³Ý È¥ ¹Ù¼øÀ» À§ÇÑ), Eb, 31m
  1111. ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À(¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ), E, K.261,
  1112. ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À(ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ), C, K.315
  1113. ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À,ÇǾƳë°î, K.540
  1114. ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À¿Í ·Ðµµ(Çϸð´ÏÄ« ÇÃ·çÆ® ¿Àº¸ ºñ¿Ã¶ó¿Í ÿ·Î¸¦ À§ÇÑ), K.167
  1115. ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À¿Í ·Ðµµ(ÇÏÇÁ¸¦ À§ÇÑ), c, K.617,11m
  1116. ¸ðÂ¥¸£Æ®, ¾È´ÜÅ×(Mecanical OrganÀ» À§ÇÑ), K.616
  1117. ¸ðÂ¥¸£Æ®, ¾È´ÜÅ×(ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ), C, K.315
  1118. ¸ðÂ¥¸£Æ®, ¾È´ÜÅ×¿Í º¯ÁÖ°î(³× ¼ÕÀ» À§ÇÑ), G, K.501
  1119. ¸ðÂ¥¸£Æ®, ¾ËÄ­µå·Î, K.294, Concert Aria, ¾Ë·çÀÌÁö¾Æ¸¦ À§ÇØ ÀÛ°î
  1120. ¸ðÂ¥¸£Æ®, ¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ(Concert Aria), K.418, "ÇÏ´ÃÀÌ¿©, ´ç½Å¿¡°Ô ¾ê±âÇÒ ¼ö ÀÖ´Ù¸é(Vorrei Spiegarvi, Oh Dio)", sop. Patricia Petibon
  1121. ¸ðÂ¥¸£Æ®, ¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ(Concert Aria), K.419, "¾Æ´Ï¿ä, ´ç½ÅÀº ¾Æ¹« °Íµµ ¸ô¶ó¿ä(No, no, che non sei capace)", sop.Cyndia Sieden
  1122. ¸ðÂ¥¸£Æ®, ¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ(Concert Aria), K.578, "À§´ëÇÑ ¿µÈ¥°ú °í±ÍÇÑ ¸¶À½(Alma grande e nobil core)", sop.Gundula Janowitz
  1123. ¸ðÂ¥¸£Æ®, ¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ(Concert Aria), K.583, "°¡¾ß Çϸ®, ±×·¯³ª ¾îµð·Î? ¿À ½ÅÀÌ¿©(Vado, ma dove? O Dei!)", sop.Gundula Janowitz
  1124. ¸ðÂ¥¸£Æ®, ¿Àº¸4ÁßÁÖ, F, K.370, 15m, # ºê·ô¾ß¸£ È£ÇÁ(Brynjar Hoff:oboe) & Èù´Ù Æ®¸®¿À(Hindar Trio)
  1125. ¸ðÂ¥¸£Æ®, ¿Àº¸ÇùÁÖ°î, c, K.314, ÇÃ·çÆ®ÇùÁÖ°î2·Î Æí°î $
  1126. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <±ØÀå Áö¹èÀÎ>, K.486;
      • "Ä£¾ÖÇÏ´Â ÀþÀºÀÌ¿© (Bester Juengling)", sop.Krisztina Laki
  1127. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <µ· ÁÒ¹Ù´Ï>; ¼­°î,
      • "±×³à ¸¶À½ÀÌ Æò¿ÂÇÏ¸é ³» ¸¶À½µµ Æí¾ÈÇØ/±×³à ¸¶À½ÀÇ Æò¾ÈÀ» À§ÇÏ¿©(Dalla sua pace)", # ten.Fritz Wunderlich, # ten. Ernst Haefliger
      • "±×´Â ³ª¸¦ ¹è½ÅÇßÁö¸¸(Mi tradi quell'alma ingrata)", sop. Veronique Gens
      • "³» ¸í¿¹¸¦ »©¾ÑÀ¸·Á ÇÑ ÀÚ¸¦(Or sai chi l¡¯onore)"-Donna AnnaÀÇ ¾Æ¸®¾Æ, sop. Birgit Nilsson
      • "³» »ç¶ûÇÏ´Â ¾È³ª¸¦ À§ÇØ(Il mio tesoro)"$, $ ten. Placido Domingo
      • "´ç½ÅÀº °ð ¾Ë°Ô µÉ°Å¿¹¿ä(Vedrai, Carino)"-ü¸¦¸®³ªÀÇ ¾Æ¸®¾Æ, # sop. Kathleen Battle, # sop. Mirella Freni
      • "´ç½ÅÀÌ ÂøÇϰԸ¸ ÀÖ´Ù¸é"
      • "¶§·ÁÁÖ¼¼¿ä, »ç¶ûÇÏ´Â ¸¶Á¦Åä¿©(Batti, batti, o bel Masetto)", sop.Barbara Bonney, sop. Lucia Popp
      • "»ç¶ûÇÏ´Â ÀÌ¿©, ³»°¡ ÀÜÀÎÇÏ´Ù°í ¸»ÇÏÁö ¸»¾Æ¿ä"
      • "¼¤ÆäÀÎÀÇ ³ë·¡(Champagnerarie)"
      • "¿ì¸® ÇÔ²² ¼ÕÀ» Àâ°í(La ci darem la mano)"$
      • "ÀÚ, â°¡·Î ¿Í¿ä(Deh vieni alla finestra)"-µ· ÁÒ¹Ù´ÏÀÇ ¼¼·¹³ªµ¥, ten. Roberto Alagna
      • "īŻ·Î±×ÀÇ ³ë·¡(Madamina, il catalogo e questo)"-·¹Æ÷·¼·ÎÀÇ ¾Æ¸®¾Æ, # bar.Geraint Evans
  1128. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <·çÄ¡¿À ½Ç¶ó(Lucio Silla)>, K.135;
      • "³» ¿¬ÀÎÀÇ ±×¸²ÀÚ°¡ ³ª¸¦ ±â´Ù¸®³×(D¡¯elisio in sen m¡¯attend)"
  1129. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <¸¶¼úÇǸ®>;
      • "±¸ÇØÁà¿ä! ±¸ÇØÁà¿ä!(Zu Hilfe! Zu Hilfe!)"-1¸· µµÀÔºÎ, ten. Uwe Heilmann(Ÿ¹Ì³ë)/sop. Adrianne Pieczonka(½Ã³à1)/ sop.Annette Kuetenbaum(½Ã³à2)/ms. Jard van Nes(½Ã³à3)
      • "³ª´Â¾ß »õÀâÀ̲Û(Der Vogelfanger bin ich ja)", bar. Thomas Quasthoff
      • "³ÊÀÇ ¸ÅȤÀûÀÎ ¼Ò¸®´Â Á¤¸» °­Çϵµ´Ù"
      • "µµ¿ÍÁÖ¼¼¿ä, µµ¿ÍÁÖ¼¼¿ä!(Zu hilfe, zu hilfe!)", ten.Francisco Araiza, sop.Yvonne Kenny, Iris Vermillion, Anne Collins
      • "µÎ·Á¿ö ¸»¶ó, »ç¶ûÇÏ´Â ÀþÀºÀÌ¿©(O zittre nicht, mein lieber Sohn)"-1:¹ãÀÇ ¿©¿ÕÀÇ ¾Æ¸®¾Æ, sop.Cheryl Studer
      • "ºü¸¥ °ÉÀ½, ³¯·ÆÇÑ ¿ë±â·Î(Schnelle Fuesse, rascher Mut)", sop.Kiri Te Kanawa, bar.Olaf Baer, ten.Aldo Baldin
      • "»ç¶ûÀ» ´À³¢´Â ³²Àڵ鿡°Ô´Â(Bei Maennern, welche Liebe fuehlen)", sop.Pilar Lorengar/bar.Hermann Prey
      • "»ç¶ûÀ» ´À³¢´Â ³²Àڵ鿡°Ô´Â(Bei Maennern, welche Liebe fuehlen)" ÁÖÁ¦¿¡ ÀÇÇÑ 7°³ÀÇ º¯ÁÖ°î , Adrian Brendel(vc)/Alfred Brendel(pf)
      • "¼º½º·¯¿î Àü´ç¿¡´Â(In diesen heil¡¯gen Hallen)", bar.Jose van Dam
      • "¾Æ °¡¹ö¸° »ç¶ûÀÌ¿©(Ach, ich fuehl¡¯s)", sop.Lucia Popp
      • "¾Æ°¡¾¾³ª ºÎÀÎÀ̳ª(Ein Maedchen oder Weibchen)", bar.Matthias Goerne
      • "¾Æ°¡¾¾³ª ºÎÀÎÀ̳ª(Ein Maedchen oder Weibchen)" ÁÖÁ¦¿¡ ÀÇÇÑ 12°³ÀÇ º¯ÁÖ°î, Adrian Brendel(vc)/Alfred Brendel(pf)
      • "¾ó¸¶³ª ¾Æ¸§´Ù¿î ¾ó±¼Àΰ¡?(ÃÊ»óÀÇ ¾Æ¸®¾Æ)"
      • "¿¬ÀÎÀÌµç ¾Æ³»µç(Ein Maedchen oder Weibchen)"
      • "¿À À̽ýº¿Í ¿À½Ã¸®½º ½ÅÀÌ¿©(O Isis und Osiris)"-2:ÀÚ¶ó½ºÆ®·ÎÀÇ ¾Æ¸®¾Æ, bass. Kurt Moll(ÀÚ¶ó½ºÆ®·Î)
      • "ÀÌ ÃÊ»óÈ­´Â ³Ê¹«µµ ¾Æ¸§´Ù¿ö(Dies Bildnis ist bezaubernd schoen)", ten.Fritz Wunderlich
      • "Áö¿ÁÀÇ º¹¼ö°¡ ³» ¸¶À½À» Å¿ì³×(~¿¡ ²ú¾î¿À¸¥´Ù)"-¹ãÀÇ ¿©¿ÕÀÇ ¾Æ¸®¾Æ
      • "ÆÄÆÄ°Ô³ª, ÆÄÆÄ°Ô³ª(Papagena! Papagena!)"-ÆÄÆÄ°Ô³ëÀÇ ¾Æ¸®¾Æ, bar. Hermann Prey
  1130. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <ÀÌÁýÆ® ¿Õ Ÿ¸ð½º>, K.345; /°£ÁÖ°î(4¸·)
  1131. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <Â÷À̵¥(Zaide)>;
      • "ÆíÈ÷ ½¬¾î¿ä, ³» »ç¶û(Ruhe Sanft, Mein Holdes Leben)", #sop.Lucia Popp, #sop.Maria Bayo
  1132. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <ÄÚÁö ÆÇ ÅõÅ×(Cosi fan tutte)>;
      • "±×¿¡°Ô ´«À» µ¹¸®½Ã¿À(Rivolgete a lui lo sguardo)", bass.Fernando Corena
      • "³ª´Â °ËÀº ¸Ó¸® ³²ÀÚ°¡ ¸¶À½¿¡ µé¾î(Prendero quel brunettino)"-µµ¶óº§¶ó¿Í ÇÇ¿À¸£µô¸®ÁöÀÇ 2Áßâ, ms.Marie Mclaughlin(µ¥½ºÇdzª), sop.Kiri Te Kanawa(ÇÇ¿À¸£µô¸®Áö), ms.Ann murray(µµ¶óº§¶ó)
      • "³­ Àú °ÇÀåÇÑ Ã»³âÀÌ ¸¶À½¿¡ µé¾î¿ä"-ÇÇ¿À¸£µô¸®Áö¿Í µµ¶óº§¶óÀÇ 2Áßâ
      • "³²ÀÚ¸¦, ´õ±¸³ª ±ºÀÎÀ» ¹Ï¾î¿ä?(In Uomini, in soldati)"-µ¥½ºÇdzªÀÇ ¾Æ¸®¾Æ
      • "³» ¸¶À½À» ´ç½Å²² ¹ÙĨ´Ï´Ù(Il core vi dono, bell'iol mio)"-2:±¼¸®¿¤¸ð¿Í µµ¶óº§¶óÀÇ 2Áßâ, bar.Thomas Hampson(±¼¸®¿¤¸ð)/ ms.Ann Murray(µµ¶óº§¶ó)
      • "¸ðÁø ¹Ù¶÷¿¡µµ ²ô¶±¾ø´Â ¹ÙÀ§Ã³·³"
      • "¹Ù¶÷Àº ºÎµå·´°í ¹°°áÀº ÀÜÀÜÇϱ⸦(Soave sia il vento)"-1:3Áßâ, bass.Ferrucio Furlanetto(µ· ¾ËÆù¼Ò), sop.Kiri Te Kanawa(ÇÇ¿À¸£µô¸®Áö), ms.Ann Murray(µµ¶óº§¶ó)
      • "»ç¶ûÀÇ »êµé¹Ù¶÷Àº(Un¡¯aura amorosa)", ten.Stuart Burrows, $ ten. Placido Domingo
      • "¿©ÀÚ ³ªÀÌ ¿­´Ù¼¸À̸é(Una donna a quindici anni)"-2:µ¥½ºÇdzªÀÇ ¾Æ¸®¾Æ, Lucia Popp(sop)
      • "¿©ÀÚÀÇ Á¤Á¶´Â ¾Æ¸®ºñ¾ÆÀÇ ºÒ»çÁ¶"-Guglielmo¿Í Ferrando, Don AlfonsoÀÇ 3Áßâ
      • "¿òÁ÷ÀÌÁö ¾Ê´Â ¹ÙÀ§Ã³·³(Come scoglio)", sop. Pilar Lorengar
      • "Àǻ缱»ý´Ô ¿À¼Ì³×¿ä(Eccovi il medico)"
      • "ÆÄµµ´Â Á¶¿ëÇϰí, »êµé¹Ù¶÷ÀÌ ºÒ¾î¿À³×"
  1133. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <ƼÅä ȲÁ¦ÀÇ ÀÚºñ>;
      • "ÀÌ·± ȭȯÀº ´õ ÀÌ»óÀº ¸¸µé¾îÁöÁö ¾ÊÀ¸¸®"
      • "³ª´Â ¶°³ªÁö¸¸ µ¹¾Æ¿À¶ó(Parto, Parto)", 1) ms.Joyce DiDonato 2) ms.Teresa Berganza
  1134. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <Çǰ¡·ÎÀÇ °áÈ¥>; ¼­°î,
      • "°í±ÍÇÑ ÁÖÀδÔ...ÃãÀ» Ãß°í ½ÍÀ¸½Ã´Ù¸é/¹éÀÛ´Ô, ÃãÃß±æ ¿øÇϽŴٸé(Bravo signor, pardone...Se vuol ballare, signor Contino)"
      • "±×´ë´Â ¾Æ´Â°¡, »ç¶ûÀÇ ±«·Î¿òÀ»(Voi che sapete)", Cecilia Bartoli
      • "±×¸®¿î ½ÃÀýÀº °¡°í(Dove sono)"
      • "³­ ¸ô¶ó, ³­ ¸ô¶ó(Non so piu)", ms.Ann Murray
      • "³»°¡ ÇѼû½¬°í ÀÖÀ» µ¿¾È(Vedro, mentr¡¯io sospiro)", bar.Dietrich Fischer-Dieskau
      • "´«À» Å©°Ô ¶ß½Ã¿À"
      • "´õ ÀÌ»ó ³¯Áö ¸øÇϸ®(Non piu andrai)"
      • "¹«¸­À» ²Ý¾î¿ä(Venite... Inginocchiatevi)", sop.Edith Mathis
      • "»ç¶ûÀÇ ½ÅÀÌ¿©, À§·ÎÇØÁÖ¼Ò¼­[»ç¶ûÀ» ÁÖ¼Ò¼­](porgi, amor)", sop. Gundula Janowitz
      • "¾î¼­ ¿À¼¼¿ä, ³» »ç¶û"
      • "¾î¼¸é ÁÁ¾Æ ÀÌ ³» ¸¶À½(Non so piu cosa son, cosa faccio)"
      • "Àú³á¹Ù¶÷ÀÌ ºÎµå·´°Ô(che soave zeffiretto)(3)"-ÆíÁöÀÇ 2Áßâ, $ sop. Gianna Rolandi/sop. Felicity
      • "ÃãÃß°í ½ÍÀ¸½Ã´Ù¸é(Se vuol ballare)"-Çǰ¡·ÎÀÇ ¾Æ¸®¾Æ, bar.Hermann Prey
      • "ÆíÁöÀÇ 2Áßâ"
  1135. ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <ÈıÃÀ¸·ÎºÎÅÍÀÇ µµÇÇ(Die Entfuehrung aus dem Serail)>, K.384; ¼­°î, Royal Philharmonic Orchestra/Sir Colin Davis
      • "±â»ÝÀÇ ´«¹°ÀÌ È带 ¶§(Wenn der Freude Traenen fliessen)"
      • "³ªÀÇ ¿î¸íÀº ¾ðÁ¦±îÁö³ª ºñ±ØÀ̷δÙ(Traurigkeit ward mir zum Lose)", sop. Ruth Ann Swenson
      • "ÇÏ! ³ª´Â À̰å³×(Ha! Wie will ich triumphieren)", bass. Martti Talvela
      • "¾î¶°ÇÑ °í¹®À» °¡ÇÑ´Ù ÇØµµ(Martern aller Arten)", Cheryl Studer(Sop)
      • "ÀºÇý´Â ÀØÁö ¾Ê°Ú½À´Ï´Ù... żö Á¦¸²ÀÌ¿©, ¿À·¡ »ç¼Ò¼­!(Nie werd¡¯ich deine Huld verkennen... Bassa Selim lebe lange!)", ten. Goesta Winbergh
      • "ÀÌ ¾ó¸¶³ª ±â»Û ÀÏÀΰ¡(Welche Wonne, welche Lust)":(2)ºí·Ðµ¥ÀÇ ¾Æ¸®¾Æ
      • "ÄܽºÅºÃ¼, ±×³à¸¦ ´Ù½Ã ¸¸³¯ ¼ö ÀÖ´Ù´Ï"
  1136. ¸ðÂ¥¸£Æ®, À½¾ÇÀû ³ó´ã, K.522, 4M, °üÇö¾Ç°î
  1137. ¸ðÂ¥¸£Æ®, ÀüÁÖ°î°ú Ǫ°¡(¹ÙÀ̿ø°°ú ºñ¿Ã¶ó ±×¸®°í ÿ·Î¸¦ À§ÇÑ), K.404a, Jonathan Crow (Vn)/Douglas McNabney(Va)/Matt Haimovitz(Vc)
  1138. ¸ðÂ¥¸£Æ®, ĭŸŸ <¹«ÇÑÇÑ ¿ìÁÖÀÇ Ã¢Á¶ÁÖ¸¦ Âù¹ÌÇÏ´Â ±×´ë(Die ihr des unerme©¬lichen Weltalls Schoepfer ehrt)>, K.619, 7m
  1139. ¸ðÂ¥¸£Æ®, ĭŸŸ <ÇÁ¸®¸ÞÀ̽¼ÀÇ ±â»Ý>, K.471
  1140. ¸ðÂ¥¸£Æ®, Ŭ¶ó¸®³Ý3ÁßÁÖ°î(Ŭ¶ó¸®³Ý ºñ¿Ã¶ó ÇǾƳ븦 À§ÇÑ), Eb, K.498, "Kegelstatt trio"¶ó°íµµ ÇÔ, 21m * ¿ø·¡ ¾Çº¸´Â Pf,Vn,Va(º¸Åë ÇǾƳë3ÁßÁÖÀÇ Vc¸¦ Va·Î ´ëü)À̳ª Pf ´ë½Å Clµµ °¡´ÉÇÏ´Ù°í Á¦½Ã: ¿äÁòÀº ÁÖ·Î ClÀ¸·Î ±¸¼º.
  1141. ¸ðÂ¥¸£Æ®, Ŭ¶ó¸®³Ý5ÁßÁÖ°î, A, K.581, 33m$, 1) Alfred Prinz(clarinet),Wiener Kammerensemble, 2) Jack Brymer(clarinet)/Allegri Quartet
  1142. ¸ðÂ¥¸£Æ®, Ŭ¶ó¸®³ÝÇùÁÖ°î, A, K.622, 2M>¸ð ÀÚ½ÅÀÇ ¸¸³âÀÇ ½½ÇÄÀ» Àß Ç¥Çö, C110, Leopold Wlach(cl),Vienna State Opera Orchestra/Artur Rodzinski
  1143. ¸ðÂ¥¸£Æ®, Å׻츮¾ÆÀÇ »ç¶÷µé, K.316, Concert Aria, ¾Ë·çÀÌÁö¾Æ¸¦ À§ÇØ ÀÛ°î
  1144. ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®4ÁßÁÖ°î 1, D, K.285
  1145. ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®4ÁßÁÖ°î 2, G, K.285a
  1146. ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®4ÁßÁÖ°î 3, C, K.285b
  1147. ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®4ÁßÁÖ°î 4, A, K.298
  1148. ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®5ÁßÁÖ°î, D, K.577
  1149. ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®¿Í ÇÏÇÁ¸¦ À§ÇÑ ÇùÁÖ°î, C, K.299,¸ð ÀÛǰÁß °¡Àå ¾Æ¸§´ä´Ù> ƯÈ÷ 2M,30m, C110
  1150. ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®ÇùÁÖ°î 1, G, K.313,23m
  1151. ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®ÇùÁÖ°î 2, D, K.314, 19m
  1152. ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î(Divertimento for Piano, Violin and Cello), Bb, K.254, (Pf,Vn,Vc), 20m$, $Beaux Arts Trio
  1153. ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î 1, G, K.496, 20m, Beaux Arts Trio
  1154. ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î 2, Bb, K.502, 22m
  1155. ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î 3, E, K.542, 19m
  1156. ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î 6, C, K.548, 21m#, Beaux Arts Trio
  1157. ¸ðÂ¥¸£Æ®, ÇǾƳë4ÁßÁÖ°î 1, g, K.478, 31m
  1158. ¸ðÂ¥¸£Æ®, ÇǾƳë4ÁßÁÖ°î 2, Eb, K.493, 2°îÀÇ ÇǾƳë4ÁßÁÖ°î, 30m#, Georg Solti(pf)/Melos Quartett
  1159. ¸ðÂ¥¸£Æ®, ÇǾƳë¿Í °ü¾ÇÀ» À§ÇÑ 5ÁßÁÖ°î, Eb, K.452, (Ob,Cl,Hn,Bn), 24m
  1160. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 1, C, K.279, $
  1161. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 2, F, K.280, 15m
  1162. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 3, Bb, K.281, 12m
  1163. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 4, Eb, K.282, 17m
  1164. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 5, G, K.283,17m
  1165. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 6, D, K.284, "Duernitz":µà¸£´ÏÃ÷ ³²ÀÛÀ» À§ÇØ ÀÛ°î, 26m$, $ Ingrid Haebler, # Andras shiff
  1166. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 7, C, K.309, 23m, Claudio Arrau(pf)
  1167. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 8, a, K.310, ´ã´ãÇÑ ¾Ö¼ö, µð´© ¸®ÆÄÆ® ¿¬ÁÖ°¡ À¯¸í
  1168. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 9, D, K.311
  1169. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 10, C, K.330 #, $ Ingrid Haebler(pf)
  1170. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 11, A, K.331, "ÅÍŰÇàÁø°î(Turkish Rondo)"
  1171. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 12, F, K.332, ƯÈ÷ Finale´Â °¨µ¿Àû, 15m#
  1172. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 13, Bb, K.333, 21m, Evgeni Koroliov(pf)
  1173. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 14, c, K.457, 17m, Alicia de Larrocha(pf), # Piotr Anderszewski(pf)
  1174. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 15, F, K.533/494, 25m, $ Ingrid Haebler(Pf)
  1175. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 16, C, K.545 "Ãʺ¸ÀÚ¸¦ À§ÇÑ ÀÛÀº ¼Ò³ªÅ¸", Conrad Hansen(pf)
  1176. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 18, D, K.576,14m $ Marc-Andre Hamelin(Pf), Ingrid Haebler(Pf)
  1177. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸(³× ¼ÕÀ» À§ÇÑ), K.381, ¸ðµÎ 5°î ÀÛ°î(K.19d, K.358, K.381, K.497, K.521)
  1178. ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸(µÎ ´ëÀÇ ÇǾƳ븦 À§ÇÑ), D, K.448, 22m * Murray Perahia, Radu Lupu(piano)
  1179. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 2, Bb, K.39
  1180. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 3, D, K.40, 11¼¼¶§ ÀÛ°î,12m
  1181. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 4, G, K.41,13m#, Geza Anda(pf),Camerata Academica des Salzburger Mozarteums
  1182. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 5, D, K.175,22m
  1183. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 6, Bb, K.238,20m
  1184. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 7(3´ëÀÇ ÇǾƳ븦 À§ÇÑ), F, K.242, "Lodron Concerto", 23m
  1185. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 8, C, K.246, 22m, Geza Anda(pf),Camerata Academica des Salzburger Mozarteums
  1186. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 9, Eb, K.271 "Jeunehomme"
  1187. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 10(2´ëÀÇ ÇǾƳ븦 À§ÇÑ ÇùÁÖ°î), Eb, K.365(K.316a), 23m, # Imogen Cooper & Anne Queffelec(Pf),ASMF/Neville Marriner
  1188. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 11, F, K.413
  1189. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 12, A, K.414, 26m#
  1190. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 13, C, K.415, 27m, Daniel Barenboim(pf)/Vienna philharmonic/Daniel Barenboim
  1191. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 14, Eb, K.449, 23m, Daniel Barenboim(pf),Berlin Philharmonic Orch./Daniel Barenboim
  1192. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 15, Bb, K.450, 23m, Annerose Schmidt(pf)/Dresdner Philharmonie/Kurt Masur
  1193. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 16, D, K.451, 22m#
  1194. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 17, G, K.453,30m, {#Piotr Anderszewski(pf),Scottish Chamber Orchestra}
  1195. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 18, Bb, K.456, 32m, # Murray Perahia(pf)
  1196. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 19, F, K.459, Alfred Brendel(pf),Academy of St Martin in the Fields/Sir Neville Marriner
  1197. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 20, d, K.466, 30m#, $1) Martha Argerich,Orchestra Mozart/Claudio Abbado, 2) Annerose Schmidt(pf),Dresdner Philharmonie/Kurt Masur, 3) Martha Argerich(pf)/Sinfonieorchester des Norddeutschen Rundfunks/Reinhard Peters
  1198. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 21, C, K.467, $Rudolf Serkin(pf)/Columbia Symphony Orchestra/Alexander Schneider
  1199. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 22, Eb, K.482, Sviatoslav Richter/Philharmonia Orchestra/Riccardo Muti
  1200. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 23, A, K.488
  1201. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 24, c, K.491, Evgeny Kissin(pf),London Symphony Orch./Colin Davis
  1202. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 25, C, K.503, 34m, Friedrich Gulda(pf),Wiener Philharmoniker/Claudio Abbado
  1203. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 26, D, K.537, "´ë°ü½Ä"
  1204. ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 27, Bb, K.595, Clara Haskill(pf),Orchestre des Concerts Lamoureux/Igor Markevitch
  1205. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 1, G, K.80, 15m, Hagen Quartet
  1206. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 3, D, K.156, 13m * Hagen Quartet
  1207. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 4, C, K.157, 12m
  1208. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 5, F, K.158, 14m, Amadeus Quartet
  1209. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 6, Bb, K.159
  1210. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 7, Eb, K.160
  1211. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 8, F, K.168, K.168-K.173: "ºñ¿£³ª4ÁßÁÖ", Amadeus Quartet
  1212. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 9, A, K.169
  1213. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 10, C, K.170, 14m#
  1214. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 11, Eb, K.171
  1215. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 14, G, K.387, Quatuor Ysay
  1216. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 15, d, K.421, 30m, ÇÏÀ̵翡°Ô ÇåÁ¤µÈ 6SQ(14-19 ÇÏÀ̵ç 4ÁßÁÖ)Áß À¯ÀÏÇÑ ´ÜÁ¶°î, {# Suske-Quartett, $ Cleveland Quartet, # Amadeus Quartet)
  1217. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 16, Eb, K.428, 30m
  1218. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 17, Bb, K.458 "»ç³É(The Hunt)", 28m, # Hagen Quartett
  1219. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 18, A, K.464, 31m#
  1220. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 19, C, K.465, "Dissonant"
  1221. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 20, D, K.499 "Hoffmeister", 34m#, Belcea Quartet
  1222. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 21, D, K.575, "Prussian no.1", 21m, Amadeus Quartet
  1223. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 22, Bb, K.589, 22m
  1224. ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 23, F, K.590, 27m#
  1225. ¸ðÂ¥¸£Æ®, Çö¾Ç5ÁßÁÖ°î 2, c, K.406
  1226. ¸ðÂ¥¸£Æ®, Çö¾Ç5ÁßÁÖ°î 3, C, K.515,36m, 6°îÀÇ Çö¾Ç5ÁßÁÖ°î
  1227. ¸ðÂ¥¸£Æ®, Çö¾Ç5ÁßÁÖ°î 4, g, K.516, ¸ðÀÚ¸£Æ® ½Ç³»¾ÇÁß ÃÖ°íÀÇ °ÉÀÛ
  1228. ¸ðÂ¥¸£Æ®, Çö¾Ç5ÁßÁÖ°î 6, Eb, K.614
  1229. ¸ðÂ¥¸£Æ®, È£¸¥ÇùÁÖ°î 1, D, K.412
  1230. ¸ðÂ¥¸£Æ®, È£¸¥ÇùÁÖ°î 2, Eb, K.417, NATUR HORNÀ¸·Î ¿¬ÁÖ
  1231. ¸ðÂ¥¸£Æ®, È£¸¥ÇùÁÖ°î 3, Eb, K.447, 4HCÁß °¡Àå ¶Ù¾î³²$,25m
  1232. ¸ðÂ¥¸£Æ®, È£¸¥ÇùÁÖ°î 4, Eb, K.495, 4HC,17m
  1233. ¸ðÂ¥¸£Æ®, ȯ»ó°î, d, K.397
  1234. ¸ðÂ¥¸£Æ®, ȯ»ó°î, c, K.475
  1235. ¸ðÂ¥¸£Æ®, ȯ»ó°î, f, K.608
  1236. ¸ðÂ¥¸£Æ®,·¹¿ÀÆúµå, ±³Çâ°î, D, D.18, 8m * Leopold Mozart(1719-1787 German): father of W.A.Mozart
  1237. ¸ðÂ¥¸£Æ®,·¹¿ÀÆúµå, ±³Çâ°î, G, G.5
  1238. ¸ðÂ¥¸£Æ®,·¹¿ÀÆúµå, ±³Çâ°î, G, G.7
  1239. ¸ðÂ¥¸£Æ®,·¹¿ÀÆúµå, Æ®·³ÆêÇùÁÖ°î
  1240. ¸ðÃ÷ÄÚÇÁ½ºÅ°, ¸ðÀ½°î(µÎ ´ëÀÇ ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), g, Op.71 cf)1854-1925
  1241. ¸ó»ì¹ÙÇì,ÀÚºñ¾î, ¼º¾Ç°î "ÈæÀÎ ¾Æ±â¸¦ À§ÇÑ ÀÚÀå°¡(Cancion de cuna para dormir a un negrito)", ms. Shirley Verrett, * Xavier Montsalvatge(1912-2002 Spanish)
  1242. ¸óÅ©, ¼º¾Ç°î "Abide with Me", ms.Katherine Jenkins, * William Henry Monk(1823-1889 English Organist)
  1243. ¸óÅ׺£¸£µð, ¸¶´ÏÇÇīƮ(Magnificat), * ´©°¡º¹À½: 1/46-55Àý "³» ¿µÈ¥ÀÌ ÁÖ¸¦ Âù¹ÌÇϳªÀÌ´Ù"·Î ±¸¼º
  1244. ¸óÅ׺£¸£µð, ¸¶µå¸®°¥, 1) º½¹Ù¶÷Àº ºÒ¾î¿À°í 2) ³ª´Â ÀÌÁ¦ Á×°Ô µÇ¾ú´ä´Ï´Ù 3) ¾Æ ±×´ë°¡ ÁøÁ¤ ³ª¸¦ »ç¶ûÇÑ´Ù¸é, 14c ·»µð´Ï°¡ »ç¿ë, 16c 5ºÎ·Î µÈ ¼¼¼ÓÀû »ç¶û ³»¿ëÀÇ ÁßÇÕâ°î
  1245. ¸óÅ׺£¸£µð, ¸ðÅׯ®:ĭŸŸµµ¹Ì³ë, »õ³ë·¡·ÎÁÖ´Ô²²³ë·¡Ç϶ó, ´ç½Å²² Âù¾ç°æ¹è µå¸®³ªÀÌ´Ù
  1246. ¸óÅ׺£¸£µð, º§ ÆÄ½ºÅ丣(Bel Pastor),¾Æ¸§´Ù¿î ¸ñÀÚ´ÔÀÌ¿©,2Áßâ,¿©ÀÚ°¡ »ç¶ûÀ» Ç¥Çö, ³²ÀÚ°¡ ´äÇÔ
  1247. ¸óÅ׺£¸£µð, ¼º¾Ç°î "¼¼»ó¿¡¼­ ¹þ¾î³ª°í ½Í¾î(Voglio di vita uscir)", sop.Emma Kirkby
  1248. ¸óÅ׺£¸£µð, ¼º¾Ç°î "źũ·¹µð¿Í Ŭ·Î¸°´ÙÀÇ ÀüÅõ(Combattimento di Tancredi e Clorinda)"
  1249. ¸óÅ׺£¸£µð, ¿ÀÆä¶ó <Æ÷Æä¾ÆÀÇ ´ë°ü>; /"³ª´Â ´ç½ÅÀ» ¹Ù¶óº¾´Ï´Ù(pur ti miro)", /"¿À´Ã Æ÷Æä¾Æ´Â ·Î¸¶Á¦±¹ÀÇ È²Èİ¡ µÈ´Ù³×(Oggi sara Poppea)":¾Æ¸£³¯Å¸ÀÇ ¾Æ¸®¾Æ,
  1250. ¸óÅ׺£¸£µð, Âù¾ç(Hymnus) "°æ»ç·Î´Ù, ¹Ù´ÙÀÇ º°ÀÌ¿©(Ave maris stella)
  1251. ¸óƼ,ºñÅ丮¿À, Â÷¸£´Ù½Ã(Csardas), * Vittorio Monti(1868-1922): ÀÌŸ® ÀÛ°î°¡, * Â÷¸£´Ù½Ã´Â 19¼¼±âÃÊÀÇ Çë°¡¸®ÀÇ ÀüÅë¹Î¼Ó¹«°î, 6m
  1252. ¸ô·ÎÀÌ, ¼º¾Ç°î "Lover¡¯s old sweet song", # Sop.Donna Bennett, James Lynam Molloy(1837-1909 Irish)
  1253. ¸ô·ÎÀÌ, ÆÄ¹Ý´À 3
  1254. ¸ô¸®,Å丶½º, ȯ»ó°î, * Thomas Morley(1557-1602 English)
  1255. ¸ô¸®Å©,º£¸£³ª¸£, ¿Àº¸¿¡ ¼ÒÇùÁÖ°î(Concertino for Oboe and Orchestra), g, 14m
  1256. ¸ô¸®Å©,º£¸£³ª¸£, ÇÃ·çÆ®ÇùÁÖ°î, d, 22m * Wilhelm Bernhard Molique(1802-1869 German Vn)
  1257. ¸öÆ÷¿ì, ³ë·¡¿Í Ãã 6(Canciones y danzas), Canciones y danzas(6), # Anja Lechner(vc)/Francois Couturier(pf), * Federico Mompou(1893-1987 Spanish)
  1258. ¸öÆ÷¿ì, ³ë·¡¿Í Ãã 6(Canciones y danzas), Canciones y danzas(14), # Anja Lechner(vc)/Francois Couturier(pf)
  1259. ¹«·¹, ±³Çâ¸ðÀ½°î 1 Áß ·Ðµµ
  1260. ¹«¼Ò¸£±×½ºÅ°, Destskaya
  1261. ¹«¼Ò¸£±×½ºÅ°, ¹ÎµÕ»êÀÇ ÇÏ·í¹ã,±³Çâ½Ã
  1262. ¹«¼Ò¸£±×½ºÅ°, ¼º¾Ç°î "º­·èÀÇ ³ë·¡"
  1263. ¹«¼Ò¸£±×½ºÅ°, ¾î¸°ÀÌÀÇ ¹æ, °¡°îÁý(7°î), 1) À¯¸ð¿Í ÇÔ²² 2) Àú ±¸¼®¿¡¼­ 3) µüÁ¤¹ú·¹ 4) ÀÎÇü°ú ÇÔ²² 5) ÀáÀÚ¸®¿¡ µé¸é¼­ 6) ¸ñ¸¶¸¦ Ÿ°í 7) °í¾çÀÌ ¸ÅÆ®·Î½º
  1264. ¹«¼Ò¸£±×½ºÅ°, ¿ÀÆä¶ó <º¸¸®½º °íµÎ³ëÇÁ(Boris Godunov)>; /Symphonic Synthesis 24m /"°¡Àå °­·ÂÇÑ ÈûÀº ³ªÀÇ °Í"
  1265. ¹«¼Ò¸£±×½ºÅ°, ¿ÀÆä¶ó <È£¹Ý½¬Ä¡³ª>; /ÀüÁÖ°î(Prelude from Khovanshchina) - ¸ð½ºÅ©¹Ù °­ÀÇ »õº®(Dawn on the Moskva-River(arr:D.Shostakovich)) * Khovanshchina´Â ¹Ì¿Ï¼º ¿ÀÆä¶ó
  1266. ¹«¼Ò¸£±×½ºÅ°, Àü¶÷ȸÀÇ ±×¸², °üÇö¾Ç ¸ðÀ½°î, 10°î ±¸¼º > C50
  1267. ¹«ÆÌ, ¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸, D
  1268. ¹«ÆÌ, »þÄÜ´À(Chaconne), G * Georg Muffat(1653-1704 Baroque), 16m
  1269. ¹«ÆÌ, ¾Æ¸£¸ð´ÏÄÚ Æ®¸®ºÎÅä(Armonico Tributo: Sonata No. 3 in A Major), 8m
  1270. ¹Ì½½¸®º£Ã¼Å©, ±³Çâ°î, C, F.26, 9m, * Josef Myslivecek(1737-1781 Czech)
  1271. ¹Ì½½¸®º£Ã¼Å©, µðº£¸£Æ¼¸àÅä, F, 12m
  1272. ¹Ì½½¸®º£Ã¼Å©, ÿ·ÎÇùÁÖ°î, C, Wendy Warner(vc),Camerata Chicago/Drostan Hall
  1273. ¹Ì¾ß½ºÄÚÇÁ½ºÅ°, ¼¼·¹³ªµ¥ 1, Eb, Op32-1, 18m, * Nikolai Myaskovsky(1881-1950 Russia)
  1274. ¹Ì¾ß½ºÄÚÇÁ½ºÅ°, ÿ·Î¼Ò³ªÅ¸, Op.81, 20m, Mstislav Rostropovich(vc)/Alexander Dedyukhin(pf)
  1275. ¹Ì¾ß½ºÄÚÇÁ½ºÅ°, ÿ·ÎÇùÁÖ°î, Op.66
  1276. ¹Ì¾ß½ºÄÚÇÁ½ºÅ°, Çö¾Ç4ÁßÁÖ°î 13, a, Op.86, 26m
  1277. ¹Ì¿ä, La Cheminee du roi Rene(The Fireplace of King Rene), Op.205, 13m * Darius Milhaud(1892-1974 French)
  1278. ¹Ì¿ä, ´º¿åÀÇ ÇÁ¶û½º »ç¶÷; 6°î ±¸¼º(¾È°³ ³¤ Çãµå½¼ °­, ¼öµµ¿ø, ¼¾Æ®·² ÆÄÅ©ÀÇ ¸¶Â÷, ŸÀÓ½º½ºÄù¾î, ÁöºØ À§¿¡ ²Ù¸çÁø È­´Üµé, ¾çŰ½ºÅ¸µð¿òÀÇ ¾ß±¸½ÃÇÕ), °Å½®ÀÇ ÆÄ¸®ÀÇ ¾Æ¸Þ¸®Ä«Àΰú ´ëºñÇÏ¿© ÀÛ°îµÊ.
  1279. ¹Ì¿ä, ¼¼°èÀÇ Ã¢Á¶(La creation du monde), Op.81, ¹«¿ë ¸ðÀ½°î, $ Turtle Island Quartet, Ying String Quartet
  1280. ¹Ì¿ä, ¼ÒÇùÁÖ°î, "4°èÀý": º½ ¿©¸§ °¡À» °Ü¿ï, º½:Vn, ¿©¸§:Va, °¡À»:P, °Ü¿ï:Æ®·Òº», 44m
  1281. ¹Ì¿ä, ½ºÄ«¶ó¹«½´(Scaramouche)-2´ëÀÇ ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, Op.165b, ¶óƾdz, 1) Vif 2) Modere 3) Brazileira, # Katia & Marielle Labeque(pf)
  1282. ¹Ì¿ä, ÁöºØ À§ÀÇ ¼Ò(Le Boeuf sur le Toit), Op.58, °üÇö¾Ç°î138
  1283. ¹Ì¿ä, Ŭ¶ó¸®³Ý°ú ÇǾƳ븦 À§ÇÑ ½ºÄ«¶ó¹«½´
  1284. ¹Ì¿ä, Æ÷·Î¹æ½º ¸ðÀ½°î(Suite provencale), Op.152, °üÇö¾Ç°î, 14m, $ Orchestre du Capitole de Toulouse/Michael Plasson
  1285. ¹Ð³Ê, ¸¶Ãµ·ç ȯ»ó°î
  1286. ¹Ð³Ê, ½ºÄÚÆ¼½¬ ·¦¼Òµð
  1287. ¹ÖÄí½º, ¹ß·¹ <¶ó ¹Ù¾ßÅ׸£(La Bayadere)>; /"The Kingdom of the Shades", * Leon Minkus(1826-1917 Austrian, =Ludwig Minkus)
  1288. ¹Ù±×³Ê, ±³Çâ°î, C, WWV.29, 38m
  1289. ¹Ù±×³Ê, ±³Çâ°î, E, WWV.35, 14m
  1290. ¹Ù±×³Ê, ´º¸¥º£¸£Å©ÀÇ ¸í°¡¼ö(Die Meistersinger von Nuernberg); ¼­°î
  1291. ¹Ù±×³Ê, ¶óÀÎÀÇ È²±Ý(Das Rheingold) ¸ðÀ½°î, 22m
  1292. ¹Ù±×³Ê, º£Á¨µ·Å© °¡°îÁý; 1) õ»ç(Der Engel), 5) ²Þ(Traeume)
  1293. ¹Ù±×³Ê, ¼º¾Ç°î "º½"
  1294. ¹Ù±×³Ê, ¼º¾Ç°î "¼Ò³ª¹«(Der Tannenbaum)"
  1295. ¹Ù±×³Ê, ¾Æ´ÙÁö¿À(Ŭ¶ó¸®³Ý°ú Çö¾ÇÀ» À§ÇÑ), 9m
  1296. ¹Ù±×³Ê, ¿ÀÆä¶ó <´µ¸¥º£¸£Å©ÀÇ ¸í°¡¼ö(Die Meistersinger von Nuernberg);
      • "±¸¼¼ÁÖ²²¼­ ¿À½Ã¾î (Da zu dir die Heiland kam)"(3) -¼º īŸ¸®³ª ¼º´ç ¾È Âù¼Û Àå¸é
      • "¾ÆÄ§Àº Àå¹ÌºûÀ¸·Î ºû³ª°í (Morgenlich leuchtend im rosigen Schein)"
  1297. ¹Ù±×³Ê, ¿ÀÆä¶ó <´Ïº§·î°ÕÀÇ ¹ÝÁö>; ¹ßÄû·¹-"ÀÌÁ¦ ÀÛº°ÀÌ´Ù, °íÁý¼¼°í ¾Æ¸§´Ù¿î ³Ê" * Der Ring des Nibelungen: 1) ¶óÀÎÀÇ È²±Ý 2) ¹ßÄû·¹ 3) ÁöÅ©ÇÁ¸®Æ® 4) ½ÅµéÀÇ È²È¥; 4°³ÀÇ ¼­»ç ¾Ç±ØÀ¸·Î ±¸¼º
  1298. ¹Ù±×³Ê, ¿ÀÆä¶ó <´Ïº§·î°ÕÀÇ ¹ÝÁö> Áö±×ÇÁ¸®Æ® ¸ñ°¡, °üÇö¾Ç°î
  1299. ¹Ù±×³Ê, ¿ÀÆä¶ó <¶óÀÎÀÇ È²±Ý(Das Rheingold)> "Der Ring, An Orchestral Adventure"
  1300. ¹Ù±×³Ê, ¿ÀÆä¶ó <·Î¿£±×¸°>;
      • "È¥·ÊÀÇ ÇÕâ(Treulich gefu"hrt dahin)"
      • "È¥ÀÚ¼­ °íÅëÀÇ ³ª³¯À» º¸³»¸ç(Einsam intrueben Tagen)"-¿¤ÀÚÀÇ ²Þ, Sop. Birgit Nilsson
  1301. ¹Ù±×³Ê, ¿ÀÆä¶ó <¹ßÄû·¹(Die Walku"re)>; ¹ßÄû·¹ÀÇ ±âÇà (Ride of the Valkyries)
  1302. ¹Ù±×³Ê, ¿ÀÆä¶ó <¹æÈ²ÇÏ´Â ³×µ¨¶õµåÀÎ>; "¼­°î" / /
      • "¼±¿øµéÀÇ ÇÕâ"
      • "½Ç Àã´Â ¿©ÀεéÀÇ ÇÕâ", ms.Isola Jones
  1303. ¹Ù±×³Ê, ¿ÀÆä¶ó <źȣÀÌÀú>; ¼­°î
      • "¼ø·ÊÀÇ ÇÕâ"
      • "Àú³áº°ÀÇ ³ë·¡"(3)
      • "Àü´ÉÇϽмº¸ð½Ã¿©(Allma"cht'ge Jungfrau)", sop. Gundula Janowitz
      • "ÀüÁÖ°î°ú ³ë·¡ÀÇ Àü´ç"
      • "±×´ë, °í±ÍÇÑ Àü´çÀÌ¿©(Dich teure Halle, gruess ich wieder)"
  1304. ¹Ù±×³Ê, ¿ÀÆä¶ó <Æ®¸®½ºÅº°ú ÀÌÁ¹µ¥>; /"IsoldeÀÇ »ç¶ûÀÇ Á×À½"
  1305. ¹Ù±×³Ê, ¿ÀÆä¶ó <ÆÄ¸£ÁöÆÈ(Parsifal)>; ÀüÁÖ°î(1)
  1306. ¹Ù±×³Ê, ÆÄ¸£ÁöÆÈ(Parsifal): Music from Act II, °üÇö¾Ç°î
  1307. ¹Ù±×³Ê, ÆÄ¸£ÁöÆÈ(Parsifal): Music from Act III, Symphonic Synthesis
  1308. ¹Ù±×³Ê, ÆÄ¿ì½ºÆ® ¼­°î, °üÇö¾Ç°î, 13m
  1309. ¹Ù¸£ºñ¿¡¸®,ÇÁ¶õÄ¡½ºÄÚ, »ç¸£¼ö¿¤¶ó(Zarzuela) <¶ó¹Ù»ß¿¡½ºÀÇ À̹߻ç(El barberillo de Lavapies)>; * zarzuela-the popular Spanish opera form, * Francisco Asenjo Barbieri(1823-1894 Spanish)
      • "ÆÈ·Î¸¶ÀÇ ³ë·¡(Cacion de Palom)"
  1310. ¹Ù¸£Åå, "An Evening in the Village" cf)Oboe
  1311. ¹Ù¸£Åå, 2°³ÀÇ ÃÊ»ó, Op.5, ÇùÁÖ°î(Vn), 12m
  1312. ¹Ù¸£Åå, °üÇö¾ÇÇùÁÖ°î, sz.116, 38m$, Berlin Philharmonic/Herbert von Karajan
  1313. ¹Ù¸£Åå, ·ç¸¶´Ï¾Æ ¹Î¼Ó¹«°î(6); 1) Àå´ëÃã(Dance with sticks), 2) Ç㸮¶ì¸¦ Àâ°í Ãß´Â Ãã(Waistband dance), 3) ¹ßÀ» ±¸¸£¸ç Ãß´Â Ãã(Stamping dance), 4) ³ª¹« ÇǸ® Ãã(Hornpipe dance), 5) ·ç¸¶´Ï¾Æ ¾î¸°ÀÌ ÆúÄ«(Romanian polka), 6) ºü¸¥ Ãã(Quick dance)
  1314. ¹Ù¸£Åå, ¹ÙÀ̿ø°ÇùÁÖ°î 2, b, Sz.112, 37m * Çö´ëÀ½¾ÇÀÇ ´ëÇ¥Àû VnC(µÎ °îÀÇ VnC)
  1315. ¹Ù¸£Åå, ºñ¿Ã¶óÇùÁÖ°î
  1316. ¹Ù¸£Åå, Áß±¹ÀÇ ÀÌ»óÇÑ °ü¸®(Miraculous Mandarin Suite), Op.19/SZ.73, 31m, $ Chicago Symphony Chorus,Chicago Symphony Orchestra/Pierre Boulez
  1317. ¹Ù¸£Åå, ÇǾƳë5ÁßÁÖ°î, 4M38m
  1318. ¹Ù¸£Åå, ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, Op.14/Sz.62
  1319. ¹Ù¸£Åå, 2´ëÀÇ ÇǾƳë¿Í Ÿ¾Ç±â¸¦ À§ÇÑ ¼Ò³ªÅ¸, Sz.110
  1320. ¹Ù¸£Åå, ÇǾƳë¼Ò³ªÅ¸
  1321. ¹Ù¸£Åå, ÇǾƳëÇùÁÖ°î 1, Sz.83, 23m, $ Maurizio Pollini(pf),Chicago Symphony Orchestra/Claudio Abbado
  1322. ¹Ù¸£Åå, ÇǾƳëÇùÁÖ°î 2, C, Sz.95, Ç×°¡¸® ¹Î¿ä ¼öÁý, ÇǾƳëÀÇ Å¸¾Ç±âÀû ¿ä¼Ò¸¦ ¹ßÀü, 28m
  1323. ¹Ù¸£Åå, ÇǾƳëÇùÁÖ°î 3, Sz.119, 2M> "¹ãÀÇ À½¾Ç", 1945c ¸¶Áö¸· ÀÛǰ, 25m
  1324. ¹Ù¸£Åå, Çë°¡¸® ½ºÄÏÄ¡(Hungarian Sketches), SZ.97, °üÇö¾Ç°î, 11m
  1325. ¹Ù¸£Åå, Çö°ú Ÿ¾Ç±â¿Í ÿ·¹½ºÅ¸¸¦ À§ÇÑ À½¾Ç(Music for Strings, Percussion and Celesta), Sz.106, 28m#
  1326. ¹Ù¸£Åå, Çö¾Ç4ÁßÁÖ°î 4, ´ëÇ¥ÀÛ
  1327. ¹Ù¸£Åå, ÇöÀ» À§ÇÑ µðº£¸£Æ¼¸àÅä(Divertimento for String Orchestra), Sz.113, 25m
  1328. ¹Ù¸®¿¡¸£,Àå, ÿ·Î¼Ò³ªÅ¸ * Jean Barriere(1707-1747 French cellist&)
  1329. ¹Ù¸®¿À½º ¸Á°í·¹,¾î±¸½ºÆ¾, Danza Paraguaya 1, * Agustin Barrios-Mangore(1885-1944 Paraguayan classical guitarist)
  1330. ¹Ù¹ö,»ç¹Â¿¤, ¹ÙÀ̿ø°ÇùÁÖ°î, Op.14, 22m
  1331. ¹Ù¹ö,»ç¹Â¿¤, ¼Ò¹®³­ Çб³ÀÇ ¼­°î, Op.5, 1932c, 8m
  1332. ¹Ù¹ö,»ç¹Â¿¤, ¿©¸§À½¾Ç(Summer Music), Op.31, ½Ç³»¾Ç
  1333. ¹Ù¹ö,»ç¹Â¿¤, ¿ÀÆä¶ó <¹Ù³×»ç(Vanessa)>; "°Ü¿ïÀÌ ´Ù°¡¿À³×"
  1334. ¹Ù¹ö,»ç¹Â¿¤, Çö¾Ç 4ÁßÁÖ, Op.11
  1335. ¹Ù¹ö,»ç¹Â¿¤, ÇöÀ» À§ÇÑ ¼¼·¹³ªµ¥, Op.1, 10m
  1336. ¹Ù¹ö,»ç¹Â¿¤, ÇöÀ» À§ÇÑ ¾Æ´ÙÁö¿À, Op.11, ¿ø·¡ Çö¾Ç4ÁßÁÖ1 bÀÇ ÇÑ ¾ÇÀåÀ» Æí°î
  1337. ¹ÙÀ̼¾º£¸£Å©,¾Ë·º½Ã½º, ÇǾƳëÇùÁÖ°î 21, C, K.467, * Alexis Weissenberg(1929-2012), Bulgarian-born French pianist
  1338. ¹ÙÀ̽º, ¼Ò³ªÅ¸(µÎ ´ëÀÇ ·ùÆ®¸¦ À§ÇÑ), A, 15m
  1339. ¹ÙÀ̽º, ¼Ò³ªÅ¸ 39, C, "Partita Grande", 32m, Jakob Lindberg(lute)
  1340. ¹ÙÀ̽º, ¼Ò³ªÅ¸ 52, c, Siciliana, 5m, Robert Barto(lute)
  1341. ¹ÙÀ̽º, ·ùÆ®ÇùÁÖ°î, d, 16m * Silvius Leopold Weiss(1686-1750, German(born in Poland), ·ùÆ® À½¾ÇÀÇ ´ë°¡
  1342. ¹ÙÀ̽º, ¸ðÀ½°î, d, 15m, (lute)
  1343. ¹ÙÀ̽º, ¸ðÀ½°î, F, 25m
  1344. ¹ÙÀ̽º, ¸ðÀ½°î, g, 29m
  1345. ¹ÙÀ̽º, ÆÄ¸£Æ¼Å¸(Partita), d, 21m, $Nigel North(lute)
  1346. ¹ÙÀÌŬ¶óÀÎ, ¼Ò³ªÅ¸, g, 8m, * Romanus Weichlein(1652-1706 Austrian)
  1347. ¹ÙÀκ£¸£Å©, ¸ô´Ùºñ¾Æ ÁÖÁ¦¿¡ ´ëÇÑ ±¤½Ã°î, op.47-1, 13m * Moisey (Mieczyslaw) Weinberg(1919~1996) Æú·£µå Å»ýÀÇ ·¯½Ã¾Æ ÀÛ°î°¡
  1348. ¹ÙÀÏ,Äí¸£Æ®, °¡°î "9¿ùÀÇ ³ë·¡" * Kurt Weill(1900-1950 German)
  1349. ¹ÙÀÏ,Äí¸£Æ®, ¾îµÒ ¼ÓÀÇ ¼÷³à-±³ÇâÀû ¾ß»ó°î(Lady in the Dark-Symphonic Nocturne) (¿¬ÁÖȸ¿ë ¸ðÀ½°î, R. R. Bennett, arranger), 17m#
  1350. ¹ÙÀÏ,Äí¸£Æ®, Äõµé¸®ºª(Quodlibet), Op.9, °üÇö¾Ç°î
  1351. ¹ÙÂî´Ï, ¿äÁ¤ÀÇ Ãã, (ÇÃ·çÆ®, ÇÏÇÁ)
  1352. ¹ÙÈå, 3´ëÀÇ ÇÕ½ÃÄڵ带 À§ÇÑ ÇùÁÖ°î, d, BWV.1063, Kenneth Gilbert,Trevor Pinnock,Lars Ulik Moetensen(hc)/The English Concert/Trevor Pinnock
  1353. ¹ÙÈå, 3ÁßÁÖ, d, BWV.583, 5m #
  1354. ¹ÙÈå, 3ÁßÁÖ ¼Ò³ªÅ¸:A Musical Offering, c, BWV.1079 cf) fl,pf,vn
  1355. ¹ÙÈå, Ach, Gott und Herr BWV.714, 4m, cf)org
  1356. ¹ÙÈå, G¼±»óÀÇ ¾Æ¸®¾Æ, 5m
  1357. ¹ÙÈå, °áÈ¥ ĭŸŸ, BWV.202;
      • "1) "º½¹Ù¶÷ÀÌ ¾²´ÙµëÀ¸¸ç¡± (Wenn die Fruehlingsluefte streichen)"
      • "1) "»ç¶ûÀÇ ¿¬½À°ú Àå³­½º·± Æ÷¿ËÀº(Sich uben im Lieben)", sop. Emma Kirkby
  1358. ¹ÙÈå, °ñµåº£¸£Å©º¯ÁÖ°î(The Goldberg Variations), BWV.988, 51m $, ÁÖÁ¦¿Í 30°³ÀÇ º¯ÁÖ°îÀ¸·Î ±¸¼º, $ Glenn Gould(pf)
  1359. ¹ÙÈå, °üÇö¾Ç ¸ðÀ½°î 1, C, BWV.1066
  1360. ¹ÙÈå, °üÇö¾Ç ¸ðÀ½°î 2, b, BWV.1067, 26m, $ Concentus musicus Wien/Nikolaus Harnoncourt
  1361. ¹ÙÈå, °üÇö¾Ç ¸ðÀ½°î 3, D, BWV.1068, ¸ðÀ½°îÁß °¡Àå À¯¸í,2M G¼±»óÀÇ ¾Æ¸®¾Æ, #Le Concert des Nations/Jordi Saval, # Musica Antiqua Koeln/Reinhard Goebel
  1362. ¹ÙÈå, °üÇö¾Ç ¸ðÀ½°î 4, D, BWV.1069
  1363. ¹ÙÈå, ³óºÎĭŸŸ, BWV.212
  1364. ¹ÙÈå, ·ùÆ® ¸ðÀ½°î, g, BWV.995, 26m, $ Paul O'Dette(baroque lute)
  1365. ¹ÙÈå, ·ùÆ® ¸ðÀ½°î 2, c, BWV.997, 17m#2, Eduardo Fernandez(guitar)
  1366. ¹ÙÈå, ¸¶´ÏÇÇīƮ(Magnificat), D, BWV.243, 12°î ±¸¼º
      • 1) "³» ¸¶À½ ÁÖ¸¦ ¿ì·¯·¯ ¹Þµé¾î"
      • 2) "³» ¿µÈ¥Àº ³ªÀÇ ±¸¼¼ÁÖÀÎ ½ÅÀ» ±â»Ú°Ô ¸ð½Ã¸®"
      • 3) "ÁÖ²²¼­ ºñõÇÑ ¿©Á¾À» µ¹º¸¼Ì½À´Ï´Ù(Quia respexit humilitatem)"-¼ÒÇÁ¶ó³ë ¾Æ¸®¾Æ
      • 4) "¸¸¼¼(Omnes generations)[¸ðµç ±¹¹ÎÀÌ¿©]"-ÇÕâ
      • 5) "Àü´ÉÀÚ, ¿ì¸®¿¡°Ô Å« ÀÏÀ» ÇØ Á̵ּµ´Ù"
      • 6) "±× ÁÖÀÇ ºÒ½ÖÈ÷ ¿©±èÀº ´ë´ë·Î"
      • 7) "½ÅÀº °Å·èÇÑ ¼Õ¿¡ ÈûÀ» ³ªÅ¸³»°í"
      • 8) "±Ç¼¼ ÀÖ´Â ÀÚ¸¦ ÀÚ¸®¿¡¼­ ²ø¾î³»¸®°í"
      • 9) "±¾ÁÖ¸° ÀÚ¿¡°Ô ¸À³­ À½½ÄÀ» ½ÇÄÆ ¸ÔÀ̰í"
      • 10) "½Å, ±× ºÒ½ÖÈ÷ ¿©±èÀ» ÀØÁö ¾ÊÀ¸·Á°í"
      • 11) "¿ì¸®µéÀÇ ¼±Á¶¿¡°Ô ¾Ë¸®½Å °Íó·³"
      • 12) "¿µ±¤ ÀÖÀ¸¶ó"
  1367. ¹ÙÈå, ¸¶´ÏÇÇīƮ(Magnificat), Eb, BWV.243a, 34m
  1368. ¹ÙÈå, ¸¶Å ¼ö³­°î, BWV.244;
      • "»ç¶û¶§¹®¿¡ ³ªÀÇ ±¸¼¼ÁÖ°¡ Á×À¸·Á ÇÑ´Ù"
      • "ÁÖ¿© ¿ì¸®¸¦ ºÒ½ÖÈ÷ ¿©±â¼Ò¼­(Erbarme dich, mein Gott)"
      • "In deepest grief, here sit we weeping"
  1369. ¹ÙÈå, ¸ðÅׯ® 1, »õ ³ë·¡·Î ÁÖ´Ô²² ³ë·¡Ç϶ó, ½ÃÆí149,150, »ýÀϱâ³äÀ» À§ÇÑ °î, ¹«¹ÝÁÖ ±³È¸¿ë ÇÕâ°î,16m
  1370. ¹ÙÈå, ¸ðÅׯ® 2, ¼º·É²²¼­ ¿ì¸®ÀÇ ¿¬¾àÇÔÀ» µµ¿ÍÁֽó×, 2ºÎ> 1) ·Î¸¶¼­8Àå 2) ·çÅÍÀÇ ÄÚ¶ö°¡»ç, ¸ðÅׯ® 2-6> Ãßµµ½ÄÀ» À§ÇÑ °î,7m
  1371. ¹ÙÈå, ¸ðÅׯ® 3, ¿¹¼ö ³ªÀÇ ±â»Ý, ±íÀº ½Å¾ÓÀû ³»¿ë, 6 MotetÁß Áß½ÉÀÌ µÊ, 25m
  1372. ¹ÙÈå, ¸ðÅׯ® 4, µÎ·Á¿ö ¸»¶ó,12m
  1373. ¹ÙÈå, ¸ðÅׯ® 5, ¿À¼Ò¼­ ¿¹¼ö¿© ¿À¼Ò¼­,10m
  1374. ¹ÙÈå, ¸ðÅׯ® 6, ÁÖ´ÔÀ» Âù¾çÇ϶ó ¸ðµç ¹é¼ºµé¾Æ, ½ÃÆí117,7m
  1375. ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ 1, b, BWV.1002*, $ Henryk Szeryng(vn)
  1376. ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ 2, d, BWV.1004*, 30m
  1377. ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ 3, E, BWV.1006*, 18m, Nathan Milstein(vn)
  1378. ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, g, BWV.1001*, $ Henryk Szeryng(vn)
  1379. ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, a, BWV.1003*, #1) Alina Ibragimova(vn), $2) Henryk Szeryng(vn)
  1380. ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, C, BWV.1005*
  1381. ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 1, G, BWV.1007, 6°³ÀÇ ¸ðÀ½°î, ÄùÅÙ½ÃÀý¿¡ ÀÛ°î, Jean-Max Clement(vc)
  1382. ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 2, d, BWV.1008, # Jean-Max Clement(vc)
  1383. ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 3, C, BWV.1009, 22m$, Zuill Bailey(vc), Jean-Max Clement(vc)
  1384. ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 4, Eb, BWV.1010
  1385. ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 5, c, BWV.1011
  1386. ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 6, D, BWV.1012
  1387. ¹ÙÈå, ¹«¹ÝÁÖ ÇÃ·çÆ® ÆÄ¸£Æ¼Å¸ 3, a, BWV.1013, 13m#, Emmanuel Pahud (Fl)
  1388. ¹ÙÈå, ¹Ì»ç(Messe), b, BWV.232, part I: 53m, part II: 54m, * ±Û·Î¸®¾Æ Áß ¾ËÅä ¾Æ¸®¾Æ "¼ººÎÀÇ ¿À¸¥ ÂÊ¿¡ ¾É¾Æ°è½Å ÁÖ¿©.(Qui sedes ad dexteram Patris)"
  1389. ¹ÙÈå, ¹Ì»ç ºê·¹ºñ½º(Missa Brevis), F, BWV.233, 23m
  1390. ¹ÙÈå, ¹Ì»ç ºê·¹ºñ½º(Missa Brevis), A, BWV.234, 33m
  1391. ¹ÙÈå, ¹Ì»ç ºê·¹ºñ½º, g, BWV.235, Àå´ëÇÑ ¹Ì»ç°îÀ» Ãà¾à
  1392. ¹ÙÈå, ¹Ì»ç ºê·¹ºñ½º(Missa Brevis), G, BWV.236, 27m, # Ghent Collegium Vocale,Ghent Collegium Vocale Orchestra/Philippe Herreweghe
  1393. ¹ÙÈå, ¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ Çª°¡, BWV.1026, 4m
  1394. ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), b, BWV.1014, $ 1) Henryk Szeryng(vn)/Helmut Walcha(harpsichord), 2) Leonid Kogan(vn)/Karl Richter(harpsichord)
  1395. ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), A, BWV.1015, 15m$, 1) Susanne Lautenbacher(Vn)/Martin Galling(harpsichord), 2) Leonid Kogan(vn)/Karl Richter(harpsichord)
  1396. ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), E, BWV.1016, 15m$, 1) Leonid Kogan(vn)/Karl Richter(harpsichord)
  1397. ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 4(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), c, BWV.1017, 16m$, 1) Susanne Lautenbacher(Vn)/Martin Galling(harpsichord) 2) Giuliano Carmignola(vn), Andrea Marcon(harpsichord) $3) Henryk Szeryng(vn)/Helmut Walcha(harpsichord)
  1398. ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 5(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), f, BWV.1018, 16m, #1) Susanne Lautenbacher(Vn)/Martin Galling(harpsichord), $2) Henryk Szeryng(vn)/Helmut Walcha(harpsichord)
  1399. ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 6(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), G, BWV.1019, 16m, Michelle Makarski(Vn)/Keith Jarrett (Pf)
  1400. ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸(¹ÙÀ̿ø°°ú ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, BWV.1023, 12m
  1401. ¹ÙÈå, ¹ÙÀ̿ø°ÇùÁÖ°î(¹ÙÀ̿ø°, Çö¾Ç ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ÇùÁÖ°î), a, BWV.1041, # David Oistrakh(vn), Wien Symphony Orch./David Oistrakh
  1402. ¹ÙÈå, ¹ÙÀ̿ø°ÇùÁÖ°î, E, BWV.1042, 2M À¯¸í, 6VCÁß3°î ÇöÁ¸,ÄùÅٽôë ÀÛǰ, 17m#, David Oistrakh(vn), Wien Symphony Orch./David Oistrakh
  1403. ¹ÙÈå, ¹ÙÀ̿ø°ÇùÁÖ°î(µÎ´ëÀÇ ¹ÙÀ̿ø°, Çö¾Ç ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿ÀÀ» À§ÇÑ), d, BWV.1043, ÇöÁ¸ÇÏ´Â 3VCÁß °¡Àå ¸¹ÀÌ ¿¬ÁÖ, 15m$, $ Zino Francescatti,Regis Pasqier(vn)/Festival Strings Lucern/Rudolf Baumgartner
  1404. ¹ÙÈå, ¹ÙÀ̿ø°ÇùÁÖ°î(¹ÙÀ̿ø°°ú ¿Àº¸¿¡¸¦ À§ÇÑ), c, BWV.1060a, 13m# Elizabeth Wallfisch(Vn),Anthony Robson(Ob),Orchestra of the Age of Enlightenment/Elizabeth Wallfisch
  1405. ¹ÙÈå, ¹ÝÀ½°èÀû ȯ»ó°î°ú Ǫ°¡(Chromatic Fantasy and Fugue), d, BWV.903, 12m#, Scott Ross(harpsichord)
  1406. ¹ÙÈå, ºÎȰÀý ¿À¶óÅ丮¿À(Easter Oratorio(Oster-Oratorium)), BWV.249, 45m, Fritz Wunderlich(ten),Friederike Sailer(sop),Margarete Bence(alto),August Messthaler(bass)/Stuttgart Bach-Chor und Orchester/Marcel Couraud
  1407. ¹ÙÈå, ºÎȰÀý ĭŸŸ(Eater Cantata), BWV.4, "Christ lag in Todesbanden", 21m
  1408. ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 1, F, BWV.1046
  1409. ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 2, F, BWV.1047
  1410. ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 3, G, BWV.1048, 6°î Áß °¡Àå À¯¸í
  1411. ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 4, G, BWV.1049
  1412. ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 5, D, BWV.1050
  1413. ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 6, Bb, BWV.1051
  1414. ¹ÙÈå, ºñ¿Ã¶ó ´Ù °¨¹Ù ¼Ò³ªÅ¸ 1, G, BWV.1027, 13m
  1415. ¹ÙÈå, ºñ¿Ã¶ó ´Ù °¨¹Ù ¼Ò³ªÅ¸ 3, g, BWV.1029, $ Pierre Fournier(vc)/Susana Ruzickova(harpsichord)
  1416. ¹ÙÈå, »ç¶ûÇÏ´Â ÇüÀÇ ¿©Çà¿¡ ¹ÙÄ¡´Â Ä«ÇÁ¸®Ä¡¿À, BWV.992, Pf
  1417. ¹ÙÈå, ¼­ÁÖ¿Í Çª°¡, g, BWV.535, $ Nelson Freire(Pf)
  1418. ¹ÙÈå, ¼­ÁÖ¿Í Çª°¡, Eb, BWV.552
  1419. ¹ÙÈå, ¼­ÁÖ¿Í Çª°¡ ±×¸®°í ¾Ë·¹±×·Î(Prelude, Fugue and Allegro), Eb, BWV.998, guitar, 12m#
  1420. ¹ÙÈå, ½ÃÆí 51(Paslm 51: Tilge, Hoechster, meine Suenden), BWV.1083, 38m, (from the Stabat Mater by G.B.Pergolesi)
  1421. ¹ÙÈå, ½ÉÆ÷´Ï¾Æ, Bb, Op.9-1
  1422. ¹ÙÈå, Aria Variata, a, BWV.989, 16m, # Angela Hewitt(pf)
  1423. ¹ÙÈå, ¾È³ª ¸·´Þ·¹³ª¸¦ À§ÇÑ À½¾Ç¼öø Áß 12°³ÀÇ ¾Æ¸®¾Æ¿Í ³ë·¡; Minuet,
  1424. ¹ÙÈå, ¾È³ª ¸·´Þ·¹³ª¸¦ À§ÇÑ À½¾Ç¼öø Áß 12°³ÀÇ ¾Æ¸®¾Æ¿Í ³ë·¡; ´ç½ÅÀÌ ³» °ç¿¡ °è½Å´Ù¸é(Bist du bei mir) BWV.508
  1425. ¹ÙÈå, ¿µ±¹¸ðÀ½°î 1, A, BWV.806, 7°î±¸¼º, 23m $ Piotr Anderszewski(Pf)
  1426. ¹ÙÈå, ¿µ±¹¸ðÀ½°î 2, a, BWV.807, 9°î±¸¼º, ÀüüÀûÀ¸·Î È­·Á,20m cf) No.2, ÀüÁÖ°î°ú ¾Ë¸£¸Áµå, a, BWV.807
  1427. ¹ÙÈå, ¿µ±¹¸ðÀ½°î 3, g, BWV.808, 22m#, Piotr Anderszewski(pf)
  1428. ¹ÙÈå, ¿µ±¹¸ðÀ½°î 4, F, BWV.809
  1429. ¹ÙÈå, ¿µ±¹¸ðÀ½°î 5, e, BWV.810, 20m ¾ö¼÷°¨
  1430. ¹ÙÈå, ¿µ±¹¸ðÀ½°î 6, d, BWV.811, 26m#
  1431. ¹ÙÈå, ¿À¸£°µÇùÁÖ°î, a, BWV.593, 13m, Samuil Feinberg(arranger), Martin Roscoe(pf)
  1432. ¹ÙÈå, ¿Àº¸¿¡ÇùÁÖ°î, F, BWV.1053R
  1433. ¹ÙÈå, ¿Àº¸¿¡ÇùÁÖ°î, d, BWV.1059
  1434. ¹ÙÈå, ¿Àº¸¿¡´Ù¸ð·¹ÇùÁÖ°î, A, BWV.1055, Anthony Robson(ob d¡¯amore),±×°¡ ÁöÈÖÇÏ´Â °è¸ùÁÖÀÇ ½Ã´ë Orch.
  1435. ¹ÙÈå, ¿äÇÑ ¼ö³­°î, BWV.245, (Part One; 1-7:¹è½Å°ú üÆ÷,8-14:º£µå·ÎÀÇ ºÎÀÎ), (Part Two; 15-18:½É¹®°ú äÂïÁú, 19-25:À¯ÁËÆÇ°á°ú ½ÊÀÚ°¡, 26-30:½ÊÀÚ°¡ÀÇ 7¾ðÁß 3¾ð, 31-40:¿¹¼öÀÇ Á×À½)
  1436. ¹ÙÈå, ÀÌÅ»¸®¾Æ dzÀÇ ¾Æ¸®¾Æ º¯ÁÖ°î, a, BWV.989, 10m
  1437. ¹ÙÈå, ÀÌÅ»¸®¾Æ ÇùÁÖ°î, F, BWV.971, 13m, # Claire-Marie Le Guay(Pf)
  1438. ¹ÙÈå, Àκ¥¼Ç(2¼º):½ÅÆ÷´Ï, (No.1:BWV.772 - No.15:BWV.786), 26m
  1439. ¹ÙÈå, Àκ¥¼Ç(3¼º):½ÅÆ÷´Ï, (No.1:BWV.787 - No.15:BWV.801), 23m
  1440. ¹ÙÈå, ÀüÁÖ°î(6°³ÀÇ ¼ÒÀüÁÖ°î)(six little preludes), C,BWV.933, c,BWV.934, d,BWV.935, D,BWV.936, E,BWV.937, e,BWV.938
  1441. ¹ÙÈå, ÀüÁÖ°î(lute), c, BWV.999
  1442. ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡(prelude and fugue), a, BWV.543, Org
  1443. ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, a, BWV.543, Lise De la Salle(pf)
  1444. ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, b, BWV.544
  1445. ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, C, BWV.545
  1446. ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, c, BWV.546
  1447. ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, C, BWV.547
  1448. ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, e, BWV.548, (no.18), 1) Yo-Yo Ma(vc)/Chris Thile(mandolin)/Edgar Meyer(bass)
  1449. ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, F#, BWV.882
  1450. ¹ÙÈå, è¹ß·Î¼Ò³ªÅ¸, G, 19m
  1451. ¹ÙÈå, ĭŸºô·¹, BWV.1019a, 6m
  1452. ¹ÙÈå, ĭŸŸ, BWV.23, "´ç½Å²²¼­´Â Áø½ÇÇÑ ½ÅÀÌ½Ã¸ç ´ÙÀ­ÀÇ ¾ÆµéÀ̽õµ´Ù(2Áßâ)"
  1453. ¹ÙÈå, ĭŸŸ, BWV.32, <»ç¶ûÀÇ ¿¹¼ö, ³ªÀÇ ¼Ò¸Á>, /"¿©±â ³» ¾Æ¹öÁö Áý¿¡¼­(Hier in meines Vaters Staette)"
  1454. ¹ÙÈå, ĭŸŸ, BWV.51, "¸¸¹é¼º¾Æ, ±â»µÇϸç Çϳª´ÔÀ» ¸ÂÀ¸¶ó(Jauchzet Gott in Allen Landen)", sop.Kathleen Battle/Wynton Marsalis(trp)
  1455. ¹ÙÈå, ĭŸŸ, BWV.56, "³ª ±â²¨ÀÌ ½ÊÀÚ°¡¸¦ Áö°Ú³ë¶ó(Ich will den Kreuzstab gerne tragen)"
  1456. ¹ÙÈå, ĭŸŸ, BWV.63, "õ±¹À» ±¸ÇÏ°í °£Ã»Ç϶ó"(¾ÙÅä¿Í Å׳ÊÀÇ ¾Æ¸®¾Æ)"
  1457. ¹ÙÈå, ĭŸŸ, BWV.68, "Çϳª´ÔÀÌ ¼¼»óÀ» »ç¶ûÇÏ»ç"; /"(¾Æ¸®¾Æ) ³ªÀÇ ½Å½É ±íÀº ¸¶À½"
  1458. ¹ÙÈå, ĭŸŸ, BWV.78, "¿ì¸®´Â ¿¬¾àÇÏÁö¸¸ Èû¼¾ ¹ß°ÉÀ½À» ¼­µÎ¸¨´Ï´Ù"
  1459. ¹ÙÈå, ĭŸŸ, BWV.82, "³ª´Â ÈíÁ·ÇϳªÀÌ´Ù(Ich habe genung)", /"³ªÀÇ Á×À½ÀÌ Áñ°Ì½À´Ï´Ù(Ich freue mich auf meinen Tod)"
  1460. ¹ÙÈå, ĭŸŸ, BWV.91, "¿¹¼ö ±×¸®½ºµµ¿©, Âù¼Û¹ÞÀ¸¼Ò¼­(Gelobet seisat du, Jesu Christ)", 19m
  1461. ¹ÙÈå, ĭŸŸ, BWV.95, "±×¸®½ºµµ´Â ³ªÀÇ »îÀÌ¿ä(Christus, der ist mein Leben)"
  1462. ¹ÙÈå, ĭŸŸ, BWV.99, "Çϳª´Ô²²¼­ ÇϽô ÀÏÀº ¸ðµÎ ¼±Çϵµ´Ù(Was Gott tut, das ist wohlgetan)"
  1463. ¹ÙÈå, ĭŸŸ, BWV.118, "O Jesu Christ, meins Lebens Licht", 8m, Trinity Wall Street/Julian Wachner
  1464. ¹ÙÈå, ĭŸŸ, BWV.130, "Herr Gott, dich loben alle wir", 14m
  1465. ¹ÙÈå, ĭŸŸ, BWV.140, <´« ¶ß¶ó°í ºÎ¸£´Â ¼Ò¸® ÀÖµµ´Ù(Wachet auf, ruft uns die Stimme)>; 7°î ±¸¼º
      • 2) "±×°¡ ¿À¼Ì´Ù...(Er Kommt, der Brautigam kommt)":·¹Ä¡Å¸Æ¼º¸, ten.Theo Altmeyer, sop.Elly Ameling, bs.Hans Sotin
      • 3) "¾ðÁ¦ ¿À½Ã³ª¿ä, ³ªÀÇ ±¸ÁÖ¿©(Wann kommst du, mein Heil?)":¾Æ¸®¾Æ(ÀÌÁßâ), sop.Christine Schaefer/bar.Mathias Goerne/Hilary Hahn(vn)
      • 4) "½Ã¿ÂÀº ÆÄ¼ö²ÛÀÇ ³ë·¡¸¦ µè°í(Zion hoert die Waechter singen)", Monteverdi Choir
      • 6) "»ç¶ûÀº º¯Ä¡ ¾Ê³×(Mein Freund ist mein)":¾Æ¸®¾Æ(ÀÌÁßâ)
  1466. ¹ÙÈå, ĭŸŸ, BWV.147, <¸¶À½°ú ÀÔ°ú Çൿ°ú »ý¸íÀ¸·Î(Herz und mund und tat und leben)>
      • "¿¹¼ö, Àΰ£ ¼Ò¸ÁÀÇ ±â»Ý(Jesus bleibet meine freude: Jesu, Joy of Man's Desiring)", King¡¯s Singers
  1467. ¹ÙÈå, ĭŸŸ, BWV.156, "ÇÑÂʹßÀº ¹«´ýÀ» µó°í ³ª´Â ¼­ ÀÖµµ´Ù(Ich steh mit einem Fu©¬ im Grabe)"
  1468. ¹ÙÈå, ĭŸŸ, BWV.158, <ÆòÈ­°¡ ÇÔ²² ÀÖÀ¸´Ï>;
      • "¼¼»óÀÌ¿© ³ª´Â ÁöÃÆ´Ù(Welt, ade, ich bin dein muede)"
  1469. ¹ÙÈå, ĭŸŸ, BWV.175, "±×´Â ¾çµéÀÇ À̸§À» ºÎ¸£½Ãµµ´Ù(Er rufet seinen Schafen mit Namen)"
  1470. ¹ÙÈå, ĭŸŸ, BWV.180, "¿À, »ç¶ûÇÏ´Â ¿µÈ¥ÀÌ¿©, ÀÚ½ÅÀ» °¡²Ù¾î¶ó(Schmuecke dich, o liebe Seele)"
  1471. ¹ÙÈå, ĭŸŸ, BWV.182, "ÇÏ´ÃÀÇ ¿ÕÀÌ¿©, ¾î¼­ ¿À¼Ò¼­(Himmelskonig, sei willkommen)", 29m
  1472. ¹ÙÈå, ĭŸŸ, BWV.198, <Èĺñ¿©, ÇÑÁٱ⠺ûÀ» ³²°ÜµÎ¼Ò¼­>;
      • "¿µ¿øÇÑ »çÆÄÀ̾îÀÇ Áý(Der ewigkeit Saphirens Haus)", ten.Ian Bostridge
  1473. ¹ÙÈå, ĭŸŸ, BWV.204, <Àú´Â ±â»Þ´Ï´Ù(Ich bin in mir vergnuegt:I am content in myself)>, 30m, sop.Dorothee Mields,L'Orfeo Barockorchester/Michi Gaigg
  1474. ¹ÙÈå, »ç³É ĭŸŸ, BWV.208;/ "¾çµéÀº ÆòÈ­·ÎÀÌ Ç®À» ¶â°í(Schafe koennen sicher weiden)"; Magdalena Kozena(Ms)
  1475. ¹ÙÈå, Ä¿ÇÇ Ä­Å¸Å¸, BWV.211;
      • "°í¾çÀ̰¡ ÁãÀâ±â¸¦ ±×¸¸µÑ ¼ö ¾øµíÀÌ(Die Katze lasst das Mausen nicht)", The Amsterdam Baroque Choir
      • "¾Æ Ä¿ÇÇ´Â ¾îÂÀ À̸®µµ ¸ÀÀÖÀ»±î(Ei! Wie schmeckt der Coffee sue©¬e)"
      • "¾ÆÀ̶õ ±ÍÂú±â ¦ÀÌ ¾ø´Â °Í(Hat Mann nicht mit seinen Kindern)", bar. Dietrich Fischer-Dieskau
      • "Á¶¿ëÈ÷ Çϼ¼¿ä! Àâ´ãÀ» ±×Ä¡½Ã±æ(Schweigt stille, plaudert nicht;Be still, stop chattering)"
  1476. ¹ÙÈå, ÄÚ¶ö ÀüÁÖ°î, BWV.639, "´ç½ÅÀ» ºÎ¸£³ªÀÌ´Ù, ÁÖ ¿¹¼ö ±×¸®½ºµµ¿©(Ich ruf zu dir, Herr Jesu Christ)", Pf
  1477. ¹ÙÈå, ÄÚ¶ö ÀüÁÖ°î, BWV.659, "¸¸¹ÎÀÇ ±¸¼¼ÁÖ¿©, ¾î¼­ ¿À¼Ò¼­(Nun Komm, der Heiden Heiland)"
  1478. ¹ÙÈå, ÅäīŸ, c, BWV.911, 11m &2
  1479. ¹ÙÈå, ÅäīŸ, D, BWV.912, 10m
  1480. ¹ÙÈå, ÅäīŸ, d, BWV.913, 12m
  1481. ¹ÙÈå, ÅäīŸ¿Í Ǫ°¡, D, BWV.532, 12m
  1482. ¹ÙÈå, ÅäīŸ¿Í Ǫ°¡, d, BWV.538, "µµ¸®¾È(Dorian)", ¿À¸£°£°î, Kare Nordstoga(organ)
  1483. ¹ÙÈå, ÅäīŸ, ¾Æ´ÙÁö¿À¿Í Ǫ°¡, C, BWV.564
  1484. ¹ÙÈå, ÅäīŸ¿Í Ǫ°¡, d, BWV.565, ¿À¸£°£°î #
  1485. ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 1, Eb, BWV.525
  1486. ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 3, d, BWV.527, 12m,
  1487. ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 4, e, BWV.528, 11m
  1488. ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 5, C, BWV.529, 14m
  1489. ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 6, G, BWV.530, 12m#
  1490. ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸, G, BWV.1038, 8m#
  1491. ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 1, Bb, BWV.825, 17m, 6°îÀÇ ÇÏÇÁ½ÃÄÚµå ÆÄ¸£Æ¼Å¸
  1492. ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 2, c, BWV.826, 22m, # Andras Schiff
  1493. ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 3, a, BWV.827, 14m$, # Murray Perahia(pf)
  1494. ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 4, D, BWV.828, 18m#
  1495. ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 5, G, BWV.829, 21m, # Igor Levit(pf)
  1496. ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 6, e, BWV.830, 28m, # Vladimir Feltsman(pf), # Dino Ciani(pf)
  1497. ¹ÙÈå, ÆÄ»çÄ®¸®¾Æ¿Í Ǫ°¡(Passacaglia and Fugue), c, BWV.582, $ * Passacaglia: ¹Ù·ÎÅ©½Ã´ëÀÇ º¯ÁÖ°îÀ¸·Î »þÄÜ´À(Chaconne)¶ó°íµµ ÇÔ
  1498. ¹ÙÈå, Æò±ÕÀ²Å¬¶óºñ¾î°îÁý 1±Ç(Das wohltemperierte Klavier Teil I), (Well-Tempered Clavier, Book I-II) Àü2±Ç 48°îÀ¸·Î ±¸¼º(BWV.846-869/BWV.870-893), ¹ÙÈå ÃÖ°íÀÇ °ÉÀÛ, $ Andras Schiff(Pf)
      • ÀüÁÖ°î°ú Ǫ°¡ 1, C, BWV.846
      • ÀüÁÖ°î°ú Ǫ°¡ 2, c, BWV.847
      • ÀüÁÖ°î°ú Ǫ°¡ 3, C#, BWV.848
      • ÀüÁÖ°î°ú Ǫ°¡ 4, c#, BWV.849
      • ÀüÁÖ°î°ú Ǫ°¡ 5, D, BWV.850
      • ÀüÁÖ°î°ú Ǫ°¡ 6, d, BWV.851
      • ÀüÁÖ°î°ú Ǫ°¡ 7, Eb, BWV.852
      • ÀüÁÖ°î°ú Ǫ°¡ 8, eb, BWV.853
      • ÀüÁÖ°î°ú Ǫ°¡ 9, E, BWV.854
      • ÀüÁÖ°î°ú Ǫ°¡ 10, e, BWV.855
      • ÀüÁÖ°î°ú Ǫ°¡ 11, F, BWV.856
      • ÀüÁÖ°î°ú Ǫ°¡ 12, f, BWV.857
      • ÀüÁÖ°î°ú Ǫ°¡ 13, F#, BWV.858
      • ÀüÁÖ°î°ú Ǫ°¡ 14, f#, BWV.859
      • ÀüÁÖ°î°ú Ǫ°¡ 15, G, BWV.860
      • ÀüÁÖ°î°ú Ǫ°¡ 16, g, BWV.861
      • ÀüÁÖ°î°ú Ǫ°¡ 17, Ab, BWV.862
      • ÀüÁÖ°î°ú Ǫ°¡ 18, g#, BWV.863
      • ÀüÁÖ°î°ú Ǫ°¡ 19, A, BWV.864
      • ÀüÁÖ°î°ú Ǫ°¡ 20, a, BWV.865
      • ÀüÁÖ°î°ú Ǫ°¡ 21, Bb, BWV.866
      • ÀüÁÖ°î°ú Ǫ°¡ 22, bb, BWV.867
      • ÀüÁÖ°î°ú Ǫ°¡ 23, B, BWV.868
      • ÀüÁÖ°î°ú Ǫ°¡ 24, b, BWV.869
  1499. ¹ÙÈå, Æò±ÕÀ²Å¬¶óºñ¾î°îÁý 2±Ç(Das wohltemperierte Klavier Teil II);
      • ÀüÁÖ°î°ú Ǫ°¡ 4, c#, BWV.873
      • ÀüÁÖ°î°ú Ǫ°¡ 5, D, BWV.874
      • ÀüÁÖ°î°ú Ǫ°¡ 8, d#, BWV.877
      • ÀüÁÖ°î°ú Ǫ°¡ 9, E, BWV.878
      • ÀüÁÖ°î°ú Ǫ°¡ 11, F, BWV.880
      • ÀüÁÖ°î°ú Ǫ°¡ 16, g, BWV.885
  1500. ¹ÙÈå, Ǫ°¡(Fugue), g, BWV.1000, 5m#, Elizabeth Farr(lute-harpsichord)
  1501. ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 1, d, BWV.812, 15m
  1502. ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 2, c, BWV.813, 15m
  1503. ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 3, b, BWV.814
  1504. ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 4, Eb, BWV.815, 12m, Andras Schiff(pf)
  1505. ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 5, G, BWV.816, 15m, # Sergey Schepkin(pf), # Wilhelm Backhaus(pf), # Emil Gilels(pf)
  1506. ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 6, E, BWV.817, 6°î ±¸¼º, No.5,6 $, 8M11m, Fazil Say(pf)
  1507. ¹ÙÈå, ÇÁ¶û½ºÇ³ ¼­°î(Overture in the French Style), b, BWV.831, 33m#3, Rosalyn Tureck(Pf)
  1508. ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÇÕ½ÃÄڵ带 À§ÇÑ), g, BWV.1020
  1509. ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÃÀ¹ß·Î¸¦ À§ÇÑ), b, BWV.1030, 21m $ Philippa Davies(Fl),Maggie Cole(Hpc)
  1510. ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÃÀ¹ß·Î¸¦ À§ÇÑ), Eb, BWV.1031
  1511. ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÅëÁÖ ÀúÀ½(Basso Continuo)À» À§ÇÑ), C, BWV.1033, 8m
  1512. ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, BWV.1034,continuo = basso continuo = through bass
  1513. ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸, E, BWV.1035, 12m, Andrea Oliva(fl)/Angela Hewitt(pf)
  1514. ¹ÙÈå, ÇǾƳëÇùÁÖ°î 5, f, BWV.1056(Cembalo Concerto,keyboard), 15m
  1515. ¹ÙÈå, ÇǾƳëÇùÁÖ°î 6, F, BWV.1057, 17m, Murray Perahia(pf),Academy of St Martin in the Fields
  1516. ¹ÙÈå, ÇÏÇÁ¸ðÀ½°î, BWV.1006-a
  1517. ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î, c, BWV.981, Benedetto MarcelloÀÇ ÇùÁÖ°î ÀÛǰÀ» Æí°îÇÑ °Ç¹Ý¾Ç±â(ÇÕ½ÃÄÚµå, ÃÀ¹ß·Î) ÇùÁÖ°î(keyboard concerto)
  1518. ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î 1(ÇǾƳë¿Í ÇöÀ» À§ÇÑ ÇùÁÖ°î), d, BWV.1052, 21m, # Francesco Cera(harpsichord)/I Barocchisti/Diego Fasolis
  1519. ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î 2, E, BWV.1053, 18m
  1520. ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î 3, D, BWV.1054,VC2(E)ÀÇ Æí°îÀÌ´Ù, 17m, # Andras Schiff(Pf)/Chamber Orchestra of Europe
  1521. ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î 7, g, BWV.1058, 13m
  1522. ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î(µÎ ´ëÀÇ ÇÕ½ÃÄÚµå(ÃÀ¹ß·Î)¸¦ À§ÇÑ), C, BWV.1061, 18m
  1523. ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î(µÎ ´ëÀÇ ÇÕ½ÃÄڵ带 À§ÇÑ), c, BWV.1062, 15m
  1524. ¹ÙÈå, ÇùÁÖ°î(Concerto after Alessandro Marcello), d, BWV.974, pf, 10m, * ¸¶¸£Ã¿·ÎÀÇ ¿Àº¸¿¡ÇùÁÖ°î(d)À» Æí°îÇÑ °î
  1525. ¹ÙÈå, ÇùÁÖ°î(concerto for flute, violin, harpsichord and strings), a, BWV.1044, 18m
  1526. ¹ÙÈå, ÇùÁÖ°î(Concerto for Oboe D'amore, Strings and Continuo), 18m
  1527. ¹ÙÈå, ȯ»ó°î, c, BWV.921, ÇǾƳë°î, 4m
  1528. ¹ÙÈå, ȯ»ó°î°ú Ǫ°¡, g, BWV.542, ¿À¸£°£ °î, 12m
  1529. ¹ÙÈå,C.P.E., ±³Çâ°î, e, Wq.178/H.653, 11m * Carl Philipp Emanuel Bach(1714-1788)-J.S.BachÀÇ ´Ù¼¸ °(»ýÁ¸ÇÑ µÑ°) ¾Æµé
  1530. ¹ÙÈå,C.P.E., ±³Çâ°î, Eb, Wq.179/H.654, Les Violons du Roy/Bernard Labadie
  1531. ¹ÙÈå,C.P.E., ±³Çâ°î, G, Wq.180/H.655, 12m
  1532. ¹ÙÈå,C.P.E., ±³Çâ°î, Bb, Wq.182-2/H.658, Wq.182(6)
  1533. ¹ÙÈå,C.P.E., ±³Çâ°î 3, F, Wq.183-3, 10m, The English Concert/Andrew Manze
  1534. ¹ÙÈå,C.P.E., ±³Çâ°î(³× ¹øÂ°)(Vierte Orchester-Sinfonie), G, Wq.183-4, 10m
  1535. ¹ÙÈå,C.P.E., ·Ðµµ, A, Wq.58, Pf, 4m
  1536. ¹ÙÈå,C.P.E., ¹Ù¼øÇùÁÖ°î, d, Wq.22, 23m
  1537. ¹ÙÈå,C.P.E., ¹ÙÀ̿ø°¼Ò³ªÅ¸, b, Wq.76 * Wq.:Carl Philipp Emanuel BachÀÇ ÀÛǰ¹øÈ£
  1538. ¹ÙÈå,C.P.E., ¼Ò³ªÅ¸(ºñ¿Ã¶ó ´Ù °¨¹Ù¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), D, Wq.137
  1539. ¹ÙÈå,C.P.E., ¼Ò³ªÅ¸(Sonata for oboe, harpsichord and basso continuo), g, Wq.135, 11m
  1540. ¹ÙÈå,C.P.E., ¼Ò³ªÅ¸(Sonata for Keyboard), A, Wq.65-32/H.135, Danny Driver(pf)
  1541. ¹ÙÈå,C.P.E., ¿À¸£°µÇùÁÖ°î(¿À¸£°µ, Çö ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ)(Concerto for organ, strings and basso continuo), G, 24m
  1542. ¹ÙÈå,C.P.E., ¿Àº¸¿¡ÇùÁÖ°î, Eb, Wq.165, 20m$, (Oboe, Strings and Harpsichord), Ku Ebbinge(ob),Amsterdam Baroque Orchestra/Ton Koopman
  1543. ¹ÙÈå,C.P.E., ÀÌÁßÇùÁÖ°î, Eb
  1544. ¹ÙÈå,C.P.E., ÿ·ÎÇùÁÖ°î 1(ÿ·Î¿Í Çö¾Ç ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), a, Wq.170, 24m
  1545. ¹ÙÈå,C.P.E., ÿ·ÎÇùÁÖ°î 3, A, Wq.172, 19m
  1546. ¹ÙÈå,C.P.E., ĭŸºô·¹, b
  1547. ¹ÙÈå,C.P.E., ÇÃ·çÆ®¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ÇԺθ£Å© ¼Ò³ªÅ¸, G, Wq.133
  1548. ¹ÙÈå,C.P.E., ÇÃ·çÆ®¼Ò³ªÅ¸, G, Wq.85, 10m, Dorothea Seel(transvers flute)/Christoph Hammer(pf)
  1549. ¹ÙÈå,C.P.E., ÇÃ·çÆ®ÇùÁÖ°î, D, Wq.13, 19m
  1550. ¹ÙÈå,C.P.E., ÇÃ·çÆ®ÇùÁÖ°î, d, Wq.22, 23m
  1551. ¹ÙÈå,C.P.E., ÇÃ·çÆ®ÇùÁÖ°î, A, Wq.168, 21m * Alexis Kossenko(flute) Arte Dei Suonatori
  1552. ¹ÙÈå,C.P.E., ÇÃ·çÆ®ÇùÁÖ°î, G, Wq.169, 25m
  1553. ¹ÙÈå,C.P.E., ÇǾƳë¼Ò³ªÅ¸, f#, Wq.52/4, 12m
  1554. ¹ÙÈå,C.P.E., ÇǾƳë¼Ò³ªÅ¸, C, Wq.65/47, 8m
  1555. ¹ÙÈå,C.P.E., ÇÕ½ÃÄÚµåÇùÁÖ°î, G, Wq.34, 23m
  1556. ¹ÙÈå,C.P.E., ÇÕ½ÃÄÚµåÇùÁÖ°î(Concerto for harpsichord and strings), F, Wq.38, 21m
  1557. ¹ÙÈå,C.P.E., ÇùÁÖ°î, Eb, 1759c(45¼¼)
  1558. ¹ÙÈå,C.P.E., ȯ»ó°î, f#, Wq.67, 11m, Danny Driver(pf)
  1559. ¹ÙÈå,J.C., °¡¿ï·¹ÀÇ ¾Æ¸¶µð½º(Amadis de Gaule) * Johann Christian Bach(1735-1782 Classical) J.S.BachÀÇ »ýÁ¸ÇÑ 11¹øÂ° ¸·³» ¾Æµé
  1560. ¹ÙÈå,J.C., °Ç¹Ý¼Ò³ªÅ¸(Keyboard Sonata), c, Op.5-6
  1561. ¹ÙÈå,J.C., °Ç¹ÝÇùÁÖ°î 6, D, Op.1-6, Keyboard Concerto/ÇÕ½ÃÄÚµåÇùÁÖ°î,
  1562. ¹ÙÈå,J.C., °Ç¹ÝÇùÁÖ°î 5, Eb, Op.7-5
  1563. ¹ÙÈå,J.C., ±³Çâ°î, D, Op.3-1, 9m, Op.3(6)
  1564. ¹ÙÈå,J.C., ±³Çâ°î, Eb, Op.3-3, 9m
  1565. ¹ÙÈå,J.C., ±³Çâ°î, Bb, Op.3-4, 8m
  1566. ¹ÙÈå,J.C., ±³Çâ°î, g, Op.6-6, 15m
  1567. ¹ÙÈå,J.C., ±³Çâ°î(´ë¼­°î), Eb, Op.18-1
  1568. ¹ÙÈå,J.C., ±³ÇâÀû ÇùÁÖ°î(¹ÙÀ̿ø°°ú ÿ·Î¸¦ À§ÇÑ), A
  1569. ¹ÙÈå,J.C., Grand Overture 2, Bb
  1570. ¹ÙÈå,J.C., ¿Àº¸¿¡ÇùÁÖ°î, F, 18m
  1571. ¹ÙÈå,J.C., 5ÁßÁÖ°î, D, Op.11-6, 14m
  1572. ¹ÙÈå,J.C., Ç÷Ô, ¿Àº¸¿¡, ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÄÜÆ¼´©¿À¸¦ À§ÇÑ 5ÁßÁÖ, Op.11-6
  1573. ¹ÙÈå,W.F., ±³Çâ°î, D, F.64 * Wilhelm Friedemann Bach(1710-1784) - ¹ÙÈå,J.S.ÀÇ Å«¾Æµé·Î¼­ ´ç´ë ÃÖ°íÀÇ ¿À¸£°£ ÁÖÀÚÀÌ´Ù.
  1574. ¹ÙÈå,W.F., ¼­°î, g, $, 20m, Les Violons du Roy/Bernard Labadie
  1575. ¹ÙÈå,W.F., ¼Ò³ªÅ¸, a, FK nv8, 13m-Christophe Rousset(harpsichord)
  1576. ¹ÙÈå,W.F., ÇÕ½ÃÄÚÇùÁÖ°î, e, Falck.65, 23m, Maude Gratton(harpsichord)/Il Convito
  1577. ¹Ú½º, ƾŸ°Ö(Tintagel), 14m, BBC Philharmonic Orch./Sir Edward Downes, * Arnold Bax(1883-1953 English)
  1578. ¹ÝÇÒ,¿äÇÑ ¹äƼ½ºÆ®, ±³Çâ°î, A, Bryan A9, Nicolaus Esterhazy Sinfonia/Uwe Grodd, * Johann Baptist Vanhal(1739-1813 Czech)
  1579. ¹ÝÇÒ,¿äÇÑ ¹äƼ½ºÆ®, ±³Çâ°î, C, Bryan C3, 10m, Nicolaus Esterhazy Sinfonia/Uwe Grodd
  1580. ¹ÝÇÒ,¿äÇÑ ¹äƼ½ºÆ®, ±³Çâ°î, D, Bryan D17, 18m, Nicolaus Esterhazy Sinfonia/Uwe Grodd
  1581. ¹ß¶óŰ·¹ÇÁ, ³ëº§·¹Å×(Novelette for Piano), A, 6m, * Mily Balakirev(1837-1910 Russian)
  1582. ¹ß¶óŰ·¹ÇÁ, º¸Çì¹Ì¾Æ¿¡¼­(In Bohemia), °üÇö¾Ç°î, 12m#
  1583. ¹ß¶óŰ·¹ÇÁ, Á¤¿ø(Au jardin), Pf, 4m
  1584. ¹ß¶óŰ·¹ÇÁ, Ÿ¸¶¶ó(Tamara), 20m, °üÇö¾Ç°î
  1585. ¹ß·»Æ¼´Ï,Áê¼¼Æä, ÿ·Î¼Ò³ªÅ¸ X, E, cf) Twelve Sonatas for Recorder & Basso Continuo, * Giuseppe Valentini(1681-1753 Italian Vn)
  1586. ¹ß·»Æ¼´Ï,Áê¼¼Æä, ÇÕÁÖÇùÁÖ°î(Concerto for 4 violins), a, Op.7-11, 19m, Ensemble 415
  1587. ¹ß¹Ù½ºÆ®·¹, La de Caze, * Claude-Benigne Balbastre(1724-1799 French)
  1588. ¹ß¹Ù½ºÆ®·¹, La Lamarck, 5m, Sophie Yates(harpsichord)
  1589. ¹ßÅÍ,¿äÇÑ °íÆ®ÇÁ¸®µå, ¸ðÀ½°î(¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ) 6, b, * Johann Jacob Walther(1650-1717 German Vn)
  1590. ¹ßÆ®ÅäÀÌÆç, »ç¶û°ú º½(Amour et printemps), 4m * Emile Waldteufel
  1591. ¹ßÆ®ÅäÀÌÆç, ½ºÄÉÀÌÅͽº ¿ùÃ÷, °üÇö¾Ç°î, Op.183
  1592. ¹ßÆä,¸¶ÀÌŬ Àª¸®¾ö, ¿ÀÆä¶ó <º¸Çì¹Ì¾ÆÀÇ ¼Ò³à(Bohemian Girl)>; * Micheal William Balfe(1808-1870 Irish)
      • "´ë¸®¼® ±ÃÀü¿¡ »ç´Â ²ÞÀ» ²Ù¾ú³×(I dreamt I dwelt in marble halls)", sop.Joan Sutherland
  1593. ¹æÅ©½º, Sequence for Solo Cello, 13m
  1594. ¹êÅÎ,±×·£ºô, Çìºê¸®µð¾È ±³Çâ°î(Hebridean Symphony), * Sir Granville Bantock(1868-1946 English)
  1595. ¹öµå(Àª¸®¾ö), ¼º¾Ç°î "Ave verum corpus" * William Byrd(1543-1623 English)
  1596. ¹öµå(Àª¸®¾ö), ¼º¾Ç°î "Though Amaryllis dance in green"
  1597. ¹öÅÍÇʵå, ¼º¾Ç°î "¸Å±âÀÇ Ãß¾ï(When You and I were Young, Maggie)", ten.Robert White, * James Austin Butterfield(1837-1891 American)
  1598. ¹ø½ºÅ¸ÀÎ, ¹ÂÁöÄà <¿ø´õÇ® Ÿ¿î>; /"A Little Bit in Love", * Leonard Bernstein(19918-1990 American &cond)
  1599. ¹ø½ºÅ¸ÀÎ, ¹ÂÁöÄà <¿þ½ºÆ®»çÀÌµå ½ºÅ丮>; ¹ß·¹À½¾Ç
      • "I feel pretty"
      • "Jet song"
      • "Maria", ten. Jose Carreras
      • "Somewhere", sop.Patricia Petibon
      • "tonight-Balcony scene"
  1600. ¹ø½ºÅ¸ÀÎ, ¿þ½ºÆ®»çÀÌµå ½ºÅ丮-±³ÇâÀû ¹«°î
  1601. ¹ø½ºÅ¸ÀÎ, ¹ÂÁöÄà <ĵµðµå(Candide)>; /¼­°î,
      • "È­»çÇϰí Áñ°Ì°Ô(Glitter and Be Gay)", sop.Dawn Upshaw
      • "I am Easily Assimilated", ms.Elina Garanca
  1602. ¹ø½ºÅ¸ÀÎ, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, 10m
  1603. ¹ø½ºÅ¸ÀÎ, ÇöóÅæÀÇ <Ç⿬>¿¡ µû¸¥ ¼Ö·Î ¹ÙÀ̿ø°, Çö¾Ç, ÇÏÇÁ, Ÿ¾Ç±â¸¦ À§ÇÑ ¼¼·¹³ªµ¥(Solo Violin,Strings, Harp and Percussion after Plato¡¯s "Symposium"), 5M ±¸¼º, 30m,
  1604. ¹ø½ºÅ¸ÀÎ, On the town - 3°³ÀÇ ´í½º ¿¡ÇǼҵå
  1605. ¹ø½ºÅ¸ÀÎ,¿¤¸Ó, ¾Þ¹«»õ Á×À̱â(To Kill A Mockingbird), 8m * Elmer Bernstein(1922-2004 American) ¿µÈ­À½¾Ç ÀÛ°î(Ȳ¾ßÀÇ 7ÀÎ, ½Ê°è, ´ëÅ»ÁÖ)
  1606. ¹øÄ¡, Changes of Phase: I, III, IV, (Fl,Ob,Cl,Bss,Hn), 11m * Kenji Bunch(1973- American, Vl &Com)
  1607. ¹øÄ¡, Áø³ëÀÇ ³¯(Dies Irie)
  1608. ¹ú¸°,¾îºù, ¹ÂÁöÄà <¾Ö´Ï¿©, ÃÑÀ» Àâ¾Æ¶ó(Annie Get Your Gun)>; * Irving Berlin(1888-1989 American)
      • "They Say It¡¯s Wonderful", bar.Thomas Hampson,Kim Criswell
  1609. ¹ú¸°,¾îºù, ¼º¾Ç°î "Cheek to cheek", ¹ÂÁöÄÿµÈ­ Top Hat(1935)¿¡¼­ ÃÊ¿¬
  1610. ¹ú¸°,¾îºù, ¼º¾Ç°î " What¡¯ll I Do?", sop. Kiri Te Kanawa
  1611. º£³ªÃ÷Ű, ¼º¾Ç°î "It would be wonderful indeed", * Ralph Benatzky(1884-1957 Austrian:Czech origin)
  1612. º£³×µñÆ®, ¼º¾Ç°î "´ÞÄÞÇÑ »ç¿ùÀÌ ¿À¸é(La Capinera)", Á¶¼ö¹Ì(Sop), * Sir Julius Benedict(1804-1885 German-born, England)
  1613. º£³×µñÆ®, ¼º¾Ç°î "Áý½Ã¿Í »õ(The Gypsy and the Bird)", Joan Sutherland(Sop)
  1614. º£³×Æ®,¸®Ã³µå ·Îµå´Ï, ÆÄ¸£Æ¼Å¸(Partita), 17m, * Richard Rodney Bennett(1936-2012 English)
  1615. º£³×Æ®,Á¸, ¼º¾Ç°î "Venus¡¯ birds", * John Bennett(1735-1784 English Org)
  1616. º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼­°î 3, Bb, 13m, * Veracini,Francesco Maria(1690-1768)
  1617. º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼­°î 4, F
  1618. º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼Ò³ªÅ¸, b, Op.1-1, 18m, 1) John Holloway(vn)/Jaap ter Linden(vc)/Lars Ulrik Mortensen(harpsichord)
  1619. º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼Ò³ªÅ¸, b, Op.1-3, Vn & Pf, 14m
  1620. º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼Ò³ªÅ¸, A, Op.1-7, Vn & Pf, 12m
  1621. º£¸£³Ê,ÇÏÀθ®È÷, ¼º¾Ç°î "µéÀå¹Ì(Heidenroeslein)", ±«Å×ÀÇ ½Ã, * Heinrich Werner(1800-1833 German)
  1622. º£¸£µð, ·¹Äû¿¥(Messa da Requiem), 84m * ÁøÈ¥¹Ì»ç°î
  1623. º£¸£µð, ¼º¾Ç°î "°ÅÁö"(Il poveretto)
  1624. º£¸£µð, ¼º¾Ç°î "°íµ¶ÇÑ ¹æ¿¡¼­"(In solitaria stanza)
  1625. º£¸£µð, ¼º¾Ç°î "¹æ¶û(L'esule)"
  1626. º£¸£µð, ¼º¾Ç°î "ºÒ½ÖÇÑ »ç¶÷(Il poveretto)"
  1627. º£¸£µð, ¼º¾Ç°î "½Åºñ(Il Mistero)", ten.Rolando Villazon
  1628. º£¸£µð, ¼º¾Ç°î "¾Æº£¸¶¸®¾Æ(Ave Maria)", Magdalena Kozena(m-sop)
  1629. º£¸£µð, ¼º¾Ç°î "À¯È¤(La Seduzione)", bass.Paolo Washington
  1630. º£¸£µð, ¼º¾Ç°î "Àϸô"
  1631. º£¸£µð, ¼º¾Ç°î "¤½ÃÀÇ ¿©ÀÎ(La Zingara)"
  1632. º£¸£µð, ¼º¾Ç°î "Â·¹±â(Stornello)"
  1633. º£¸£µð, ¼º¾Ç°î "Ãà¹è"(Brindisi)
  1634. º£¸£µð, ¼º¾Ç°î "Ȳȥ"(Il tramonto)
  1635. º£¸£µð, ¿ÀÆä¶ó <°¡¸é ¹«µµÈ¸>;
      • "³» ¸¶Áö¸· ¼Ò¿ø"
      • "³»°¡ ¿©±â ÀÖ¼Ò(Teco io sto)"-¸®Ä«¸£µµ¿Í ¾Æ¸á¸®¾ÆÀÇ 2Áßâ, ten. Placido Domingo, sop. Katia Ricciarelli
      • "³Ê¿´±¸³ª, ±×³àÀÇ ¿µÈ¥À» ´õ·´Èù ÀÚ°¡(Eri tu, che macchiavi quell¡¯anima)"-·¹³ªÅäÀÇ ¾Æ¸®¾Æ, bar. Hermann Prey
      • "ºû³ª´Â º°À» º¸¼¼¿ä(Volta la terra)", sop.Diana Damrau
      • "½ÅÀÌ¿© ÀÚºñ¸¦ º£Çª¼Ò¼­"
      • "¿µ¿øÈ÷ ±×´ë¸¦ ÀҴ´ÙÇØµµ(Ma se m¡¯e forza perderti)", ten.Placido Domingo
      • "À̹ø Ç×ÇØ´Â ¹«»çÇÒ±î(Di¡¯ tu se fedele)"
      • "¾Æ¸á¸®¾ÆÀÇ ¾Æ¸®¾Æ"
  1636. º£¸£µð, ¿ÀÆä¶ó <³ªºÎÄÚ>;
      • "°¡°Å¶ó, ½½ÇÄÀÌ¿©, Ȳ±Ýºû ³¯°³¸¦ Ÿ°í(Va pensiero, sull¡¯ali dorate)"-È÷ºê¸® ³ë¿¹µéÀÇ ÇÕâ
      • "´ç½ÅÀ» »ç¶ûÇÏ¿À( Io t¡¯amava!), ºÒŸ´Â ¸¶À½À¸·Î"-¾Æºñ°¡ÀÏ·¹,À̽º¸¶¿¤·¹¿Í Æä³×³ªÀÇ 3Áßâ, ten.Veriano Luchetti(À̽º¸¶¿¤·¹), ms.Elena Obraztsova(Æä³×³ª),sop. Renata Scotto(¾Æºñ°¡ÀÏ·¹)
      • "½£Àº ÅëÇÏ¿©"
      • "¿î¸íÀÇ ¼ø°£ÀÌ ´Ù°¡¿À°í ÀÖ´Ù(2¸·ÀÇ Çdz¯·¹ Àå¸é)"
      • "À§´ëÇÑ ÁÖ´ÔÀÌ ¿¹¾ðÀÚÀÇ ÀÔÀ» ÅëÇØ"-ÀÚÄ«¸®¾ÆÀÇ ±âµµ
      • "À¯´ëÀÇ ½ÅÀÌ¿©"
      • "À̵éÀº ³ªÀÇ ÀÚ¼ÕµéÀÌ¿À"-³ªºÎÄÚÀÇ ¾Æ¸®¾Æ
      • "ÀÌÁýÆ®ÀÇ ¹Ù´å°¡¿¡¼­...ÇØ¶ß±âÀüÀÇ ¹ã°ú °°ÀÌ(D¡¯Egitto la sui lidi... Come notte a sol fulgente)"-ÀÚÄ«¸®¾ÆÀÇ ¾Æ¸®¾Æ, bass.Nicolai Ghiaurov(ÀÚÄ«¸®¾Æ)/Ambrosian Opera Chorus
      • "ÃàÁ¦ÀÇ Àå½Ä¹°À» ¶³¾î¶ß·Á¶ó(Gli arredi festivi)":1
      • "ÇѶ§´Â ³ªµµ ±â»Ú°Ô ¸¶À½À» ¿­±âµµ Çß¾úÁö"-¾Æºñ°¡ÀÏ·¹ÀÇ ¾Æ¸®¾Æ
  1637. º£¸£µð, ¿ÀÆä¶ó <µµµÏµé(I Masnadieri)>; /¼­°î * ½Ç·¯ÀÇ <±ºµµ(Die Ra"uber)>¸¦ °¢»ö
  1638. º£¸£µð, ¿ÀÆä¶ó <µ· Ä«¸¦·Î(Don Carlo)>;
      • "±â»ÝÀÇ ³¯ÀÌ ¹à¾Æ¿Ô´Ù"
      • "¹÷Âù »ç¶û°ú ¿­Á¤À¸·Î(Di qual amor, di quant¡¯ardor)(1)" -¿¤¸®ÀÚº£Å¸¿Í Ä«¸¦·ÎÀÇ »ç¶ûÀÇ 2Áßâ:ÆþÅÙºí·Î(Fontainebleau) Àå¸é
      • "¿À ÀúÁÖ¹ÞÀº ³ªÀÇ ¹Ì¸ð¿©(O don Fatale)", Shirley Verrett(Ms)
      • "¿À Ä«¸¦·Î, µé¾îº¸°Ô(Carlos, ecoute...)"-·Îµå¸®°íÀÇ Á×À½, bar.Thomas Hampson
      • "À§´ëÇÑ Ä«¸¦·Î ȲÁ¦µµ ħ¹¬ÀÇ ÇÑ ÁÜ Àç°¡ µÇ¼Ì³ª´Ï(Carlo il sommo Imperatore non e piu che muta polve)"-4:»ê ÁÖ½ºÅä ¼öµµ¿ø Àå¸é, ¼ö»ç(Un frate):Jose van Dam(Bass), µ· Ä«¸¦·Î:Jose Carreras(Ten)
      • "ÇÔ²² »ì°í ÇÔ²² Á״´Ù(Dio che nell¡¯alma infondere)"
  1639. º£¸£µð, ¿ÀÆä¶ó <¶ó Æ®¶óºñ¾ÆÅ¸(La Traviata)>;
      • "¾Æ ±×´ë¿´´ø°¡(1.Estrano!-Ah, fors¡¯e lui)", sop.Beverly Sills
      • "ºÒŸ´Â ¸¶À½(Lunge da lei)"#, ten.Placido Domingo
      • "¾ðÁ¦³ª ÀÚÀ¯·Ó°Ô(Sempre Libera)", sop. Anna Netrebko, ten. Saimir Pirgu
      • "¿À ³ªÀÇ ºñ°ÌÇÔÀÌ¿©(O mio rimorso)
      • "Áö³­³¯ÀÌ¿©, ¾È³ç(Addio, del passato)", sop.Nino Machaidze
      • "Áý½ÃÀÇ ÇÕâ:2"
      • "Ãà¹èÀÇ ³ë·¡(1)"
      • "ÆÄ¸®¸¦ ¶°³ª..."
      • "ÇÁ·Î¹æ½ºÀÇ ¹Ù´Ù¿Í À°Áö(2)"
      • "ÇÁ·Îº¥Â÷, ³× °íÇâÀ¸·Î(Di Provenza il mar, il suol)", bar. Renato Bruson
  1640. º£¸£µð, ¿ÀÆä¶ó <·Ò¹Ù¸£µð¾ÆÀÎ>; /"ÇÏ´ÃÀÌ ¸¸µå½Å õ»ç"
  1641. º£¸£µð, ¿ÀÆä¶ó <·çÀÌÀÚ ¹Ð·¯(Luisa Miller)>;
      • "ÇØÀú¹«´Â °í¿äÇÑ Àú³á¿¡(quando le sere al placido)/¾î´À °í¿äÇÏ°í º°¹àÀº Àú³á", ten.Carlo Bergonzi
  1642. º£¸£µð, ¿ÀÆä¶ó <¸®°ñ·¹Åä>;
      • "°­ÇÑ »ç¶ûÀÌ ³ª¸¦ ºÎ¸£³×(Possente amor mi chiama)"-¸¸Åä¹Ù °øÀÛÀÇ Ä«¹ÙƼ³ª(2), ten.Placido Domingo
      • "°ýƼ¿¡¸£ ¸»µ¥!... »ç¶û½º·¯¿î À̸§ÀÌ¿©(Gualtier Malde!... Caro nome)"
      • "±×³à ´«¿¡ È帣´Â ´«¹°ÀÌ º¸ÀÌ´Â µíÇϳ×(Parmi veder le lagrimae)"-¸¸Åä¹Ù °øÀÛÀÇ Ä«¹ÙƼ³ª(2), ten.Placido Domingo
      • "±×¸®¿î ±× À̸§(Caro Nome)", sop.Joan Sutherland
      • "´ë½ÅµéÀÌ¿©"
      • "»ç¶û½º·± ±×´ë¿©"
      • "»ç¶ûÀº ¿µÈ¥ÀÇ Å¾ç(E il sol dell¡¯anima)", ten.Luciano Pavarotti/sop.Joan Sutherland
      • "»ç¶ûÀÇ 2Áßâ"
      • "»ç¶ûÀÇ ½ÅÀÇ ¾Æ¸§´Ù¿î µþÀÌ¿©(Bella figlia dell¡¯amore)"-4Áßâ(3), ten.Alfredo Kraus/sop.Beverly Shills/alto.Mignon Dunns/bar.Sherrill Milnes
      • "¿©ÀÚÀÇ ¸¶À½(la donna e mobile)(3)", ten.Placido Domingo
      • "À̰ÍÀΰ¡ Àú°ÍÀΰ¡(1)"
  1643. º£¸£µð, ¿ÀÆä¶ó <¸Æº£µå>;
      • "¹«½¼ ÀÏÀÌ ÀÖ³ª¿ä? ¿ì¸®¿¡°Ô ¸»ÇØÁà¿ä!(Che faceste? dite su!)"-1:¸¶³àµéÀÇ ÇÕâ,¶ó ½ºÄ®¶ó±ØÀå Orch & ÇÕâ´Ü/Claudio Abbado
  1644. º£¸£µð, ¿ÀÆä¶ó <½Ã¸ó º¸Ä«³×±×¶ó>;
      • "±Í¿©¿î µþ¾ÆÀ̰¡(Suon ogni labbaro il mio nome)"-ÇÇ¿¡½ºÄÚ¿Í ½Ã¸óÀÇ 2Áßâ, bar.Dmitri Hvorostovsky(½Ã¸ó), bass.Ildar Abdrazalov(ÇÇ¿¡½ºÄÚ)
  1645. º£¸£µð, ¿ÀÆä¶ó <½ÃÄ¥¸®¾Æ¼¶ÀÇ Àú³á±âµµ>;
      • "°í¸¿½À´Ï´Ù, ¿©·¯ºÐ(Merce, dilette amiche)", sop.Angela Gheorghiu
      • "¹Ù´Ù¿©, ¾ÆÁ÷Àº ÀáÀÚ¶ó(Deh! tu calma, O Dio possente)"-1:¿¤·¹³ªÀÇ ¾Æ¸®¾Æ, sop. Martina Arroyo(¿¤·¹³ª), John Alldis ÇÕâ´Ü
      • "ÁøÁ¤ÇÑ µ¿Á¤½ÉÀ¸·Î ²ø·ÈÀ» ¶§(Quando al mio sen per te parlava)"-3:¸ùÆ÷¸£Å× Ãѵ¶°ú ¾Æ¸®°íÀÇ 2Áßâ, bar. Sherrill Milnes(Ãѵ¶), ten. Placido Domingo(¾Æ¸®°í)
  1646. º£¸£µð, ¿ÀÆä¶ó <¾ÆÀÌ´Ù>;
      • "¿À ³ªÀÇ Á¶±¹ÀÌ¿©(O partia mia)", sop.Montserrat Caballe
      • "À̱â°í µ¹¾Æ¿À¶ó°í ÇÏ´Ù´Ï!(Ritorna vincitor!)", sop.Ghena Dimitrova
      • "ÀÌÁýÆ®¿¡ ¿µ±¤À»(Gloria all¡¯Egitto)"-(2)°³¼±ÇàÁø°î, bass. Nicolai Ghiaurov(¶÷Çǽº),¶ó ½ºÄ®¶ó±ØÀå Orch & ÇÕâ´Ü/Claudio Abbado
      • "Àü´ÉÇϽŠÇÁŸ½ÅÀÌ¿©(Possente, Possente Ftha)"-(1.2)¹«³àµéÀÇ ³ë·¡, sop. Lucia Valentia Terrani(¹«³àÀå)/¶ó ½ºÄ®¶ó±ØÀå ÇÕâ´Ü
      • "û¾ÆÇÑ ¾ÆÀÌ´Ù(Celeste Aida)"(1), ten.Franco Corelli
  1647. º£¸£µð, ¿ÀÆä¶ó <¾ÆÆ¿¶ó(Attila)>;
      • "¿µ¿øÇÑ ¿µ±¤ÀÇ Á¤»ó¿¡¼­(Dagl¡¯immortali vertici)"
  1648. º£¸£µð, ¿ÀÆä¶ó <¿¡¸£³ª´Ï(Ernani)>;
      • "¿À, ³ªÀÇ ÀþÀº ½Ã°£ÀÌ¿©(Oh, de¡¯ verd¡¯anni miei)"(3)-Ä«¸¦·Î 5¼¼ÀÇ ¾Æ¸®¾Æ, bar.Renato Bruson
      • Çdz¯·¹(3)-Ä«¸¦·Î 5¼¼ ȲÁ¦ ¼±Æ÷¿Í ¹Ý¿ªÀÚµé ´ë»ç¸é Àå¸é
  1649. º£¸£µð, ¿ÀÆä¶ó <¿ÀÅÚ·Î>;
      • "±â»µÇ϶ó, ¹«½½¸²ÀÇ ÀںνÉÀº ¹Ù´Ù¿¡ ¼öÀåµÇ¾ú´Ù(Esultate! l'orgoglio musulmano sepolto e` in mar)"
      • "³ª´Â ÀÜÀÎÇÑ ½ÅÀ» ¹Ï´Â´Ù(Credo in un dio crudel)"-À̾ưíÀÇ ½ÅÁ¶, Sherrill Milnes(Bar)
      • "³»°¡ (Ä®À» µé¾ú´Ù°í) µÎ·Á¿ö ¸¶¿À(Niun mi tema)"
      • "¹ãÀÇ Á¤Àû ¼ÓÀ¸·Î ¼Ò¶õÀº »ç¶óÁö°í(Gia nelle notte)"-»ç¶ûÀÇ 2Áßâ, ten. Mario del Monaco, sop.Renata Tebaldi
      • "½ÅÀÌ¿©, ´ç½ÅÀº ÀÌ ¸ðµç Ä¡¿åÀ» ³»°Ô ¾È°ÜÁֽóªÀ̱î?"
      • "¾Æº£¸¶¸®¾Æ(Ave Maria)", sop.Renee Fleming
      • "¿µ¿øÈ÷ ¾È³ç, ½Å¼ºÇÑ Ãß¾ïÀÌ¿©(Ora e` per sempre addio, sante memorie)"
  1650. º£¸£µð, ¿ÀÆä¶ó <¿î¸íÀÇ Èû(La forza del destino)>; /¼­°î
      • "½ÅÀÌ¿©, Á¦°Ô ÆòÈ­¸¦ ÁÖ¼Ò¼­(pace,pace mio dio)"
      • "ÀÌ ¾ö¼÷ÇÑ ½Ã°£¿¡(Solenne in quest¡¯ora)"
      • "õ»ç°°Àº ·¹¿À³ë¶ó¿©"
  1651. º£¸£µð, ¿ÀÆä¶ó <ÀÏ Æ®·Î¹ÙÅä·¹(Il Trovatore)>;
      • "±×³àÀÇ ºû³ª´Â ¹Ì¼Ò´Â(Il balen del suo sorriso)"
      • "³Ê´Â ³» ¾ÆµéÀÌ´Ù(Condotta ell'era in ceppi)"
      • "´ëÀå°£ ÇÕâ"
      • "ºÒ²ÉÀº Ÿ¿À¸£°í(Stride la vampa)"
      • "»ç¶û½º·± ±×´ë"(Ah si, ben mio)
      • "»ç¶ûÀº Àå¹Ìºû ³¯°³¸¦ Ÿ°í(d¡¯amor sull¡¯ali rosee)", sop.Maria Callas
      • "Àú ¹«¼­¿î ºÒ±æÀ» º¸¶ó(di quella pira)"
  1652. º£¸£µð, ¿ÀÆä¶ó <1Â÷ ½ÊÀÚ±ºÀÇ ·Ò¹Ù¸£µð¾ÆÀÎ>; /"³ªÀÇ ±â»ÝÀ»"
  1653. º£¸£µð, ¿ÀÆä¶ó <ÆÈ½ºÅ¸ÇÁ(Falstaff)>;
      • "°¡¶ó! ´ÄÀº Á¸(Va, vecchio John)"-2:ÆÈ½ºÅ¸ÇÁÀÇ ¾Æ¸®¾Æ, bar. Bryn Terel
      • "Çâ±â·Î¿î »êµé¹Ù¶÷ ¼û°á À§·Î(Sul fil d¡¯un soffio etesio)"-³ª³×Æ®ÀÇ ¾Æ¸®¾Æ, sop.Angela Gheorghiu
  1654. º£¸£¹ßÆ®, 7ÁßÁÖ°î(Septet for clarinet, bassoon, horn, violin, viola, cello & double-bass), Bb, "±×·£µå(Grand)", * Franz Adolf Berwald(1796-1868 Swedish)
  1655. º£¸£¹ßÆ®, ±³Çâ°î 1, g, "ÁøÁöÇÑ(Serieuse)", 30m
  1656. º£¸£¹ßÆ®, ±³Çâ°î 2, D, "º¯´ö½º·±(Capricieuse)", 28m
  1657. º£¸£¹ßÆ®, Memory of the Norwegian Alps
  1658. º£¸£Å©, °üÇö¾ÇÀ» À§ÇÑ 3 Pieces
  1659. º£¸£Å©, ¹ÙÀ̿ø°ÇùÁÖ°î, À¯ÀÏÇÑ VC, 25m
  1660. º£¸¦¸®¿ÀÁî, ²Þ°ú Ä«ÇÁ¸®½º(Reverie et Caprice), Op.8, Vn, 8m, Renaud Capucon(Vn),Deutsche Kammerphilharmonie Bremen/Daniel Harding
  1661. º£¸¦¸®¿ÀÁî, ·¹Äû¿¥, Op.5
  1662. º£¸¦¸®¿ÀÁî, ·Î¸¶ÀÇ »çÀ°Á¦ ¼­°î, Op.9
  1663. º£¸¦¸®¿ÀÁî, ·Î¹Ì¿À¿Í Á츮¿§, Op.17, ±³Çâ°î(µ¶Ã¢ ÇÕâ)
  1664. º£¸¦¸®¿ÀÁî, ¼º¾Ç°î <9°îÀÇ ¾ÆÀÏ·£µådz °¡°î>, Op.2, H.38;
      • 4) "¾Æ¸§´Ù¿î ¿©ÇàÀÚ ¿©ÀÎ(La belle voyageuse)"
      • 8) "Adieu, Bessy!"
  1665. º£¸¦¸®¿ÀÁî, ¼º¾Ç°î "Æ®¸®½ºÆ¼¾Æ(Tristia)", Op.18
  1666. º£¸¦¸®¿ÀÁî, ¼º¾Ç°î "Æ÷·Î"
  1667. º£¸¦¸®¿ÀÁî, ¿©¸§¹ã(Les Nuits d'ete:Summer Night), °¡°îÁý, Op.7, T1, * 4ÆíÀÇ °¡°îÁý Áß °¡Àå À¯¸í, Å׿ÀÇÊ °íƼ¿¡(1811-1872)ÀÇ 'Á×À½ÀÇ Èñ±Ø'(1838³â¿¡ Ãâ°£) ½ÃÁý¿¡¼­ 6ÆíÀ» ¹ßÃéÇÏ¿© ÀÛ°î, 30m$, ms.Susan Graham,Orchestra of the Royal Opera House Covent Garden/John Nelson
      • 1°î: ¸ñ°¡(Villanelle)-º½ÀÇ ±â»ÝÀ» ¿¬Àΰú ³ë·¡ÇÔ
      • 2°î: Àå¹ÌÀÇ È¥-¿¬ÀÎÀÇ Á×À½À» Àå¹ÌÀÇ È¥¿¡ ºñÀ¯
      • 3°î: ¿¬ÀÎÀÇ Á×À½À» ½½ÆÛÇÏ´Â ¹î»ç¶÷
      • 4°î: ºÎÀç-¿¬ÀÎÀÌ µ¹¾Æ¿À±â¸¦ ¿Üħ
      • 5°î: ¹¦Áö¿¡¼­-´Þºû ºñÄ¡´Â ¹«´ý°¡¿¡¼­ ¿¬ÀÎÀ» ±×¸®¿öÇÔ
      • 6°î: ¹ÌÁöÀÇ ¼¶(Unknown isle)-¿µ¿øÇÑ »ç¶ûÀÇ ¼¼°èÀÎ ¹ÌÁöÀÇ ¼¶À» ³ë·¡
  1668. º£¸¦¸®¿ÀÁî, ¿ÀÆä¶ó <º£¾ÆÆ®¸®Ã¼¿Í º£³×µñÆ®>;
      • "±×¸¦ ¸¸³ª°Ú¾î¿ä(Je vais le voir)"
  1669. º£¸¦¸®¿ÀÁî, ¿ÀÆä¶ó <º¥º£´©Åä ÿ¸®´Ï>;
      • "¾ó¸¶³ª ¾Æ¸§´Ù¿î ²ÉµéÀΰ¡... ³»°¡ ºÎ¸ð´Ô¸¸Å­ ³ªÀ̵é¾úÀ» ¶§(Les belles fleurs!...Quand j¡¯aurai votre age)", sop. Anna Netrebko
  1670. º£¸¦¸®¿ÀÁî, ¿ÀÆä¶ó <½Å¼ºÇÑ ±ÃÀüÀÇ ½ÉÆÇµé(Les Francs Juges)>, Op.3; ¼­°î
  1671. º£¸¦¸®¿ÀÁî, ¿ÀÆä¶ó ; /"Tra la la"
  1672. º£¸¦¸®¿ÀÁî, ÀÌÅ»¸®¾ÆÀÇ Çì·Ñµå, Op.16, 4°î ±¸¼º, ½ÃÀÎ ¹ÙÀÌ·±ÀÇ Àå½Ã 'Â÷Àϵå Çì·Ñµå'ÀÇ ÁÖÀΰøÀ» ´Ù·ë, 1) »êÁßÀÇ Çì·Ñµå 2) ¼ø·ÊÀÇ ÇàÁø 3) ¾ÆºÎ·çÄ¡»êÀÇ »ê»ç¶÷ÀÌ ³ë·¡ÇÏ´Â ¼¼·¹³ªµ¥ 4) »êÀûÀÇ Ç⿬°ú ³­¹«, °ú°ÅÀÇ È¸»ó, # Philarmonia Orchestra/Colin Davis
  1673. º£¸¦¸®¿ÀÁî, Àå¼Û°ú °³¼±ÀÇ ´ë±³Çâ°î, Op.15, Àå¼ÛÇàÁø°î À̺°ÀÇ ±âµµ ¿µ±¤ÀÇ Âù°¡, 35m
  1674. º£¸¦¸®¿ÀÁî, Å× µ¥¿ò(Te Deum), Op.22, # European Community Youth Orchestra/Claudio Abbado
  1675. º£¸¦¸®¿ÀÁî, ÆÄ¿ì½ºÆ®ÀÇ Ãµ¹ú(La Damnation de Faust), Op.24; -¹Ù¶÷¿äÁ¤ÀÇ Ãã, °üÇö¾Ç°î, Boston Symphony orch./Seiji Ozawa
  1676. º£¸¦¸®¿ÀÁî, "ÇØÀû" ¼­°î(Le Corsaire-Overture), Op.21
  1677. º£¸¦¸®¿ÀÁî, ȯ»ó ±³Çâ°î, Op.14, "¾î¶² ¿¹¼ú°¡ÀÇ »ý¾ÖÀÇ ÀÏÈ­", 1) ²Þ ¿­Á¤ 2)¹«µµÈ¸ 3) µéÆÇÀÇ Á¤°æ 4) ÇüÀåÀ¸·ÎÀÇ ÇàÁø 5) ¾Ç¸¶ÀÇ ÃàÇÏÀÏ ¹ãÀÇ ²Þ, 55m, $1) Berliner Philharmoniker/Claudio Abbado(Last Recording), $2) Tbilisi Symphony Orchestra/Djansug Kakhidze, $3) Philharmonia Orchestra/Andre Cluytens
  1678. º£¸®¿À,·çÄ¡¾Æ³ë, ½ÅÆ÷´Ï¾Æ(Sinfonia), * Luciano Berio(1925-2003 Italian)
  1679. º£¹Ù³ëÇÁ½ºÅ°, ¼¼·¹³ªµ¥, Æ®·³ÆêÀÇ ±â±³°¡ ¿ä±¸µÊ
  1680. º£¹ö, 4ÁßÁÖ°î(¹ÙÀ̿ø°,ºñ¿Ã¶ó,ÿ·Î,Æ÷¸£Å×ÇǾƳ븦 À§ÇÑ), Bb, Op.8 * Carl Maria Von Weber(1786-1826 German)
  1681. º£¹ö, ±³Ç×°î 1, C, J.50, 25m# Queensland Philharmonic Orchestra/John Georgiadis
  1682. º£¹ö, ±³Ç×°î 2, C, J.51,19m
  1683. º£¹ö, ¹«µµÈ¸¿¡ÀÇ ±ÇÀ¯(Invitation to the Dance), Op.65, ¹¦»çÀû Ç¥Á¦À½¾Ç, Berlin Philharmonic Orchestra/Herbert von Karajan
  1684. º£¹ö, º¯ÁÖ°î(Ŭ¶ó¸®³Ý°ú ÇǾƳ븦 À§ÇÑ), Op.33
  1685. º£¹ö, ¼ÒÇùÁÖ°î(ÇǾƳ븦 À§ÇÑ),f, Op.79 * concertino(=Concerstueck) = ¼ÒÇùÁÖ°î(ÇÕÁÖÇùÁÖ°îÀÇ µ¶ÁÖ ºÎºÐ:µ¶ÁÖÇùÁÖ°î)
  1686. º£¹ö, ¾È´ÜÅ×¿Í Çë°¡¸®Ç³ÀÇ ·Ðµµ(Andante e Rondo Ungarese), Op.35
  1687. º£¹ö, ¿Àº£·Ð ¼­°î, J.306, °üÇö¾Ç°î
  1688. º£¹ö, ¿ÀÆä¶ó <¸¶ÅºÀÇ »ç¼ö>;
      • "±¸¸§ÀÌ Å¾çÀ» °¡¸±Áö¶óµµ(Und ob die Wolke sie verhuelle)"-¾Æ°¡Å×ÀÇ Ä«¹ÙƼ³ª, sop.Elisabeth Gruemmer
      • "¸ÚÁø ³²ÀÚ°¡ Áö³ª°¡°í ÀÖÀ¸¸é(Kommt ein schlanker Bursch gegangen)"-¿£ÇîÀÇ ¾Æ¸®¾Æ, sop. Rita Streich
      • "»ç³É±ºÀÇ ÇÕâ"
      • "½£À» Áö³ª°í µéÀ» °Ç³Ê(Durch die Waelder, durch die Auen)"-¸·½ºÀÇ ¾Æ¸®¾Æ, ten.Peter Schreier
  1689. º£¹ö, Áú¹Ù³ª ÁÖÁ¦¿¡ ÀÇÇÑ 7°³ º¯ÁÖ°î, Eb, Op.33, Dieter Kloecker(Cl)/Werner Genuit(Pf)
  1690. º£¹ö, Ŭ¶ó¸®³Ý5ÁßÁÖ°î, Bb, Op.34, 28m#, Harold Wright(cl), # Wolfgang Meyer (Cl), Eisler Quartett
  1691. º£¹ö, Ŭ¶ó¸®³ÝÇùÁÖ°î 1, f, Op.73(J.114), 2Cl,°¡Àå ¸¹ÀÌ ¿¬ÁÖ, # Martin Frost(Cl),Tapiola Sinfonietta/Jean-Jacques Kantorow
  1692. º£¹ö, Ŭ¶ó¸®³ÝÇùÁÖ°î 2, Eb, Op.74, 22m#
  1693. º£¹ö, ÆÄ°÷ÇùÁÖ°î, F, Op.75, ±ØÀûÀÎ Èû °­Á¶,17m
  1694. º£¹ö, ÇǾƳë¼Ò³ªÅ¸ 1, C, Op.24, Garrick Ohlsson(pf)
  1695. º£¹ö, ÇǾƳë¼Ò³ªÅ¸ 3, e, Op.49
  1696. º£¹ö, ÇǾƳë¼Ò³ªÅ¸ 4, e, Op.70
  1697. º£¹ö, È­·ÁÇÑ ·Ðµµ(Rondo Brillante), Eb, Op.62, Pf, 6m
  1698. º£º£¸¥, ¿©¸§ ¹ãÀÇ ¹Ù¶÷¿¡ ºÎÄ¡´Â Àü¿ø°î, * Anton Webern(1883-1945 Austria)
  1699. º£º£¸¥, Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ ´À¸° ¾ÇÀå(Langsamer Satz fur Streichquartett), Chamber Orchestra Kremlin/Misha Rachlevsky
  1700. º£½ºÆ®È£ÇÁ,¿äÇÑ ÆÄ¿ï Æù, ¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸ 3, d, c1694, 13m * Johann Paul von Westhoff(1656-1705 Weimar,Germany)
  1701. º£¾î¸¸,ÇÏÀθ®È÷, Ŭ¶ó¸®³Ý5ÁßÁÖ°î 3, Eb * Heinrich Baermann(1784-1847 Romantic, born in Potsdam:German) &Cl
  1702. º£Å©,ÇÁ¶õÃ÷ À̱׳ªÃ÷, ½ÅÆ÷´Ï¾Æ, D, Op.2-1, 11m, Thirteen Strings Chamber Orchestra/Kevin Mallon, * Franz Ignaz Beecke(1734-1809 German)
  1703. º£Å©,ÇÁ¶õÃ÷ À̱׳ªÃ÷, ÇǾƳëÇùÁÖ°î, F, 31m, #2 Natasa Veljkovic(pf),Bad Bruckenau Bavarian Chamber Orchestra/Johannes Moesus
  1704. º£Å亥, 3ÁßÁÖ°î(Ŭ¶ó¸®³Ý°ú ÿ·Î ±×¸®°í ÇǾƳ븦 À§ÇÑ), Bb, Op.11 * Ludwig van Beethoven(1770-1827 German)
  1705. º£Å亥, 3ÁßÇùÁÖ°î(ÇǾƳë ÿ·Î ¹ÙÀ̿ø°À» À§ÇÑ), C, Op.56, 36m, $ 1) Gordan Nikolitch(Vn),Tim Hugh(Vc),Lars Vogt(pf)/London SO/Bernard Haitink, 2) David Oistrakh(vn), Mstislav Rostropovich(vc), Sviatoslav Richter(pf)/Berliner Philharmoniker/Herbert von Karajan
  1706. º£Å亥, 5ÁßÁÖ(ÇÇ¾Æ³ë ¿Àº¸¿¡ Ŭ¶ó¸®³Ý ÇÏÇÁ ¹Ù¼øÀ» À§ÇÑ), Eb, Op.16,
  1707. º£Å亥, 6ÁßÁÖ°î(Sextet for Winds), Eb, Op.71, 21m
  1708. º£Å亥, 6ÁßÁÖ°î(Sextet for 2 Horns and Strings), Eb, Op.81b, 17m, # Gerd Seifert(horn)/Manfred Klier(horn)/Drolc Quartet
  1709. º£Å亥, 7ÁßÁÖ°î(Septet), Op.20, ÀÌ °îÀÇ ¹Ì´º¿§¿¡¼­ ÇǾƳë¼Ò³ªÅ¸ 20ÀÇ 2¾ÇÀå ÁÖÁ¦¸¦ »ç¿ëÇϰí ÀÖÀ½, # Melos Ensemble of London
  1710. º£Å亥, 8ÁßÁÖ°î, Eb, Op.103, 22m#, Berlin Philharmonic Winds
  1711. º£Å亥, 12°³ÀÇ ´ë¹«°î(12 Contradances), Nos) 1-C, 2-A, 3-D, 4-Bb, 5-Eb, 6-C, 7-Eb, 8-C, 9-A, 10-C, 11-D, 12-Eb
  1712. º£Å亥, 12°³ÀÇ µ¶ÀϹ«°î(Twelve German Dances for Orchestra), WoO.8, 20m, # Academy of St. Martin in the Fields/Sir Neville Marriner
  1713. º£Å亥, °¡°îÁý(°Ö¶ó¸®Æ® ½Ã¿¡ ÀÇÇÑ 6°îÀÇ), 33¼¼ ¶§ÀÎ 1803³â¿¡ ÀÛ°î, ¼Ò¿ø, ÀÌ¿ô »ç¶÷ÀÇ »ç¶û µî 6°îÀ¸·Î ±¸¼º
  1714. º£Å亥, °í¿äÇÑ ¹Ù´Ù¿Í Ãູ ¹ÞÀº Ç×ÇØ, Op.112
  1715. º£Å亥, ±³Çâ°î 1, C, Op.21, 23m, # 1) Vienna State Opera Orchestra/Hermann Scherhen, 2) Bamberger Symphoniker/Joseph Keilberth, 3) Wiener Symphoniker/Philippe Jordan
  1716. º£Å亥, ±³Çâ°î 2, D, Op.36
  1717. º£Å亥, ±³Çâ°î 3, Eb, Op.55, "¿µ¿õ(Eroica)", 49m, C92, $ Berliner Philharmoniker/Simon Rattle,
  1718. º£Å亥, ±³Çâ°î 4, Bb, Op.60, 36m#, $ Berliner Philharmoniker/Herbert/von Karajan, $ London Philharmonic Orchestra/Georg Solti
  1719. º£Å亥, ±³Çâ°î 5, c, Op.67, "¿î¸í", 33m, $ Wiener Philharmoniker/Carlos Kleiber
  1720. º£Å亥, ±³Çâ°î 6, F, Op.68, "Àü¿ø"; 1) Àü¿ø¿¡ µµÂøÇßÀ»¶§ÀÇ À¯ÄèÇÑ ±âºÐ, 2) ½Ã³Á°¡¿¡¼­, 3) ³óºÎµéÀÇ Áñ°Å¿î ¸ðÀÓ, 4) ÆøÇ³, 5) ÆøÇ³ÀÌ Áö³ª°£ ÈÄÀÇ ÆòÈ­, 5¾ÇÀå ±¸¼ºÀ̳ª 4,5¾ÇÀåÀº À̾ ¿¬ÁÖ
  1721. º£Å亥, ±³Çâ°î 7, A, Op.92, 3&4M> ¹ÚÄ«½º½ÅÀÇ ºÐ³ë¶ó ÇÔ,Æø¹ßÀû À½ÀÇ Àü°³, * Land of freedom(2¾ÇÀå ÁÖÁ¦), $1) Wiener Philharmoniker/Carlos Kleiber, $2) Orchester Wiener Akademie/Martin Haselboeck
  1722. º£Å亥, ±³Çâ°î 8, F, Op.93, "¸°Ã÷±³Çâ°î", "ÀÛÀº F±³Çâ°î" (5,7 ¹ø°ú ´ëÁ¶Àû)
  1723. º£Å亥, ±³Çâ°î 9, c, Op.125, "ÇÕâ", Orchestra della Radio Televisione della Svizzera Italiana/Hermann Scherchen
  1724. º£Å亥, ´ëǪ°¡(Grosse Fugue), Bb, Op.133
  1725. º£Å亥, ·¹¿À³ë·¹ ¼­°î 2, Op.72, 12m * ¿ÀÆä¶ó "Çǵ¨¸®¿À"¸¦ À§ÇÑ 4°îÀÇ ¼­°î; 1) Leonore No.1(Op.138), 2) Leonore No.2(Op.72), 3) Leonore No.3(Op.72a), Fidelio(Op.72b)
  1726. º£Å亥, ·¹¿À³ë·¹ ¼­°î 3, Op.72a, 14m
  1727. º£Å亥, ·¹¿ÀÆúÆ® 2¼¼ ´ë°ü½Ä ĭŸŸ(Accession of Emperor Leopold II), WoO,88
  1728. º£Å亥, ·Î¸Á½º 1, G, Op.40, ¹ÙÀ̿ø°°î
  1729. º£Å亥, ·Î¸Á½º 2, F, Op.50, ¹ÙÀ̿ø°°î, Arthur Grumiaux(Vn),Royal Concertgebouw Orchestra/Bernard Haitink
  1730. º£Å亥, ·Ðµµ 2, G, Op.51, 11m
  1731. º£Å亥, ·Ðµµ(ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ), Bb, WoO.6
  1732. º£Å亥, ·Ðµµ Ä«ÇÁ¸®Ä¡¿À(Rondo alla ingharese quasi un capriccio), G, Op.129, # Grigory Sokolov(pf)
  1733. º£Å亥, <¸Ö¸® ÀÖ´Â ¿¬Àο¡°Ô(An die ferne Geliebte)>, Op.98, ¿¬°¡°îÁý 6°î, ten.Christoph Pregardien
      • "1) ¾ð´ö¿¡ ¾É¾Æ¼­"
      • "2) »êÀº Ǫ¸£·¯"
      • "3) °¡º±°Ô ÃãÃß´Â ÀÛÀº »õ¿©"
      • "4) ³ôÀº ÇÏ´ÃÀ» ¶°°¡´Â ±¸¸§"
      • "5) 5¿ùÀÌ µÇ¸é"
      • "6) ´Ã ºÎ¸£´ø ³ë·¡·Î À̺°À»"
  1734. º£Å亥, ¹Ì´º¿§(°üÇö¾ÇÀ» À§ÇÑ 12°³ÀÇ), WoO.7 $>Academy of St. Martin in the Fields/Sir Neville Marriner
  1735. º£Å亥, ¹Ì´º¿§(°üÇö¾ÇÀ» À§ÇÑ 6°³ÀÇ), WoO.10(C, G, Eb, Bb, D, D), WoO10-2(G): ÇÇ¾Æ³ë Æí°î
  1736. º£Å亥, ¹Ì»ç(Mass,Messe), C, Op.86, 41m#
  1737. º£Å亥, ¹Ù°¡ÅÚ(7°îÀÇ), Op.33:7°î * ¹Ù°¡ÅÚ(Bagatelle):ªÀº ¼Òǰ±â¾Ç°î
  1738. º£Å亥, ¹Ù°¡ÅÚ(11°îÀÇ:Eleven Bagatelles), Op.119:11°î, # Andrew Rangell(pf)
  1739. º£Å亥, ¹Ù°¡ÅÚ(6°îÀÇ), Op.126; no.1/G, no.2/g, no.3/Eb, no.4/b, no.5/G, no.6/Eb, Sviatoslav Richter(pf)
  1740. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, D, Op.12-1
  1741. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, A, Op.12-2, 10VSÁß Ã³À½ 3°îÀÌ Op.12ÀÓ
  1742. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, Eb, Op.12-3,
  1743. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 4, a, Op.23,
  1744. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 5, F, Op.24, "º½", 10°î VC, 1) Josef Suk(vn)/Jan Panenka(pf), 2) Johanna Martzy(vn),Jean Antonietti(pf), 3) Wolfgang Schneiderhan(vn)/Wilhelm Kempff(pf)
  1745. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 6, A, Op.30-1, 22m, # Henryk Szeryng(vn)/Ingrid Haebler(pf)
  1746. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 7, c, Op.30-2, $ Anne-Sophie Mutter/Lambert Orkis
  1747. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 8, G, Op.30-3, 15m, #) Wolfgang Schneiderhan(vn), Carl Seemann(pf), $2) Lola Bobesco(vn)/Albert Guttman(pf)
  1748. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 8, G, Op.30-3, 17m, $ Wolfgang Schneiderhan(vn), Wilhelm Kempff(pf)
  1749. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 9, A, Op.47, "Å©·ÎÀ̼"
  1750. º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 10, G, Op.96, 27m $ Pinchas Zukerman(Vn)/Marc Neikrug(Pf)
  1751. º£Å亥, ¹ÙÀ̿ø°ÇùÁÖ°î, D, Op.61,¾Æ´ã(¸àµ¨½ºÁ¸ VC: À̺ê)
  1752. º£Å亥, º¯ÁÖ°î(6°³ÀÇ), D, Op.76, Sviatoslav Richter(pf)
  1753. º£Å亥, º¯ÁÖ°î(32°³ÀÇ), c,14m
  1754. º£Å亥, º¯ÁÖ°î(Wenzel Mu"llerÀÇ °¡°î "Ich bin der Schneider Kakadu"¿¡ ÀÇÇÑ ÇÇ¾Æ³ë ¹ÙÀ̿ø° ÿ·Î¸¦ À§ÇÑ), G, Op.121a, "Kakadu Variation" - "10 Variations on 'Ich bin der Schneider Kakadu'"
  1755. º£Å亥, º¯ÁÖ°î(µð¾Æº§¸® ÁÖÁ¦¿¡ ÀÇÇÑ 33°³ÀÇ: 33 Variations on a Waltz by Anton Diabelli), C, Op.120, 45m#, µð¾Æº§¸® > ÃâÆÇ»óÀÎ, ÀÛ°î°¡, ÇǾƳë°îÀÇ °áÁ¤Ã¼ ƯÈ÷ 31¹ø¿¡ ´ëÇØ Çѽº Æù ºâ·Î´Â ¹ÙÈåÀÇ ¾Æ´ÙÁö¿À°¡ Àç»ýÇß´Ù°í ±ØÂù, Alfred Brendel:Pf
  1756. º£Å亥, º¯ÁÖ°î(¸ðÂ÷¸£Æ® 'µ·Áö¿À¹Ý´Ï' ÁÖÁ¦¿¡ ÀÇÇÑ; Variations on Mozart's "la ci darem la mano"), C, WoO.28, 9m
  1757. º£Å亥, º¯ÁÖ°î(¸ðÂ¥¸£Æ® '¸¶Àû' Áß "µþÀÌ³Ä ¾Æ³»³Ä(Ein Madchen oder Weibchen(A Maiden or Little Wife))" ÁÖÁ¦¿¡ ÀÇÇÑ Ã¿·Î¿Í ÇǾƳ븦 À§ÇÑ 12°³ÀÇ), F, Op.66, # Jean-Guihen Queyras(Vc),Alexander Melnikov(Pf)
  1758. º£Å亥, º¯ÁÖ°î(¸ðÂ¥¸£Æ® '¸¶Àû' Áß "In Men, Who know the Feeling of Love" ÁÖÁ¦¿¡ ÀÇÇÑ Ã¿·Î¿Í ÇǾƳ븦 À§ÇÑ 7°³ÀÇ), WoO.46
  1759. º£Å亥, º¯ÁÖ°î(G.Paisiello ¿ÀÆä¶ó '¶ó ¸ð¸®³ª¶ó(La molinara)' Áß "Nel cor piu non mi sento(¸¶À½À¸·Ð ´õ ´À³¢Áö ¸øÇØ)" ÁÖÁ¦¿¡ ÀÇÇÑ 6°³ÀÇ), WoO.70
  1760. º£Å亥, º¯ÁÖ°î°ú Ǫ°¡(15°³ÀÇ), Eb, Op.35 "Eroica Variations", 24m, # Emanuel Ax(pf)
  1761. º£Å亥, ¼º¾Ç°î "±×´ë¸¦ »ç¶ûÇØ"(Ich liebe dich)
  1762. º£Å亥, ¼º¾Ç°î "¸ÞÃß¶ó±â(Wachtelaschlag)"
  1763. º£Å亥, ¼º¾Ç°î "¾Æµ¨¶óÀ̵¥(Adelaide)", Op.46, Fritz Wunderlich
  1764. º£Å亥, ¼º¾Ç°î "¾Æ! ¸ø ¹ÏÀ» »ç¶÷ÀÌ¿©(Ah! Perfido)", sop.Birgit Nilsso
  1765. º£Å亥, ¼º¾Ç°î "¿ì¸®ÀÇ »ç¶û(Notre amour)", ºñâ ¼Ò³ªÅ¸ 2¾ÇÀåÀÇ ¼±À², bar. Bruno Laplante, sop. France Dubal
  1766. º£Å亥, ¼º¾Ç°î "ÀÔ¸ÂÃã(Der Kuss)", Op.128, Fritz Wunderlich, # ms. Anne Sofie von Otter
  1767. º£Å亥, ¼º¾Ç°î "5¿ùÀÇ ³ë·¡(Mailied)", Op.52-4
  1768. º£Å亥, ¼º¾Ç°î "ÀÚ¿¬ ¼Ó¿¡ ±êµç ½ÅÀÇ ¿µ±¤"(Die Ehre Gotteses aus der Natur) Op.48-4
  1769. º£Å亥, ¼º¾Ç°î "ü³ä(Resignation)"
  1770. º£Å亥, ¼º¾Ç°î "ÆÄ¿ì½ºÆ®¿¡¼­ÀÇ º­·èÀÇ ³ë·¡", ten.Peter Schreier/Walter Olbertz(pf
  1771. º£Å亥, ¼º¾Ç°î "Èñ»ýÀÚÀÇ ³ë·¡(Opferlied)", ten.Peter Schreier
  1772. º£Å亥, ¾ÆÅ׳×ÀÇ ÆóÇã, Op.113
  1773. º£Å亥, ¾È´ÜÅ× ÄÜ ¹Ù¸®¾ÆÄ¡¿À´Ï(Andante con Variazioni for Mandolin and Harpsichord), D, WoO.44b
  1774. º£Å亥, ¾È´ÜÅ×(Andante for Piano), F, WoO.57, (Andante Favori), 11m, Claudio Arrau(pf)
  1775. º£Å亥, ¿¡±×¸óÆ® ¼­°î, Op.84, $ Berlin Philharmonic Orchestra/Claudio Abbado
  1776. º£Å亥, ¿¤¸®Á¦¸¦ À§ÇÏ¿©(Fuer Elise), a, WoO.59, Alexis Weissenberg(pf)
  1777. º£Å亥, ¿À¶óÅ丮¿À <°¨¶÷»ê À§ÀÇ ±×¸®½ºµµ>, Op.85, 6°î, 56m, 1) ¿¹¼öÀÇ ±â¿ø(¼­ÁÖ, Å×³Ê ¿µÃ¢), 2) õ»ç ¼¼¶óÇ˰ú õ»çµéÀÇ ³ë·¡(¼ÒÇÁ¶ó³ë ¼­Ã¢, ¿µÃ¢), 3) ¿¹¼ö¿Í õ»ç ¼¼¶óÇËÀÇ ³ë·¡(Å׳Ê, ¼ÒÇÁ¶ó³ë ¼­Ã¢, ¿µÃ¢°ú µà¿§), 4) ¿¹¼öÀÇ °á½É°ú º´»çµéÀÇ ³ë·¡(Å×³Ê ¼­Ã¢, ³²¼º3ºÎ ÇÕâ), 5) ¿¹¼ö, Á¦ÀÚ, º´»çÀÇ ³ë·¡(Å×³Ê ¼­Ã¢, ³²¼º ÇÕâ), 6) º£µå·Î, ¿¹¼ö, õ»çµåÀÇ ÇÕâ(¼­Ã¢, 3Áßâ ÇÕâ)
  1778. º£Å亥, ¿ÀÆä¶ó <Çǵ¨¸®¿À]>; /»çÁßâ "¾ó¸¶³ª ³î¶ó¿î ´À³¦ÀÎÁö(Mir ist so wunderbar)"
  1779. º£Å亥, À£¸µÅæÀÇ ½Â¸®, Op.91, "À£¸µÅæÀÇ ½Â¸®",14m
  1780. º£Å亥, Àå¾ö¹Ì»ç°î, d, Op.123, 76m
  1781. º£Å亥, ÿ·Î¼Ò³ªÅ¸ 1, F, Op.5-1, 23m#, Daniil Shafran(vc)/Anton Ginsburg(pf)
  1782. º£Å亥, ÿ·Î¼Ò³ªÅ¸ 2, g, Op.5-2, 27m#3, $$1) Mstislav Rostropovich(vc)/Sviatoslav Richter(pf), 2) Daniil Shafran(vc)/Anton Ginsburg(pf)
  1783. º£Å亥, ÿ·Î¼Ò³ªÅ¸ 3, A, Op.69, 5°îÁß $À¯¸í> 2M, 22m, {$1) Mstislav Rostropovich(vc), Sviatoslav Richter(pf) 2) Ludwig Hoelscher(vc), Joerg Demus(pf)}
  1784. º£Å亥, ÿ·Î¼Ò³ªÅ¸ 4, C, Op.102-1 $
  1785. º£Å亥, ÿ·Î¼Ò³ªÅ¸ 5, D, Op.102-2, 25m
  1786. º£Å亥, ÄÚ¸®¿Ã¶õ ¼­°î, Op.62, ÄÚ¸®¿Ã¶õ> 5¼¼±âÀÇ ¿µ¿õ
  1787. º£Å亥, ÇÁ·Î¸ÞÅ׿콺ÀÇ Ã¢Á¶¹°(The Creatures of Prometheus), ¹«¿ëÀ½¾Ç. Op.43, 66m
  1788. º£Å亥, ÇÃ·çÆ®¿Í ¹ÙÀ̿ø°, ºñ¿Ã¶ó¸¦ À§ÇÑ ¼¼·¹³ªµ¥, D, Op.25, Maxence Larrieu(Fl)/Arthur Grumiaux(Vn)/Georges Janzer(Va)
  1789. º£Å亥, ÇǾƳë3ÁßÁÖ°î 1, Op.1-1, 24¼¼ ¶§ ÀÛ°î, 28m, #1) Borodin Trio, 2) Trio Wanderer
  1790. º£Å亥, ÇǾƳë3ÁßÁÖ°î 2, G, Op.1-2, 33m
  1791. º£Å亥, ÇǾƳë3ÁßÁÖ°î 3, c, Op.1-3, 28m, $1) Rudolf Buchbinder(pf)/Janos Starker(vc)/Josef Suk(vn), $2) Daniel Barenboim(pf)/Pinchas Zukermann(vn)/Jacqueline du Pre(vc)
  1792. º£Å亥, ÇǾƳë3ÁßÁÖ°î 4, Bb, Op.11, "°Å¸®ÀÇ ³ë·¡(Gassenhauer)", $1) Beaux Arts Trio, 2) Oliver Schnyder Trio
  1793. º£Å亥, ÇǾƳë3ÁßÁÖ°î 5, D, Op.70-1, "À¯·É", Op.70
  1794. º£Å亥, ÇǾƳë3ÁßÁÖ°î 6, Eb, Op.70-2, 30m
  1795. º£Å亥, ÇǾƳë3ÁßÁÖ°î 7, Bb, Op.97, "´ë°ø(Archduke)", $1) Vladimir Ashkenazy(Pf)/Itzhak Perlman(Vn)/Lynn Harrell(Vc), 2) Beaux Arts Trio, 3) Wilhelm Kempff(pf)/Henryk Szeryng(vn)/Pierre Fournier(vc)
  1796. º£Å亥, ÇǾƳë3ÁßÁÖ°î 8, Bb, Op.Post / WoO.39
  1797. º£Å亥, ÇǾƳë3ÁßÁÖ°î 9, Eb, WoO.38, 43m
  1798. º£Å亥, ÇǾƳë3ÁßÁÖ°î 10, Eb, Op.44,(14 Variations on an Original Theme), 13m
  1799. º£Å亥, ÇǾƳë4ÁßÁÖ°î, Eb, WoO.36-1, 19m
  1800. º£Å亥, ÇǾƳë4ÁßÁÖ°î, D, WoO.36-2, 16m
  1801. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 1, f, Op.2-1, 36PS,3 Op.2Áß Op.2-1ÀÌ °¡Àå ºñ±ØÀûÀÓ
  1802. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 2, A, Op.2-2, 22m#
  1803. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 3, C, Op.2-3, 3 Op.2Áß °¡Àå ±Ô¸ð°¡ Å­
  1804. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 4, Eb, Op.7, "»ç¶ûÇÏ´Â ±×³à"
  1805. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 5, c, Op.10-1, 18m
  1806. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 6, F, Op.10-2, 18m$,¼±¸íÇÏ°í °æÄè
  1807. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 7, D, Op.10-3, 23m
  1808. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 8, c, Op.13, "ºñâ(Pathetique)", 18m#, C89, 1) Annie Fischer(Pf), 2) Emil Gilels(pf)
  1809. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 9, E, Op.14-1
  1810. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 10, G, Op.14-2, # Sviatoslav Richter(Pf)
  1811. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 11, Bb, Op.22, Sviatoslav Richter(Pf)
  1812. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 12, Ab, Op.26, "Funeral March", 19m $
  1813. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 13, Eb, Op.27-1 "ȯ»ó°îdzÀÇ ¼Ò³ªÅ¸(Sonata quasi una fantasia)", 21m#
  1814. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 14, c#, Op.27-2, "¿ù±¤(Moonlight)", $ Wilhel Backhaus(pf)
  1815. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 15, D, Op.28, "Àü¿ø", PS14¿Í ´ëÁ¶¸¦ ÀÌ·é´Ù
  1816. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 16, G, Op.31-1, 22m
  1817. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 17, d, Op.31-2, "ÅÛÆä½ºÆ®(Tempest)", 3°³ÀÇ Op.31, 21m, $ Alfredo Brendel(pf)
  1818. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 18, Eb, Op.31-3, "»ç³É(The Hunt)", 22m
  1819. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 19, Op.49-1
  1820. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 20, G, Op.49-2, ¿ø·¡´Â Ãʱâ ÀÛǰ, 2¾ÇÀåÀÇ ÁÖÁ¦¸¦ 7ÁßÁÖ°î(Op.20)ÀÇ Minuet ¾ÇÀå¿¡¼­ »ç¿ë
  1821. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 21, C, Op.53, "Waldstein"
  1822. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 22, F, Op.54
  1823. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 23, f, Op.57, "¿­Á¤(Appassionato)", º£ PS 32°îÁß $$, ºñâ ¿ù±¤°ú ÇÔ²² 3´ë PS, $ Sviatoslav Richter(pf)
  1824. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 24, F#, Op.78, "Å×·¹Á¦", 2¾ÇÀå ±¸¼º
  1825. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 25, G, Op.79, "»µ²Ù±â¼Ò³ªÅ¸",7m
  1826. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 26, Eb, Op.81a, "°íº°"
  1827. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 27, e, Op.90, 12m, $ Sviatoslav Richter, Hans Richter-Haaser(pf)
  1828. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 28, A, Op.101
  1829. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 29, Bb, Op.106, "Hammerklavier", 43m, 1) Rudolf Serkin(Pf)$, 2) Wilhelm Backhaus(pf)$
  1830. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 30, E, Op.109, 18m#
  1831. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 31, Ab, Op.110, 19m, Rudolf Serkin(Pf)$
  1832. º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 32, c, Op.111, ¸¶Áö¸· PS, 28m#, Mitsuko Uchida(pf)
  1833. º£Å亥, ÇǾƳë¼Ò³ªÅ¸, Eb, WoO.47-1
  1834. º£Å亥, ÇǾƳë¼Ò³ªÅ¸, f, WoO.47-2
  1835. º£Å亥, ÇǾƳëÇùÁÖ°î 1, C, Op.15, 38m#, $ Friedrich Gulda(pf),Wiener Philharmoniker/Horst Stein
  1836. º£Å亥, ÇǾƳëÇùÁÖ°î 2, Bb, Op.19, 27m, Julius Katchen(pf), London Symphony Orchestra/Piero Gamba
  1837. º£Å亥, ÇǾƳëÇùÁÖ°î 3, c, Op.37> C79, 37m, $1) *Sviatoslav Richter(Pf),Philharmonia Orchestra/Riccardo Muti, #2) Mitsuko Uchida(pf), Royal Concertgebouw Orchestra/Kurt Sanderling, 3) Monique de la Bruchollerie(pf)/National Philharmonic Orhestra:Budapest
  1838. º£Å亥, ÇǾƳëÇùÁÖ°î 4, G, Op.58, PC5 VC°ú ÇÔ²² º£Å亥ÀÇ 3´ë ÇùÁÖ°î, cf) ÇǾƳë5ÁßÁÖ°îÀ¸·Î Æí°î->Op.58a(Muza Rubackyte(pf)/Shanghai String Quartet), $ Wilhelm Backhaus(pf),Wiener Philharmoniker/Clemens Krauss
  1839. º£Å亥, ÇǾƳëÇùÁÖ°î 5, Eb, Op.73, "ȲÁ¦", 5°îÁß °¡Àå °ÉÀÛ, 39m, $1) Vladimir Horowitz(pf),RCA Victor Symphony Orchestra/Fritz Reiner; Wiener Philharmoniker/Claudio Abbado 2) Emil Gilels(pf),Leningrad Philharmonic Orchestra/Kurt Sanderling 3) Arthur Rubinstein(pf),Boston Symphony Orchestra/Erich Leinsdorf, $4) Artur Schnabel(pf)/Chicago Symphony Orchestra/Frederick Stock
  1840. º£Å亥, Çö¾Ç3ÁßÁÖ°î, Eb, Op.3, 40m, 5Çö¾Ç3ÁßÁÖ, # Itzhak Perlman(Vn)/Pinchas Zukerman(Va)/Lynn Harrell(Vc)
  1841. º£Å亥, Çö¾Ç3ÁßÁÖ°î, G, Op.9-1, 25m, Anne-Sophie Mutter(Vn)/Bruno Giuranna(Va)/Mstislav Rostropovich(Vc)
  1842. º£Å亥, Çö¾Ç3ÁßÁÖ°î, D, Op.9-2, 25m $
  1843. º£Å亥, Çö¾Ç3ÁßÁÖ°î, c, Op.9-3, 23m
  1844. º£Å亥, Çö¾Ç4ÁßÁÖ°î 1, F, Op.18-1
  1845. º£Å亥, Çö¾Ç4ÁßÁÖ°î 2, G, Op.18-2
  1846. º£Å亥, Çö¾Ç4ÁßÁÖ°î 3, D, Op.18-3 $
  1847. º£Å亥, Çö¾Ç4ÁßÁÖ°î 4, c, Op.18-4, 23m, # Beethoven Quartett
  1848. º£Å亥, Çö¾Ç4ÁßÁÖ°î 5, A, Op.18-5, 27m#, 1)$ Alban Berg Quartett 2) Gewandhaus-Quartett
  1849. º£Å亥, Çö¾Ç4ÁßÁÖ°î 6, Bb, Op.18-6
  1850. º£Å亥, Çö¾Ç4ÁßÁÖ°î 7, F, Op.59-1, "¶óÁî¸ðÇÁ½ºÅ°1(Rasumovsky No.1)"> 7,8,9ÀÇ 3°î, 38m, $ Alban Berg Quartet
  1851. º£Å亥, Çö¾Ç4ÁßÁÖ°î 8, e, Op.59-2, "¶óÁî¸ðÇÁ½ºÅ°2(Rasumovsky No.2)", 34m, 3°îÁß °¡Àå ¸¹ÀÌ ¿¬ÁÖ, #4 $1) Emerson String Quartet, 2)$ Vegh Quartet
  1852. º£Å亥, Çö¾Ç4ÁßÁÖ°î 9, C, Op.59-3, "¶óÁî¸ðÇÁ½ºÅ°3(Rasumovsky No.3)", "¿µ¿õ4ÁßÁÖ°î", 31m, # Emerson String Quartet, ## Takacs Quartet
  1853. º£Å亥, Çö¾Ç4ÁßÁÖ°î 10, Eb, Op.74, "ÇÏÇÁ4ÁßÁÖ°î"> 1M¿¡¼­ ÇÏÇÁÀÇ È¿°ú, 31m#, Takacs Quartet
  1854. º£Å亥, Çö¾Ç4ÁßÁÖ°î 11, f, Op.95, "Serioso", 20m$, Takacs Quartet
  1855. º£Å亥, Çö¾Ç4ÁßÁÖ°î 12, Eb, Op.127, 36m#, Emerson String Quartet
  1856. º£Å亥, Çö¾Ç4ÁßÁÖ°î 13, Bb, Op.130, 42m, # Alexander String Quartet
  1857. º£Å亥, Çö¾Ç4ÁßÁÖ°î 14, c#, Op.131, 7M ±¸¼º, º£Å亥 Çö¾Ç4ÁßÁÖ°îÁß ÃÖ°í
  1858. º£Å亥, Çö¾Ç4ÁßÁÖ°î 15, a, Op.132, 44m, "½Å¿¡ ´ëÇÑ ¼º½º·¯¿î °¨»çÀÇ ³ë·¡", 5M ±¸¼º, Barchet Quartet
  1859. º£Å亥, Çö¾Ç4ÁßÁÖ°î 16, F, Op.135 > Çö¾Ç4ÁßÁÖ°î15
  1860. º£Å亥, Çö¾Ç4ÁßÁÖ°î 17, F, Op.135,¼ø¼öÇÑ sonataÇü½Ä¸é¿¡¼­ º¸¸é 16Á¦¿Ü
  1861. º£Å亥, Çö¾Ç5ÁßÁÖ°î, C, Op.29, 34m, # Zurich String Quintet
  1862. º£Å亥, Çö¾Ç5ÁßÁÖ°î(2´ëÀÇ ¹ÙÀ̿ø°,ºñ¿Ã¶ó ±×¸®°í 2´ëÀÇ Ã¿·Î¸¦ À§ÇÑ), A, 36m * º£Å亥ÀÇ ¹ÙÀ̿ø°¼Ò³ªÅ¸ 9(Å©·ÎÀ̼) Æí°î(?)
  1863. º£Å亥, È£¸¥¼Ò³ªÅ¸, F, Op.17, 12m, # Radovan Vlatkovic(horn)/ERic le Sage(pf)
  1864. º£Å亥, ȯ»ó°î(ÇÕâ°ú ÇǾƳë & °üÇö¾ÇÀ» À§ÇÑ), Op.80, "ÇÕâȯ»ó°î", 22m#, Rudolf Serkin(pf),Boston Symphony Orchestra,Tanglewood Festival Chorus/Seiji Ozawa
  1865. º¥´Ù,°Ô¿À¸£±× ¾ÈÅæ, ±³Çâ°î 7, D, 10m, * Georg Anton Benda(1722-1795 Prag)
  1866. º¥´Ù,À̸® ¾ÈÅä´Ñ, ±³Çâ°î 7, D, 11m * Jiri Antonin Benda(1722-1795 Czech)
  1867. º¥´Ù,ÇÁ¶õÃ÷, ¼Ò³ªÅ¸, D, (Vn,Hpc,Vc), 7m, Leila Schayegh(vn)/Vaclav Luks(harpsichord)/Felix Knecht(vc)
  1868. º¥´Ù,ÇÁ¶õÃ÷, ÇÃ·çÆ®¼Ò³ªÅ¸, e, 8m * Franz Benda(1709-1786 Czech &Vn), ¾ÈÅä´Ñ º¥´ÙÀÇ Çü
  1869. º¥´Ù,ÇÁ¶õÃ÷, ÇÃ·çÆ®ÇùÁÖ°î, e, 18m, Emmanuel Pahud(fl),Potsdam Chamber Orchestra/Trevor Pinnock
  1870. º¥ÀÚ¹Î,¾Æ¼­, Ä¡¸¶·Î»ç ÁÖÁ¦¿¡ ÀÇÇÑ ¿Àº¸ ÇùÁÖ°î, c, * Arthur Benjamin(1893-1960 Australian)
  1871. º§¸®´Ï, ¼º¾Ç°î, "³ªÀÇ ÇÊ·¹ÀÇ ½½Ç ¸ð½ÀÀÌ¿©(Dolente immagine di fille mia)", ten.Dennis O¡¯Neill
  1872. º§¸®´Ï, ¼º¾Ç°î, "³» »ç¶ûÇÏ´Â ´ÔÀÇ ¸¶À½À»(Ma rendi pur contento)", # sop.Eva Mei, $ sop. Montserrat Caballe
  1873. º§¸®´Ï, ¼º¾Ç°î, "µ¹¾Æ¿Í ´Ù¿À ±Í¿©¿î Çʸ®µ¥¿©"
  1874. º§¸®´Ï, ¼º¾Ç°î, "¹æÈ²ÇÏ´Â Àººû ´Þ/ÀºÀºÇÑ ´Þºû(Vaga luna che inargenti)", $ Rolando Villazon(Ten)
  1875. º§¸®´Ï, ¼º¾Ç°î, "ºÒ²¨Áø â", ten.Jose Carreras
  1876. º§¸®´Ï, ¼º¾Ç°î, "ºÒŸ´Â ¿å¸Á(Il fervido desiderio)"
  1877. º§¸®´Ï, ¼º¾Ç°î, "¾î¸° ½ÃÀýÀÇ ²Þ(Sogno d¡¯infanzia)"
  1878. º§¸®´Ï, ¼º¾Ç°î, "¿ë¼­ÇÏ¿À, ³ªÀÇ ¾Æ¸§´Ù¿î ¿ì»óÀÌ¿©(Per pieta, bell' idol mio)"
  1879. º§¸®´Ï, ¼º¾Ç°î, "¿ì¿ï, »ó³ÉÇÑ ¿äÁ¤ÀÌ¿©(Malinconia, ninfa gentile)"
  1880. º§¸®´Ï, ¼º¾Ç°î, "ÀÛÀº ³ªºñ(La farfalletta)"
  1881. º§¸®´Ï, ¼º¾Ç°î, "Ãß¾ï"
  1882. º§¸®´Ï, ¼º¾Ç°î, "ȸ»ó(La ricordanza)"
  1883. º§¸®´Ï, ¿Àº¸ÇùÁÖ°î, Eb, ´Ü ÇÑÆíÀÇ ÇùÁÖ°î
  1884. º§¸®´Ï, ¿ÀÆä¶ó <³ë¸£¸¶(Norma)>;
      • "»ç¶ûÇÏ´Â ³» ¾ÆÀÌµé¾Æ"
      • "¾Æ! ´ç½Å°ú ÇÔ²²(2Áßâ)"
      • "ÀüÀïÀÇ ÇÕâ"
      • "Á¤°áÇÑ ¿©½Å(Casta Diva)", sop.Maria Callas
  1885. º§¸®´Ï, ¿ÀÆä¶ó <¸ùÀ¯º´ÀÇ ¿©ÀÎ>;
      • "¹ÝÁö¸¦ ¹ÞÀ¸¼¼¿ä(Prendi, l¡¯anel ti dono)", ten.Roberto Alagna/sop.Angela Gheorghiu
      • "žçÀÌ ³ª¸¦ À§ÇØ ¹àÀº ºûÀ» ³»´Â±¸³ª(Compagne, teneri amici... Come per me sereno)", sop.Maria Callas
  1886. º§¸®´Ï, ¿ÀÆä¶ó <ºñ¾ÓÄ«¿Í Æä¸£³­µµ>;
      • "ÀϾ¼¼¿ä ¾Æ¹öÁö(Sorgi, o padre)", sop. Jane Eaglen/ms. Anne-Marie Owens
  1887. º§¸®´Ï, ¿ÀÆä¶ó <û±³µµ>;
      • "±×´ë¿¡°Ô »ç¶ûÀ»(A te, o cara)"
      • "±×¸®¿î ¸ñ¼Ò¸®°¡ ³ª¸¦ ºÎ¸£°í ÀÖ¾ú´Ù(Quila voce sua soave)", sop.Angela Gheorghiu
      • "³ª´Â ±Í¿©¿î ó³à¶ø´Ï´Ù"
      • "³» ¼Ò¸ÁÀ» µé¾îÁÖ¼¼¿ä-±×ÀÌÀÇ ºÎµå·¯¿î À½¼ºÀÌ µé·È¾î¿ä"
  1888. º§¸®´Ï, ¿ÀÆä¶ó <īǮ·¿°¡¿Í ¸óÅ×±Ô°¡>;
      • "±×¸¦ µµ¿ÍÁÖ¼Ò¼­(Soccorso, sostegno)"-1:Çdz¯·¹
      • "³Ê¸¸ Ȧ·Î, ¿À ³ªÀÇ ÁÙ¸®¿¡Å¸(Tu sola, o mia Giulietta)", ten.Placido Domingo
      • "¼öµµ¾øÀÌ ´«¹°¿¡ Á¥¾î(Eccomi in lieta vesta... Oh! quante volte)"-1¸· ÁÙ¸®¿¡Å¸ÀÇ ¾Æ¸®¾Æ
      • "¾Æ! ¾Æ¹öÁöÀÇ ¿ë¼­µµ ¾øÀÌ(Ah! non poss¡¯io partire)"-ÁÙ¸®¿¡Å¸ÀÇ ¾Æ¸®¾Æ, sop. Anna Netrebko
      • "ÀÌ Ä®·Î½á º¹¼ö¸¦ Çϸ®¶ó(E Serbato a questo acciaro)"-Å׹ߵµÀÇ ¾Æ¸®¾Æ, ten. Dano Raffanti
      • "ÀÚ µµ¸ÁÄ¡ÀÚ, ¿ì¸®¿¡°Ô´Â ±×±æ¹Û¿¡ ¾ø´Ù(Si, fuggire)"-1:·Î¸Þ¿À¿Í ÁÙ¸®¿¡Å¸ÀÇ »ç¶ûÀÇ 2Áßâ
      • "Çϴ÷Π¿Ã¶ó°£ ±×´ë ¾Æ¸§´Ù¿î ¿µÈ¥ÀÌ¿©(Deh, tu bell¡¯anima)"-2:·Î¹Ì¿ÀÀÇ ¾Æ¸®¾Æ, ms. Joyce DiDonato
  1889. º§¸®´Ï, ¿ÀÆä¶ó <ÇØÀû>;
      • "±× ¼ø°áÇÑ ¹Ì¼Ò·Î(Col sorriso d¡¯innocenza)", sop.Angela Gheorghiu
      • "õÁø³­¸¸ÇÑ ¹Ì¼Ò¿Í »ç¶ûÀÌ °¡µæÇÑ ¸ð½À(Col sorriso d¡¯innocenza)"
  1890. º¸³ª±¸¶ó, ¼º¾Ç°î "¹Ù´Ù¿¡ ºñÄ£ ´Þ(Luna Marinara)", $ Luciano Pavarotti(Ten), * Michael John Bonagura
  1891. º¸³íÄ¡´Ï,¾ÈÅä´Ï¿À ¸¶¸®¾Æ, ¿ÀÆä¶ó ; /"ÇǰïÇÑ ¼ø·ÊÀÚó·³(Cosi stanco Pellegrino)" * Giovanni Bononcini(1670-1747 Italian Baroque)
  1892. º¸·Îµò, ±³Çâ°î 1, Eb
  1893. º¸·Îµò, ±³Çâ°î 2, b, Op.5, "¿µ¿õ", "ºñâ"°ú ÇÔ²² ·¯½Ã¾Æ¸¦ ´ëÇ¥ÇÏ´Â À½¾Ç, 30m$, Radio-Sinfonieorchester Stuttgart/Carlos Kleiber
  1894. º¸·Îµò, ¾ß»ó°î, 8m
  1895. º¸·Îµò, ¿ÀÆä¶ó <À̰ñ°ø>; /"Æú·ÎºñÄ¡ÀÇ ¹«°î"
  1896. º¸·Îµò, Áß¾Ó ¾Æ½Ã¾ÆÀÇ ÃÊ¿ø¿¡¼­(In The Steppes of Central Asia), °üÇö¾ÇÀû ȸȭ
  1897. º¸·Îµò, ÇǾƳë5ÁßÁÖ°î, c, ´ëÇ¥Àû ÀÛǰ,20m
  1898. º¸·Îµò, Çö¾Ç4ÁßÁÖ°î 1, A, 36m
  1899. º¸·Îµò, Çö¾Ç4ÁßÁÖ°î 2, D, $, 2MÀº NocturnÀ¸·Î µ¶¸³ÀûÀ¸·Î ¿¬ÁֵDZ⵵ ÇÔ, $ Takacs Quartet
  1900. º¸¸£Æ®³Æ½ºÅ°, ¼º¾Ç°î "»ç¶ûÀÇ Èû¿¡ ±â´ë¾î ±âµµÇÕ´Ï´Ù"
  1901. º¸¿ìÀÎ,¿äÅ©, ªÀº ¼Ò³ªÅ¸, Op.35-1, 13m, Edwin York Bowen (1884~1961 English)
  1902. º¸À̽º,Àª¸®¾ö, ±³Çâ°î 1, Bb, 8m * William Boyce (1711-1779 English)
  1903. º¸À̽º,Àª¸®¾ö, ±³Çâ°î 7, Bb, 9m
  1904. º¸À̽º,Àª¸®¾ö, ¼­°î 2, G, 7m
  1905. º¸À̽º,Àª¸®¾ö, Æ®¸®¿À ¼Ò³ªÅ¸ 2, F, 8m
  1906. º¸À̽º,Àª¸®¾ö, Æ®¸®¿À ¼Ò³ªÅ¸ 8, Eb, 11m$, Collegium Musicum 90
  1907. º¸À̽º,Àª¸®¾ö, ÇÕÁÖÇùÁÖ°î(Concerto grosso), Bb, 11m $ Cantilena/Adrian Shepherd
  1908. º¸ÀÌÅä, ¿ÀÆä¶ó <¸ÞÇǽºÅäÆç·¹(Mefistofele)>; /ÀüÁÖ°î * Arrigo Boito(1842-1918 Italian &poet)
      • "³ª´Â ºÎÁ¤ÇÑ ¿µÈ¥(Son lo spirito che nega)", bs.Samuel Ramey
      • "¾î´À³¯ ±íÀº ¹Ù´å¼Ó¿¡(L¡¯altra notte in fondo al mare)", sop.Renata Tebaldi
  1909. º¸Ã¿¸®, ¾Èµå·¹¾Æ, ·Î¸Á½º(?)
  1910. º¸Äɸ®´Ï, ±³Çâ°î, C, G.41
  1911. º¸Äɸ®´Ï, ±³Çâ°î, A, Op.35-3, G.511, 16m
  1912. º¸Äɸ®´Ï, ±³Çâ°î, F, Op.35-4. G.512, 17m, # Ensemble 415/Chiara Banchini
  1913. º¸Äɸ®´Ï, ±³Çâ°î, A, Op.37-4, G.518
  1914. º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 1, d, G.445
  1915. º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 2, E, G.446
  1916. º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 3, Bb, G.447
  1917. º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 4, D, G.448, "Fandango", 17m#
  1918. º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 5, D, G.449
  1919. º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 6, G, G.450
  1920. º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 7, e, G.451
  1921. º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 9, C, G.453, "¸¶µå¸®µå·ÎºÎÅÍÀÇ ±Í¿µ(La Ritirata di Madrid)", 27m#, $ Pepe Romero(guitar), Academy of St. Martin in the Fields
  1922. º¸Äɸ®´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, Bb
  1923. º¸Äɸ®´Ï, ¼­ÁÖ¿Í ÆÇ´ç°í(Introduction and Fandango)
  1924. º¸Äɸ®´Ï, ½ºÅ¸¹ÙÆ® ¸¶Å׸£ (½½ÇÄÀÇ ¼º¸ð), G.532, ¼ÒÇÁ¶ó³ë¿Í °üÇö¾ÇÀÌ ¾Ó»óºíÀ» ÀÌ·ë
  1925. º¸Äɸ®´Ï, ÿ·Î¼Ò³ªÅ¸ 6, A
  1926. º¸Äɸ®´Ï, ÿ·ÎÇùÁÖ°î 6, D. G.479, 17m
  1927. º¸Äɸ®´Ï, ÿ·ÎÇùÁÖ°î 7, G, G.480
  1928. º¸Äɸ®´Ï, ÿ·ÎÇùÁÖ°î 9, Bb, G.482, 5CCÁß °¡Àå ¶Ù¾î³²,23m#, Yo-Yo Ma(vc),Ton Koopman(keyboard),Amsterdam Baroque Orchestra/Ton Koopman
  1929. º¸Äɸ®´Ï, ÿ·ÎÇùÁÖ°î, C, G.573
  1930. º¸Äɸ®´Ï, ÆÇ´ç°í, ÃÀ¹ß·Î°î, Fandango;(music for) a lively Spanish dance
  1931. º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, C, Op.2-6, G.164
  1932. º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, g, Op.8-4, G.168, Op.8(G.165-G.170)
  1933. º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, A, Op.8-6, G.170, 11m, Venice String Quartet
  1934. º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, E, Op.11-5, G.275, 21m
  1935. º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, g, Op.32-5, G.205, 17m, Cuarteto Casals
  1936. º¸Äɸ®´Ï, Çö¾Ç5ÁßÁÖ°î, "¸¶µå¸®µå ¹ãÀÇ À½¾Ç", 1780c,10m
  1937. º¸Äɸ®´Ï, Çö¾Ç5ÁßÁÖ°î, E Op.11-5, G.275, 21m#,
  1938. º¸Äɸ®´Ï, Çö¾Ç5ÁßÁÖ°î, g, Op.29-6, G.318, 20m
  1939. º¸Å׸£¹®Æ®(Çѽº), ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, Vc, 5m * Hans Bottermund(1892 - 1949)
  1940. º¸Å׽ôÏ, ´õºíº£À̽ºÇùÁÖ°î, f#, 23m * Giovanni Bottesini(1821-1889 Italian &db)
  1941. º¸Å׽ôÏ, º§¸®´ÏÀÇ ¸ùÀ¯º´ÀÇ ¿©Àο¡ ÀÇÇÑ È¯»ó°î(Fantasia Sonnambula), (Db & Pf)
  1942. º¸Å׽ôÏ, Elegia, D, Ryutaro Hei(double bass)/Yu Kosuge(pf)
  1943. º¹¼­, ¾ß»ó°î(¿Àº¸¿Í ÇÏÇÁ¸¦ À§ÇÑ), F
  1944. º» Àª¸®¾Ï½º, "In the Fen Country", 14m, Academy of St. Martin in the Fields/Sir Neville Marriner
  1945. º» Àª¸®¾Ï½º, ±³Çâ°î 1, "¹Ù´Ù(Sea Symphony)", 66m, London Symphony Orchestra and London Symphony Chorus/Andre Previn
  1946. º» Àª¸®¾Ï½º, ±³Çâ°î 2, "·±´ø±³Çâ°î", 46m, ´ëÇ¥ÀÛ $ London Symphony Orchestra/Andre Previn
  1947. º» Àª¸®¾Ï½º, ±³Çâ°î 3, "Àü¿ø(Pastoral)", 33m, $
  1948. º» Àª¸®¾Ï½º, ±³Çâ°î 4, f, 1935c, 33m
  1949. º» Àª¸®¾Ï½º, ±³Çâ°î 5, D, 40m#, Curtis Institute Symphony Orchestra/Andre Previn
  1950. º» Àª¸®¾Ï½º, ±³Çâ°î 6, e,Â÷°©°í »ý±â°¡ ¾ø´Â Á¤Àû,¿µ±¹¹Î¿äÀÇ ¿ä¼Ò °¡¹Ì, 1944-47c
  1951. º» Àª¸®¾Ï½º, ±³Çâ°î 7, "³²±Ø(Sinfonia Antartica)", 38m, $ Linda Hohenfeld(Sop),Philharmonia Orchestra/Leonard Slatkin,Women of the Philharmonia Chorus
  1952. º» Àª¸®¾Ï½º, ³¯¾Æ¿À¸£´Â Á¾´Þ»õ(The Lark Ascending), 15m
  1953. º» Àª¸®¾Ï½º, ³ëÆÜ ±¤½Ã°î 1(Norfolk Rhapsody), e
  1954. º» Àª¸®¾Ï½º, ·Î¸Á½º(¹ÙÀ̿ø°°ú ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ), "Á¾´Þ»õ ³¯¾Æ ¿À¸£´Ù", 14m
  1955. º» Àª¸®¾Ï½º, "¸»¹ú(The Wasps)":¼­°î
  1956. º» Àª¸®¾Ï½º, 'ºÎÀÚ¿Í ³ª»ç·Î'ÀÇ 5°³ÀÇ º¯Çü(Five Variants of 'Dives and Lazarus'), °üÇö¾Ç°î $
  1957. º» Àª¸®¾Ï½º, ¼º¾Ç°î "·ùÆ®¸¦ µç ¿À¸£Æä¿ì½º (Orpheus with his lute)", ct.ten.David Daniels
  1958. º» Àª¸®¾Ï½º, ¼º¾Ç°î "¸°µ§ ÃÊ¿ø(Linden Lea)", ct.David Daniels, ct.ten.David Daniels
  1959. º» Àª¸®¾Ï½º, ¼º¾Ç°î <¿©ÇàÀÇ ³ë·¡>(9 Songs of Travel), 9°îÀ¸·Î ±¸¼º
      • "1) ¹æ¶ûÀÚ(The Vagabond)
      • "2) Let beauty awake"
      • "3) The Roadside Fire"
      • "4) Youth and Love"
      • "5) In Dreams"
      • "6) The Infinite Shining Heavens"
      • "7) Whither I must wander?"
      • "8) Bright is the ring of words"
      • "9) I have trod the upwrd and the downward slope"
  1960. º» Àª¸®¾Ï½º, ¿Àº¸ÇùÁÖ°î, a, 16m, # Maurice Bourgue(ob)/English Chamber Orchestra/William Boughton
  1961. º» Àª¸®¾Ï½º, õ·Î¿ªÁ¤ ¸ðÀ½°î(The Pilgrim's Progress: Suite), 8m
  1962. º» Àª¸®¾Ï½º, "Å丶½º Å»¸®½º ÁÖÁ¦¿¡ ÀÇÇÑ È¯»ó°î", Å丶½º Å»¸®½º´Â 1550³â´ë ¿µ±¹ÀÇ ´ëÇ¥Àû ÀÛ°î°¡, 18m, # Royal Philharmonic Orchestra/Leopold Stokowski
  1963. º» Àª¸®¾Ï½º, "Ææ ÄÁÆ®¸®¿¡¼­(In the Fen Country)"
  1964. º» Àª¸®¾Ï½º, "Ǫ¸¥ ¿Ê¼Ò¸Å ÁÖÁ¦¿¡ ÀÇÇÑ È¯»ó°î"
  1965. º» Àª¸®¾Ï½º, ÇùÁÖ°î(µÎ´ëÀÇ ÇǾƳ븦 À§ÇÑ), 30m
  1966. º¼¶õ½º,Äɺó, Leaping Dance, * Kevin Volans(1949- South Africa)
  1967. º¼¸µ,Ŭ·Îµå, 2´ëÀÇ ÇǾƳ븦 À§ÇÑ ¼Ò³ª´Ù * Claude Bolling(1930- French Jazz Pf &comp)
  1968. º¼¸µ,Ŭ·Îµå, ÇÃ·çÆ®¿Í ÀçÁî ÇÇ¾Æ³ë Æ®¸®¿À¸¦ À§ÇÑ ¸ðÀ½°î 1(Suite for Flute and Jazz Piano Trio)
  1969. º¼¸µ,Ŭ·Îµå, ÇÃ·çÆ®¿Í ÀçÁî ÇÇ¾Æ³ë Æ®¸®¿À¸¦ À§ÇÑ ¸ðÀ½°î 2(Suite for Flute and Jazz Piano Trio)
  1970. º¼¸µ,Ŭ·Îµå, Baroque and Blue
  1971. º¼ÇÁ, °¡°îÁý(¸þ¸®ÄÉ ½Ã¿¡ ÀÇÇÑ), * Hugo Wolf(1860-1903 Austrian)
      • "Á¤¿ø»ç"(14¹øÂ° °î)
      • "ÁÁÀº ³²ÀÚ¿Í ÁÁÀº ¿©ÀÚ(Gutmann und Gutwieb)", bar. Dietrich Fischer-Dieskau
  1972. º¼ÇÁ, ¼º¾Ç°î "°¡´Ï¸Þµå(Ganymed)"
  1973. º¼ÇÁ, ¼º¾Ç°î "±âµµ(Gebet)"
  1974. º¼ÇÁ, ¼º¾Ç°î "³ª¸¦ À§·ÎÇØÁÙ °÷Àº ¾îµðÀΰ¡(Wo finde ich Trost)"
  1975. º¼ÇÁ, ¼º¾Ç°î "µµ¹ö¿©Çà"
  1976. º¼ÇÁ, ¼º¾Ç°î "¹ãÀÇ ¸¶¹ý(Nachtzauber)", bar.Bo Skovhus
  1977. º¼ÇÁ, ¼º¾Ç°î "¹æ¶û±æ¿¡(Auf einer Wanderung)", bar.Thomas Quasthoff
  1978. º¼ÇÁ, ¼º¾Ç°î "¼¼·¹³ªµ¥(Das Staendchen)", ten.Christoph Pregerdien
  1979. º¼ÇÁ, ¼º¾Ç°î "¿©¸§³¯ÀÇ ÀÚÀå°¡(Wiegenlied im Sommer)", sop.Rita Striech
  1980. º¼ÇÁ, ¼º¾Ç°î "¿¾±×¸²¿¡ ºÎÃÄ(Auf ein altes Bild)", bar.Dietrich Henschel
  1981. º¼ÇÁ, ¼º¾Ç°î "¿äÁ¤ÀÇ ³ë·¡"
  1982. º¼ÇÁ, ¼º¾Ç°î "ÀºµÐ(Verborgenheit)", bar.Dietrich Fischer-Dieskau/Sviatoslav Richter(pf)
  1983. º¼ÇÁ, ¼º¾Ç°î "ÀÚ´Â ¾Æ±â¿¹¼ö(Schlafendes Jesuskind)"
  1984. º¼ÇÁ, ¼º¾Ç°î "ÁÖÇöÁ¦(Epiphanias)"
  1985. º¼ÇÁ, ¼º¾Ç°î "ħ¹¬ÀÇ »ç¶û(Verschwiegene liebe)"
  1986. º¼ÇÁ, ¾ÆÀÌÇîµµ¸£ÇÁ °¡°îÁý, 15°îÀ¸·Î ±¸¼º, Çâ¼ö°¡ °¡Àå À¯¸í, µ¿Çü¹Ýº¹À» °ÅµìÇÏ´Â ÇÇ¾Æ³ë ¹ÝÁÖ°¡ Ư»ö
  1987. º¼ÇÁ,¿¡¸¥½ºÆ® ºôÇ︧, Çö¾Ç4ÁßÁÖ°î, d, "Quatro", * Ernst Wilhelm Wolf(1735-1792 German)
  1988. º¼ÇÁ-Æä¶ó¸®, ¹Ù¼ø, È¥°ú ÇöÀ» À§ÇÑ Á¶°î-ÇùÁÖ°î, F, Op.16, 22m
  1989. º¼ÇÁ-Æä¶ó¸®, ¿ÀÆä¶ó <¼º¸ðÀÇ º¸¼®>; /°£ÁÖ°î
  1990. º¼ÇÁ-Æä¶ó¸®, ¿ÀÆä¶ó <¼öÁÝÀº ¿©ÀÎ(La dama boba)>; /¼­°î$
  1991. º¼ÇÁ-Æä¶ó¸®, À̵ô·¹(¸ñ°¡)ÇùÁÖ°î(Idillio Concertino), Op.15(1932), 20m, Diego Dini Ciacci(ob),Orchestra of Venice and Padua/Zsolt Hamar
  1992. ºÆ¸Þ(Oskar Boehme), Æ®·³Æê°ú ÇǾƳ븦 À§ÇÑ ÇùÁÖ°î, f, Op.18, 14m
  1993. ºÀÆÄ,·çÀ̽º, Ä«´Ï¹ßÀÇ ¾ÆÄ§(Manha de Carnaval), * Luiz Bonfa(1922-2001 Brazillian guitarist&)
  1994. ºÎÁ¶´Ï, Åõ¶õµµÆ® ¸ðÀ½°î(Turandot Suite for orchestra)-±ØºÎ¼öÀ½¾Ç, Op.41, 24m, Filarmonica della Scala/Riccardo Muti, * Ferruccio Busoni(1866-1924 Italian &pf)
  1995. ºÎÁö ÆäÄ¡¾Æ(Buzzi-Peccia), °¡°î "·Î¸®Å¸"(Lolita)
  1996. ºÏ½ºÅ×Èĵ¥(Dietrich Buxtehude), ¼Ò³ªÅ¸ 3, g, BuxWV.261
  1997. ºÒ¶ûÁ¦,¸±¸®, º½ÀÇ ¾ÆÄ§¿¡(D'un matin de printemps(Of a Spring Morning)) * Lili Boulanger(1893-1918 French) Nadia BoulangerÀÇ ¿©µ¿»ý
  1998. ºä¶¥, ¹ÙÀ̿ø°ÇùÁÖ°î 4, d, Op.31, $5 Hilary Hahn(vn),German Philharmonic Chamber Orchestra of Bremen/Paavo Jarvi
  1999. ºä¶¥, ¹ÙÀ̿ø°ÇùÁÖ°î 5, a, Op.37, VC4º¸´Ù ¼­Á¤Àû, 19m # Leonid Kogan(vn),Moscow State Orchestra/Kirill Kondrashin
  2000. ºä¶¥, ºñ¿Ã¶ó¼Ò³ªÅ¸, Bb, Op.36, 22m, $ Antoine Tamestit(va)/Cedric Tiberghien(pf)
  2001. ºä¶¥, ÿ·ÎÇùÁÖ°î 1, a, Op.46, 27m, Wen-Sinn Yang(vc)/Evergreen Symphony Orchestra/Gernot Schmalfuss
  2002. ºê¶ó°¡Åä,È£¼¼, ±×¶ó½Ã¿¤¶ó¿Í ºÎ¿¡³ë½º¾ÆÀÌ·¹½º(Graciela y Buenos Aires), * Jose Bragato(1915- Italian-born Argentine Vc)
  2003. ºê¶ó´ÏÃ÷Ű,ÆÄ¿ï, ±³Çâ°î, c, Op.11, 18m * Paul Wranitzky(1756-1808 Moravian Classical)
  2004. ºê¶ó´ÏÃ÷Ű,ÆÄ¿ï, ±³Çâ°î, D, Op.36
  2005. ºê¶óÀ̾,°³ºó, ¼º¾Ç°î "On Photography", 15m, * Gavin Bryars(1943- English)
  2006. ºê¶óÃ÷Ű, ¼º¾Ç°î "Be My Love", $ Joseph Calleja(Ten), Mario Lanza(Ten), * Nicholas Brodszky(1905-1958 Russian)
  2007. ºê¶õµé,¿äÇÑ, 5ÁßÁÖ°î(ÆÄ°÷°ú ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÿ·Î, ÇǾƳ븦 À§ÇÑ), F, Op.13, 21m * Johann Evangelist Brandl(1760-1837 German)
  2008. ºê¶õµé,¿äÇÑ, 5ÁßÁÖ°î(ÆÄ°÷°ú ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÿ·Î, ÇǾƳ븦 À§ÇÑ), C, Op.61, 25m
  2009. ºê¶õµé,¿äÇÑ, 5ÁßÁÖ°î(ÆÄ°÷°ú ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÿ·Î, ÇǾƳ븦 À§ÇÑ), F, Op.62, 22m, Calamus Ensemble
  2010. ºê¶õµé,¿äÇÑ, ±³Çâ°î, D, Op.25
  2011. ºê¶÷½º, 3°³ÀÇ °£ÁÖ°î(3 Intermezzi for piano), Op.117, Markus Groh(pf)
      • °£ÁÖ°î 1(Intermezzo), Eb, Op.117-1, 4m
      • °£ÁÖ°î 2(Intermezzo), bb, Op.117-2, 4m
      • °£ÁÖ°î 3(Intermezzo), c#, Op.117-3, 6m
  2012. ºê¶÷½º, 4°³ÀÇ ÇÇ¾Æ³ë ¼Òǰ(4 Klavierstuecke), Op.119;
      • 1) °£ÁÖ°î(Intermezzo), b, Op.119-1
      • 2) °£ÁÖ°î(Intermezzo), e, Op.119-2
      • 3) °£ÁÖ°î(Intermezzo), C, Op.119-3
      • 4) ±¤½Ã°î(Rhapsody), Eb, Op.119-4
  2013. ºê¶÷½º, 6°³ÀÇ ÇÇ¾Æ³ë ¼Òǰ(6 Klavierstuecke), Op.118;
      • 1) °£ÁÖ°î 2(Intermezzo), A, Op.118-2
  2014. ºê¶÷½º, ±³Çâ°î 1, c, Op.68, ºñ±ØÀû, "10¹ø±³Çâ°î", 3B À½¾Ç°¡, ¹ÙÈå º£Å亥, 48m, $ New York Philharmonic/Kurt Masur, $ Concertgebouw Orchestra/Eduard van Beinum, $ Orchestre de Paris/Charles Munch
  2015. ºê¶÷½º, ±³Çâ°î 2, D, Op.73, ¸ñ°¡Àû, "ºê¶÷½ºÀÇ Àü¿ø±³Çâ°î", 40m$, $1) Gewandhausorchester/Riccardo Chailly, $2) Berliner Sinfonie-Orchester/Guenther Herbig
  2016. ºê¶÷½º, ±³Çâ°î 3, F, Op.90, ³²¼ºÀû, "ºê¶÷½ºÀÇ ¿µ¿õ±³Çâ°î"(¸®È÷ÅÍ), "½£ÀÇ ¸ñ°¡"(½´¸¸)
  2017. ºê¶÷½º, ±³Çâ°î 4, e, Op.98, ¾Ö¼öÀû,³­ÇØÇÑ °î, $ Wiener Philharmoniker/Carlos Kleiber
  2018. ºê¶÷½º, ´ëÇÐÃàÀü ¼­°î, Op.80, C80
  2019. ºê¶÷½º, µ¶ÀÏ ·¹Äû¿¥, Op.45, 67m
  2020. ºê¶÷½º, µ¶ÀÏ ¹Î¿ä(14°³ÀÇ), WoO.34, /Àú±â °ñÂ¥±â ¾Æ·¡·Î(Da unten im tale), /Çã¶ôÇØÁÖ¿À »ç¶û½º·± ¾Æ°¡¾¾¿©(Erlaube mir, fein¡¯s Maedchen)
  2021. ºê¶÷½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, G, Op.78, 3M > ºñÀÇ ³ë·¡ ¼±À² »ç¿ë, "ºñÀÇ ¼Ò³ªÅ¸", 26m$, 1) Anne-Sophie Mutter(Vn)/Lambert Orkis(Pf) 2) Esther Nyffenegger(vc)/Annette Weisbrod(pf); ÿ·ÎÆí°î
  2022. ºê¶÷½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, A, Op.100, "Âù°¡¼Ò³ªÅ¸", "Åæ¼Ò³ªÅ¸"
  2023. ºê¶÷½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, d, Op.108, 20m, Wolfgang Schneiderhan(vn)/Carl Seemann(pf), Jamie Larerdo(vn)/Vladimir Sokoloff(pf)
  2024. ºê¶÷½º, ¹ÙÀ̿ø°ÇùÁÖ°î, D, Op.77, 3´ë VC, 39m$, $ Michele Auclair(vn),Wiener Symphoniker/Willem van Otteloo
  2025. ºê¶÷½º, ¹ÙÀ̿ø°°ú ÿ·Î¸¦ À§ÇÑ ÀÌÁßÇùÁÖ°î, a, Op.102, 32m, $$ Zino Francescatti(vn),Pierre Fourniner(vc),Columbia Symphony Orchestra/Bruno Walter 2) Yehudi Menuhin (Vn),Mstislav Rostropovich(Vc),London Symphony Orch/Colin Davis
  2026. ºê¶÷½º, ¹ß¶óµå 4, B, Op.10-4, Ballads(4):Op.10(d, D, b, B)
  2027. ºê¶÷½º, º¯ÁÖ°î(½´¸¸ ÁÖÁ¦¿¡ ÀÇÇÑ), Op.9, 16m, Pf
  2028. ºê¶÷½º, º¯ÁÖ°î(ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ), Op.35, 20m# Jean-Yves Thibaudet(Pf)
  2029. ºê¶÷½º, º¯ÁÖ°î(ÇÏÀ̵ç ÁÖÁ¦¿¡ ÀÇÇÑ), Op.56a, Op.56b
  2030. ºê¶÷½º, ºñ±ØÀû ¼­°î(Tragic Overture), d, Op.81, 15m#, C80, $ Gewandhausorchester/Riccardo Chailly
  2031. ºê¶÷½º, ºñ¿Ã¶ó¼Ò³ªÅ¸ 1, f, Op.120-1, 21m
  2032. ºê¶÷½º, ºñ¿Ã¶ó¼Ò³ªÅ¸ 2, Eb, Op.120-2, 20m, Kim Kashkashian(Va)
  2033. ºê¶÷½º, ¼º¾Ç°î "Love Brings Us Together"
  2034. ºê¶÷½º, ¼º¾Ç°î <4°³ÀÇ ³ë·¡> Op.43; /"¿µ¿øÇÑ »ç¶û(Von ewiger Liebe)"
  2035. ºê¶÷½º, ¼º¾Ç°î "°¡½¿±íÀÌ °£Á÷ÇÑ µ¿°æ(Gestillte Sehnsucht)", Op.91-1
  2036. ºê¶÷½º, ¼º¾Ç°î "°ñÂ¥±â ¾Æ·¡·Î(Da untem in Tale)"
  2037. ºê¶÷½º, ¼º¾Ç°î "±×°ÍÀº ½½ÇÄÀΰ¡ ±â»ÝÀΰ¡(Sind es schmerzen, sind es freuden)"
  2038. ºê¶÷½º, ¼º¾Ç°î "³ª´Â Á¡Á¡ ÆòÈ­·Î¿î Àá¿¡ ºüÁ®µé°í(Immer leiser wird mein Schlummer)", Op.105-2, sop.Jessye Norman/Daniel Barenboim(pf)
  2039. ºê¶÷½º, ¼º¾Ç°î "³» »ç¶ûÀº ÃÊ·Ï»ö" Op.63-5
  2040. ºê¶÷½º, ¼º¾Ç°î "´Þ¿¡°Ô(An den Mond)" Op.71-2
  2041. ºê¶÷½º, ¼º¾Ç°î "µéÀÇ Àû¸·(Feldeinsamkeit)", Op.86-2, bar.Dieskau
  2042. ºê¶÷½º, ¼º¾Ç°î "º¸¶÷¾ø´Â ¼¼·¹³ªµ¥", Op.84-4
  2043. ºê¶÷½º, ¼º¾Ç°î "ºñ¹Ð(Geheimnis)", Op.71-3
  2044. ºê¶÷½º, ¼º¾Ç°î "ºñÀÇ ³ë·¡(Regenlied)"
  2045. ºê¶÷½º, ¼º¾Ç°î "»çÆ÷ Âù°¡(Sapphische Ode)", Op.94-4, sop.Jessye Norman/Daniel Barenboim(pf)
  2046. ºê¶÷½º, ¼º¾Ç°î "»ç¶ûÀÇ ³ë·¡(Minnelied)", Op.71-5, bass. Hans Hotter
  2047. ºê¶÷½º, ¼º¾Ç°î "¼Ò³àÀÇ ³ë·¡" Op.107-5
  2048. ºê¶÷½º, ¼º¾Ç°î "¼Ò½Ä" Op.47-1
  2049. ºê¶÷½º, ¼º¾Ç°î "½ÄŹÀÇ ³ë·¡(Tafellied)"
  2050. ºê¶÷½º, ¼º¾Ç°î "¿µ¿øÇÑ »ç¶û(Von ewiger Liebe)", Op.43-1, sop.Jessye Norman
  2051. ºê¶÷½º, ¼º¾Ç°î "¿À·¡µÈ »ç¶û(Alte Liebe)"
  2052. ºê¶÷½º, ¼º¾Ç°î "ÀÏ¿äÀÏ(Sonntag)", Op.47-3, bar.Hermann Prey
  2053. ºê¶÷½º, ¼º¾Ç°î "ÀÚÀå°¡(Wiegenlied)", boy sop. Anthony Way
  2054. ºê¶÷½º, ¼º¾Ç°î "ÀáÀÇ ¿äÁ¤(Sandma"nnchen)", $ sop.Elly Ameling
  2055. ºê¶÷½º, ¼º¾Ç°î "Á¤¿ø»ç(Die Gaertener)", Op.17-3, The Monteverdi Choir
  2056. ºê¶÷½º, ¼º¾Ç°î "Ç×ÇØ"
  2057. ºê¶÷½º, ¼º¾Ç°î "È£¼ö¿¡¼­(Auf dem See)", Op.106-2
  2058. ºê¶÷½º, ¼¼·¹³ªµ¥ 1, D, Op.11, 45m#, $ LSO/Michael Tilson Thomas
  2059. ºê¶÷½º, ¼¼·¹³ªµ¥ 2, A, Op.16, 5M32m$, # London Symphony Orch.:Michael Tilson Thomas, $ London Symphony Orchestra/Bernard Haitink
  2060. ºê¶÷½º, ½Â¸®ÀÇ ³ë·¡, Op.55, ºñÁ¦ÀÇ °üÇö¾Ç¼­°î 'Á¶±¹'°ú ´ëÁ¶
  2061. ºê¶÷½º, ¾Æ¸§´Ù¿î ¸¶°Ö·Î³×, ¿¬°¡°îÁý; /"ÀÌ ±â»Ý°ú ȲȦÇÔÀ» ¾î¶»°Ô ÇØ¾ß Çϳª¿ä?(Wie soll ich die Freude, die Wonne denn tragen?)"
  2062. ºê¶÷½º, ¾ÙÅä ·¦¼Òµð(Alto Rhapsody), ¾ÙÅä µ¶Ã¢; ±â±³ ¹èÁ¦ À½¾Ç¼º °­Á¶
  2063. ºê¶÷½º, ¿µ¿øÇÑ »ç¶û¿¡ ´ëÇØ¼­(Von ewige Liebe), Op.43-1, Vc & Pf, 4m
  2064. ºê¶÷½º, ¿ÐÃ÷(16°î), Op.39
  2065. ºê¶÷½º, ¾ÖµµÀÇ ³ë·¡ (Naenie), Op.82, 14m
  2066. ºê¶÷½º, ¿î¸íÀÇ ³ë·¡(Schicksallied), Op.54, 16m
  2067. ºê¶÷½º, ÿ·Î¼Ò³ªÅ¸ 1, e, Op.38, 24m#, 1) Esther Nyffenegger(vc)/Gerad Wyss(pf), 2) Janos Starker(vc)/Gyoergy Sebok(pf)
  2068. ºê¶÷½º, ÿ·Î¼Ò³ªÅ¸ 2, F, Op.99, 2°îÀÇ CS, ³¶¸¸ÁÖÀÇ ½Ã´ëÀÇ ´ëÇ¥Àû ÿ·Î°î, Jacqueline Du Pre(vc)/Ernest Lush(pf)
  2069. ºê¶÷½º, Ŭ¶ó¸®³Ý3ÁßÁÖ°î, a, Op.114, 25m#, Michael Collins(Cl)/Steven Isserlis(Vc)/Stephen Hough(Pf)
  2070. ºê¶÷½º, Ŭ¶ó¸®³Ý5ÁßÁÖ°î, b, Op.115, 3´ë Ŭ¶ó¸®³Ý5ÁßÁÖ(¸ðÂ¥¸£Æ®), 37m, $ 1) Friedrich Fuchs(cl)/Wiener Konzerthaus Quartett, 2) Bernard Walton(cl),Members of the Music Gruop of London
  2071. ºê¶÷½º, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 1, f, Op.120-1
  2072. ºê¶÷½º, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 2, Eb, Op.120-2, 19m, # Martin Frost(cl)/Roland Pontinen(pf)
  2073. ºê¶÷½º, ÇǾƳë3ÁßÁÖ°î 1, B, Op.8, 37m, $ Isaac Stern(vn),Leonard Rose(vc),Eugene Istomin(pf)
  2074. ºê¶÷½º, ÇǾƳë3ÁßÁÖ°î 2, C, Op.87,26m
  2075. ºê¶÷½º, ÇǾƳë3ÁßÁÖ°î 3, c, Op.101
  2076. ºê¶÷½º, ÇǾƳë4ÁßÁÖ°î 1, g, Op.25, 40m
  2077. ºê¶÷½º, ÇǾƳë4ÁßÁÖ°î 2, A, Op.26
  2078. ºê¶÷½º, ÇǾƳë4ÁßÁÖ°î 3, c, Op.60, 32m, The Pro Arte Piano Quartet
  2079. ºê¶÷½º, ÇǾƳë5ÁßÁÖ°î, f, Op.34, 41m, ºê¶÷½ºÀÇ Áß¿äÇÑ ÀÛǰ, $ Elisabethe Leonskaja(Pf),Alban Berg Quartett
  2080. ºê¶÷½º, ÇǾƳë¼Ò³ªÅ¸ 1, C, Op.1
  2081. ºê¶÷½º, ÇǾƳë¼Ò³ªÅ¸ 2, A, Op.100
  2082. ºê¶÷½º, ÇǾƳë¼Ò³ªÅ¸ 3, f, Op.5, 39m
  2083. ºê¶÷½º, ÇǾƳë¼Òǰ(6°³ÀÇ), Op.118, 1) Intermezzo, a, 2) Intermezzo, G, 3) Ballade, g, 4) Intermezzo, f, 5) Romance, F, 6) Intermezzo, eb, 22m
  2084. ºê¶÷½º, ÇǾƳëÇùÁÖ°î 1, d, Op.15, 49m, ºê ÇùÁÖ°î 4°î, PC 2, VC 1,V&CC 1> 19¼¼±â ÃÖ°íºÀ, $ 1) Claudio Arrau(pf),Philharmonia Orchestra/Carlo Maria Giulini, 2) Gary Graffman(Pf),Boston Symphony Orchestra/Charles Munch, 3) Maurizio Pollini(pf),Berliner Philharmoniker/Claudio Abbado, 4)$ Paul Lewis(pf),Swedish Radio Symphony Orchestra/Daniel Harding
  2085. ºê¶÷½º, ÇǾƳëÇùÁÖ°î 2, Bb, Op.83, 50m, 1) $Claudio Arrau(pf)/Philharmonia Orchestra/Carlo Maria Giulini, 2) $ Wilhelm Backhaus(pf)/Wiener Philharmoniker/Carl Schuricht, 3) Wilhelm Backhaus(pf)/Wiener Philharmoniker/Karl Boehm
  2086. ºê¶÷½º, Çë°¡¸® ¹«°î 1, g, Andreas Ottensamer(Cl),Leonidas Kavakos(Vn),Stephan Koncz(Vc), * 21°î, WoO.1, ÇǾƳë & °üÇö¾Ç°î
  2087. ºê¶÷½º, Çë°¡¸® ¹«°î 2, d, Evgeny Kissin(pf)
  2088. ºê¶÷½º, Çë°¡¸® ¹«°î 3, F, Evgeny Kissin(pf)
  2089. ºê¶÷½º, Çë°¡¸® ¹«°î 4, f, f#(orchestra), # Budapest Festival Orchestra/Ivan Fischer
  2090. ºê¶÷½º, Çë°¡¸® ¹«°î 5, f#, g(orchestra), # Budapest Festival Orchestra/Ivan Fischer
  2091. ºê¶÷½º, Çë°¡¸® ¹«°î 6, Db, D(orchestra), Anne-Sophie Mutter(vn), # Budapest Festival Orchestra/Ivan Fischer
  2092. ºê¶÷½º, Çë°¡¸® ¹«°î 7, F, A(orchestra)
  2093. ºê¶÷½º, Çë°¡¸® ¹«°î 8, a
  2094. ºê¶÷½º, Çë°¡¸® ¹«°î 9, e
  2095. ºê¶÷½º, Çë°¡¸® ¹«°î 10, E, F(orchestra)
  2096. ºê¶÷½º, Çë°¡¸® ¹«°î 11, d
  2097. ºê¶÷½º, Çë°¡¸® ¹«°î 12, d
  2098. ºê¶÷½º, Çë°¡¸® ¹«°î 13, D
  2099. ºê¶÷½º, Çë°¡¸® ¹«°î 14, d
  2100. ºê¶÷½º, Çë°¡¸® ¹«°î 15, Bb
  2101. ºê¶÷½º, Çë°¡¸® ¹«°î 16, f
  2102. ºê¶÷½º, Çë°¡¸® ¹«°î 17, f#
  2103. ºê¶÷½º, Çë°¡¸® ¹«°î 18, D
  2104. ºê¶÷½º, Çë°¡¸® ¹«°î 19, b
  2105. ºê¶÷½º, Çë°¡¸® ¹«°î 20, e
  2106. ºê¶÷½º, Çë°¡¸® ¹«°î 21, e
  2107. ºê¶÷½º, Ç ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ¿Í Çª°¡, Op.24, 28m#, °üÇö¾Ç°î & pf, Murray Perahia(pf)
  2108. ºê¶÷½º, Çö¾Ç4ÁßÁÖ°î 1, c, Op.51-1
  2109. ºê¶÷½º, Çö¾Ç4ÁßÁÖ°î 2, a, Op.51-2, 34m, $1) Alban Berg Quartett, 2) Amadeus Quartet
  2110. ºê¶÷½º, Çö¾Ç4ÁßÁÖ°î 3, Bb, Op.67, 38m, $ Budapest String Quartet
  2111. ºê¶÷½º, Çö¾Ç5ÁßÁÖ°î 2, G, Op.111, 30m
  2112. ºê¶÷½º, Çö¾Ç6ÁßÁÖ°î 1(µÎ ´ëÀÇ ¹ÙÀ̿ø° µÎ ´ëÀÇ ºñ¿Ã¶ó ±×¸®°í µÎ ´ëÀÇ Ã¿·Î¸¦ À§ÇÑ), Bb, Op.18, 42m $, 2°³ÀÇ Çö¾Ç6ÁßÁÖ, 1) Nash Ensemble, $2) Mandelring Quartett
  2113. ºê¶÷½º, Çö¾Ç6ÁßÁÖ°î 2, G, Op.36, 40m $ NES Chamber Orchestra/Dmitry Sitkovetsky
  2114. ºê¶÷½º, È£¸¥ 3ÁßÁÖ°î, Eb, Op.40, (Hn Vn Pf)
  2115. ºê·¼,ÀÚÅ©, ¼º¾Ç°î "³¯ ¶°³ªÁö ¸»¾Æ¿ä(Ne me quitte pas)"#, Bruno Laplante(bar), * Jacques Brel(1929-1978 Belgian singer, French)
  2116. ºê·ÎµåÁîŰ, ¼º¾Ç°î "³» »ç¶ûÀÌ µÇ¾î ÁÖ¿À(Be my love)", * Nicholas Brodszky(1905-1958 Ukraine, popular songs)
  2117. ºê·çº¤, Points on Jazz (for two pianos and chamber orchestra), 30m, * Dave Brubeck
  2118. ºê·çÅ©³Ê, 4°³ÀÇ °üÇü³« ¼Òǰ(Four Orchestral Pieces)
  2119. ºê·çÅ©³Ê, °¡À» Àú³áÀ» ¹Ù¶óº¸´Â°í¿äÇÑ ½Ã¼±, Pf, 4m
  2120. ºê·çÅ©³Ê, ±³Çâ°î 1, c, 50m#, Deutsches Symphonie-Orchester Berlin/Riccardo Chailly
  2121. ºê·çÅ©³Ê, ±³Çâ°î 2, c, 52m
  2122. ºê·çÅ©³Ê, ±³Çâ°î 3, d, 59m
  2123. ºê·çÅ©³Ê, ±³Çâ°î 4, Eb, "³¶¸¸Àû ±³Çâ°î", 71m
  2124. ºê·çÅ©³Ê, ±³Çâ°î 5, Bb, 82m
  2125. ºê·çÅ©³Ê, ±³Çâ°î 6, A, 57m $
  2126. ºê·çÅ©³Ê, ±³Çâ°î 7, E, 66m $ Chicago Symphony Orchestra/Sir Georg Solti
  2127. ºê·çÅ©³Ê, ±³Çâ°î 8, c, 76m
  2128. ºê·çÅ©³Ê, ±³Çâ°î 9, d, 66m #, Wien Philharmonic/Carlo Maria Giulini
  2129. ºê·çÅ©³Ê, ·¹Äû¿¥, d
  2130. ºê·çÅ©³Ê, ¹Ì»ç 2, e
  2131. ºê·çÅ©³Ê, ¹Ì»ç 3, f, "´ë¹Ì»ç(Grosse Messe)", 4°î
  2132. ºê·çÅ©³Ê, Çö¾Ç4ÁßÁÖ°î, c, 24m, The Israel String Quartet
  2133. ºê·çÈå, ±³Çâ°î 1, Eb, Op.28, 27m, Staatskapelle Weimar/Michael Halasz
  2134. ºê·çÈå, ±³Çâ°î 2, f, Op.36, 33m, # Staatskapelle Weimar/Michael Halasz
  2135. ºê·çÈå, ±³Çâ°î 3, E, Op.51, 35m
  2136. ºê·çÈå, ·Î¸Á½º(¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ), Op.42, 10m, # Jack Liebeck(vn)/BBC Scottish Symphony Orchestra/Martyn Brabbins
  2137. ºê·çÈå, ·Î¸Á½º(ºñ¿Ã¶ó¿Í °üÇö¾ÇÀ» À§ÇÑ), F, Op.85, 9m, # Yuri Bashmet(va),London Symphony Orchestra/Neeme Jarvi
  2138. ºê·çÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, G, Op.78
  2139. ºê·çÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, A, Op.100
  2140. ºê·çÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, d, Op.108
  2141. ºê·çÈå, ¹ÙÀ̿ø°ÇùÁÖ°î 1, g, Op.26, 3°îÀÇ VCÁß 1$, 26m, {$1)Leonid Kogan(Vn)/Berlin Radio Symphony Orchestra/Lorin Maazel, 2) Zino Francescatti(Vn),New York Philharmonic/Thomas Schippers, 3) Nathan Milstein(vn),Prague Philharmonic Orchestra/Lorin Maazel, 4) Leonidas Kavakos(vn), Enrico Pace(pf)}
  2142. ºê·çÈå, ¹ÙÀ̿ø°ÇùÁÖ°î 2, d, Op.44, 23m, Jascha Heifetz(vn),RCA Victor Symphony Orchestra/Izler Solomon
  2143. ºê·çÈå, ½º¿þµ§ ¹Î¿ä ¼±À²¿¡ ÀÇÇÑ ¼¼·¹³ªµ¥(Serenade on Swedish Melodies), Op.Posth., 15m
  2144. ºê·çÈå, ½ºÄÚÆ²·£µå ȯ»ó°î(Schottische Fantasie:¹ÙÀ̿ø°°ú ÇÏÇÁ¿Í °üÇö¾ÇÀ» À§ÇÑ), Op.46, 24m#, ½ºÄÚÆ²·£µå ¹Î¿ä¸¦ ÁÖÁ¦·Î »ç¿ë, Alfredo Campoli(vn),London Philharmonic Orchestra/Adrian Boult
  2145. ºê·çÈå, ¾Æº£ ¸¶¸®¾Æ, 9m, Vn
  2146. ºê·çÈå, ÀÎ ¸Þ¸ð¸®¾ö(In Memoriam)-¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ ¾Æ´ÙÁö¿À, Op.65, 16m, Savatore Accardo(vn), Gewandhausorchester Leipzig/Kurt Masur
  2147. ºê·çÈå, ÄÌÆ® ÁÖÁ¦¿¡ ÀÇÇÑ ¾Æ´ÙÁö¿À(Adagio on Celtic Themes), e, Op.56, 7m
  2148. ºê·çÈå, ÄÝ ´Ïµå¶óÀÌ(Kol Nidrei for Cello and Orchestra), Op.47, Mischa Maisky
  2149. ºê·çÈå, Ŭ¶ó¸®³Ý°ú ºñ¿Ã¶ó, ÇǾƳ븦 À§ÇÑ 8°³ÀÇ ¼Òǰ, Op.83: I. Andante, II. Allegro con moto, III. Andante con moto, IV. Allegro agitato, V. Rumanische Melodie: Andante, VI. Nachtgesang (Nocturne): Andante con moto, VII. Allegro vivace, ma non troppo, VIII. Moderato
  2150. ºê·çÈå, Çö¾Ç5ÁßÁÖ°î, a, Op.posth.
  2151. ºê¸®Áö, ¹Ù´Ù, H.100, 1) Seascape, 2) Sea Foam, 3) Moonlight, 4) Storm, °üÇö¾Ç¸ðÀ½°î * Frank Bridge(1879-1941 English &Va)
  2152. ºê¸®Ä¡¾Ëµð,ÁÙ¸®¿À, º£´Ï½ºÀÇ »çÀ°Á¦(Il Carnevale de Venezia per flauto e pianoforte), Op.78, James Galway(Fl), Phillip Moll(Pf) * Giulio Briccialdi(1818-1881 Italina Flautist&)
  2153. ºê¸®Æ°, 4°³ÀÇ ¹Ù´Ù °£ÁÖ°î(from Peter Grimes)
  2154. ºê¸®Æ°, ´Ü¼ø±³Çâ°î(Simple symphony for string orchestra), Op.4; 1) ¼Ò¶õ½º·± ºÎ·¹(Boisterous bouree), 2) Àͻ콺·± ÇÇġīÅä(Playful pizzicato), 3) °¨»óÀûÀÎ »ç¶ó¹æµå(Sentimental saraband), 4) Àå³­½º·± ¸¶Áö¸·°î(Frolicsome Finale)
  2155. ºê¸®Æ°, º½ ±³Çâ°î, Op.44
  2156. ºê¸®Æ°, ±Ý¿äÀÏ ¿ÀÈÄ, Op.7, ÇÕâ¸ðÀ½Áý
  2157. ºê¸®Æ°, ·¹Äû¿¥
  2158. ºê¸®Æ°, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î, Op.80,25m
  2159. ºê¸®Æ°, ¼º¾Æ°î "The Foggy, Foggy Dew", ten.Robert Tear
  2160. ºê¸®Æ°, ¿ÀÆä¶ó <ÇÇÅÍ ±×¶óÀÓ½º(Peter Grimes)>; /"Grimes! Grimes!", /Interlude V. Moonlight
  2161. ºê¸®Æ°, Àϸ®¹Ì³ª½º, °¡°îÁý, 7)¾Æ¸§´Ù¿î Á¸Àç(·©º¸ÀÇ ½Ã), ÇÇÅÍ ÇǾîÁîÀÇ ³ë·¡¿¡ ºê¸®Æ°ÀÌ ¹ÝÁÖ¸¦ ÇÔ
  2162. ºê¸®Æ°, û¼Ò³âÀ» À§ÇÑ °üÇö¾Ç ÀÔ¹®, "ÆÛ¼¿ ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î°ú Ǫ°¡", Op.34
  2163. ºê¸®Æ°, Å×³Ê¿Í È¥,ÇöÀ» À§ÇÑ ¼¼·¹³ªµ¥, Op.31
  2164. ºê¸®Æ°, ÇÁ¶ûÅ© ºê¸®Áö ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(Variations on a Theme of Frank Bridge), Op.10, 26m#, London Philharmonic Orchestra/Vladimir Jurowski
  2165. ºê¸®Æ°, ÇǾƳëÇùÁÖ°î, Op.13, 34m
  2166. ºê¸®Æ°, Çö¾Ç4ÁßÁÖ°î, F
  2167. ºê¿Í¸ð¸£Æ¼¿¡, Don Quichotte chez la Duchesse: Overture and Dance Suite, * Joseph Bodin de Boismortier(1689-1755 French Baroque)
  2168. ºê¿Í¿¤µð¿Ü, ÇÏÇÁÇùÁÖ°î, C, 21m, $, Annie Challan(Hp),Ensemble Instrumental Sinfonia/Jean Witold, * Francois-Adrien Boieldieu(1775-1834 French) ÇÁ¶û½ºÀÇ ¸ðÂ¥¸£Æ®¶ó ºÒ¸².
  2169. ºí¶óº£,¹Ì½©, ÇÃ·çÆ®ÇùÁÖ°î, a, Jean-Pierre Rampal(Fl),Jean Francois Paillard's Chamber Orchestra/ Jean Francois Paillard, * Michel Blavet(1700-1768 French &fl)
  2170. ºí·£µå, ¼º¾Ç°î "³»°íÇâÀ¸·Î ³ª¸¦ º¸³»ÁÖ¿À(Carry Me Back to Old Virginy)", bar. Hermann Prey, * James A. Bland(1854-1911 African-American)
  2171. ºí·ÎÈå, ±³Çâ°î "±¤¾ßÀÇ ¼Ò¸®", À¯ÅÂÀû, 27m * Ernest Bloch(1880-1959 Swiss-born American)
  2172. ºí·ÎÈå, ¹Ù¾Ë ¼À(Baal Shem)(=Master of the Name)
  2173. ºí·ÎÈå, À¯ÅÂÀÎÀÇ »î(Jewish life); 1) ±âµµ(prayer) 2) ±â¿ø(supplication) 3) À¯ÅÂÀÎÀÇ ³ë·¡(Jewish song), 9m
  2174. ºí·ÎÈå, Çìºê¶óÀÌ ±¤½Ã°î(¼Ö·Î¸ó,ÿ·Î¿Í °üÇö¾ÇÀ» À§ÇÑ)
  2175. ºñ´Ï¾Æºê½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î 1, F, Op.14, 1853c, 27m#, Ivry Gitlis(vn),Orchestre National de L'Opera de Monte-Carlo/Jean-Claude Casdesus, * Henryk Wieniawski(1835-1880 Polish &Vn)
  2176. ºñ´Ï¾Æºê½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î 2, d, Op.22, 2°îÁß 2$
  2177. ºñ´Ï¾Æºê½ºÅ°, ½ºÄɸ£Á¶ Ÿ¶õÅÚ¶ó(Scherzo-tarantelle), Op.16, 5m#, Gavriel Lipkind(vc)/Alexandra Lubchansky(pf)
  2178. ºñ´Ï¾Æºê½ºÅ°, Àü¼³( ·¹°Õµ¥), Op.17
  2179. ºñ´Ï¾Æºê½ºÅ°, Æú·Î³×ÀÌÁî(¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), A
  2180. ºñµµ¸£(Âû½º ¸¶¸®), ¿À¸£°µ±³Çâ°î, Op.13-1, 38m, Charles-Marie Widor(1844-1937 French)
  2181. ºñµµ¸£(Âû½º ¸¶¸®), ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, Op.34, 17m
  2182. ºñµµ¸£(Âû½º ¸¶¸®), ÇǾƳë ÇùÁÖ°î 2, c, Op.77, 19m, # Markus Becker(pf),BBC National Orchestra of Wales/Thierry Fischer
  2183. ºñµµ¸£(Âû½º ¸¶¸®), ȯ»ó°î(Fantaisie), Ab, Op.62, 22m#, Markus Becker(pf),BBC National Orchestra of Wales/Thierry Fischer
  2184. ºñ·», ¼¼·¹³ªµ¥, Op.11, 14m#, Academy of St. Martin in the Fields/Sir Neville Marriner, * Dag Wiren(1905-1986 Swedish)
  2185. ºñ·», Çö¾Ç4ÁßÁÖ°î 3, d, Op.18
  2186. ºñ¹ßµð, 2´ëÀÇ ¹ÙÀ̿ø°, ·ùÆ®, ¹Ù¼Ò ÄÜÆ¼´º¿À¸¦ À§ÇÑ ÇùÁÖ°î, D, RV.93 * Antonio Vivaldi(1678-1741 Italian Baroque)
  2187. ºñ¹ßµð, ±Û·Î¸®¾Æ(Gloria), D, RV.589
  2188. ºñ¹ßµð, ±âŸÇùÁÖ°î, A, RV.82, 10m, Sharon Isbin(guitar)/Zurich Chamber Orchestra/Howard Griffiths
  2189. ºñ¹ßµð, ¶ó ½ºÆ®¶ó¹Ù°£ÀÚ(La Stravaganza), Op.4, 12 ÇùÁÖ°î(Vn)
      • ÇùÁÖ°î 4, a, RV.357
      • ÇùÁÖ°î 7, C, RV.185, Jean-Pierre Wallez(vn)/Ensemble Instrumental de France
      • ÇùÁÖ°î 8, d, RV.249, # Rachel Podger(Vn)/Arte dei Suonatori/li>
      • ÇùÁÖ°î 9, F, RV.284, Jean-Pierre Wallez(vn)/Ensemble Instrumental de France
  2190. ºñ¹ßµð, ¸®ÄÚ´õÇùÁÖ°î, G, RV.437
  2191. ºñ¹ßµð, ¸¸µ¹¸°ÇùÁÖ°î, C, RV.425, 8m#, Eliot Fisk(guitar)/Orchestra of St. Luke's
  2192. ºñ¹ßµð, ¸ðÅׯ® <¼¼»ó¿¡ Âü ÆòÈ­ ¾ø¾î¶ó>, RV.630; /"¼¼»ó¿¡ Âü ÆòÈ­ ¾ø¾î¶ó(Nulla in mundo pax sincera)", sop.Emma Kirkby
  2193. ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, C, RV.472
  2194. ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, C, RV.477, 11m
  2195. ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, d, RV.481
  2196. ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, Eb, RV.483
  2197. ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, e, RV.484, 12m
  2198. ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, F, RV.487
  2199. ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, a, RV.498, 11m
  2200. ºñ¹ßµð, ¹ÙÀ̿ø°¼Ò³ªÅ¸, Op.2-7, 7m
  2201. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, C, RV.190, 15m
  2202. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, c, RV.199 "Il Sospetto"
  2203. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, c, RV.202, 12m, Fabio Biondi/Europa Galante
  2204. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, D, RV.204, 5m
  2205. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, D, RV.208, "Il grosso Mogul", 14m
  2206. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, Eb, RV.254,14m, Giuliano Carmignola(vn),Accademia Bizantina/Ottavio Dantone
  2207. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, e, RV.273, 14m#, Daniel Hope(Vn)/Chamber Orchestra of Europe
  2208. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î(¹«°î ÁÖÁ¦¿¡ ÀÇÇÑ), RV.307, 10m
  2209. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, G, RV.310
  2210. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, g, RV.325, 7m
  2211. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, a, RV.356, Op.3-6, "È­¼ºÀÇ ¿µ°¨"
  2212. ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, RV.580, Op.3-10, "È­¼ºÀÇ ¿µ°¨"
  2213. ºñ¹ßµð, ºñ¿Ã¶ó´Ù¸ð·¹ÇùÁÖ°î(Concerto for Viola d'Amore), D, RV.392, 9m, Rachel Barton Pine(vn)/Ars Antigua
  2214. ºñ¹ßµð, ºñ¿Ã¶ó´Ù¸ð·¹ÇùÁÖ°î(Concerto for Viola d'Amore), A, RV.396, 10m
  2215. ºñ¹ßµð, ºñ¿Ã¶ó´Ù¸ð·¹ÇùÁÖ°î(Concerto for Lute and Viola d'amore), d, RV.540, 12m, Rachel Barton Pine(viola d'amore)/Hopkinson Smith(lute)/Ars Antigua
  2216. ºñ¹ßµð, »ç°è, Op.8, ÇÕÁÖÇùÁÖ°î(No.1-4; E, g, F, f)
  2217. ºñ¹ßµð, ¼º¾Ç°î "°Ì¾ø´Â ÀÛÀº ³ªºñ(La Farfalletta audace)", sop.Simone Kermes
  2218. ºñ¹ßµð, ¼º¾Ç°î "¼¼»ó¿¡ ÂüÆòÈ­ ¾ø¾î¶ó":Motet, RV.630
  2219. ºñ¹ßµð, ¼º¾Ç°î "ÀüÀïÅÍ¿¡¼­ Àú¸¦ ½ÃÇèÇÏ±æ ¿øÇϽøé"
  2220. ºñ¹ßµð, ¼Ò³ªÅ¸ 1(¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), g, Op.12-1, RV.27 * Op.2¿¡ 12°³ ¼Ò³ªÅ¸
  2221. ºñ¹ßµð, ¼Ò³ªÅ¸ 2, A, Op.12-2, RV.31
  2222. ºñ¹ßµð, ¼Ò³ªÅ¸ 3, d, Op.12-3, RV.14
  2223. ºñ¹ßµð, ¼Ò³ªÅ¸ 4, F, Op.12-4, RV.20
  2224. ºñ¹ßµð, ¼Ò³ªÅ¸ 5, b, Op.12-5, RV.36
  2225. ºñ¹ßµð, ¼Ò³ªÅ¸ 6, A, Op.12-6, RV.1
  2226. ºñ¹ßµð, ¼Ò³ªÅ¸ 7, c, Op.12-7, RV.8
  2227. ºñ¹ßµð, ¼Ò³ªÅ¸ 8, G, Op.12-8, RV.23
  2228. ºñ¹ßµð, ¼Ò³ªÅ¸ 9, e, Op.12-9, RV.16
  2229. ºñ¹ßµð, ¼Ò³ªÅ¸ 10, f, Op.12-10, RV.21
  2230. ºñ¹ßµð, ¼Ò³ªÅ¸ 11, D, Op.12-11, RV.9
  2231. ºñ¹ßµð, ¼Ò³ªÅ¸ 12, a, Op.12-12, RV.32
  2232. ºñ¹ßµð, ½ÅÆ÷´Ï¾Æ, b, RV.168, Venice Baroque Orchestra/Andrea Marcon
  2233. ºñ¹ßµð, ¿Àº¸¿¡ÇùÁÖ°î, C, RV.447, Maurice Bourgue(ob),I Solisti Veneti/Claudio Scimone
  2234. ºñ¹ßµð, ¿ÀÆä¶ó <±¤¶õÀÇ ¿À¸¦¶õµµ(Orlando furioso)>, RV.728;
  2235. ºñ¹ßµð, ¿ÀÆä¶ó <±×¸®¼¿´Ù(Griselda)>;
      • "ÆøÇ³ÀÌ ¸ô¾ÆÄ¡°í(Agitata da due venti)"
  2236. ºñ¹ßµð, ¿ÀÆä¶ó <¶ó ½Çºñ¾Æ(La Silvia)>;
      • "±×°ÍÀÌ ³»°¡ »ç¶ûÇØ¾ß ÇÏ´Â ¸¶À½À̶ó´Â °É ¾Ð´Ï´Ù"
  2237. ºñ¹ßµð, ¿ÀÆä¶ó <¹ÙÀÚÁ¦>;
      • "³ª´Â ¸ê½Ã¹Þ´Â ¾Æ³»¶ó¿À(Sposa son disprezzata)"
  2238. ºñ¹ßµð, ¿ÀÆä¶ó <¿Ã¶õµµ(Orlando)>;
      • "À̽½ ¸ÎÈù Àå¹Ì¸¦ ÇâÇØ"
  2239. ºñ¹ßµð, ¿ÀÆä¶ó <À¯µðÆ®ÀÇ ½Â¸®>;
      • "³»°¡ ³Ê¸¦ ÀεµÇϸ®¶ó(Veni, sequere fida)", ms.Magdalena Kozena
  2240. ºñ¹ßµð, ¿ÀÆä¶ó <ÁÖ½ºÆ¼³ë(Giustino)>, RV 717; /"³ªÀÇ »ç¶ûÇÏ´Â ´Ô ¸¸³ª¸®"
  2241. ºñ¹ßµð, ¿ÀÆä¶ó <ÆÛ½ºÀÇ ¾Æ¸§´Ù¿î ¾Æ°¡¾¾>; /"¼¼·¹³ªµ¥"
  2242. ºñ¹ßµð, ¿Àº¸¿¡ÇùÁÖ°î, a, RV.463
  2243. ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 1(Sonata for Cello and Basso Continuo), Bb, RV.47
  2244. ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 2, F, RV.41, Marco Ceccato(vc)/Accademia Ottoboni(pf)
  2245. ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 3, a, RV.43
  2246. ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 4, Bb, RV.45, 13m, # Anner Bylsma(vc)/Francesco Galligioni(vc)/Ivano Zanenghi(archlute)/Andrea Marcon(org)
  2247. ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 5, e, RV.40
  2248. ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 6, Bb, RV.46
  2249. ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸, C, RV.399, 7m
  2250. ºñ¹ßµð, ÿ·ÎÇùÁÖ°î(ÿ·Î¿Í Çö ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ÇùÁÖ°î), RV.406, 9m, $ Mstislav Rostropovich(vc),The Saint Paul Chamber Orchestra/Hugh Wolff
  2251. ºñ¹ßµð, ÿ·ÎÇùÁÖ°î, G, RV.413
  2252. ºñ¹ßµð, ÿ·ÎÇùÁÖ°î, a, RV.418, Christophe Coin(vc piccolo),The Academy of Ancient Music/Christopher Hogwood
  2253. ºñ¹ßµð, ÿ·ÎÇùÁÖ°î, b, RV.424, Christophe Coin(vc),The Academy of Ancient Music/Christopher Hogwood
  2254. ºñ¹ßµð, ö·ÎÇùÁÖ°î(µÎ ´ëÀÇ µ¶ÁÖ Ã¿·Î¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), g, RV.531, # Yo-Yo Ma & Jonathan Manson(baroque vc),The Amsterdam Baroque Orchestra/Ton Koopman
  2255. ºñ¹ßµð, Æ®¸®¿À¼Ò³ªÅ¸, d, RV.63, "La follia variations"
  2256. ºñ¹ßµð, Æ®¸®¿À¼Ò³ªÅ¸(¹ÙÀ̾ó¸°, ·ùÆ®(±âŸ), ¹Ù¼ÒÄÜÆ¼´©¿À¸¦ À§ÇÑ)(Trio for violin, lute(guitar) & B.C), C, RV.82
  2257. ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 1, F, "¹Ù´ÙÀÇ ÆøÇ³",7m
  2258. ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 2, g, RV.439 "La notte", 9m
  2259. ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 4
  2260. ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 5, F, Op.10, RV.434, 9m, Emmanuel Pahud(fl),Australian Chamber Orchestra/Richard Tognetti
  2261. ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 6
  2262. ºñ¹ßµð, ÇÇÄÝ·ÎÇùÁÖ°î, C
  2263. ºñ¹ßµð, ÇÕÁÖÇùÁÖ°î, g, RV.578, Nigel Kennedy(Vn)/Daniel Stabrawa(Vn)/Olaf Maninger(Vc)
  2264. ºñ¹ßµð, ÇùÁÖ°î, a, RV.127, 4m
  2265. ºñ¹ßµð, ÇùÁÖ°î(Concerto for Strings), c, RV.119, 5m, Venice Baroque Orchestra/Andrea Marcon
  2266. ºñ¹ßµð, ÇùÁÖ°î(Concerto for Strings), d, RV.128, I Barocchisti/Diegi Fasolis
  2267. ºñ¹ßµð, ÇùÁÖ°î(Çö°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, RV.133
  2268. ºñ¹ßµð, ÇùÁÖ°î, g, RV.156, 6m
  2269. ºñ¹ßµð, ÇùÁÖ°î, g, RV.157, 6m, {Concerto Italiano}
  2270. ºñ¹ßµð, ÇùÁÖ°î, d, RV.243, 9m
  2271. ºñ¹ßµð, ÇùÁÖ°î, e, RV.277, "Il Favorito", Vn, 12m
  2272. ºñ¹ßµð, ÇùÁÖ°î(2°³ÀÇ Æ®·³ÆêÀ» À§ÇÑ), C, 11m
  2273. ºñ¹ßµð, ÇùÁÖ°î(2´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), a, Op.3-8, RV.522
  2274. ºñ¹ßµð, ÇùÁÖ°î(2´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), Bb, RV.530, 9m
  2275. ºñ¹ßµð, ÇùÁÖ°î(2´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), A, RV.552, "¸Þ¾Æ¸®(Echo)"
  2276. ºñ¹ßµð, ÇùÁÖ°î(4´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), D, RV.549, 7m
  2277. ºñ¹ßµð, ÇùÁÖ°î(2´ëÀÇ ÇÃ·çÆ®¸¦ À§ÇÑ), C, RV.533
  2278. ºñ¹ßµð, ÇùÁÖ°î(¿Àº¸, Çö¾Ç ±×¸®°í ÄÜÆ¼´©¿À¸¦ À§ÇÑ), d, RV.454, 8m
  2279. ºñ¹ßµð, ÇùÁÖ°î, g, RV.531
  2280. ºñ¹ßµð, ÇùÁÖ°î(¹ÙÀ̿ø°, ¿À¸£°µ, Çö¾Ç ±×¸®°í ÄÜÆ¼´©¿À¸¦ À§ÇÑ), c, RV.766, #
  2281. ºñ¹ßµð, ÇùÁÖ°î, Eb, Op.8-5, "¹Ù´ÙÀÇ ÆøÇ³(La Tempesta di Mare)"
  2282. ºñ¹ßµð, È­¼ºÀÇ ¿µ°¨ 6
  2283. ºñ¹ö, 15¼ºÀ» À§ÇÑ ·¹Äû¿¥(Requiem for 15), A, ¼º¾Ç°î, 41m, # Amsterdam Baroque Choir,Amsterdam Baroque Orchestra/Ton Koopman
  2284. ºñ¹ö, ¼¼·¹³ªµ¥, C, "Nightwatchman's Call", 10m#, * Heinrich Ignaz Franz von Biber(1644-1704 Bohemian-Austrian &vn)
  2285. ºñ¹ö, ¼Ò³ªÅ¸ 5
  2286. ºñ¹ö, Sonata Seconda A 8, 5m, Concentus musicus Wien/Nikolaus Harnoncourt
  2287. ºñ¹ö, Àß½ºº£¸£±× ¹Ì»ç(Missa Salisburgensis), /Credo
  2288. ºñº£½º,¾Æ¸¶µ¥¿À, »ç¸£¼ö¿¤¶ó <µ·³ª ÇÁ¶õ½Ã½ºÅ°Å¸>; "¿¬ÀεéÀÇ ÇÕâ(Coro de romanticos)", Amadeu Vives(1871-1932, Spanish)
  2289. ºñ¼ó, ¼º¾Ç°î "Áñ°Å¿î ³ªÀÇ Áý(Home, Sweet Home)", # bar. Bryn Terfel, * Henry Rowley Bishop(1786-1855 English)
  2290. ºñ¼ó, ¼º¾Ç°î "º¸¶ó! Á¤´Ù¿î Á¾´Þ»õ¸¦(Lo! Here the Gentil Lark)"
  2291. ºñ¿ÀƼ, ¹ÙÀ̿ø°ÇùÁÖ°î 18, e, 27m
  2292. ºñ¿ÀƼ, ¹ÙÀ̿ø°ÇùÁÖ°î 22, a, 29 VCÁß °¡Àå ¶Ù¾î³­ ÀÛǰ, 30m$, $ Lola Bobesco(vn),Staatliche Philharmonie Rheinland-Pfalz/Kurt Redel, # Itzhak Perlman(Vn),Juilliard Orchestra/Lawrence Foster
  2293. ºñ¿ÀƼ, ÇǾƳëÇùÁÖ°î, g, ºñ¹ßµð¸¦ Á¦¿ÜÇϰí´Â °¡Àå ¸¹Àº Vn C ÀÛ°î, 19c ¹ÙÀ̿ø®´Ï½ºÆ® & ÀÛ°î°¡
  2294. ºñÁ¦, °¡°î "»ç¶ûÀÇ ³ë·¡"
  2295. ºñÁ¦, °¡°î "½ÅÀÇ ¾î¸° ¾ç(Agnus Dei)"
  2296. ºñÁ¦, °üÇö¾Ç ¼­°î, Op.19, "Á¶±¹", ÇÁ·¯½Ã¾Æ¿Í ÇÁ¶û½º ÀüÀï¿¡¼­ÀÇ ÇÁ¶û½ºÀÎÀÇ ¾Ö±¹½ÉÀ» Ç¥Çö. ÀÌ ¶§ ºê¶÷½º´Â '½Â¸®ÀÇ ³ë·¡'¸¦ ÀÛ°î
  2297. ºñÁ¦, ±³Çâ°î 1, C, 28m, # LSO/Roberto Benzi
  2298. ºñÁ¦, ¹ÝÀ½°èÀû º¯ÁÖ°î(Variations chromatiques de concert), 14m, San Francisco Ballet Orchestra/Martin West
  2299. ºñÁ¦, ¼º¾Ç°î "4¿ùÀÇ ³ë·¡(Chanson d¡¯avril)", bar.Gerard Souzay
  2300. ºñÁ¦, ¼º¾Ç°î "±×´ë ¸¶À½À» ¿­¾î¿ä(Ouvre ton coeur)", sop. Barbara Hendricks
  2301. ºñÁ¦, ¼º¾Ç°î "»ç¶ûÀÇ ³ë·¡(Chant d¡¯amour)", ms.Cecilia Bartoli
  2302. ºñÁ¦, ¼º¾Ç°î "¾Æ¶ø ¿©ÁÖÀÎÀÇ ÀÛº°Àλç(Adieux de l¡¯hotesse arabe)", sop.Marie Devellereau
  2303. ºñÁ¦, ¼º¾Ç°î "Tarentelle", ms.Cecilia Bartoli
  2304. ºñÁ¦, ¾Æ¸¦¸£ÀÇ ¿©ÀÎ, Á¦1 ¸ðÀ½°î, 4°î±¸¼º> 1) ÀüÁÖ°î, 2) ¹Ì´º¿§, 3) ¾Æ´ÙÁö¿§Åä, 4) Ä«¸®¿ë(Á¾)
  2305. ºñÁ¦, ¾Æ¸¦¸£ÀÇ ¿©ÀÎ, Á¦2 ¸ðÀ½°î, 4°î±¸¼º> ·Î¸¶ÀÇ ÇÏ·ç ¹× »çÀ°Á¦ Ç¥ÇöºñÁ¦, ¿ÀÆä¶ó Ä®¸à, 1) ÆÄ½ºÅä¶ö, 2) °£ÁÖ°î, 3) ¹Ì´º¿§, 4) ÆÄ¶ûµ¹
  2306. ºñÁ¦, ¾ÆÀ̵éÀÇ ³îÀÌ(Jeux d'enfants), Op.22, °üÇö¾Ç°î
  2307. ºñÁ¦, ¾ß»ó°î(ÇǾƳ븦 À§ÇÑ), D, 3m
  2308. ºñÁ¦, ¿ÀÆä¶ó <¾Æ¸§´Ù¿î ÆÛ½ºÀÇ ¾Æ°¡¾¾(La jolie fille de Perth)>; /"¼¼·¹³ªµ¥"
  2309. ºñÁ¦, ¿ÀÆä¶ó <ÁøÁÖÁ¶°³ÀâÀÌ(Pearl Fishers)>;
      • "±Í¿¡ ³²Àº ±×´ë À½¼º(Je crois entendre encore )"-NadirÀÇ ·Î¸Á½º, # ten.Jussi Bjoerling, # ten.Alain Vanzo
      • "¹ã¿¡ ¿©±â¿¡¼­ ³ªÈ¦·Î(Me voila seule dans la nuit)"-·¹À϶óÀÇ ¾Æ¸®¾Æ, sop.Ileana Cotrubas
      • "½Å¼ºÇÑ »ç¿ø¿¡¼­(Au fond du temple saint)"-³²¼º2Áßâ, ten.Gregory Cross/bar.Gino Quilico
  2310. ºñÁ¦, ¿ÀÆä¶ó <Ä®¸à>;
      • ²É³ë·¡-"´ç½ÅÀÌ ´øÁ®ÁØ ÀÌ ²ÉÀº(La Fleur que tu m¡¯avais jetee)"
      • "³ª´Â ¾Æ¹«°Íµµ µÎ·ÆÁö ¾Ê¾Æ"-(MichaelaÀÇ ¾Æ¸®¾Æ), sop.Pilar Lorengar
      • "»ç¶ûÀº ÀÚÀ¯·Î¿î »õ(L¡¯amour est un oiseau rebelle)", ms.Teresa Berganza
      • "½Å³ª´Â Æ®¶óÀÌ¾Þ±Û ¼Ò¸®(Les triangles des sistres tintaient)"-Áý½ÃÀÇ ³ë·¡, Magdalena Kozena(ms)
      • "¿©·¯ºÐ Ãà¹è¸¦ µì½Ã´Ù(Votre toast)"
      • "Åõ¿ì»çÀÇ ³ë·¡"
      • "ÇϹٳ׶ó"
  2311. ºñÁ¦, Ä®¸à ¸ðÀ½°î 1(Carmen Suite)
  2312. ºñÁ¦, Ä®¸à ¸ðÀ½°î 2
  2313. ºñÁ¦, <¾Æ¸§´Ù¿î ÆÛ½ºÀÇ ¾Æ°¡¾¾(La jolie fille de Perth(The Fair Maid of Perth))> ¸ðÀ½°î, Orchestre de Paris/Daniel Barenboim
  2314. ºñÄ¡,¿¡À̹Ì, ¹ß¶óµå(Ballade), Op.6, 9m, Kirsten Johnson(pf), * Amy Beach(1867-1944 American/F &pf)
  2315. ºñÄ¡,¿¡À̹Ì, ÇǾƳ븦 À§ÇÑ 4°³ÀÇ ½ºÄÏÄ¡(4 Sketches for piano), Op.15; 1) In Autumn 2) Phantoms 3) Dreaming 4) Fireflies
  2316. ºñÅ»¸®, »þÄÜ´À(Chaconne; Ciaccona), g, 10m, Boris Goldstein(violin)/Claus Kuehnl(organ)
  2317. ºñÆ®,ÇÁ¸®µå¸®È÷, ±³Çâ°î 6, a, WV.1.16, "ÅÍŰ ±³Çâ°î(Sinfonie Turque)" * Friedrich Witt(1770-1836 German &Vc)
  2318. ºñÆ®,ÇÁ¸®µå¸®È÷, ±³Çâ°î 9, d, WV.1.19
  2319. ºò½Ã¿À, ¼º¾Ç°î "´©°¡ ³ªº¸´Ù ÇູÇÒ±î(Chi e piu felice di me)", ten. Luciano Pavarotti
  2320. ºò½Ã¿À, ¼º¾Ç°î "¸¶¸®¿ì, ³»°Ô »ç¶ûÀÇ ¸»À»..."(Parlami d¡¯amore Mariu: Sprich mir von der Liebe, Mariu), ten.Mario del Monaco, * Cesare Andrea Bixio(1896-1978 Italian)
  2321. ºò½Ã¿À, ¼º¾Ç°î "¹Ù¶÷¿¡ ºÎÄ¡´Â ³ªÀÇ ³ë·¡"(La mia canzone al vento)
  2322. ºò½Ã¿À, ¼º¾Ç°î "¾ö¸¶(mamma)", $ ten.Luciano Pavarotti
  2323. ºóÄ¡, ¿ÀÆä¶ó <¼¼¹Ì¶ó¹Ìµ¥(Semiramide)> * Leonardo Vinci (1690-1730 Italian, opera composer)
      • ¹Ì¸£Å׿ÀÀÇ ¾Æ¸®¾Æ(In braccio a mille furie)
  2324. ºô¶ó-·Îº¸½º, ºê¶óÁúdzÀÇ ¹ÙÈå 1, 1) Introducao(Embolada) 2) Preludio(Modinha) 3) Fuga(Conversa), Die 12 Cellisten der Berliner Philharmoniker
  2325. ºô¶ó-·Îº¸½º, ºê¶óÁúdzÀÇ ¹ÙÈå 4(Bachianas brasileiras) * Heitor Villa-Lobos(1887-1959 Brazilian)
  2326. ºô¶ó-·Îº¸½º, ºê¶óÁúdzÀÇ ¹ÙÈå 5; /"¾Æ¸®¾Æ"
  2327. ºô¶ó-·Îº¸½º, ºê¶óÁúdzÀÇ ¹ÙÈå 7, °üÇö¾Ç°î, 27m
  2328. ºô¶ó-·Îº¸½º, ¼º¾Ç°î "Melodia Sentimental"
  2329. ºô¶ó-·Îº¸½º, ¼º¾Ç°î "³ªÀÇ ±æ(Nesta Rua)"
  2330. ºô¶ó-·Îº¸½º, ¼î·Î½º 1(Choros for guitar)
  2331. ºô¶ó-·Îº¸½º, ÀüÁÖ°î 2, E, 3m, 5°³ÀÇ ±âŸÀ» À§ÇÑ ÀüÁÖ°î
  2332. ºô¶ó-·Îº¸½º, ÀüÁÖ°î 5(Prelude 5:Homenagem ao Vida Social), guitar, 4m
  2333. ºô¸§½º, ±³Çâ°î 1, C, Op.9, 26m*, NDR Radio Philharmonic/Howard Griffiths, * Johann Wilhelm Wilms (1772-1847 Dutch-German)
  2334. ºô¸§½º, ±³Çâ°î 6, d, Op.58, 31m,
  2335. »Ü¶û,ÇÁ¶õ½Ã½º, 3ÁßÁÖ°î(¿Àº¸, ¹Ù¼ø ±×¸®°í ÇǾƳ븦 À§ÇÑ), FP.43, ¿À³×°Å ¹Ì¿ä¿Í ÇÔ²² ¹Ýµåºß½Ã ¹Ý¹Ù±×³Ê, 1939c, 13m#
  2336. »Ü¶û,ÇÁ¶õ½Ã½º, 6ÁßÁÖ°î(ÇǾƳë¿Í ¸ñ°ü5ÁßÁÖ¸¦ À§ÇÑ),17m
  2337. »Ü¶û,ÇÁ¶õ½Ã½º, <µ¿¹° ¿ìÈ­Áý>; ´ÜºÀ³«Å¸(Le dromadaire)
  2338. »Ü¶û,ÇÁ¶õ½Ã½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸
  2339. »Ü¶û,ÇÁ¶õ½Ã½º, ½ÅÆ÷´Ï¿¡Å¸(Sinfonietta), FP.141, 27m, # Luxembourg Philharmonic Orchestra/Jonathan Darlington
  2340. »Ü¶û,ÇÁ¶õ½Ã½º, ¿Àº¸¿¡¼Ò³ªÅ¸, 3mv:'¾Öµµ(Deploration)', Maurice Bourgue(Ob)/acques Fevrier(pf)
  2341. »Ü¶û,ÇÁ¶õ½Ã½º, ¿Ã°µÇùÁÖ°î, g, 23m
  2342. »Ü¶û,ÇÁ¶õ½Ã½º, ÿ·Î¼Ò³ªÅ¸, 22m
  2343. »Ü¶û,ÇÁ¶õ½Ã½º, Ä«ÇÁ¸®Ä¡¿À,T3
  2344. »Ü¶û,ÇÁ¶õ½Ã½º, ÇÃ·çÆ®¼Ò³ªÅ¸, FP.164, 12m # Wolfgang Schulz(fl)/James Levine(pf)
  2345. »Ü¶û,ÇÁ¶õ½Ã½º, ÇùÁÖ°î(µÎ´ëÀÇ ÇǾƳ븦 À§ÇÑ), d, 19m,T3
  2346. »çµ¥·Î, ¼º¾Ç°î "»ç¶ûÀÌ¿©, »ç¶ûÀÌ¿©(Amuri, Amuri )", ten. Ferruccio Tagliavini, * Geni Sadero(1886-1961 Italy f)
  2347. »çµ¥·Î, ¼º¾Ç°î "½ÃÄ¥¸®ÀÇ ÀÚÀå°¡(Era la vo)", sop. Victoria de los Angeles
  2348. »ç¶ó»çÅ×, ¹Ù½ºÅ© ±â»ó°î(Caprice Basque), Op.24, Leonid Kogan(vn), Andrei Mitnik(pf), * Pablo de Sarasate(1844-1908 French)
  2349. »ç¶ó»çÅ×, ¼­ÁÖ¿Í Æ®¶õÅÚ¶ó
  2350. »ç¶ó»çÅ×, ¾È´Þ·ç½Ã¾ÆÀÇ ·Î¸Á½º(Romanza Andaluza), Op.22-1, (vn, pf), 5m, {#Leonidas Kavakos(vn)/Enrico Pace(pf)}
  2351. »ç¶ó»çÅ×, Áö°íÀ̳׸£¹ÙÀÌÁ¨(Zigeunerweisen:¤½ÃÀÇ ³ë·¡),¹ÙÀ̿ø°°î, Op.20
  2352. »ç¶ó»çÅ×, Ä®¸àȯ»ó°î, Op.25, ¿ÀÆä¶ó Ä®¸à¿¡¼­ ½ºÆäÀÎdz ¸á·Îµð¸¸ »Ì¾Æ Æí°î, 14m
  2353. »ç¸£Å丮,ÇÁ¶õü½ºÄÚ, ¼º¾Ç°î "ÆøÇ³À» ³Ñ¾î(Oltre la tempesta)" * Francesco Sartori(1957- Italian &Pf,Trmp)
  2354. »ç¸£Å丮,ÇÁ¶õü½ºÄÚ, ¼º¾Ç°î "Time to Say Goodbye(Con te partiro)"
  2355. »ç¸£Æ¼,ÁÖ¼¼Æä, ¼º¾Ç°î "»ç¶ûÇÏ´Â ´ÔÀ» ¸Ö¸® ¶°³ª(Lungi dal caro bene)" {»ç¶ûÇÏ´Â À̷κÎÅÍ ¸Ó¸® ¶³¾îÁ®} * Giuseppe Sarti(1729-1802 Italian)
  2356. »çŰ´Ï,¾ÈÅä´Ï¿À, ¿À·¹¶ó¼¼¸®¾Æ(opera seria) ; "¿À »ç¶ûÇÏ´Â ¿¬ÀÎÀÌ¿© ¿À¶ó(Vieni, o caro amato bene)", * Antonio Sacchini(1730-1786 Italian)
  2357. »çƼ, ¼º¾Ç°î "±×´ë¸¦ ¿øÇØ¿ä(Je te veux)", # ten.Nicolai Gedda/Aldo Ciccolini(pf) * Erik Satie(1866-1925 French)
  2358. »çƼ, ¼º¾Ç°î "²É(Les Fleurs)", J-P. Contamine de Latour(P)
  2359. »çƼ, ¼º¾Ç°î "´ÙÁ¤ÇϰÔ(Tendrement)", ten.Nicolai Gedda
  2360. »çƼ, ¼º¾Ç°î "ºñ°¡"(Ele'gie), J-P. Contamine de Latour(P)
  2361. »çƼ, ¼º¾Ç°î "»ç¶ûÀº ¸Ö¸®Çϰí"
  2362. »çƼ, ¼º¾Ç°î "»õ(Les Oiseaux)"
  2363. »çƼ, ¼º¾Ç°î "¿¥ÆÄÀÌ¾î ±ØÀåÀÇ ¿©°¡¼ö(La Diva de ¡°L¡¯Empire¡±)", bar.Bruno Laplante/Marc Durand(pf)
  2364. »çƼ, ¼º¾Ç°î "Áß¼¼ÀÇ ³ë·¡"(Chanson Me'die'vale), Catulle Mende` s(P), ¿ì¹°°¡¿¡¼­ ±â»ç¸¦ ¸¸³ª ¿¬Á¤À» ´À³¤ ó³àÀÇ ¼øÁ¤À» Ç¥Çö
  2365. »çƼ, ¼º¾Ç°î "õ»çµé"(Les Anges), J-P. Contamine de Latour(P)
  2366. »çƼ, Áü³ëÆäµð(Gymnopedie), °üÇö¾Ç°î, ÇÁ¶û½º 6ÀÎÁ¶ÀÇ ¼±±¸ÀÚ, 3°îÁß 1,3¹ø µåºß½Ã Æí°î
  2367. »ê½º,°¡½ºÆÄ¸£, Canarios * Gaspar Sanz (1640 - 1710)
  2368. »êÅ佺(ÆÄºí·Î), ¼º¾Ç°î "¸¼°Ô °µ ÇÏ´Ã(Cielito Lindo)"
  2369. »ì¸®¿¡¸®,¾ÈÅæ, 24°³ÀÇ º¯ÁÖ°î(½ºÆäÀÎ Æú¸®¾Æ ÁÖÁ¦¿¡ ÀÇÇÑ on "La Follia di Spagna") * Follia 16¼¼±â ÃÊ ¿¡½ºÆÄ³ÄÀÇ Ãã°î, * Antonio Salieri(1750-1825 Italian)
  2370. »ì¸®¿¡¸®,¾ÈÅæ, ÇǾƳëÇùÁÖ°î, Bb, 26m
  2371. »ì¸®¿¡¸®,¾ÈÅæ, ÇùÁÖ°î(ÇÃ·çÆ®¿Í ¿Àº¸¸¦ À§ÇÑ), C
  2372. »ï¸¶¸£Æ¼´Ï,Á¶¹Ý´Ï ¹ÙƼ½ºÅ¸, ±³Çâ°î, A, JC.62, 10m, Aradia Ensemble/Kevin Mallon, * Giovanni Battista Sammartini(1700-1775 Italian)
  2373. »ï¸¶¸£Æ¼´Ï,ÁÖ¼¼Æä, Concerto in F major for Recorder(Concerto per flautino), 13m, Maurice Steger(flautino) & Friends, * Giuseppe Sammartini(1695-1750 Italian)
  2374. »÷´õ½¼, ¼º¾Ç°î "Friend o¡¯mine", bar.Thomas Allen
  2375. »þ¸£º¥Ä«, ÇÁ¶õÃ÷ Å©»ç¹ö, 6°³ÀÇ ¿ÐÃ÷, Op.28, pf.Seta Tanyel * Franz Xaver Scharwenka(1850-1924 German)
  2376. »þ¸£ÆÎƼ¿¡, ¼º¾Ç°î "±×³¯ ÀÌÈÄ(Depuis le jour)", * Marc-Antoine Charpentier(1643-1704 French Baroque)
  2377. »þ¸£ÆÎƼ¿¡, ¼ºÃ³³àÀÇ Åº»ý(Nativite de la Vierge)
  2378. »þ¸£ÆÎƼ¿¡, ¾Ç±â¸¦ À§ÇÑ Å©¸®½º¸¶½º(6°î)(Noels pour les instruments(6), for 2 flutes, strings & continuo), H.534
  2379. »þ¸£ÆÎƼ¿¡, ¿ÀÆä¶ó <·çÀÌÁî>;
      • "±×´ë¸¦ »ç¶ûÇÑ ³¯·ÎºÎÅÍ(Depuis le jour...)", sop.Kiri Te Kanawa
  2380. »þ¸£ÆÎƼ¿¡, Messe de Minuit, 29m
  2381. »ý»ó½º, 3ÁßÁÖ°î, F, Op.18, 29m
  2382. »ý»ó½º, ±âµµ(Priere for Cello and Organ), Op.158, 5m, Mstislav Rostropovich(vc)/Hebert Tachezi(org)
  2383. »ý»ó½º, ±³Çâ°î 1, Eb, Op.2, 31m#
  2384. »ý»ó½º, ±³Çâ°î 2, a, Op.55, 23m
  2385. »ý»ó½º, ±³Çâ°î 3, c, Op.78, "¿À¸£°µ±³Çâ°î", 38m, Marie-Claire Alain(oragn)/Wiener Symphoniker/Georges Pretre
  2386. »ý»ó½º, ±³Çâ°î, A, 25m, National Orchestra of France/Jean Martinon
  2387. »ý»ó½º, ±³Çâ°î, F, "Urbs Roma", 40m#, National Orchestra of France/Jean Martinon
  2388. »ý»ó½º, µ¿¹°ÀÇ »çÀ°Á¦, °üÇö¾Ç ¸ðÀ½°î, "µ¿¹°¿ø ´ëȯ»ó°î"
  2389. »ý»ó½º, ·¹Äû¿¥(Messe de Requiem), Op.54, 35m
  2390. »ý»ó½º, ·Î¸Á½º(for fl and pf), Op.37
  2391. »ý»ó½º, ·Î¸Á½º(for horn & pf), E, Op.67, # Tod Bowermaster(F.Hrn)/James Howsmon(Pf)
  2392. »ý»ó½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, d, Op.75, 21m, $Jascha Heifetz(vn)/Brooks Smith(pf)
  2393. »ý»ó½º, ¹ÙÀ̿ø°ÇùÁÖ°î 3, b, Op.61, 28m, $ Joshua Bell(Vn),Montreal Symphony Orchestra/Charles Dutoit
  2394. »ý»ó½º, ¼­ÁÖ¿Í ·Ðµµ Ä«ÇÁ¸®Ä¡¿À¼Ò, Op.28
  2395. »ý»ó½º, ¼º¾Ç°î "°³¹Ì¿Í º£Â¯ÀÌ(La cigale et la fourmi)", bar. Stephen Varcoe
  2396. »ý»ó½º, ¼º¾Ç°î "²Þ(Revere)", bar.Jose van Dam
  2397. »ý»ó½º, ¼º¾Ç°î "´Þºû(Claire de lune)"
  2398. »ý»ó½º, ¼º¾Ç°î "º°ÀÌ ºû³ª´Â ¹ã(Notte Stellata)"
  2399. »ý»ó½º, ¼º¾Ç°î "º½ÀÇ ±â»ç¿¡°Ô Àλç(Salut au chevalier printemps)", Op.151-2
  2400. »ý»ó½º, ¼º¾Ç°î "ȲȦ°æ(Extae)"- Victor HugoÀÇ ½Ã¿¡ ºÙÀÎ °¡°î
  2401. »ý»ó½º, ¼º¾Ç°î "Bitter Sweet", Annie Haslam
  2402. »ý»ó½º, ¿µ¿õ Ä«ÇÁ¸®½º(Caprice Heroique), Op.106, 9m, pf
  2403. »ý»ó½º, ¿Àº£¸£´ºÀÇ ·¦¼Òµð(Rhapsodie d'Auvergne), Op.73, Pf & Orch
  2404. »ý»ó½º, ¿Àº¸¿¡¼Ò³ªÅ¸, Nicholas Daniel(ob)/Julius Drake(pf)
  2405. »ý»ó½º, ¿ÀÆä¶ó <»ï¼Õ°ú µ¥¸±¶ó>;
      • "±×´ë À½¼º¿¡ ³» ¸¶À½ ¿­¸®°í(Mon coeur s'ouvre a ta voix)", sop.Maria Callas
      • "²ÉÇÇ´Â º½ÀÌ ¿Ô³×(Voici le printemps nous portant des fleurs)"-µ¥¸±¶óÀÇ µîÀåÀå¸é, ms.Waltraud Meier(µ¥¸±¶ó),ten.Placido Domingo(»ï¼Õ),bass.Samuel Ramey(À̽º¶ó¿¤ ³ëÀÎ)
      • "´« ¶ß´Â º½(Primtemps qui commence)", ms.Rita Gorr
      • "¹ÙÄ«³¯(·¹)"
      • "¿ÀÁö ¾ÊÀ¸·Á Çߴµ¥, ³¡³» À̰÷¿¡ ¿À°í¾ß ¸»¾Ò±¸³ª(En ces lieux, malgre moi)"-2:»ï¼Õ°ú µ¥¸±¶óÀÇ 2Áßâ, ten.Placido Domingo(»ï¼Õ),ms.Waltraud Meier(µ¥¸±¶ó)
      • "ÁÖ¿©, ÈûÀ» ÁÖ¼Ò¼­(Seigneur, inspire-moi)"-3:Çdz¯·¹ Àå¸é, ten.Placido Domingo(»ï¼Õ)
      • "ÇüÁ¦µéÀÌ¿©, ÀϾ¶ó(Arretez, o mes freres!)"-»ï¼ÕÀÇ ¾Æ¸®¾Æ¿Í ÇÕâ(1), ten.Placido Domingo(»ï¼Õ)
  2406. »ý»ó½º, Á×À½ÀÇ ¹«µµ(Danse macabre), ±³Çâ½Ã°î, Op.40
  2407. »ý»ó½º, ÿ·Î¼Ò³ªÅ¸ 1, Op.32, 20m
  2408. »ý»ó½º, ÿ·ÎÇùÁÖ°î 1, a, Op.33, 20m#, Gautier Capucon(vc),Radio France Philharmonic Orchestra/Lionel Bringuier
  2409. »ý»ó½º, ÿ·ÎÇùÁÖ°î 2, d, Op.119
  2410. »ý»ó½º, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, Eb, Op.167, 16m
  2411. »ý»ó½º, ÇǾƳë3ÁßÁÖ°î 2, e, Op.92
  2412. »ý»ó½º, ÇǾƳëÇùÁÖ°î 1, D, Op.17, 5PC, 27m
  2413. »ý»ó½º, ÇǾƳëÇùÁÖ°î 2, g, Op.22, $, 22m
  2414. »ý»ó½º, ÇǾƳëÇùÁÖ°î 4, c, Op.44
  2415. »ý»ó½º, ÇǾƳëÇùÁÖ°î 5, F, Op.103, "ÀÌÁýÆ®(Egyptian)", 2¾ÇÀå- "³ªÀϰ­ÀÇ ¹ãÀÇ ·¦¼Òµð", 28m#
  2416. »ý»ó½º, Çì¶óŬ·¹½ºÀÇ Ã»³â ½Ã´ë(La Jeunesse d'Hercule), Op.50, °üÇö¾Ç°î, 18m$, # Radio France Philharmonic Orchestra/Marek Janowski
  2417. »ý»ó½º, È¥°ú °üÇö¾ÇÀ» À§ÇÑ ÇùÁÖÀû ÀÛǰ, f, Op.94, 9m
  2418. »ý»ó½º, ÇϹٳڶó(¾Æ¹Ù³×Áî(Havanaise)¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ)), Op.83,11m
  2419. »ýÆ®-ÄÝ·Õºê, 2´ëÀÇ ºñ¿ÃÀ» À§ÇÑ ¿¬ÁÖȸ¿ë ÀÛǰ 8, "La Conference", ºñ¿Ã=ºñ¿Ã¶ó ´Ù °¨¹Ù, * Jean de Sainte-Colombe(Monsieur de Sainte-Colombe)(1640-1700 French,Va)
  2420. »ýÆ®-ÄÝ·Õºê, 2´ëÀÇ ºñ¿ÃÀ» À§ÇÑ ¿¬ÁÖȸ¿ë ÀÛǰ, "º¹±Í(Le Retour)", D
  2421. »ýÆ®-ÄÝ·Õºê, ´«¹°(Les Pleurs), µ¶ÁÖ°î(ºñ¿Ã¶ó ´Ù °¨¹Ù)
  2422. »þ¸£ÆÎµð¿¡, ¿ÀÆä¶ó ·çÀÌÁî; /±×´ë¸¦ »ç¶ûÇÑ ³¯ºÎÅÍ.
  2423. »þ¹Ì³ªµå, 6°³ÀÇ ¿¬ÁÖȸ¿ë ¿¬½À°î(6 Etudes de concert), Op.35, cf) V. Impromptu, * Cecile Chaminade(1857-1944 French, female)
  2424. »þ¹Ì³ªµå, °¡À», Op.35-2, ÇÇ¾Æ³ë °î, (Peter Jacobs;Pf), 7m
  2425. »þ¹Ì³ªµå, ±³ÇâÀû ¿¬½À°î(Etude Symphonique), Op.28
  2426. »þ¹Ì³ªµå, ¼¼·¹³ªµ¥ ¿¡½ºÆÄ´¥
  2427. »þ¹Ì³ªµå, ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ ÄÜü¸£Æ¼³ë, Op.107, 8m#, Wolfgang Schultz(fl),Haydn Orch/Ola Rudner
  2428. »þ¹Ì³ªµå, ÇǾƳë¼Ò³ªÅ¸, c, Op.21, 16m
  2429. »þºê¸®¿¡, È£¸¥°ú °üÇö¾ÇÀ» À§ÇÑ ¶ó¸£°ÔÅä(Larghetto for Horn and Orchestra), 10m $, * Emmanuel Chabrier(1841-1894 French Romantic &pf)
  2430. »þºê¸®¿¡, ½ºÆäÀα¤½Ã°î
  2431. »þºê¸®¿¡, Àü¿ø ¸ðÀ½°î(Suite pastorale), 20m, # National Orchestra of France/Armin Jordan
  2432. »þÈ寮, Ŭ¶ó¸®³ÝÇùÁÖ°î, D, Dieter Klocker (cl), * Theodor von Schacht (1748-1823 German)
  2433. ¼³¸®¹Ý, °¡°î "ÀÒ¾î¹ö¸° È­À½(the lost chord)" * Sir Arthur Sullivan(1842-1900 English)
  2434. ¼³¸®¹Ý, ¼­°î, C, "In Memoriam"
  2435. ¼³¸®¹Ý, ¿ÀÆä¶ó "°ïµ¹¶ó »ç°ø(The Gondoliers)", - ¼­°î
  2436. ¼º¾Ç°î_¹Ì»ó, "Alo-Ha-Oe"
  2437. ¼º¾Ç°î_¹Ì»ó, "Blowin' in the wind"
  2438. ¼º¾Ç°î_¹Ì»ó, "BuonGiorno a te(ÁÁÀº ÇÏ·çµÇ±â¸¦)"
  2439. ¼º¾Ç°î_¹Ì»ó, "Flee as a Bird", ms.Rose Taylor
  2440. ¼º¾Ç°î_¹Ì»ó, "Dona dona"
  2441. ¼º¾Ç°î_¹Ì»ó, "the Gift"
  2442. ¼º¾Ç°î_¹Ì»ó, "Hush little baby"
  2443. ¼º¾Ç°î_¹Ì»ó, "It might as well be spring"
  2444. ¼º¾Ç°î_¹Ì»ó, "Love Conquers Everything"
  2445. ¼º¾Ç°î_¹Ì»ó, "Notte(¹ã)"
  2446. ¼º¾Ç°î_¹Ì»ó, "In the Sweet by and by"
  2447. ¼º¾Ç°î_¹Ì»ó, "³ª´Â ³ë·¡Çϳ×(Je chante)"
  2448. ¼º¾Ç°î_¹Ì»ó, "³ªÀÇ ÀÚÀ¯(Ma liberte)"
  2449. ¼º¾Ç°î_¹Ì»ó, "µµ´ëü ¾î¼¶ó°í?(Was denn, was denn)"
  2450. ¼º¾Ç°î_¹Ì»ó, "¸ß½ÃÄÚÀÇ ÃàÁ¦"
  2451. ¼º¾Ç°î_¹Ì»ó, "¹Ù´Ù À§ÀÇ ºÎµå·¯¿î ¼Õ±æ(Caresse Sur L'Ocean)"
  2452. ¼º¾Ç°î_¹Ì»ó, "¹Ý¦ ¹Ý¦ ÀÛÀº º°"
  2453. ¼º¾Ç°î_¹Ì»ó, "ºÒŸ°Ô ÇϼҼ­"
  2454. ¼º¾Ç°î_¹Ì»ó, "Á¦ºñÀÇ ³ë·¡"
  2455. ¼º¾Ç°î_¹Ì»ó, "ÁÖ¿Í ÇÔ²² °¡³×(Vaya con Dios)"
  2456. ¼º¾Ç°î_¹Ì»ó, "õ»óÀÇ ¼º¸ð(Regina Coeli)"
  2457. ¼º¾Ç°î_¹Ì»ó, "Ȳ»ö ¸¶Â÷¸¦ Ÿ°í¼­"
  2458. ¼º¾Ç°î_¹Ì»ó_ij·Ñ, "Give good gifts to one another"
  2459. ¼º¾Ç°î_(³ªÆú¸® ¹Î¿ä), "¸¶·¹Å°¾Æ·¹(Marechiare)" * Marechiare´Â ³ªÆú¸® ¼­ÂÊ¿¡ ÀÖ´Â ¾îÃÌ À̸§À¸·Î ¿ø·¡ '¸¼Àº ¹Ù´Ù'ÀÇ Àǹ̸¦ Áö´Ô.
  2460. ¼º¾Ç°î_(³ªÆú¸® ¹Î¿ä), "»êŸ·çÄ¡¾Æ(Santa Lucia), ten. Mario Lanza
  2461. ¼º¾Ç°î_(³ë¸£¿þÀÌ ¹Î¿ä), "´ç½ÅÀÇ ³ÐÀº ³¯°³¸¦ Æì°í(Bred dina vida vingar: Spread your wide wings)" /Sissel#&
  2462. ¼º¾Ç°î_(µ¶ÀÏ µ¿¿ä), "Hoppe, Hoppe, Reiter(¶Ù¾î¶ó, ¶Ù¾î¶ó, ±â¼ö¿©)"
  2463. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "Muss i denn", ºó ¼Ò³âÇÕâ´Ü
  2464. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "²¿¸¶ Çѽº(Haenschen klein)", sop.Lucia Popp
  2465. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "³ªÀÇ ¾Æ°¡¾ß(Kindlein mein)", sop. Birgid Steinberger
  2466. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "³» ¸¶À½ÀÇ ²É(Du, du liegst mir am Herzen)", #$ ten.Peter Schreier
  2467. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "³» ¸ðµç »ý°¢(All mein Gedanken)"
  2468. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "´Üdz µç ½£"
  2469. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "´ÞÀÌ ¶°¿Ã¶ú´Ù(Der mond ist aufgegangen)", bar.Hermann Prey
  2470. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "¶°³ªÀÚ ÀÌ µµ½Ã¸¦(Muss i denn Muss i denn zum Staedtele hinaus)"
  2471. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "¼Ò¸®°³°¡ ºùºù"
  2472. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "½£¿¡¼­ Ȳ¾ß¿¡¼­(Im Wald und auf der Heide)"
  2473. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "¾Æ¸§´Ù¿î ÃÊ¿ø¿¡¼­(Im schoensten Wiesengrunde)"
  2474. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "¿¬ÀÎÀÌ¿© µ¹¾Æ¿Í¿ä(Maedel ruck ruck ruck )"
  2475. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "Àú³áÀÇ ³ë·¡(Abendlied)"
  2476. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "Á¦ºñµéÀÇ ³ë·¡(Schwalbenlied)", Montanara Choir
  2477. ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "Æ®¶ó¸®¶ó, ¿©¸§ÀÌ´Ù"
  2478. ¼º¾Ç°î_(µ¶ÀÏ Ä³·Ñ), "Ǫ¸¥ ¿ÊÀ» ÀÔÀº ¼Ò³ª¹«¿©(O Tannenbaum)", Bar.Hermann Prey
  2479. ¼º¾Ç°î_(µðÁî´Ï ¾Ö´Ï¸ÞÀ̼Ç) <½Åµ¥·¼¶ó>, "Bibbidi-Bobbidi-Boo", sop.Barbara Hendricks
  2480. ¼º¾Ç°î_(·¯½Ã¾Æ ³ë·¡), "±×´ë¸¦ ¸¸³µ¾úÁö"
  2481. ¼º¾Ç°î_(·¯½Ã¾Æ ³ë·¡), "¹éÇÐ"
  2482. ¼º¾Ç°î_(·¯½Ã¾Æ ·Î¸Á½º), "µîºÒ"
  2483. ¼º¾Ç°î_(·¯½Ã¾Æ ·Î¸Á½º), "¸¶ºÎ¿©, ¸»µéÀ» ÀçÃËÇÏÁö ¸¶¿À", bar.Dmitri Hvorostovsky
  2484. ¼º¾Ç°î_(·¯½Ã¾Æ ·Î¸Á½º), Ä«Ãò»þ(Katyusha), bar.Dmitri Hvorostovsky
  2485. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "°íÅëÀÌ¿© Áö³ª°¡¶ó, °ð ½½ÇÄÀÌ »ç¶óÁú °ÍÀÌ´Ù"
  2486. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "±¹È­"
  2487. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "±æ"
  2488. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "³ª Ȧ·Î ±æÀ» °È³×"
  2489. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "´ç½ÅÀÌ ³» ¿µÈ¥À» ¿øÇÒ ¶§(Kagda, dusha)", bar.Dmitri Hvorostovsky
  2490. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "º¢²É"
  2491. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "ºÓÀº »ç¶óÆÇ"
  2492. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "½ºÅÙÄ« ¶óÁø(Stenka Razin)", Stenka Razin-Çõ¸í ÁöµµÀÚ
  2493. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "¾Æ, ³Ê ±Í¿©¿î ¾Æ°¡¾¾", bar. Dmitri Hvorostovsky
  2494. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "¾Æ¹«¸£ °­ÀÇ ¹°°á"
  2495. ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "Æ®·ÎÀÌÄ«(Troika)", ten.Nicolai Gedda
  2496. ¼º¾Ç°î_(¸¶¿À¸® ¹Î¿ä), "Pokarekare ana"
  2497. ¼º¾Ç°î_(¸ß½ÃÄÚ ¹Î¿ä), "De punta y taco"
  2498. ¼º¾Ç°î_(¸ß½ÃÄÚ ¹Î¿ä), "La Cucaracha"
  2499. ¼º¾Ç°î_(¸ß½ÃÄÚ ¹Î¿ä), "»õó·³ ³¯¾Æ°¡¶ó(Flee as a bird)", ms.Rose Taylor
  2500. ¼º¾Ç°î_(¸ß½ÃÄÚ ¹Î¿ä), "Á¦ºñ(La Golondrina)", ten.Francisco Araiza
  2501. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "°ñÂ¥±âÀÇ µîºÒ(When It¡¯s Lamp Lighting Time in The Valley)", Roger Wagner Chorale
  2502. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "At the river", Copland Á¤¸®, Ms. Jennifer Lamore
  2503. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Down by the riverside"
  2504. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Home on the Range(¾ð´ö À§ÀÇ Áý)", Roger Wagner Chorus
  2505. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Long time ago", Copland Á¤¸®, Ms. Marilyn Horne
  2506. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "³ªÀÇ »ç¶û Ŭ·¹¸àŸÀÎ(O My Darling Clementine)", Roger Wagner Chorus
  2507. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "È«ÇÏÀÇ °ñÂ¥±â(Red River Valley)", Mocedades
  2508. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Shenandoah"
  2509. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Simple gifts", Mormon Tabernacle choir
  2510. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Wayfaring stranger" &@
  2511. ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Àڴϰ¡ ÁýÀ¸·Î µ¹¾Æ¿Ã ¶§(When Johnny Comes Marching Home)", ms.Marilyn Horne
  2512. ¼º¾Ç°î_(¼­ÀεµÁ¦µµ ¹Î¿ä), "Cum Baya", Ms. Marilyn Horne
  2513. ¼º¾Ç°î_(½º¿þµ§ ¹Î¿ä), "´©°¡ ¹Ù¶÷¾ø´Â ¹Ù´Ù¸¦ Ç×ÇØÇÒ ¼ö ÀÖÀ»±î(Vem kan segla)", The Swingle Singers
  2514. ¼º¾Ç°î_(½º¿þµ§ ¹Î¿ä), "¹Ý¦ÀÌ´Â º°ºûó·³"
  2515. ¼º¾Ç°î_(½º¿þµ§ ¹Î¿ä), "½£¿¡¼­"
  2516. ¼º¾Ç°î_(½º¿þµ§ ¼º°¡), "ÇÑ·®¾ø´Â ÁÖÀÇ ÀºÃÑ"
  2517. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "°­±â½¾ ¾ð´ö(Ye Banks and Braes)", bar. Benjamin Luxon
  2518. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "¹Ð¹ç »çÀÌ·Î(Coming through the Rye)", sop.Kiri Te Kanawa
  2519. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "½ºÄ«À̼¶ÀÇ ¹î³ë·¡(The Skye Boat Song)", ten.Kenneth McKeller
  2520. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "¾Ö´Ï ·Î¸®(Annie Laurie)"
  2521. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "Amazing graces- Scotland the brave- Marie's wedding"
  2522. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "Bluebells of Scotland"
  2523. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "I¡¯m a Doun for Lack O¡¯Johnnie "
  2524. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "Loch Lomond", Drakensberg ¼Ò³âÇÕâ´Ü
  2525. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "My love is like the red, red rose"
  2526. ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "O Waly Waly", The King¡¯s Singers, ct.Andreas scholl
  2527. ¼º¾Ç°î_(½ºÆäÀÎ ¹Î¿ä), "Flee as a Bird", ms. Rose Taylor
  2528. ¼º¾Ç°î_(½ºÆäÀÎ ¹Î¿ä), "Viva la Mancha!"
  2529. ¼º¾Ç°î_(½ºÆäÀÎ ¹Ù½ºÅ© Áö¹æ ³ë·¡), ÁÁÀº ½ÃÀýÀÇ ¾ÆÄ§(Goizian argi hastian) $
  2530. ¼º¾Ç°î_(½ºÆäÀÎ ÀÚÀå°¡), "Cancion de cuna"
  2531. ¼º¾Ç°î_(½ºÆäÀΠij·Ñ), "Hacia Belen"
  2532. ¼º¾Ç°î_(½½·Î¹ÙŰ¾Æ ¹Î¿ä), "Dolina, dolina", bar.Jose van Dam
  2533. ¼º¾Ç°î_(½ÃÄ¥¸®¾Æ ¹Î¿ä), "Ciuri Ciuri"
  2534. ¼º¾Ç°î_(½ÃÄ¥¸®¾Æ ¹Î¿ä), "Li Pira"
  2535. ¼º¾Ç°î_(¾ÆÀÏ·£µå ³ë·¡), "Too-ra-loo-ra-loo-ral"
  2536. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "Believe me, if all those endearing young charms"
  2537. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "Down by the Sally Gardens"
  2538. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "The Lark in the Clear Air", #
  2539. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "She moved through the fair"
  2540. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "When Irish eyes are smiling", ten.Dennis Day & Charles Dant
  2541. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), ³ªÆú·¹¿ËÀÇ ¹ß¶óµå: "¾Æ¸§´Ù¿î Àå¹Ì ÇÑ´Ù¹ß"
  2542. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "´ë´Ï º¸ÀÌ(Danny boy)", sop.Kiri Te Kanawa
  2543. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "¸¶´õ ¸ÅÅ©¸®(Mother Machree)"
  2544. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "¿©¸§ÀÇ ¸¶Áö¸· Àå¹Ì(The last rose of summer)", $
  2545. ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "Æ®¶ö¸®ÀÇ Àå¹Ì(The Rose of Tralee)"#, ten.Robert White
  2546. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "±×´ë ´«µ¿ÀÚ¸¦ ¼úÀÜ¿¡ ´ã¾Æ(Drink to me with thine eyes)", sop.Rita Streich#
  2547. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "¹Ï¾îÁÖ¿À, ¸ðµç °ÍÀÌ º¯ÇÒÁö¶óµµ(Believe me, if all those endearing charms)", ten.Charles Craig
  2548. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "»õÁ¶°³¿Í È«ÇÕ(Cockles and mussels)"
  2549. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "¼¼ ¸¶¸® ±î¸¶±Í(The Three Ravens)"
  2550. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Blow the Wind Southernly", # bar.Bryn Terfel, bar.Benjamin Luxon
  2551. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Bushes and Briars", Quartonal
  2552. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Charming beauty bright" #
  2553. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Drink to me with thine eyes"
  2554. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "I will give my love an apple"
  2555. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "I will walk with my love"
  2556. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Lord Randall", ct. Andreas Scholl
  2557. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "My love is like the red, red rose." cf) Weber Æí°î
  2558. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Robin is my joy" #
  2559. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Scarborough fair"
  2560. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "The Water is Wide"
  2561. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "The water of Tyne"
  2562. ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "What Shall We Do with the Drunken Sailor?", Robert Shaw Chorale
  2563. ¼º¾Ç°î_(¿À½ºÆ®·¼¸®¾Æ ¹Î¿ä), "¿ÐĪ ¸¶Æ¿´Ù(Waltzing Matilda)", The Scholars(Vocal Group)
  2564. ¼º¾Ç°î_(¿À½ºÆ®¸®¾Æ ¹Î¿ä), "¾ÆÄ§¿¡(In der Fruah)", sop.Rita Streich
  2565. ¼º¾Ç°î_(¿À½ºÆ®¸®¾Æ ¹Î¿ä), "Àú³áÀÇ ³ë·¡ (Abendlied)", sop.Rita Streich
  2566. ¼º¾Ç°î_(¿þÀÏÁî ¹Î¿ä), "¹°Çª·¹³ª¹«(The ash grove)"
  2567. ¼º¾Ç°î_(¿þÀÏÁî ¹Î¿ä), "All through the night"
  2568. ¼º¾Ç°î_(¿þÀÏÁî ¹Î¿ä), "Suo Gan", sop. Kathleen Battle/Christopher Parkening(gt), cf) ¿µÈ­ "žçÀÇ Á¦±¹" »ðÀÔ°î
  2569. ¼º¾Ç°î_(¿þÀÏÁî ¹Î¿ä), "The Ash Grove", The Swingle Singers
  2570. ¼º¾Ç°î_(À̽º¶ó¿¤ ¹Î¿ä), "¹ãÀÇ Àå¹Ì(Erev shel shoshanim)", "°¡½Ã¸®"·Î ¹ø¾È, Haparvarim
  2571. ¼º¾Ç°î_(À̽º¶ó¿¤ ¹Î¿ä), "ÇϹٳª±æ¶ó(Hava Nagila)"
  2572. ¼º¾Ç°î_(ÀÌÅ»¸®¾Æ ¹Î¿ä), "Ciao bella ciao"
  2573. ¼º¾Ç°î_(ÀÌÅ»¸®¾Æ ¹Î¿ä), "Tiritomba"
  2574. ¼º¾Ç°î_(ÀÌÅ»¸®¾Æ ³ªÆú¸® ¹Î¿ä), "ºÒ²¨Áø â(Fenesta che lucive)", Franco Corelli(Ten)
  2575. ¼º¾Ç°î_(üÄÚ ¹Î¿ä), "¸ñÀ屿 µû¶ó(Stodole Pumpa)"
  2576. ¼º¾Ç°î_(üÄÚ ¹Î¿ä), "·çġī ·çġī"
  2577. ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ¹Î¿ä), "»õÀÇ ³ë·¡(El cant dels ocells)", ten.Jose Carreras
  2578. ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ¹Î¿ä), "½ÅÀÇ ¾ÆÀÌ"
  2579. ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ¹Î¿ä), "¾Æ¸á¸®¾ÆÀÇ À¯¼­"
  2580. ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ¹Î¿ä), "¿ì¸®ÀÇ ¹Ù´Ù¸¦ º¸¾Æ¶ó(Mireu el nostre mar)", "»õÀÇ ³ë·¡" ¼±À²
  2581. ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ³ë·¡), "SolsonaÀÇ Ãß¾ï"
  2582. ¼º¾Ç°î_(Æä·ç ¹Î¿ä), "ÄÚÄ«ÆÄ¾ß(Cachapaya)", The Swingle Singers
  2583. ¼º¾Ç°î_(Æä·ç ¹Î¿ä), "El condor pasa"
  2584. ¼º¾Ç°î_(Æä·ç ¹Î¿ä), "Quechua song"
  2585. ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "Alouette", $ The Scholars
  2586. ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "Frere Jacques"
  2587. ¼º¾Ç°î_(ÇÁ¶û½º µ¿¿ä), "¸ÚÀïÀÌ ºÏÄ¡´Â û³â(Joli Tambour)", sop.Edita Gruberova
  2588. ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "³»»ç¶û(L'amour de moi)", The Swingle Singers
  2589. ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "´Ù °°ÀÌ µ¹ÀÚ µ¿³× ÇÑ ¹ÙÄû(Le coq est mort)", * ÇÁ¶û½º µ¿¿ä $
  2590. ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "¾Æºñ´¨ ´Ù¸® À§¿¡¼­(Sur le pont d¡¯avignon)", Saint-Laurent ¾î¸°ÀÌÇÕâ´Ü
  2591. ¼º¾Ç°î_(Çɶõµå ¹Î¿ä), "´©°¡ ¹Ù¶÷¾ø´Â ¹Ù´Ù¸¦ Ç×ÇØÇÒ ¼ö ÀÖÀ»±î(Vem kan segla forutan vind)", The Real Group
  2592. ¼º¾Ç°î_(Çɶõµå ¹Î¿ä), "One lovely summer evening", Helsinki ´ëÇÐ ÇÕâ´Ü, 3m
  2593. ¼º¾Ç°î_Å©¸®½º¸¶½º ij·Ñ, "Little Drummer Boy"
  2594. ¼º¾Ç°î_Å©¸®½º¸¶½º ij·Ñ, "Sleigh Ride"
  2595. ¼º¾Ç°î_Å©¸®½º¸¶½º ij·Ñ, "Winter Wonderland"
  2596. ¼º¾Ç°î_ÈæÀοµ°¡, "³Ê °Å±â ÀÖ¾ú´À³Ä?(Were You There?)", Roger Wagner
  2597. ¼º¾Ç°î_ÈæÀοµ°¡, "¶§¶§·Î ³ª´Â °í¾ÆÃ³·³ ´À³¢³×(Sometimes I Feel like a Motherless Child)", Jorma Hynninen(Bar)
  2598. ¼º¾Ç°î_ÈæÀοµ°¡, "¾Æ¹«µµ ¸ô¶ó, ³ªÀÇ ½½ÇÄ(Nobody Knows the Trouble I¡¯ve Seen)", Derek Lee Ragin(CT)
  2599. ¼º¾Ç°î_ÈæÀοµ°¡, "¿¤¸®¾ÆÀÇ ¹ÙÀ§(Elijah Rock)", Roger Wagner
  2600. ¼º¾Ç°î_ÈæÀοµ°¡, "He's got the whole world in his hand"
  2601. ¼º¾Ç°î_ÈæÀοµ°¡, "Joshua fit de battle of Jericho"
  2602. ¼º¾Ç°î_ÈæÀοµ°¡, "Kum Ba Yah", ¼­ÀεµÁ¦µµ ¹Î¿ä * 'Come by here my Lord!'
  2603. ¼º¾Ç°î_ÈæÀοµ°¡, "Let me fly"
  2604. ¼º¾Ç°î_ÈæÀοµ°¡, "On Ma Journey"
  2605. ¼º¾Ç°î_ÈæÀοµ°¡, "Swing low, sweet chariot"
  2606. ¼º¾Ç°î_ÈæÀοµ°¡, "Witness"
  2607. ¼¼µå¸°,·Îµð¿Â, ½ºÆ¼È÷¶ó(Stihira)
  2608. ¼Ä(Sheng,B), ¹«¹ÝÁÖ Ã¿·Î ¼Òǰ
  2609. ¼Ò·ÎÀÚ¹ß, »ç¸£¼ö¿¤¶ó <Àå¹Ì²ÉÀÇ ¼Ò³à>; /"¾Æµå¸®µåÀÇ ¾î¿©»Û ¼Ò³à" * »ç¸£¼ö¿¤¶ó[zarzuela] = »ç¼³¡¤³ë·¡¡¤ÇÕ⡤Ãã µîÀ¸·Î ÀÌ·ç¾îÁø 17c ¿¡½ºÆÄ³ÄÀÇ ¾Ç±Ø
  2610. ¼Ò·ÎÀÚ¹ß, ¿ÀÆä¶ó <Ç×±¸ÀÇ ¼±¼úÁý(La tabernera del puerto)>; "±×·²¸® ¾ø¾î(No puede ser)"
  2611. ¼Ò¸£, 6°³ÀÇ ÂªÀº ¼Òǰ(6 Short Pieces), Op.5
  2612. ¼Ò¸£, ¸ðÂ¥¸£Æ® '¸¶¼úÇǸ®' ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(Variations for Guitar on a theme from Mozart's "Magic Flute"), Op.9, 8m, ±âŸ°î, {# Alexander Ramirez(gt), # Pepe Romero(Gt)}
  2613. ¼Ò¸£, ¼­ÁÖ¿Í º¯ÁÖ(¸ðÂ¥¸£Æ®ÁÖÁ¦¿¡ ÀÇÇÑ), Op.20, ±âŸ°î, * Fernando Sor(1778-1839 Spanish Classical Guitarist)
  2614. ¼Ò¹Ì½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸, D, Op.1-6, # Kreeta-Maria Kentala(vn),Lauri Pulakka(vc)/Mitzi Meyerson(harpsichord) * Giovanni Battista Somis(1686-1763 Italian Baroque Vn)
  2615. ¼ÕÇìÀÓ,½ºÆ¼ºì, ÀÛÀº ¹ãÀÇ À½¾Ç(A Little Night Music(1973 musical)):The Night Waltzes * Stephen Sondheim(1930- American)
  2616. ¼éÇʵå,Æú, Four Souvenirs for Violin and Piano, * Paul Schoenfield(1947- American)
  2617. ¼Ö·¹¸£,¾ÈÅä´Ï¿À, ¼º¾Ç°î "¼ø°á" * Antonio Soler(1729-1783 Spanish)
  2618. ¼Ö·¹¸£,¾ÈÅä´Ï¿À, 5ÁßÁÖ°î 6, g, 22m
  2619. ¼éº£¸£Å©, ´Þ¿¡ Ȧ¸° ÇÇ¿¡·Î(Pierrot lunaire), Op.21, 3ºÎ21°î ±¸¼º; Part1: 1) ´Þ¿¡ ÃëÇØ(Mondestrunken), 2)ÄÝ·Õºñ³×(Colombine), Part3: 18) ´ÞÀÇ ¾ó·è(Der Monfleck), 19) ¼¼·¹³ªµ¥(Serenade)
  2620. ¼éº£¸£Å©, º¯ÁÖ°î(°üÇö¾ÇÀ» À§ÇÑ), Op.31
  2621. ¼éº£¸£Å©, ¼¼·¹³ªµ¥, Op.24, ÇàÁø°î ¹Ì´º¿§ º¯ÁÖ°î ¾È´ÜÅ× ÃãÀÇÁ¤°æ ¸®µå finale, ºÎºÐÀûÀ¸·Î 12À½±â¹ý »ç¿ë
  2622. ¼éº£¸£Å©, ½Ç³»±³Çâ°î 1, Op.9,17m
  2623. ¼éº£¸£Å©, ÇǾƳëÇùÁÖ°î, Op.42, 4PC, 24m
  2624. ¼éº£¸£Å©, ÇØ¼³ÀÚ ³²¼ºÇÕâ °üÇö¾ÇÀ» À§ÇÑ ÀÛǰ: ¹Ù¸£»þ¹ÙÀÇ À¯ÀÏÇÑ »ýÁ¸ÀÚ, Op.46, °³½º½ÇÀÇ »óȲ ¹¦»ç
  2625. ¼éº£¸£Å©, Çö¾Ç6ÁßÁÖ°î, Á¤È­µÈ ¹ã(Verklarte Nacht(Transfigured Night)), Op.4, 36m#3, Atlanta Symphony Orchestra/Yoel Levi
  2626. ¼éº£¸£Å©, È¥¼ºÇÕâÀ» À§ÇÑ 4°³ÀÇ ¼Òǰ, Op.27,4°³ ½Ã·Î ±¸¼º>2°³: ¼¾º£¸£Å© ½Ã- â¼¼±â 2°³: Çѽº º¤ÄÉ-Áß±¹ÀÇ ÇÃ·çÆ®, 12À½±â¹ýÀÇ Ã¢½ÃÀÚ, 12À½±â¹ý »ç¿ë: Çö´ëÀ½¾ÇÀÇ ºÐ±â, modern´ë½Å contemporary·Î Ç¥Çö, 1925c
  2627. ¼éº£¸£±×,Ŭ·Îµå ¹Ì¼Ð, ¹ÂÁöÄà <¹Ì½º »çÀ̰ø>; * Claude-Michel Schoenberg(1944- French)
      • "The Last Night of the World", Simon Bowman & Lea Salonga
  2628. ¼î¼Û, ±³Çâ°î, Bb, Op.20, 34m#3, Orchestre du Capitole de Toulouse/Michel Plasson
  2629. ¼î¼Û, ¹ÙÀ̿ø°°ú ÇÇ¾Æ³ë ±×¸®°í Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ ÇùÁÖ°î, D, Op.21, # James Tocco(pf),Yehonatan Berik(vn),Amernet String Quartet, # Christian Ferras(vn)/Pierre Barbizet(pf)/Quatuor Parrenin
  2630. ¼î¼Û, ¼º¾Ç°î "³ªºñ(Les Papillons)", Op.2-3, Theophile Gautier ½Ã, sop. Jessye Norman
  2631. ¼î¼Û, ¼º¾Ç°î "¿µ¿øÇÑ ³ë·¡"(chanson perpe'tuelle), Charles Cros(P)
  2632. ¼î¼Û, ¼º¾Ç°î "»ç¶û°ú ¹Ù´ÙÀÇ ½Ã(Poeme de l'amour et de la mer:Poem of Love and the Sea)", Op.19, 27m
  2633. ¼î¼Û, ¼º¾Ç°î "ÀÌÅ»¸®¾Æ ¼¼·¹³ªµ¥"
  2634. ¼î¼Û, ½Ã°î, Op.25, ÇÁ¶û½º ´ëÇ¥Àû ÀÛǰ(»ý»ó½º VC,¶ö·Î ½ºÆäÀÎS,½Ã°î), 15m, $ Zino Francescatti(vn),New York Philharmonic/Leonard Bernstein
  2635. ¼î¼Û, ÇǾƳë3ÁßÁÖ, g, Op.3, 31m
  2636. ¼î¼Û, ÇùÁÖ°î, Op.21, (Pf, Vn and SQ)
  2637. ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 1, f, Op.10, 15S, * Dmitri Shostakovich(1906-1975 Russian)
  2638. ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 5, d, Op.47, 45m#, New York Philharmonic/Leonard Bernstein
  2639. ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 7, d, Op.60, "·¹´Ñ±×¶óµå"
  2640. ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 8, c, Op.65, 58m, Russian Federal Orchestra/Vakhtang Jordania
  2641. ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 9, Eb, Op.70, 25m#, New York Philharmonic/Leonard Bernstein
  2642. ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 10, e, Op.93, 56m#, Boston Symphony Orchestra/Andris Nelsons
  2643. ¼î½ºÅ¸ÄÚºñÄ¡, µî¿¡(¼èÆÄ¸®(gadfly))-¿µÈ­À½¾Ç ¸ðÀ½°î, Op.97a, $
  2644. ¼î½ºÅ¸ÄÚºñÄ¡, ·Î¸Á½º(¼¼ °³ÀÇ), Op.46a, 1) »õ·Î ž(Regeneration) 2) ÁúÅõ½É ¸¹Àº ó³à(A jealous maiden) 3) ¿¹°¨(Premonition), 8m
  2645. ¼î½ºÅ¸ÄÚºñÄ¡, ·Î¸Á½º, ¹ÙÀ̿ø°°î, ¿µÈ­À½¾Ç ¼èÆÄ¸® ¸ðÀ½°î ÁßÀÇ Çϳª
  2646. ¼î½ºÅ¸ÄÚºñÄ¡, ¹ÙÀ̿ø°ÇùÁÖ°î 1, a, Op.99, 39m
  2647. ¼î½ºÅ¸ÄÚºñÄ¡, ¼º¾Ç°î "²Þ", ms.Olga Borodina
  2648. ¼î½ºÅ¸ÄÚºñÄ¡, ¾Æ´ÙÁö¿À, (Vc & Or), 6m
  2649. ¼î½ºÅ¸ÄÚºñÄ¡, ¿À¶óÅ丮¿À <½£ÀÇ ³ë·¡>, Op.81; 7°î ±¸¼º, 1) ½Î¿òÀÌ ³¡³µÀ» ¶§, 2) Á¶±¹À» ½£À¸·Î µ¤ÀÚ, 3) °ú°ÅÀÇ È¸»ó, 4) ¼Ò³â ÇÇ¿À³ª¸£´Â ³ª¹«¸¦ ½É´Â´Ù, 5) ½ºÅ»¸°±×¶óµå ½Ã¹ÎÀº ÀüÁøÇÑ´Ù, 6) ¹Ì·¡·ÎÀÇ »êÃ¥, 7) Âù°¡
  2650. ¼î½ºÅ¸ÄÚºñÄ¡, ¿ÀÆä¶ó <¹Çþ½ºÅ©ÀÇ ¸Æº£½ººÎÀÎ>;
      • "¾î´À³¯ ³ª´Â â³Ê¸Ó·Î ÀÛÀº»õÀÇ µÕÁö¸¦ º¸¾Ò³×"-Ä«Å׸®³ªÀÇ ¾Æ¸®¾Æ, sop.Galina Vishnevskaya
  2651. ¼î½ºÅ¸ÄÚºñÄ¡, À¯´ëÀüÅë½Ã¿¡ ºÙÀÎ ³ë·¡Áý; /»ç·Á±íÀº ¾î¸Ó´Ï¿Í À̸ð, /ÀÚÀå°¡
  2652. ¼î½ºÅ¸ÄÚºñÄ¡, ÀçÁî¸ðÀ½°î 1
  2653. ¼î½ºÅ¸ÄÚºñÄ¡, ÀçÁî¸ðÀ½°î 2, (¿ÐÃ÷$), °üÇö¾Ç°î
  2654. ¼î½ºÅ¸ÄÚºñÄ¡, ÿ·Î¼Ò³ªÅ¸, d, Op.40, À¯ÀÏÇÑCS, 4M23m
  2655. ¼î½ºÅ¸ÄÚºñÄ¡, ÿ·ÎÇùÁÖ°î 1, Eb, Op.107, 27m#, Yo-Yo Ma/The Philadelphia Orchestra/Eugene Ormandy
  2656. ¼î½ºÅ¸ÄÚºñÄ¡, ÇǾƳë3ÁßÁÖ 1, c, Op.8, ´Ü¾ÇÀå ÇüÅÂ, 12m
  2657. ¼î½ºÅ¸ÄÚºñÄ¡, ÇǾƳë3ÁßÁÖ 2, e, Op.67, # Olli Mustonen(Pf),Joshua Bell(Vn),Steven Isserlis(Vc)
  2658. ¼î½ºÅ¸ÄÚºñÄ¡, ÇǾƳ븦 À§ÇÑ ÀüÁÖ°î°ú Ǫ°¡(prelude and fugue) 7;A 14;Eb 15;Bb, Op.87, 24°îÀ¸·Î ±¸¼º(12°îÀÇ ÀåÁ¶¿Í 12°îÀÇ ´ÜÁ¶) cf) ¹ÙÈå: 24°î*2±Ç(48°î)
  2659. ¼î½ºÅ¸ÄÚºñÄ¡, ÇǾƳëÇùÁÖ°î 1, c, Op.35, 22m, Æ®·³Æê°ú ÇöÀ» À§ÇÑ ÇǾƳëÇùÁÖ°î, Orchestra ¿¡¼­ Æ®·³Æê°ú Çö¾Ç±â¸¦ Á¦¿ÜÇϰí´Â ¸ðµÎ ºüÁü, 27¼¼ ¶§ ÀÛ°î, 4M31m, # Michael Houstoun(Pf),The New Zealand Symphony Orchestra/Christopher Lyndon-Gee
  2660. ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ 3, F, Op.73, 28m, $ Quatuor Danel
  2661. ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ 8, c, Op.110
  2662. ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ 13, bb, Op.138
  2663. ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ 14, F#, Op.142, 25m
  2664. ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ 2°³ÀÇ ¼Òǰ:Elegy & Polka
  2665. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.6(No.1-4 in f#, c#, E, eb), 55°î(ÀÌ Áß 6°î Op.¾øÀ½), ³²¼ºÀû(Æú·Î³×ÀÌÁî; ¿©¼ºÀû)
  2666. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.7(No.1-5 in Bb, a, f, Ab, C),
  2667. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.17(No.1-4 in Bb, e, Ab, a),
  2668. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.24(No.1-4 in g, C, Ab, bb),
  2669. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.30(No.1-4 in c, b, Db, c#),
  2670. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.33(No.1-4 in g#, D, C, b),
  2671. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.41(No.1-4 in c#, e, B, b),
  2672. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.50(No.1-3 in G, Ab, c#),
  2673. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.56(No.1-3 in B, C, c),
  2674. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.59(No.1-3 in a, Ab, f),
  2675. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.63(No.1-3 in B, f, c#),
  2676. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.67(No.1-4 in G, g, C, a),
  2677. ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.68(No.1-4 in C, a, F, f),
  2678. ¼îÆØ, ¸¶ÁÖ¸£Ä«(Mazurka in G, Mazurka in Bb, Mazurka in D, Mazurka in Bb, Mazurka in C, Mazurka in Ab, Mazurka in a "Notre Temps", Mazurka in a) * Op. ¾ø´Â 6°î
  2679. ¼îÆØ, ¹ÙÄ«·Ñ(·¹), F#, Op.60,ÇǾƳë°î, cf) barcarole, barcarolle; a Venetian boat song usu. in or characterized by the alternation of a strong and a weak beat in 6/8 time that suggests a rowing rhythm.
  2680. ¼îÆØ, ¹ß¶óµå 1, g, Op.23, 4°³ÀÇ ¹ß¶óµå, ÇǾƳë°î, 9m, $ Sergio Fiorentino(pf)
  2681. ¼îÆØ, ¹ß¶óµå 2, F, Op.38
  2682. ¼îÆØ, ¹ß¶óµå 3, Ab, Op.47
  2683. ¼îÆØ, ¹ß¶óµå 4, f, Op.52
  2684. ¼îÆØ, º¯ÁÖ°î(·Î½Ã´Ï "¶ó ü³×·»Åç¶ó" ÁÖÁ¦¿¡ ÀÇÇÑ: Variations on a Theme from Rossini's La Cenerentola), E >Jean-Pierre Rampal(fl)/ Robert Veyron-Lacroix(harpsichord)
  2685. ¼îÆØ, ¼º¾Ç°î, "³«¿±"
  2686. ¼îÆØ, ¼º¾Ç°î, "³» ¸¾ ¼Ó¿¡ ¿ï¸®´Â ³ë·¡(In mir klingt ein Lied)" <¿¬½À°î Op.10-3 /sop. Anneliese Rothenberger
  2687. ¼îÆØ, ¼º¾Ç°î, "¸á·Îµð¾Æ(Melodia)"
  2688. ¼îÆØ, ¼º¾Ç°î, "»ç¶û½º·± ±×´ë"
  2689. ¼îÆØ, ¼º¾Ç°î, "¾Æ°¡¾¾ÀÇ ¼Ò¸Á", Op.74-1, sop.Elzbieta Szimytka
  2690. ¼îÆØ, ¼º¾Ç°î, "À̺°ÀÇ ³ë·¡(In mir klingt ein Lied)", $ Annelise Rothenberger(sop)
  2691. ¼îÆØ, ¼º¾Ç°î, "Àß»ý±ä ÀþÀºÀÌ", Op.74-8, sop.Elly Ameling
  2692. ¼îÆØ, ½ºÄɸ£Á¶ 1, b, Op.20, 8m
  2693. ¼îÆØ, ½ºÄɸ£Á¶ 2, bb, Op.31, 10m
  2694. ¼îÆØ, ½ºÄɸ£Á¶ 3, c#, Op.39, 7m
  2695. ¼îÆØ, ½ºÄɸ£Á¶ 4, e, Op.54, 12m
  2696. ¼îÆØ, ½ÇÇÇ´À(Les Sylphides), 26m, °üÇö¾Ç°î, Boston Pops Orchestra/Arthur Fiedler
  2697. ¼îÆØ, ¾È´ÜÅ× ½ºÇǾƳªÅä¿Í È­·ÁÇÑ Æú·Î³×ÀÌÁî(Andante Spianato And Grande Polonaise Brillante), Eb, Op.22, ½ºÇǾƳªÅä > °Åħ¾øÀÌ
  2698. ¼îÆØ, ¾ß»ó°î 1, Bb, Op.9-1, * ¾ß»ó°î,21°î: 2CD(Vol.1> C27, Vol.2> C28), [Vol 1/ Nos.1-8,19-21], Arthur Rubinstein(Pf)
  2699. ¼îÆØ, ¾ß»ó°î 2, Eb, Op.9-2,$, 5m, {Wolfgang Schneiderhan(vn), Albert Hirsh(pf)}
  2700. ¼îÆØ, ¾ß»ó°î 3, B, Op.9-3
  2701. ¼îÆØ, ¾ß»ó°î 4, F, Op.15-1
  2702. ¼îÆØ, ¾ß»ó°î 5, F#, Op.15-2,$$
  2703. ¼îÆØ, ¾ß»ó°î 6, g, Op.15-3
  2704. ¼îÆØ, ¾ß»ó°î 7, c#, Op.27-1
  2705. ¼îÆØ, ¾ß»ó°î 8, Db, Op.27-2,$
  2706. ¼îÆØ, ¾ß»ó°î 9, B, Op.32-1, [Vol 2/ Nos.9,10-18]
  2707. ¼îÆØ, ¾ß»ó°î 10, Ab, Op.32-2
  2708. ¼îÆØ, ¾ß»ó°î 11, g, Op.37-1
  2709. ¼îÆØ, ¾ß»ó°î 12, G, Op.37-2
  2710. ¼îÆØ, ¾ß»ó°î 13, c, Op.48-1
  2711. ¼îÆØ, ¾ß»ó°î 14, f#, Op.48-2
  2712. ¼îÆØ, ¾ß»ó°î 15, f, Op.55-1
  2713. ¼îÆØ, ¾ß»ó°î 16, Eb, Op.55-2( ÁïÈï°îdz)> + C70
  2714. ¼îÆØ, ¾ß»ó°î 17, B, Op.62-1> + C70,
  2715. ¼îÆØ, ¾ß»ó°î 18, E, Op.62-2 /Maurizio Pollini
  2716. ¼îÆØ, ¾ß»ó°î 19, e, Op.72-1
  2717. ¼îÆØ, ¾ß»ó°î 20, c#, Op.posth.
  2718. ¼îÆØ, ¾ß»ó°î 21, c, Op.posth.
  2719. ¼îÆØ, ¿¬½À°î, Op.10-1, C, Op.10:12°î * ¿¬½À°îÀº Op.10, Op.25ÀÌ °¢°¢ 12°îÀ¸·Î ±¸¼ºµÇ°í ¿©±â¿¡ ¿¬½À°î 3°³°¡ Ãß°¡µÇ¾î ÃÑ 27°îÀ¸·Î ±¸¼º.
  2720. ¼îÆØ, ¿¬½À°î, Op.10-2, a,
  2721. ¼îÆØ, ¿¬½À°î, Op.10-3, E, "À̺°ÀÇ °î"
  2722. ¼îÆØ, ¿¬½À°î, Op.10-4, c#,
  2723. ¼îÆØ, ¿¬½À°î, Op.10-5, Gb, "Èæ°Ç",
  2724. ¼îÆØ, ¿¬½À°î, Op.10-6, eb,
  2725. ¼îÆØ, ¿¬½À°î, Op.10-7, C,
  2726. ¼îÆØ, ¿¬½À°î, Op.10-8, F,
  2727. ¼îÆØ, ¿¬½À°î, Op.10-9, f,
  2728. ¼îÆØ, ¿¬½À°î, Op.10-10, Ab,
  2729. ¼îÆØ, ¿¬½À°î, Op.10-11, Eb,
  2730. ¼îÆØ, ¿¬½À°î, Op.10-12, c, "Çõ¸í"
  2731. ¼îÆØ, ¿¬½À°î, Op.25-1, Ab, "¿¡¿Ã¸®¿Â ÇÏÇÁ" ¶Ç´Â "¸ñµ¿", Op.25:12°î
  2732. ¼îÆØ, ¿¬½À°î, Op.25-2, f,
  2733. ¼îÆØ, ¿¬½À°î, Op.25-3, F,
  2734. ¼îÆØ, ¿¬½À°î, Op.25-4, a,
  2735. ¼îÆØ, ¿¬½À°î, Op.25-5, e, ½ºÄɸ£Á¶Ç³ ¹«°î
  2736. ¼îÆØ, ¿¬½À°î, Op.25-6, g#,
  2737. ¼îÆØ, ¿¬½À°î, Op.25-7, c#,
  2738. ¼îÆØ, ¿¬½À°î, Op.25-8, Db,
  2739. ¼îÆØ, ¿¬½À°î, Op.25-9, Gb, "³ªºñ"
  2740. ¼îÆØ, ¿¬½À°î, Op.25-10, b,
  2741. ¼îÆØ, ¿¬½À°î, Op.25-11, a, "°Ü¿ï¹Ù¶÷"
  2742. ¼îÆØ, ¿¬½À°î, Op.25-12, c, "´ë¾ç"
  2743. ¼îÆØ, ¿¬½À°î 1, f, * Op.10, Op.25 ¿Ü Ãß°¡ ¿¬½À°î 3°î(f, Ab, Db)
  2744. ¼îÆØ, ¿¬½À°î 2, Ab,
  2745. ¼îÆØ, ¿¬½À°î 3, Db,
  2746. ¼îÆØ, ¿ÐÃ÷ 1 Eb, Op.18
  2747. ¼îÆØ, ¿ÐÃ÷ 3, a, Op.34-2, Pf,6m
  2748. ¼îÆØ, ¿ÐÃ÷ 4, F, Op.34-3, "Valse brillante", Pf, 2m
  2749. ¼îÆØ, ¿ÐÃ÷ 5, Ab, Op.42
  2750. ¼îÆØ, ¿ÐÃ÷ 7, c#, Op.64-2, Pf
  2751. ¼îÆØ, ¿ÐÃ÷ 8, Ab, Op.64-3, Pf
  2752. ¼îÆØ, ¿ÐÃ÷ 9, Ab, Op.69-1, "Farewell", Pf
  2753. ¼îÆØ, ¿ÐÃ÷ 10, b, Op.69-2
  2754. ¼îÆØ, ¿ÐÃ÷ 11, Gb, Op.70-1
  2755. ¼îÆØ, ¿ÐÃ÷ 12, f, Op.70-2, Pf
  2756. ¼îÆØ, ¿ÐÃ÷ 13, Db, Op.70-3, Pf
  2757. ¼îÆØ, "¿ì¸® ÇÔ²² ¼ÕÀ» Àâ°í" ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(Variations on "La ci darem la mano" from Don Giovanni), Op.2, ÇùÁÖ°î(Pf & Orch)
  2758. ¼îÆØ, ÀÚÀå°¡(Berceuse), Db, Op.57, Polina Osetinskaya(pf)
  2759. ¼îÆØ, Àå¼ÛÇàÁø°î, c, Op.posth.72-2
  2760. ¼îÆØ, ÀüÁÖ°î(24), Op.28(Nos.1-24) > No.15 in Db "ºø¹æ¿ïÀüÁÖ°î"
  2761. ¼îÆØ, ÀüÁÖ°î 1, C, Op.28-1, Op.28(Nos.1-24)
  2762. ¼îÆØ, ÀüÁÖ°î 2, a, Op.28-2
  2763. ¼îÆØ, ÀüÁÖ°î 3, G, Op.28-3
  2764. ¼îÆØ, ÀüÁÖ°î 4, e, Op.28-4
  2765. ¼îÆØ, ÀüÁÖ°î 5, D, Op.28-5
  2766. ¼îÆØ, ÀüÁÖ°î 6, b, Op.28-6
  2767. ¼îÆØ, ÀüÁÖ°î 7, A, Op.28-7
  2768. ¼îÆØ, ÀüÁÖ°î 8, f#, Op.28-8
  2769. ¼îÆØ, ÀüÁÖ°î 9, E, Op.28-9
  2770. ¼îÆØ, ÀüÁÖ°î 10, c#, Op.28-10
  2771. ¼îÆØ, ÀüÁÖ°î 11, B, Op.28-11
  2772. ¼îÆØ, ÀüÁÖ°î 12, g#, Op.28-12
  2773. ¼îÆØ, ÀüÁÖ°î 13, f#, Op.28-13
  2774. ¼îÆØ, ÀüÁÖ°î 14, eb, Op.28-14
  2775. ¼îÆØ, ÀüÁÖ°î 15, Db, Op.28-15, "ºø¹æ¿ïÀüÁÖ°î"
  2776. ¼îÆØ, ÀüÁÖ°î 16, bb, Op.28-16
  2777. ¼îÆØ, ÀüÁÖ°î 17, Ab, Op.28-17
  2778. ¼îÆØ, ÀüÁÖ°î 18, f, Op.28-18
  2779. ¼îÆØ, ÀüÁÖ°î 19, Eb, Op.28-19
  2780. ¼îÆØ, ÀüÁÖ°î 20, c, Op.28-20
  2781. ¼îÆØ, ÀüÁÖ°î 21, Bb, Op.28-21
  2782. ¼îÆØ, ÀüÁÖ°î 22, g, Op.28-22
  2783. ¼îÆØ, ÀüÁÖ°î 23, F, Op.28-23
  2784. ¼îÆØ, ÀüÁÖ°î 24, d, Op.28-24
  2785. ¼îÆØ, ÀüÁÖ°î 25, c#, Op.45
  2786. ¼îÆØ, ÁïÈï°î 1, Ab, Op.29, 4°îÀÇ ÁïÈï°î
  2787. ¼îÆØ, ÁïÈï°î 2, F#, Op.36
  2788. ¼îÆØ, ÁïÈï°î 3, Gb, Op.51
  2789. ¼îÆØ, ÁïÈï°î 4, c#, Op.66, "ȯ»óÁïÈï°î(Fantasie-Impromptu)"
  2790. ¼îÆØ, ÿ·Î¼Ò³ªÅ¸, g, Op.65, 23m, $ Alexander Zagorinsky(Vc)/Einar Steen-N©ªkleberg(Pf)
  2791. ¼îÆØ, Æú·Î³×ÀÌÁî 3, A, Op.40-1, "±º´ëÆú·Î³×ÀÌÁî", Pf
  2792. ¼îÆØ, Æú·Î³×ÀÌÁî 5, f#, Op.44
  2793. ¼îÆØ, Æú·Î³×ÀÌÁî 6, Ab, Op.53, "¿µ¿õÆú·Î³×ÀÌÁî
  2794. ¼îÆØ, Æú·Î³×ÀÌÁî 7, Ab, Op.61, "ȯ»óÆú·Î³×ÀÌÁî"
  2795. ¼îÆØ, Æú·Î³×ÀÌÁî 9, Bb, Op.71-2
  2796. ¼îÆØ, Æú·Î³×ÀÌÁî 14, g#, Op.posth. 5m, Sergio Fiorentino(pf)
  2797. ¼îÆØ, Æú·Î³×ÀÌÁî ºê¸±¶õÅ×/¼­ÁÖ¿Í È­·ÁÇÑ Æú·Î³×ÀÌÁî, C, Op.3,T4
  2798. ¼îÆØ, ÇǾƳë3ÁßÁÖ°î, g, Op.8, 30m
  2799. ¼îÆØ, ÇǾƳë¼Ò³ªÅ¸ 2, Bb, Op.35, $>3M "Àå¼ÛÇàÁø°î(Funeral March)", $ 22m, $1) Maurizio Pollini(pf), #2) Nikita Magaloff(pf), 3) Annie Fischer(pf)
  2800. ¼îÆØ, ÇǾƳë¼Ò³ªÅ¸ 3, b, Op.58, PS1Àº ½ÀÀÛ¿¡ ºÒ°ú, PS2¿Í3ÀÌ ¸¹ÀÌ ¿¬ÁÖµÊ, 30m#
  2801. ¼îÆØ, ÇǾƳëÇùÁÖ°î 1, e, Op.11, 39m, $ Dinorah Varsi(pf),Orchestre Philharmonique de Monte-Carlo/Jan Krenz, # Emil Gilels(pf), The Philadelphia Orchestra/Eugene Ormandy, # Gary Graffman(pf)/Boston Symphony Orchestra/Charles Munch
  2802. ¼îÆØ, ÇǾƳëÇùÁÖ°î 2, f, Op.21, # Murray Perahia(Pf),Israel Philharmonic Orchestra/Zubin Mehta
  2803. ¼îÆØ, ȯ»ó°î, f, Op.49, 14m, $ Maurizio Pollini(pf)
  2804. ¼öÀÚ, The Glory of the Yankee Navy, * John Philip Sousa(1854-1932 American: the late Romantic)
  2805. ¼öÀÚ, Hands Across the Sea
  2806. ¼öÀÚ, The Liberty Bell
  2807. ¼öÀÚ, Stars and Stripes Forever
  2808. ¼öÀÚ, ¿µ¿øÇÑ Ãæ¼º(Semper Fidelis), 2m, New York Philharmonic/Leonard Bernstein
  2809. ¼öÅ©,¿ä¼Á, ±³Çâ½Ã "¿©¸§ À̾߱â(A Summers' Tale)", Op.29, 51m, °üÇö¾Ç°î, * Josef Suk(1874-1935, Czech &vn)
  2810. ¼öÅ©,¿ä¼Á, »ç¶û ³ë·¡(¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), Op.7-1, 5m
  2811. ¼öÅ©,¿ä¼Á, ¼¼·¹³ªµ¥(ÇöÀ» À§ÇÑ), E, Op.6, ±×ÀÇ ´ëÇ¥Àû ÀÛǰ, 26m, # London Chamber Orchestra
  2812. ¼öÅ©,¿ä¼Á, ¿¤·¹Áö(Elegy), Db, Op.23, 6m, Boulager Trio
  2813. ¼öÅ©,¿ä¼Á, ȯ»óÀû ½ºÄɸ£Á¶(Fantastic Scherzo), Op.25, 15m
  2814. ¼öÅø·Î,ÀÌ º£¸£Æ®(Soutullo y Vert), »ç¸£¼ö¿¤¶ó:ParralÀÇ ¿©ÀÎ; /"¿À, ÇູÇß´ø ½Ã°£ÀÌ¿©"
  2815. ¼öÅø·Î,ÀÌ º£¸£Æ®, ¼º¾Ç°î "¾Æ¸§´Ù¿î ¹ã, ½Åºñ·Î¿î ¹ã(Noche de amor, noche misteriosa)", ten. Alfredo Kraus
  2816. ½¬Ã÷,ÇÏÀθ®È÷, Schwanengesang, Opus ultimum SWV.482-488, 44m, Collegium Vocale Gent,Concerto Palatino/Philippe Herreweghe, * Heinrich Schutz(1585-1672 German&Org)
  2817. ½´³ªÀÌ´õ,°Ô¿À¸£Å© ¾Æºê¶óÇÔ, ¹ÙÀ̿ø°°ú ºñ¿Ã¶ó¸¦ À§ÇÑ ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(Sinfonia concertante for Violin and Viola), Op.19, 25m, $2 Werner Grobholz(Vn),Jurgen Kussmaul(Va),Academy of St. Martin in the Fields/Iona Brown, * Georg Abraham Schneider(1770-1839 German)
  2818. ½´¸¸, 3°³ÀÇ ½Ã°¡(3 Gedichte), Op.30; 1) »ÔÇǸ®¸¦ µç ¼Ò³â(Der Knabe Mit Dem Wunderhorn), 2) ½Ãµ¿(Der Page), 3) ÇÏÀÎ(Der Hidalgo), * Robert Schumann(1810-1856 German)
  2819. ½´¸¸, 4°³ÀÇ 2Áßâ°î(4 Duets), Op.34; 1) "»ç¶ûÀÇ Á¤¿ø(Liebesgarten)" 2) "¿¬ÀÎÀÇ ¼¼·¹³ªµ¥(Liebhabers Sta"ndchen)"
  2820. ½´¸¸, 5°³ÀÇ ¹Î¿ädzÀÇ ¼Òǰ(Five Folk Pieces), "Stucke im Volkston", Op.102, Anner Bylsma(vc)/Lambert Orkis(pf)
  2821. ½´¸¸, ±³Çâ°î 1, Bb, Op.38, "º½", 30m$, $ Wiener Philharmoniker/Leonard Bernstein, $ London Philharmonic Orchestra/Adrian Boult
  2822. ½´¸¸, ±³Çâ°î 2, C, Op.61, 36m
  2823. ½´¸¸, ±³Çâ°î 3, Eb, Op.97, "¶óÀÎ(Rhenish)"
  2824. ½´¸¸, ±³Çâ°î 4, d, Op.120, 30m $, # Philharmonia Orchestra/Guido Cantelli, # London Philharmonic Orchestra/Adrian Boult
  2825. ½´¸¸, ±³Çâ°î, g, WoO.29, "Ã÷ºñÄ«¿ì(Zwickau)", 18m
  2826. ½´¸¸, ±³ÇâÀû ¿¬½À°î(Symphonic Etudes), Op.13, ÇǾƳ븸À¸·Î ±³Çâ°îÀÇ È¿°ú¸¦ ½ÃÇö, ½´¸¸ÀÇ ÃÖ°íÀÇ ¸íÀÛ, 33m, Anatoly Vedernikov(pf)
  2827. ½´¸¸, ³ªºñ(Papillons), Op.2, 15m, Pf
  2828. ½´¸¸, ´Ùºñµåµ¿¸Í ¹«°îÁý(Davidsbundlertanze for Piano), Op.6, Pf, 27m, # Andras Schiff(PF)
  2829. ½´¸¸, µ¿È­ ±×¸²(Marchenbilder(Fairy-Tale Pictures)), Op.113, ½Ç³»¾Ç, (Va,Pf), 17m
  2830. ½´¸¸, ·¹³ªÀÇ ½Ã¿¡ ÀÇÇÑ 6°³ÀÇ ½ÃÀûÀÎ ÀÛǰ°ú ·¹Äû¿¥; 2) ³ªÀÇ Àå¹Ì, 3) ¸¸³²°ú ÀÛº°, 6) ¸¶À½ÀÌ ¹«°Å¿î Àú³á
  2831. ½´¸¸, ·Î¸Á½º(Ŭ¶ó¸®³Ý°ú ÇǾƳ븦 À§ÇÑ 3°³ÀÇ), Op.94, ¿ø·¡´Â Ŭ¶ó¸®³ÝÀÌ ¾Æ´Ñ ¿Àº¸¿´À½
  2832. ½´¸¸, ¸®´õ Å©¶óÀ̽º(Liederkreis), Op.24, 9°î; °¡°îÁýÀ» ¸»Çϳª ¿¬°¡°î°ú´Â ´Ù¸§, 5) "³» ½½ÇÄÀÇ ¿ä¶÷ÀÌ¿©" 7) »ê°ú ¼ºÀÌ ¹°¿¡ ºñÃÄ(Berg und Burgen schaun herunter)
  2833. ½´¸¸, ¸®´õ Å©¶óÀ̽º(Liederkreis), Op.39, 24m, 12°î; 1) ³¸¼± ¶¥¿¡¼­(In der Fremde) 2) °£ÁÖ°î(Intermezzo) 3) ½£ÀÇ ¼Ó»èÀÓ(Waldesgesprach) 4) Á¤Àû(Die Stille) 5) ´Þ¹ã(Mondnacht) 6) ¾Æ¸§´Ù¿î ³¸¼± ¶¥(Schone Fremde) 7) ¼º À§¿¡¼­(Auf einer Burg) 8) ³¸¼± ¶¥¿¡¼­(In der Fremde) 9) ±Ù½É(Wehmut) 10) Ȳȥ(Zwielicht) 11) ½£¼Ó(Im Walde) 12) º½ ¹ã(Fruhlingsnacht), bar.Dietrich Fischer-Dieskau/Christoph Eschenbach(pf)
  2834. ½´¸¸, ¸¸ÇÁ·¹µå ¼­°î(Manfred Overture), Op.115, ¹ÙÀÌ·±ÀÇ ±Ø½Ã ¸¸ÇÁ·¹µå¿¡ ±âÃÊÇÏ¿© 16°îÀ» ÀÛ°î, ¼­°îÀÌ À¯¸í
  2835. ½´¸¸, ¹Ì¸£Å×ÀÇ ²É(Myrten), Op.25, * 26°î ±¸¼ºµÈ °¡°îÁý; 1) ÇåÁ¤(Widmung) 3) È£µÎ³ª¹«(Der Nussbaum) 17) º£³×Ä¡¾ÆÀÇ ³ë·¡1-"Á¶¿ëÈ÷ ³ë¸¦ Àú¾î¶ó, ³ªÀÇ ¹î»ç°øÀÌ¿©(Leis' rudern hier, mein Gondolier)", 18) º£³×Ä¡¾ÆÀÇ ³ë·¡2-"Àú³á¹Ù¶÷ÀÌ ÀÛÀº ±¤ÀåÀ» °¡·ÎÁú·¯ ºÒ¾î¿À¸é(Wenn durch die Piazzetta)", 24) "±×´ë´Â ÇѼÛÀÌ ²É°ú °°ÀÌ(Du bist wie eine Blume)", bar.Olaf Ba"r
  2836. ½´¸¸, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, a, Op.105
  2837. ½´¸¸, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, d, Op.121
  2838. ½´¸¸, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, a,
  2839. ½´¸¸, ¹ÙÀ̿ø°ÇùÁÖ°î, d, WoO.23, 28m
  2840. ½´¸¸, ºóÀÇ »çÀ°Á¦ dz°æ(Faschingsschwank aus Wien), Op.26, $Murray Perahia(pf), # Alicia de Larrocha(pf)
  2841. ½´¸¸, »çÀ°Á¦(Carnaval), Op.9, Pf, 30m, # Alicia de Larrocha(pf), # Alicia de Larrocha(pf)
  2842. ½´¸¸, ¼º¾Ç°î "°¡À»ÀÇ ³ë·¡(Herbstlied)", Op.43-2
  2843. ½´¸¸, ¼º¾Ç°î "±×´ë´Â ÇѼÛÀÌ ²É°ú °°ÀÌ(Du bist wie eine Blume)", Op.25-24, sop.Jessye Norman/Geoffrey Parsons(pf)
  2844. ½´¸¸, ¼º¾Ç°î "³ªÀÇ ¾Æ¸§´Ù¿î º°ÀÌ¿©(Meine Schoener Stern)", Op.101-4, sop. Barbara Hendrick
  2845. ½´¸¸, ¼º¾Ç°î "³ªÀÇ Àå¹Ì(Meine Rose)" Op.90-2
  2846. ½´¸¸, ¼º¾Ç°î "³ª¹« ¹ØÀ» °Å´Ò¸ç(Ich wandelte unter den Baeumen)" Op.24-3, $ Peter Schreier(Ten)/Christoph Eschenbach(Pf)
  2847. ½´¸¸, ¼º¾Ç°î "³²ÀÚ¿Í ¿©ÀÚ(Er und Sie)" Op.78-2
  2848. ½´¸¸, ¼º¾Ç°î "´Þ¹ã(MondNacht)", Op.39-5, sop.Anneliese Rothenberger
  2849. ½´¸¸, ¼º¾Ç°î "µÎ»ç¶÷ÀÇ Ã´Åºº´"(Die beiden Grenadiere),Op.49-1 ÇÁ¶û½º±¹°¡ ¸¶¸£¼¼¿¡Áî°¡ Æ÷ÇÔ, ten.Ian Bostridge/Julius Drake(pf)
  2850. ½´¸¸, ¼º¾Ç°î "·Î·¼¶óÀÌ"
  2851. ½´¸¸, ¼º¾Ç°î "»ç¶ûÀÇ ¼Ò½Ä(Liebesbotschaft)", Op.36-6
  2852. ½´¸¸, ¼º¾Ç°î "»ê°ú ¼ºÀÌ ¹°¿¡ ºñÃÄ(Berg¡¯ und Burgen schaun herunter)", Op.24-7, ten. Ian Bostridge
  2853. ½´¸¸, ¼º¾Ç°î "¾Æ¸§´ä°í ÀÛÀº ²É"
  2854. ½´¸¸, ¼º¾Ç°î "¿¬²É(Die Lotosblume)", Op.25-7
  2855. ½´¸¸, ¼º¾Ç°î "ÀÌ ¸öÀÌ ÀÛÀº »õ¶ó¸é"
  2856. ½´¸¸, ¼º¾Ç°î "Àú³áÀÇ ³ë·¡(Abendlied)", Op.107-6, $ ms.Anne Sofie von Otter/Bengt Forgsberg (pf)
  2857. ½´¸¸, ¼º¾Ç°î "Á¦ºñ", Op.79-20
  2858. ½´¸¸, ¼º¾Ç°î "ÁÙ¶óÀÌÄ«ÀÇ ³ë·¡(Lied der Suleika)"#, Op.25-9, sop.Juliane Banse
  2859. ½´¸¸, ¼º¾Ç°î "Àå¹Ì, ¹Ù´Ù, žç(Rose, Meer und Sonne)", Op.37-9, Anne Sofie von Otter(Ms)/Bengt Forsberg(Pf)
  2860. ½´¸¸, ¼º¾Ç°î "žç, ¹Ù´Ù, Àå¹Ì¿©(O Sonn¡¯ o Meer, o Rose!)", Op.37-10, bar. Olaf Baer/Helmut Deutsch(Pf)
  2861. ½´¸¸, ¼º¾Ç°î "žçÀÌ ºû³ªµíÀÌ(So wahr die Sonne scheinet)", Op.37-12, Juliane Banse(Sop),Olaf Baer(Bar)/Helmut Deutsch(Pf)
  2862. ½´¸¸, ¼º¾Ç°î "Çϴðú ¶¥", Op.96-5, ¾î¸Ó´Ï·Î »ó¡µÇ´Â ˆºÁö¿Í ÇÏ´ÃÀÌ Çϳª°¡ µÇ´Â Á¤°æÀ» ´ã°í ÀÖÀ½
  2863. ½´¸¸, ¼º¾Ç°î "ÇåÁ¤(Widmung)", Op.25-1, bar.Thomas Quasthoff, sop. Elly Ameling
  2864. ½´¸¸, ¼º¾Ç°î "È£µÎ³ª¹«"(Der Nussbaum), Op.25-3, ¹Ì¸£Å×ÀÇ ²É(3), $ Barbara Bonney(Sop.)/Vladimir Ashkenazy(Pf)
  2865. ½´¸¸, ¼ÒÇùÁÖ°î(4°³ÀÇ È£¸¥°ú °üÇö¾ÇÀ» À§ÇÑ:Konzertstuck for 4 Horns and Orchestra), F, Op.86,20m
  2866. ½´¸¸, ½£ÀÇ Á¤°æ, Op.82, 9°î ±¸¼º,23m
  2867. ½´¸¸, ½ºÆäÀÎ ·¯ºê¼Û(Spanische Liebeslieder), Op.138, 21m
  2868. ½´¸¸, ½ÃÀÎÀÇ »ç¶û(Dichterlibe), °¡°îÁý(16°î), Op.48 >Lied; $1) ten.Fritz Wunderlich/Hubert Giesen(pf), 2) bar.Hans Hotter/Hans Altmann(pf), 3) Dietrich Fischer-Dieskau(baritone), Jo"rg Demus(pf)
      • 1) ¾Æ¸§´Ù¿î 5¿ù¿¡(Im wunderscho"nen Monat Mai)
      • 2) ³ªÀÇ ´«¹°¿¡¼­ ÇÇ´Â °ÍÀº(Aus meinen Tra"umen spriessen)
      • 3) Àå¹Ì ¹éÇÕ ºñµÑ±â(Die Rose, die Lilie, die Taube)
      • 4) ±×´ë ´«À» º¸°í ÀÖÀ¸¸é(Wenn ich in deine Augen seh')
      • 5) ³ªÀÇ ¿µÈ¥À» Àû½Ã¸®¶ó(Ich will meine seele tauchen)
      • 6) ¶óÀÎ, °Å·èÇÑ °­¿¡¼­(Im Rhein, im heiligen Strome)
      • 7) ³ª´Â ¿ø¸Á¾ÊÀ¸¸®(Ich grolle nicht, und wenn das herz auch bricht)
      • 8) ²ÉÀÌ ¾Ë¸é(Und wu"ssten's die Blumen)
      • 9) ±×´Â ÇÃ·çÆ®¿Í ¹ÙÀ̿ø°(Das ist ein Flo"ten und Geigen)
      • 10) Àú ³ë·¡¼Ò¸®¸¦ µéÀ¸¸é(Ho"r' ich das Liedchen klingen)
      • 11) ¾î¶² ÀþÀºÀ̰¡ ¾î¶² ó³à¸¦ »ç¶ûÇØ¼­(Ein Ju"ngling liebt ein Ma"dchen)
      • 12) ºû³ª´Â ¿©¸§ ¾ÆÄ§¿¡(Am leuchtenden Sommermorgen)
      • 13) ²Þ ¼Ó¿¡¼­ ³ª´Â ¿ï¾ú³×(Ich hab' in Traum geweinet)
      • 14) ¹ã¸¶´Ù ±×´ë¸¦ ²Þ¼Ó¿¡ º¸³×(Allna"chtlich in Traume seh' ich dich)
      • 15) ¿¾ À̾߱⿡¼­(Aus alten Ma"rchen winkt es)
      • 16) Áö°Ü¿î Ãß¾ïÀÇ ³ë·¡(Die alten, bo"sen Lieder)
  2869. ½´¸¸, ¾Æ´ÙÁö¿À¿Í ¾Ë·¹±×·Î(Adagio and Allegro), Ab, Op.70, Oboe and Pf, 9m, # Mischa Maisky(vc)/Martha Argerich(pf)
  2870. ½´¸¸, ¾Æ¶óº£½ºÅ©(Arabeske), C, Op.18, 7m
  2871. ½´¸¸, ¾Æº£Å© º¯ÁÖ°î, Op.1, 8m $ >Alexis Weissenberg(Pf)
  2872. ½´¸¸, ¾î¸°ÀÌ Á¤°æ, ÇǾƳë°îÁý, Op.15, 13°î±¸¼º, 7>²Þ$
      • 1) ¹ÌÁöÀÇ ³ª¶óµé
      • 2) ½Å±âÇÑ À̾߱â
      • 3) ¼û¹Ù²ÀÁú
      • 4) ¾î¸°ÀÌÀÇ Èñ¸Á
      • 5) ¿ÏÀüÇÑ ¸¸Á·
      • 6) Áß´ëÇÑ »ç°Ç
      • 7) Æ®·ÎÀ̸޶óÀÌ
      • 8) ³­·Î°¡¿¡¼­
      • 9) ¸ñ¸¶ÀÇ ±â»ç
      • 10) ´ë´ÜÈ÷ ½É°¢ÇϰÔ
      • 11) ¹«¼­¿ò
      • 12) ¾ÆÀÌ´Â Àáµé°í
      • 13) ½ÃÀÎÀº ¸»ÇÑ´Ù
  2873. ½´¸¸, ¿©·¯°¡Áö ÀÛǰ(Bunte Blaetter), Op.99, 14°î, 34m
  2874. ½´¸¸, ¿©ÀÎÀÇ »ç¶û°ú »ý¾Ö(Frauenliebe und Leben), °¡°îÁý(8°î), Op.42 >Lied, Elisabeth Schwarzkopf(sop), Geoffrey Parsons(Pf)
      • 1) óÀ½ ±×À̸¦ º» ¼ø°£ºÎÅÍ(Seit ich ihn gesehen)
      • 2) ±× ´©±¸º¸´Ùµµ °í±ÍÇÑ ±×ÀÌ(Er, der Herrlichste von Allen)
      • 3) ³ª´Â ¾Ë ¼ö ¾ø³× ¹ÏÀ» ¼ö ¾ø³×(Ich kann's nicht fassen, nicht glauben)
      • 4) ³» ¼Õ°¡¶ô¿¡ ³¤ ¹ÝÁö¿©(Der Ring)
      • 5) µ¿»ýµé¾Æ ³ª¸¦ µµ¿Í ³ª¸¦ ²Ù¸ç´Ù¿À(Helft mir, ihr Schwestern)
      • 6) ´ÙÁ¤ÇÑ ±×´ë ÀǾÆÇÑ ´«À¸·Î ³ª¸¦ º¸³×(Su"ssr Freund, du blickest)
      • 7) ³» ¸¶À½¿¡ ³» °¡½¿¿¡(An meinem Herzzen, an meiner Brust)
      • 8) ´ç½ÅÀº óÀ½À¸·Î ³ª¿¡°Ô ½½ÇÄÀ» ÁÖ¾ú³×(Nun hast du mir den ersten Schmerz gethan)
  2875. ½´¸¸, ¿¾À̾߱⿡ ÀÇÇÑ ±×¸²Ã¥, ÇǾƳë°î
  2876. ½´¸¸, ¿ÕÀÇ ¾Æµé, ¹ß¶óµå, Op.116, 25m
  2877. ½´¸¸, À¯¶ûÀÇ ¹«¸®, ÇÕâ°î, Op.29-3
  2878. ½´¸¸, À¯¸ð·¹½ºÅ©, ÇǾƳë°î, Op.20
  2879. ½´¸¸, ÿ·ÎÇùÁÖ°î, a, Op.129, 22m, $ Jacqueline Du Pre(vc)/New Philharmonia Orchestra/Daniel Barenboim, # Jean-Ghuien Queyras(vc)/Freiburger Barockorchester/Pablo Heras-Casado, Juernjakob Timm(vc)/Leipzig Gewandhausorchester
  2880. ½´¸¸, Äɸ£³Ê ½Ã¿¡ ÀÇÇÑ °¡°îÁý(12), Op.35, 37m
      • 1) ÆøÇ³¿ì ºÎ´Â ¹ãÀÇ Áñ°Å¿ò(Lust der Strumnnacht)
      • 2) »ç¶û°ú ±â»ÝÀÌ¿© »ç¶óÁ®¶ó(Strib, Lieb und Freud)
      • 3) ¹æ¶ûÀÇ ³ë·¡(Wanderlied)
      • 4) ù¹øÂ° ÃÊ·Ï[/½Å·Ï](Erstes Gruen)
      • 5) ½£¿¡ ´ëÇÑ µ¿°æ(Sehnsucht nach der Waldgegend)
      • 6) Á×Àº Ä£±¸ÀÇ ¼úÀÜ¿¡ ºÎÃÄ(Auf das Trinkglas eines verstorbenen Freundes)
      • 7) ¹æ¶û(Wanderung)
      • 8) °í¿äÇÑ »ç¶û(Stille Liebe)
      • 9) Áú¹®(Frage)
      • 10) °í¿äÇÑ ´«¹°(Stille Traenen)
      • 11) ´©°¡ ±×´ë¸¦ ±«·ÓÈ÷´Â°¡(Wer machte dich so krank?)
      • 12) ³°Àº ·ùÆ®(Alte Laute)
  2881. ½´¸¸, Å©¶óÀ̽½·¹¸®¾Æ³ª(Kreisleriana), Op.16, 35m * Kreisleriana: "Å©¶óÀ̽½·¯¿¡ °üÇÑ °Í"
  2882. ½´¸¸, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 1, a, Op.105, ¿ø·¡´Â Ŭ¶ó¸®³ÝÀÌ ¾Æ´Ñ ¹ÙÀ̿ø°À̾úÀ½
  2883. ½´¸¸, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 2, d, Op.121
  2884. ½´¸¸, ÅäīŸ(Toccata), C, Op.7, 7m, # Sviatoslav Richter(Pf)
  2885. ½´¸¸, ÇǾƳë3ÁßÁÖ°î 1, d, Op.63, 32m, $ Beaux Arts Trio
  2886. ½´¸¸, ÇǾƳë3ÁßÁÖ°î 2, F, Op.80 >Beaux Arts Trio
  2887. ½´¸¸, ÇǾƳë3ÁßÁÖ°î 3, g, Op.110, 27m
  2888. ½´¸¸, ÇǾƳë4ÁßÁÖ°î, Eb, Op.47, 28m#, 1) Alexander Melnikov(pf)/Jerusalem Quartet, 2) Trio di Trieste/Dario De Rosa(pf), 3) Meneham Pressler(Pf)/Emerson Quartet
  2889. ½´¸¸, ÇǾƳë5ÁßÁÖ°î, Eb, Op.44,$ 29m, Alexander Melnikov(pf)/Jerusalen Quartet
  2890. ½´¸¸, ÇǾƳë¼Ò³ªÅ¸ 1, f#, Op.11, 35m$, Adam Laloum(pf)
  2891. ½´¸¸, ÇǾƳë¼Ò³ªÅ¸ 2, g, Op.22, 16m#, Anatoly Vedernikov(pf)
  2892. ½´¸¸, ÇǾƳë¼Ò³ªÅ¸ 3, f, Op.14 "Concert sans orchestre"
  2893. ½´¸¸, ÇǾƳëÇùÁÖ°î, a, Op.54, 31m#, 1) Martha Argerich(pf),Warsaw National Philharmonic Orchestra/Kazimierz Kord 2) Julius Katchen(pf),Israel Philharmonic Orchestra/Istvan Kertesz, 3) Sviatoslav Richter(pf), Warsaw National Philharmonic Symphony Orchestra /Witold Rowicki
  2894. ½´¸¸, ÇåÁ¤, Op.25-1,¸®½ºÆ®°¡ Æí°î,4m
  2895. ½´¸¸, Çö¾Ç4ÁßÁÖ°î 1, a, Op.41-1, 23m# * ¼¼ °îÀÇ Çö¾Ç4ÁßÁÖ°î Áß Op.41-1 °¡Àå À¯¸í, (Melos Quartett)
  2896. ½´¸¸, Çö¾Ç4ÁßÁÖ°î 2, F, Op.41-2, 24m, # Hagen Quartet
  2897. ½´¸¸, Çö¾Ç4ÁßÁÖ°î 3, A, Op.41-3, 29m
  2898. ½´¸¸, ȯ»ó°î,ÇǾƳë°î,C, Op.17, 31m, # Jon Kimura Parker(pf)
  2899. ½´¸¸, ȯ»óÀû ¼Òǰ(3°³ÀÇ), Op.73;
      • 1) ´À³¦À» °¡Áö°í ºÎµå·´°Ô(Zart und mit Ausdruck)
      • 2) »ý±âÀÖ°í °¡º±°Ô(Lebhaft, leicht)
      • 3) ºü¸£°í Á¤¿­ÀûÀ¸·Î(Rasch und mit Feuer)
  2900. ½´¸¸, ȯ»ó¼Ò°îÁý(Fantasiestuecke), Op.12, 29m cf) 8°î ±¸¼º; $1) Guiomar Novaes(pf.Brazil), 2) Martha Argerich(pf), 3) Ania Dorfmann(pf)
      • 1) Àú³á(Das Abends),    2) ºñ»ó(Aufschwung),    3) ¿Ö?(Warum?),    4) º¯´ö(Grillen)
      • 5) ¹ã¿¡(In der Nacht),    6) ¿ìÈ­(Fabel),    7) ²ÞÀÇ ¾ôÈû(Traumes Wirren),    8) ³ë·¡ÀÇ Á¾¸»(Ende vom Lied)
  2901. ½´¸¸, ȯ»ó°î(¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ), C, Op.131
  2902. ½´¸¸,Ŭ¶ó¶ó, ·òÄɸ£Æ®ÀÇ ½Ã¿¡ ºÙÀÎ 3°³ÀÇ ³ë·¡, Op.12, * Clara Schumann(1819-1896 German)
      • 1) ÆøÇ³¿ì ¼Ó¿¡ ±×°¡ ¿Ô³×(Er ist gekommen in sturm und regen)(Lebhaft, leicht)
      • 2) ¿Ü¸ð ¶§¹®¿¡ »ç¶ûÇÑ´Ù¸é
      • 3) ¿Ö ´ç½ÅÀº ³²µé¿¡°Ô ÀÇȤÀ» °¡Áö´Â °ÍÀÎÁö...
  2903. ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "°­º¯¿¡¼­(Am Strande)", ms. Anne Sofie von Otter
  2904. ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "±×³àÀÇ ÃÊ»óÈ­(Ihr Bildnis)", sop. Dorothea Craxton/Hedayet Djeddikkar (fortepiano)
  2905. ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "³ªÀÇ º°(Mein Stern)", sop.Susan Gritton
  2906. ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "¹Î¿ä(Volkslied)", sop. Dorothea Craxton/Hedayet Djeddikkar (fortepiano)
  2907. ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "¿ÐÃ÷(Walzer)", sop.Dorothea Craxton
  2908. ½´¸¸,Ŭ¶ó¶ó, ÇǾƳëÇùÁÖ°î, a, Op.7, 22m
  2909. ½´¸áó,¿äÇÑ ÇÏÀθ®È÷, "Sacro-profanus concentus musicus": Sonata no 4 a 6, * Johann Heinrich Schmelzer(1623-1680 Austrian)
  2910. ½´¹ÌÆ®,ÇÁ¶õÃ÷, ¿ÀÆä¶ó <³ëÆ®¸£´ã(Notre Dame)>; /°£ÁÖ°î
  2911. ½´º£¸£Æ®, 8ÁßÁÖ°î, F, D.803, Op.166, * Franz Schubert(1797-1828 Austrian)
  2912. ½´º£¸£Æ®, °¡°î "°¡´Ï¸ÞÆ®(Ganymed)", ±«Å×ÀÇ ½Ã °¡´Ï¸ÞÆ® D.544
  2913. ½´º£¸£Æ®, °¡°î "°­¹° À§¿¡¼­(Auf dem Strom)", D.943, Hans Peter Blochwitz(ten)
  2914. ½´º£¸£Æ®, °¡°î "°Ü¿ïÀú³á", D.938
  2915. ½´º£¸£Æ®, °¡°î "°íµ¶ÇÑ ³²ÀÚ(Der Einsame)", Op.41, D.800, Fritz Wunderlich(ten)
  2916. ½´º£¸£Æ®, °¡°î "°ïµ¹¶ó ¹î»ç°ø"(Der Gondelfahrer), D.809
  2917. ½´º£¸£Æ®, °¡°î "±×´ë´Â ³ªÀÇ ¾È½Ä(Du bist die ruh)", D.776, ten. Ian Bostrige
  2918. ½´º£¸£Æ®, °¡°î "±×¸®¿ò(Sehnsucht)", D.636, bar.Matthias Goerne/Elisabeth Leonskaja(pf)
  2919. ½´º£¸£Æ®, °¡°î "±×¸®¿ò(Sehnsucht)", D.879, ten.Christoph Pregardien/Michael Gees(pf)
  2920. ½´º£¸£Æ®, °¡°î "±×´ë¿¡°Ô Àλ縦(Sei mir gegrue©¬t!)", D.741, $1) bar.Dietrich Fischer-Dieskau/Gerald Moore(pf) 2) ten. Ian Bostridge
  2921. ½´º£¸£Æ®, °¡°î "³ªÀÌÆÃ°ÔÀÏ"
  2922. ½´º£¸£Æ®, °¡°î "³­ÀïÀÌ(Der Zwerg)", D.771
  2923. ½´º£¸£Æ®, °¡°î "³ëÀÎÀÇ ³ë·¡(Greisengesang)", D.778, bar.Dietrich Fischer-Dieskau/Gerald Moore(pf)
  2924. ½´º£¸£Æ®, °¡°î "´«¹°(Das Weinen)", D.926, bar.Matthias Goerne/Elisabeth Leonskaja(pf)
  2925. ½´º£¸£Æ®, °¡°î "´«¹°ÀÇ Âù°¡(Lob der Traenen)", D.711, bar.Dietrich Fischer-Dieskau/Gerald Moore(pf)
  2926. ½´º£¸£Æ®, °¡°î "´Þ¿¡°Ô(An den Mond)", ±«Å×ÀÇ ½Ã, D.193
  2927. ½´º£¸£Æ®, °¡°î "´Þ¿¡°Ô(An den Mond)", D.259, bar.Hermann Prey/Karl Engel(pf)
  2928. ½´º£¸£Æ®, °¡°î "µéÀå¹Ì(Heidenroeslein)", D.257, bar. Dietrich Fischer-Dieskau
  2929. ½´º£¸£Æ®, °¡°î "µð¿À´Ï¼Ò½º¿¡°Ô ¹ÙÄ¡´Â ¹î»ç¶÷ÀÇ ³ë·¡(Lied eines Schiffers an die Dioskuren", Op.65-1, D.360, # Ten.Fritz Wunderlich,Hubert Giesen(Pf)
  2930. ½´º£¸£Æ®, °¡°î "·ùÆ®¿¡°Ô(An die Laute)", Op.81-2, D.905
  2931. ½´º£¸£Æ®, °¡°î "¸¶¿Õ(Erlkoenig)", Op.4-1, bar.Hermann Prey/Karl Engel(Pf)
  2932. ½´º£¸£Æ®, °¡°î "¸¸³²°ú À̺°(Willkommen und Abschied)", D.767, bar.Wolfgang Holzmaier
  2933. ½´º£¸£Æ®, °¡°î "¸â³í(Memnon)", D.541, bar.Thomas Quasthoff, bar.Bo Skovhus
  2934. ½´º£¸£Æ®, °¡°î "¹®¹Û¿¡¼­(Im Freien)", D.880, sop.Elly Ameling/Dalton Baldwin(pf)
  2935. ½´º£¸£Æ®, °¡°î "¹° À§¿¡¼­ ³ë·¡ÇÔ(Auf dem Wasser zu Singen)", D.774, $, ms.Janet Bake/Geoffrey Parsons(pf), ms. Christa Ludwig
  2936. ½´º£¸£Æ®, °¡°î "¹ÂÁîÀÇ ¾Æµé(Der Musensohn)", Op.92-1, D.764, $1) bar/ D.F.Dieskau, Gerald Moore(pf), 2) Matthias Goerne(Bar)/Andreas Haefliger(Pf)
  2937. ½´º£¸£Æ®, °¡°î "¹Ù´Ù¿¡¼­", D.746
  2938. ½´º£¸£Æ®, °¡°î "¹Ù´ÙÀÇ °í¿ä(Meeres Stille)", ±«Å×ÀÇ ½Ã D.216
  2939. ½´º£¸£Æ®, °¡°î "¹ÙÀ§ À§ÀÇ ¸ñµ¿(The Shepherd on the Rock(Der Hirt auf dem Felsen)", Op.129,D.965, ¸ñµ¿ÀÌ º½À» ±â´Ù¸®´Â ¿Ü·Î¿ò, sop.Barbara Hendricks, 10m
  2940. ½´º£¸£Æ®, °¡°î "¹ã°ú ²Þ(Nacht und Traeume)", D.827, m.sop.Janet Baker
  2941. ½´º£¸£Æ®, °¡°î "¹ãÀÇ ³ë·¡(Nachtstueck)", Op.36-2, D.672
  2942. ½´º£¸£Æ®, °¡°î "¹ãÀÇ Âù°¡(Nachthymne)", D.687, $ Dietrich Fischer-Dieskau(bar)/Gerlad Moore(Pf)
  2943. ½´º£¸£Æ®, °¡°î "¹ãÀλç(Gute Nacht)", D.911-1, # Bar.Dietrich Fischer-Dieskau,Gerald Moore(Pf)
  2944. ½´º£¸£Æ®, °¡°î "¹æ¶ûÀÚÀÇ ¹ã³ë·¡ 1,2(Wanderers Nachtlied I)" D.224, D.768
  2945. ½´º£¸£Æ®, °¡°î "º°(Die Sterne)", D.684
  2946. ½´º£¸£Æ®, °¡°î "º¸¸®¼ö(Der Lindenbaum)", D.911-5, bar.Dietrich Fischer-Dieskau/Gerald Moore(pf)
  2947. ½´º£¸£Æ®, °¡°î "º¸¹°À» ã´Â »ç¶÷(Der Schatzgraeber)", D.256, bar.Dietrich Fischer-Dieskau
  2948. ½´º£¸£Æ®, °¡°î "º½¿¡(Im Fruehling )", D.882, Hans Peter Blochwitz(Ten)/Rudolf Jansen(Pf)
  2949. ½´º£¸£Æ®, °¡°î "º½ÀÇ ½Ã³Á°¡(Am Bach im Fruehling)", D.361, Wolfgang Holzmair(Bar)/Gerard Wyss(Pf)
  2950. ½´º£¸£Æ®, °¡°î "º½ÀÇ ³ë·¡(Fruehlingsgesang)", D.740, Robert Shaw
  2951. ½´º£¸£Æ®, °¡°î "º½ÀÇ ½Å¾Ó(Fluehlingsglaube)", D.686
  2952. ½´º£¸£Æ®, °¡°î "ºñ¾ÖÀÇ È¯Èñ(Wonne der Wehmut)", ±«Å×ÀÇ ½Ã D.260
  2953. ½´º£¸£Æ®, °¡°î "»ç°ú³ª¹«¿¡ ºÎÃÄ"
  2954. ½´º£¸£Æ®, °¡°î "»ç³É±ºÀÇ ¹ã³ë·¡(Jaegers Abendlied)", ±«Å×ÀÇ ½Ã, D.368
  2955. ½´º£¸£Æ®, °¡°î "»ç¶û½º·¯¿î º°(Der Lieblieche Stern)", D.861, bar. Matthias Goerne
  2956. ½´º£¸£Æ®, °¡°î "»ç¶ûÇÏ´Â ÀÌÀÇ °ç¿¡¼­(Naehe des Geliebten)", D.162, ±«Å×ÀÇ ½Ã, sop.Kathleen Battle
  2957. ½´º£¸£Æ®, °¡°î "»ù¿¡°Ô(An eine Quelle)", D.530, Hans Peter Blochwitz(Ten)/Rudolf Jansen(Pf)
  2958. ½´º£¸£Æ®, °¡°î "»ý°¢Ç϶ó, ÀÌ ¼ø°£ÀÌ(Pensa, che questo istante)", D.76, bar.Dietrich Fischer-Dieskau/Gerald Moore(pf)
  2959. ½´º£¸£Æ®, °¡°î "¼¼·¹³ªµ¥-µé¾î¶ó µé¾î¶ó Á¾´Þ»õ¸¦(Staendchen-Horch,horch die Lerch im Aetherblau", D.889, $ sop. Kathleen Battle
  2960. ½´º£¸£Æ®, °¡°î "¼¼·¹³ªµ¥", D.920
  2961. ½´º£¸£Æ®, °¡°î "¼Û¾î(Die Forelle)", D.550, bar.Thomas Quasthoff/Justus Zeyen(pf)
  2962. ½´º£¸£Æ®, °¡°î "½£ÀÇ ¹ã³ë·¡"
  2963. ½´º£¸£Æ®, °¡°î "½Çºñ¾Æ¿¡°Ô"(An Sylvia),Op.106-4, D.891, C74
  2964. ½´º£¸£Æ®, °¡°î "½Ç Àã´Â ±×·¹Ã¾"
  2965. ½´º£¸£Æ®, °¡°î "¾Æº£¸¶¸®¾Æ(Ave Maria)", D.839, sop.Elly Ameling
  2966. ½´º£¸£Æ®, °¡°î "¾ËÇÁ½ºÀÇ »ç³É²Û"
  2967. ½´º£¸£Æ®, °¡°î "¾îºÎÀÇ ³ë·¡(Fischerweise), D.881, bar. Hermann Prey
  2968. ½´º£¸£Æ®, °¡°î "¾îÃÌ ¾Æ°¡¾¾"
  2969. ½´º£¸£Æ®, °¡°î "¾ó¸¶³ª ±×¸®¿öÇÏ´Â °ÍÀÌ(Vedi quanto adoro)", D.510, ms.Cecilia Bartoli/Andras Schiff(pf)
  2970. ½´º£¸£Æ®, °¡°î "¿ôÀ½°ú ´«¹°"(Lachen und Weinen) Op.59-4
  2971. ½´º£¸£Æ®, °¡°î "À§·ÉÀý¿¡ ºÎÄ¡´Â ¿¬µµ¹®(Litanei auf das Fest Allerseelen)", D.343, #, ten.Ian Bostridge
  2972. ½´º£¸£Æ®, °¡°î "À½¾Ç¿¡ ºÎħ(An die Musik)", Op.88-4, Janet Baker(Ms)/Geoffrey Parsons(Pf)
  2973. ½´º£¸£Æ®, °¡°î "À̺°(Abschied)", D.475, Dietrich Fischer-Dieskau(bar)/Gerald Moore(pf)
  2974. ½´º£¸£Æ®, °¡°î "ÀÚÀå°¡(Wiegenlied)", D.498, $ Annelise Rothenberger(Sop)
  2975. ½´º£¸£Æ®, °¡°î "ÀÚÀå°¡(Wiegenlied)", D.751, Op.23-1, sop. Mirella Freni
  2976. ½´º£¸£Æ®, °¡°î "ÀÚÀå°¡(Wiegenlied)", D.867
  2977. ½´º£¸£Æ®, °¡°î "Àú³áÀÇ ÃÊ»ó(Abendbilder)", D.650
  2978. ½´º£¸£Æ®, °¡°î "Àú³á ³ëÀ» ¼Ó¿¡¼­/¼®¾ç¿¡(Im Abendrot/Ȳȥ¿¡)", D.799, $ Ms.Anne Sofie von Otter, # bar. Bo Skovhus
  2979. ½´º£¸£Æ®, °¡°î "ÀþÀº ¼ö³à(Die junge Nonne)", D.828, ms.Anne Sofie von Otter
  2980. ½´º£¸£Æ®, °¡°î "Á×À½ÀÇ À½¾Ç(Todesmusik)", D.758
  2981. ½´º£¸£Æ®, °¡°î "ÁÙ¶óÀÌÄ«ÀÇ ³ë·¡ II: ¼­Ç³(Suleika)", D.717, sop.Gundula Janowitz
  2982. ½´º£¸£Æ®, °¡°î "õ»çµéÀÇ ÇÕâ(Mille cherubini in coro)"
  2983. ½´º£¸£Æ®, °¡°î "ÃÊ·ÏÀÇ ³ë·¡(Das Lied im Gruenen)", D.917, sop.Cheryl Studer/Irwin Gage(Pf)
  2984. ½´º£¸£Æ®, °¡°î "ÃÖÁ¤»ó¿¡¼­", D.611
  2985. ½´º£¸£Æ®, °¡°î "ÃÖÃÊÀÇ »ó½Ç(Erster Verlust)", ±«Å×ÀÇ ½Ã D.226
  2986. ½´º£¸£Æ®, °¡°î "Ãæ¸¸ÇÑ »ç¶û(Fuelle der Liebe)", D.854,#, Dietrich Fischer-Dieskau(baritone)/Gerald Moore(pf)
  2987. ½´º£¸£Æ®, °¡°î "ÇØ¿¡°Ô(An die Sonne)", D.270
  2988. ½´º£¸£Æ®, °¡°î "Çູ(Seligkeit)", D.433, sop.Kathleen Battle
  2989. ½´º£¸£Æ®, °¡°î "È£¼ö À§¿¡¼­(Auf dem See)", ±«Å×ÀÇ ½Ã D.543, sop. Jessye Norman
  2990. ½´º£¸£Æ®, °¡°î "Èû¾ø´Â »ç¶û(Rastlose Liebe)"
  2991. ½´º£¸£Æ®, °¡°î "Der Koenig in Thule", D.367
  2992. ½´º£¸£Æ®, °¡°î "Liebhaber in allen Gestalten", D.558
  2993. ½´º£¸£Æ®, °¡°î "Der Saenger"
  2994. ½´º£¸£Æ®, °¡°î "Der Schatzgraeber"
  2995. ½´º£¸£Æ®, °¡°î "Irdisches Glueck", D.866-4, Dietrich Fischer-Dieskau(bar)/Gerald Moore(pf)
  2996. ½´º£¸£Æ®, °¡°î "Tischerlied", D.274
  2997. ½´º£¸£Æ®, °Ü¿ï ³ª±×³×(Die Winterreise), °¡°îÁý(24°î), Op.89, 72m >Lied, Josef Greindl(bass)/Hertha Klust(pf)
      • 1) ¾È³çÈ÷ ÁÖ¹«¼¼¿ä(Gute Nacht)
      • 2) ¹Ù¶÷°³ºñ(Die Wetterfahne)
      • 3) ¾ó¾îºÙÀº ´«¹°(Gefrorene Tra"nen)
      • 4) ¾ó¾îºÙÀ½/¾ó¾îºÙÀº °¡½¿(Erstarrung)
      • 5) º¸¸®¼ö(Der Lindenbaum)
      • 6) ³ÑÃÄÈ帣´Â ´«¹°(Wasserflut)
      • 7) ½Ã³Á°¡¿¡¼­(Auf den Flusse)
      • 8) ȸ»ó(Ru"ckblick)
      • 9) µµ±úºñºÒ(Das Irrlicht)
      • 10) ÈÞ½Ä(Rast)
      • 11) º½ÀÇ ²Þ(Fru"hlingstraum)
      • 12) °íµ¶(Einsamkeit)
      • 13) ¿ìÆí¸¶Â÷(Die Post)
      • 14) ¹é¹ßÀÇ ¸Ó¸®(Der greise KOpf)
      • 15) ±î¸¶±Í(Die Kra"he)
      • 16) ¸¶Áö¸· Èñ¸Á(Letzte Hoffnung)
      • 17) ¸¶À»¿¡¼­(Im Dorfe)
      • 18) ÆøÇ³ÀÇ ¾ÆÄ§(Der Stu"rmische Morgen)
      • 19) ȯ»ó(Ta"uschung)
      • 20) ÀÌÁ¤Ç¥(Der Wegweiser)
      • 21) ¿©Àμ÷(Das Wirthshaus)
      • 22) ¿ë±â(Mut)
      • 23) ȯ»óÀÇ Å¾ç(Die Nebensonnen)
      • 24) °Å¸®ÀÇ ¾Ç»ç(Der Leiermann)
  2998. ½´º£¸£Æ®, ±³Çâ°î 1, D, D.82, 26m, $ Royal Flemish Philharmonic/Pilippe Herreweghe
  2999. ½´º£¸£Æ®, ±³Çâ°î 2, Bb, D.125, 28m
  3000. ½´º£¸£Æ®, ±³Çâ°î 3, D, D.200,23m
  3001. ½´º£¸£Æ®, ±³Çâ°î 4, c, D.417, "ºñ±ØÀû ±³Çâ°î(Tragic)", 9SÁß S1.2.3Àº ½ÀÀÛ¿¡ ºÒ°ú
  3002. ½´º£¸£Æ®, ±³Çâ°î 5, Bb, D.485, 9S,27m
  3003. ½´º£¸£Æ®, ±³Çâ°î 6, C, D.589, 32m
  3004. ½´º£¸£Æ®, ±³Çâ°î 7, E, D.729
  3005. ½´º£¸£Æ®, ±³Çâ°î 8, b, D.759, "¹Ì¿Ï¼º(Unfinished)"
  3006. ½´º£¸£Æ®, ±³Çâ°î 9, C, D.944, "The Great", S8°ú ÇÔ²² ½´º£¸£Æ®ÀÇ 2´ë °ÉÀÛ, 45m$, $1) Berliner Philharmoniker/Wilhelm Furtwaengler, $2) The Philharmonia Orchestra/Arturo Toscanini(1941 mono), $3) Royal Philharmonic Orchestra/Rafael Kubelik
  3007. ½´º£¸£Æ®, ±³Çâ°î 10, D, D.936a, 35m
  3008. ½´º£¸£Æ®, µ¶ÀϹ̻ç(Deutsche Messe), D.872, $»óÅõ½º(Sanctus)
  3009. ½´º£¸£Æ®, ·ÎÀÚ¹®µ¥(Rosamunde)-±ØºÎ¼öÀ½¾Ç(Rosamunde-Incidental music), D.797; /¼­°î, /"·Î¸Á½º"
  3010. ½´º£¸£Æ®, ·ÎÀÚ¹®µ¥, D.797:¹ß·¹À½¾Ç, Gewandhausorchester Leipzig/Kurt Masur
  3011. ½´º£¸£Æ®, ·Ðµµ(³× ¼ÕÀ» À§ÇÑ), A, D.951
  3012. ½´º£¸£Æ®, ·Ðµµ(¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), b, Op.70, D.895 "Rondo Brillant", 14m, $ Johanna Martzy(vn)/Jean Antonietti(pf)
  3013. ½´º£¸£Æ®, ·Ðµµ(¹ÙÀ̿ø°°ú Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ), A, D.438, 15m
  3014. ½´º£¸£Æ®, µ¶ÀÏ ¹«°î(5)(Five German Dances), D.90, 16m
  3015. ½´º£¸£Æ®, ¹Ì»ç (Mass), G, D.167
  3016. ½´º£¸£Æ®, ¹Ì»ç 5(Mass: Missa Solemnis), Ab, D.678, 42m
  3017. ½´º£¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, D, D.384, 11m#, Gil Shaham(vn)/Goeran Soellscher(guitar)
  3018. ½´º£¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, a, D.385, 17m
  3019. ½´º£¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, g, D.408, 13m
  3020. ½´º£¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, A, D.574, Op.162, "Grand Duo"-Vn & PfÀÇ »óÈ£±ÕÇü, 24m $3, # Isabelle Faust(Vn)/Alexander Melnikov(Pf)
  3021. ½´º£¸£Æ®, ¹éÁ¶ÀÇ ³ë·¡(Schwanengesang), °¡°îÁý(14°î),D.957 >Lied;
      • 1) »ç¶ûÀÇ Àü·É(Liebesbotschaft), Ludwig Rellstab(P)
      • 2) º´»çÀÇ ¿¹°¨(Kriegers Ahnung), Ludwig Rellstab(P)
      • 3) º½ÀÇ ±×¸®¿ò(Fru"hlingssehnsucht), Ludwig Rellstab(P)
      • 4) ¼¼·¹³ªµ¥(Sta"ndchen) $, Ludwig Rellstab(P)
      • 5) ³»°¡ »ç´Â °÷(Aufenthalt), Ludwig Rellstab(P)
      • 6) ¸Õ °÷¿¡¼­(In der Ferne), Ludwig Rellstab(P)
      • 7) À̺°(Abschied), Ludwig Rellstab(P)
      • 8) ¾ÆÆ²¶ó½º(Der Atlas), Heinrich Heine(P)
      • 9) ±×³àÀÇ È­»ó(Ihr Bild), Heinrich Heine(P)
      • 10) ¾îºÎÀÇ µþ(Das Fischerma"dchen), Heinrich Heine(P)
      • 11) µµ½Ã(Die Stadt), Heinrich Heine(P)
      • 12) ¹Ù´å°¡¿¡¼­(Am Meer), Heinrich Heine(P)
      • 13) ±×¸²ÀÚ(Der DOppelga"nger), Heinrich Heine(P)
      • 14) ºñµÑ±â ¿ìÆí(Die Taubenpost), Johann Gabriel Seidl(P)
  3022. ½´º£¸£Æ®, ½ºÄɸ£Á¶(µÎ °³ÀÇ)(two Scherzos), D.593, 10m, Gerhard Oppitz(pf)
  3023. ½´º£¸£Æ®, ¾Æ´ÙÁö¿À(ÇǾƳë 3ÁßÁÖ¸¦ À§ÇÑ), Eb, Op.148, D.897, "Notturno"
  3024. ½´º£¸£Æ®, ¾Æ´ÙÁö¿À(ÇǾƳ븦 À§ÇÑ), E, D.612, 5m, Gerhard Oppitz(pf)
  3025. ½´º£¸£Æ®, ¾Æ´ÙÁö¿À¿Í ·Ðµµ ÄÜü¸£ÅºÅ×(Adagio and Rondo concertante), F, D.487, 14m, Jeno Jando(pf)/Kodaly Quartet
  3026. ½´º£¸£Æ®, ¾Æ¸§´Ù¿î ¹°¹æ¾Ñ°£ÀÇ ¾Æ°¡¾¾(Die Scho"ne Mu"llerin), °¡°îÁý(20°î), Op.25, D.795 >Lied, /bar. Fischer Dieskau #&
      • 1) ¹æ¶û(Das Wandern)
      • 2) ¾îµð·Î(Wohin)
      • 3) Á¤Áö(Halt)
      • 4) ½Ã³»¹°¿¡ ´ëÇÑ °¨»ç(Danksagung an den Bach)
      • 5) ÀÏÀÌ ³¡³­ Àú³á¿¡(Am Feierabend)
      • 6) È£±â½É ¸¹Àº »ç³»(Der Neugierige)
      • 7) ÃÊÁ¶(Ungeduld)
      • 8) ¾ÆÄ§Àλç(Morgengruss)
      • 9) ¹°¹æ¾Ñ°£ÀÇ ²É(Des Mu"llers Blumen)
      • 10) ´«¹°ÀÇ ºñ(Thra"nenregen)
      • 11) ³ªÀÇ °Í(Mein)
      • 12) ÈÞ½Ä(Pause)
      • 13) ³ì»ö ¸®º»À» °¡Áö°í(Mit dem Gru"nen Lautenbande)
      • 14) »ç³É±º(Die Ja"ger)
      • 15) ÁúÅõ¿Í ÀÚ¶û(Eifersucht und Stolz)
      • 16) ÁÁ¾ÆÇÏ´Â »ö±ò(Der liebe Farbe)
      • 17) ½È¾îÇÏ´Â »ö±ò(Die bo"se Farbe)
      • 18) ½ÃµéÀº ²É(Trockne Blumen)
      • 19) ¹°¹æ¾Ñ°£ û³â°ú ½Ã³Á¹°(Der Mu"ller und der Bach)
      • 20) ½Ã³»ÀÇ ÀÚÀå°¡(Des Baches Wiegenlied)
  3027. ½´º£¸£Æ®, ¾Æº£¸¶¸®¾Æ, D.838, 5m#, Leontyne Price(sop),Wiener Philharmoniker/Herbert von Karajan
  3028. ½´º£¸£Æ®, ¾ÇÈïÀÇ ¼ø°£(6 Moments musicaux), D.780, 32m, Sviatoslav Richter(pf)
  3029. ½´º£¸£Æ®, ¾Ë·¹±×·Î(³× ¼ÕÀ» À§ÇÑ/Allegro for four Hands), a, D.947 "ÀλýÀÇ ÆøÇ³(Lebensstuerme)", Pf, 16m
  3030. ½´º£¸£Æ®, ¾ËÆäÁö¿À³×¼Ò³ªÅ¸(Sonata for Arpeggione and Piano), a, D.821> 6°³ÀÇ ÇöÀ» °¡Áø ÿ·ÎÇüÅÂÀÇ ¾Ç±â, $ Mstislav Rostropovich(Vc)/Benjamin Britten(Pf), $ Daniil Shafran(vc)/Walter Bohle(pf)
  3031. ½´º£¸£Æ®, ÁÙ¶óÀÌÄ« 1(Suleika I), D.720, sop.Kathleen Battle
  3032. ½´º£¸£Æ®, ÁïÈï°î(4°³ÀÇ), D.899/Op.90(No.1-4: c, Eb, G, Ab), Pf, 8°îÀÇ ÁïÈï°î(Op.90°ú Op.142¿¡ °¢ 4°î)
  3033. ½´º£¸£Æ®, ÁïÈï°î, D.935/Op.142(No.1-4: f, Ab, Bb, f), 38m, $ Rudolf Serkin(pf)
  3034. ½´º£¸£Æ®, Æú·Î³×ÀÌÁî(Polonaise), Bb, D.580, Gidon Kremer(Vn), Chamber Orch. of Europe
  3035. ½´º£¸£Æ®, ÇǾƳë3ÁßÁÖ°î(1¾ÇÀå), Bb, D.28, "¼Ò³ªÅ¸"
  3036. ½´º£¸£Æ®, ÇǾƳë3ÁßÁÖ°î 1, Bb, D.898, Op.99
  3037. ½´º£¸£Æ®, ÇǾƳë3ÁßÁÖ°î 2, Eb, D.929, Op.100, 47m $$, 2PT> Bb Op.99;¿©¼ºÀû ¼­Á¤Àû, Eb, Op.100; ³²¼ºÀû Àû±ØÀû, $1) Isaac Stern(Vn)/Leonard Rose(Vc)/Eugene Istomin(Pf), $2) Beaux Arts Trio, 3) Yehudi Menuhin(vn)/Hephzibah Menuhin(pf)/Maurice Gendron(vc), 4) Trio Wanderer, 4) Antje Weuthaas(vn)/Marie-Elisabeth Hecker(vc)/Martin Helmchen(pf)
  3038. ½´º£¸£Æ®, ÇǾƳë5ÁßÁÖ°î, A, Op.114, D.667, "¼Û¾î(The Trout)", 40m, $1) Emanuel Ax(Pf)/Julius Levine(double bass)/Guarneri Quartet; 2) Emil Gilels(pf)/Rainer Zepperitz(double bass)/Members of Amadeus Quartet
  3039. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸(³× ¼ÕÀ» À§ÇÑ:Sonata for Piano 4 hands), C, D.812(Op.140), "±×·£µå µà¿À(Grand Duo)", 47m#
  3040. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 4, a, Op.post.164, D.537,22m
  3041. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 7, Eb, Op.post.122, D.568,34m
  3042. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 13, A, Op.120, D.664, 24m#2, Gerhard Oppitz(pf)
  3043. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 14, a, Op.post.143, D.784, 25m, # Jorge Bolet(pf)
  3044. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 15, C, D.840, "À¯Ç°" 23m#, Gerhard Oppitz(pf)
  3045. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 16, a, Op.42, D.845, "Grand Sonata", $ Alfred Brendel(pf)
  3046. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 17, D, D.850, 41m$ Richard Goode(Pf)
  3047. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 18, G, D.894, 43m, # Sviatoslav Richter(pf)
  3048. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 19, c, D.958, # Murray Ferahia(pf)
  3049. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 20, A, D.959, 40m, 1)Shai Wosner(pf), 2) Radu Lupu(pf)
  3050. ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 21, Bb, D.960, 43m#, ½´º£¸£Æ®ÀÇ ¸¶Áö¸· PS, $1) Sviatoslav Richter**, 2) Evgeny Kissin(Pf), 3) Maria Joao Pires(pf)
  3051. ½´º£¸£Æ®, ÇÇ¾Æ³ë ¼Òǰ(3°³ÀÇ: Three Piano Pieces), D.946, 21m
  3052. ½´º£¸£Æ®, ÇÏÇÁ Ÿ´Â ³ëÀÎÀÇ ³ë·¡; 1) °íµ¶¿¡ ¸öÀ» ´øÁø ÀÚ(Wer sich der Einsamkeit ergibt), D.478;Op.12-1, 2) ´«¹° Á¥Àº »§À» ¸Ô¾îº¸Áö ¾ÊÀº ÀÌ´Â(Wer nie sein Brot mit Tranen ass), D.479;Op.12-2, 3) »ì¸ç½Ã ¹®°çÀ¸·Î ´Ù°¡°¡¸®(An die Turen will ich schleichen), D.480;Op.12-3
  3053. ½´º£¸£Æ®, Çë°¡¸® º§·Îµð(Hungarian Melody), b, D.817, /Andras Schiff(Pf)
  3054. ½´º£¸£Æ®, Çö¾Ç3ÁßÁÖ°î, Bb, D.471, 8m
  3055. ½´º£¸£Æ®, Çö¾Ç3ÁßÁÖ°î, Bb, D.581
  3056. ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î, C, D.32
  3057. ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 8, Bb, D.112, Op.168
  3058. ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 10, Eb, D.87, Op.125-1, 24m
  3059. ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 11, E, D.353, 22m, Melos Ensemble
  3060. ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 12, C, D.703, "4ÁßÁÖ ´ÜÀå"
  3061. ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 13, a, D.804, Op.29 "·ÎÀÚ¹®µ¥(Rosamunde)", 32m, $ Emerson String Quartet
  3062. ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 14, d, D.810, "Á×À½°ú ¼Ò³à(Death and the Maiden)", 15°î, 43m, $ Alban Berg Quartet #&
  3063. ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 15, G, Op.161, D.887, 53m#4, $ Kremerata Baltica/Gidon Kremer(Cond), #American String Quartet
  3064. ½´º£¸£Æ®, Çö¾Ç5ÁßÁÖ°î, C, D.956, 4M48m $, $ Quatuor Ebene/Gautier Capu?on(vc)
  3065. ½´º£¸£Æ®, ȯ»ó°î, ¹ÙÀ̿ø°°î, c, D.48, 14m
  3066. ½´º£¸£Æ®, ȯ»ó°î(¹æ¶ûÀÚ), ¹ÙÀ̿ø°°î, C, Op.15, D.760, "Wanderer Fantasie"
  3067. ½´º£¸£Æ®, ȯ»ó°î(¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), ¹ÙÀ̿ø°°î, G, Op.159, D.934, ¸¶Áö¸· °î, 23m, {#Carolin Widmann(vn)/Alexander Lonquich(pf)}
  3068. ½´º£¸£Æ®, ȯ»ó°î(³× ¼ÕÀ» À§ÇÑ)(Fantasia for Piano Duo), f, Op.103, D.940, pf, 20m#
  3069. ½´Å¸¹ÌÃ÷,¿äÇÑ, ¸¸ÇÏÀÓ ±³Çâ°î, G, * Johann Stamitz(1717-1757 Czech) * Ä® ½´Å¸¹ÌÃ÷, ¾ÈÅæ ½´Å¸¹ÌÃ÷ÀÇ µÎ ¾Æµé
  3070. ½´Å¸¹ÌÃ÷,¿äÇÑ, ¹ÙÀ̿ø°°ú Çö¾Ç ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ÇùÁÖ°î, C, 16m
  3071. ½´Å¸¹ÌÃ÷,¿äÇÑ, ½ÅÆ÷´Ï¾Æ, A, 11m, New Dutch Academy/Simon Murphy
  3072. ½´Å¸¹ÌÃ÷,Ä®, °üÇö¾Ç4ÁßÁÖ°î, C, Op.14-1, ¿äÇÑ ½´Å¸¹ÌÃ÷ÀÇ Å« ¾Æµé, * Carl Stamitz(1754-1801 German:Mother-German)
  3073. ½´Å¸¹ÌÃ÷,Ä®, ±³Çâ°î, e, Op.15-2
  3074. ½´Å¸¹ÌÃ÷,Ä®, ±³Çâ°î(6), G, Op.13/16:no.4
  3075. ½´Å¸¹ÌÃ÷,Ä®, ºñ¿Ã¶óÇùÁÖ°î, D, Op.1
  3076. ½´Å¸¹ÌÃ÷,Ä®, Ŭ¶ó¸®³ÝÇùÁÖ°î 3*, Bb, 13m, # Eduard Brunner(cl),Munich Chamber Orchestra/Hans Stadlmair
  3077. ½´Å¸¹ÌÃ÷,Ä®, ÇÃ·çÆ®ÇùÁÖ°î, G, Op.29
  3078. ½´Å¸¹ÌÃ÷,¾ÈÅæ, ¹ÙÀ̿ø°ÇùÁÖ°î, G, ¿äÇÑ ½´Å¸¹ÌÃ÷ÀÇ ÀÛÀº ¾Æµé, * Anton Stamitz(1750-1798(1809) German)
  3079. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, °¡Á¤±³Çâ°î(Symphonia Domestica), Op.53, 4ºÎ±¸¼º, 3ºÎ°¡ ¾Æ¸§´ä´Ù
  3080. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ±³Çâ°î 2, f, Op.12, 41m, # Royal Scottish National Orchestra/Neeme Jarvi
  3081. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ±³ÇâÀû ½Ã°î "¸Æº£½º", Op.23
  3082. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, "±×¸²ÀÚ ¾ø´Â ¿©ÀÎ"¿¡ ÀÇÇÑ ±³ÇâÀû ȯ»ó°î(Symphonic Fantasy on Die Frau ohne Schatten), Op.65
  3083. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, µ·Å°È£Å×(Don Quixote), ±³Çâ¾Ç½Ã, Op.35, 45m, ±³Çâ½Ã º¸Åë ¼Ò³ªÅ¸Çü½ÄÀ̳ª µ·Å°È£Å×´Â º¯ÁÖ°îÇü½ÄÀ» ÃëÇϰí ÀÖÀ½, $ Cleveland Orch, Pierre Fournier(vc)/George Szell
  3084. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, µ·ÆÎ, ±³Çâ¾Ç½Ã, Op.20
  3085. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, µðº£¸£Æ¼¸àÅä(ÄíÇÁ·©ÀÇ °Ç¹ÝÀ½¾Ç ¼Òǰ¿¡ ÀÇÇÑ, Divertimento for Small Orchestra after Couperin), Op.88, 34m, Tokyo Metropolitan Symphony Orchestra/Hiroshi Wakasugi
  3086. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¸ÞŸ¸ð¸£Æ÷Á¨(Metamorphosen), °üÇö¾Ç°î, 28m#
  3087. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, Eb, OP.18, 29m#
  3088. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î, d, Op.8, À¯ÀÏÇÑ VC, 18¼¼¶§ ÀÛ°î $, Ulf Hoelscher(Vn),Staatskapelle Dresden/Rudolf Kempe
  3089. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ºÎ¸¦·¹½ºÄÉ(Burleske for Piano and Orchestra), d, 20m
  3090. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼­¹Î ±ÍÁ·(Le Bourgeois Gentilhomme):¸ðÀ½°î, Op.60, # Berlin Philharmonic Orchestra/Sir Simon Rattle
  3091. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <4°³ÀÇ ³ë·¡>, Op.27; Op.27-1:4
      • "½¬¾î¶ó, ³» ¿µÈ¥ÀÌ¿©(Ruhe, meine Seele)", Op.27-1
      • "ºñ¹ÐÀÇ ÃÊ´ë(Heimliche Aufforderung)", Op.27-3
      • "¾ÆÄ§(Morgen)", Op.27-4
  3092. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <4°³ÀÇ ¸¶Áö¸· ³ë·¡(Vier letzte Lieder)>;
      • 1) "º½(Fruhling)"
      • 2) "9¿ù(Beim Schlafengehen)"
      • 3) "ÀáÀÚ¸®¿¡ µé ¶§(Beim Schlafengehen)"
      • 4) "Àú³á³ëÀ»(Im Abendrot)"
  3093. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <5°³ÀÇ ³ë·¡>, Op.48; "Freundliche Vision", Op.48-1
  3094. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <8°³ÀÇ °¡°î(Acht Lieder:Eight poems for voice and piano)>, Op.10(Op.10-1:8)
      • 1) "ºÀÇå(Zueignung)/ÇåÁ¤"
      • 2) "Nichts"
      • 3) "Die Nacht"
      • 4) "Die Georgine"
      • 5) "Geduld"
      • 6) "Die Verschwiegenen"
      • 7) "Die Zeitlose"
      • 8) "À§·ÉÁ¦(Die Zeitlose)"
  3095. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <¿ÀÇʸ®¾ÆÀÇ ¼¼ °³ÀÇ ³ë·¡(3 Lieder der Ophelia)>, Op.67(Nos.1-3)
      • 1) "¾î¶»°Ô ¾Ë¾Æº¼±î¿ä?(Wie erkenn ich mein Treulieb vor andern nun?)"
      • 2) "ÁÁÀº ¾ÆÄ§(Guten Morgen)"
      • 3) "¾ó±¼µµ µ¤Áö ¾Ê°í °ü À§¿¡ ¾ñ¾î °¬Áö (Sie trugen ihn auf der Bahre blo©¬!)"
  3096. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "°áÈ¥ÀÇ ³ë·¡(Hochzeitlich Lied)", Op.37-6, bar. Dietrich Fischer-Dieskau/Wolfgang Sawallisch(pf)
  3097. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "³»ÀÏ(Morgen)", Op.27-4$, (<4°³ÀÇ ³ë·¡), sop.Barbara Bonney/Malcolm Martineau(pf), # sop. Edith Mathis/Gerard Wyss (pf)
  3098. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "¼¼·¹³ªµ¥(Staendchen)", Op.17-2, sop.Arleen Auger
  3099. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "¼¼½Ç¸®¾Æ(Caecilie)", Op.27-2, sop.Amanda Roocroft
  3100. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "ÀÚÀå°¡(Wiegenlied)", Op.41-1, sop. Gwyneth Jones
  3101. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "Àå¹Ì²É ȭȯ(Das Rosenband)", Op.41-1, sop.Arleen Auger/Dalton Baldwin(pf)
  3102. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼¼·¹³ªµ¥(Serenade for 13 wind instruments), Bb, Op.4, 24m
  3103. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¾ËÇÁ½º±³Çâ°î(Eine Alpensinfonie), Op.64, ´Ü¾ÇÀå Çü½Ä5ºÎ ±¸¼º, 52m$, Vienna Philharmonic Orchestra/Christian Thielemann
  3104. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿µ¿õÀÇ »ý¾Ö(Ein Heldenleben), ±³Çâ¾Ç½Ã, Op.40, 48m Àü±âÀû, ¿µ¿õ> ÀÚ½Å, $ Tbilisi Symphony Orchestra/Djansug Kakhidze; $ Staatskapelle Dresden/Giuseppe Sinopoli
  3105. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿Àº¸¿¡ÇùÁÖ°î, D, 26m
  3106. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿ÀÆä¶ó <±ºÆ®¶÷(Guntram)>, Op.25, ÀüÁÖ°î
  3107. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿ÀÆä¶ó <³«¼Ò½ºÀÇ ¾Æ¸®¾Æµå³×(Ariadne auf Naxos)>, /"¸Ö¸® ¾îµò°¡¿¡ ¿Õ±¹ÀÌ ÀÖ´Ù(Es gibt ein Reich)"
  3108. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿ÀÆä¶ó <»ì·Î¸Þ>, /"»ì·Î¸ÞÀÇ Ãã"
  3109. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿ÀÆä¶ó <Àå¹ÌÀÇ ±â»ç>;
      • "ÀÌ·ç¾îÁú ¼ö ¾ø´Â ²ÞÀº ¾Æ´ÑÁö...(Ist ein Traum, kann nicht wirklich sein)"-Á¶ÇÇ¿Í ¿ÁŸºñ¾ÈÀÇ 2Áßâ, sop.Diana Damrau ms.Elina Garanca
  3110. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿äÁ¦ÇÁÀÇ Àü¼³(Josephs Legends):Symphonic Fragment, Op.63, 64m#
  3111. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, "ÀÌÅ»¸®¾Æ·ÎºÎÅÍ(Aus Italien)", Op.16, °üÇö¾Ç°î, 42m$, $ Berlin Philharmonic Orchestra/Riccardo Muti
  3112. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, "ÀÎÅ͸ÞÂÉ" Áß 4°³ÀÇ ±³ÇâÀû °£ÁÖ°î(Four Symphonic Interludes from Intermezzo: Reisefieber und Walzerszene), Op.72, 10m# Toronto Symphony Orchestra/Andrew Davis
  3113. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, "Â¥¶óÅõ½ºÆ®¶ó´Â ÀÌ·¸°Ô ¸»Çß´Ù(Also Sprach Zarathustra)", ±³Çâ¾Ç½Ã, Op.30, 33m
  3114. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ÿ·Î¼Ò³ªÅ¸, F, Op.6, 25m, Ludwig Hoelscher(vc)/Hans Richter-Haaser(pf)
  3115. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, Ä«ÇÁ¸®Ä¡¿À ÀüÁÖ°î, Op.85, "Moonlight Music"
  3116. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, Æ¿ ¿ÀÀÏ·»½´ÇǰÖÀÇ À¯ÄèÇÑ Àå³­, Op.28
  3117. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ ÀÛǰ, D, "ºê·ç½ºÄÉ" (ÀÍ»ì), Op.°¡ ¾ø´Ù, ´Ü¾ÇÀåÀÇ ¼Ò³ªÅ¸ Çü½Ä, 20m
  3118. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, Çö¾Ç4ÁßÁÖ°î, A, Op.2, 29m$, Enso Quartet
  3119. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, È£¸¥ÇùÁÖ°î 1, Eb, Op.11, 2HC, 16m
  3120. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, È£¸¥ÇùÁÖ°î 2, 26m
  3121. ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, Tanzsuite, Op.107, 30m
  3122. ½´Æ®¶ó¿ì½º,¿äÁ¦ÇÁ, ¼º¾Ç°î "¿À½ºÆ®¸®¾ÆÀÇ ¸¶À»Á¦ºñ", Op.164, sop. Rita Streich
  3123. ½´Æ®¶ó¿ì½º,¿äÁ¦ÇÁ, ÀÛÀº ¹°·¹¹æ¾Æ(Moulinet)-ÇÁ¶û½ºÇ³ ÆúÄ«, °üÇö¾Ç°î, ½´Æ®¶ó¿ì½º,¿äÇÑJrÀÇ µ¿»ý, * Josef Strauss(1827-1870 Austrian)
  3124. ½´Æ®¶ó¿ì½º,¿äÇÑ, ¶óµ¥Ã÷Ű ÇàÁø°î
  3125. ½´Æ®¶ó¿ì½º,¿äÇÑ, ¼º¾Ç°î "½ÃÆ®·Ð²É ÇÇ´Â °÷(Wo die Zitronen bluehen)", Op.364
  3126. ½´Æ®¶ó¿ì½º,¿äÇÑ, ¼º¾Ç°î "»ý¾Ö ´Ü Çѹø¸¸(Nur einmal im Leben)", Op.114
  3127. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¹«±Ãµ¿(Perpetuum Mobile), Op.257, Cleveland Orc./George Szell
  3128. ½´Æ®¶ó¿ì½º,¿äÇÑJr, »ç³É ÆúÄ«, Op.373
  3129. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¼º¾Ç°î "Annen Polka", Op.117
  3130. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¼º¾Ç°î "Bitte Schoen"
  3131. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿¹¼ú°¡ÀÇ »ý¾Ö, Op.316
  3132. ½´Æ®¶ó¿ì½º,¿äÇÑJr. ¿ÀÆä·¹Å¸ <¹ÚÁã>; ¼­°î,
      • "°íÇâÀÇ ³ë·¡¸¦ µéÀ¸¸é(Klaenge der Heimat)"-Csardas, sop.Cheryl Studer
      • "³ªÀÇ ÈÄÀÛ´Ô(Mein Herr Marquis)", sop. Diana Damrau
      • "³»°¡ ½Ã°ñ ¾Æ°¡¾¾¸¦ ¿¬±âÇÑ´Ù¸é(Spiel ich die Unschuld vom Lande)"-3: ¾Æµ¨·¹ÀÇ ¾Æ¸®¾Æ, # sop. Renate Holm
      • "°íÇâÀÇ ³ë·¡¸¦ µéÀ¸¸ç(Klaenge der Heimat)", sop.Lucia Popp
      • "°íÇâÀÇ Á¾¼Ò¸®(Kla"nge der Heimat)"
      • "¼¤ÆäÀÎÀÇ ³ë·¡"
      • "¿ôÀ½ÀÇ ¾Æ¸®¾Æ"
      • "ǰÀ§ÀÖ´Â ¸Å³Ê(Dieser Anstand so manierlich)"
  3133. ½´Æ®¶ó¿ì½º,¿äÇÑJr. ¿ÀÆä·¹Å¸ <º£´Ï½º¿¡¼­ÀÇ ÇÏ·í¹ã>;
      • "¹Ù¶óº¸´Â°Ô ¾îÂ ¾Æ¸§´Ù¿îÁö(Ach, wie so herrlich zu schaun)"-¶ó±¸³ÙÀÇ ¿ÐÃ÷, ten. Fritz Wunderlich
      • "¾È´Ï³ªÀÇ ³ë·¡"
  3134. ½´Æ®¶ó¿ì½º,¿äÇÑJr. ¿ÀÆä·¹Å¸ <Áý½Ã ³²ÀÛ>;
      • "°³¼± ÇàÁø°î(Der Ziegeunerbaron Einzugsmarsch)"
  3135. ½´Æ®¶ó¿ì½º,¿äÇÑJr. ¿ÀÆä·¹Å¸ <Ä«»ç³ë¹Ù>;
      • "¼ö³àÀÇ ÇÕâ(Nuns¡¯ Chorus)", sop.Kiri Te Kanawa
  3136. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ³²±¹ÀÇ Àå¹Ì(Rosen aus dem Sueden), Op.388
  3137. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; º½ÀÇ ¼Ò¸®, Op.410 (C82),
  3138. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ºñ¿£³ª ±âÁú(Wiener Blut:Vienna Blood), Op.354
  3139. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ºñ¿£³ª ½£¼ÓÀÇ À̾߱â, Op.325
  3140. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ¼ú°ú ¿©ÀÚ¿Í ³ë·¡(Wein, Weib, Gesang)
  3141. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ¾Æ¸§´ä°í Ǫ¸¥ µµ³ª¿ì, Op.314
  3142. ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ȲÁ¦ÀÇ ¿ÐÃ÷
  3143. ½´Æ®¶ó¿ì½º,ÇÁ¶õÃ÷, È£¸¥ÇùÁÖ°î, c, Op.8, ¸®Çϸ£Æ® ½´Æ®¶ó¿ì½ºÀÇ ¾Æ¹öÁö
  3144. ½´Æ÷¾î,·çÀÌ, 9ÁßÁÖ°î(Nonet), F, Op.31, 31m, Çö¾Ç±â 4´ë¿Í °ü¾Ç±â 5´ë·Î ±¸¼º, »ýÁ¸½Ã¿¡´Â º£Å亥°ú °ßÁÙ¸¸Å­ÀÇ Æò°¡¸¦ ¹ÞÀ½, * Louis Spohr(1784-1859: German)
  3145. ½´Æ÷¾î,·çÀÌ, ±³Çâ°î 3, e, Op.78, 30m, $ NDR Radio Philharmonic/Howard Griffiths
  3146. ½´Æ÷¾î,·çÀÌ, ¼º¾Ç°î "¾È½É"
  3147. ½´Æ÷¾î,·çÀÌ, ¼º¾Ç°î "±ú¾î³ª¶ó"
  3148. ½´Æ÷¾î,·çÀÌ, ¼º¾Ç°î "Çì¾îÁø »ç¶û"
  3149. ½´Æ÷¾î,·çÀÌ, ÄÜü¸£ÅºÅ× 1(¹ÙÀ̿ø°°ú ÇÏÇÁ¸¦ À§ÇÑ), 23m
  3150. ½´Æ÷¾î,·çÀÌ, Ŭ¶ó¸®³ÝÇùÁÖ°î 1, c, Op.26, 22m, Emma Johnson(Cl),English Chamber Orchestra/Gerard Schwarz
  3151. ½´Æ÷¾î,·çÀÌ, Ŭ¶ó¸®³ÝÇùÁÖ°î 2, Eb, Op.57, 24m
  3152. ½´Æ÷¾î,·çÀÌ, Ŭ¶ó¸®³ÝÇùÁÖ°î 4, e
  3153. ½´Æ÷¾î,·çÀÌ, Çö¾Ç4ÁßÁÖ°î 10, A, Op.30
  3154. ½¶Ã÷-¿¡ºí·¯,¾Æµ¹ÇÁ, ·¯½Ã¾È ·¦¼Òµð(Russian Rhapsody), Op.14, 11m, Ludmil Angelov(pf)BBC Scottish Symphony Orchestra/Vladimir Kiradjiev, * Adolf Schulz-Evler(1852-1905, Polish)
  3155. ½º°¨¹ÙƼ,Á¶¹Ý´Ï, ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¹î³ë·¡(Gondoliera for violin and piano), Op.29, Alessio Bidoli(vn)/Bruno Canino(pf), * Giovanni Sgambati(1841-1914 Italian)
  3156. ½º¸ÞŸ³ª, 3°³ÀÇ »ì·Õ ÆúÄ«(3 Salon Polka), Op.7, µ¶ÁÖ°î:Pf, 12m,#, Andras Schiff(pf)
  3157. ½º¸ÞŸ³ª, ³ªÀÇ Á¶±¹(6°î), ±³Çâ½Ã, Á¦2°î ¸ô´Ù¿ì °­
  3158. ½º¸ÞŸ³ª, ¹ß·»½ºÅ¸ÀÎÀÇ Ä·ÇÁ(Wallenstein's Camp), Op.14, °üÇö¾Ç°î
  3159. ½º¸ÞŸ³ª, ¿ÀÆä¶ó <ÆÈ·Á°£ ½ÅºÎ>; ¼­°î,
      • "±×´ë¸¦ ã¾Ò³ë¶ó", ten.Fritz Wunderlich, sop.Pilar Lorengar
      • "¸¸ÀÏ ´ç½ÅÀÌ ±×Á¡À» Àß ¾Ë°í ÀÖ´Ù¸é", sop.Lucia Popp
      • "¸ÆÁÖ´Â ½ÅÀÇ ¼±¹°(Welch Gottesgabe ist das Bier)"
      • "Å©°Ô Áñ°Å¿î °ÍÀº ¾Æ´ÏÁö¸¸"
  3160. ½º¸ÞŸ³ª, ÇǾƳë3ÁßÁÖ°î, g, Op.15,27m
  3161. ½º¸ÞŸ³ª, Çö¾Ç4ÁßÁÖ°î 1, e, "³ªÀÇ »ý¾Ö¿¡¼­(From my life)", 28m$, 1) Alban Berg Quartett, 2) Jerusalem Quartet, 3) Amadeus Quartet
  3162. ½º¸ÞŸ³ª, Çö¾Ç4ÁßÁÖ°î 2, d, 14m
  3163. ½º¸ÞŸ³ª, From Bohemia's Fields and Groves
  3164. ½º¹Ì½º,¾Ù¸®½º ¸Þ¸®, ±³Çâ°î, a, 26m#, µÎ °³ÀÇ ±³Çâ°î(a,c), London Mozart Players/Howard Shelley, * Alice Mary Smith(1839-1884 English/F)
  3165. ½º¹Ì½º,¾Ù¸®½º ¸Þ¸®, ±³Çâ°î, c
  3166. ½ºº¥Á¨,¿äÇÑ, ³ë¸£¿þÀÌ ±¤½Ã°î(Norwegian Rhapsody) 2, Op.19, 9m, # Latvian National Symphony Orchestra/Terje Mikkelsen, * Johan Svendsen(1840-1911 Norwegian)
  3167. ½ºº¥Á¨,¿äÇÑ, ·Î¸Á½º, G, Op.26
  3168. ½ºº¸º¸´Ù,Å丶½º, ±³Çâ°î 1, Op.20, "of Nature", 25m * Tomas Svoboda(1939- Czech-American &Pf) 997
  3169. ½ººñ¸®µµÇÁ, The Poem to the Memory of Sergei Yesenin; /Oh My Neglected Land /The Winter is Singing /In That Land /Threshing /The Night on the Eve of St.John Baptist's Day /1919/Peasants' Boys /I Am the Last Poet of Countryside /Sky Like the Bell, 33m, * Georgy Sviridov(1915-1998 Russian)
  3170. ½ººñ¸®µµÇÁ, The Snowstorm(Musical Sketches to the story by Alexander Pushkin), /Troika/Waltz /Spring and Autumn /Romance /Pastoral /Military March /Wedding /Echoes of the Waltz /Winter Road, 27m#2, * ·Î¸Á½º´Â ¹ÙÀ̿ø° °îÀ¸·Îµµ ¿¬ÁÖµÊ, USSR TV and Radio Symphony Orchestra/Vladimir Fedoseyev
  3171. ½ºÄ«¸¦¶óƼ, ¹Ì»ç, g, "¸¶µå¸®µå ¹Ì»ç(Madrid Mass)", 25m * Domenico Scarlatti(1685-1757 Italian), Kirkpatrick Number/Longo Number
  3172. ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "°µÁö½º °­¿¡ ÇØ´Â ¶°¿À¸£°í(Gia il sole dal Gange)", # ms.Cecilia Bartoli, # ten.Luciano Pavarotti
  3173. ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "¸¶À½ ¼Ó¿¡ ´À³¢³×(Sento nel core)", ten.Kurt Equiliz/Konrad Ragossnig(gt)
  3174. ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "»ç¶û¿¡ ºüÁø ³ªºñ(Qual farfalletta amante)", sop.Á¶¼ö¹Ì
  3175. ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "¾î¸®¼®Àº ŰÀâÀ̰¡ ¸ð¸¥´Ù¸é(Se non sa qual vento)"
  3176. ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "Á¦ºñ²É"
  3177. ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "Ç÷θ°µµ°¡ ÁøÁ¤À̶ó¸é(Se Florindo e fedele)", ten.Kurt Equiliz, Konrad Ragossnig(gtr)
  3178. ½ºÄ«¸¦¶óƼ, <¼º ³ªÅ»·¹ÀÇ ¹ãÀ» À§ÇÑ Ä­Å¸Å¸> Áß /"ÁÖ¸ñÇ϶ó, ¸Í·ÄÇÑ Àü»çµéÀÌ¿©"
  3179. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, g, K.30, 6m, # Bertrand Cuiller(harpsichord)
  3180. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, a, K.54/L.241, 5m
  3181. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, D, K.119/L.415/P217, 5m
  3182. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, C, K.132
  3183. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, d, K.213, 5m, John Williams(guitar)
  3184. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, Eb, K.252
  3185. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, F#, K.318
  3186. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, E, K.380
  3187. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, e, K.402, 11m, Andras Schiff(pf)
  3188. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, C, K.406, 5m
  3189. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, f, K.462/L.438, 4m
  3190. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, f, K.481/L.187
  3191. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, D, K.491, 5m
  3192. ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, G, K.493, 5m, Christoph Ullrich(pf)
  3193. ½ºÄ«¸¦¶óƼ, ÃÀ¹ß·Î¼Ò³ªÅ¸, C, K.263
  3194. ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, D, K.119, 5m (Bertrand Cuiller(harpsichord)
  3195. ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, K.204(Ĭ ÆäÆ®¸¯ ¹øÈ£)
  3196. ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, K.205
  3197. ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, A, K.208
  3198. ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, A, K.209
  3199. ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, A, K.211
  3200. ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, f, K.239, 3m
  3201. ½ºÄ«¸¦¶óƼ, ÇÕÁÖÇùÁÖ°î 1(Concerto grosso), f, 12m
  3202. ½ºÄ«¸¦¶óƼ, ÇùÁÖ°î 4(ÃÀ¹ß·Î¸¦ À§ÇÑ), c, 12m
  3203. ½ºÄ«¸¦¶óƼ, ÇùÁÖ°î 6, D, 13m
  3204. ½ºÄ®ÄÚŸ½º,´ÏÄݶó¿À½º, ¿Àº¸¿Í è¹ö ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ÄÜü¸£Æ¼³ë, * Nikos Skalkottas(1904-1949 Greek)
  3205. ½ºÅ©¸®¾Æºó, 8°³ÀÇ ¿¬½À°î, Op.42, µ¶ÁÖ°î(pf)
  3206. ½ºÅ©¸®¾Æºó, ±³Çâ°î 1, E, Op.26, 46m#
  3207. ½ºÅ©¸®¾Æºó, ±³Çâ°î 2, c, Op.29, 48m# The Philadelphia Orchestra/Riccardo Muti
  3208. ½ºÅ©¸®¾Æºó, ±³Çâ°î 3, c, Op.43, "½Å¼ºÇÑ ½Ã(The Divine Poem)", 45m, # London Symphony Orchestra/Valery Gergiev
  3209. ½ºÅ©¸®¾Æºó, ¸¶ÁÖ¸£Ä«, E, Op.3-4, Benjamin Grosvenor(pf)
  3210. ½ºÅ©¸®¾Æºó, ¸¶ÁÖ¸£Ä«, b, WoO.15
  3211. ½ºÅ©¸®¾Æºó, ½ºÄɸ£ÃÊ, Ab, Pf
  3212. ½ºÅ©¸®¾Æºó, ¾ß»ó°î, Ab, Pf
  3213. ½ºÅ©¸®¾Æºó, ¿Þ¼ÕÀ» À§ÇÑ 2°³ÀÇ ¼Òǰ(Pieces(2) for Piano left hand), Op.9; No.2-Nocturne, Db
  3214. ½ºÅ©¸®¾Æºó, ¿ùÃ÷, f, Op.1, Pf
  3215. ½ºÅ©¸®¾Æºó, Àü¿ø(Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon), Op.5
  3216. ½ºÅ©¸®¾Æºó, ÀüÁÖ°î(4°³ÀÇ), Op.22
  3217. ½ºÅ©¸®¾Æºó, Á¦¼ö¾Ëµµ¸¦ À§ÇÑ ±â³äºñ(Monumentum pro Gesualdo di Venosa ad CD annum), # Stuttgart Chamber Orchestra/Dennis Russell Davies
  3218. ½ºÅ©¸®¾Æºó, ÇǾƳë¼Ò³ªÅ¸ 3, f#, Op.23, ½ÅºñÈ­À½À» ÅëÇØ ºû°ú ³¿»õ±îÁöµµ Ç¥ÇöÇÏ·Á°í ½Ãµµ, 21m
  3219. ½ºÅ©¸®¾Æºó, ÇǾƳë¼Ò³ªÅ¸ 5, F#, Op.53, Á¾±³Àû ½ÅºñÁÖÀÇ,´Ü¾ÇÀå ±¸¼º
  3220. ½ºÅ©¸®¾Æºó, ÇǾƳëÇùÁÖ°î, f, Op.20,27m
  3221. ½ºÅº½ÃÀ¯, Çâ¼ö, ·ç¸¶´Ï¾Æ Çâ¼ö, ÆÒÆÄÀÌÇÁ °î, ½ºÅº½ÃÀ¯´Â ÆÒÆÄÀÌÇÁ ¿¬ÁÖÀÚÀÎ µ¿½Ã¿¡ ÀÛ°î°¡
  3222. ½ºÅÄÆ÷µå, ±³Çâ°î 2, d, "ºñ±ØÀû", 36m * Charles Villiers Stanford(1852-1924) ¿µ±¹(¾ÆÀÏ·£µå) ÀÛ°î°¡
  3223. ½ºÅÍŰ,½ºÆ¼ºì, Partite sopra un basso, Vc, * Steven Stucky(1949- American)
  3224. ½ºÅׯĴÏ,¾Æ°í½ºÆ¼³ë, Henrico Leone: Suite, I Barocchisti/Diego Fasolis, * Agostino Steffani(1654-1728 German)
  3225. ½ºÅçÃ÷, ¼º¾Ç°î "±×´ë¸¦ »ç¶ûÇØ(Ich liebe dich!)", ten. Piotr Beczala
  3226. ½ºÅçÃ÷, ¼º¾Ç°î "³»°¡ »ç¶ûÇÏ´Â ³ë·¡´Â ¿ÐÃ÷¶ø´Ï´Ù(Mein liebeslied muss ein Walzer sein)", sop.Hilde Gueden * Robert Stolz(1880-1975 Austrian)
  3227. ½ºÅçÃ÷, ¼º¾Ç°î "³»°¡ Çѹø´õ »ç¶û¿¡ ºüÁú ¼ö ÀÖ´Ù¸é(Ich moechte einmal wieder verliebt sein)", ms.Julia Migenes,
  3228. ½ºÅçÃ÷, ¼º¾Ç°î "´ç½ÅÀº ³»¿µÈ¥ÀÇ ÁÖÀÎ(Du sollst der Kaiser meiner Seele sein)", sop.Lucia Popp
  3229. ½ºÅçÃ÷, ¼º¾Ç°î "ºóÀº ºñ·Î¼Ò ¹ã¿¡ ¾Æ¸§´Ù¿öÁö³×"
  3230. ½ºÅçÃ÷, ¼º¾Ç°î "¾Æ¸§´Ù¿î ÀÌÅ»¸®¾Æ¿©"
  3231. ½ºÅçÃ÷, ¼º¾Ç°î "ÇÁ¶óÅÍ °ø¿øÀÇ ³ª¹«¿¡ ²ÉÀº ´Ù½Ã Çǰí(In Prater bl?h¡¯n wieder die Baeume)", ten.Fritz Wunderlich
  3232. ½ºÅçÃ÷, ¿ÀÆä·¹Å¸ <»ç¶û¹Þ´Â »ç¶÷>; /"±×´ë°¡ ³» ¿µÈ¥ÀÇ ÁÖÀÎÀÌ µÈ´Ù¸é(Du sollst der Kaiser meiner Seele sein)", sop. Lucia Popp
  3233. ½º¸pÁ©, ¼º¾Ç°î "´ç½ÅÀÌ ³» °ç¿¡ °è½Å´Ù¸é(Bist du bei mir)" * Gottfried Heinrich Sto"lzel(1690-1749, German composer)
  3234. ½º¸pÁ©, Quadro IV, 5m, Eopca Barocca
  3235. ½º¸pÁ©, Quadro VI, 5m, Epoca Barocca
  3236. ½ºÆ®¶óµ¨¶ó, °¡°î "Pieta signore" * Alessandro Stradella(1642-1682): ÀÌÅ»¸®¾Æ ÀÛ°î°¡
  3237. ½ºÆ®¶óºó½ºÅ°, °áÈ¥, ¹«¿ë°î, 4°î±¸¼º
  3238. ½ºÆ®¶óºó½ºÅ°, 3¾ÇÀå ±³Çâ°î(Symphony in Three Movements), 22m, Chicago Symphony Orchestra/Pierre Boulez
  3239. ½ºÆ®¶óºó½ºÅ°, (CÁ¶) ±³Çâ°î, C, 1940³â ½ÃÄ«°í ¿ÀÄɽºÆ®¶ó 50Áֳ⠱â³äÀ¸·Î ÀÛ°î, Áö±Ý±îÁöÀÇ Çö´ëÀû °¨°¢¿¡ ÀÇÇÑ ÀÛ°î°ú´Â ´Þ¸® °íÀüÁÖÀÇ¿¡ µ¹¾Æ°¡ ÀÛ°î,¼Ò¹ÚÇÑ ¸¶À½ÀÇ ¾È½Ä
  3240. ½ºÆ®¶óºó½ºÅ°, ½ÃÆí ±³Çâ°î(Symphony of Psalms)
  3241. ½ºÆ®¶óºó½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î, D, À¯ÀÏÇÑ VC,22m
  3242. ½ºÆ®¶óºó½ºÅ°, º´»çÀÇ À̾߱â(L'histoire du soldat) ¸ðÀ½°î, ±ØÀ½¾Ç ¸ðÀ½°î, 24m#, Columbia Chamber Ensemble
  3243. ½ºÆ®¶óºó½ºÅ°, º½ÀÇ Á¦Àü, ¹«¿ë ¸ðÀ½°î
  3244. ½ºÆ®¶óºó½ºÅ°, ºÒ»õ, ¹«¿ë ¸ðÀ½°î
  3245. ½ºÆ®¶óºó½ºÅ°, ¾ÆÆú·Î:¾ÆÆú·Ð ¹«»ç Á¦Æ®(Apollo:Apollon Musagete), ¹«¿ë ¸ðÀ½°î, 30m# English String Orchestra/William Boughton
  3246. ½ºÆ®¶óºó½ºÅ°, Àü¿ø(Pastorale), Op.5, The Philadelphia Orchestra/Yannick Nezet-Seguin
  3247. ½ºÆ®¶óºó½ºÅ°, ÆäÆ®·ç½¬Ä«(Petrushka), 15°î ±¸¼º, 34m
  3248. ½ºÆ®¶óºó½ºÅ°, ÇǾƳë¼Ò³ªÅ¸ 2, g#, Op.19
  3249. ½ºÆ®¶óºó½ºÅ°, ÇùÁÖ°î, Eb, "µÒ¹Ù¸£Åæ ¿ÀÅ©½º(Dumbarton Oaks Concerto)"*, °üÇö¾Ç°î, 13m
  3250. ½ºÆ®¶óºó½ºÅ°, ÇùÁÖ°î(ÇöÀ» À§ÇÑ), D, 13m
  3251. ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, Danzas de Panama(Dances of Panama), °üÇö¾Ç°î, 14m#, Berlin Symphony Orchestra/Isaiah Jackson, * William Grant Still(1895-1978 African-American)
  3252. ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, Folk Suite 2
  3253. ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, ±³Çâ°î 1, "Afro-American", 24m, Detroit Symphony Orchestra/Neeme Jaervi
  3254. ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, ±³Çâ°î 4, "ÅäÂø¹Î(Autochthonous)", 26m
  3255. ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, ·Î¸Á½º(Romance for Alto Saxophone and Piano), 5m#, Marcus Eley(Cl)/Lucerne DeSa(Pf)
  3256. ½ºÆùƼ´Ï, ¿ÀÆä¶ó <º£½ºÅ¸ÀÇ ¹«³à(La Vestale)>; /Airs de ballet:14m * Gaspare Spontini(1774-1851 Italian)
  3257. ½ºÇʸ¸(Spilman), ¼º¾Ç°î, "¾Ûư(Afton)°­ÀÇ ¹°°á(Flow Gently, Sweet Afton)", * Jonathan E. Spilman(1812-1896 American)
  3258. ½Ã¸¶³ëÇÁ½ºÅ°, ³ìÅϰú Ÿ¶õÅÚ¶ó(Notturno e tarantella), Op.28, Vn,Pf * Karol Szymanowski(1882-1937 Polish)
  3259. ½Ã¸¶³ëÇÁ½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î 1, Op.35, 23m
  3260. ½Ã¸¶³ëÇÁ½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î 2, D, Op.61, 22m
  3261. ½Ãº§¸®¿ì½º, 10°³ÀÇ ¼Òǰ, Op.24, µ¶ÁÖ°î(pf)
  3262. ½Ãº§¸®¿ì½º, °¡°î "¾ÖÀÎ", Op.14
  3263. ½Ãº§¸®¿ì½º, °¡°î "Çɶõµð¾Æ Âù°¡"
  3264. ½Ãº§¸®¿ì½º, ±³Çâ°î 1, e, Op.39, 41m, ½½¶óºê »öü, 1,2¹ø °¡Àå ¸¹ÀÌ ¿¬ÁÖ, $ Gothenburg Symphony Orchestra/Neeme Jarvi, $ Vienna Philharmonic Orchestra/Leonard Bernstein, # Atlanta Symphony Orchestra/Yoel Levi
  3265. ½Ãº§¸®¿ì½º, ±³Çâ°î 2, D, Op.43, 41m, ±×ÀÇ ÀÛǰÁß $¿ì¼ö, Â÷ÀÌÄÚÇÁ½ºÅ° ¿µÇâ, ÇÉ·£µå ±¹¹Î»ýȰ ¹Ý¿µ, "½Ãº§¸®¿ì½ºÀÇ Àü¿ø±³Çâ°î", $ $ Gothenburg Symphony Orchestra/Neeme Jarvi, # Symphonieorchester des Bayerischen Rundfunks/Mariss Jansons
  3266. ½Ãº§¸®¿ì½º, ±³Çâ°î 3, C, Op.52, $ Gothenburg Symphony Orchestra/Neeme Jarvi, # Boston Symphony Orchestra/Sir Colin Davis
  3267. ½Ãº§¸®¿ì½º, ±³Çâ°î 4, a, Op.63, 37m, $ Gothenburg Symphony Orchestra/Neeme Jarvi
  3268. ½Ãº§¸®¿ì½º, ±³Çâ°î 5, Eb, Op.82, 31m, $ Gothenburg Symphony Orchestra/Neeme Jarvi, $ Berliner Philharmoniker/Herbert von Karajan
  3269. ½Ãº§¸®¿ì½º, ±³Çâ°î 6, d, Op.104, $ Gothenburg Symphony Orchestra/Neeme Jarvi
  3270. ½Ãº§¸®¿ì½º, ±³Çâ°î 7, C, Op.105, 22m#, Atlanta Symphony Orchestra/Robert Spano, $ Gothenburg Symphony Orchestra/Neeme Jarvi
  3271. ½Ãº§¸®¿ì½º, ±³Çâ½Ã "¿£ »ç°¡(En Saga)", Op.9, 17m, * Symphonic Poem: Á¦¸ñÀÌ ÀÖ´Â ´Ü¾ÇÀåÀ¸·Î ±¸¼ºµÈ °üÇö¾Ç°î, Moscow Philharmonic Orchestra/Vassily Sinaisky
  3272. ½Ãº§¸®¿ì½º, ³ªÀÇ °íÇâ, Op.92, ÇÕâ°î
  3273. ½Ãº§¸®¿ì½º, ·Î¸Á½º, C, Op.42
  3274. ½Ãº§¸®¿ì½º, ¹Ù´ÙÀÇ ¿äÁ¤, Op.73
  3275. ½Ãº§¸®¿ì½º, ¹ÙÀ̿ø°ÇùÁÖ°î, d, Op.47, $ Zino Francescatti, NPO/Leonard Bernstein
  3276. ½Ãº§¸®¿ì½º, ¾È´ÜÅ× Æä½ºÆ¼º¸(Andante Festivo), Çö¾Ç4ÁßÁÖ¸¦ À§ÇØ ÀÛ°î
  3277. ½Ãº§¸®¿ì½º, ¾ßÇà°ú ÇØµ¸ÀÌ(Night-Ride and Sun Rise), Op.55
  3278. ½Ãº§¸®¿ì½º, ¿ª»çÀû Àå¸é ¸ðÀ½°î 1, Op.25, °üÇö¾Ç°î, 18m
  3279. ½Ãº§¸®¿ì½º, ¿¬ÀÎ, ¸ðÀ½°î, 3°î> 1) ¿¬ÀÎ 2) ¿À¼Ö±æ 3) ½½Ç À̺°, Çö°ú Ÿ¾Ç±â·Î¸¸ ¿¬ÁÖ
  3280. ½Ãº§¸®¿ì½º, À½À¯½ÃÀÎ(The Bard), Op.64, 7m, Lahti Symphony Orchestra/Okko Kamu
  3281. ½Ãº§¸®¿ì½º, Ä«·¼¸®¾Æ ¸ðÀ½°î(Karelia Suite), Op.11, 13m, # Philadelphia Orchestra/Eugene Ormandy
  3282. ½Ãº§¸®¿ì½º, Ä«·¼¸®¾Æ ¼­°î, Op.10
  3283. ½Ãº§¸®¿ì½º, Äí¿Ã·¹¸¶(Kuolema)ÀÇ ºÎ¼öÀ½¾Ç, 1) Valse Triste, Op.44-1 2) Scene with Cranes, Op.44-2 3) Canzonetta, Op.62a 4) Valse Romantique, Op.62b
  3284. ½Ãº§¸®¿ì½º, Å©¸®½ºÆ¼¾È 2¼¼(King Christian II), Op.27, ¸ðÀ½°î(5°î) 1) ¾ß»ó°î 2) ºñ°¡ 3) ¹ÂÁ¦Æ® 4) ¼¼·¹³ªµ¥ 5) ¹ß¶óµå, # New Zealand Symphony Orchestra/Pietari Inkinen
  3285. ½Ãº§¸®¿ì½º, ŸÇǿöó(Tapiola), Op.112, 19m#, Tapiola=½£ÀÇ ¿Õ±¹
  3286. ½Ãº§¸®¿ì½º, Åõ¿À³Ú¶óÀÇ ¹éÁ¶, ±³Çâ½Ã, Op.22-3, Touonela> Àú½Â
  3287. ½Ãº§¸®¿ì½º, Æç·¹¾Æ½º¿Í ¸á¸®Àåµå ¸ðÀ½°î(Pelleas et Melisande Suite), Op.46, °üÇö¾Ç°î, 28m, # Iceland Symphony Orchestra/Petri Sakari
  3288. ½Ãº§¸®¿ì½º, Æ÷Èå¿ç¶óÀÇ µþ(Pohjola's Daughter), Op.49, °üÇö¾Ç°î, 13m#
  3289. ½Ãº§¸®¿ì½º, ÇÉ·£µð¾Æ,±³Çâ½Ã, Op.26-7, (Berliner Philharmoniker/Herbert von Karajan)
  3290. ½Åµù, Suite in old style, Op.10, Vn & Organ, 13m * Christian Sinding(1856-1941 Norwegian)
  3291. ½Ç·¯, ¼º¾Ç°î, "Åø·¹ÀÇ ¿Õ"
  3292. ½Ç·¯, ¼º¾Ç°î, "·Î·¼¶óÀÌ"
  3293. ½Çº£½ºÆ®·ÎÇÁ, ¹Ù°¡ÅÚ(Bagatelles), 34m * ÇÇ¾Æ³ë ¼Òǰ, Valentin Silvestrov(pf), * Valentin Silvestrov(1937- Ukrainian &Pf)
  3294. ¾Æ±×¸®Äݶó,¿äÇÑ ÇÁ¸®µå¸®È÷, ÇÃ·çÆ®¼Ò³ªÅ¸(Sonata for Flute and Basso Continuo), A, * Johann Friedrich Agricola(1720-1774 German)
  3295. ¾Æ³îµå,»ç¹«¿¤, ¼­°î, Bb, Op.8-1, 8m, Toronto Chamber Orchestra/Kevin Mallon, * Samuel Arnold(1740-1802 English &org)
  3296. ¾Æ´ç, ÁöÁ© ¸ðÀ½°î(Giselle), 28m#, $ Vienna Philharmonic Orchestra/Herbert von Karajan, * Adolphe Adam(1803-1856 French)
  3297. ¾Æ´ç, ¼º¾Ç°î "°Å·èÇÑ ¹ã(O Holy Night)"
  3298. ¾Æ´ç, ¿ÀÆä¶ó <Åõ¿ì»ç>;
      • "¾Æ, ¾î¸Ó´Ï²² ¸»¾¸µå¸®ÁÒ(Ah! vous dirai-je, maman)", sop.Á¶¼ö¹Ì
  3299. ¾Æ´ç, ¿ÀÆä¶ó <ºñ¿Ã·¹Æ®ÀÇ ²ÀµÎ°¢½Ãµé>;
      • "Ä«³ª¸®ÀÇ ³ë·¡(La chanson du canari)", sop.Á¶¼ö¹Ì
  3300. ¾Æµ¥½º,Å丶½º, ÄíÇÁ·©¿¡ ÀÇÇÑ 3°³ÀÇ ½ÀÀÛ(Three Studies from Couperin:2006), 13m, # Chamber Orchestra of Europe/Thomas Ades, * Thomas Ades(1971- British &Pf)
  3301. ¾Æµò¼¿, ¹Ù¸£»þ¹Ù ÇùÁÖ°î, Misha Dichter(Pf),Philharmonia Orchestra/Sir Neville Marriner, * Richard Addinsell(1904-1977 British)
  3302. ¾Æµò¼¿, ¼º¾Ç°î "±×¸²ÀÚ(Un'ombra)"<(¹Ù¸£»þ¹Ù ÇùÁÖ°î), ten. Jose Carreras
  3303. ¾Æ·»½ºÅ°,¾ÈÅæ, ±³Çâ°î 1, b, Op.4, 34m, Â÷ÀÌÄÚÇÁ½ºÅ°ÀÇ Àý´ëÀû ¿µÇâÀ» ¹ÞÀ½. * Anton Stepanovich Arensky(1861-1906 Russian; Romantic)
  3304. ¾Æ·»½ºÅ°,¾ÈÅæ, ¸ðÀ½°î 1(2´ëÀÇ ÇǾƳ븦 À§ÇÑ), F, Op.15, 13m
  3305. ¾Æ·»½ºÅ°,¾ÈÅæ, ¸ðÀ½°î 2(2´ëÀÇ ÇǾƳ븦 À§ÇÑ), Op.23, "½Ç·ç¿§(Silhouettes)", °üÇö¾Ç°î, # Moscow Symphony Orchestra/Dmitry Yablonsky
  3306. ¾Æ·»½ºÅ°,¾ÈÅæ, ¼¼·¹³ªµ¥, (Vn & Pf), 2m
  3307. ¾Æ·»½ºÅ°,¾ÈÅæ, Â÷ÀÌÄÚÇÁ½ºÅ° ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î op. 35a, 15m
  3308. ¾Æ·»½ºÅ°,¾ÈÅæ, ÇǾƳë3ÁßÁÖ°î 1, d, Op.32, 31m#2 ¸²½ºÅ°ÄÝ»çÄÚÇÁÀÇ Á¦ÀÚ, Â÷ÀÌÄÚÇÁ½ºÅ°ÀÇ µÚ¸¦ ÀÕ´Â ÀÛ°î°¡·Î¼­ ÀÌ °î ¿ª½Ã Â÷ÀÌÄÚÇÁ½ºÅ°ÀÇ ÇǾƳë3ÁßÁÖÀÇ ¸ÆÀ» ÀÕ°í ÀÖ´Ù.
  3309. ¾Æ·»½ºÅ°,¾ÈÅæ, ÇǾƳëÇùÁÖ°î, f, Op.2
  3310. ¾Æ·»½ºÅ°,¾ÈÅæ, ȯ»ó°î(·¯½Ã¾Æ ¹Î¿ä¿¡ ÀÇÇÑ: Fantasia on Russian Folksongs), Op.48, 9m
  3311. ¾Æ¸£µðƼ, ¼º¾Ç°î "ÀÔ¸ÂÃã(Il Bacio)", sop.Joan Sutherland, * Luigi Arditi(1822-1903 Italian Vn &comp)
  3312. ¾Æ¸£¹æ, º§¸®´ÏÀÇ ¿ÀÆä¶ó <³ë¸£¸¶> Áß "Á¤°áÇÑ ¿©½Å(Casta Diva)" ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î , * Jean-Baptiste Arban(1825-1889 French, Cornetist)
  3313. ¾Æ¸®¾Æ°¡,ÈÄ¾È Å©¸®¼Ò½ºÅä¸ð µ¥, ±³Çâ°î, D, 24m, # Concerto Koln/Guy Van Waas, * Juan Crisostomo de Arriaga(1806~1826 Spain) ½ºÆäÀÎÀÇ ¸ðÂ¥¸£Æ®¶ó ºÒ¸².
  3314. ¾Æ¸®¾Æ°¡,ÈÄ¾È Å©¸®¼Ò½ºÅä¸ð µ¥, ¿ÀÆä¶ó(¼ÒÆ÷Ŭ·¹½ºÀÇ ºñ±Ø ¡®¿ÀÀ̵ðǪ½º ¿Õ¡¯À» ±âÃÊ·Î ÇÑ) ¿ÀÀ̵ðǪ½º¿Í Äݷγ×; Æú¸®´ÏüÀÇ ¾Æ¸®¾Æ
  3315. ¾Æº§, ±³Çâ°î, F, Op.7-4, Op.6: 6S, * Carl Friedrich Abel(1723-1787 German Classical)
  3316. ¾Æº§, ±³Çâ°î, D, Op.17-3, Op.17: 6S
  3317. ¾Æº§, ¹ÙÀ̿ø°, ¿Àº¸¿¡, Ŭ¶ó¸®³ÝÀ» À§ÇÑ ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×, Bb, 17m#, Werner Grobholz{vn),Gernot Schmalfuss(ob),Dieter Klocker(cl)/Academy of St. Martin in the Fields/Iona Brown
  3318. ¾Æºê¶óÇÔ,Æú, ¿ÀÆä·¹Å¸ <ÇÏ¿ÍÀÌÀÇ ²É(Die Blume von Hawaii)>; * Paul Abraham(1892-1960 Jewish-Hungarian)
      • "¾È¶ôÀÇÀÚ ÀÎÇü(Diwanpueppchen)", ten.Jonas Kaufmann & sop.Julia Kleiter
  3319. ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 3, d, (Concerti(12) for Strings after Domenico Scarlatti), * Charles Avison(1709-1770 English/Baroque & classical)
  3320. ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 4, a
  3321. ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 5, d
  3322. ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 6, D, 12m, # Cafe Zimmermann (Instrumental Ensemble)
  3323. ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 9, C, (after D. Scarlatti), 13m
  3324. ¾Æºù, Reflection of the Moon in the "Erquan" Spring, * Ah Bing(1893-1950 China)
  3325. ¾ÆÀ̺꽺,C, ±³Çâ°î 2, 38m#, ¹Ì±¹ Çö´ëÀ½¾ÇÀÇ Ã¢½ÃÀÚ> ±³È¸À½¾Ç ÇàÁø°î µîÀÌ ÁÖ·ù, * Charles Ives(1874-1954 American Modernist)
  3326. ¾ÆÀ̺꽺,C, ±³Çâ°î 3, "¾ß¿µÈ¸(The Camp Meeting)", 23m, # Orpheus Chamber Orchestra
  3327. ¾ÆÀ̺꽺,C, ´ë´ä¾ø´Â Áú¹®, ½Ã°£ÀÇ °ø°£È­-Á¸Àç¿¡ ´ëÇÑ ¿µ¿øÇÑ Áú¹®
  3328. ¾ÆÀÌºí·¯, ±³Çâ°î 1, C, 23m * Joseph Leopold Eybler(1765-1846 Austrian)
  3329. ¾ÆÀÌºí·¯, ±³Çâ°î 2, d, 26m #
  3330. ¾ÆÀÌºí·¯, Çö¾Ç3ÁßÁÖ°î, C, Op.2, 29m, $ Members of Quintett Momento Musicale
  3331. ¾ÆÀÌºí·¯, Çö¾Ç5ÁßÁÖ°î, D, (Vn,2Va,Vc,Db), 42m
  3332. ¾ÆÀÏ·£µå, ´Ù¿î·£µå ¸ðÀ½°î(A Downland Suite), °üÇö¾Ç°î, 18m * John Ireland(1879-1962 English)
  3333. ¾ÆÅ©·Ð,¿äÁ«(Josef Achron), Hebrew Melody, (Vn, Pf) 5m
  3334. ¾È,·¹À̳¯µµ, ¹ÙÀ̿ø°¼Ò³ªÅ¸, C, * Reynaldo Hahn(1874-1947 French)
  3335. ¾È,·¹À̳¯µµ, ¼º¾Ç°î "°¨¹Ì·Î¿î ½Ã°£(L¡¯heure exquise)", bar.Bruno Laplante
  3336. ¾È,·¹À̳¯µµ, ¼º¾Ç°î "²Þ(Reverie)", sop.Barbara Hendricks
  3337. ¾È,·¹À̳¯µµ, ¼º¾Ç°î "³»³ë·¡¿¡ ³¯°³°¡ ÀÖ´Ù¸é(Si mes vers avaient des ailes)"
  3338. ¾È,·¹À̳¯µµ, ¼º¾Ç°î "¸¶Áö¸· ¿ÐÃ÷(La Deniere Valse)", sop. Felicity Lott
  3339. ¾È,·¹À̳¯µµ, ¼º¾Ç°î "»ç¶û¿¡ ºüÁø »ç¶÷(L¡¯Enamouree)", sop. Anna Netrebko
  3340. ¾È,·¹À̳¯µµ, ¼º¾Ç°î "Àº¹ÐÇϰÔ(En sourdine)", c.t.Philippe Jaroussk
  3341. ¾È,·¹À̳¯µµ, ¼º¾Ç°î "Ŭ·Î¸®½º¿¡°Ô(A Chloris)", ten.Martin Hill, Ob&orch.
  3342. ¾È,·¹À̳¯µµ, ¼º¾Ç°î "È­·ÁÇÑ ÃàÁ¦(Fetes Galantes)"
  3343. ¾È,Åä¸Ó½º, ¿ÀÆä¶ó <·ÎÀÚ¸óµå>; * Thomas Arne(1710-1778 English)
      • "Rise, Glory, Rise", ten.Ian Bostridge
  3344. ¾Èµå·¹¾Æ½º ¼ñ, ¼º¾Ç°î "¹éÇÕó·³ ÇÏ¾á ¾ó±¼"
  3345. ¾ÈÀÍÅÂ, Çѱ¹È¯»ó°î
  3346. ¾Ë¶ó¸£,Àå-´ÞÆÎ, Estudio brilliante, Guitar, * Jean-Delphin Alard(1815-1888 French Vn)
  3347. ¾Ë·», ¼º¾Ç°î "Over the Rainbow", * Harold Arlen(1905-1986 American)
  3348. ¾Ë·», ¼º¾Ç°î "Stormy Weather"
  3349. ¾Ë·Ð¼Ò,ÇÁ¶õ½Ã½ºÄÚ, »ç¸£¼ö¿¤¶ó <·Ð´ÙÀÇ ¿¬Àεé>; "Serenata", ten.Placido Domingo, * Francisco Alonso(1887-1948 Spanish)
  3350. ¾Ë·Ð¼Ò,ÇÁ¶õ½Ã½ºÄÚ, »ç¸£¼ö¿¤¶ó <º£ÀÏÀÇ ¿©ÀÎ>; "Áý½ÃÀÇ ³ë·¡(Cancion del gitano)", Jose Carreras(ten)
  3351. ¾Ë·ô,Àª¸®¾ö, ½ºÄÚÆ²·£µå Ãã ¸ðÀ½°î(Suite of Scottish Dances), 1946c, Royal Ballet Sinfonia/Gavin Sutherland, * William Alwyn(1905-19985 English &cond)
  3352. ¾Ëº£´ÏÁî, ¶ó º£°¡(La vega (The plain)), 14m, Christopher Parkening(guitar),London Symphony Orchestra/Elmer Bernstein, * Isaac Albeniz(1860-1909 Spanish Pf&)
  3353. ¾Ëº£´ÏÁî, ·¦¼Òµð¾Æ ¿¡½ºÆÄ´¢¶ó(Rapsodia Espanola), Op.70, 18m
  3354. ¾Ëº£´ÏÁî, ¸¶¸£¿äÄ«(Mallorca), Op.202, µ¶ÁÖ°î(vn/gt), 6m
  3355. ¾Ëº£´ÏÁî, ¼º¾Ç°î "±×´ë ¸ñ¼Ò¸®ÀÇ ¿ï¸²(El eco de tu voz)"
  3356. ¾Ëº£´ÏÁî, ½ºÆäÀÎ ¸ðÀ½°î 4(Suite espanola)
  3357. ¾Ëº£´ÏÁî, ½ºÆäÀÎ ¸ðÀ½°î 5(Suite espanola), Asturias(leyenda), Guitar #
  3358. ¾Ëº£´ÏÁî, ½ºÆäÀÎ ¸ðÀ½°î 6(Suite espanola), "Aragon", Op.47, Texas Guitar Quartet
  3359. ¾Ëº£´ÏÁî, ½ºÆäÀÎ ¸ðÀ½°î 7(Suite espanola), "Castilla", Op.47
  3360. ¾Ëº£´ÏÁî, À̺£¸®¾Æ(Iberia:Almeria), µ¶ÁÖ°î(pf), 11m
  3361. ¾Ëº£´ÏÁî, Àü¼³(Leyenda(Asturias)), ±âŸ °î, 6m
  3362. ¾Ëº£´ÏÁî, Äí¹Ù ±¤½Ã°î(Rapsodia Cubana), Op.66
  3363. ¾Ëº£´ÏÁî, Recuerdos de viaje, Op.71, 30m, Guillermo Gonzalez(Pf)
  3364. ¾Ëºê·¹È÷Ã÷º£¸£°Å, Æ®·Òº»ÇùÁÖ°î(Concerto for Trombobe and Strings), Bb, * Johann Georg Albrechtsberger(1736-1809 Austrian)
  3365. ¾Ëºñ³ë´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, Bb, ¹Ù·ÎÅ©À½¾Ç ¹× Ãʱ⠿ÀÆä¶óÀÇ ´ëÇ¥ÀÚ * Isaac Albeniz(1860-1909 Spanish Pf &comp)
  3366. ¾Ëºñ³ë´Ï, ¾Æ´ÙÁö¿À, g
  3367. ¾Ëºñ³ë´Ï, ¾Æ¼ú·¹È£½º(Azulejos), Pf
  3368. ¾Ëºñ³ë´Ï, ¿Àº¸ÇùÁÖ°î, Bb, Op.7-3, 8m
  3369. ¾Ëºñ³ë´Ï, ¿Àº¸ÇùÁÖ°î, D, Op.7-6, 8m
  3370. ¾Ëºñ³ë´Ï, ¿Àº¸ÇùÁÖ°î, d, Op.9-2, 11m
  3371. ¾Ëºñ³ë´Ï, ¿Àº¸ÇùÁÖ°î, g, Op.9-8, 11m
  3372. ¾Ëºñ³ë´Ï, ¿ÀÆä¶ó <¾Æ½ºÅ¸¸£Åä(Astarto)>; /"¹èÀº¸Á´öÇÑ º°ÀÌ¿©"
  3373. ¾Ëºñ³ë´Ï, Æ®·³ÆêÇùÁÖ°î, Bb, Op.7-3, 8m * arr. ¿Àº¸ÇùÁÖ°î,Op.7-3
  3374. ¾Ëºñ³ë´Ï, Æ®·³ÆêÇùÁÖ°î(µÎ ´ëÀÇ), C, Op.9-9 * arr. from concerto in C major for two oboes, strings and continuo Op.9-9
  3375. ¾ËIJ, ¾ß»ó°î 1(Nocturne for Piano), Op.22, 6m, * Charles Valentin Alkan(1813-1888 French)
  3376. ¾ËIJ, À̼ÙÀÇ Ç⿬(Le festin d'Esope), ÇǾƳë°î, 8m
  3377. ¾ËÇÁº¥,ÈÞ°í, ºñ°¡(Elegy), 5m, # Swedish Radio Symphony Orchestra/Stig Westerberg
  3378. ¾ËÇÁº¥,ÈÞ°í, ½º¿þµ§ ·¦¼Òµð 1, Op.18 "ÇÑ¿©¸§ÀÇ ¹é¾ßÁ¦(Midsummer Vigil", * Hugo Alfven(1872-1960, Swedish)
  3379. ¾Ö´ý½º,Á¸ ·çÅÍ, ¼Ò¹ÚÇÏ°í °¨»óÀûÀÎ À½¾Ç(Naive and Sentimental Music), 44m, Los Angeles Philharmonic: Esa-Pekka Salonen, * John Luther Adams(1947- American)
  3380. ¾Ö´ý½º,Á¸ ·çÅÍ, ÁÖ¼®ÀÇ Ãã, °üÇö¾Ç°î
  3381. ¾Ö´ý½º,Á¸ ·çÅÍ, Become Ocean, °üÇö¾Ç°î, Seattle Symphony Orch.: Ludovic Morlot
  3382. ¾Ö´ý½º,Á¸ ·çÅÍ, Secon Quartet, St. Lawrence String Quartet
  3383. ¾ß³ªÃ¼Å©, Symphonic Suite from Jenufa
  3384. ¾ß³ªÃ¼Å©, µµ³ª¿ì ±³Çâ°î, 3¾ÇÀå Æ¯ÀÌ
  3385. ¾ß³ªÃ¼Å©, ¶óŰ¾È Ãã°î(Lachian Dances), JW.6-17, °üÇö¾Ç°î, 20m
  3386. ¾ß³ªÃ¼Å©, ¹É¶óµð(Mladi(Youth)), ½Ç³»¾Ç, 17m
  3387. ¾ß³ªÃ¼Å©, ¹ÙÀ̿ø°¼Ò³ªÅ¸, g, 1914c, 14m, À¯ÀÏÇÑ vs, Josef Suk(Vn)/Rudolf Firkusny
  3388. ¾ß³ªÃ¼Å©, ¼Ò±³Çâ°î(°üÇö¾ÇÀ» À§ÇÑ), ±×ÀÇ ÀÛǰÁß °¡Àå ¸¹ÀÌ ¿¬ÁֵǴ °ÍÀÇ Çϳª, µåº¸¸£ÀÛÀ̳ª ½º¸ÞŸ³ª°¡ µ¶ÀÏÀ½¾ÇÀÇ ¿µÇâÀ» ¹ÞÀºµ¥ ¹ÝÇØ ¾ß³ªÃ¼Å©´Â ·¯½Ã¾Æ À½¾Ç ƯÈ÷ ¹«¼Ò¸£±×½ºÅ°ÀÇ ¿µÇâÀ» ¹ÞÀ½
  3389. ¾ß³ªÃ¼Å©, "¿µ¸®ÇÑ »õ³¢ ¾Ï¿©¿ì(The Cunning Little Vixen)": ¸ðÀ½°î, °üÇö¾Ç°î
  3390. ¾ß³ªÃ¼Å©, "¿¹´©ÆÄ"ÀÇ ±³ÇâÀû ¸ðÀ½°î(Symphonic Suite from Jenufa), 23m
  3391. ¾ß³ªÃ¼Å©, "ÀâÃÊ ¿ì°ÅÁø ¿À¼Ö±æ(On an overgrown path)", JW.8-17, 15°îÀ¸·Î ±¸¼ºµÈ ÇǾƳë°îÁý: 1) ¿ì¸®µéÀÇ Àú³á ³ªÀý 2) ³«¿±À¸ »ç¶ûÀÇ ³ë·¡ 3)ÇÔ²² ¿Í¿ä 4) ÇÁ¸®µ¥Å©ÀÇ ¼º¸ð ¸¶¸®¾Æ 5) ±×µéÀº Á¦ºñó·³ Á¦Àß°Å·È´Ù 6) ¸»µµ ¾øÀÌ 7) ÈÞ½Ä 8) ÀÌÅä·Ï °ÌÀ» ¸Ô°í 9) ´«¹°À» È긮¸ç 10) ºÎ¾ûÀÌ´Â ³¯¾Æ°¡Áö ¾Ê¾Ò´Ù 11) Andante 12) Allegretto 13) Piu mosso 14) Allegro 15) Vivo
  3392. ¾ß³ªÃ¼Å©, Ÿ¶ó½º ºÒ¹Ù(Taras Bulba), JW.6-15, °üÇö¾Ç°î, 22m, $ Czech State Philharmonic/Jose Serebrier cf) Am I Really that beautiful?
  3393. ¾ß³ªÃ¼Å©, Çö¾Ç4ÁßÁÖ°î 1, "Å©·ÎÀ̼ ¼Ò³ªÅ¸(The Kreutzer Sonata)", 18m#, Medici Quartet
  3394. ¾ß³ªÃ¼Å©, Çö¾Ç4ÁßÁÖ°î 2, "ºñ¹ÐÆíÁö"
  3395. ¾ß³ªÃ¼Å©, ÇöÀ» À§ÇÑ ¸ñ°¡(Idyll for Strings), JW.6-3, 29m#
  3396. ¾ß´ÏÃ÷, 4ÁßÁÖ°î(¿Àº¸, ¹ÙÀ̿ø°, ºñ¿Ã¶ó ±×¸®°í ÄÜÆ¼´©¿À¸¦ À§ÇÑ), g, "O Haupt voll Blut und Wunden", 19m * Johann Gottlieb Janitsch(1708-1763)
  3397. ¾ß´Ù½ºÁ¸(À߷θó), ÇǾƳëÇùÁÖ°î 1, c, Op.89, 15m, * Salomon Jadassohn
  3398. ¾îÀ©, ·¤ÇÁ(Erwin, Ralph), ¼º¾Ç°î, "Ich ku"sse ihre Hand, Madame"
  3399. ¿¡°Ô¸£Æ®,¿ä¾ÆÈû ´ÏÄݶó½º, ±³Çâ°î 2, g, 31m#2, Gavle Symphony Orchestra/Gerard Korsten, * Joachim Nikolas Eggert(1779-1813 Swedish)
  3400. ¿¡³×½ºÄí(Á¦¿À¸£Á¦), °üÇö¾Ç ¸ðÀ½°î 3, D, Op. 27 "Villageoise", Op.27, 27m, # Monte Carlo Philharmonic Orchestra/Lawrence Foster
  3401. ¿¡³×½ºÄí(Á¦¿À¸£Á¦), ±³Çâ°î 1, Eb, Op.13
  3402. ¿¡³×½ºÄí(Á¦¿À¸£Á¦), ·ç¸¶´Ï¾Æ ±¤½Ã°î 1, a, Op.11-1 * Georges Enescu(1881-1955 Romanian) ¹ÙÀ̿ø°ÀÇ ´ë°¡·Î ¾Ë·ÁÁü,France: ¿¡³×½ºÄÚ,Á¶¸£ÁÖ(Georges Enesco)
  3403. ¿¡³×½ºÄí(Á¦¿À¸£Á¦), Àü¼³(Legend), trumpet & pf, 6m
  3404. ¿¡·Ñ(Herold), Zampa ¼­°î,10m
  3405. ¿¡·Ñ, ³ª¸·½ÅÀÇ Ãã,¹«¿ë±Ø ÁßÀÇ °î
  3406. ¿¡¸¥½ºÆ®,ÇÏÀθ®È÷ ºôÇ︧, ¿¤·¹Áö, Op.10, 8m, Vn & Pf * Heinrich Wilhelm Ernst(1812-1865 Moravian(Czech) Vn), ÆÄ°¡´Ï´Ï¿¡ ¹ö±Ý°¡´Â Vn
  3407. ¿¡¸¥½ºÆ®,ÇÏÀθ®È÷ ºôÇ︧, Pensees fugitives for Violin and Piano, 12°î ±¸¼º
  3408. ¿¡¸¦·¹¹ÙÈå, ¼Ò³ªÅ¸ 3(Sonata Terza) * Philipp Heinrich Erlebach(1605-1648 Esens:Germany)
  3409. ¿¡À̳ª¿ìµð,·çµµºñÄÚ, Passaggio * Ludovico Einaudi(1955- Italian Pf)
  3410. ¿¡À̺ñ½¼, ÇùÁÖ°î 3, d, * Concerti(12) for Strings after Domenico Scarlatti, * Charles Avison(1709-1770 Baroque English)
  3411. ¿¡À̺ñ½¼, ÇùÁÖ°î 6, D, 12m
  3412. ¿¡À̺ñ½¼, ÇùÁÖ°î 9, C, 13m
  3413. ¿¡À̺ñ½¼, ÇùÁÖ°î 12, D, 17m
  3414. ¿¤°¡, 3°³ÀÇ ¹Ù¹Ù¸®¾È Ãã°î(Three Bavarian Dances), Op.27, °üÇö¾Ç°î
  3415. ¿¤°¡, ±³Çâ°î 2, Eb, Op.63, 57m#, London Symphony Orchestra/Sir Colin Davis
  3416. ¿¤°¡, ´ë°ü½Ä ¼Û°¡(Coronaton Ode), Op.44, 1) Crown The King 2) The Queen 3) Daughter of Ancient Kings 4) Britain, Ask Of Thyself 5) Hark, Upon The Hollowed Air 6) Peace, Gentle Peace 7) Land of Hope and Glory
  3417. ¿¤°¡, º¯´ö½º·± ¿©ÀÚ(La Capricieuse:The Capricious Woman), Op.17, ½Ç³»¾Ç, 4m
  3418. ¿¤°¡, »ç¶ûÀÇ Àλç(Salut d¡¯amour), Op.12, ¹ÙÀ̿ø°°î
  3419. ¿¤°¡, ¼­ÁÖ¿Í ¾Ë·¹±×·Î(Çö¾ÇÀ» À§ÇÑ), Op.47,14m
  3420. ¿¤°¡, ¼º¾Ç°î "½£À» È帣´Â °³¿ïÀÇ ³ë·¡"
  3421. ¿¤°¡, ¼º¾Ç°î "¾ðÁ¨°¡(Quando)", $ ten. Jose Carreras
  3422. ¿¤°¡, ¼º¾Ç°î "Evening Scene", ÇÕâ°î, The Finzi Singers
  3423. ¿¤°¡, ¼ö¼ö²²³¢ º¯ÁÖ°î, Op.36, G gÀÇ 14°³ º¯ÁÖ>14¸í Ä£±¸ÀÇ °³ÀÎ ¼º°ÝÀ» ¹¦»ç,°¢ º¯ÁÖ Ã¹¸Ó¸®¿¡ CAE(¿¤°¡ºÎÀÎÀÇ À̸§¾àÀÚ) EDU(ºÎÀÎÀÌ ¿¤°¡¸¦ ºÎ¸£´Â ¾ÖĪ) ÀÌ ºÙ¾îÀÖÀ½
  3424. ¿¤°¡, ½ºÆäÀÎ ¼¼¶ó³ªµ¥(Spanish Serenade for Choir or Choir/Orchestra), Op.23, Worcester Cathedral Choir
  3425. ¿¤°¡, ½ºÆäÀÎÀÇ ±ÍºÎÀÎ ¸ðÀ½°î(Spanish Lady Suite), Op. 89
  3426. ¿¤°¡, ¾î¸°ÀÌ ¹æ ¸ðÀ½°î(Nursery Suite)
  3427. ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 1(Pomp and Circumstance - March), D, Op.39-1, 6°îÁß 1,2°î¸¸ ¿¬ÁÖµÊ(1:"Èñ¸Á°ú ¿µ±¤ÀÇ ³ª¶ó",2,4)
  3428. ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 2, a, Op.39-2
  3429. ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 3, c, Op.39-3
  3430. ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 4, G, Op.39-4
  3431. ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 5, C, Op.39-5
  3432. ¿¤°¡, ÀþÀ½ÀÇ ÁöÆÎÀÌ ¸ðÀ½°î 2(Wand of Youth Suite), Op.1b, °üÇö¾Ç°î, 16m
  3433. ¿¤°¡, ÿ·ÎÇùÁÖ°î, e, Op.85, 29m
  3434. ¿¤°¡, ÄÚÄÉÀÎ ¼­°î(Cockaigne Overture) "·±´ø ½Ã³»¿¡¼­(In London Town)", Op.40, °üÇö¾Ç°î, 14m
  3435. ¿¤°¡, Äܼ­Æ® ¾Ë·¹±×·Î(Concert Allegro), Op.46
  3436. ¿¤°¡, ÆÈ½ºÅ¸ÇÁ-±³ÇâÀû ¿¬½À(Falstaff-Symphonic Study), c, Op.68, 34m# Scottish National Orchestra/Sir Alexander Gibson
  3437. ¿¤°¡, Çö¾ÇÀ» À§ÇÑ ¼¼·¹³ªµ¥, e, Op.20, 12m
  3438. ¿¤·¹¸£, »õº®, ±³Çâ½Ã, ¿¡½ºÅä´Ï¾Æ ÀÛ°î°¡?
  3439. ¿À³×°Å, ±³Çâ°î 2(Æ®·³Æê°ú Çö¾Ç±â¸¦ À§ÇÑ), H.153, ÇÁ¶û½º 6ÀÎÁ¶ÀÇ ÇÑ»ç¶÷, 25m, Fritz Wesenigk(Trp),Berlin Philharmonic/Herbert von Karajan, * Arthur Honegger(1892-1955 Swiss)
  3440. ¿À³×°Å, ±³Çâ°î 3, "Àü·Ê"(¿¹¹è)
  3441. ¿À³×°Å, ±³Çâ°î 4, H.191, "¹ÙÁ©ÀÇ ±â»Ý(Deliciae Basilienses)", 27m, $ Bournemouth Sinfonietta/Tamas Vasary
  3442. ¿À³×°Å, ¿©¸§³¯ÀÇ ¸ñ°¡(Pastorale d'ete), °üÇö¾Ç°î, # Bournemouth Sinfonietta/Tamas Vasary
  3443. ¿À³×°Å, ÆÛ½ÃÇÈ231
  3444. ¿À¸£ÇÁ,Ä®, Ä«¸£¹Ì³ª ºÎ¶ó³ª, ĭŸŸ (/"¿À, ¿î¸íÀÇ ¿©½ÅÀÌ¿©", /"¿î¸íÀÇ Å¸°Ý" )
  3445. ¿Àºê¶óµµ¸£½º,Æä¸£³­µµ, ¼º¾Ç°î "ÀÛÀº ½ÅºÎ(Chiquitita la novia)"
  3446. ¿Àºê¶óµµ¸£½º,Æä¸£³­µµ, ½ºÆäÀÎ °íÀü°¡°î, /¿ÀÁ÷ ³ª¸¸ÀÇ ¶ó¿ì·¹¿Ã¶ó(La mi sola, Laureola), /°¡Àå ºÎµå·¯¿î ¸Ó¸®Ä«¶ôÀ¸·Î(Del cabello mas sutil) * Fernando Obradors(1897-1945 Spanish)
  3447. ¿ÀÆ®Å׸£(ÀÚÅ© ¸¶¸£ÅÊ), ¸ðÀ½°î 2, c, (Jacque Martin Hotteterre: 1674-1763); ÇÃ·çÆ¼½ºÆ®·Î¼­ ÀÛ°î°¡
  3448. ¿ÀÆæ¹ÙÈå, ¼º¾Ç°î "Ƽ·ÑÁö¹æÀÇ ¹«°î(Valse tyolienne)"
  3449. ¿ÀÆæ¹ÙÈå, ÿ·Î¸¦ À§ÇÑ ¸ðÀ½°î 2(µÎ ´ëÀÇ), Op.53-2, 10m * 6°î ¸ðÀ½°î
  3450. ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <·Îºó½¼ Å©·ç¼Ò>, /"³»°¡ ¼þ¹èÇÏ´Â ±×¿¡°Ô·Î µ¥·Á´Ù ÁÖ¼¼¿À(Conduisez-moi vers celui que j¡¯adore)"
  3451. ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <¹®°¡ÀÇ ³²Æí(Un mari a la porte)>; ¼­°î
  3452. ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <¾Æ¸§´Ù¿î ¿¤·»(La belle Helene)>;
      • "Ida »ê¿¡¼­"
      • "»ç¶÷µéÀº ³ª¸¦ ±Ý¹ßÀÇ Çï·»À̶ó°í ºÎ¸£ÁÒ(On me nomme Helene la blonde)"
      • "»ç¶ûÀÇ ½Å"
      • "Àú¿¡°Ô »ç¶ûÀ» ÁÖ¼Ò¼­(amours divins..)"
  3453. ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <õ±¹°ú Áö¿Á>; ¼­°î
  3454. ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <È£ÇÁ¸¸ÀÇ À̾߱â>;
      • "³» À̸§Àº ÄÚÆç¸®¿ì½º(Je me nomme Coppelius)", bass.Samuel Ramey/ten.Francisco Araiza/ms.Anne Sofie von Otter
      • "¹î³ë·¡"
      • "(ÀÎÇü ¿Ã¸²ÇǾÆÀÇ ³ë·¡) ¼Ò»ç³ª¹« ½£ÀÇ »õµé(Les oiseaux dans la charmille)", sop.Edita Gruberova
      • ""¾Æ¸§´Ù¿î ¹ã, »ç¶ûÀÇ ¹ã(Belle nuit, o nuit d¡¯amour)"-¹î³ë·¡, $sop.Jessye Norman/ms.Ann Murray
      • "¿¾³¯¿¾Àû ¾ÆÀÌÁ¦³ªÈå ±ÃÁ¤¿¡"
      • "Ŭ¶óÀÎÀðÅ©ÀÇ ¹ß¶óµå(Il etait une fois a la cour d¡¯Eisenach)", ten. Placido Domingo
  3455. ¿ÀÆæ¹ÙÈå, ¿ÀÆä·¹Å¸ <Æä¸®ÄÝ(La Perichole)>; /"±×³àµéÀº ºü¸£±âµµ ÇÏÁö"
  3456. ¿ÀÆæ¹ÙÈå, ÀÚ²ô¸°´ÀÀÇ ´«¹°
  3457. ¿ÀÆæ¹ÙÈå, Áñ°Å¿î ÆÄ¸® »ç¶÷µé, Ãã°î
  3458. ¿Â½½·Î¿ì, Çö¾Ç4ÁßÁÖ°î 30, c, Op.56 * George Onslow(1784 -1853), the French Beethoven
  3459. ¿Ã·¹ ºÒ(Ole Bull), Saeterjentens Sondag(The Shepherd Girl`s Sunday), Aaron Rosand(vn), Robert Levin(pf) 3m, violinist¸é¼­ ³ë¸£¿þÀÌ ¹ÎÁ·À½¾ÇÀÇ ¼±±¸ÀÚ; ±×¸®±× µî¿¡°Ô ¿µÇâÀ» ¹Ìħ
  3460. ¿Ã¸®ºñ¿¡¸®, ¼º¾Ç°î "¸ÅȤ" * Dino Olivieri
  3461. ¿ÐÅÏ,Àª¸®¾ö, ±âŸ¿Í ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ 5°³ÀÇ ¹Ù°¡ÅÚ(Five Bagatelles for Guitar and Orchestra), 16¤Ñs
  3462. ¿ÐÅÏ,Àª¸®¾ö, ¹ÙÀ̿ø°ÇùÁÖ°î, b, 3°³ÀÇ ÇùÁÖ°î(Vn,Va,Ce), 30m * Sir William Turner Walton(1902-1983 English)
  3463. ¿ÐÅÏ,Àª¸®¾ö, ÿ·ÎÇùÁÖ°î, 1956c,ÀÌ °îÀ¸·Î À¯¸íÇØÁü, 28m
  3464. ¿ä¾ÆÈû,¿äÁ¦ÇÁ, ¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ ³ëÅõ¸£³ë(Notturno for violin and orchestra), Op.12, 9m, Daniel Hope(vn)/Royal Stockholm Philharmonic Orchestra/Sakari Oramo, * Joseph Joachim(1831-1907 Hungarian)
  3465. ¿ä¾ÆÈû,¿äÁ¦ÇÁ, ¼­°î 'Çܸ´', Op.4, 15m, Oslo Philharmonic/Mariss Jansons
  3466. ¿äÅ©, 4´ëÀÇ ±âŸ¸¦ À§ÇÑ ¹ÝÅõ¿Í ÄûÄ­(Bantu y Quiccan for 4 guitars) * Andrew York(1958- American classical guitarist &comp)
  3467. ¿ìµå, ¼º¾Ç°î "ÇÇÄ«µðÀÇ Àå¹Ì(Roses of Picardy)"
  3468. ¿ìµå, Çö¾Ç4ÁßÁÖ°î 3, Op.20
  3469. ¿ìµåÄÛ,·Î¹öÆ®, ÇùÁÖ°î(µ¶ÀÏ ÇÃ·çÆ®, Çö¾Ç°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, * Robert Woodcock(1690-1728 English Baroque)
  3470. ¿ì¸Þ¹Ù¾ß½Ã,½Ã°Ô·ç, Polonaise, -¿µÈ­ <2046> O.S.T., * Shigeru Umebayashi(1951- Japanese)
  3471. ¿öÅ©, ÇҾƹöÁö ½Ã°è
  3472. ¿þ¹ö,¾Øµå·ù ·ÎÀ̵å, ¹ÂÁöÄà <¿ÀÆä¶óÀÇ À¯·É(The Phantom of the Opera)>; * Andrew Lloyd Webber(1948- English)
      • "All I Ask of You"
      • "Think of me", sop.Lesley Garrett
  3473. ¿þ¹ö,¾Øµå·ù ·ÎÀ̵å, ¹ÂÁöÄà ;
      • "Love Changes Everything", $ Sarah Brightman
  3474. ¿þ¹ö,¾Øµå·ù ·ÎÀ̵å, ¹ÂÁöÄà ;
      • "I don¡¯t Know How to Love Him", Sharon Campbell
  3475. ¿þ¹ö,¾Øµå·ù ·ÎÀ̵å, ¼º¾Ç°î "·¹Äû¿¥"-Pie Jesu, sop.Barbara Bonney/bs.Anthony Way
  3476. À¥½ºÅÍ,Á¶¼Á Çʺ긯, ¼º¾Ç°î "Sweet By And By", * Joseph Philbrick Webster(1819-1875 American) /Wheaton College Women's Chorale #&
  3477. À©Å¬·¯(Winkler), ÇÕâ°î "Ä«ÇÁ¸® ¼¶ÀÇ ¾îºÎ"
  3478. Àª´õ, »ç¶ó¿¹º¸ÀÇ Ã¿¸®½ºÆ®(µ¶ÁÖ Ã¿·Î¸¦ À§ÇÑ)
  3479. Àª¸®¾ö½º,Á¸, The Imperial Death March, 3m, * John Williams(1932- American &cond&Pf)
  3480. Àª¸®¾ö½º,Á¸, ¿µÈ­ ; /"Somewhere in my Memory"
  3481. Àª¸®¾ö½º,Á¸, ¿µÈ­ ; /"Main Theme"
  3482. À̶óµð¿¡¸£, ¼º¾Ç°î "¶ó ÆÈ·Î¸¶(La Paloma)", (Sebastian Yradier:1809~1865); ¿¡½ºÆÄ³Ä(½ºÆäÀÎ) ÀÛ°î°¡ * La Paloma´Â ÈòºñµÑ±â
  3483. À̹ٳëºñÄ¡,ÀÌ¿Â, µµ³ª¿ì °­ÀÇ Àܹ°°á, üÄÚ¿¡¼­´Â ºÒŸ¿ì °­ * Ion Ivanovici(1845-1902 Romanian)
  3484. À̺£¸£,ÀÚÅ©, µ·Å°È£Å×ÀÇ ³ë·¡(Chansons de Don Quichotte); bar.Jose van Dam, * Jacques Ibert(1890-1962 French)
      • 1) µ·Å°È£Å×ÀÇ Ãâ¹ßÀÇ ³ë·¡(Chanson du depart de Don Quichotte)
      • 2) µÑ½Ã³× °øÁÖ¿¡ ´ëÇÑ ³ë·¡(Chanson a Dulcinee)
      • 3) °øÀÛÀÇ ³ë·¡(Chanson du Duc)
      • 4) µ·Å°È£Å×ÀÇ Á×À½ÀÇ ³ë·¡(Chanson de la morte de Don Quichotte)
  3485. ÀÌ¿þÀÌÁð,¿¡¸¯, ¿Àº¸ÇùÁÖ°î, "Down a River of Time", 23m, $ Linda Strommen(Ob)/Sejong Soloists, * Eric Ewazen(1954- American)
  3486. ÀÌÀÚÀÌ,¿ÜÁ¨, ¼Ò³ªÅ¸,c,Op.27-4 "Dedicated to Fritz Kreisler" * Eugene Ysaye (1858-1931): º§±â¿¡ ÀÛ°î°¡/¹ÙÀ̿ø®´Ï½ºÆ®
  3487. ÀÌÆú¸®ÅäÇÁ-À̹ٳëÇÁ, Caucasian Sketches 1, Op.10, Edmonton Symphony Orchestra/Uri Mayer, * Mikhail Ippolitov-Ivanov(1859-1935 Russian &cond)
  3488. ÀÚ´Ï,¾Èµå·¹¾Æ, ÿ·ÎÇùÁÖ°î 5, G, WD.790, 8m * Andrea Zani(1696-1757 Italian Vn&)
  3489. Àܵµ³ªÀÌ,¸®Ä«¸£µµ, ¿ÀÆä¶ó <ÁÙ¸®¿¡Å¸¿Í ·Î¸Þ¿À>; * Riccardo Zandonai(1883-1944 Italian)
      • "ÁÙ¸®¿¡Å¸, ³ª¿ä(Guilietta, son io)", ten.Jonas Kaufmann
  3490. ÀÜÄ»,Ŭ·¹¸Á, ¼º¾Ç°î "»õÀÇ ³ë·¡(Le chant des oiseaux)"
  3491. Á¦¹Ì´Ï¾Æ´Ï,ÇÁ¶õü½ºÄÚ, ÿ·Î¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸, Op.5-3, 6°³ ¼Ò³ªÅ¸(Op.5) * Francesco Geminiani(1687-1762 Italian Vn&)
  3492. Á¦¹Ì´Ï¾Æ´Ï,ÇÁ¶õü½ºÄÚ, ÿ·Î¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸, Op.5-6, 8m
  3493. Á¦¹Ì´Ï¾Æ´Ï,ÇÁ¶õü½ºÄÚ, ÇÕÁÖÇùÁÖ°î(Concerto grosso), g, Op.3-2, "La Follia"(after Corelli's op.5 no.12), 11m#, Op.3(6°³: D,g,e,d,-,-,)
  3494. Á¦¼ö¾Ëµµ,Ä«¸¦·Î, ¸¶µå¸®°¥ 4Áý: 'ÀÚºñ¸¦' ³ª´Â ¿ï¸ç Àý±ÔÇϳ×('Merce', grido piangendo: Quatro libro di madrigali), * Carlo Gesualdo(1566-1613 Italian)
  3495. Á¨Å²½º,Ä®, Cantate Domino, * Karl Jenkins(1944- Welsh)
  3496. Á¨Å²½º,Ä®, Miserere: Songs of Mercy and Redemtion, 50m
  3497. Á¨Å²½º,Ä®, °¡°î ¿¹ÀÌÃ÷ÀÇ ½Ã¿¡ ºÙÀÎ ³ë·¡;He wishes for the cloths of heaven
  3498. Á¨Å²½º,Ä®, ÆòÈ­¸¦ À§ÇÑ ¹Ì»ç-'The armed man' Áß Agnus Dei
  3499. Á©·¯,Ä®, ¼º¾Ç°î "¸ðµÎµé ¾È³ç(Gruess Euch Gott, alle miteinander)" * Carl Zeller(1842-1898 Austrian)
  3500. Á©·¯,Ä®, ¿ÀÆä·¹Å¸ <»õÀå¼ö(Bird seller)>;
      • "³­ ¿ìü±¹¿¡¼­ ¿Â Å©¸®½ºÅÚÀÌ¿¹¿ä(Ich bin die Christel von der Post)", Renate Holm(sop)
      • "¸ðµÎ¿¡°Ô ½ÅÀÇ °¡È£°¡(Grue©¬ euch Gott, alle miteinander)", ten.Fritz Wunderlich
      • "Ƽ·ÑÀÇ Àå¹Ì"
  3501. Á©·»Ä«,¾á µð½º¸¶½º, Missa Dei Patris, C, 70m * Jan Dismas Zelenka(1679-1745) ¹ÙÈå ½Ã´ëÀÇ Ã¼ÄÚ ÀÛ°î°¡
  3502. Á©·»Ä«,¾á µð½º¸¶½º, Æ®¸®¿À¼Ò³ªÅ¸ 2(2´ëÀÇ ¿Àº¸, ¹Ù¼ø ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), 19m
  3503. Á©·»Ä«,¾á µð½º¸¶½º, Æ®¸®¿À¼Ò³ªÅ¸ 3(2´ëÀÇ ¿Àº¸, ¹Ù¼ø ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), ZWV.181-3, 15m
  3504. Á©·»Ä«,¾á µð½º¸¶½º, Æ®¸®¿À¼Ò³ªÅ¸ 5, F, ZWWV.181-5, 15m, Heinz Holliger(ob),Maurice Bourgue(ob),Klaus Thunemann(bassoon),Klaus Stoll(bass),Jonathan Rubin(lute),Christiane Jaccottet(harpsichord)
  3505. Á©·»Ä«,¾á µð½º¸¶½º, ¼Ò³ªÅ¸ 3(¹ÙÀ̿ø°, ¿Àº¸, ¹Ù¼ø ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), Bb, 15m
  3506. Á©·»Ä«,¾á µð½º¸¶½º, ÇùÁÖ°î, G, Z.186, 17m, Czech Philharmonic Orchestra/Vaclav Neumann
  3507. Á¶¸£´Ù³ë, ¿ÀÆä¶ó <¾Èµå·¹¾Æ ¼Î´Ï¿¡(Andrea Chenier)>;
      • "5¿ùÀÇ ¾Æ¸§´Ù¿î ¾î´À³¯ ó·³(come un bel di di maggio)", ten.Jussi Bjoerling
      • "´ç½Å °ç¿¡(Vicino a te)... ¿ì¸®ÀÇ Á×À½Àº »ç¶ûÀÇ ½Â¸®(La nostra morte e il trionfo dell'amor"-¸¶Áö¸· ÀÌÁßâ, /ten.Luciano Pavarotti & sop.Monserrat Caballe
      • "¾î´À ³¯ Ǫ¸¥ ÇÏ´ÃÀ» ¹Ù¶óº¸¸ç(Un di all¡¯azzurro spazio)"(1)-¼Î´Ï¿¡ÀÇ ÁïÈï½Ã(Improviso)
      • "¾î¸Ó´Ï´Â µ¹¾Æ°¡½Ã°í(la mamma morta)"
      • "Á¶±¹À» ¹è¹ÝÇÑ ÀÚ(Nemico della Patria)"-Á¦¶ó¸£ÀÇ ¸ð³î·Î±×, bar.Renato Bruson, bar.Jose van Dam
  3508. Á¶¸£´Ù³ë, ¿ÀÆä¶ó <Æäµµ¶ó>; /
      • "±ÝÁöµÈ »ç¶û(amor ti vieta)"
  3509. Á¶¸£´Ù´Ï,ÁÖ¼¼Æä, ¼º¾Ç°î "¿À ³»»ç¶û(Caro mio ben)", * Giuseppe Giordani(1751-1798 Italian)
  3510. Á¶ºö, ¼º¾Ç°î "¾î¸®¼®Àº Áþ(Insensatez)", bar.Erwin Schrott, * Antonio Carlos Jobim(1927-1994 Brazilian)
  3511. Á¶ºö, ¼º¾Ç°î "ÀÌÆÄ³×¸¶¿¡¼­ ¿Â ¼Ò³à(Garota de Ipanema)", sop.Elly Ameling
  3512. Á¶ºö, Çູ(Felicidade), Fl&Gt
  3513. Á¸½º,Á¸ Æú, ¼º¾Ç°î "Âü³ª¹« ¾Æ·¡(So ell encina)" * John Paul Jones(1946- English)
  3514. Á¸½ºÅæ,¸ð¸®½º, Tarn Hows (A Cumbrian Rhapsody), 13m, Royal Ballet Sinfonia/Gavin Sutherland, * Maurice Johnstone(1900-1976 British)
  3515. ÁÒ½ºÄ» µ¥ÇÁ·¹, O Virgo Virginum,->15c ÀÌŸ® ÀÛ°î°¡, ¸ÞŸÀ½¾ÇÁ¦ ¹ßÇ¥
  3516. ÁÖÄÉ·Î(Zucchero), ¹ÌÁ¦·¹·¹(Miserere) * Adelmo Fornaciari(1955-), Zucchero´Â ±×ÀÇ ¹«´ëÀ̸§
  3517. ÁÙ¸®¾Æ´Ï,¸¶¿ì·Î, ±âŸÇùÁÖ°î, A, Op.30, 23m, # Narciso Yepes(guitar),English Chamber Orchestra/Garcia Navarro, * Maruo Giuliani(1781-1829 Italian)
  3518. ÁÙ¸®¾Æ´Ï,¸¶¿ì·Î, ·Î½Ã´Ï ¿ÀÆä¶ó <źũ·¹µð>; "¼³·¹´Â ¸¶À½(Di tanti palpiti) º¯ÁÖ°î", sop.Antonia Elisabeth Brown, Adriano Sebastiani(gtr)
  3519. ÁÙ¸®¾Æ´Ï,¸¶¿ì·Î, ¼º¾Ç°î "°íº°(Abschied)", Op.89-3, sop.Christina Hoegman
  3520. ÁÙ¸®¾Æ´Ï,¸¶¿ì·Î, ¼º¾Ç°î "¼¼·¹³ªµ¥(Staendchen)"
  3521. ÁêÆä, ½ÃÀΰú ³óºÎ ¼­°î,10m
  3522. ÁêÆä, ¿ÀÆä·¹Å¸ º¸Ä«Ä¡¿À; /"Ç÷η»½º¿¡´Â ¹ÌÀεµ ¸¹¾Æ"
  3523. Áö±Û·¯,ÆÄºí·Î, ¼º¾Ç°î "ºÓÀº Åʰí(Rojotango)", * Pablo Ziegler(1944- Argentine)
  3524. ÁúÇã(Silcher), ¼º¾Ç°î "·Î·¼¶óÀÌ(Die Loreley)", ten. Peter Schreier, * Friedrich Silcher(1789-1860 German)
  3525. ÁúÇã(Silcher), ¼º¾Ç°î "Ÿ¶ó¿ìÀÇ ¾ØÇî(Aennchen von Tharau)", bar. Hermann Prey
  3526. Â÷ÀÌÄÚÇÁ½ºÅ°, 1812³â ¼­°î, "Àå¾ö¼­°î", Op.49
  3527. Â÷ÀÌÄÚÇÁ½ºÅ°, °¨»óÀûÀÎ ¿ÐÃ÷(Valse sentimentale), Op.51-6, Vn, # Timofei Dokshitser(trp)/Sergej Solodovnik(pf)
  3528. Â÷ÀÌÄÚÇÁ½ºÅ°, °üÇö¾Ç¸ðÀ½°î 1, d, Op.43, 42m, New Philharmonia Orchestra/Antal Dorati
  3529. Â÷ÀÌÄÚÇÁ½ºÅ°, °üÇö¾Ç¸ðÀ½°î 2, C, Op.53, #
  3530. Â÷ÀÌÄÚÇÁ½ºÅ°, °üÇö¾Ç¸ðÀ½°î 3, G, Op.55, 40m#
  3531. Â÷ÀÌÄÚÇÁ½ºÅ°, °üÇö¾Ç¸ðÀ½°î 4, G, Op.61 "¸ðÂ÷¸£Æ¼¾Æ³ª(Mozartiana)"
  3532. Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 1, g, Op.13, "°Ü¿ï³¯ÀÇ È¯»ó(Winter Daydreams)" $
  3533. Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 2, c, Op.17, "¼Ò·¯½Ã¾Æ(Little Russian)", 1M°ú 4M¿¡ ¿ìÅ©¶óÀ̳ª ¹Î¿ä »ç¿ë, 33m#, Gewandhausorchester Leipzig/Kurt Masur
  3534. Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 3, D, Op.29, "Polish", 46m
  3535. Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 4, f, Op.36, $ Leningrad Philharmonic Orchestra/Evgeny Mravinsky, $ London Symphony Orchestra/Igor Markevitch
  3536. Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 5, e, Op.64,S4¿Í S6(ºñâ)À» ÇÕÇÑ ´À³¦, 46m, $ Leningrad Philharmonic Orchestra/Evgeny Mravinsky
  3537. Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 6, b, Op.74, "ºñâ", $ Leningrad Philharmonic Orchestra/Evgeny Mravinsky, $ London Symphony Orchestra/Igor Markevitch
  3538. Â÷ÀÌÄÚÇÁ½ºÅ°, ±³ÇâÀû ȯ»ó°î: ·¹¹Ì´ÏÀÇ ÇÁ¶õü½ºÄ«(Francesca da Rimini), Op.32, 25m, ´ÜÅ×ÀÇ ½Å°î Áß Áö¿ÁÆí(5)¿¡¼­ ¿µ°¨À» ¾ò¾î ÀÛ°î,1876c, #
  3539. Â÷ÀÌÄÚÇÁ½ºÅ°, ·Î¸Á½º, f, Op.5, Vladimir Feltsman(pf)
  3540. Â÷ÀÌÄÚÇÁ½ºÅ°, ·Î¹Ì¿À¿Í ÁÙ¸®¿§: ȯ»ó¼­°î, °üÇö¾Ç°î, 22m
  3541. Â÷ÀÌÄÚÇÁ½ºÅ°, ·ÎÄÚÄÚ ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(ÿ·Î¿Í °üÇö¾ÇÀ» À§ÇÑ), Op.33, ¸ðÂ¥¸£Æ® ¿¡ ´ëÇÑ Á¸°æÀ» Ç¥Çö,19m
  3542. Â÷ÀÌÄÚÇÁ½ºÅ°, ¸¸ÇÁ·¹µå ±³Çâ°î(Manfred Symphony), b, Op.58, 53m, $ Russian National Orchestra/Mikhail Pletnev
  3543. Â÷ÀÌÄÚÇÁ½ºÅ°, ¸ð½ºÅ©¹Ù ĭŸŸ(Moscow Cantata), 23m, Lyubov Sokolova(m.sop),Alexy Markov(bar),Orchestra of the Mariinsky Theatre Chorus of the Mariinsky Theatre/Valery Gergiev
  3544. Â÷ÀÌÄÚÇÁ½ºÅ°, ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¼ÒǰÁý-"±×¸®¿î °íÀåÀÇ Ãß¾ï(Souvenir d'un lieu cher)", Op.42; 1) ¸í»ó°î(Meditation), Op.42-1, 2) ½ºÄɸ£Á¶(Scherzo), Op.42-2, 3)¸á·Îµð(Melodie), Op.42-3
  3545. Â÷ÀÌÄÚÇÁ½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î, D, Op.35, º£ ºê ¸àÀÇ 3´ë VC¿ÍÇÔ²² ¼¼°èÀû °ÉÀÛ, 1) Nathan Milstein(vn)/Prague Philharmonic Orchestra/Lorin Maazel,2) Itzhak Perlman, Philadelphia Orchestra/Eugene Ormandy #&
  3546. Â÷ÀÌÄÚÇÁ½ºÅ°, ¹éÁ¶ÀÇ È£¼ö,¹«¿ë ¸ðÀ½°î, Op.20, 5°î±¸¼º, 2) ¹éÁ¶ÀÇÃã, 4) Ç×°¡¸®¹«°î
  3547. Â÷ÀÌÄÚÇÁ½ºÅ°, »ç°è(The Seasons), Op.37, 41m, ÇǾƳë°î, 1) 1¿ù; È­·Ô°¡¿¡¼­ 2) 2¿ù; Ä«´Ï¹ß 3) 3¿ù;Á¾´Þ»õÀÇ ³ë·¡ 4) 4¿ù;¾Æ³×¸ð³× 5) 5¿ù;¹é¾ß 6) 6¿ù;¹î³ë·¡ 7) 7¿ù;Ãß¼ö±ºÀÇ ³ë·¡ 8) 8¿ù;Ãß¼ö 9) 9¿ù;»ç³É 10) 10¿ù;°¡À»ÀÇ ³ë·¡ 11) 11¿ù; Æ®·ÎÀÌÄ« 12) 12¿ù;Å©¸®½º¸¶½º, # Yefim Bronfman(Pf), Sviatoslav Richter(pf)
  3548. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "A tear trembles in your jealous gaze"(sleza drazhyt f tvajom rivnivam zvore), Op.6-4, A.K.Tolstoy(P)
  3549. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Don Juan's Serenade; darkness is enfolding"-µ· ȯÀÇ ¼¼·¹³ªµ¥(Serenada Don Zhuana; Gasnut dal'nej Al'puhary), Op.38-1, A.K.Tolstoy(p)
  3550. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Fearful Moments; You listen, your sweet head bowed" (Strashnaja minuta; Ty nimajesh, vniz sklaniv galofku), Op.28-6, Â÷ÀÌÄÚÇÁ½ºÅ°(P)
  3551. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Heroism"(Podvik) , Op.60-11, A.Khomyakov(P)
  3552. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "I threw the open window" (Rastaril ja akno...), Op.63-2, K.Romanov(P)
  3553. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Nightingale"(Salavej), Op.60-4, A.Pushkin(P), Dmitri Hvorostovsky(Bar)
  3554. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "No, only those who have longed" (Net, tol'ka tot, kto znal), Op.6-6, A.Myey(P)
  3555. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Once again, as before, I am alone"(Snova, kak prezhde'e, adin) , Op.73-6, D.Rathaus(P)
  3556. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Reconciliation; O, heart of mine, sleep deeply!"(Primiren'je; O, zasni majo sertse gluboka!) , Op.25-1, N.Shcchyerbina(p) $
  3557. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "±×¸®¿òÀ» ¾Æ´Â À̸¸ÀÌ(Nur wer die Sehnsucht kennt)", ten.Fritz Wunderlich
  3558. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "¾î´À À̸¥ º½³¯À̾úÀ»±î?", Op.38-2, #bass.Nicolai Ghiaurov, #ms. Olga Borodina
  3559. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î 2Áßâ "¿­Á¤Àº ÀÌ¹Ì Áö³ª°¬´Ù", Op.46-5
  3560. Â÷ÀÌÄÚÇÁ½ºÅ°, ¼¼·¹³ªµ¥(ÇöÀ» À§ÇÑ), C, Op.48, Çö¾ÇÇÕÁÖ°î,33m
  3561. Â÷ÀÌÄÚÇÁ½ºÅ°, ½ºÆäÀÌµå ¿©¿Õ(Queen of Spades):¸ðÀ½°î, (A Park in Leningrad), Op.68
  3562. Â÷ÀÌÄÚÇÁ½ºÅ°, ½½¶óºêÇàÁø°î, °üÇö¾Ç°î, Op.31, 9m$, Royal Philharmonic Orchestra/Yuri Temirkanov
  3563. Â÷ÀÌÄÚÇÁ½ºÅ°, ¾È´ÜÅ× Ä­Å¸ºô·¹
  3564. Â÷ÀÌÄÚÇÁ½ºÅ°, ¾ß»ó°î, Op.19-4
  3565. Â÷ÀÌÄÚÇÁ½ºÅ°, ¾î¸°À̸¦ À§ÇÑ ¾Ù¹ü, Op.39, 24°î±¸¼º, ÀÚ½ÅÀÇ ¾î¸° ½ÃÀý ȸ»ó
  3566. Â÷ÀÌÄÚÇÁ½ºÅ°, ¿ÀÆä¶ó <¸¶Á¦ÆÄ>; /"¿À, ¸¶¸®¾Æ, ¸¶¸®¾Æ"
  3567. Â÷ÀÌÄÚÇÁ½ºÅ°, ¿ÀÆä¶ó <¿¡ÇÁ°Ô´Ï ¿À³×±ä>;
      • "»ç¶ûÀº ÀþÀº ³¯¿¡¸¸ ²É ÇÇ´Â °ÍÀÌ ¾Æ´Ï´Ù"-±×·¹¹Î °øÀÛÀÇ¡¡¾Æ¸®¾Æ, # bas.Alexsander Anisimov
      • "¾îµð·Î °¡¹ö·È³ª, ³ªÀÇ ÀþÀº ³¯Àº"-·»½ºÅ°ÀÇ ¾Æ¸®¾Æ, ten.Neil Shicoff
  3568. Â÷ÀÌÄÚÇÁ½ºÅ°, ¿ì¿ïÇÑ ¼¼·¹³ªµ¥(Serenade melancholique), bb, Op.26, (Vn,Orch), $ Midori(Vn),London Symphony Orchestra/Leonard Slatki
  3569. Â÷ÀÌÄÚÇÁ½ºÅ°, ¿ùÃ÷ ½ºÄɸ£Á¶(Valse Scherzo), Op.34, 5m, # David Oistrakh(vn)/Vladimir Yampolsky(pf), # Sergei Nakariakov(trp)/Alexander Markovich(pf)
  3570. Â÷ÀÌÄÚÇÁ½ºÅ°, ÀÌŸ® ±â»ó°î(Capriccio Italien), °üÇö¾Ç°î, Op.45, 15m#
  3571. Â÷ÀÌÄÚÇÁ½ºÅ°, ÀÚÀå°¡, Op16-1
  3572. Â÷ÀÌÄÚÇÁ½ºÅ°, ÀáÀÚ´Â ½£¼ÓÀÇ ¹Ì³à, ¹«¿ë ¸ðÀ½°î, Op.66, 4ºÎ±¸¼º
  3573. Â÷ÀÌÄÚÇÁ½ºÅ°, Áö°íÀ̳׸£¹ÙÀÌÁ¨ÀÇ È¯»ó°î, ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ °î, 5M23m; 3 & 4M-Áý½ÃÀÇ À²µ¿, ¸®½ºÆ®ÀÇ Çë°¡¸®·¦µð¿¡¼­ ¿µ°¨;À¯»ç
  3574. Â÷ÀÌÄÚÇÁ½ºÅ°, ÅÛÆä½ºÆ®(The Tempest)-±³ÇâÀû ȯ»ó°î(The Tempest - Symphonic Fantasia), F, Op.18, 22m, # Chicago Symphony Orchestra/Claudio Abbado
  3575. Â÷ÀÌÄÚÇÁ½ºÅ°, ÇǾƳë3ÁßÁÖ°î, a, Op.50, "ÇÑ À§´ëÇÑ ¿¹¼ú°¡¸¦ ±â³äÇÏ¿©", 2ºÎ±¸¼º, 1ºÎ´Â ¾ÖµµÀÇ °î Ç¥Á¦, 42m#, /Trio Wanderer, /Suk Trio
  3576. Â÷ÀÌÄÚÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î 1, bb, Op.23,PC 3°îÁß 1$
  3577. Â÷ÀÌÄÚÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î 2, G, Op.44, 3PCÁß PC1ÀÌ ÁÖ·Î ¾Ë·ÁÁü, 39m#
  3578. Â÷ÀÌÄÚÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î 3, Eb, Op.75
  3579. Â÷ÀÌÄÚÇÁ½ºÅ°, Çܸ´:ȯ»ó ¼­°î(Hamlet:Fantasy Overture), Op.67, 17m, # Simon Bolivar Symphony of Venezuela/Gustavo Dudamel
  3580. Â÷ÀÌÄÚÇÁ½ºÅ°, Çö¾Ç4ÁßÁÖ°î 1, D, Op.11, 4ÁßÁÖ 3°îÁß 1$, Andante cantabile$
  3581. Â÷ÀÌÄÚÇÁ½ºÅ°, Çö¾Ç6ÁßÁÖ°î, d, Op.70, "ÇÇ·»Ã¼ÀÇ Ãß¾ï[/Ç÷η»½º](Souvenir de Florence)", ·¯½Ã¾ÆÀÇ ¿ì¿ïÇÔ°ú ÀÌŸ®ÀÇ Á¤¿­ÀûÀÎ ¸éÀ» Á¶È­, ÀÌŸ® üÀç Áß¿¡ ÀÛ°îµÈ ¿¬À¯·Î ºÙ¿©Áø À̸§À¸·Î ³»¿ë°ú´Â ¹«°ü, 34m#
  3582. Â÷ÀÌÄÚÇÁ½ºÅ°, È£µµ±î±âÀÎÇü, Op.71, ¹«¿ë¸ðÀ½°î, 1) ¼­°î 2) ÇàÁø°î 3) º°»çÅÁÀÇ Ãã 4) ½ºÆäÀÎ Ãã(Chocolate), 5) ·¯½Ã¾Æ Ãã(Trepak), 6)¾Æ¶óºñ¾È Ãã(coffee), 7) Áß±¹ÀÎÀÇ Ãã(tea), 8) °¥ÀÙÇǸ®ÀÇ Ãã(Dance of the Reed Pipes), 9) Polichinelle(the clown), 10) ²ÉÀÇ ¿ÐÃ÷(Waltz of the Flowers)
  3583. Â÷ÀÌÄÚÇÁ½ºÅ°, ȯ»óÇùÁÖ°î(ÇǾƳ븦 À§ÇÑ), G, Op.56,28m
  3584. Â÷ÀÌÄÚÇÁ½ºÅ°,¾Èµå·¹, Çö¾Ç4ÁßÁÖ°î 2, C, Op.5, * Andre Tchaikowsky(1935-1982 Polish &pf)
  3585. äµåÀ¨, ±³Çâ°î 2, Bb, Op.21, 35m, $ Detroit Symphony Orchestra/Neeme Jarvi, * George W. Chadwick(1854-1931 American)
  3586. äµåÀ¨, Ž ¿À¼¢ÅÍ(Tam O'Shanter), °üÇö¾Ç°î, 19m, Czech State Philharmonic/Jose Serebrier
  3587. õ°­, ¹ÙÀ̿ø°ÇùÁÖ°î, "³ªºñ¿¬ÀÎ(Butterfly Lovers)", 27m * Chen Gang(1935- Chinese) Butterfly Lovers #&
  3588. ü·¹ÇÁ´Ñ,¾Ë·º»ê´õ, ¿¬ÁÖȸ¿ë ¿¬½À°î(5°îÀÇ ÇǾƳ븦 À§ÇÑ;Concert Etudes(5) for Piano), Op.52, * Alexander Tcherepnin(1899-1977 Russian)
  3589. ü·çºñ´Ï, ¿¬ÁÖȸ¿ë ¼­°î(Concert Overture), 10m
  3590. ü·çºñ´Ï, Çö¾Ç4ÁßÁÖ°î 2, C, 29m * Luigi Cherubini (1760-1842) ÀÌŸ® ÀÛ°î°¡
  3591. ü¸£´Ï,Ä«¸¦, 9ÁßÁÖ°î(Nonet), Eb, Claudius Tanski(Pf)
  3592. ü¸£´Ï,Ä«¸¦, ±³Çâ°î 2(Grande Symphony), D, Op.781, 40m, #1) SWR Radio Orchestra Kaiserslautern/Grzegorz Nowak
  3593. ü¸£´Ï,Ä«¸¦, ±³Çâ°î 6, g, 33m, SWR Radio Orchestra Kaiserslautern/Grzegorz Nowak
  3594. ü¸£´Ï,Ä«¸¦, ¾È´ÜÅ×¿Í Æú¶óÄ«(Andante e Polacca), Op.posth., 12m cf) Hn & pf, * Carl Czerny(1791-1857 Austrian)
  3595. ü¸£´Ï,Ä«¸¦, ÇǾƳë¼Ò³ªÅ¸ 9,b, Op.145, 33m
  3596. ü»ç¸®´Ï, ¼º¾Ç°î "ÇÇ·»Ã¼ÀÇ ²Þ(Firenze Sogno)", # Giuseppe di Stefano(Ten), * Carlo Francesco Cesarini(1666-1741 Italian)
  3597. ÃÀ¸°½ºÅ°, ±³Çâ°î 1, d, 32m * Alexander von Zemlinsky(1871-1942 Austrian)
  3598. ÃÀ¸°½ºÅ°, ±³Çâ°î 2, Bb, 43m$, Gurzenich Orchestra/James Conlon
  3599. ÃÀ¸°½ºÅ°, ±³Çâ°î 2, Bb, 43m
  3600. ÃÀ¸°½ºÅ°, ÃãÀÇ ½Ã(Ein Tanzpoem:A Dance Poem), °üÇö¾Ç°î, 35m#
  3601. ÃÀ¸°½ºÅ°, ȯ»ó°î(ÇǾƳ븦 À§ÇÑ:Fantasien uber Gedichte von Richard Dehmel), Op.9, 12m
  3602. Ä¡¸¶·Î»ç, ¿Àº¸ÇùÁÖ°î, C, 11m * Heinz Holliger(oboe) Bamberg Symphony Orchestra/Peter Maag, * Domenico Cimarosa(1749-1801 Italian)
  3603. Ä¡¸¶·Î»ç, ¿ÀÆä¶ó ºñ¹Ð°áÈ¥;
      • "³¯ÀÌ ¹à±â Àü¿¡"
      • "¸¸ÀÏ ´ç½ÅÀÇ ¸¶À½ ¾È¿¡¼­ ¼û½®´Ù¸é(2Áßâ)"
  3604. Ä¡¸¶·Î»ç, ÇÃ·çÆ®ÇùÁÖ°î(2´ëÀÇ)(Concerto for Two Flutes)
  3605. Ä¡¸¶·Î»ç, ÇÇ¾Æ³ë ¼Ò³ªÅ¸(Keyboard Sonata), Bb, R.11
  3606. Ä¡¸¶·Î»ç, ÇÇ¾Æ³ë ¼Ò³ªÅ¸, c, R.12, 5m
  3607. Ä¡¸¶·Î»ç, ÇÇ¾Æ³ë ¼Ò³ªÅ¸, D, R.28, 7m
  3608. Ä¡¾ÏÇÇ, ºó¼¾ÃÝ, ¼º¾Ç°î "´Ï³ªÀÇ Á×À½(Tre giorni son che Nina)", sop.Renata Tebadi, * Vincenzo Legrenzio Ciampi(1719-1762 Italian)
  3609. Ä¥·¹¾Æ, ¿ÀÆä¶ó <¾Æµå¸®¾Æ³ª ¸£Äíºê·Ú¸£(Adriana Lecouvreur)>; * Francesco Cilea(1866-1950 Italian)
      • "¾²µð¾´ Áñ°Å¿ò, ´ÞÄÞÇÑ Áñ°Å¿ò"
      • "Àú´Â Çѳ¹ âÁ¶ÁÖÀÇ ¹ÌõÇÑ ÇϳàÀÏ »Ó(Io son l¡¯umile ancella)", sop.Galina Gorchakova
      • "ÁöÄ£ ³» ¿µÈ¥(L¡¯anima ho stanca)", ten.Jonas Kaufmann
  3610. Ä¥·¹¾Æ, ¿ÀÆä¶ó <¾Æ¸¦¸£ÀÇ ¿©ÀÎ>; /"Æäµ¥¸®ÄÚÀÇ Åº½Ä(Lamento di Federico)", Jose Carreras(ten)
  3611. Ä«´Ï¿À, ¼º¾Ç°î "»ç¶û¿¡ ºüÁø º´»ç(¡¯O surdato ¡¯nnammurato)", * Enrico Cannio(1874-1949, Italian Composer)
  3612. Ä«·ê¸®, º£Å亥 ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, F, Op.169, * Ferdinando Carulli(1770-1841 Italian)
  3613. Ä«¸£µô·Î, ¼º¾Ç°î "¹«Á¤ÇÑ ¸¶À½(Core 'ngrato)", ten.Peter de Sotto, * Salvatore Cardillo(1874-1947 Italian-American)
  3614. Ä«¸®½Ã¹Ì, ¼º¾Ç°î "³» °¡½¿¿¡ ½Â¸®°¡(Vittoria, mio core!)",bar. Dmitri Hvorostovsky, * Giacomo Carissimi(1605-1674 Italian)
  3615. Ä«¹Ð·¹¸®,Âû½º, ÇǾƳëÇùÁÖ°î 1, "ÁöÁßÇØ", ´ëÇ¥°î, Andrede De Groote(Pf),Bournemouth Symphony Orchestra/Michael Laus, * Charles Camilleri(1931-2009 Maltese)
  3616. Ä«¹ß·¹ÇÁ½ºÅ°, ÿ·ÎÇùÁÖ°î 1, g * Dmitry Borisovich Kabalevsky(1904-1987 Russian)
  3617. Ä«¹ß·¹ÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î 1, a, Op.9, 32m, Michael Korstick(pf),NDR Radiophilharmonie/Alun Francis
  3618. Ä«¹ß·¹ÇÁ½ºÅ°, ¹Ùº¸ ºê·Ú´¨(Colas Breugnon) ¼­°î, Op.24
  3619. Ä«»çµµ, ÿ·Î µ¶ÁÖ¸¦ À§ÇÑ ¸ðÀ½°î, 16m, Gaspar Cassado(1897-1966,Spanish)
  3620. Ä«½ºÅÚ´©º¸-Å×µ¥½ºÄÚ, ±âŸÇùÁÖ°î 1(Concerto for Guitar), D, Op.99, 20m#, John Williams(guitar), English Chamber Orchestra/Sir Charles Groves, * Mario Castelnuovo-Tedesco(1895-1968 Italian)
  3621. Ä«½ºÅÚ´©º¸-Å×µ¥½ºÄÚ, Ä«³í ¼Ò³ªÅ¸(Sonatina Canonica), Op.196, ½Ç³»¾Ç
  3622. Ä«½ºÅÚ·Î,´Ù¸®¿À, Sonata decima sesta, 6m, Irish Baroque Orchestra/Monica Huggett, * Dario Castello(1621-1658 Italian)
  3623. īġ´Ï, ¼º¾Ç°î "µé¾îºÁ¿ä, ¿¡¿ìÅ׸£Æä, ´ÞÄÞÇÑ ³ë·¡¸¦(Odi, Euterpe, il dolce canto)", * Giulio Caccini(1551-1618 Italian)
  3624. īġ´Ï, ¼º¾Ç°î "º°À» ¹Ù¶óº¸¸ç(Sfogava con le stelle)", ct. Yoshikatsu Mera
  3625. īġ´Ï, ¼º¾Ç°î "¾Æ¸¶¸±¸®, ³»»ç¶û(Amarilli, mia bella)", boy sop.Aled Jones
  3626. īġ´Ï, ¼º¾Ç°î "¿À ¾ó¸¶³ª ¾Æ¸§´Ù¿î ³¯Àΰ¡(O Che Felice Giorno)", sop. Mari Bayo
  3627. īŻ¶ó´Ï, Ero e Leandro (Hero and Leander), 18m, Orchestra Sinfonica di Roma/Francesco La Vecchia
  3628. īŻ¶ó´Ï, Il Mattino(Morning) 'Sinfonia Romantica', 14m#, Orchestra Sinfonica di Roma/Francesco La Vecchia, * Alfredo Catalani(1854-1893 Italian)
  3629. īŻ¶ó´Ï, ¿ÀÆä¶ó <¶ó ¿Ð¸®(La Wally)>;
      • "±×·³, Àü ¸Ö¸® ¶°³ª°Ú¾î¿ä(ebben? ne andro lontana)"#, sop.Renata Tebaldi
  3630. īŻ¶ó´Ï, ¿ÀÆä¶ó <·Î·¼¶óÀÌ>;
      • "¹°ÀÇ ¿äÁ¤ÀÇ Ãã"
  3631. īǪ½ºÆ¾,´ÏÄݶóÀÌ, º¯ÁÖ°î, Op.41, 8m, * Nikolai Kapustin(1937- Russian)
  3632. īǪ½ºÆ¾,´ÏÄݶóÀÌ, ¿¤·¹Áö(Elegy for Cello and Piano), Op.96, 5m, Christine Rauh(vc), Benyamin Nuss(pf)
  3633. īǪ½ºÆ¾,´ÏÄݶóÀÌ, ÿ·Î¿Í Çö¾ÇÀ» À§ÇÑ ÇùÁÖ°î 2, Op.103, 24m, Christine Rauh(cello),Deutsche Radio Philharmonie Saarbruecken Kaiserslautern/Nicholas Collon
  3634. īǪ½ºÆ¾,´ÏÄݶóÀÌ, ÇÇ¾Æ³ë ¼Ò³ªÅ¸ 2, Op.54, 22m
  3635. Ä«ÇÁ,À¯Áø, Kalevipoeg: Suite, 21m, * Eugen Kapp(1908-1996 Estonian)
  3636. ĭÿ¸®,±â¾ß, Ex contario * Giya Kancheli(1935- Georgian)
  3637. Ä®´Ù¶ó, Sonata duodecima, d, Op.1/12 * Antonio Caldara(1670-1736 born in Venice:Italy Baroque)
  3638. Ä®´Ù¶ó, ¼º¾Ç°î "±×´ë ³ÃÁ¤Çصµ(Sebben, crudele)", bar.Renato Bruson
  3639. Ä®´Ù¶ó, ¼º¾Ç°î "»ç¶ûÇÏ´Â ¸¶À½(Alma del core)", $ Luciano Pavarotti(ten)
  3640. Ä®´Ù¶ó, ¼º¾Ç°î "Æ÷±ÙÇÑ ½£ÀÌ¿©(Selve amiche)", ms. Monica Groop
  3641. Ä®´Ù¶ó, ½ÅÆ÷´Ï¾Æ 9, Bb, Slovak Chamber Orchestra/Bohdan Warchal
  3642. Ä®´Ù¶ó, ½ÅÆ÷´Ï¾Æ 12, a, Akademir fu"r Alte Musik Berlin
  3643. Ä®´Ù¶ó, Enone; ¾Æ¸®¾Æ "¿¬ÀÎÀÌ¿©, ³ª´Â ¶°³ª³×(Vado, o sposa)"
  3644. Ä®¸®´ÏÄÚÇÁ,¹Ù½Ç¸®, ±³Ç×°î 1, g, 37m# * Vasily Sergeyevich Kalinnikov(1866-1901 Russian)
  3645. Ä®¸®º¸´Ù, ¹ÙÀ̿ø°ÇùÁÖ°î 5, a, Op.133, * Johann Wenzel Kalliwoda(1801-1866 Bohemian)
  3646. Ä®¸¸,¿¥¸Ó¸®È÷, ¿ÀÆä·¹Å¸ <¤½Ã °øÁÖ(The Gypsy Princess)> /"Let me dance and let me sing" *Emmerich Kalman(1882-1953, Hungarian composer of operettas)
  3647. Ä®¸¸,¿¥¸Ó¸®È÷, ¿ÀÆä·¹Å¸ <Â÷¸£´Ù½´(Csardasfuerstin)> /"ÃãÃß°í ½Í¾î"
  3648. Įũºê·¹³Ê,ÇÁ·¹µ¥¸¯, 6ÁßÁÖ°î, G, Op.58, ÇÁ·¹µ¥¸¯, Friedrich Kalkbrenner(1785-1849 German Pf)
  3649. įºñ´Ï,ÁÖ¼¼Æä,¸¶¸®¾Æ, ¸ñ°ü5ÁÖ°î 3, F, 14m, Avalon Wind Quintet, * Giuseppe Maria Cambini(1746-1825 French)
  3650. įºñ´Ï,ÁÖ¼¼Æä,¸¶¸®¾Æ, ÇǾƳëÇùÁÖ°î 3, G, Op.15, 14m, Franco Redondi(pf),Milan Chamber Orchestra/Paolo Vaglieri
  3651. įÆÄ,±¸½ºÅ¸º¸, ¹ÙÀ̿ø°°ú ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ¸á·Îµð, Op.1, Gustavo Campa(1863-1934 Mexican)
  3652. ݽºº£¸£°Å, Battaglia, * Johannes Kapsberger(1580-1651 German-Italian early Baroque)
  3653. ݽºº£¸£°Å, ¼º¾Ç°î "ÇϾá Àå¹Ì(Rosa bianca)", sop.Raquel Andueza
  3654. ݽºº£¸£°Å, ¼º¾Ç°î "ÇູÇÑ ¿µÈ¥(Felici gl¡¯animi)", ms.Magdalena Kozena
  3655. IJƲ·çºê, ¿Àº£¸£´ºÀÇ ³ë·¡(Chants d'Auvergne(Songs of the Auvergne)); * Joseph Canteloube(1879-1957 French)
      • 1) "Malourous Qu'o Uno Fenno (Unfortunate is he who has a wife)"
      • 2) "Lo Fiolaire(The Spinner)"
      • 3) "Bailero(Shephard's Song of the Auvergne hills)"
      • 4) "Chut, Chut"
      • 5) "La Delaissado(The Abandoned)"
      • 6) "Deux Bourees: (1) N'Ai Pas leu de Mio(I have no girl to love me), (2) Lo Calhe(The Quail)"
      • 7) "Trois Bourees: (1) L'Aio de Rotso(Spring Water), (2) Ound'Onore`n Gorda?(Where will we find our flock?), (3) Obal, Din Lou Limouzi(Down below in Limousin)"
      • 8) "Lou Boussu(The Hunchback)"
      • 9) "Oi Ayau(Oh, Ah!)"
      • 10) "Passo Pel Prat(Go through the meadow)"
      • 11) "Lou Coucut(The Cuckoo)"
      • 12) "Brezairola(Lullaby)"
  3656. IJÇÁ¶ó, ¿ÀÆä¶ó ÅÁŬ·¹µå> Triumphal March, C86
  3657. ij´×,Å丶½º, Justin MorganÀÇ Âù°¡ ÁÖÁ¦¿¡ ÀÇÇÑ È¯»ó°î(Fantasy on a Hymn Tune by Justin Morgan), 11m * Thomas Canning(1911-1989 American)
  3658. ijµå¸¸, ¼º¾Ç°î "At Dawning", Roger Wagner ÇÕâ´Ü, * Charles Wakefield Cadman(1881-1946 American)
  3659. ͏®Æ÷³ª(Califona), ¼º¾Ç°î, "¹Ù´Ù·Î °¡ÀÚ"
  3660. Ä¿´ÏÁî, ÆÄµ¿ ¼ÓÀÇ °üÇö¾Ç(Symphony in Waves), 39m * Aaron Jay Kernis(1960- American)
  3661. Ä¿´ÏÁî, Air for violin, 11m#, Joshua Bell(vn),Minnesota Orchestra/David Zinman
  3662. Ä¿´ÏÁî, Sarabanda in Memoriam, (1997:arr. 2003)
  3663. ÄÁ,Á¦·Ò, ¼º¾Ç°î "A Fine Romance", sop.Kiri Te Kanawa, * Jerome Kern(1885-1945 American)
  3664. ÄÁ,Á¦·Ò, ¼º¾Ç°î "Smoke Gets in Your Eyes", Jeanne Lehman
  3665. ÄÁ,Á¦·Ò, ¼º¾Ç°î "The Last Time I Saw Paris", Thomas Hampson(bar)
  3666. ÄÁ,Á¦·Ò, ¼º¾Ç°î "Long Ago and Far Away", sop.Kiri Te Kanawa
  3667. ÄÁ,Á¦·Ò, ¼º¾Ç°î "The Song is You", Thomas Hampson(Bar)
  3668. ÄÁ,Á¦·Ò, ¼º¾Ç°î "They didn't Believe Me", Voices of Ascension
  3669. ÄÉ·çºñ´Ï(·çÀÌÁö), ·¹Äû¿¥, d, 41m, * µÎ °îÀÇ ·¹Äû¿¥(c, d) * Luigi Cherubini(1760-1842) ÀÌÅ»¸®¾ÆÀÇ ÀÛ°î°¡
  3670. ÄÉÅÚºñ, ¼öµµ¿øÀÇ Á¤¿ø¿¡¼­(In a Monastery Garden)
  3671. ÄÉÅÚºñ, Áß±¹ »ç¿øÀÇ Á¤¿ø¿¡¼­(In a Chinese Temple Garden)
  3672. ÄÉÅÚºñ, "ÃÊ¿ø ³Ê¸Ó µé¸®´Â Á¾¼Ò¸®(Bells across the meadows)", 4m
  3673. ÄÉÅÚºñ, Æä¸£½Ã¾ÆÀÇ ½ÃÀå¿¡¼­(In a persian market), °üÇö¾Ç°î
  3674. ÄÚ´©½º, ¹ÙÀ̿ø°ÇùÁÖ°î, e Jules Conus(1869-1942 Russian)
  3675. ÄÚ´ÙÀÌ, °¥¶õŸ ¹«°î(Dances of Galanta), GalantaiÁö¹æÀÇ ¹Î¿ä ¹× Áý½ÃÀ½¾ÇÀ» ¹ÙÅÁÀ¸·Î ÀÛ°î, °Ý·ÄÇÏ°Ô 3¹ø °¡¶ôÀÌ ¹Ù²ñ, Zoltan Kodaly(1882-1967 Hungarian)
  3676. ÄÚ´ÙÀÌ, °üÇö¾ÇÀ» À§ÇÑ ÇùÁÖ°î, 16m
  3677. ÄÚ´ÙÀÌ, ¸¶·Î½ºÃ¼Å© ¹«°î(Dances of Marosszek), °üÇö¾Ç°î
  3678. ÄÚ´ÙÀÌ, »êÁßÀÇ ¹ã, ¿©¼ºÇÕâ°î, »êÀÇ ½ÅºñÇÔÀ» ¹¦»ç, À̸¦ À§ÇØ °¡»ç ¾øÀÌ ¸ñ¼Ò¸®·Î¸¸ ºÎ¸§
  3679. ÄÚ´ÙÀÌ, ¾Æ´ÙÁö¿À, * Vc & Pf, 8m
  3680. ÄÚ´ÙÀÌ, ¿©¸§³¯ÀÇ Àú³á(Summer Evening), 16m#, °üÇö¾Ç°î, Orpheus Chamber Orchestra
  3681. ÄÚ´ÙÀÌ, ÿ·Î¼Ò³ªÅ¸, Op.8, 34m, Natalie Clein(vc)
  3682. ÄÚ´ÙÀÌ, ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ Adagio
  3683. ÄÚ´ÙÀÌ, Çϸ® ¾ß³ë½º ¸ðÀ½°î(Hary Janos Suite), °üÇö¾ÇÁ¶°î, 24m, 6°î, ÀüÁÖ°î, ºñ¿£³ªÀÇ À½¾Ç½Ã°è, ³óÃÌÀÇ Àú³á, ³ªÆú·¹¿ÂÀÇ ÀüÀï°ú ÆÐ¹è, °£ÁÖ°î, ȲÁ¦¿Í ½ÅÇÏÀÇ µîÀå, Çϸ®¾ß³ë½º> Àü¼³ÀûÀÎ ¹ÎÁ·ÀÇ ¿µ¿õ, $ Chicago Symphony Orchestra/Neeme Jarvi
  3684. ÄÚ´ÙÀÌ, Çë°¡¸® ¹Î¿ä ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, "°øÀÛ»õ", 24m
  3685. ÄÚ·¹Æ®(¸¶ÀÌŬ), 6°³ÀÇ Ã¿·Î¼Ò³ªÅ¸, Op.20 * Michel Corrette(1707-1795 French(org))
  3686. ÄÚ·¼¸®, ±³È¸ÇùÁÖ°î 3(Concerto da chiesa), c, 11m, * Arcangelo Corelli(1653-1713 Italian &Vn)
  3687. ÄÚ·¼¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, D, Op.5-1, 11m$
  3688. ÄÚ·¼¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, F, Op.5-4, 10m, The Avison Ensemble
  3689. ÄÚ·¼¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, A, Op.5-9 (2M > C86)
  3690. ÄÚ·¼¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, d, Op.5-12, "¶ó Æú¸®¾Æ(La Folia)"; 16-17c À¯ÇàÇÑ ÀþÀºÀ̵éÀÇ ½Ã²ô·¯¿î À½¾ÇÀ» ¸»ÇÔ(folia; noisy carnival dance of Portuguese origin), >Itzhak Perlman/Samuel Sanders(Pf)
  3691. ÄÚ·¼¸®, ¿Àº¸ÇùÁÖ°î, 9m
  3692. ÄÚ·¼¸®, Æ®¸®¿À¼Ò³ªÅ¸(2´ëÀÇ ¹ÙÀ̿ø°°ú ¿À¸£°µÀ» À§ÇÑ), D, Op.3-2, Op.3:12°³ÀÇ Æ®¸®¿À¼Ò³ªÅ¸
  3693. ÄÚ·¼¸®, Æ®¸®¿À¼Ò³ªÅ¸(2´ëÀÇ ¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), G, Op.3-6
  3694. ÄÚ·¼¸®, ÇÃ·çÆ®¼Ò³ªÅ¸, 9m
  3695. ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 1(Concerto grosso), D, Op.6-1, 11m, Philharmonia Baroque Orchestra/Nicholas McGegan
  3696. ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 6, F, Op.6-6, 12 Op.6, ÇÕÁÖÇùÁÖ°îÀº ¹Ù·ÎÅ©½Ã´ë¿¡ ½ÉÆ÷´Ï ¿ªÇÒÀ» ÇÑ Çö¾Ç±âÀÇ ÇÕÁÖ°îÀÌ´Ù
  3697. ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 7, D, Op.6-7
  3698. ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 8, g, Op.6-8
  3699. ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 9, F, Op.6-9, 8m, Philharmonia Baroque Orchestra/Nicholas McGegan
  3700. ÄÚ¸£³Ú¸®¿ì½º, ¿ì¸® ¾Æ¹öÁö(Çϳª´Ô)(Vaterunser), Op.2, °¡°îÁý, Áֱ⵵¹®À» °¡»ç·Î »ç¿ë, 25m, * Peter Cornelius(1783-1867) 1)Vater unser, der du bist im Himmel 2)Geheiliget werde dein Name 3)Zu uns komme dein Reich 4)Dein Wille geschehe 5)Unser taeglich Brot gib uns heute 6)Vergib uns unsere Schuld 7)Also auch wir vergeben unseren Schuldigen 8)Fuehre uns nicht in Versuchung 9)Erloese uns vom Uebel
  3701. ÄÚ¸¥°ñÆ®, 6°³ÀÇ °£´ÜÇÑ ³ë·¡Áý(Op.9) /(OP.9-4) "ÀÛÀº ¿¬¾ÖÆíÁö(Liebesbriefchen)"
  3702. ÄÚ¸¥°ñÆ®, ±³Çâ°î, F#, Op.40, 51m# * Erich Wolfgang Korngold(1897-1957 American:born in Austria)
  3703. ÄÚ¸¥°ñÆ®, ¹ÙÀ̿ø°ÇùÁÖ°î, D, Op.35, 26m
  3704. ÄÚ¸¥°ñÆ®, ¹ß·¹ <´«»ç¶÷>; ÀüÁÖ°î°ú ¼¼·¹³ªµ¥(The Snowman: Prelude and Serenade), Daniel Hope(vn),Royal Stockholm Philharmonic/Alexander Shelley
  3705. ÄÚ¸¥°ñÆ®, ½ÅÆ÷´Ï¿¡Å¸(Sinfonietta), B, Op.5, 44m, # Dallas Symphony Orchestra/Andrew Litton
  3706. ÄÚ·¹Æ®, ÄÜü¸£Åä ÄÚ¹Í(Concerto comique) No.25, "Les Sauvages et la Furstemberg" * Michel Corrette(1707-1795, French organist, composer)
  3707. ÄÚ¸®¾Æ,Ä¢, ½ºÆäÀÎ, °üÇö¾Ç°î, * Chick Corea(1941- American)
  3708. ÄÚ¸±¸®¾Æ³ë, ÇÃ·çÆ®¿Í Çö¾Ç ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ Ç×ÇØ(Voyage for Flute and String Orchestra), Paul Edmund-Davies(fl),I Fiamminghi/Rudolf Werthen, * John Corigliano(1938- American)
  3709. ÄÚ½ºÅ¸, ¼º¾Ç°î "5¿ùÀ̾ú³×(Era de maggio)", * Mario Pasquale Costa(1858-1933 Italian)
  3710. ÄÚ½ºÆ®, ·Ðµµ, Op.43-2, ±âŸ°î, ±âŸÀ½¾ÇÀÇ ¼­Á¤½ÃÀÎ
  3711. ÄÚÁ©·çÈå,·¹¿ÀÆúÆ®, ±³Çâ°î 10, A, "A la Francese", 26m n2 * Leopold Kozeluch(1747-1818 Czech)
  3712. ÄÚÁ©·çÈå,¾ÈÅä´Ñ, ¿Àº¸¿¡ÇùÁÖ°î, F, 21m, Albrecht Mayer(ob),Potsdam Chamber Orchestra/Albrecht Mayer, * Jan Antonin Kozeluh(1738-1814 Bohemian, or Johann Antonin Kozeluch)
  3713. ÄÚÁ©·çÈå,¾ÈÅä´Ñ, ÇǾƳëÇùÁÖ°î, D, 28m, Karl-Andreas Kolly(pf)/Zurich Chamber Orchestra/Paul Goodwin
  3714. ÄÚÁ©·çÈå,·¹¿ÀÆúÆ®, Çö¾Ç4ÁßÁÖ°î, C, Op.33-1, 22m, Stamic Quartet
  3715. ÄÚÁ,¿äÁ¦ÇÁ, °í¿±(Les Feuilles Mortes), 5m, Alison Balsom(trumpet), * KOSMA, Joseph (1905~ Hungarian)
  3716. ÄÚÃ÷,¿¡¸¯, ¼¼ ¸íÀÇ ¿¤¸®ÀÚºª(The Three Elizabeths), °üÇö¾Ç°î, 20m#, London Pops Orchestra/Frederick Fennell, * Eric Coates(1886-1957 American)
  3717. ÄÚÅ©, Concertino Pastorale, Op.35, 14m, * Erland von Koch(1910-2009 Swedish)
  3718. ÄÚÇ÷£µå, °íÇâÆíÁö(Letter From Home), °üÇö¾Ç°î
  3719. ÄÚÇ÷£µå, ±³Çâ°î 1(¿À¸£°£°ú °üÇö¾ÇÀ» À§ÇÑ), 24m
  3720. ÄÚÇ÷£µå, ±³Çâ°î 3, 4M > º¸Åë »ç¶÷À» À§ÇÑ ÆÎÆÄ¸£
  3721. ÄÚÇ÷£µå, ±ØÀåÀ» À§ÇÑ À½¾Ç(Music for the Theatre), °üÇö¾Ç°î, 22m
  3722. ÄÚÇ÷£µå, ·Îµ¥¿À ¸ðÀ½°î(Four Dance Episodes from Rodeo):¹ß·¹ ¸ðÀ½°î, 4°î ±¸¼º, 1) Ä«¿ìº¸ÀÌÀÇ ÈÞÀÏ, 2) ¸¶±Â°£ÀÇ ¾ß»ó°î, 3) Saturday Night ¿ÐÃ÷, 4) È£¿ì´Ù¿î, ·Îµð¿À> Ä«¿ìº¸ÀÌÀÇ ¸¶¼ú°æ±â
  3723. ÄÚÇ÷£µå, ¸µÄÁ ÃÊ»óÈ­(Lincoln Portrait)
  3724. ÄÚÇ÷£µå, ¹Ì±¹ÀÇ ¿¾ ³ë·¡Áý(Old American Songs), set 1;
      • 1) "The Boatmen¡¯s Dance"
      • 2) "The Dodger"
      • 3) "Long time ago"
      • 4) "Simple gifts"
      • 5) "I Bought Me a Cat", # bass.Samuel Ramey
  3725. ÄÚÇ÷£µå, ¹Ì±¹ÀÇ ¿¾ ³ë·¡Áý(Old American Songs), set 2;
      • 1) "The Little Horses"
      • 2) "Zion¡¯s Walls"
      • 3) "The Golden Willow Tree"
      • 4) "At the River"
      • 5) "Ching-A-Ring Chaw"
  3726. ÄÚÇ÷£µå, ºÓÀº Á¶¶û¸»
  3727. ÄÚÇ÷£µå, ºô¸® ´õ ۵å(Billy the Kid), ¹«¿ë ¸ðÀ½°î, 20m, $ New York Philharmonic/Leonard Bernstein
  3728. ÄÚÇ÷£µå, »ì·Õ ¸ß½ÃÄÚ(El Salon Mexico), °üÇö¾Ç°î, ¸ß½ÃÄÚ ¹Î¼Ódz
  3729. ÄÚÇ÷£µå, ¼º¾Ç°î "Long time ago", Æí°î(¹Ì±¹ÀÇ ¿¾³ë·¡), bar.Thomas Hampson
  3730. ÄÚÇ÷£µå, ¿µÈ­¸¦ À§ÇÑ À½¾Ç(Music for Movies)s, °üÇö¾Ç°î, 17m#
  3731. ÄÚÇ÷£µå, ¾ÆÆÈ¶óÄ¡¾ÆÀÇ º½(Appalachian Spring), °üÇö¾Ç ¸ðÀ½°î, 8ºÎ±¸¼º
  3732. ÄÚÇ÷£µå, ¿ì¸® µ¿³×(Our Town), 9m
  3733. ÄÚÇ÷£µå, Á¶¿ëÇÑ µµ½Ã(Quiet City for Trumpet, Horn and String Orchestra), °üÇö¾Ç°î, 10m, Paula Engerer(english horn)/Scott Moore(trumpet)/Nashville Chamber Orchestra/Paul Gambill
  3734. ÄÚÇ÷£µå, Äí¹Ù ¹«°î(Danzon Cubano)
  3735. ÄÚÇ÷£µå, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸,
  3736. ÄÚÇ÷£µå, Ŭ¶ó¸®³ÝÇùÁÖ°î, 17m #, David Shifrin, clarinet/New York Chamber Symphony/Gerard Schwarz
  3737. ÄÚÇî,·¹³Êµå, ¼º¾Ç°î "ÇÒ·¼·ç¾ß(Hallelujah)", * Leonard Cohen(1934- Canadian Singer)
  3738. ÄÝ·¯¸®Áî-Å×ÀÏ·¯,»ç¹«¿¤, Deep River, 6m, William Chapman Nyaho(pf)
  3739. ÄÝ·¯¸®Áî-Å×ÀÏ·¯,»ç¹«¿¤, Symphonic Variations on an African Air, Op.63 * Samuel Coleridge-Taylor(1875-1912 English); African Mahler¶ó ºÒ¸± Á¤µµÀÇ ¸í¼º
  3740. ÄÝ·Òºñ¿¡, ¹Ì¼Ð, ¿¥¸¶´©¿¤(Emmanuel), # Branford Marsalis(Sax),English Chamber Orchestra/Andrew Litton, # Chris Botti(Trp),Lucia Micarelli(Vn), * Michel Colombier(1939-2004 French)
  3741. ÄíÀÌ(¼¼ÀÚ¸£), ¸ðÀ½°î 2, E, Op.38, * Cesar Cui(1835-1918 Russian)
  3742. ÄíÀÌ(¼¼ÀÚ¸£), ¸ðÀ½°î 4(Pieces caracteristiques), "A Argenteau", Op.40; 9°î: 6) Causerie(Etude)$, # Bratislava Radio Symphony Orchestra/Robert Stankovsky
  3743. ÄíÀÌ(¼¼ÀÚ¸£), ÀüÁÖ°î(25°³ÀÇ), Op.64, Pf; Ab:No.17
  3744. ÄíÇÁ·©, ±ÃÁ¤¿¬ÁÖ°î 2(Concerts royaux), D, 14m, * Francois Couperin(1668~1733 French Baroque), Francois Couperin "Le Grand"¶ó°íµµ ÇÔ
  3745. ÄíÇÁ·©, ±ÃÁ¤¿¬ÁÖ°î 3(Concerts royaux), A, 18m $, Le Concert des Nations/Jordi Savall
  3746. ÄíÇÁ·©, ±ÃÁ¤¿¬ÁÖ°î 4(Concerts royaux), e
  3747. ÄíÇÁ·©, »õ·Î¿î ¿¬ÁÖȸ ¸ðÀ½°î 9(Nouveaux Concerts), E, "Ritratto dell'Am ore(A Portrait of Love)"
  3748. ÄíÇÁ·©, ¿©·¯ ³ª¶ó »ç¶÷µé 3: "½Å¼º·Î¸¶Á¦±¹ÀÎ"(Les nations: L'imperiale)
  3749. ÄíÇÁ·©, ¿À¸£°µ ¹Ì»ç¸ðÀ½°î, - Chromhorne sur la Taille(5), Scott Ross(Org)
  3750. ÄíÇÁ·©, Dix-huitieme ordre, Pf, 22m, # Angela Hewitt(pf)
  3751. Äð¶ó¿ì, ¼Ò³ªÆ¼³ª, C, Op.20-1, Mordecai Shehori(pf), * Friedrich Kuhlau(1786-1832 German-born Danish)
  3752. Äð¶ó¿ì, ¼Ò³ªÆ¼³ª, Op.55-1, 2MÀ¸·Î ±¸¼º
  3753. Äð¶ó¿ì, "¿¤¸®»ç(Elisa)" ¼­°î, Op.29, 11m, Danish National Radio Symphony Orchestra/Michael Schonwandt
  3754. Äð¶ó¿ì, "¿äÁ¤ÀÇ ¾ð´ö(Elf Hill)" ¼­°î, Op.100, 11m, Danish National Radio Symphony Orchestra/John Frandsen
  3755. Äð¶ó¿ì, "Àª¸®¾ö ¼¼ÀͽºÇǾî" ¼­°î, Op.74, # Danish National Radio Symphony Orchestra/Michael Schonwandt
  3756. ÄþÅÍ,·ÎÀú, Áö±Ý ½ÉÈ«»ö ²ÉÀÙÀÌ ÀáÀÚ°í ÀÖ´Ù(Now Sleeps the Crimson Petal), Op.3-2, Stephen Hough(pf), * Roger Quilter(1877-1953 English)
  3757. Å©³×ũƮ, Grande Symphonie: Musical Portrait of Nature, * Justin Heinrich Knecht(1752-1817 German)
  3758. Å©¶ó¿ì½º, 3ÁßÁÖ°î, D, (Vn,Pf,Vc), 21m, * Joseph Martin Kraus(1756-1792 German) ¸ðÂ¥¸£Æ® ½Ã´ëÀÇ ÀÛ°î°¡·Î ´ç½Ã ±¹Á¦Àû °¨°¢À» °¡Áö°í ÀÛ°î
  3759. Å©¶ó¿ì½º, ±³Çâ°î, F, VB.130, 15m, # Swedish Chamber Orchestra/Petter Sundkvist
  3760. Å©¶ó¿ì½º, ±³Çâ°î, C, VB.138, "¹ÙÀ̿ø° ¿Àºí¸®°¡ÄÚ(Violin Obligato),13m
  3761. Å©¶ó¿ì½º, ±³Çâ°î, c#, VB.140, 20m
  3762. Å©¶ó¿ì½º, ±³Çâ°î, c, VB.142, "ºó ±³Çâ°î(Wiener Sinfonie), 22m
  3763. Å©¶ó¿ì½º, ±³Çâ°î, Eb, VB.144, 20m
  3764. Å©¶ó¿ì½º, ±³Çâ°î, F, VB.145, 21m, Swedish Chamber Orchestra/Petter Sundkvist
  3765. Å©¶ó¿ì½º, ±³Çâ°î, c, VB.148, "Àå¼Û ±³Çâ°î(Symphony funebre), 22m
  3766. Å©¶ó¿ì½º, ·Ðµµ, F, (Pf), 9m
  3767. Å©¶ó¿ì½º, ºñ¿Ã¶ó, ÿ·Î ±×¸®°í °üÇö¾ÇÀ» À§ÇÑ ÇùÁÖ°î, G, VB.153a, 23m
  3768. Å©¶ó¿ì½º, ºñ¿Ã¶óÇùÁÖ°î, C, VB.153b, 17m, David Aaron Carpenter(va)/Tapiola Sinfonietta
  3769. Å©¶ó¿ì½º, ºñ¿Ã¶óÇùÁÖ°î, Eb, VB.153c
  3770. Å©¶ó¿ì½º, ½ÅÆ÷´Ï¾Æ(Sinfonia), c#, 20m
  3771. Å©¶ó¿ì½º, ½ÅÆ÷´Ï¾Æ ºÎÆÄ(Sinfonia Buffa), F, VB.129, 16m##, {# Swedish Chamber Orchestra/Petter Sundkvist}
  3772. Å©¶ó¿ì½º, ÇǾƳë¼Ò³ªÅ¸, E, 32m
  3773. Å©¶ó¿ì½º, The Birthday of King Gustav III: Overture, 9m, Helsinki Baroque Orchestra/Aapo Hakkinen
  3774. Å©¶óÀ̽½·¯, ·¹Ä¡Å¸Æ¼ºê¿Í ½ºÄɸ£ÃÊ-Ä«ÇÁ¸®½º(Recitative and Scherzo-caprice), Op.6, Henryk Szeryng(vn)
  3775. Å©¶óÀ̽½·¯, ¸ðÂ¥¸£Æ®ÀÇ ·Ðµµ, ¸ðÂ¥¸£Æ® °îÀ» Æí°î
  3776. Å©¶óÀ̽½·¯, ¹ÙÀ̿ø°ÇùÁÖ°î, C, ÀÛǰ¼º°Ý»ó ºñ¹ßµðÀÇ ÀÛǰÀ¸·Î »ý°¢µÇ´Â ÀÛǰÀÌ´Ù
  3777. Å©¶óÀ̽½·¯, º£Å亥 ÁÖÁ¦¿¡ ÀÇÇÑ ·Ðµð³ë(Rondino), Vn°î
  3778. Å©¶óÀ̽½·¯, º¸Äɸ®´Ï ÁÖÁ¦¿¡ ÀÇÇÑ ·Ðµð³ë, Vn(Pf), 3m
  3779. Å©¶óÀ̽½·¯, ºñ¿£³ª ±¤½Ã°î(Caprice viennois), Henryk Szeryng(vn)
  3780. Å©¶óÀ̽½·¯, ºó dzÀÇ ¼ÒÇàÁø°î, Vn & Pf
  3781. Å©¶óÀ̽½·¯, »ç¶ûÀÇ ±â»Ý(Liebesfreud), Henryk Szeryng(vn)
  3782. Å©¶óÀ̽½·¯, »ç¶ûÀÇ ½½ÇÄ(Liebesleid), Henryk Szeryng(vn)
  3783. Å©¶óÀ̽½·¯, ¼­ÁÖ ÁÖÁ¦¿Í º¯ÁÖ(Ŭ¶ó¸®³ÝÀ» À§ÇÑ Swedish Air¿¡ ÀÇÇÑ)
  3784. Å©¶óÀ̽½·¯, ¼º¾Ç°î "The Old Refrain", $ ten.Placido Domingo/Itzhak Perlman(vn)
  3785. Å©¶óÀ̽½·¯, ¾Æ¸§´Ù¿î ·ÎÁ¸°(Schoen Rosmarin), Henryk Szeryng(vn)
  3786. Å©¶óÀ̽½·¯, ÀüÁÖ°î°ú ¾Ë·¹±×·Î(Ǫ³Ä´Ï ½ºÅ¸ÀÏÀÇ)(Praeludium and Allegro in the Style of Pugnani), ¹ÙÀ̿ø°°î, 5m#, Wanda Wilkomirska(vn)/ Antonio Barbosa(pf), Ida Haendel(violin)/Alfred Holecek
  3787. Å©¶óÀ̽½·¯, Áß±¹ÀÇ ºÏ(Tambourin Chinois), Henryk Szeryng(vn)
  3788. Å©¶óÀ̽½·¯, ÅÛÆ÷ µð ¹Ì´º¿¡Åä(Tempo di Minuetto), Henryk Szeryng(vn)
  3789. Å©¶óÀ̽½·¯, Çë°¡¸® ¹«°î(Hungarian Dance), Henryk Szeryng(vn)
  3790. Å©¶óÇÁÆ®(Antonin Kraft), ÿ·ÎÇùÁÖ°î, C, Op.4, 24m
  3791. Å©·¾½º, ÆÄ¸£Æ¼Å¸ 2, Bb, 28m * Johann Ludwig Krebs(1713 - 1780)
  3792. Å©·Î¸Ó,ÇÁ¶õÃ÷, ±³Çâ°î 2, D, Op.40, 28m * Franz Krommer(1759-1831 Czech)
  3793. Å©·Î¸Ó,ÇÁ¶õÃ÷, ±³Çâ°î 4, c, Op.102, 29m, $ London Mozart Players/Matthias Bamert
  3794. Å©·Î¸Ó,ÇÁ¶õÃ÷, Ŭ¶ó¸®³Ý4ÁßÁÖ°î, Bb, Op.83
  3795. Å©·Î¸Ó,ÇÁ¶õÃ÷, Ŭ¶ó¸®³Ý(2´ëÀÇ)À» À§ÇÑ ÇùÁÖ°î, Eb, Op.91, 23m, $
  3796. Å©·Î¸Ó,ÇÁ¶õÃ÷, ÇÃ·çÆ®5ÁßÁÖ°î, Eb, Op.66
  3797. Å©·ÎÀÌó, ÇÃ·çÆ®,ºñ¿Ã¶ó,±âŸ¸¦ À§ÇÑ 3ÁßÁÖ, Op.16, * Conradin Kreutzer(1780-1849 German)
  3798. Å©·ÒȦÃ÷,Àå ¹äÆ¼½ºÆ®, ÇÏÇÁÇùÁÖ°î, Bb, Op.5-7, Xavier de Maistre(hrp)/Les Arts Florissants/William Christie, * Jean-Baptiste Krumpholtz(1742-1790 French)
  3799. Å©·ç¼¿, Ŭ¶ó¸®³Ý4ÁßÁÖ 1, Eb, Op.2, 21m, * Bernhard Henrik Crusell(1775-1838 Swedish-Finnish & Cl)
  3800. Å©·ç¼¿, Ŭ¶ó¸®³Ý4ÁßÁÖ 2, c, Op.4, 19m#, Kari Kriikku(Cl)/Avanti String Quartet
  3801. Å©·ç¼¿, Ŭ¶ó¸®³Ý4ÁßÁÖ 3, D, Op.7, 26m, Eric Hoeprich(cl)/members of the London Haydn Quartet
  3802. Å©·çÇÁÆ®,´ÏÄݶó¿ì½º Æù, È£¸¥¼Ò³ªÅ¸, E, Hermann Baumann(Hrn)/Leonard Hokanson(Pf), * Nicolaus Freiherr von Krufft(1779-1818 German)
  3803. Å©¸®Ä¿,¿äÇÑ Çʸ³, ¼Ò³ªÅ¸ X, A, 5m, * Johann Philipp Krieger(1649-1725 German)
  3804. Å©¹ÝÃ÷,¿äÇÑ ¿ä¾ÆÈû, ÇÃ·çÆ®ÇùÁÖ°î, b, No.5 * Johann Joachim Quantz(1697-1773 German Fl &comp) 18c µ¶ÀÏÀÇ À¯¸íÇÑ flutist
  3805. Å©¹ÝÃ÷,¿äÇÑ ¿ä¾ÆÈû, ÇÃ·çÆ®ÇùÁÖ°î, C, 17m
  3806. Å©¹ÝÃ÷,¿äÇÑ ¿ä¾ÆÈû, ÇÃ·çÆ®ÇùÁÖ°î, G, 16m, # James Galway(fl)/Wurttembergisches Kammerorchester Heilbronn/Jorg Faerber
  3807. Ŭ¶ó¹Ì,¿ì³ë, ¼­°î, °üÇö¾Ç°î * Uuno (Kalervo) Klami(1900-1961 Finnish)
  3808. Ŭ¶ó¹Ì,¿ì³ë, ¹Ù´Ù dz°æ(Sea Pictures), °üÇö¾Ç°î, 24m, $ Iceland Symphony Orchestra/Petri Sakari
  3809. Ŭ¶ó¹Ì,¿ì³ë, ¾È°³ ³¤ ¾ÆÄ§, Çɶõµå Á¤°æ ¹¦»ç
  3810. Ŭ¶ó¹Ì,¿ì³ë, Ä®·¹¿Ð¶ó ¸ðÀ½°î(Kalevala Suite), Op.23, $(The Spout of Spring), °üÇö¾Ç°î, 32m#, Iceland Symphony Orch./ Petri Sakari
  3811. Ŭ¶óÅ©,¸®º£Ä«, ºñ¿Ã¶ó¼Ò³ªÅ¸(/ÿ·Î), * Rebecca Clarke(1886-1979 English &Va, female)
  3812. Ŭ·¹¸àÆ®,ÇÁ¶õÃ÷, ¹ÙÀ̿ø°ÇùÁÖ°î, D, 40m, # Rachel Barton Pine(Vn),Royal Philharmonic Orchestra/Jose Serebrier, * Franz Clement(1780-1842 Austrian Vn)
  3813. Ŭ·¹¸àƼ, ±³Çâ°î 1, C, WoO.32, 26m, Rome Symphony Orchestra/Francesco La Vecchia,
  3814. Ŭ·¹¸àƼ, ±³Çâ°î 2, D, WoO.33 * Muzio Clementi(1752-1832 Italian-born English)
  3815. Ŭ·¹¸àƼ, ±³Çâ°î 4, D, 26m
  3816. Ŭ·¹¸àƼ, ¼­°î, D, 8m
  3817. Ŭ·¹¸àƼ, ÇǾƳë2ÁßÁÖ°î(Duet for piano, 4 hands), F, Op.14-2
  3818. Ŭ·¹¸àƼ, ÇǾƳë¼Ò³ªÅ¸, Op.24-2, ÀÌ °îÀÇ ÁÖÁ¦¸¦ ¸ðÂ¥¸£Æ®´Â ¸¶Àû¿¡¼­ ÀÌ¿ë * Muzio Clementi(1752 - 1832)
  3819. Ŭ·¹¸àƼ, ÇǾƳë¼Ò³ªÅ¸, g, Op.34-2, 22m
  3820. Ŭ·À°Ö, ¸ðÀ½°î(2´ëÀÇ Ã¿·Î¸¦ À§ÇÑ), d, Op.22 * Julius Klengel(1859-1933) µ¶ÀÏ Ã¿¸®½ºÆ® °â ÀÛ°î°¡
  3821. Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¹ÙÀ̿ø°À» À§ÇÑ Äܼ­Æ® ¸ðÀ½°î(Concert Suite for Violin), a, Op.28, 45m, Ilya Kaler(vn)/Russian Philharmonic Orchestra/Thomas Sanderling
  3822. Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¼­°î, d, 14m * Sergei Taneyev(1856-1915 Russian), * Sergei Taneyev(1856-1915 Russian)
  3823. Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¼º¾Ç°î "Evening and Prayer"
  3824. Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¾Æ´ÙÁö¿À, C, 6m
  3825. Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¿À·¹½ºÅ×¾ß ¼­°î(Oresteia: Overture), Op.6, 17m, ¿ÀÆä¶ó <¿À·¹½ºÅ×¾ß(Oresteia)>, Philharmonia Orchestra/Neeme Jarvi
  3826. Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¿ÀÆä¶ó <¿À·¹½ºÅ×¾ß(Oresteia)>; /¼­°î,
      • "Entr'acte: The Temple at Delphi"
  3827. Ÿ·¹°¡, ±âŸ¸¦ À§ÇÑ 3°³ÀÇ ¸¶ÁÖ¸£Ä«, Mattias Jacobsson(Gt), * Francisco Tarrega(1852-1909 Spanish)
  3828. Ÿ·¹°¡, 'º£´Ï½ºÀÇ ÃàÁ¦' ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, Gt
  3829. Ÿ·¹°¡, ¾Æ¶óºñ¾Æ ±â»ó°î(Capricho Arabe), 5m, Gt, $ Pepe Romero(gt)
  3830. Ÿ·¹°¡, ¾Æ¶÷ºê¶ó ±ÃÀüÀÇ Ãß¾ï(Recuerdos de la Alhambra)
  3831. Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°¼Ò³ªÅ¸, g, "¾Ç¸¶ÀÇ Æ®¸±(The Devil's Trill)", 15m, N2 * Giuseppe Tartini(1692-1770 Italian Baroque)
  3832. Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°°ú ÅëÁÖÀúÀ½À» À§ÇÑ ¼Ò³ªÅ¸(Sonata for Violin and Basso Continuo), b, op. 2-4, 12m, {Enrico Gatti(vn), Gaetano Nasillo(vc), Guido Morini(harpsichord)}
  3833. Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, Bb
  3834. Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, d
  3835. Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, G
  3836. Ÿ¸£Æ¼´Ï, ÇùÁÖ°î(Ŭ¶ó¸®³Ý°ú Çö¾ÇÀ» À§ÇÑ), JacobÀÌ Æí°î
  3837. ŸÄɹÌÃß, How Slow the Wind, 11m, * Toru Takemitsu(1930-1996)-ÀϺ»ÀÇ µåºß½Ã¶ó°í ÀÏÄþîÁö´Â ÀϺ»ÀÇ ÀÛ°î°¡
  3838. ŸÄɹÌÃß, ¸¶¸²¹Ù ÇùÁÖ°î, Á¤½ÄÀ¸·Î À½¾Ç±³À°À» ¹ÞÁö ¸øÇÔ, ±×ÀÇ ÀÛǰÀº ¼Ò¹ÚÇÏ°í ´ë´ãÇÑ ¸éÀÌ ÀÖ´Ù, 20m
  3839. ŸÆÄ³Ú,Æú, ¸ñ°ü5ÁßÁÖ°î, g, Paul Taffanel(1844-1908 French Fl)
  3840. Å»¸®½º, In pace in idipsum, * Thomas Tallis(1505-1585 English)
  3841. Å»¸®½º, Mass for Four Voices, 19m#3, New York Polyphony
  3842. Å»¸®¾ÆÆä¸®(Ernesto Tagliaferri), ¼º¾Ç°î "¿­Á¤"
  3843. Å׿Àµµ¶óŰ½º, ¼º¾Ç°î "±âÂ÷´Â 8½Ã¿¡ ¶°³ª³×(To Treno Fevgi Stis Okto)", * Mikis Theodorakis(1925- Greek) /Agnes Baltsa#&
  3844. Å׿Àµµ¶óŰ½º, ¿ÀÆä¶ó /"¿À¸£ÅÁ½ºÀÇ Á×À½(Death of Hortense)"
  3845. Å׿ÀÆÄ´Ïµð½º, Rainbow Body, 12m, Christopher Theofanidis(b.1967 American)
  3846. Å×ÀÏ·¯,µõ½º, Through the Looking Glass, Op.12, 31m#, Seattle Symphony/Gerard Schwarz, * Deems Taylor(1885-1966 American)
  3847. ÅÚ·¹¸¸, 5ÁßÁÖ°î(µÎ ´ëÀÇ ¹ÙÀ̿ø°, µÎ ´ëÀÇ ºñ¿Ã¶ó ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), F, TWV.44:11
  3848. ÅÚ·¹¸¸, °üÇö¾Ç ¸ðÀ½°î, Bb, * Georg Phillip Telemann(1681-1767 German Baroque)
  3849. ÅÚ·¹¸¸, °üÇö¾Ç ¸ðÀ½°î "µ·Å°È£Å×ÀÇ ºÎ¸¦·¹½ºÄÉ(Bourlesque de Quixotte)"(µ·Å°È£Å× Ç³ÀÚ ¸ðÀ½°î), G, TWV 55:G10
      • 1) ¼­°î
      • 2) µ·Å°È£Å×ÀÇ ±â»ó
      • 3) dzÂ÷°ø°Ý
      • 4) µÑ½Ã³× °øÁÖ¸¦ ÇâÇÑ »ç¶ûÀÇ Åº½Ä
      • 5) ¼ÓÀº »êÃÊ
      • 6) ·Î½Ã³­Å×ÀÇ ÁúÁÖ
      • 7) Àáµå´Â µ·Å°È£Å×
  3850. ÅÚ·¹¸¸, ¹«¹ÝÁÖ ÇÃ·çÆ® ȯ»ó°î(12°³ÀÇ)
  3851. ÅÚ·¹¸¸, ¼­°î ¸ðÀ½°î(Overture-Suite), A, TWV.55:A1
  3852. ÅÚ·¹¸¸, ¼­°î ¸ðÀ½°î(Overture-Suite), Bb, TWV.55:B10, 26m, # The English Concert/Trevor Pinnock
  3853. ÅÚ·¹¸¸, ¼­°î ¸ðÀ½°î(Overture-Suite), C, TWV.55:C6, 24m
  3854. ÅÚ·¹¸¸, ¼­°î ¸ðÀ½°î(Overture-Suite), D, TWV.55:D4, 23m, # Collegium Instrumentale Brugense/Patrick Peire
  3855. ÅÚ·¹¸¸, ¼­°î ¸ðÀ½°î(Overture-Suite), D, TWV.55:D18**, 19m
  3856. ÅÚ·¹¸¸, ¼­°î ¸ðÀ½°î(Overture-Suite), D, TWV.55:D19, 25m
  3857. ÅÚ·¹¸¸, ¼­°î ¸ðÀ½°î(Overture-Suite), e, TWV.55:E7
  3858. ÅÚ·¹¸¸, ¼­°î ¸ðÀ½°î(Overture-Suite), D, TWV.55:G10, 15m, Collegium Instrumentale Brugense/Patrick Peire
  3859. ÅÚ·¹¸¸, ¼º¾Ç°î: ¿¹·¹¹Ì¾Æ ¾Ö°¡(Lamentations of Jeremiah) 1ºÎ, 2ºÎ
  3860. ÅÚ·¹¸¸, ½ÅÆ÷´Ï¾Æ, D, TWV.44:1, "Spirituosa", 8m
  3861. ÅÚ·¹¸¸, ¿Àº¸¿Í ¹Ù¼Ò ÄÜÆ¼´º¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸, g, TWV.41:g6, "½ÄŹ À½¾Ç:III/5"
  3862. ÅÚ·¹¸¸, ¿Àº¸ÇùÁÖ°î, e, 14m
  3863. ÅÚ·¹¸¸, ¿ÀÆä¶ó <¿ÈÆÈ·¹(Omphale)>; "³ª´Â ÀÚÀ¯·Ó´Ù°í ¸»ÇÏ°í ½Í¾î¿ä(Ich sagte gern ich waere frey)"
  3864. ÅÚ·¹¸¸, Àå¼ÛĭŸŸ: ´Ù´Ï¿¤ ±×´ë ¾ÕÀ¸·Î ³ª¾Æ°¡¶ó (Funeral cantata(Trauerkantate): Du aber Daniel, gehe hin), TWV4:17, 23m#
  3865. ÅÚ·¹¸¸, Æ®·³ÆêÇùÁÖ°î, f, ºñ¹ßµð¿Í ÇÔ²² ¹Ù·ÎÅ©À½¾ÇÀÇ ´ëÇ¥ÀÚ
  3866. ÅÚ·¹¸¸, ÇÃ·çÆ®ÇùÁÖ°î(Concerto for flauto traverso), D, 16m
  3867. ÅÚ·¹¸¸, ÇùÁÖ°î, a, TWV52-a2, 9m
  3868. ÅÚ·¹¸¸, ÇùÁÖ°î(µÎ ´ëÀÇ Fl, Vn, Vc¸¦ À§ÇÑ), D
  3869. ÅÚ·¹¸¸, ÇùÁÖ°î(¸®ÄÚ´õ¿Í ºñ¿Ã¶ó ´Ù °¨¹Ù¸¦ À§ÇÑ), a
  3870. ÅÚ·¹¸¸, ÇùÁÖ°î(¼¼ ´ëÀÇ ¹ÙÀ̿ø°°ú ÇöÀ» À§ÇÑ), F, 14m,
  3871. ÅÚ·¹¸¸, ÇùÁÖ°î(¿Àº¸, Çö, ÄÜÆ¼´©¿À¸¦ À§ÇÑ), f, 8m
  3872. ÅÚ·¹¸¸, ÇùÁÖ°î(ÇÃ·çÆ®, ¹ÙÀ̿ø°, ÿ·Î, ÇöÀ» À§ÇÑ), A, 21m, # Collegium Musicum 90/Simon Standage
  3873. ÅÚ·¹¸¸, ÇùÁÖ°î(ÇÃ·çÆ®, ¹ÙÀ̿ø°, Çö, ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, TWV.52:E3
  3874. ÅÚ·¹¸¸, ÇùÁÖ°î(ÇÃ·çÆ®, ¿Àº¸ ´Ù¸ð·¹, ºñ¿Ã¶ó ´Ù¸ð·¹¸¦ À§ÇÑ:Concerto for Flute, Oboe d'Amore, Viola d'Amore, and Strings), E, TWV.53-E1, 16m
  3875. ÅÚ·¹¸¸, ÇùÁÖ°î(ÇÃ·çÆ®, Çö, ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), D
  3876. ÅÚ·¹¸¸, ÇùÁÖ°î(µÎ ´ëÀÇ È¥À» À§ÇÑ), F, TWV.52:F1
  3877. ÅÚ·¹¸¸, ȯ»ó°î(µ¶ÁÖ ¹ÙÀ̿ø°À» À§ÇÑ 12°³ÀÇ) (No.6:e 7m, No.7:D 5m, No.9:b 5m)
  3878. ÅÛÇÃÅÏ,¾Ë·º, Skye Variations, Pf, *Alec Templeton(1909-1963 Welsh)
  3879. Åä·¼¸®, ¼º¾Ç°î "´ç½Åµµ ¾Æ½Ã´Ù½ÃÇÇ(Tu lo sai)", ten.Richar Tucker, * Giuseppe Torelli(1658-1709 Vn,Va&)
  3880. Åä·¼¸®, Æ®·³ÆêÇùÁÖ°î, D
  3881. Åä·¼¸®, ÇÕÁÖÇùÁÖ°î/¹ÙÀ̿ø°À» À§ÇÑ ÇùÁÖ°î(µÎ ´ëÀÇ), Bb, Op.8-4, Op.8(12), 9m, # Catherine Weiss(vn),Simon Standage(vn),Collegium Musicum 90/Simon Standage
  3882. Åä·Î¹Ù, ±âŸ¿Í Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ °£ÁÖ°î, * Federico Moreno Torroba(1891-1982 Spanish)
  3883. Åä·Î¹Ù, ¼º¾Ç°î "½ºÆäÀΠȣŸ( Jota castellana)", ten.Placido Domingo
  3884. Åä·Î¹Ù, ½ºÆäÀÎÀÇ ¼º(Castles of Spain), 14°î ±¸¼º, Gt, 28m:
      • 1. Turegano
      • 2. Manzanares el Real
      • 3. Alcaniz
      • 4. Siguenza
      • 5. Alba de Tormes
      • 6. Torija
      • 7. Montemayor
      • 8. Olite
      • 9. Zafra
      • 10. Redaba
      • 11. Simancas
      • 12. Alcazar de Segovia
      • 13. Javier
      • 14. Calatrava
  3885. Å丶, ¿ÀÆä¶ó <¹Ì´¨>; * Ambroise Thomas(1811-1896 French)
      • "±×´ë´Â ¾Æ´Â°¡ Àú ³²ÂÊ ³ª¶ó¸¦(Connais-tu le pays?)"
      • "³ª´Â ±Ý¹ßÀÇ Æ¼Å¸´Ï¾Æ(Je suis Titania)", sop.Eva Lind
      • "¾È³ç, ¹Ì´¨(Addio, Mignon, fa core)", ten.Giuseppe di Stefano
  3886. Å丶, ¿ÀÆä¶ó <Çܸ´>;
      • "±×ÀÇ ¾îµÎ¿î Ç¥Á¤¿¡¼­(Dans son regard plus sombre)"-2:°ÅÅõ·çµå ¿ÕºñÀÇ ¾Æ¸®¿À¼Ò, ms. Denyce Graves, sop. June Anderson
      • "»ç´À³Ä Á×´À³Ä ±×°ÍÀÌ ¹®Á¦·Î´Ù(Etre ou ne pas etre)"-3:Çܸ´ÀÇ ¾Æ¸®¾Æ, bar. Thomas Hampson
      • "¼ú·Î °ÆÁ¤À» Ç®°í(O, vin, dissipe la tristesse)"-2:°Ç¹èÀÇ ³ë·¡, bar. Thomas Hampson, Ambrosian Opera Chorus
      • "¿ÀÇʸ®¾î! Çܸ´!(Ophelie!...Hamlet!)"-5:Finale, bar. Thomas Hampson, bass. Samuel Ramey, ms. Denyce Graves
      • "Ä£±¸µéÀÌ¿©, ¿©·¯ºÐÀÇ ³îÀÌ¿¡ Àúµµ ÇÔ²²... ÀÌÁ¦ ³» ³ë·¡¸¦ µé¾îº¸¼¼¿ä(A vos jeux mes amis...Et maintenant ecoutez ma chanson)"-4:¿ÀÇʸ®¾îÀÇ ±¤¶õÀÇ Àå¸é, sop. June Anderson, Ambrosian Opera Chorus
      • "žç°ú ºûÀ» ÀǽÉÇÒ Áö¶óµµ ³» »ç¶ûÀº ÀǽÉÇÏÁö ¸¶½Ã¿À(Doute de la lumiere)"-1:Çܸ´°ú ¿ÀÇʸ®¾îÀÇ 2Áßâ, sop. June Anderson, bar. Thomas Hampson
  3887. Å丶½Ã´Ï,ºó¼¾Á¶, The Good-Humored Ladies, 20m, Vincenzo Tommasini(b.1878 Italian), Cleveland Orchestra/Louis Lane
  3888. Åäºñ,ºê·¥À£, The Lincoln Tunnel Cabaret for Trombone and Orchestra, (world premiere of the orchestral version:NPO) * Bramwell Tovey(1953- British Cond)
  3889. Åä»ç,ÇíÅä, ÇǾƳ븦 À§ÇÑ 3°³ÀÇ ¼Òǰ, 1976c
  3890. Å伿¸®,¿£¸®ÄÚ, ¼¼·¹³ªµ¥(Serenade), ten.Peter Schreier, * Enrico Toselli(1883-1926 Italian &pf)
  3891. Å佺Ƽ, ¼º¾Ç°î "Chitarrata abruzzese", * Sir Paolo Tosti(1846-1916 Italian-born British)
  3892. Å佺Ƽ, ¼º¾Ç°î "4¿ù(Non t'amo piu)", ten.Giuseppe di Stefano
  3893. Å佺Ƽ, ¼º¾Ç°î "±Í¿©¿î ÀÔ¼ú(A Vucchella)", # ten.Franco Corelli # ten.Joseph Calleja
  3894. Å佺Ƽ, ¼º¾Ç°î "±âµµ(Preghiera)", $ ten.Placido Domingo
  3895. Å佺Ƽ, ¼º¾Ç°î "²Þ(Sogno)", $ bar.Renato Bruson
  3896. Å佺Ƽ, ¼º¾Ç°î "´õ ÀÌ»ó »ç¶ûÇÏÁö ¾ÊÀ¸¸®(Non t'amo piu)", # ten.Giuseppe di Stefano
  3897. Å佺Ƽ, ¼º¾Ç°î "µÎ¹øÂ° ¾ÆÄ§ÀÇ ³ë·¡(Seconda Mattinata)", Ben Heppner(Ten)
  3898. Å佺Ƽ, ¼º¾Ç°î "¸¶·¹Å°¾Æ·¹(Marechiare)", Salvatore di Giacomo ½Ã, # ten.Giuseppe di Stefano
  3899. Å佺Ƽ, ¼º¾Ç°î "¸¶Áö¸· ³ë·¡(L¡¯Ultima Canzone)", ten.Carlo Bergonzi
  3900. Å佺Ƽ, ¼º¾Ç°î "¸ÅȤ(Malia)", # ten.Andrea Bocelli, # Giuseppe di Stefano
  3901. Å佺Ƽ, ¼º¾Ç°î "ºñ¹Ð(Il Segreto)", ten. Alfredo Kraus
  3902. Å佺Ƽ, ¼º¾Ç°î "»ý°¢ÇØ(Penso)", ten.Carlo Bergonzi
  3903. Å佺Ƽ, ¼º¾Ç°î "¼¼·¹³ªµ¥(La Serenata, Serenade)", $ ten.Giuseppe di Stefano, #bar. Hermann Prey
  3904. Å佺Ƽ, ¼º¾Ç°î "½½ÇÄ"
  3905. Å佺Ƽ, ¼º¾Ç°î "¾ÆÄ§ÀÇ ³ë·¡(Mattinata)", Carlo Bergonzi(Ten)
  3906. Å佺Ƽ, ¼º¾Ç°î "¾È³ç(Addio)", ten. Afred Kraus
  3907. Å佺Ƽ, ¼º¾Ç°î "À̺°ÀÇ ³ë·¡(Chanson de L¡¯Adieu)", Edmond Haraucourt ½Ã, # Katia Ricciarelli(sop), # ten.Giuseppe di Stefano
  3908. Å佺Ƽ, ¼º¾Ç°î "ÀÌ»ó(Ideale)", ten.Giuseppe di Stefano
  3909. Å佺Ƽ, ¼º¾Ç°î "ÀÛÀº ÀÔ¼ú(A vucchella)", $ ten.Giuseppe di Stefano
  3910. Å佺Ƽ, ¼º¾Ç°î "Àå¹Ì²É Çâ±â È帣°í(Van gli effluvi le rose)", sop.Stelia Doz
  3911. Å佺Ƽ, ¼º¾Ç°î "Á×°í ½Í³×!(Vorrei morire!)", # ten.Giuseppe di Stefano
  3912. Åè½¼,¹öÁú, °­(The River: Suite) * Virgil Thomson(1896-1989 American)
  3913. Åõ¸®³ª, ȯ»óÀû Ãã°î(Danzas fantasticas), Op.22, °üÇö¾Ç°î, 15m, * Joaquin Turina(1882-1949 Spanish)
  3914. Åø¸°¹ö±×, ¹ÙÀ̿ø°ÇùÁÖ°î 1, B, Op.1, 23m, Kreeta-Maria Kentala(vn), # Sixth Floor Orchestra/Jukka Rautasalo, * Erik Tulindberg(1761-1814 Finnish)
  3915. Åõºó, ¿¡½ºÅä´Ï¾Æ Ãã ¸ðÀ½°î(Estonian Dance Suite), E, 13m n2 * Eduard Tubin(1905-1982 Estonian &cond)
  3916. Æ®¶ó¿¡´Ù,Å丶½º, ¿ÀÆä¶ó <¾Æ¸£¹Ì´Ù(Armida)>; /¼­°î, * Tommaso Traetta(1727-1779 Italian)
  3917. Æ®·¹µð½Ã, Virtuoso Alice, Pf, 13m * David Del Tredici(1937~ American)
  3918. ƼÆê,¸¶ÀÌŬ, ÄÚ·¼¸®ÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ È¯Å¸Áö¾Æ ÄÜü¸£ÅºÅ×(Fantasia Concertante on a Theme of Corelli), °üÇö¾Ç°î, 18m#, Saint Paul Chamber Orch./Christopher Hogwood, * Michael Tippett(1905-1998 English)
  3919. ƿ¼,ÇØ¸® Æù, °¡°î "Wait 'till the sun shines, Nellie"
  3920. ÆÄ°¡´Ï´Ï, 24°³ÀÇ Ä«ÇÁ¸®Ä¡¿À(µ¶ÁÖ ¹ÙÀ̿ø°À» À§ÇÑ), {Op.1-23:Eb, Op.1-24:a minor}
  3921. ÆÄ°¡´Ï´Ï, 4ÁßÁÖ°î(¹ÙÀ̿ø° ºñ¿Ã¶ó ÿ·Î ±×¸®°í ġŸ¸¦ À§ÇÑ), Op.15
  3922. ÆÄ°¡´Ï´Ï, °íµ¿ ¼Ò¸®(Il palpiti), Op.13, 11m
  3923. ÆÄ°¡´Ï´Ï, ¸ð¼¼È¯»ó°î(Fantasia on the G string; Rossini: Moses-Fantasie), ·Î½Ã´ÏÀÇ ¿ÀÆä¶ó <ÀÌÁýÆ®ÀÇ ¸ð¼¼>ÀÇ ÁÖÁ¦¸¦ G¼±¸¸À» ÀÌ¿ëÇÏ¿© º¯ÁÖ°îdzÀ¸·Î ÀÛ°î, Vn,Pf
  3924. ÆÄ°¡´Ï´Ï, ¹«±Ãµ¿(Moto perpetuo), Op.11, Vn, 4m
  3925. ÆÄ°¡´Ï´Ï, ¹Ù¸£»þ¹Ù ¼Ò³ªÅ¸(Sonata Varsavia), °üÇö¾Ç°î
  3926. ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 1, D, Op.6,¿¬ÁÖ¿¡ »ó´çÇÑ ±â±³°¡ ÇÊ¿äÇÔ, T4 $, $1) Zino Francescatti(vn)/The Philadelphia Orchestra/Eugene Ormandy
  3927. ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 2, b, Op.7, 3M:¶ó įÆÄ³Ú¶ó, 27m$, $ Ivry Gitlis(vn),Radio-Sinfonieorchester Stuttgart des SWR/Stanislaw Skrowaczewski(1972 live)
  3928. ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 3, E, 33m
  3929. ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 4, d, 35m, # Alexandre Dubach(Vn),Orchestre Philharmonique de Monte Carlo/Michel Sasson
  3930. ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 6, e, 6VC
  3931. ÆÄ°¡´Ï´Ï, <º£´Ï½ºÀÇ »çÀ°Á¦(Variations on Carnival of Venice)>; ±×¸®¿î ¾î¸Ó´Ï ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ(O mamma, mamma cara), Op.10
  3932. ÆÄ°¡´Ï´Ï, ¼º¾Ç°î "³ª ±×´ë¸¸ »ý°¢ÇØ¿ä, »ç¶ûÀÌ¿©(Io ti penso amore)", Nicole Scherzinger/David Garrett (vn)
  3933. ÆÄ°¡´Ï´Ï, "ÀÌÅä·Ï ¼³·¹´Â °¡½¿(I palpiti -°¡½¿ ¼³·¹ÀÓ):·Î½Ã´Ï ¿ÀÆä¶ó <Ÿũ·¹µð> Áß" ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, <Ÿũ·¹µð> 1¸· ¾Æ¸®¾Æ "Di Tante Palpiti" ÁÖÁ¦ ¼±À²
  3934. ÆÄ°¡´Ï´Ï, þÅä³×¸®¼Ò³ªÅ¸
  3935. ÆÄ°¡´Ï´Ï, Ä«ÇÁ¸®Ä¡¿À 5(¹«¹ÝÁÖ µ¶ÁÖ ¹ÙÀ̿ø°À» À§ÇÑ),a,Op.1-5, 2m * 24°³ÀÇ caprice
  3936. ÆÄ°¡´Ï´Ï, Ä«ÇÁ¸®Ä¡¿À 24, a, "Theme and Variations", Op.1-24
  3937. ÆÄ°¡´Ï´Ï, ĭŸºô·¹, D, Op.17
  3938. ÆÄµ¥·¹ÇÁ½ºÅ°, ¾ß»ó°î, Bb, Op.16-4, * Ignace Jan Paderewski(1860-1941 Polish Pf&Comp)
  3939. ÆÄµ¥·¹ÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î, a, Op.17, 32m
  3940. ÆÄ¶ó(ºñ¿Ã·¹Å¸), »ý¿¡ ´ëÇÑ °¨»ç(Gracias a la vida), Violeta Parra: ¿©¼º Ä¥·¹ ¹Î¼ÓÀ½¾ÇÀÇ ¼±±¸ÀÚ
  3941. ÆÄ¶ûÅ©, ±³Çâ°î 3, g, Op.36, * Louise Farrenc(1804-1875 French, F)
  3942. ÆÄ¶ûÅ©, ÇǾƳë3ÁßÁÖ(Trio for Flute/Violin, Cello and Piano), e, Op.45
  3943. ÆÄ¶ûÅ©, ÇǾƳë5ÁßÁÖ 2, E, Op.31, Linos ensemble
  3944. ÆÄ¸®¼Ò¶ì,¾Ë·¹»êµå·Î, ¼º¾Ç°î "±×´ë°¡ ³ª¸¦ »ç¶ûÇÏ°íµµ ÇѼû Áþ´Â´Ù¸é[±×´ë°¡ ³ª¸¦ »ç¶ûÇϽŴٸé](Se tu m¡¯ami)", ms.Cecilia Bartoli, * Alessandro Parisotti(1853-1913 Italina &music editor)
  3945. ÆÄ½¬,¿äÇÑ ÇÁ¸®µå¸®È÷, ¼­°î ¸ðÀ½°î(Overture Suite), G, Ob, FWV K:G15, 20m# * Johann Friedrich Fasch(1688-1758, German)
  3946. ÆÄ½¬,¿äÇÑ ÇÁ¸®µå¸®È÷, ¿Àº¸ÇùÁÖ°î, g
  3947. ÆÄ½¬,¿äÇÑ ÇÁ¸®µå¸®È÷, Æ®·³ÆêÇùÁÖ°î, D, ¹ÙÈ庸´Ù 3³â´Ê°Ô Ãâ»ýÇÑ(1688B) ÆÄ»þ´Â ºñ¹ßµð ÅÚ·¹¸¸ ¹ÙÈå¿ÍÇÔ²² ¹Ù·ÎÅ©½Ã´ë¸¦ ´ëÇ¥
  3948. ÆÄ¾ß, 4°³ÀÇ ½ºÆäÀÎ ¼Òǰ(ÇǾƳ븦 À§ÇÑ:Cuatro Piezas Espanolas for Piano), 1) Aragonesa 2) Cubana 3) Montanesa 4) Andaluza
  3949. ÆÄ¾ß, »ç¶ûÀº ¸¶¼ú»ç, ¹«¿ë ¸ðÀ½°î, 11°î±¸¼º
  3950. ÆÄ¾ß, »ï°¢¸ðÀÚ:½ÃÀå°ú ¹æ¾Ñ°£Áý ¸¶´©¶ó, ¹«¿ë ¸ðÀ½°î, 3°³ÀÇ ¹«µµ°î±¸¼º
  3951. ÆÄ¾ß, ½ºÆäÀÎ ³ë·¡[¹Î¿ä](7°³ÀÇ);
      • 1) ¹«¾îÀÎÀÇ ¿Ê°¨(El pano moruno)
      • 2) ¹«¸£½Ã¾ÆÀÇ ¼¼±Íµô¶ó(Seguidilla murciana)
      • 3) ¾Æ½ºÅõ¸®¾ÆÀÎÀÇ ³ë·¡(Asturiana)
      • 4) ȣŸ(Jota)
      • 5) ÀÚÀå°¡(Nana)
      • 6) ³ë·¡(Cancion)
      • 7) Æú·Î(Polo)
  3952. ÆÄ¾ß, ½ºÆäÀÎ Á¤¿øÀÇ ¹ã, ±³Çâ¾Çdz Àλó°î, 25m
  3953. ÆÄÀ̽ÿ¤·Î, ¼º¾Ç°î "¾Æ¸§´ä°í ¿µ¸®ÇÑ Áý½Ã ¾Æ°¡¾¾(Chi vuol la zingarella)", ms.Cecilia Bartoli, * Giovanni Paisiello(1740-1816 Italian)
  3954. ÆÄÀ̽ÿ¤·Î, ¼º¾Ç°î "Ç㹫ÇÑ ¸¶À½(Nel cor piu non mi sento)", sop. Katia Ricciarelli
  3955. ÆÄÀ̽ÿ¤·Î, ¿ÀÆä¶ó <¹°¹æ¾Ñ°£ ¾Æ°¡¾¾>;
      • "³» ¸¶À½¿¡ ´À²¸ÁöÁö ¾Ê³×(Nel cor piu non mi sento)/´õ ÀÌ»ó ¾Æ¹«°Íµµ ´À³¥ ¼ö ¾ø³×", sop.Elly Ameling
  3956. ÆÄÄÚ, ¼º¾Ç°î, "±×´ë´Â ¿µ¿øÈ÷ ³ªÀÇ °Í" * Roberto Pacco
  3957. ÆÄÇﺧ, ij³í, D, $ Stuttgart Chamber Orchestra/Karl Muenchinger, * Johann Pachelbel(1653-1706 German)
  3958. ÆÄÇﺧ, ij³í "How, where, when", (from canon in D), Cleo Laine(vocal)/James Galway(fl)
  3959. ÆÈ·¹½ºÆ®¸®³ª, ±³È² ¸¶¸£Ã¿·ç½º ¹Ì»ç(Missa Papae Marcelli), 36m, # The Tallis Scholars/Peter Philips
  3960. ÆÈ·¹½ºÆ®¸®³ª, ±¸¼¼ÁÖÀÇ ÀÚºñ·Î¿î ¾î¸Ó´Ï¿©(Alma Redemptoris Mater)
  3961. ÆÈ·¹½ºÆ®¸®³ª, ³Ñ°ÜÁö´ø ³¯ ¹ã(Dominus Jesus in qua nocte)
  3962. ÆÈ·¹½ºÆ®¸®³ª, ½ºÅ¸¹ÙÆ® ¸¶ÅÍ(Stabat Mater)
  3963. ÆÈ·¹½ºÆ®¸®³ª, ¿ì¸®´Â ´Ã»ó Á˸¦ Áþ°í(Peccantem me quotidie)
  3964. ÆÈº¸, ¼º¾Ç°î "±¸¾ÆÆÄ¸®¾Æ(Guapparia)", ten.Giuseppe di Stefano, * Rodolfo Falvo(1873-1937 Italian)
  3965. ÆÈº¸, ¼º¾Ç°î "±×³à¿¡°Ô ³» ¸» ÀüÇØÁÖ¿À(Dicitencello vuie)", ten.Roberto Alagna
  3966. ÆÐ¸®,ÈÞ¹öÆ®, Lady Radnor's Suite, 15m * Sir Charles Hubert Hastings Parry(1848-1918 English)
  3967. ÆÐ¸®,ÈÞ¹öÆ®, ¿µ±¹ ¸ðÀ½°î(An English Suite)
  3968. ÆÛ¼¿, 4¼º ¼Ò³ªÅ¸ 4(Sonata VI in Four Parts), "»þÄÜ´À(Chaconna)", Z.807, ½Ç³»¾Ç, * Henry Purcell(1659-1695 English)
  3969. ÆÛ¼¿, <¸Þ¸® 2¼¼ ¿©¿ÕÀÇ Åº½ÅÀ» À§ÇÑ ¼Û°¡>;
      • "Sound the trumpet", ct.Andreas Scholl/ct.Christophe Dumaux
      • "Strike the Viol", sop.Karina Gauvin
  3970. ÆÛ¼¿, ¹ÙÀ̿ø°(3´ëÀÇ)°ú ÅëÁÖÀúÀ½À» À§ÇÑ ÆÄ¹Ý g, Z.752
  3971. ÆÛ¼¿, ¼º¾Ç°î "Music for a While", contralto.Helen Watts
  3972. ÆÛ¼¿, ¼º¾Ç°î "The Night is Come", ct. Thomas Michael Allen/bass. Konstantin Wolff
  3973. ÆÛ¼¿, ¼º¾Ç°î "À½¾ÇÀÌ »ç¶ûÀÇ ¾ç½ÄÀ̶ó¸é(If music be the food of love)", ct.Daniel Taylor
  3974. ÆÛ¼¿, ¼º¾Ç°î "Àú³á Âù¹Ì°¡(An Evening Hymn)", ct. Daniel Taylor
  3975. ÆÛ¼¿, ¾ÆÅ׳×ÀÇ Æ¼¸ó(Timon of Athens):Curtain Tune, Z.632, °üÇö¾Ç°î
  3976. ÆÛ¼¿, ¿ÀÆä¶ó <µðµµ¿Í ¿¡³×¾Æ½º(Dido and Aeneas)>; * µðµµ¿Í Æ®·ÎÀÌÀÇ ¿ë»ç ¿¡³×¾Æ½ºÀÇ ºñ·ÃÀ» ´Ù·ë
      • "³»°¡ Èë ¼Ó¿¡ ´©¿üÀ» ¶§"
      • "µðµµÀÇ ¾Æ¸®¾Æ"
      • "ĮŸ°íÀÇ ¿©¿Õ"
  3977. ÆÛ¼¿, ¿ÀÆä¶ó <¾Æ´õ ¿Õ>; /"¾Æ¸§´Ù¿î ¼¶"
  3978. ÆÛ¼¿, ¿ÀÆä¶ó <¿äÁ¤ ¿©¿Õ(The Fairy Queen)>, Z.629; ¿øÀÛ/ÇÑ¿©¸§¹ãÀÇ ²Þ
      • "¸¸¼¼! À§´ëÇÑ ¼öÈ£½Å²²(YHail! Great Parent)", sop. Lorraine Hunt, ten. Howard Crook, ten. Mark Padmore, bass. David Wilson-Johnson
      • ~"º½(Thus the ever Grateful Spring)"
      • ~"¿©¸§(Here¡¯s the Summer)"
      • ~"°¡À»(See, See My Many Colour¡¯d Fields)"
      • ~"°Ü¿ï(Now Winter Comes Slowly)"
      • "»êµé¹Ù¶÷ÀÌ ºÒ¾î¿Í(Ye Gentle Spirits of the Air)", sop. Lorraine Hunt
      • "¿À, ¿ï°Ô ³»¹ö·Á µÎ¼¼¿ä(O Let Me Ever, Ever Weep)", sop. Lorraine Hunt
      • "ÀÚ, ÀÌÁ¦ ¸¶À»À» ¶°³ªÀÚ(Come, Let Us Leave the Town)"-1:ŸƼ¾Æ³ªÀÇ ¿äÁ¤µé, sop. Lorraine Hunt, bass. Richard Wistreich
      • "ÃãÃß°í ³ë·¡ÇÏÀÚ(Sing while we trip it)"-2:ÀÚÀå°¡, sop. Catherline Pierard, ·±´ø ½¬Ã÷ ÇÕâ´Ü
      • "They Shall Be As Happy As They`re Fair"-5:Çdz¯·¹ 3Áßâ°ú ÇÕâ, sop. Catherline Pierard, ms. Susan Bickley, bass. David Wilson-Johnson
  3979. ÆÛ¼¿, Àá½Ã µ¿¾ÈÀÇ À½¾Ç, ¾Æ¸®¾Æ
  3980. ÆÛ¼¿, Æ®·³Æê°ú ÇöÀ» À§ÇÑ ¼Ò³ªÅ¸, D, Z.850
  3981. ÆÛ¼¿, Ç®¾îÁø °í¸£µð¿ì½ºÀÇ ¸Åµì(The Gordian Knot Untied: Suite), Z.597
  3982. ÆÛÃ÷,Äɺó, Elegy for Brass, * Kevin Puts(1972-American)
  3983. ÆÞ¸µ,¿¡¸¯, ¹ÙÀ̿ø°ÇùÁÖ°î, D, 23m, # Kreeta-Maria Kentala(vn),Sixth Floor Orchestra/Jukka Rautasalo, *Erik Ferling(1733-1808 Finnish)
  3984. Æä¸£°ñ·¹Áö, °¡°î "´Ï³ª(Nina)"
  3985. Æä¸£°ñ·¹Áö, ¹ÙÀ̿ø°ÇùÁÖ°î, B, 13m  cf) Giovanni Battista Pergolesi(1710-1736)
  3986. Æä¸£°ñ·¹Áö, ¼º¾Ç°î: »ìº£ ·¹Áö³ª(Salve Regina), c, 14m, sop.Barbara Schlick/Europa Galante/Fabio Biondi
  3987. Æä¸£°ñ·¹Áö, ½½ÇÄÀÇ ¼º¸ð(Stabat Mater), 12°î ±¸¼º, 43m 1) Stabat mater dolorosa (4:19) (ºñź¿¡ Àá±ä ¾î¸Ó´Ï ¼­ °è¼Ì³× - ´«¹°ÀÇ ½ÊÀÚ°¡ °¡±îÀÌ, ¾Æµå´ÔÀÌ °Å±â ¸Å´Þ·Á °è½Ç ¶§¿¡) 2) Cuius animam gementem (3;11) (ź½ÄÇÏ´Â ¾î¸Ó´ÏÀÇ ¸¶À½, - ¾îµÎ¿öÁö°í ¾ÆÇÁ½Å ¸¶À½À» Ä®ÀÌ ¶Õ°í Áö³ª°¬³×) 3) O quam tristis et afflicta (2:43) (¿À ±×Åä·Ï °íÅëÇÏ¸ç »óó ÀÔÀº - ±× ¿©ÀÎÀº º¹µÇ½Å ºÐ, µ¶»ýÀÚÀÇ ¾î¸Ó´Ï) 4) Quae moerebat et dolebat (2;28) (±Ù½ÉÇÏ¸ç ºñź¿¡ Àá°Ü - ±×ºÐÀº ¶°¼Ì³×, ±ÍÇϽŠ¾Æµå´ÔÀÇ Ã³ÇüÀ» º¸¸é¼­) 5) Quis est homo qui non fleret (3:19) (±×¸®½ºµµÀÇ Á¸±ÍÇÑ ¾î¸Ó´ÏÀÇ - ÀÌó·³ ¾ÖÅëÇØ ÇϽÉÀ» º¸°í ÇÔ²² ¿ïÁö ¾ÊÀ» »ç¶÷ ´©±¸ ÀÖÀ¸¸®) 6) Vidit suum dulcem natum (3:37) (»ç¶ûÇÏ´Â ¾ÆµéÀ» º¸¾Ò³× - ±×°¡ ¾µ¾µÈ÷ Á׾¸ç ¿µÈ¥À» ¶°³ª º¸³»´Â µ¿¾È) 7) Eia, mater, fons amoris (2:54) (»ç¶ûÀÇ ¿øÃµ µÇ½Ã´Â ¼º¸ð¿©! - ³» ¿µÈ¥À» ¾î·ç¸¸Áö»ç ´ç½Å°ú ÇÔ²² ½½ÆÛÇÏ°Ô ÇϼҼ­) 8) Fac, ut ardeat cor meum (2:32) (¿ì¸® ÁÖ ±×¸®½ºµµÀÇ »ç¶ûÀ¸·Î - ³» °¨Á¤À» ´ç½Å²² µ¿È­½ÃŰ½Ã°í ³» ¿µÈ¥À» ¹à°í ³Ê±×·´°Ô ÇϼҼ­) 9) Sancta mater, istud agas (5:59) (°Å·èÇϽмº¸ð¿©! - ±¸¼¼ÁÖ²²¼­ ½ÊÀÚ°¡¿¡ ¸ø ¹ÚÈ÷½Å ±× »óó¸¦ ³» ¸¶À½¿¡µµ ±íÀÌ »õ°ÜÁֿɼҼ­) 10) Fac ut portem Christi mortem (3:42) (³» ¸¶Áö¸· ¼û½¬´Â ¼ø°£±îÁö - ´ç½ÅÀÇ ¾ÆµéÀÇ Á×À½À» ³» ¸ö¿¡ »õ±â°Ô ÇϼҼ­) 11) Flammis ne urar succensus (2:03) (Á¤°áÇÑ ¼º¸ð ¸¶¸®¾Æ - ÁÖÀÇ ¹«¼­¿î ½ÉÆÇ³¯¿¡ ³ª¿Í ÇÔ²² °è¼Å ³»°¡ ºÒ²É¼Ó¿¡ Ÿ¼­ Á×°ÔÇÏÁö ¸¶¿É¼Ò¼­) 12) Quando corpus morietur (4:15) (³» À°½ÅÀÇ ¼èÇÒÁö¶óµµ - ³» ¿µÈ¥Àº ÁÖÀÇ ±âÈ£·Î õ±¹¿¡¼­ ÁÖ¿Í ÇÔ²² Æí¾ÈÇÏ°Ô ÇϼҼ­)
  3988. Æä¸£°ñ·¹Áö, ¿ÀÆä¶ó <¸¶´ÔÀÌ µÈ Çϳà(La Serva Padrona)>; /"ÁÖÀδÔÀº Àú¸¦ »ý°¢ÇϽðÚÁÒ(¡®A Serpina penserete¡¯)", /"È­°¡³ª¼­(Stizzoso, mio stizzoso¡¯)"(¼¼¸£ÇdzªÀÇ ¾Æ¸®¾Æ)
  3989. Æä¸£°ñ·¹Áö, ÇùÁÖ°î, Bb
  3990. Æä¸£Æ®, ±³Çâ°î 3, ºê¸®Æ°¿¡ ´ëÇÑ Ã߸ð, ¿¡½ºÅä´Ï¾Æ ÀÛ°î°¡·Î ¿¤·¹¸£ÀÇ Á¦ÀÚ, Gothenburg Symphony Orchestra/Neeme Jarvi, * Arvo Pa"rt(1935- Estonian)
  3991. Æä¸£Æ®, ºó ¼­ÆÇ(Tabula Rasa), 26m, Lithuanian Chamber Orchestra/Saulius Sondeckis
  3992. Æä¸£Æ®, Ã߸ðÀÇ ³ë·¡, ºê¸®Æ°¿¡ ´ëÇÑ Ã߸ð
  3993. Æä¸®³ª½º,Ä«¸¦·Î½º, El Bosque Ha Echado A Andar, Äí¹Ù Å»ýÀÇ Çö´ëÀÛ°î°¡
  3994. Peixun,Chen, Ode to the Snow (from Symphony No.1), 8m
  3995. ÆäÀÎ,Á¸ ³ë¿ï½º, ±³Çâ°î 1, c, Op.23, 40m, # Ulster Orchestra/JoAnn Falletta, * John Knowles Paine(1839-1906 the first American-born composer)
  3996. ÆäÀÎ,Á¸ ³ë¿ï½º, ±³Çâ°î 2, A, Op.34, "º½³¯¿¡(In the Spring), 47m $
  3997. ÆäÀÎ,Á¸ ³ë¿ï½º, ±³Çâ½Ã "ÅÛÆä½ºÆ®", Op.31
  3998. ÆäÁ©,¿äÇÑ Å©¸®½ºÅäÇÁ, ¼Ò³ªÅ¸-½Ã¾ÆÄÚ³ª(Sonata-Ciacona), Bb, 15m, # Musica Antiqua Cologne/Reinhard Goebel, * Johann Christoph Pezel[/Petzold](1639-1694 German Vn Tr)
  3999. Æçµå¸¸,¸ôÅæ, "Christian" Wolf in Cambridge, °¨Á¤¹èÁ¦ ´Ü¼ø,°è¼Ó Á¶±×¸¸ ¼Ò¸®·Î ÀϰüÇÏ¿© ÀÛ°î, crescendo forteµîÀÌ ¾ø´Ù * Morton Feldman(1926-1987 American)
  4000. Æçµå¸¸,¸ôÅæ, ÇÕâ°ú ¾Ç±â¸¦ À§ÇÑ À½¾Ç, 3m
  4001. Æ÷±Û·¯, ±³Çâ°î, d, 19m * Georg Joseph Vogler: ¸ðÂ¥¸£Æ® ½Ã´ëÀÇ µ¶ÀÏ ÀÛ°î°¡
  4002. Æ÷·¹, ·¹Äû¿¥, Op.48;/ 1) Introit et Kyrie (ÀÔ´ç¼Û°ú ÀÚºñ¼Û), 2) Offertoire (ºÀÇå¼Û), 3) Sanctus (°Å·èÇϽôÙ), 4) Pie Jesu(ÀÚºñ·Î¿î ¿¹¼ö)$, 5) Agnus Dei(Çϳª´ÔÀÇ ¾î¸° ¾ç)$, 6) Libera Me(³ª¸¦ ±¸¿øÇϼҼ­)$, 7) In Paradisum(³«¿ø¿¡¼­)
  4003. Æ÷·¹, ·Î¸Á½º(3°³ÀÇ:3 Romance sans paroles), Op.17
  4004. Æ÷·¹, ¸ðÀ½°î Æç·¹¾Æ½º¿Í ¸á¸®Àܵå; ¹°·¹ Àã´Â ¿©ÀÎ,½ÃÄ¥¸®¾Æ ¹«°î;
  4005. Æ÷·¹, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, A, Op.13, $ Itzhak Perlman/Emanuel Ax
  4006. Æ÷·¹, ¹ß¶óµå, F#, Op.19, Pf Orch
  4007. Æ÷·¹, ºñ°¡(Elegie), c, Op.24, ÿ·Î°î, # Ludwig Hoelscher(vc)/Kurt Rapf(org)
  4008. Æ÷·¹, ¼º¾Ç°î "9¿ùÀÇ ½£", Op.85-1, ÇÁ¶û½º °¡°îÀ» ¸á·Îµð¶ó°í ÇÔ, īƥ¸Áµå(Catulle Mendes: 1842-1909)ÀÇ ½Ã¿¡ °îÀ» ºÙÀÓ
  4009. Æ÷·¹, ¼º¾Ç°î "°¡À»ÀÇ ³ë·¡(Chant d¡¯Automne)", Op.5-1
  4010. Æ÷·¹, ¼º¾Ç°î "±Ýºû ´«¹°(Pleurs d'or)"
  4011. Æ÷·¹, ¼º¾Ç°î "²ÞÀ» ²Û µÚ¿¡(Apres un reve)", Op.7-1, sop.Rene Fleming
  4012. Æ÷·¹, ¼º¾Ç°î "³ªºñ¿Í ²É(Le Papillon et la Fleur)", # sop.Joan Sutherland
  4013. Æ÷·¹, ¼º¾Ç°î "³Ú(Nell)", Op.18-1, Renee Fleming(Sop)
  4014. Æ÷·¹, ¼º¾Ç°î "´Þºû(Clair du lune)", Op.46-2, # bar.Gerard Souzay, ct.Philippe Jaroussky
  4015. Æ÷·¹, ¼º¾Ç°î "¸®µð¾Æ(Lydia)", Op.4-2, Gerard Souzay(Bar)
  4016. Æ÷·¹, ¼º¾Ç°î "¸¸µ¹¸°(Mandoline)", Op.58-1, bar.Gerard Souzay
  4017. Æ÷·¹, ¼º¾Ç°î "ºñ¹Ð(Le Secret)", # ms. Anne Sofie von Otter
  4018. Æ÷·¹, ¼º¾Ç°î "»ç¶ûÀÇ ³ë·¡(Chanson D¡¯Amour)", Op.27-1
  4019. Æ÷·¹, ¼º¾Ç°î "¿ä¶÷(Wiegenlied)", D.498, bar. Gerard Souzay
  4020. Æ÷·¹, ¼º¾Ç°î "¿ì¸®ÀÇ »ç¶ûÀº (Notre Amour)"
  4021. Æ÷·¹, ¼º¾Ç°î "À̻级(Isabel)" * ÆÄ¹Ý´À¿¡ °¡»ç¸¦ ºÙÀÓ.
  4022. Æ÷·¹, ¼º¾Ç°î "À̽ºÆÄÇÑÀÇ Àå¹Ì(Les roses d¡¯Ispahan)", Op.39-4
  4023. Æ÷·¹, ¼º¾Ç°î "Àå ¶ó½ÅÀÇ Âù°¡(Cantique de Jean Racine)", Op.11
  4024. Æ÷·¹, ¼º¾Ç°î "ÆÄ¹Ý´À(Pavane)", Op.50, ct.Brian Asawa
  4025. Æ÷·¹, ¼º¾Ç°î "Vocalise etude", sop.Elly Ameling
  4026. Æ÷·¹, ¾Æ¸§´Ù¿î ³ë·¡(La bonne chanson), ¿¬°¡°îÁý(9°î), Æú º£¸¦·»´À ½ÃÁý '¾Æ¸§´Ù¿î ³ë·¡'¿¡¼­ 9Æí ¼±Á¤ ÀÛ°î >Lied 1) Èı¤¿¡ ½ÎÀÎ ¼º³à(Une sainte en son aure'ole), 2) ³¯ÀÌ ¹à¾ÆÁö°í ÀÖ¾î(Puisque l'aube grandit), 3) ½£¼Ó¿¡ ÇÏ¾á ´ÞºûÀÌ ¾î¸®°í(La lune blanche luit dans le bois), 4) Çè³­ÇÑ ±æÀ» °ÉÀ» ¶§µµ(J'allais par des chemins perfides), 5) µÎ·Á¿ò¿¡ °¡µæÂ÷(J'ai preseque peur, en ve'rite'), 6) ³»°¡ ¶°³ª±â Àü(Avant que tu net'en ailles), 7) ¹àÀº ¿©¸§ ³¯(Donc, ce sera par un clair jour d` e'te'), 8) ±×·¸Áö ¾Ê¾Æ?(N'est-ce pas?), 9) °Ü¿ïÀº °¡°í(L'hiver a cesse')
  4027. Æ÷·¹, ¾ß»ó°î 1, Eb, Op.33-1, pf, 8m
  4028. Æ÷·¹, ¾ß»ó°î 2, B, Op.33-2, pf, 5m
  4029. Æ÷·¹, ¾ß»ó°î 3, Ab, Op.33-3, pf, 5m# Kathryn Stott(Pf)
  4030. Æ÷·¹, ¾ß»ó°î 6, Db, Op.63, Pf, 9m
  4031. Æ÷·¹, ÁÖÁ¦¿Í º¯ÁÖ(Theme and Variation), c#, Op.73, Pf
  4032. Æ÷·¹, ÿ·Î¼Ò³ªÅ¸, 2, g, Op.117
  4033. Æ÷·¹, ÇǾƳë3ÁßÁÖ°î, Op.120, 18m$, Kathyrn Stott(pf),Priya Mitchell(vn),Christian Poltera(vc)
  4034. Æ÷·¹, ÇǾƳë4ÁßÁÖ°î 1, c, Op.15, 31m#, Emanuel Ax(pf),Isaac Stern(vn),Jaime Laredo(va),Yo-Yo Ma(vc)
  4035. Æ÷·¹, ÇǾƳë4ÁßÁÖ°î 2, g, Op.45, 35m Emanuel Ax(Pf),Isaac Stern(Vn),Jaime Laredo(Va),Yo-Yo Ma
  4036. Æ÷·¹, ȯ»ó°î(ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ), Op.79
  4037. Æ÷·¹, ȯ»ó°î(ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ), G, Op.111
  4038. Æ÷¸£Æ÷¶ó, ÿ·ÎÇùÁÖ°î 1, G, * Nicola Porpora(1686-1768 Italian)
  4039. Æ÷½ºÅÍ, °¡°î, "Gentle Annie", # ten. Robert White
  4040. Æ÷½ºÅÍ, °¡°î, "Hard Times Come Again No More", # bar. Thomas Hampson
  4041. Æ÷½ºÅÍ, °¡°î, "Nelly Bly", Robert Shaw chorus
  4042. Æ÷½ºÅÍ, °¡°î, "There's a good time coming."
  4043. Æ÷½ºÅÍ, °¡°î, "°íÇâÀÇ ¿¾³ë·¡(Old folks at home - Swanee River)", ½º¿Í´Ï°­À¸·Î ¾Ë·ÁÁ® ÀÖÀ½
  4044. Æ÷½ºÅÍ, °¡°î, "±×´ë´Â ³»³ë·¡ÀÇ ¿©¿Õ(Thou Art the Queen of My Song)", Roger Wagner ÇÕâ´Ü
  4045. Æ÷½ºÅÍ, °¡°î, "±Ý¹ßÀÇ Á¦´Ï(I Dream of Jeannie with the light brown hair)", ten.Stuart Burrows, /bar.Thomas Hampson
  4046. Æ÷½ºÅÍ, °¡°î, "²Þ±æ¿¡¼­(Beautiful Dreamer)", ms.Marilyn Horne
  4047. Æ÷½ºÅÍ, °¡°î, "³» »ç¶ûÀÌ ²Þ²Ù°í ÀÖ´Â °÷À¸·Î ¿À¶ó(Come Where My Love Lies Dreaming)", ten.John McCormack
  4048. Æ÷½ºÅÍ, °¡°î, "¹êÁ¶¸¦ ¿ï·Á¶ó(Ring de Banjo)"
  4049. Æ÷½ºÅÍ, °¡°î, "»ç¶ûÇÏ´Â ÀÌ¿©, â¹®À» ¿­¾îÁÖ¿À(Open Thy Lattice, Love)", Roger Wagner ÇÕâ´Ü
  4050. Æ÷½ºÅÍ, °¡°î, "¾î·Á¿î ½ÃÀýÀº Áö³ª°¡°í"
  4051. Æ÷½ºÅÍ, °¡°î, "¿À! ¼öÀܳª(Oh! Susanna)"
  4052. Æ÷½ºÅÍ, °¡°î, "¿Ãµå ºê·¢ ÁÒ(Old Black Joe)"
  4053. Æ÷½ºÅÍ, °¡°î, "ÀßÀÚ¿ä ³»»ç¶û(Slumber My Darling)", Jan DeGaetani(Ms)
  4054. Æ÷½ºÅÍ, °¡°î, "Ä·ÇÁŸ¿î °æ¸¶(Camptown Races)"
  4055. Æ÷½ºÅÍ, °¡°î, "ÄËÅÍŰ ¿¾Áý(My Old Kentucky Home)"
  4056. Æ÷ÅÍ,ÄÝ, ¹ÂÁöÄà <Ű½º ¹Ì ÄÉÀÌÆ®>; * Cole Albert Porter(1891-1964, American)
      • "So In Love", # ms.Julia Migenes
      • "³î¶ó¿ö!(Wunderbar!)", sop.Josephine Barstow/bar.Thomas Hampson
  4057. Æ÷ÅÍ,ÄÝ, ¹ÂÁöÄà <Çæ¸®¿ìµå ĵƾ>;
      • "³¯ °¡µÎÁö ¸»¾Æ¿ä(Don¡¯t Fence Me In)",# bar.Thomas Hampson
  4058. Æ÷ÅÍ,ÄÝ, ¼º¾Ç°î "True Love", sop.Kiri Te Kanawa
  4059. Æ÷Æ÷, °¡À»²É, ÿ·Î ¼Òǰ
  4060. Æ÷Æ÷, Çë°¡¸®±¤½Ã°î, Op.68, ÿ·Î°î
  4061. ÆùŰ¿¤¸®, Elegy, 12m, # Orchestra of La Scala, Milan/Riccardo Muti
  4062. ÆùŰ¿¤¸®, ¿ÀÆä¶ó <¶ó ÁÒÄÜ´Ù(La Gioconda)>;/ÀüÁÖ°î
      • "½Ã°£ÀÇ Ãã"
      • "¸ðµç âÁ¶¹°ÀÇ ºû, ±×´ë¸¦ »ç¶ûÇÕ´Ï´Ù(L'amo come il fulgor del creato)", sop.Montserrat Caballe/ms.Shirley Verrett
      • "¿¬ÀÎÀÇ ¸ñ¼Ò¸®Àΰ¡, õ»çÀÇ ¼Ò¸®Àΰ¡?"
      • "ÀÚ»ìÀ̶ó´¢!(Suicidio!)", sop.Maria Callas
      • "Çϴðú ¹Ù´Ù(Cielo e mar)", ten.Luciano Pavarotti
  4063. Æú·¯½º,½ºÆ¼ºì, The Angels and Shepherds, * Stephen Paulus(1949-2014 American)
  4064. Æþ¼¼, ³²ºÎ ÇùÁÖ°î(Concierto del sur), 25m #, * Manuel Ponce(1882-1948 Mexican)
  4065. Æþ¼¼, ¼º¾Ç°î, "ÀÛÀº º°"
  4066. Æþ¼¼, Sonata Mexicana, (Guitar) $
  4067. Ǫ³Ä´Ï, ¼­°î 2, F, * Gaetano Pugnani(1731-1798 Italian)
  4068. Ǫ³Ä´Ï, ¼­°î 6, F
  4069. Ǫġ´Ï, Preludio Sinfonico, A, Op.1, 8m#
  4070. Ǫġ´Ï, ±¹È­, °üÇö¾Ç°î, µ¿¾çÀû Á¤¼­,7m
  4071. Ǫġ´Ï, ¼º¾Ç°î "±×´ë¿¡°Ô(A te)"
  4072. Ǫġ´Ï, ¼º¾Ç°î "³»°¡ ´ç½ÅÀÇ ÇÏ´ÃÀϰſ¹¿ä(Saro il tuo cielo)"
  4073. Ǫġ´Ï, ¼º¾Ç°î "žç°ú »ç¶û"
  4074. Ǫġ´Ï, ¿ÀÆä¶ó <³ªºñºÎÀÎ>;
      • "²ÉÀÇ ÀÌÁßâ"
      • "º¢²É°¡Áö Èçµé¾î ²ÉÀÙÀ» ±ò°í(Scuoti quella fronda di ciliebo)"
      • "¾È³ç, ²ÉÀÌ ÇÇ´Â »ç¶ûÀÇ Áý"
      • "¾î¶² °³ÀÎ ³¯(Un bel di, vedremo)"(2), sop.Mirella Freni
      • "Àú³áÀº ´Ù°¡¿À°í(Vienie la sera)..(»ç¶ûÀÇ 2Áßâ)"
      • "Çã¹Ö ÄÚ·¯½º(Humming Chorus)", Ambrosian Opera Chorus
  4075. Ǫġ´Ï, ¿ÀÆä¶ó <¶ó ·Ðµð³×(Á¦ºñ)>;
      • "µµ·¹Å¸ÀÇ ²Þ", sop.Inva Mula
  4076. Ǫġ´Ï, ¿ÀÆä¶ó <¶ó º¸¿¥>;
      • "±×´ëÀÇ Âù¼Õ(Che gelida manina)"-1¸· ¹Ì¹Ì¿Í ·Îµ¹Æ÷ÀÇ ¸¸³² Àå¸é, ten. Rolando Villazon
      • "³°Àº ¿ÜÅõÀÇ ³ë·¡"
      • "³» À̸§Àº ¹Ì¹Ì"-1¸· ¹Ì¹Ì¿Í ·Îµ¹Æ÷ÀÇ ¸¸³² Àå¸é
      • "³»°¡ °Å¸®¸¦ °ÉÀ¸¸é(Quando m¡¯en vo)", sop.Eva Marton, sop.Nino Machaidze
      • "´©±¸¼¼¿ä(Chi e la?)"-1¸· ¹Ì¹Ì¿Í ·Îµ¹Æ÷ÀÇ ¸¸³² Àå¸é, ten. Roberto Alagna(·Îµ¹Æ÷)/sop.Angela Gheorghiu(¹Ì¹Ì)
      • "¹ÂÁ¦Å¸ÀÇ ¿ÐÃ÷"
      • "ºü»ß´¥ÀÇ Àå³­°¨(Viva Parpinol!)"-2¸· ¹ÂÁ¦Å¸ÀÇ µîÀå°ú 6Áßâ, ten.Roberto Alagna(·Îµ¹Æ÷)/sop.Angela Gheorghiu(¹Ì¹Ì)/sop.Elisabetta Scano(¹«Á¦Å¸)
      • "¾È³ç, ²ÉÀÌ ÇÇ´Â »ç¶ûÀÇ ÁýÀÌ¿©"
      • "¾È³ç, ÀÌÁ¦ µ¹¾Æ°¡·Æ´Ï´Ù(Donde, lieta usci)", # sop.Angela Gheorghiu
      • "¿À, ±Í¿©¿î ¾Æ°¡¾¾"-1¸· ¹Ì¹Ì¿Í ·Îµ¹Æ÷ÀÇ ¸¸³² Àå¸é
      • "È«ÇØ¹Ù´Ù¸¦ ±×¸®´Â °ÍÀº(Questo Mar Rosso mi)"-1¸· Å©¸®½º¸¶½º À̺êÀÇ Áñ°Å¿î 4Àιæ, ten.Roberto Alagna(·Îµ¹Æ÷)/bar.Simon Keenlyside(¸¶¸£Ã¿·Î)/bar.Ildebrando D¡¯Arcaangelo (Äݸ®³×)/bar.Roberto de Candia(¼î³ª¸£)
  4077. Ǫġ´Ï, ¿ÀÆä¶ó <·¹ ºô¸®>
  4078. Ǫġ´Ï, ¿ÀÆä¶ó <¸¶³ó ·¹½ºÄÚ(Manon Lescaut)>;
      • "ºÎµå·¯¿î ·¹À̽º¿¡ ½Î¿© À־(In quelle trine morbide)", sop.Ruth Ann Swensen
      • "ÀÏÂïÀÌ º¸Áö¸øÇÑ ¹ÌÀÎ(Donna non vidi mai)"
      • "Ȧ·Î ³»¹ö·ÁÁ®¼­(Sola, perduta, abbandonata)"
  4079. Ǫġ´Ï, ¿ÀÆä¶ó <¼­ºÎÀÇ ¾Æ°¡¾¾(La Fanciulla del West)>;
      • "±×³à¿¡°Ô ¹Ï°Ô ÇØÁÖ°Ô"
  4080. Ǫġ´Ï, ¿ÀÆä¶ó <Àð´Ï ½ºÅ°Å°(Gianni Schicchi)>;
      • "ºÒ½ÖÇÑ ºÎ¿À¼Ò!(O mio babbino caro)"-ÀüÁÖ°î°ú µµÀÔºÎ, contralto. Vittoria Palombini(ġŸ)/bass.Giuseppe Modesti(½Ã¸ð³×)
      • "»¡¸® °øÁõÀÎ µ¥·Á¿À½Ã¿À!(Si corre dal notario!)"-Àð´Ï ½ºÅ°Å°ÀÇ ¾Æ¸®¿¡Å¸, bar. Renato Capecchi(Àð´Ï ½ºÅ°Å°)
      • "¿À »ç¶ûÇÏ´Â ³ªÀÇ ¾Æ¹öÁö(O mio babbino caro)", sop.Pilar Lorengar
      • "ÇÇ·»Ã¼´Â ²ÉÀÌ ÇǾ´Â ³ª¹«¿Íµµ °°±¸³ª(Firenze e come un albero fiorito)"-¸®´©Ä¡¿ÀÀÇ ¾Æ¸®¾Æ, ten. Agostino Lazzari(¸®´©Ä¡¿À)
  4081. Ǫġ´Ï, ¿ÀÆä¶ó <Å佺ī>;
      • "³ë·¡¿¡ »ì°í »ç¶û¿¡ »ì°í(Vissi d¡¯arte)"
      • "º°Àº ºû³ª°Ç¸¸(E lucevan le stele)", ten.Jose Carreras
      • "¾Æ, Àú µÎ ´«(Ah, quegli occhi!)"
      • "¿À, ºÎµå·¯¿î ¼ÕÀÌ¿©(O dolci mani)"-(3)2Áßâ, $ ten. Luciano Pavarotti/sop. Mirella Freni
      • "¿À¹¦ÇÑ Á¶È­(recondita armonia)", ten.Placido Domingo, bass/Paul Plishka
      • "Å× µ¥¿ò(Te Deum)" /½ÂÀüÃàÇϹ̻ç
  4082. Ǫġ´Ï, ¿ÀÆä¶ó <Åõ¶õµµÆ®(Turandot)>;
      • "°øÁÖ´Ô, ¾óÀ½Ã³·³ Â÷°¡¿öµµ"
      • "°øÁÖ´Â Àá ¸ø ÀÌ·ç°í"
      • "µé¾îÁÖ¼¼¿ä,¿ÕÀÚ´Ô(Signore, ascolta!)"
      • "¿ïÁö ¸»¾Æ¿ä, ·ù(Non piangere, Liu)", ten.Jose Carreras
  4083. Ǫġũ,À²¸®¿ì½º, Ç÷η»½º ÇàÁø°î(Florentine March), Op.214, °üÇö¾Ç°î, * Julius Fucik(1872-1916 Czech)
  4084. ǪƮ,¾Æ¼­, Four Character Pieces after the Rubaiyat of Omar Khayyam, Op.48, 16m
  4085. ǪƮ,¾Æ¼­, Francesca da Rimini, Op.24, 14m, # Seattle Symphony/Gerard Schwarz, * Arthur Foote(1853-1937 American Classical)
  4086. ǪƮ,¾Æ¼­, ¸ðÀ½°î, E, Op.63
  4087. ǪƮ,¾Æ¼­, ÇÃ·çÆ®¿Í Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ ¾ß»ó°î°ú ½ºÄɸ£Á¶(Nocturne and Scherzo for Flute and String Quartet), 1) Nocturne:"A Night Piece", 2) Scherzo
  4088. Ç«½º, ¼¼·¹³ªµ¥ 3(Serenade for Strings), e, Op.21 * Robert Fuchs(1847-1927 Austrian)
  4089. Ç«½º, ¼¼·¹³ªµ¥ 4(Serenade no 4 for Strings and 2 Horns), g, Op.51, 25m, # Cologne Chamber Orchestra/Christian Ludwig
  4090. Ç«½º, ¼Ò³ªÅ¸(Va), Op.86
  4091. Ç«½º, Ŭ¶ó¸®³Ý5ÁßÁÖ°î(Quintet in Eb major for Clarinet, Two Violins, Viola and Cello), Eb, Op.102, 32m
  4092. Ç«½º,¿äÇÑ ¿äÁ¦ÇÁ, ÆÄ¸£Æ¼Å¸(Partita a 3), C, "Turcaria", K.331, * Johann Joseph Fux(1660-1741 Austrian)
  4093. Ç«½º,¿äÇÑ ¿äÁ¦ÇÁ, Sonata per flauto, due violine e basso continuo, en re mineur
  4094. ÇÁ¶óÀÌ,W.H., ³ªÀ̾ư¡¶ó ½ÉÆ÷´Ï, 19c ¹Ì±¹ ÀÛ°î°¡, ÆøÆ÷¸¦ 11°³ÀÇ ÆÀÆÄ´Ï·Î Ç¥Çö, µåº¸¸£ÀÛÀÇ Ã¿·ÎÇùÁÖ°î(Op.104)¿¡ ¿µÇâ, 13m
  4095. ÇÁ¶óÀ̽º³Ê, ¼º¾Ç°î "Winter Light", /Sarah Brightman, * Zbigniew Preisner(1955- Polish film score composer)
  4096. ÇÁ¶óÀÌÁ(·Î¹öÆ®), ¼º¾Ç°î "Staty with me" * Robert Prizeman
  4097. ÇÁ¶û¼¼, ²É½Ã°è(L'horloge de flore pour oboe et piano(The Flower Clock)), 16m # Lajos Lenczes(Ob),Radio Symphony Orchestra of Stuttgart/Uri Segal, * Jean Francaix(1912-1997 French Neoclassical &Pf)
  4098. ÇÁ¶û¼ò(Auguste Franchomme), ȯ»ó°î "À̺°ÀÇ ³ë·¡"(¿¡ ÀÇÇÑ)(Fantasie sur "Le Chant d'adieus"), 8m
  4099. ÇÁ¶ûÄ긣, ¸ðÀ½°î, F
  4100. ÇÁ¶ûÅ©, ±³Çâ°î, d, ¼øÈ¯Çü½Ä, À¯ÀÏÇÑ ±³Çâ°î, 40m$, $ L'Orchestre de la Suisse Romande/Ernest Ansermet
  4101. ÇÁ¶ûÅ©, ±³ÇâÀû º¯ÁÖ°î, ÇǾƳë¿Í °üÇö¾ÇÇùÁÖ°î
  4102. ÇÁ¶ûÅ©, ¹ÙÀ̿ø°¼Ò³ªÅ¸, A, 30m, Æ÷·¹¿Í ÇÔ²² ÇÁ¶û½º ´ëÇ¥Àû ¹ÙÀ̿ø°°î, 1886³â À¯Áø ÀÌÀÚÀ̸¦ À§ÇØ ÀÛ°îµÊ, 4¾ÇÀå Rondo°¡ À¯¸í, Jacquline du Pre(vc)/Daniel Barenboim(pf)
  4103. ÇÁ¶ûÅ©, ¼º¾Ç°î "»ý¸íÀÇ ¾ç½Ä(Panis Angelicus)", bar.Haakan Hagegaard
  4104. ÇÁ¶ûÅ©, ¿À¶óÅ丮¿À <8°¡Áö Çູ>; 2) ¿ÂÀ¯ÇÑ ÀÚ´Â º¹ÀÌ ÀÖ³ª´Ï
  4105. ÇÁ¶ûÅ©, ÀúÁÖ¹ÞÀº »ç³É±º, ±³Çâ½Ã,15m
  4106. ÇÁ¶ûÅ©, ÀüÁÖ°î ÄÚ¶ö°ú Ǫ°¡, Pf, 19m
  4107. ÇÁ¶ûÅ©, ÀüÁÖ°î Ǫ°¡¿Í º¯ÁÖ°î, Op.18, Pf, 12m$, Paul Crossley(pf)
  4108. ÇÁ¶ûÅ©, ÇÁ½ÃÄÉ(Psyche), M.47, °üÇö¾Ç°î, 28m
  4109. ÇÁ¶ûÅ©, ÇǾƳë5ÁßÁÖ°î, f, 34m#, $1) Marc-Andre Hamelin(pf)/Takacs Quartet, 2) Sviatoslav Richter(pf)/Borodin Quartet
  4110. ÇÁ¶ûÅ©, ȯ»ó°î(¿À¸£°£À» À§ÇÑ), A, µ¶¸³µÈ 3ºÎ·Î ±¸¼º,1858c,17m
  4111. ÇÁ·¹½ºÄڹߵð, Il primo libro delle canzoni: Three canzonas, 9m, * Girolamo Frescobaldi(1583-1643 Ferrara:Northern Italy, late Renaissance and early Baroque)
  4112. ÇÁ·¹½ºÄڹߵð, Canzon terza, Scott Ross(org)
  4113. ÇÁ·¹½ºÄڹߵð, ÅäīŸ(Toccata), D, 5m, Antonio Janigro(vc), Eugenio Bagnoli(pf)
  4114. ÇÁ·¹Å丮¿ì½º,¹ÌÄ«¿¤, Terpsichore: Passameze; Gaillarde; Courante; Pavane de Spaigne, Robert Mealy(vn), * Michael Praetorius(1571-1621 German &org)
  4115. ÇÁ·Îº£¸£°Å, ¸ðÀ½°î 30
  4116. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, 5°³ÀÇ ¸á·Îµð(Five Melodies), Op.35b, Vn & Pf
  4117. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ±³Çâ°î 1, D, Op.25, "°íÀüÀû" * Sergei Prokofiev(1891-1953 Russian)
  4118. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ±³Çâ°î 5, Bb, Op.100, 43m, 1946³â ½ºÅ»¸°»óÀÌ ¼ö¿©µÊ, $1) Royal Concertgebouw Orchestra/Mariss Jansons, 2) Netherlands Radio Philharmonic Orchestra/James Gaffigan
  4119. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ±³Çâ°î 7, c#, Op.131, 33m, # Berlin Philharmonic Orchestra/Seiji Ozawa
  4120. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ·¯½Ã¾Æ ¼­°î(Russian Overture), C, Op.72, 13m, London Philharmonic Orchestra/Walter Weller
  4121. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ·Î¹Ì¿À¿Í ÁÙ¸®¿§ ¸ðÀ½°î 2, Op.64bis, 30m, St. Petersburg Philharmonic Orchestra:Yuri Temirkanov
  4122. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, F, Op.80
  4123. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, D, Op.94a
  4124. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ÙÀ̿ø°ÇùÁÖ°î 1, D, Op.19, 2°îÁß 1¹øÀÌ ¸¹ÀÌ ¿¬ÁÖµÊ, 22m, $ Shlomo Mintz(vn)/Chicago Symphony Orchestra/Claudio Abbad
  4125. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ÙÀ̿ø°ÇùÁÖ°î 2, g, Op.63,26m
  4126. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¼®È­,¹«¿ë°î,43m
  4127. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ß·¹ <½Åµ¥·¼¶ó ¸ðÀ½°î(Cinderella Suite)> 3, Op.109, /Adagio, Waltz, and Amoroso, Royal Scottish National Orchestra/Neeme Jarvi
  4128. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¾î¸°À̸¦ À§ÇÑ À½¾Ç(Music for Children), Op.65, 12°î; /A Summer Day, Children's Suite for Small Orchestra, Op.65b
  4129. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÿ·Î¼Ò³ªÅ¸, C, Op.119
  4130. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÿ·Î¿Í °üÇö¾ÇÀ» À§ÇÑ ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(Sinfonia concertante), e, Op.125, 38m#, # Mstislav Rostropovich(vc)/Royal Philharmonic Orchestra/Malcolm Sargent
  4131. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ŰÁ¦ÁßÀ§,°üÇö¾Ç ¸ðÀ½°î(5°î), Op.60, 1) ŰÁ¦ÀÇ Åº»ý 2) ·Î¸Á½º 3) ŰÁ¦ÀÇ °áÈ¥ 4) Æ®·ÎÀÌÄ« 5) ŰÁ¦ÀÇ Á×À½
  4132. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳë¼Ò³ªÅ¸ 6, A, Op.82, PS6,7,8:"ÀüÀï¼Ò³ªÅ¸", 26m, $Sviatoslav Richter(pf)
  4133. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳë¼Ò³ªÅ¸ 7, Bb, Op.83, 20¼¼±â¸¦ ´ëÇ¥ÇÏ´Â ÇǾƳë¼Ò³ªÅ¸·Î ¾Ë·ÁÁü. $Maurizio Pollini
  4134. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳë¼Ò³ªÅ¸ 8, Bb, Op.84, 31m
  4135. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳëÇùÁÖ°î 1, Db
  4136. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳëÇùÁÖ°î 2, g, Op.16, 30m, $$ Vladimir Ashkenazy(pf),New York Philharmonic/Leonard Bernstein
  4137. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳëÇùÁÖ°î 3, C, Op.26, 27m, # Mikhail Pletnev(pf),Russian National Orchestra/Mstislav Rostropovich, # John Browning(pf)/Boston Symphony Orchestra/Erich Leinsdorf
  4138. ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇÇÅÍ¿Í ´Á´ë,±³Çâ¾ÇÀû À̾߱â, Op.67
  4139. ÇÁ·ÎÈå,ÇÏÀθ®È÷, ¼º¾Ç°î "Das Alpenhorn", * Heinrich Proch(1809-1878 Austrian)
  4140. ÇÁ·¹À̸£, ¼º¾Ç°î "¾ÆÀÌ, ¾ÆÀÌ, ¾ÆÀÌ(Ay, Ay, Ay)"
  4141. ÇÁ¸®µå¸®È÷ ´ë¿Õ, ÇÃ·çÆ®ÇùÁÖ°î 3, C, 14m * Frederick the Great(1712-1786 Prussia)
  4142. ÇÁ¸®Ã÷,°¡½ºÆÄ¸£, ½ÅÆ÷´Ï¾Æ, F, Op.6-5 * Gaspard Fritz(1716-1783 Swiss)
  4143. ÇÁ¸®Ã÷,°¡½ºÆÄ¸£, ½ÅÆ÷´Ï¾Æ, g, Op.6-6, 14m, La Stagione Orchestra of Frankfurt/Michael Schneider
  4144. Ç÷ÎÅä, ¿ÀÆä¶ó ¸¶¸£Å¸(Martha); * Friedrich von Flotow(1812-1883 German)
      • "²Þ°ú °°ÀÌ(M¡¯appari)", ten.Luciano Pavarotti
      • "¸» Á» ¹¯°í ½ÍÀºµ¥"
  4145. Ç÷¹¿»,À̱׳ªÃ÷ ¿äÁ¦ÇÁ, ±³Çâ°î, Bb, Benton.125, 26m * Ignaz Joseph Pleyel(1757-1831 Austrian-born French)
  4146. Ç÷¹¿»,À̱׳ªÃ÷ ¿äÁ¦ÇÁ, ±³Çâ°î, G, Benton.130, 29m# Sinfonia Finlandia/Patrick Gallois
  4147. Ç÷¹¿»,À̱׳ªÃ÷ ¿äÁ¦ÇÁ Çö¾Ç4ÁßÁÖ°î 2, c, 20m
  4148. Çø®½º, ÀÚÀå°¡(Wiegenlied), sop. Irmgard Seefried, * Bernhard Flies(1770-? German;doctor of medicine)
  4149. ÇǺñÈ÷, ±³Çâ°î 1, F, Op.17, 35m*, * Zdenek Fibich(1850-1900 Czech) cf(µåº¸¸£ÀÛ, ½º¸ÞŸ³ª)
  4150. ÇǺñÈ÷, ±³Çâ°î 2, Eb, Op.38, 40m#, Czech National Symphony Orchestra/Marek Stilec
  4151. ÇǺñÈ÷, ±³Çâ°î 3, e, Op.53
  4152. ÇǺñÈ÷, º½, Op.13, °üÇö¾Ç°î
  4153. ÇǺñÈ÷, ¼º¾Ç°î "Is This Love?"
  4154. ÇǺñÈ÷, ½Ã°ñ Àλó(Impressions from the Countryside), Op.54, °üÇö¾Ç°î
  4155. ÇǺñÈ÷, ¿ÀÅÚ·Î(Othello), Op.6, °üÇö¾Ç°î, 17m
  4156. ÇǺñÈ÷, Å丸°ú ½£ÀÇ ´ÔÇÁ(Toman and the Wood Nymph), Op.49, °üÇö¾Ç°î, 12m#, Czech National Symphony Orch./Marek Stilec
  4157. ÇǺñÈ÷, ÇØÁú³è(At Twilight), Op.39, °üÇö¾Ç°î
  4158. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, Cinco Piezas para Guitarra, 4)Triston * Astor Pantaleon Piazzolla(1921-1992, Argentine Tango comp)
  4159. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ±×·£µå Åʰí(Le Grand Tango), 10m, Jan Vogler(vc) & Friends
  4160. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¶ß°Å¿î(Caliente), Die 12 Cellisten der Berliner Philharmoniker
  4161. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¸®º£¸£Åʰí(Libertango), Pf, Vc, Die 12 Cellisten der Berliner Philharmoniker
  4162. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ºÎ¿¡³ë½º¾ÆÀÌ·¹½ºÀÇ ¸¶¸®¾Æ; "³» À̸§Àº ¸¶¸®¾Æ(Yo soy maria)", ¼º¾Ç°î
  4163. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ºÎ¿¡³ë½º¾ÆÀÌ·¹½ºÀÇ »ç°è(Cuatro estaciones portenas), 21m
  4164. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, »ç¶ûÀÇ 2ÁßÁÖ(Duo de Amor), Die 12 Cellisten der Berliner Philharmoniker
  4165. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, »ó¾î(Escualo), Die 12 Cellisten der Berliner Philharmoniker
  4166. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¼º¾Ç°î "±æ ÀÒÀº »õ(Los pajaros perdidos)", /ms.Denyce Graves
  4167. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¼º¾Ç°î "¸Á°¢(Oblivion)", # bar.Erwin Schrott
  4168. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¼º¾Ç°î "ÀÚ ¾î¼­, ´Ï³ª(Vamos, Nina)"
  4169. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, "¿Ü·Î¿î, ³Ê¹«µµ ¿Ü·Î¿î(Seul tout seul)", Francois Salque(vc)/Vincent Peirani(accordion)
  4170. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ÅÁ°¡ÂÉ(Tangazo=huge tango), 15m, The New World Symphony/Michael Tilson Thomas
  4171. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ÅÊ°í ¿¬½À°î(¿Àº¸ ¼Ö·Î¸¦ À§ÇÑ), no.2:Decide, no.3:Molto marcato e energico
  4172. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ÅʰíÀÇ ¿ª»ç(L'histoire du tango); 1) Bordel 1900, 2) Cafe 1930, 3) Nightclub 1960, 4) ¿À´ÃÀÇ Äܼ­Æ®(Concert d'aujourd'hui), ±âŸ¿Í ÇÃ·çÆ®¸¦ À§ÇØ ÀÛ°î, ½Ã°£ÀÇ È帧¿¡ µû¸¥ ÅʰíÀÇ º¯ÃµÀ» ¹¦»ç, # Matthias Hoefs(trumpet)/Hamburg Philharmonic Soloists
  4173. ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, Henry IV: Tanti anna prima "Ave Maria"
  4174. ÇÇ¿¡¸£³×,°¡ºê¸®¿¤, Àü¿ø ÁÖÁ¦¿¡ ÀÇÇÑ °ídz ¼ÓÀÇ º¯ÁÖ°î(Variations in the Old Style on a Pastorale Theme), Op.30, * Gabriel Pierne(1863-1937 French)
  4175. ÇÇ¿¡¸£³×,°¡ºê¸®¿¤, ÇÁ¶õü½ºÄÚÆÄ ½ÅÀÚ¿¡ ºñÄ£ dz°æ(Paysages Franciscains), Op.43, 18m, # BBC Philharmonic Orchestra/Juanjo Mena
  4176. ÇÇþÇϰÕ,ºôÇ︧, ÿ·ÎÇùÁÖ°î 2, a, Op.4, 29m, Alban Gerhardt(vc), Deutsches Symphonie Orchester/Stefan Blunier * Fitzenhagen, Wilhelm(1848-1890 German)
  4177. ÇÇÃ÷³Ê, ±³Çâ°î, C, Op.46, 17m, Seattle Symphony/Gerard Schwarz, * Hans Pfitzner(1869-1949 German)
  4178. ÇÇÃ÷³Ê, ¿ÀÆä¶ó <ÆÈ·¹½ºÆ®¸®³ª(Palestrina)>; ÀüÁÖ°î
  4179. ÇÇÈê,¹ÙÃú¶óÇÁ, ±³Çâ°î, D, Z.16, "Diana", * Vaclav Pichl(1741-1805 Czech &Vn)
  4180. ÇÉÁö, »ýÀÏ(Dies Natalis), Op.8, ¼º¾Ç°î, 26m, Rebecca Evans(sop)/Bournemouth Symphony Orchestra/Vernon Handley
  4181. ÇÉÁö, ÀüÁÖ°î(Prelude for String Orchestra), f, Op.25 * Gerald Finzi(1901-1956 British)
  4182. ÇÉÁö, Ŭ¶ó¸®³ÝÀ» À§ÇÑ 5°³ÀÇ ¹Ù°¡ÅÚ(Five Bagatelles for Clarinet & Piano), Op.23, 1) Prelude, 2)Romance, 3) Carol, 4) Forlana, 5) Fughetta
  4183. ÇÉÁö, Seven Partsongs, Op.17, # The Finzi Singers/Paul Spicer
  4184. ÇÊ,Àö ÇÇ¿¡¸£, °¡À»ÀÇ ºû, ÆÒÆÄÀÌÇÁ °î
  4185. Çʵå,Á¸, ¾ß»ó°î 1 ~ 18, Nos. 1:Eb 2:c 3:Ab 4:A 5:Bb 6:F 7:A 8:Eb 9:Eb 10:e 11:Eb 12:E 13:c 14:C 15:D 16:C 17:C 18:F, ÃÖÃÊÀÇ ¾ß»ó°î ÀÛ°î°¡·Î À¯¸í, ¼îÆØÀÇ ¾ß»ó°î ÀÛ°î¿¡ ¿µÇâ, $ Paul Lewis(pf),Swedish Radio Symphony Orchestra/Daniel Harding, * John Field(1782- 1837 Irish &Pf)
  4186. Çʵå,Á¸, ÇǾƳë¼Ò³ªÅ¸, c, Op.1-3/H.8, 15m
  4187. Çʵå,Á¸, ÇǾƳë¼Ò³ªÅ¸, B, Op.1-4/H.17
  4188. Çʵå,Á¸, ÇǾƳëÇùÁÖ°î 2, Ab, H.31, 32m, #John O'Conor(pf),Scottish Chamber Orchestra/Sir Charles Mackerras
  4189. Çʵå,Á¸, ÇǾƳëÇùÁÖ°î 3, Eb, H.32, 32m, John O'Conor(pf)/Scottish Chamber Orchestra/Sir Charles Mackerras
  4190. Çϸ£Æ®¸¸,¿¡¹Ð, ¼¼·¹³ªµ¥(8°³ÀÇ ¸ñ°ü°ü°ú ÿ·Î, ÄÜÆ®¶ó¹Ù½º¸¦ À§ÇÑ), Bb, Op.43, 20m * Emil Hartmann(1836-1898, Danish)
  4191. Çϸ£Æ®¸¸,¿¡¹Ð, Ä«´Ï¹ß ÃàÁ¦(A Carnival Feast), Op.32, 28m, °üÇö¾Ç°î
  4192. ÇÏÀÌ´ÏÇî, ¼º¾Ç°î »ç³ÉÀÇ ³ë·¡ "¼ö¸¹Àº Áü½ÂµéÀÌ ¸ô·Á¿Â´Ù" * Johann David Heinichen(1683-1729: German Baroque composer)
  4193. ÇÏÀÌ´ÏÇî, ÇùÁÖ°î, G, S.213, Renhard Goebel(Vn)/Musica Antiqua Koeln
  4194. ÇÏÀÌ´ÏÇî, ÇùÁÖ°î(Concerto for Oboe, Violin, 2 Flutes and 2 Horns), F, S.235, 14m#, Musica Antiqua Koln/Reinhard Goebel
  4195. ÇÏÀ̵ç, ±³Çâ°î 1, D, Hob.I:1, 12m
  4196. ÇÏÀ̵ç, ±³Çâ°î 4, D, Hob.I:4,
  4197. ÇÏÀ̵ç, ±³Çâ°î 5, A, Hob.I:5, 14m, Cantilena/Adrian Shepherd
  4198. ÇÏÀ̵ç, ±³Çâ°î 6, D, Hob.I:6 "¾ÆÄ§(Le Matin)", 20m, $ The English Concert/Trevor Pinnock
  4199. ÇÏÀ̵ç, ±³Çâ°î 18, G, Hob.I:18, 14m
  4200. ÇÏÀ̵ç, ±³Çâ°î 19, Eb, 21m
  4201. ÇÏÀ̵ç, ±³Çâ°î 20, C, 14m
  4202. ÇÏÀ̵ç, ±³Çâ°î 22, Eb, "Philosopher"
  4203. ÇÏÀ̵ç, ±³Çâ°î 27, G, Hob.I:27, 14m
  4204. ÇÏÀ̵ç, ±³Çâ°î 28, A, Hob.I:28, 14m
  4205. ÇÏÀ̵ç, ±³Çâ°î 31, D, Hob.I:31, "Hornsignal", 32m#, $ Academy of Ancient Music/Christopher Hogwood, Orchestra of St. Luke's/Sir Charles Mackerras
  4206. ÇÏÀ̵ç, ±³Çâ°î 38, C, Hob.I:38
  4207. ÇÏÀ̵ç, ±³Çâ°î 41, C, 18m
  4208. ÇÏÀ̵ç, ±³Çâ°î 42, D, 28m
  4209. ÇÏÀ̵ç, ±³Çâ°î 43, Eb, "¼ö¼º(Mercury)", 24m
  4210. ÇÏÀ̵ç, ±³Çâ°î 44, e, Hob.I:44, "½½ÇÄ(Trauer/Mourning)", 24m
  4211. ÇÏÀ̵ç, ±³Çâ°î 45, f, Hob.I:45, "°íº°(Farewell)"
  4212. ÇÏÀ̵ç, ±³Çâ°î 47, G, "¹ÝÁøÇà", ¹ÝÀ½°èÀû À½°è »ç¿ë
  4213. ÇÏÀ̵ç, ±³Çâ°î 48, C, "Maria Theresia", 27m, # Orpheus Chamber Orchestra
  4214. ÇÏÀ̵ç, ±³Çâ°î 49, f, "¼ö³­(La passione)", Hob.I:49, 16m, $ Orpheus Chamber Orchestra, New York Philharmonic/Alan Gilbert, conductor
  4215. ÇÏÀ̵ç, ±³Çâ°î 51, Bb, Hob.I:51, 22m
  4216. ÇÏÀ̵ç, ±³Çâ°î 52, c, Hob.I:52, 30m
  4217. ÇÏÀ̵ç, ±³Çâ°î 55, Eb, "The Schoolmaster"
  4218. ÇÏÀ̵ç, ±³Çâ°î 57, D, 26m, Philharmonia Baroque Orchestra/ Nicholas McGegan
  4219. ÇÏÀ̵ç, ±³Çâ°î 59, A, "Fire"
  4220. ÇÏÀ̵ç, ±³Çâ°î 60, C, Hob.I:60, "¸ÛûÇÑ »ç¶÷", À¯ÀÏÇÏ°Ô 6M ±¸¼º
  4221. ÇÏÀ̵ç, ±³Çâ°î 73, D, H1:73, "La Chasse(the Hunt)", 22m
  4222. ÇÏÀ̵ç, ±³Çâ°î 82, C, "°õ(The Bear)"
  4223. ÇÏÀ̵ç, ±³Çâ°î 83, g, "¾Ïż(The Chicken)", 25m $
  4224. ÇÏÀ̵ç, ±³Çâ°î 85, Bb, "¿Õºñ", BBC Symphony Orchestra/Ernest Ansermet
  4225. ÇÏÀ̵ç, ±³Çâ°î 86, D
  4226. ÇÏÀ̵ç, ±³Çâ°î 87, A
  4227. ÇÏÀ̵ç, ±³Çâ°î 88, G, 23m
  4228. ÇÏÀ̵ç, ±³Çâ°î 90, C, 26m, Orchestra of the Eighteenth Century/Franz Brueggen
  4229. ÇÏÀ̵ç, ±³Çâ°î 91, Eb, 27m, Freiburg Baroque Orchestra/Rene Jacobs
  4230. ÇÏÀ̵ç, ±³Çâ°î 92, G, "¿Á½ºÆ÷µå"
  4231. ÇÏÀ̵ç, ±³Çâ°î 93, D, 23m#
  4232. ÇÏÀ̵ç, ±³Çâ°î 94, G, "³î¶÷", 2M¿¡¼­ À¯·¡
  4233. ÇÏÀ̵ç, ±³Çâ°î 95, c, 20m $
  4234. ÇÏÀ̵ç, ±³Çâ°î 96, D, "±âÀû"
  4235. ÇÏÀ̵ç, ±³Çâ°î 97, C, 23m
  4236. ÇÏÀ̵ç, ±³Çâ°î 98, Bb, 26m, Philharmonia Orchestra/Leonard Slatkin
  4237. ÇÏÀ̵ç, ±³Çâ°î 99, Eb, 28m, Davis/London Sym Orch
  4238. ÇÏÀ̵ç, ±³Çâ°î 100, G, "±º´ë", 2M(Allt)ÀÌ ±º´ëÇàÁø°îÀ» ¿¬»ó½ÃÅ´,20m
  4239. ÇÏÀ̵ç, ±³Çâ°î 101, D, "½Ã°è", Hob.I:101, 27m
  4240. ÇÏÀ̵ç, ±³Çâ°î 102, Bb
  4241. ÇÏÀ̵ç, ±³Çâ°î 103, Eb, "Å«ºÏ ¿¬Å¸(Drum Roll)" 3M, 28m
  4242. ÇÏÀ̵ç, ±³Çâ°î 104, D, "·±´ø", 27m#, The Academy of Ancient Music/Christopher Hogwood
  4243. ÇÏÀ̵ç, ±âŸ4ÁßÁÖ°î, E, Op.2-2,17m
  4244. ÇÏÀ̵ç, ¹Ì»ç, d, Hob.XXII:11, "³Ú½¼ ¹Ì»ç(Lord Nelson Mass)", 40m, # Monteverdi Choir,English Baroque Soloists/John Eliot Gardiner
  4245. ÇÏÀ̵ç, ·±´ø3ÁßÁÖ 1, G, Fl Ce Vn ±¸¼º
  4246. ÇÏÀ̵ç, ¹Ì´º¿§(24°³ÀÇ)(24 Minuets), Hob.IX:16: Nos.10-12
  4247. ÇÏÀ̵ç, ¹ÙÀ̿ø°ÇùÁÖ°î 1, C, Hob.VIIa:1, 18m#
  4248. ÇÏÀ̵ç, ¹ÙÀ̿ø°ÇùÁÖ°î 3, A, Hob.VIIa:3, 21m#
  4249. ÇÏÀ̵ç, ¼º¾Ç°î "She never told her love", ten.Ian Bostridge
  4250. ÇÏÀ̵ç, ¼º¾Ç°î "¸ðµç °Í¿£ ¶§°¡ ÀÖ³ª´Ï"
  4251. ÇÏÀ̵ç, ¼º¾Ç°î "»ç¶ûÀÇ ³ë·¡(Liebeslied)", Elly Ameling(sop)
  4252. ÇÏÀ̵ç, ¼º¾Ç°î "¿øÇÏ´Â »ç¶÷´õ·¯ ¸»Ç϶ó Çϼ¼¿ä"
  4253. ÇÏÀ̵ç, ¼º¾Ç°î "Ȧ·Î »ý°¢¿¡ Àá°Ü"
  4254. ÇÏÀ̵ç, ¼¼·¹³ªµ¥
  4255. ÇÏÀ̵ç, ¿À¶óÅ丮¿À <õÁöâÁ¶>; 3ºÎ ±¸¼º
      • "°ÅÄ£ µéÀÌ º¯ÇÏ¿© ÃÊ¿øÀÌ µÇ¾ú³×[½Å·ÏÀÇ ¿ÊÀ» ÀÔ°í](Nun beut die Flur das frische Gruen)"-õ»çâ °¡ºê¸®¿¤ÀÇ ¾Æ¸®¾Æ, sop.Elly Ameling
      • "±×¸®ÇÏ¿© Çϳª´Ô²²¼­ ÀÚ½ÅÀÇ Çü»ó´ë·Î(Und Gott schuf den Menschen...)", ten.Uwe Heilman
      • "¸¸¹Îµé¾Æ ¼Ò¸® ³ô¿© ÁÖ¸¦ Âù¾çÇ϶ó(Singt dem Herren alle Stimmen)"-3ºÎ ¸¶Áö¸· ÇÕâ
      • "½Å·ÏÀÇ ¿ÊÀ» ÀÔ°í(Nun beut die Flur)", sop.Elly Ameling
      • "ÀÌÁ¦ ½Å¼ºÇÑ ºû¿¡ ÀÇÇØ »ç¶óÁö°í(Nun schwanden vor dem heiligen Strahle)", ten.Werner Krenn
      • "Á¸±Í¿Í À§¾ö Áö´Ï°í"
  4256. ÇÏÀ̵ç, ¿À¸£°£ÇùÁÖ°î 1, C, ¿¬ÀÎ Å×·¹Á¦ ÄÌ·¯¿¡°Ô ÇåÁ¤
  4257. ÇÏÀ̵ç, ¿À¸£°£ÇùÁÖ°î, C,20m
  4258. ÇÏÀ̵ç, ¿ÀÆä¶ó <±â»ç ¿À¸¦¶õµµ(Orlando Paladino)>;
      • "´«±æ ÇѹøÀÌ¸é ±×°É·Î ³¡(Ad un guardo, a un cenno solo)"-¾ËÄ¡³ªÀÇ ¾Æ¸®¾Æ, Gwendolyn Killebrew(Contralto)
  4259. ÇÏÀ̵ç, ¿ÀÆä¶ó <¹«Àεµ>;
      • "´ÞÄÞÇÑ ±¤±â·Î ³ª ±â»µÇϰí ÇѼû Áþ³×(Fra un dolce deliro)", sop.Patricia Petibon
  4260. ÇÏÀ̵ç, Àü½Ã¹Ì»ç(Missa in tempore belli; Mass in Time of War), Hob.22-9, 45m
  4261. ÇÏÀ̵ç, ÿ·ÎÇùÁÖ°î 1, C, Hob.VIIb:1, 1783(51)c, 26m * Jacqueline du Pre'(cello) English Chamber Orchestra/Daniel Barenboim
  4262. ÇÏÀ̵ç, ÿ·ÎÇùÁÖ°î 2, D, Hob.VIIb:2, 27m
  4263. ÇÏÀ̵ç, ÿ·ÎÇùÁÖ°î, D, Op.101
  4264. ÇÏÀ̵ç, Æ®·³ÆêÇùÁÖ°î, Eb, Hob.7e-1,15m$ , À¯ÀÏÇÑ Æ®·³ÆêÇùÁÖ°î, $ Timofey Dokshizer(trumpet),Lion Chamber Orchestra/Fournier
  4265. ÇÏÀ̵ç, ÇǾƳ븦 À§ÇÑ ¾È´ÜÅ×¿Í º¯ÁÖ°î, f, Hob.17-6
  4266. ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 5, g, Hob.XV:1, 15m#, $ Riccardo Minasi(vn)/Maxim Emelyanychev(fortepiano)/Federico Toffano(vc)
  4267. ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 13, Bb, Hob.XV:38, 13m, Riccardo Minasi(vn)/Maxim Emelyanychev(fortepiano)/Federico Toffano(vc)
  4268. ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 39, G, Hob.XV:25, 14m, "Gypsy"
  4269. ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 43, C, Hob.XV:27, 19m#
  4270. ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 44, E, Hob.XV:28
  4271. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 3, F, Hob.XVI:9
  4272. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 10, C, Hob.XVI:1
  4273. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 15, E, Hob.XVI:13
  4274. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 19, e, Hob.XVI:47bis, 12m
  4275. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 31, Ab, Hob.XVI:46, 17m$, Emanuel Ax:Pf
  4276. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 32, g, Hob.XVI:44, 14m
  4277. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 33, c, Hob.XVI:20
  4278. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 45, A, Hob.XVI:30, 13m#, $ Evgeny Kissin(pf)
  4279. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 48, C, Hob.XVI:35, 11m
  4280. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 53, e, Hob.XVI:34, 11m $ >Alfred Brendel
  4281. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 59, Eb, Hob.XVI:49
  4282. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 60, C, Hob.XVI:50
  4283. ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 62, Eb, Hob.XVI:52, 21m
  4284. ÇÏÀ̵ç, ÇǾƳëÇùÁÖ°î 4, G, Hob.XVIII:4
  4285. ÇÏÀ̵ç, ÇǾƳëÇùÁÖ°î 11, D, Hob.XVIII:11, 20m, # Andreas Staier(fortepiano),Freiburger Barockorchester/Gottfried von der Goltz
  4286. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î, F, Op.3-5, Hob.III:17, ¼¼·¹³ªµ¥(2M È£ÇÁ½ºÅ×ÅÍ ÀÛ°î(attr. Roman Hofstetter))
  4287. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 01, Bb, Op.1-1, Hob.III:1, "»ç³É(La Chasse)", 17m
  4288. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 22, D, Op.20-4, Hob.III:34, "The Sun"
  4289. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 23, f, Op.20-5, Hob.III:35, St. Lawrence String Quartet
  4290. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 26, g, Op.20-3, Hob.III:33, 26m, Daedalus Quartet
  4291. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 28, Eb, Op.20-1, Hob.III:31, Doric String Quartet
  4292. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 30, Eb, Op.33-2 Hob.III:38, "³ó´ã", 4M48m
  4293. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 31, b, Op.33-1, Hob.III:37
  4294. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 32, C, Op.33-3, Hob.III:9, "»õ"
  4295. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 46, f, Op.55-2, Hob.III:61, "¸éµµÄ®4ÁßÁÖ", ÇÏÀ̵çÀº 80°îÀÌ»óÀÇ 4ÁßÁÖ°îÀ» ÀÛ°îÇÔ, 24m#, Amadeus Quartet
  4296. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 53, D, Op.64-5, Hob.III:63 "Á¾´Þ»õ", 18m
  4297. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 55, D, Op.71-2, Hob.III:70, 15m
  4298. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 57, G, Op.54-1, Op.54 55 64¹øÀº "¿äÇÑ Å佺Ʈ Çö¾Ç4ÁßÁÖ°î"À̶ó ÇÔ, Çö¾Ç4ÁßÁÖÀÇ ¾î¸Ó´Ï,18m
  4299. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 58, FÀåÁ¶ Op.74-2 Hob.III:73
  4300. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 59, g, Op.74-3, Hob.III:74, "Reiter(The Rider)"
  4301. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 60, G, Op.76-1, Hob.III:75, Op.76¿¡´Â 6°îÀÌ ÀÖÀ½(¿¡¸£·¹µð 4ÁßÁÖ°îÀ̶ó ÇÔ), # Takacs Quartet
  4302. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 61, d, Op.76-2, "5µµ(Fifths)", Hob.III:76
  4303. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 62, C, Op.76-3, Hob.III:77 "ȲÁ¦(Emperor)", 26m#, Quartetto Italiano
  4304. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 63, Bb, Op.76-4, Hob.III:78 "ÇØµ¸ÀÌ(Sunrise)" $
  4305. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 64, D, Op.76-5, Hob.III-79, "¶ó¸£°í(Largo)", 19m
  4306. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 66, G, Op.77-1, Hob.III:81, 23m#4, 1) Kodaly Quartet, 2) Smithson Quartet
  4307. ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 67, F, Op.77-2, Hob.III:82
  4308. ÇÏÀ̵ç, È£¸¥ÇùÁÖ°î, D, 15m
  4309. ÇÏÀ̵ç, È£¸¥ÇùÁÖ°î 3, D
  4310. ÇÏÀ̵ç, ȯ»ó°î, C, Hob.XVII:4, µ¶ÁÖ°î, Wihelm Backhaus(pf)
  4311. ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ±³Çâ°î 11, Bb, P.9, 14m * Johann Michael Haydn(1737-1806 Austrian:Classical period)-Joseph HaydnÀÇ µ¿»ý
  4312. ÇÏÀ̵ç, ±³Çâ°î 25, G, 13m, Slovak Chamber Orchestra/Bohdan Warchal
  4313. ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ±³Çâ°î 29, C, 23m, Bournemouth Sinfonietta/Harold Farberman
  4314. ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ±³Çâ°î 30, D, P.21, MH.399, 15m
  4315. ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ±³Çâ°î 31, F, P.22, 17m
  4316. ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ¹Ì´º¿§(6°³ÀÇ)
  4317. ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ÇÃ·çÆ®ÇùÁÖ°î, D, MH.81(P.54), 17m
  4318. ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, Notturno, F, P.106:MH.185, 16m#
  4319. ÇÏÁö´ÙŰ½º, ¼º¾Ç°î "±Í¿¡ Ä«³×ÀÌ¼Ç ²ÈÀº ¼Ò³à", #ms.Agnes Baltsa * Manos Hadjidakis(1925-1994 Greek)
  4320. ÇÏÁö´ÙŰ½º, ¼º¾Ç°î "±âÂ÷´Â ¶°³ª°í(The Train has Gone)", # sop. Angela Gheorghiu
  4321. ÇÏÂ÷Åõ¸®¾È, gayaneh, ¹«¿ë ¸ðÀ½°î, # Armenian Philharmonic Orchestra/Loris Tjeknavorian, * Aram Khachaturian(1903-1978 Russian)
  4322. ÇÏÂ÷Åõ¸®¾È, µ¶ÁÖ ¹ÙÀ̿ø°À» À§ÇÏ µ¶¹é, (Victor Pikaizen;Vn), 17m
  4323. ÇÏÂ÷Åõ¸®¾È, ¹ß·¹Á¶°î ½ºÆÄ¸£Å¸Äí½º; ¾Æ´ÙÁö¿À(9m)
  4324. ÇÏÂ÷Åõ¸®¾È, ¿ÀÆä¶ó <°¡¸é¹«µµÈ¸> ¸ðÀ½°î(Masquerade Suite); ¿ÐÃ÷
  4325. ÇÏÂ÷Åõ¸®¾È, Ŭ¶ó¸®³Ý, ºñ¿Ã¶ó¿Í ÇǾƳ븦 À§ÇÑ 3ÁßÁÖ°î, g
  4326. ÇÏÂ÷Åõ¸®¾È, ÇÃ·çÆ®ÇùÁÖ°î, Vn CÀ» Àö ÇÇ¿¡¸£ ¶ûÆÈÀÌ Fl CÀ¸·Î Æí°î
  4327. ÇÏÆ¼(ÇØ¹Ðư), ¾ÆÀÏ·£µå(In Ireland), °üÇö¾Ç°î, 8m * Sir Hamilton Harty(1879-1941 Irish)
  4328. ÇÒº¸¸£¼¾,¿äÇÑ, °ídz½º·± ¸ðÀ½°î(Suite ancienne), Op.31, 29m, # Norwegian Radio Orchestra/Ari Rasilainen, °üÇö¾Ç°î * Johan Halvorsen(1864-1935 Norwegain)
  4329. ÇÒº¸¸£¼¾,¿äÇÑ, ±³Çâ°î 3, C, 26m
  4330. ÇÒº¸¸£¼¾,¿äÇÑ, ³ë¸£¿þÀÌ ±¤½Ã°î 2, G
  4331. ÇÒº¸¸£¼¾,¿äÇÑ, ³ë¸£¿þÀÌ µ¿È­ ±×¸²µé(Norwegian Fairy Tale Pictures), Op.37, °üÇö¾Ç°î
  4332. ÇÒº¸¸£¼¾,¿äÇÑ, ³ë¸£¿þÀÌ ¹«°î(3°³ÀÇ)(Three Norwegian Dances), (Va & Orch)
  4333. ÇÒº¸¸£¼¾,¿äÇÑ, ÃàÈ¥ÇàÁø°î(Wedding March), Op.32-1, Marianne Thorsen(vn),Bergen Philharmonic Orchestra/Neeme Jarvi
  4334. ÇØ¸®½¼,·ç, 7°³ÀÇ Àü¿ø°î(Seven Pastorales), 19m#, Brooklyn Philharmonic Orchestra/Dennis Russell Davies, * Lou Harrison(1917-2003 American)
  4335. ÇØ¸®½¼,·ç, ÿ·Î¿Í ÇÏÇÁ¸¦ À§ÇÑ ¸ðÀ½°î
  4336. ÇÚ½¼,ÇÏ¿öµå, ±³Çâ°î 1, e, Op.22 "³ë¸£µñ(Nordic)", 26m, * Howard Harold Hanson(1896-1981 American)
  4337. ÇÚ½¼,ÇÏ¿öµå, ±³Çâ°î 2, Op.30 "Romantic", 30m, # Saint Louis Symphony Orchestra/Leonard Slatkin
  4338. ÇÚ½¼,ÇÏ¿öµå, ±³Çâ°î 4, Op.34 "Requiem"
  4339. ÇÚ½¼,ÇÏ¿öµå, ¼¼¸£°ÔÀÌ Äí¼¼ºñÃ÷۸¦ Ã߸ðÇÏ´Â ¿¤·¹Áö (Elegy in Memory of Serge Koussevitsky), 13m
  4340. Çåµé¸®(¸®Â÷µå), ¼º¾Ç°î "Come ready and see me" * Richard Hundley
  4341. Ç츣¸¸, ÇÏÇÁÇùÁÖ°î 1, F, Op.9, 18m, Xavier de Maistre(hrp)/Les Arts Florissants/William Christie, * Johann David Hermann(1760?-1846 German?)
  4342. Ç츣Á¶°Õº£¸£Å©, 3ÁßÁÖ°î(Trio for Oboe, Horn, and Piano), d, Op.61, #2
  4343. Ç츣Á¶°Õº£¸£Å©, Çö¾Ç4ÁßÁÖ°î, d, Op.18, 24m * Heinrich von Herzogenberg(1843 - 1900)
  4344. Ç츣Ã÷,¾Ó¸®, ÇǾƳëÇùÁÖ°î 2, c, Op.74, * Henri Herz(1803-1888 Austrian Pf)
  4345. Ç츣ÅÚ,¿äÇÑ ºôÇ︧, Æ®·³ÆêÇùÁÖ°î, D, * Johann Wilhelm Hertel(1727-1789 German)
  4346. Ç, Almira: Suite of Dances, 14m# Academy for Ancient Music
  4347. Ç, Langue, geme, sospira, HWV.188
  4348. Ç, °Ç¹Ý¾Ç±â ¸ðÀ½°î 2, F, HWV.427, 23m
  4349. Ç, °Ç¹Ý¾Ç±â ¸ðÀ½°î 3, d, HWV.428, 24m, # Lisa Smirnova(pf)
  4350. Ç, °Ç¹Ý¾Ç±â ¸ðÀ½°î, g, HWV.432, 22m
  4351. Ç, °Ç¹Ý¾Ç±â ¸ðÀ½°î, d, HWV.437, 10m
  4352. Ç, °ü¾Ç ¾Ó»óºí°ú ÇöÀ» À§ÇÑ ÇùÁÖ°î(2°³ÀÇ) 1(Concerto "a due cori"), Bb, HWV.332, 14m, Ensemble Zefiro/Alfredo Bernardini
  4353. Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), A, Op.1-3, HWV.361
  4354. Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), g, Op.1-10, HWV.368, "Roger"
  4355. Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), F, Op.1-12, HWV.370
  4356. Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 4(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), D, Op.1-13, HWV.371, 6VS, 4m11m, ¹ÙÈåÀÇ ¾ö°ÝÇÔ¿¡ ºñÇØ ÇÀÇ ¼¶¼¼ÇÔ°ú ¿©À¯·Î¿òÀÌ Ç¥ÃâµÈ ÀÛǰ.
  4357. Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 5(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), A, Op.1-14, HWV.372
  4358. Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 6(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), E, Op.1-15, HWV.373, 10m
  4359. Ç, ¼º¾Ç°î "°¨»çÀÇ ³ë·¡(Dank sei dir, Herr)"
  4360. Ç, »þÄÜ´À(Chaconne), G, HWV.435, Pf, 11m, # Danny Driver(pf)
  4361. Ç, ¼º¾Ç°î "³» ¿µÈ¥ÀÌ ´Ù µè´Â´Ù", HWV.207
  4362. Ç, ¼º¾Ç°î "´ÙÁ¤ÇÑ ½£(Care selve)", ms. Janet Baker
  4363. Ç, ¼º¾Ç°î "º¸¾Æ¶ó, ¿ë»ç°¡ µ¹¾Æ¿Â´Ù(See the conquering hero comes)"
  4364. Ç, ¼º¾Ç°î "»çÁ¦ ÀÚµ¶(Zadok the Priest)", Ambrosian Singers
  4365. Ç, ¼ö»óÀ½¾Ç 2, HWV.349, * ¼­°î, ¹Ì´º¿§°ú ºÎ·¹, È¥ÆÄÀÌÇÁÀÇ ¾ÇÀåÀ¸·Î ÀÌ·ç¾îÁö´Â °üÇö¾Ç¸ðÀ½°î ¼¼ °³·Î ±¸¼º(HWV.348-350)
  4366. Ç, ¾ÆÆú·Î¿Í ´ÙÇÁ³×(Apollo e Dafne), HWV.122;
      • "½£¼ÓÀ¸·Î °©½Ã´Ù(Mie piante, correte)", bar.Ildebrando D¡¯Arcangelo
      • "ÃÖ»óÀÇ ÇູÀº ¿µÈ¥ÀÇ ÀÚÀ¯(Felicissima quest¡¯alma)", sop.Nancy Argenta
  4367. Ç, <¾Ø ¿©¿ÕÀÇ Åº½ÅÀ» À§ÇÑ ¼Û°¡>;
      • "Eternal Source of Light Divine", ct.Iestyn Davies/Alison Balsom(trp)
  4368. Ç, ¿À¶óÅ丮¿À <¸Þ½Ã¾Æ(Messiah>, HWV.56
  4369. Ç, ¿À¶óÅ丮¿À <º§»çÀÚ¸£>;
      • "¿À ¿µ±¤½º·¯¿î ¿ÕÀÚ¿©(Oh Glorious Prince)", Stockholm Chamber Choir
  4370. Ç, ¿À¶óÅ丮¿À <»ï¼Õ>;
      • "ºû³ª¶ó õ»ç¿©(Let the bright seraphim)", Kathleen Battle(Sop),Wynton Marsalis(Trp),Saint Luke Orchestra/John Nelson
      • "Let the Bright Seraphim", sop.Kathleen Battle/Wynton Marsalis(trp)
  4371. Ç, ¿À¶óÅ丮¿À <¼Ö·Î¸ó>; /"¼ø·ÊÀÚ¿¡°Ô ¿©¸íÀÌ ¹Ý°©µíÀÌ", /"ÁÖ¸¦ Âù¾çÇ϶ó(Praise the Lord)"
  4372. Ç, ¿À¶óÅ丮¿À <À¯´Ù½º ¸¶Ä«º£¿ì½º>;
      • "·ùÆ®¿Í ÇÏÇÁ¸¦ ¿ï¸®°í(So Shall the lute and harp awake)"
      • "º¸¾Æ¶ó ¿ë»ç µ¹¾Æ¿Â´Ù(See the Conquering Hero Comes)" ÁÖÁ¦¿¡ ÀÇÇÑ 12°³ÀÇ º¯ÁÖ°î, Adrian Brendel(vc)/Alfred Brendel(pf)
  4373. Ç, ¿À¸£°£ÇùÁÖ°î 2, Bb, Op.4-2,12OC
  4374. Ç, ¿À¸£°£ÇùÁÖ°î 5, F, Op.4-5, HWV.293
  4375. Ç, ¿Àº¸ÇùÁÖ°î 3, g, HWV.387, 10m
  4376. Ç, ¿ÀÆä¶ó <·Îµ¨¸°´Ù(Rodelinda)> * ¹Ù·ÎÅ© ½Ã´ëÀÇ Çǵ¨¸®¿À¿¡ ÇØ´ç;
      • "°¨Á¤ÀÇ È¥¶õ¿¡ ºüÁø ½ÅÀÇ ¾ø´Â ¾Æ³»(Confusa si miri)"-º£¸£Å¸¸®µµÀÇ ¾Æ¸®¾Æ(¾ßÄß½º), Andreas Scholl(Ct)
      • "°í¿äÇÑ ½Ã³Á¹°°ú »ù¹°µµ ÇÔ²² ¿ï¾îÁÖ³×(Con rauco mormorio)"-º£¸£Å¸¸®µµÀÇ ¾Æ¸®¾Æ(¾ßÄß½º), Bejun Mehta(Ct)
      • "±× Æ÷¿Ë"
      • "±×ÀÇ ¿µÈ¥À» ±«·ÓÈ÷´Â ÆøÇ³¿ì ¼Ó¿¡¼­µµ(Fra tempeste funeste a quest'alma)"-¿ì´­Æ÷ÀÇ ¾Æ¸®¾Æ(½´³ªÀÌ´õ), Kai Wessel(Ct)
      • "³» »ç¶û!(Mio caro bene!)"-·Îµ¨¸°´ÙÀÇ ¾Æ¸®¾Æ, º£¸£Å¸¸®µµÀÇ ·¹Ä¡Å¸Æ¼º¸, ÇÕâ(½´³ªÀÌ´õ), Barbara Schlick(Sop),David Cordier(Ct)
      • "ºÒÇàÇÑ ¿î¸íÀº(l'empio rigor del fato)"-·Îµ¨¸°´ÙÀÇ ¾Æ¸®¾Æ(½´³ªÀÌ´õ), Barbara Schlick(Sop)
      • "¾Æ, Áö¿ÁÀÌ µû·Î ¾ø±¸³ª(Fatto inferno e il mio)"-±×¸®¸ð¾ËµµÀÇ ·¹Ä¡Å¸Æ¼º¸(½´³ªÀÌ´õ), Christoph Pregardien(Ten)
      • "¾îµð ÀÖ³ª¿ä? »ç¶ûÇÏ´Â ÀÌ¿©!(Dove sei? Amato bene!)"-º£¸£Å¸¸®µµÀÇ ¾Æ¸®¾Æ(³ë¸µÅÏ), BDavid Daniels(Ct)
  4377. Ç, ¿ÀÆä¶ó <¸®³¯µµ(Rinaldo)>;
      • "¸ÅȤÀûÀÎ ±×´ë ¸ð½À(Scherzano sul tuo volto)"-¾Ë¹Ì·¹³ª¿Í ¸®³¯µµÀÇ ÀÌÁßâ(¾ßÄß½º), Miah Persson(Sop),Vivica Genaux(Ms)
      • "»ç¶û½º·± ½ÅºÎ¿©(Cara Sposa)"-¸®³¯µµÀÇ ¾Æ¸®¾Æ(´ÜÅä³×), Andreas Scholl(Ct)
      • "»êµé¹Ù¶÷ÀÌ¿©, ȸ¿À¸®¹Ù¶÷ÀÌ¿©(Venti, turbini)"-¸®³¯µµÀÇ ¾Æ¸®¾Æ(ÆÄ¼Ö¸®½º), Philippe Jaroussky(Ct)
      • "¿µ¿¹ÀÇ ¼ºÀüÀº °¡ÆÄ¸¥ ¹ÙÀ§ »ê À§¿¡(Sovra balze scoscese e pungenti)"-°íÇÁ·¹µµÀÇ ¾Æ¸®¾Æ(¾ßÄß½º), Lawrence Zazzo(Ct)
      • "¿ÀÁ÷ ¹Ì´ö¸¸ÀÌ ¾ÇÀ» À̱ä´Ù(Vinto e sol dalla virtu)"-ÇÕâ(¾ßÄß½º), Miah Persson(Sop),Inga Kalna(Sop)
      • "¿å¸Áµµ Å©°í Èñ¸Áµµ °¡µæÇÏ´Ï(Molto voglio, molto spero)"-¾Æ¸£¹Ì´ÙÀÇ ¾Æ¸®¾Æ(È£±×¿ìµå)
      • "¿ï°Ô ³»¹ö·ÁµÎ¼¼¿ä(Lascia chi¡¯o pianga)", # ms.Cecilia Bartoli
      • "È­·ÁÇÑ Æ®·³Æê ¼Ò¸®°¡(Or la tromba in suon festante)"-¸®³¯µµÀÇ ¾Æ¸®¾Æ(È£±×¿ìµå), David Daniels(Ct)
      • "Ȧ·Î ¿ï°Ô ÇϼҼ­(Lascia ch'io pianga mia cruda sorte)"-¾Ë¹Ì·¹³ªÀÇ ¾Æ¸®¾Æ(·ç¼¼)
  4378. Ç, ¿ÀÆä¶ó <¸®Ä«¸£µµ 1¼¼>;
      • "Á¤ÀÇ·Î¿î ¸ðÇè¿¡ ½Â¸®°¡ µû¸£±æ(Dell¡¯onor di giuste imprese)", ct.Pascal Bertin
  4379. Ç, ¿ÀÆä¶ó <¸í¶ûÇÑ »ç¶÷, ¿ì¿ïÇÑ »ç¶÷, ¿ÂÈ­ÇÑ »ç¶÷>;
      • "»õº®ÀÌ ¹ãÀ» ÈÉÃİ¡µíÀÌ"
  4380. Ç, ¿ÀÆä¶ó <º£·¹´Ïü(Berenice)>, HWV.38; /¼­°î°ú ¹Ì´º¿§, Áö±×
  4381. Ç, ¿ÀÆä¶ó <¼¼¸£¼¼(Serse)>, HWV.40;
      • "±×´Â ³ª¸¦ »ç¶û ¾ÈÇÑ´Ù°í ÇϰÚÁö¸¸(Dira che amor per me)"-¾ÆÅ»¶õŸÀÇ ¾Æ¸®¾Æ(Å©¸®½ºÆ¼), Sandrine Piau(Sop)
      • "²ûÂïÇÑ º¹¼ö½ÉÀÌ(Crude furie)"-¼¼¸£¼¼ÀÇ ¾Æ¸®¾Æ(Å©¸®½ºÆ¼), Anne Sofie von Otter(Ms)
      • "³» »ç¶ûÀ» »©¾ÑÀ» ¼Ó¼ÀÀ̶ó¸é(Se l¡¯idol mio)"-·Î¹Ð´ÙÀÇ ¾Æ¸®¾Æ(Å©¸®½ºÆ¼), Elizabeth Norbert-Schulz(Sop)
      • "³» ½ÅÀǸ¦ ÀÌ·¸°Ô ¸ð¿åÇÏ´Ù´Ï(Troppo oltraggi la mia fede)"-¾Æ¸£»ç¸Þ³×¿Í ·Î¹Ð´ÙÀÇ ÀÌÁßâ(Å©¸®½ºÆ¼), Lawrence Zazzo(Ct),Elizabeth Norbert-Schulz(Sop)
      • "´ç½ÅÀÌ ³»°Ô ¾ó¸¶³ª ¼ÒÁßÇÑÁö...(Caro voi siete all¡¯alma)", "´Ù½Ã Æò¿ÂÀ» ã¾Ò³×(Ritorno a noi la calma)"-·Î¹Ð´ÙÀÇ ¾Æ¸®¾Æ¿Í ÇÕâ(Å©¸®½ºÆ¼) , Elizabeth Norbert-Schulz(Sop)
      • "¶ó¸£°í"
      • "»ç¶û½º·± ³ª¹«±×´Ã(Ombra mai fu)"-¼¼¸£¼¼ÀÇ ¾Æ¸®¿À¼Ò(Arioso)(ÆÄ¼Ö¸®½º), Philippe Jaroussky(Ct)
      • "»ç¶ûÀ» °í¹éÇÒ °Å¾ß/¾ó¸¶µçÁö °í¹éÇØº¸¶óÁö(Io le diro che l¡¯amo/ Tu le dirai che l¡¯ami)"-¼¼¸£¼¼¿Í ¾Æ¸£»ç¸Þ³×ÀÇ ¾Æ¸®¾Æ(Å©¸®½ºÆ¼), Anne Sofie von Otter(Ms),Lawrence Zazzo(Ct)
      • "¾öû³­ °íÅë°ú ÁúÅõ!(Gran pena e gelosia!)"-¼¼¸£¼¼¿Í ¾Æ¸¶½ºÆ®·¹ÀÇ ÀÌÁßâ(Å©¸®½ºÆ¼), Anne Sofie von Otter(Ms),Silvia Tro Santafe(Ms)
      • "¿ì¾ÆÇÑ ¸öÁþ Çϳª·Î(Un cenno leggiadretto)"-¾ÆÅ»¶õŸÀÇ ¾Æ¸®¾Æ(¼Ò·¼), 1) Amanda Forsythe(Sop) 2) sop.Lucia Popp
  4382. Ç, ¿ÀÆä¶ó <¼¼¸á·¹(Semele)> HWV.58; ¿À¶óÅ丮¿À¿Í ¿ÀÆä¶óÀÇ ¿ä¼Ò°¡ È¥ÇÕ
      • "´ç½ÅÀÌ °È´Â °÷¸¶´Ù/´ç½ÅÀÌ ¾îµð¸¦ °¡µçÁö(Where'er you walk)", # sop. Karina Gauvin
      • "¿À, ÀáÀÌ¿©, ¿Ö ³ª¸¦ ¹ö¸®°í °¡´Â°¡? (Oh sleep, why dost thou leave me)"
  4383. Ç, ¿ÀÆä¶ó <¾Æ±×¸®Çdzª(Agrippina)>;
      • "³­ ¾ðÁ¦³ª ÁøÁ¤À¸·Î ³Ê¸¦ »ç¶ûÇÑ´Ü´Ù(Non ho cor che per amarti)-¾Æ±×¸®ÇdzªÀÇ ¾Æ¸®¾Æ", Alexandrina Pendatchanska(Sop)
      • "³» ¿µÈ¥Àº ÆøÇ³¿ì ¼Ó¿¡¼­ ½¯ °÷À» °¥¸ÁÇϸç(L¡¯alma mia fra le tempeste)-¾Æ±×¸®ÇdzªÀÇ ¾Æ¸®¾Æ", Alexandrina Pendatchanska(Sop)
      • "³» ź½ÄÀ» µè´Â À̵éÀÌ¿©(Voi che udite il mio lamento)"-¿ÀÅä³×ÀÇ ¾Æ¸®¾Æ, Bejun Mehta(Ct)
      • "¹Ù¶÷ÀÌ ±¸¸§À» ¸ô¾Æ³»µí(Come nube che fugge dal vento)"-³×·ÎÀÇ ¾Æ¸®¾Æ, Jennifer Rivera(Ms)
      • "¹Ý¦ÀÌ´Â ÁøÁÖ¿Í ºÎµå·¯¿î ²ÉÀÙÀÌ(Vaghe perle, eletti fiori)"-Æ÷Æä¾ÆÀÇ ¾Æ¸®¾Æ<, ÀÓ¼±Çý(Sop)/li>
      • "Ƽº£¸£ °­¹°ÀÌ »õ ȲÁ¦¸¦ ¸ÂÀÌÇØ ºû³ª°í(Lieto il Tebro increspi l¡¯onda)"-ÇÕâ, ÀÓ¼±Çý(Sop)/li>
      • "ÇÑ ¹ø »óó ÀÔÀº ¸¶À½Àº(Se giunge un dispetto)"-Æ÷Æä¾ÆÀÇ ¾Æ¸®¾Æ, ÀÓ¼±Çý(Sop)
      • "Èñ¸ÁÀÌ ³» ¹ÏÀ½À» ¹è½ÅÇÏÁö ¾Ê±â¸¦(Lusinghiera mia speranza)"-¿ÀÅä³×ÀÇ ¾Æ¸®¾Æ, Bejun Mehta(Ct)
  4384. Ç, ¿ÀÆä¶ó <¾Æµå¸ÞÅä(Admeto)>, HWV.22;
      • "¾Æ... ³ª´Â Á״´Ù"
  4385. Ç, ¿ÀÆä¶ó <¾Æ¸®¿À´ÜÅ×(Ariodante)>, HWV.33;
      • "Scherza infida"
      • "¹ãÀÌ Áö³ª¸é žçÀÌ ºû³ª°í(Doppo notte atra e funesta)*", ms.Magdalena Kozena
      • "È®½ÇÇÑ ³¯°³·Î"
  4386. Ç, ¿ÀÆä¶ó <¾ÆÄ¡½º¿Í °¥¶óÅ×¾Æ>; /"±×³à ´«ÀÇ »ç¶ûÀº ³î°í", /"ÇູÇÑ ¿ì¸®"
  4387. Ç, ¿ÀÆä¶ó <¾Ëü½ºÅ×>
      • "Enjoy the sweet Elysian grove"
      • "Ä£ÀýÇÑ ¸ð¸£Æä¿ì½º, ¹ãÀÇ ¾Æµé(Gentle Morpheus)", sop.Emma Kirkby
  4388. Ç, ¿ÀÆä¶ó <¾ËÄ¡³ª(Alcina)>, HWV.34;
      • "³»°Ô·Î µ¹¾Æ¿ÍÁÖ¿À(Tornami a vagheggiar)", Sop.Kathleen Battle
      • "¸»ÇشٿÀ, ³» ¸¶À½ÀÌ¿©(Di, cor mio)", Sop.Lynne Dawson
      • "¾Æ¸£Ä«³ªÀÇ µ¿±¼¿¡"
  4389. Ç, ¿ÀÆä¶ó <ÁÙ¸®¾î½º ½ÃÀú(Giulio Cesare)>, HWV.17;
      • "±³È°ÇÑ »ç³É²ÛÀº Àº¹ÐÈ÷ »ç³É°¨À» ³ë¸°´Ù(Va tacito e nascosto)"-½ÃÀúÀÇ ¾Æ¸®¾Æ(¾ßÄß½º), # Andreas Scholl(Ct) # contralto. Marijana Mijanovic
      • "±×´ë´Â ³ªÀÇ º°(Tu la mia stella sei)", Kiri Te Kanawa(sop)
      • "²ÉÀÌ Èåµå·¯Áø ÃÊ¿ø¿¡ »õ°¡ ¼û¾î À־(Se in fiorito ameno prato)"-2:½ÃÀúÀÇ ¾Æ¸®¾Æ, contralto. Marijana Mijanovic(½ÃÀú)
      • "³» ¿î¸íÀ» ½½ÆÛÇϳë¶ó(Piangero, la sorte mia)"-Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¾Æ¸®¾Æ(ĿƼ½º)#, Karina Gauvin(Sop)
      • "´«¹° È긱 ¿î¸íÀ¸·Î ž³×(Son nata lagrimar, son nata sospirar)"-ÄÚ¸£³Ú¸®¾Æ¿Í ¼¼½ºÅäÀÇ ÀÌÁßâ(ĿƼ½º),Romina Basso(Ms), Emoke Barath(Sop)
      • "´ç½ÅÀ» ¼þ¹èÇØ¿ä, ´ç½ÅÀÇ µÎ ´«À»(V¡¯adoro, pupile)"-2:Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¾Æ¸®¾Æ, ms. Magdalena Kozena
      • "¹«±âÀÇ ±¤Ã¤¿¡ ½Î¿© º¹¼ö¸¦ ¸Í¼¼ÇÑ´Ù(Al lampo dell¡¯armi)"-½ÃÀúÀÇ ¾Æ¸®¾Æ(³ë¸µÅÏ), David Daniels(Ct)
      • "»ç¶ûÇÏ´Â ´«µ¿ÀÚ¿©(V¡¯adoro, pupile)[´ç½ÅÀ» ¼þ¹èÇØ¿ä, ´ç½ÅÀÇ µÎ ´«À»]"-Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¾Æ¸®¾Æ(ĿƼ½º), Karina Gauvin(Sop)
      • "¾Æ¸§´ä±º¿ä, ³» »ç¶û!(Caro! Bella!)"-»ç¶ûÀÇ ÀÌÁßâ
      • "¿À, »ç¶ûÀÇ È­»ìÀÎ ´«ÀÌ¿©, ±×´ë¸¦ °æ¹èÇϳë¶ó"
      • "¿À¸¸ÇÑ ³Ê¸¦ ±æµéÀÏ °Å¾ß(Domero la tua fierezza)"-ÇÁÅç·¹¸¶ÀÌ¿À½º(Åç·Î¸Þ¿À)ÀÇ ¾Æ¸®¾Æ(ĿƼ½º), Filippo Mineccia(Ct)
      • "¿ì¸® ¸¶À½À» ±â»Ý°ú Áñ°Å¿òÀ¸·Î ä¿ìÀÚ(Ritorni omai nel nostro core)"-ÇÕâ+Ŭ·¹¿ÀÆÄÆ®¶ó¿Í ½ÃÀú(ĿƼ½º), Karina Gauvin(Sop),Marie-Nicole Lemieux(Ms)
      • "ÆøÇ³¿ì¿¡ ½Ã´Þ¸° ¹è°¡ Ç×±¸·Î µ¹¾Æ¿Ô³×(Da tempeste il legno infranto)-Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¾Æ¸®¾Æ(¼Ò·¼)$, Amanda Forsythe(Sop)"
  4390. Ç, ¿ÀÆä¶ó <Å©¼¼¸£Å©¼¼½º>;
      • "±× ¾îµð¿¡µµ ¾ø¾ú´ø »ç¶û½º·± ³ª¹«±×´ÃÀÌ¿©"
  4391. Ç, ¿ÀÆä¶ó <Ÿ¸Þ¸¦¶ó³ë>;
      • "¹èÀº¸Á´öÇÑ ¾ó±¼·Î ¸ê½Ã¸¦ ¹Þ´õ¶óµµ(A dispetto)", ct.David Daniels
  4392. Ç, ¿Õ±ÃÀÇ ºÒ²É³îÀÌ
  4393. Ç, Æ®¸®¿À¼Ò³ªÅ¸ 2(µÎ ´ëÀÇ ¿Àº¸¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), d, HWV.381, 10m
  4394. Ç, Æ®¸®¿À¼Ò³ªÅ¸, G, Op.5-4, HWV.399, 13m $
  4395. Ç, ÇÕ½ÃÄÚµå¸ðÀ½°î 11 Áß »ç¶ó¹æµå
  4396. Ç, ÇÕÁÖÇùÁÖ°î 1, Bb, Op.3-1, HWV.312, * Op.3(HWV.312-317): 6°³ÀÇ ÇÕÁÖÇùÁÖ°î(Concerto Grosso)
  4397. Ç, ÇÕÁÖÇùÁÖ°î 2, Bb, Op.3-2, HWV.313, 12m, Linde-Consort/Hans-Martin Linde
  4398. Ç, ÇÕÁÖÇùÁÖ°î 4, F, Op.3-4, HWV.315, 10m#, The English Concert/Trevor Pinnock
  4399. Ç, ÇÕÁÖÇùÁÖ°î 5, d, Op.3-5, HWV.316, 10m#
  4400. Ç, ÇÕÁÖÇùÁÖ°î 6, D, Op.3-6, HWV.317
  4401. Ç, ÇÕÁÖÇùÁÖ°î 1, G, Op.6-1, HWV.319 * Op.6(HWV.319-330): 12°³ÀÇ ÇÕÁÖÇùÁÖ°î(Concerti Grossi)
  4402. Ç, ÇÕÁÖÇùÁÖ°î 2, F, Op.6-2, HWV.320
  4403. Ç, ÇÕÁÖÇùÁÖ°î 3, e, Op.6-3, HWV.321, 12m#, Aradia Ensemble/Kevin Mallon
  4404. Ç, ÇÕÁÖÇùÁÖ°î 6, g, Op.6-6, HWV.324
  4405. Ç, ÇÕÁÖÇùÁÖ°î 8, d, Op.6-8, HWV.326, 13m
  4406. Ç, ÇÕÁÖÇùÁÖ°î 9, F, Op.6-9, HWV.327
  4407. Ç, ÇÕÁÖÇùÁÖ°î 12, b, Op.6-12, HWV.330
  4408. Ç, ÇÏÇÁÇùÁÖ°î, Bb, Op.4-6, HWV.294, # Ursula Holliger(Hp)/I Musici
  4409. Çï·»´Þ, ÇùÁÖ°î 3(Concerto grosso), F, Op.3-5, 18m, # Archetti Baroque String Ensemble, * Pieter Hellendaal(1721-1799 Anglo-Dutch &Org,Vn)
  4410. È£³Ê,Á¦ÀÓ½º, Legends of the Fall: The Ludlows, * James Horner(1953-2015 American)
  4411. È£¹Ù³×½º, ±³Çâ°î 6, "°Å·èÇÑ ¹®(Celestial Gate)", Op.73, 20m, Manhattan Chamber Orchestra/Richard Auldon Clark, * Alan Hovhaness(1911-2000, American)
  4412. È£¼Õ,¾Ù¸®½º, ¼º¾Ç°î "Èñ¸ÁÀÇ ¼Ó»èÀÓ(Whispering Hope)", # Roger Wagner ÇÕâ´Ü, * Alice S. Hawthorne(1952-1996 American F)
  4413. È£Æä(Michael Hoppe), Ä®¸± Áöºê¶õÀÇ ±âµµÇÏ´Â »ç¶÷, 4m, ÿ·Î, Hoppe - Á¶Áö À©½ºÅÏ, µ¥À̺ø ¶õÃ÷¿Í ÇÔ²² ´º¿¡ÀÌÁö À½¾Ç°è¸¦ ´ëÇ¥, ¿µ±¹ Å»ýÀ¸·Î ¹Ì±¹(LA)¿¡¼­ Ȱµ¿,
  4414. È£ÇÁ¸¶À̽ºÅÍ, 5ÁßÁÖ°î 2(Vn, Oboe, Va2, Basson), D, 14m,#, * Franz Anton Hoffmeister(1754-1812 German)
  4415. È£ÇÁ¸¶À̽ºÅÍ, ±³Çâ°î, D, 23m, Orchestra della Svizzera italiana/Howrd Griffiths
  4416. È£ÇÁ¸¶À̽ºÅÍ, ±³Çâ°î, E, 19m
  4417. È£ÇÁ¸¶À̽ºÅÍ, ±³Çâ°î, G, "ÆòÈ­ÀÇ Á¦Àü 1791(La festa della Pace 1791)", # London Mozart Players/Matthias Bamert
  4418. È£ÇÁ¸¶À̽ºÅÍ, ºñ¿Ã¶óÇùÁÖ°î, Bb, 21m
  4419. È£ÇÁ¸¶À̽ºÅÍ, ºñ¿Ã¶óÇùÁÖ°î, D, 21m#, Andra Darzina(va),Urban Camerata
  4420. È£ÇÁ¸¶À̽ºÅÍ, ¾ËÅäÇùÁÖ°î, D, ¸ðÂ¥¸£Æ® ½Ã´ëÀÇ ÀÛ°î°¡, ¿©±â¼­ ¾ËÅä´Â ºñ¿Ã¶ó¸¦ ¶æÇÔ
  4421. È£ÇÁ¸¸,·¹¿ÀÆúÆ®, ±³Çâ°î, Bb, B no Bb1, 10m, Northern Chamber Orchestra/Nicholas Ward
  4422. È£ÇÁ¸¸,·¹¿ÀÆúÆ®, ±³Çâ°î, D, B no D4, 12m, Northern Chamber Orchestra/Nicholas Ward, * Leopold Hofmann(1738-1793 Austrian)
  4423. È£ÇÁ½´Å×ÅÍ,·Î¸¸, Çö¾Ç4ÁßÁÖ°î, F, Op.3/5, "Serenade", 15m, * Roman Hoffstetter(1742-1815 German)
  4424. Ȧ½ºÆ®, ±³Çâ°î "ÄÚÃ÷¿ùµå(The Cotswolds)", F, Op.8, 27m, Munich Symphony Orchestra/Douglas Bostock
  4425. Ȧ½ºÆ®, "¸®±× º£´Ù"¿¡ ÀÇÇÑ ÇÕâ Âù°¡( Choral Hymns from the Rig Veda), Op.26
  4426. Ȧ½ºÆ®, ¸ñ°ü5ÁßÁÖ°î, Ab, Op.14, 17m
  4427. Ȧ½ºÆ®, ¹«¾î»çÀÌµå ¸ðÀ½°î(A Moorside Suite), °üÇö¾Ç°î, 14m
  4428. Ȧ½ºÆ®, ¼º¾Ç°î "Joybringer", <Ç༺> Áß ¸ñ¼º¿¡ °¡»ç¸¦ ºÙÀÓ, ten.Peter Hoffmann
  4429. Ȧ½ºÆ®, öÀúÇÑ ¹Ùº¸(Perfect Fool):Ballet music
  4430. Ȧ½ºÆ®, ÇǾƳë¿Í °ü¾Ç±â¸¦ À§ÇÑ 5ÁßÁÖ°î, a, (Pf,Bn,Cl,Hn,Ob), 17m
  4431. Ȧ½ºÆ®, Ç༺; 1)È­¼º-ÀüÀïÀÇ ½Å 2)±Ý¼º-ÆòÈ­ÀÇ ½Å 3)¼ö¼º- ³¯°³°¡ ÀÖ´Â »ç½Å 4)¸ñ¼º- Äè¶ôÀÇ ½Å 5)Å伺- ³ë³âÀÇ ½Å 6)õ¿Õ¼º- ¸¶¼úÀÇ ½Å 7)ÇØ¿Õ¼º- ½ÅºñÀÇ ½Å, Op.32, Gustav Holst(1874-1934 English)
  4432. Ȧ½ºÆ®,À̸ð°Õ, The Fall of the Leaf for Solo Celo, 9m, Steven Isserlis(vc) * Imogen Holst(1907-1984 English.F)
  4433. È­ÀÌÆ®,Á¶¼Á, ¹ÙÀ̿ø°ÇùÁÖ°î, f#, 21m, * Jose' White Lafitte/Joseph White(1836-1918 Cuba, Vn)
  4434. ÈĹö,Çѽº, ÇǾƳëÇùÁÖ°î 1, c, Op.36, 33m * Hans Huber(1852-1921 Switzerland)
  4435. ÈÄÇÁ, ±³Çâ°î 2, Ab, 32m, $ Brussels Belgian Radio & TV Philharmonic Orchestra/Silveer Van den Broeck * Jef Van Hoof(1886-1959 Belgium)
  4436. Èɸá, 8ÁßÁÖ ÆÄ¸£Æ¼Å¸(Octet-Partita), Eb, 13m * Johann Nepomuk Hummel(1778-1837 Austrian)
  4437. Èɸá, ´ë7ÁßÁÖ°î(Grosses Septett), Op.74, 37m
  4438. Èɸá, ¸¸µ¹¸° ÇùÁÖ°î, G, S.28, 18m # Alison Stephens(Mnd),London Mozart Players/Howard Shelley
  4439. Èɸá, ¹Ù¼øÇùÁÖ°î
  4440. Èɸá, ¹ÙÀ̿ø°°ú ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ¾Æ´ÙÁö¿À¿Í ·Ðµµ(Adagio and Rondo alla Polacca), 10m, James Ehnes(vn),London Mozart Players/Howard Shelley
  4441. Èɸá, Ŭ¶ó¸®³Ý3ÁßÁÖ°î
  4442. Èɸá, Æ®·³ÆêÇùÁÖ°î, Eb, 18m$, Timofey Dokshizer(tpt)/Moscow Chamber Orchestra/Rudolf Barshai
  4443. Èɸá, Æ÷Ǫ¸®(potpourri), Op.53, (Guitar, Pf)
  4444. Èɸá, ÇǾƳë3ÁßÁÖ°î 4, G, Op.65, 15m, # Beaux Arts Trio
  4445. Èɸá, ÇǾƳëÇùÁÖ°î 2, a, Op.85
  4446. Èɸá, ÇǾƳëÇùÁÖ°î 3, b, Op.89
  4447. ÈÉÆÛµùÅ©, ¼º¾Ç°î "ÇູÀÇ ³ë·¡(Das Lied vom Glueck)", * Engelbert Humperdinck(1854-1921 German)
  4448. ÈÉÆÛµùÅ©, ¼ÎÀͽºÇÇ¾î ¸ðÀ½°î 1, 23m
  4449. ÈÉÆÛµùÅ©, ¿ÀÆä¶ó <ÇîÁ©°ú ±×·¹ÅÚ>; ¼­°î
      • "ÀáÀÇ ¿äÁ¤"
      • "¹ãÀÌ µÇ¸é ÀÚ·¯ °¡³×(Abends will ich schlafen gehn)"-Àú³á±âµµ, Charlotte Church
      • "ÇÑ ¾ÆÀ̰¡ ½£¿¡ ¼­ÀÖ³×"
  4450. ÈÖÅÂÄ¿,¿¡¸¯, ¼º¾Ç°î "Sleep, my Child", Eric Whitacre Singers
  4451. ÈÖÅÂÄ¿,¿¡¸¯, ½Å¾ÓÀÇ ³ë·¡ 3°î(Three Songs of Faith), 3) "I thank You God for most this amazing day", Elora Festival Singers/Noel Edison, * Eric Whitacre(1970- American)
  4452. È÷³ª½ºÅ×¶ó, ÆÄ³²ºñ(Panambi), Op.1, ¹ß·¹¸ðÀ½°î, * Alberto Ginastera(1916-1983 Argentine)
  4453. È÷³ª½ºÅ×¶ó, ÇÏÇÁÇùÁÖ°î, Op.25
  4454. Èùµ¥¹ÌÆ®, 4ÁßÁÖ°î(Ŭ¶ó¸®³Ý, ºñÀ̿ø°, ÿ·Î, ÇǾƳ븦 À§ÇÑ), 28m
  4455. Èùµ¥¹ÌÆ®, º£¹ö ÁÖÁ¦¿¡ ÀÇÇÑ ±³ÇâÀû º¯¿ë(Symphonic Metamorphosis on Themes of Carl Maria von Weber), 21m
  4456. Èùµ¥¹ÌÆ®, ºñ¿Ã¶ó¼Ò³ªÅ¸, Op.11-4
  4457. Èùµ¥¹ÌÆ®, ÀÛÀº ½Ç³»¾Ç(5´ëÀÇ °ü¾Ç±â¸¦ À§ÇÑ:Kleine Kammermusik), Op.24-2
  4458. Èùµ¥¹ÌÆ®, ÇÃ·çÆ®¼Ò³ªÅ¸
  4459. Èùµ¥¹ÌÆ®, È­°¡ ¸¶Æ¼½º, ¿ÀÆä¶ó È­°¡ ¸¶Æ¼½º¿¡¼­ 3°î ¹ßÃé ±³Çâ°îÀ¸·Î Æí¼º
  4460. Èú,¾ËÇÁ·¹µå, ÇǾƳëÇùÁÖ°î, A, * Alfred Francis Hill (1869-1960, Australian-New Zealand)
  4461. Èú·¯, ÇǾƳëÇùÁÖ°î 1, f, Op.5, 24m, * Ferdinand Hiller(1811-1885 German), Howard Shelly(pf),Tasmanian Symphony Orchestra
  4462. Èú·¯, ÇǾƳëÇùÁÖ°î 2, f#, Op.69, 20m
  4463. °¡½Ã³ª¹«, /½ÃÀΰú ÃÌÀå(ÇÏ´ö±Ô)#&
  4464. °¡À»¹ã, ÀÌż± ½Ã/¹ÚÅÂÁØ °î, ´ëÀü½Ã¸³ÇÕâ´Ü & sop.±èÄ¡°æ#&
  4465. °­, ÀÌÇØÀÎ ½Ã /¹ÚÀºÈ¸ °î /¹Ù¸®Åæ ±è¼º±æ
  4466. ±Íõ, õ»óº´ ½Ã /Á¤´ö±â °î /¹Ù¸®Åæ Á¤Áø¼·
  4467. ±×´ë ±×¸®¿ò, Á¤¼º½É ½Ã/¹Ú°æ±Ô °î /sop. ȲÇý¼÷
  4468. ±æ¼Õ, Á¤Áø¾÷ ½Ã /Á¶µÎ³² °î /sop. ¾çÀºÈñ(10:24~)
  4469. ³«¿±µû¶ó °¡ ¹ö¸° »ç¶û/¿Ü±¹ °î, /Â÷Áß¶ô#&
  4470. ³» ¸¾ÀÇ °­¹°, À̼öÀÎ ½Ã/À̼öÀÎ °î/Å×³Ê ÆØÀçÀ¯
  4471. ´Ô±×¸²ÀÚ, /³ë»ç¿¬#&
  4472. ´ÔÀÌ ¿À½Ã´ÂÁö, ¹Ú¹®È£ ½Ã/±è±Ôȯ °î/¸ÞÁ¶¼ÒÇÁ¶ó³ë À̾ưæ
  4473. ´ç½ÅÀº, ±è¹Ì¼÷ ½Ã /±è±¹Áø °î /¹Ù¸®Åæ ¹è¿ë³²
  4474. µ¿½ÉÃÊ, ¼³µµ ½Ã /±è¼ºÅ °î /¼ÒÇÁ¶ó³ë ±è¿µ¹Ì
  4475. ¹Ù´å°¡ÀÇ Ãß¾ï, /Űº¸À̽º#&
  4476. »ç¶ûÀÌ¿©, /À¯½ÉÃÊ#&
  4477. »ê±æ, /¾çÁÖµ¿ ½Ã /¹ÚÅÂÁØ °î /¹Ù¸®Åæ ±è¼º±æ
  4478. »ê³Ñ¾î ³²ÃÌ¿¡´Â, ±èµ¿È¯ ½Ã /±è±Ôȯ °î /¹ÚÀç¶õ
  4479. »ê³ëÀ», À¯°æÈ¯ ½Ã/¹ÚÆÇ±æ °î/ ten. ½Å¿µÁ¶#&
  4480. ¾Æ¹«µµ ¸ð¸£¶ó°í, /±èµ¿È¯ ½Ã/ÀÓ¿ø½Ä °î /bar. Ȳº´´ö#&
  4481. ¾ó±¼, ½ÉºÀ¼® ½Ã/½Å±Íº¹ °î/sop. ¾çÀºÈñ /(À±¿¬¼±#&)
  4482. ¿©È£¿Í´Â ³ªÀÇ ¸ñÀڽôÏ, ½ÃÆí 23 /³ª¿î¿µ °î /ÀÎõ½Ã¸³ÇÕâ´Ü#&
  4483. ¿¾´Ô, /Æ®¸®ÆÛ½º#&
  4484. ¿À´Ã ÁýÀ» ³ª¼­±â Àü ±âµµÇß³ª¿ä, /ÃֱͶó#&
  4485. Àú³á »õ, ÇÑ¿©¼± ½Ã/ÀÌ¾È»ï °î/¼ÒÇÁ¶ó³ë Á¶°æÈ­
  4486. Á¶À², /ÇÑ¿µ¾Ö#&
  4487. ȲȥÀÇ ³ë·¡, ±è³ëÇö ½Ã/±è³ëÇö °î, /ten. ½Å¿µÁ¶#&
  4488. Hawaiian Wedding Song, /Andy Williams#&
  4489. I went to your wedding, /Patti Page#&
  4490. I love my coffee, /Marc Black and Buzzco#&
  4491. When I dream, /Carol Kidd#&
  4492. You Raise Me Up, /Celtic Woman#& /Helene Fischer#&