- °¡µ¥,´Ò½º, ±³Çâ°î 1, c, Op.5, 36m $ Copenhagen Collegium Musicum/Michael Schonwandt, * Niels Gade(1817-1890 Danish)
- °¡µ¥,´Ò½º, ±³Çâ°î 2, E, Op.10, 28m, # Copenhagen Collegium Musicum/Michael Schonwandt
- °¡µ¥,´Ò½º, ±³Çâ°î 4, Bb, Op.20, 22m
- °¡µ¥,´Ò½º, ±³Çâ°î 7, F, Op.45, 32m$, $ Danish National Radio Symphony Orchestra/Christopher Hogwood
- °¡µ¥,´Ò½º, ³ëº§·¹Å×(Novelletter), E, Op.58, ºÏÀ¯·´ÀÇ ÀÚ¿¬À» ³ë·¡
- °¡µ¥,´Ò½º, ¼º¾Ç°î "Jealousy Tango", ten.Placido Domingo
- °¡µ¥,´Ò½º, ¿À½Ã¾ÈÀÇ ¸Þ¾Æ¸® ¼°î(Echoes of Ossian Overture), Op.1
- °¡¸£µ¨,Ä«¸¦·Î½º, ¼º¾Ç°î "±ÍÇâ(Volver)", ten.Placido Domingo, * Carlos Gardel(1890-1935 French Argentine singer) ÅÊ°í ¿¡ Áö´ëÇÑ ¿µÇâ
- °¡¸£µ¨,Ä«¸¦·Î½º, ¼º¾Ç°î "´ç½ÅÀÌ ³ª¸¦ »ç¶ûÇÏ°Ô µÇ´Â ³¯(El dia Que Me Quieras)" #, ten.Juan Diego Florez
- °¡¸£µ¨,Ä«¸¦·Î½º, ¼º¾Ç°î "Æ÷¸£ ¿ì³ª Ä«º£ÀÚ(Por Una Cabeza)", ten.Marcelo Alvarez
- °¡¸£µ¨,Ä«¸¦·Î½º, ¼º¾Ç°î "Mano a mano", ten.Marcelo Alvarez
- °¡ºê¸®¿¤¸®(Domenico Gabrielli), ¼Ò³ªÅ¸, G
- °¡ºê¸±¸°, ¹ß·¹ <¾Æ´ºÅ¸(Anyuta)> - ¿ÐÃ÷ * Valery Gavrilin(1939-1999 Russian)
- °¡½ºÅ»µ·(Gasstaldon), ¼º¾Ç°î "±ÝÁöµÈ ³ë·¡(Musica Probita)", Luciano Pavarotti(ten)
- °¡½º,Á¸, ÿ·ÎÇùÁÖ°î 6, G, Op.1-6, Richard Tunnicliffe, cello/The Avison Ensemble/Pavlo Beznosiuk, * John Garth(1721-1810 English)
- °¥·¹,Á¶¼Á, ¼Ò³ªÅ¸ 7, b, * Josep Galles(1758-1836 Catalan, Org)
- °¥·çÇÇ, ¼Ò³ªÅ¸, Bb, Pf, 8m * Baldassarre Galuppi(1706-1785 Italian)
- °¥·çÇÇ, ¼Ò³ªÅ¸, d, Pf, 8m
- °¥·çÇÇ, ¿ÀÆä¶ó , /±×°ÍÀÌ ¿ÇÀ»Áö¶óµµ
- °¥·çÇÇ, ÇùÁÖ°î 6, Bb, Ensemble Il Falcone/Fabrizio Haim Cipriani
- °¥·çÇÇ, ÇùÁÖ°î 7, A, 11m, Ensemble Il Falcone/Fabrizio Haim Cipriani
- °¥¸®¾Æ³ë(Richard Galliano), Opale Concerto, (accordion), 18m
- °Å½®, "Boy what love has done to me", Andre Previn (Pf), 4m
- °Å½®, "I got rhythm"º¯ÁÖ°î(Variations on "I got rhythm" for Piano and Orchestra), 9m
- °Å½®, "Love walked in", Benjamin Grosvenor(Pf), 4m
- °Å½®, ´º¿å·¦¼Òµð
- °Å½®, ·¦¼Òµð ÀÎ ºÒ·ç, °üÇö¾Ç°î, °Áî ±â¹ýÀÇ ÇǾƳëÇùÁÖ°î
- °Å½®, ¹ÂÁöÄà <±×´ë¸¦ À§ÇØ ³ë·¡ ºÎ¸£¸®>;
- "±×´ë¸¦ À§ÇØ ³ë·¡ ºÎ¸£¸®(Of Thee I Sing)"
- "Some Girls Can Bake a Pie"
- °Å½®, ¼º¾Ç°î "I got rhythm", # sop. Kiri Te Kanawa
- °Å½®, ¿ÀÆä¶ó ;
- °Å½®, ¿ÀÆä¶ó <Æ÷±â¿Í º£½º>;
- °Å½®, ÆÄ¸®ÀÇ ¾Æ¸Þ¸®Ä«ÀÎ, °üÇö¾Ç°î
- °Å½®, ÇǾƳëÇùÁÖ°î, F, À¯ÀÏÇÑ PC, °ÁîÀ½¾Ç ¹ÙÅÁ,27m#, Garrick Ohlsson(pf),San Francisco Symphony/Michael Tilson Thomas
- °í´Ù¸£,º¥ÀÚ¹Î, ¼º¾Ç°î "ÁÒ½½·©ÀÇ ÀÚÀå°¡", ten. Kenneth McKeller, * Benjamin Godard(1849-1895 French Vn &comp Romantic)
- °í´Ù¸£,º¥ÀÚ¹Î, ¼º¾Ç°î "Ç÷θ®¾ÈÀÇ ³ë·¡(Chanson de florian)", sop. Joan Sutherland
- °í´Ù¸£,º¥ÀÚ¹Î, ¿ÀÆä¶ó <Á¶½½·©>; /"Á¶½½·©ÀÇ ÀÚÀå°¡"
- °í´Ù¸£,º¥ÀÚ¹Î, ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, OP.116#
- °í´Ù¸£,º¥ÀÚ¹Î, ÇǾƳëÇùÁÖ°î 1, a, Op.31, 30m, Howard Shelly(pf),Tasmanian Symphony Orchestra
- °íº£¸£,Çʸ³, ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ È¯»ó°î, 6m, * Phillip Gaubert(1879-1941 French)
- °í›®, °¡º¸Æ®(Gavotte), Vn_Pf, * Fransois-Joseph Gossec(1734-1829 French
- °í›®, ±³Çâ°î, F, Op.12-6, 15m
- °íÃÝÅ©,·çÀÌ, Manchega, RO.143/Op.38, Pf, 4m
- °ñµå,ÄÚ¸¥, ¹ÙÀ̿ø°ÇùÁÖ°î, D, ¸»·¯ÀÇ Á¦ÀÚ·Î ¸»·¯ºÎÀο¡°Ô ÇåÁ¤
- °ñÆ®¸¶¸£Å©,Ä®, ±³Çâ°î, Eb, Op.26, "Àü¿ø °áÈ¥½Ä(Rustic wedding)", 2M:½ÅºÎÀÇ ³ë·¡, 3M:¼¼·¹³ªµ¥, 42m$, Utah Symphony Orchestra/Maurice Abravanel, * Karl Goldmark(1830-1915 Hungarian)
- °ñÆ®¸¶¸£Å©,Ä®, ¹ÙÀ̿ø°ÇùÁÖ°î, a, Op.28, 32m, Çë°¡¸®Å»ý
- °ñÆ®¸¶¸£Å©,Ä®, "ÀÌÅ»¸®¾Æ¿¡¼" ¼°î(In Italien Overture), Op.49, 12m
- °ú¸£´Ï¿¡¸®, ÇǾƳëÇùÁÖ°î, 19m, Caio Pagano(pf)/Czech National Symphony Orchestra/Paul Freeman, * Camargo Mozart Guarnieri(1907-1993 Brazilian)
- ±«µðÄÉ, ÄÜü¸£Æ¼³ë,D, Op.11,(µ¶ÁÖ ºÎºÐ) ÇǾƳë, 14m * Alexander Goedicke(1877-1957) - Russian composer and pianist. * concertino(=Concerstueck) = ¼ÒÇùÁÖ°î(ÇÕÁÖÇùÁÖ°îÀÇ µ¶ÁÖ ºÎºÐ:µ¶ÁÖÇùÁÖ°î)
- ±¸³ë, °ü¾Ç±â¸¦ À§ÇÑ ÀÛÀº ±³Çâ°î(Petite Symphonie for wind instruments)
- ±¸³ë, ±³Çâ°î 2, Eb, 37m, Netherlands Chamber Orchestra/Gordan Nicolic
- ±¸³ë, ·¹Äû¿¥, C, 36m
- ±¸³ë, ¼º¾Ç°î "¼¼·¹³ªµ¥" * Charles Gounod(1818-1893 French)
- ±¸³ë, ¼º¾Ç°î "¾Æº£¸¶¸®¾Æ"
- ±¸³ë, ¼º¾Ç°î "¾ø´Â »ç¶÷(L'Absent)"
- ±¸³ë, ¿ÀÆä¶ó <»çÆ÷(Sapho)>; /"¿À, ³ªÀÇ ºÒ¸êÀÇ ¸®¶ó¿©(Ou suis-je... O ma lyre immortelle)"
- ±¸³ë, ¿ÀÆä¶ó <·Î¹Ì¿À¿Í Á츮¿§>;
- "¾Æ, ²Þ ¼Ó¿¡ »ì°í ½Í¾î¶ó(Ah! Je veux vivre dans ce reve)"-Á츮¿§ÀÇ ¾Æ¸®¾Æ(1), sop.Angela Gheorghiu
- "°¡¼¼¿ä, ´ç½ÅÀ» ¿ë¼Çϰھî¿ä"
- "»ç¶û½º·± õ»ç¿©(Ange adorable)"1:2Áßâ, ten. Roberto Alagna, sop. Angela Gheorghiu
- "»ç¶ûÀÌ¿©, ¾Æ! ¶°¿Ã¶ó¶ó, žçÀÌ¿©(L¡¯amour, Ah! Leve-toi, Soleil)"-2:·Î¹Ì¿ÀÀÇ ¾Æ¸®¾Æ, ten. Roberto Alagna
- "»ç¶ûÀÌ¿©, Á¦°Ô ¿ë±â¸¦ ÁÖ¼¼¿ä(Amour, ranime mon courage)", sop.Angela Gheorghiu
- "½½ÆÛÇÏÁö ¸»¾Æ¿ä, ºÒÇàÇÑ ¿µÈ¥ÀÌ¿©(Console-toi, pauvre ame)"-5:Çdz¯·¹ ·Î¹Ì¿À¿Í ÁÙ¸®¿§ÀÇ ÃÖÈÄÀÇ 2Áßâ, ten. Roberto Alagna, sop. Angela Gheorghiu
- "¿À ½Å¼ºÇÑ ¹ãÀÌ¿©! ±×´ë¿¡°Ô ¾Ö¿øÇϳë´Ï(O nuit divine! je t¡¯implore!)"-2:»ç¶ûÀÇ 2Áßâ, sop.Mirella Freni Franco Corelli
- "¿ì¿ïÇϰí Àû¸·ÇÑ ¹«´ý¿¡ °æ¹è¸¦(Salut! tombeau)"
- ±¸³ë, ¿ÀÆä¶ó <¹Ì·¹À¯(Mireille)>; /"õ±¹ÀÇ Ãµ»çµéÀÌ¿©"
- ±¸³ë, ¿ÀÆä¶ó <ÆÄ¿ì½ºÆ®>;
- "¸ÞÇǽºÅäÀÇ ¼¼·¹³ªµ¥(Vous qui faites l¡¯endormie)", bass. Nicolai Ghiaurov
- "º¸¼®ÀÇ ³ë·¡(Ah! je ris de voir)", sop.Juliane Banse
- "½ÅÀº ³»°Ô ¹» ¿øÇϽô°¡(Mais ce Dieu)", ten.Placido Domingo
- "Àáµç ô ÇÏ´Â ±×´ë(Vous qui faites l¡¯endorie)"
- "Á¤°áÇÑ Áý(Salut! demeure chaste et pure)", ten.Jose Carreras
- "Åø·¹ÀÇ ¿Õ(Il etait un roi de Thule)"-¸¶¸£°Ô¸®Å¸ÀÇ ¾Æ¸®¾Æ:2, sop.Montserrat Caballe
- "Ȳ±Ý¼Û¾ÆÁöÀÇ ³ë·¡(Le veau d¡¯or)", bass-bar. Erwin Schrott
- ±¸³ë, ¿ÀÆä¶ó <Ç÷óÆ®(Polyeucte)>;
- "´ÞÄÞÇÑ º½³¯ÀÌ¿©(Source delicieuse)", ten.Jose Carreras
- ±¸³ë, Æä´ÞÇǾƳëÇùÁÖ°î, Eb, CG.534, Roberto Prosseda(pedal piano), 19m
- ±¸³ë, È£¸¥À» À§ÇÑ 6°³ÀÇ ¸á·Îµð(Six melodies pour le Cor a Pistons)
- ±¸·¹Ã÷Ű, ±³Çâ°î 3, Op.36, "½½ÇÄÀÇ ³ë·¡ ±³Çâ°î(Symphony of Sorrowful Songs)", 53m$, $ Dawn Upshaw(Sop.),London Sinfonietta/David Zinman, * Henryk Gorecki(1933-2010 Polish)
- ±¸ºñ,·çÀÌ Å׿Àµµ¸£, ½ÅÆ÷´Ï¿¡Å¸, D, Op.80, * Louis Theodore Gouvy(1819-1898 French)
- ±¸¾Æ½ºÅ¸ºñ³ë, Ä«¸¦·Î½º, ¼º¾Ç°î "Àå¹Ì¿Í ¹öµå³ª¹«(La rosa e el sauce)", Carlos Guastavino(b.1912 Argentine)
- ±¼´Ù, ÿ·ÎÇùÁÖ°î, 32m, cf) °Áî ½ºÅ¸ÀÏ
- ±×¶ó³ªµµ½º, °í¿¡½ºÄ«½º(Goyescas) 1Áý, ÇǾƳë°î, ¿ÀÆä¶ó·Î ¸¸µë
- ±×¶ó³ªµµ½º, °í¿¡½ºÄ«½º 2Áý
- ±×¶ó³ªµµ½º, ¼º¾Ç°î "°í¾ßÀÇ ¸¶ÇÏ(La Maja de Goya)", # sop.Kathleen Battle
- ±×¶ó³ªµµ½º, ¼º¾Ç°î "¿µ¿øÇÑ ½½ÇÄ(Elegia eterna)", sop.Margaret Price
- ±×¶ó³ªµµ½º, ½ºÆäÀÎ ¹«°î(12°³ÀÇ), /Op.37-2 "¿À¸®¿£Å»" 10m /Op.37-5, 5m
- ±×¶ó³ªµµ½º, ½ÃÀûÀÎ ¿ÐÃ÷(Valses Poeticos), Op.10
- ±×¶ó³ªµµ½º, ½ÃÀûÀÎ Àå¸éµé(Escenas Poeticas: Book I), 10m
- ±×¶ó³ªµµ½º, ¾È´Þ·ç½Ã¾Æ(Andaluza)
- ±×¶ó³ªµµ½º, ÇǾƳë3ÁßÁÖ°î, 29m
- ±×¶ó³Ä´Ï, ±âŸ 3ÁßÁÖ°î, D, Op.12, * Filippo Gragnani(1768-1820 Italian Guitarist&)
- ±×¶ó³Ä´Ï, ¹ÙÀ̿ø°, Ŭ¶ó¸®³Ý°ú µÎ ´ëÀÇ ±âŸ¸¦ À§ÇÑ 4ÁßÁÖ°î, A, Op.8, Consortium Classicum
- ±×¶ó¿ìÇÁ³Ê, °üÇö¾Ç ¸ðÀ½°î(Suite for Flute, Viola d'Amore and Chalumeau ), F, GWV.450, 1) Ouverture, 2) Air en Gavotte, 3) Hornepipe, 4) Air en Sarabande, 5) Air en Polonaise, 6) Air en Menuet, 21m#, * Christoph Graupner(1683-1760 German, Baroque)
- ±×¶ó¿ìÇÁ³Ê, °üÇö¾Ç ¸ðÀ½°î(Suite for Flute, Viola d'Amore, 2 Chalumeaux and Horn), F, GWV.451; 1) Overture, 2) Air, 3) Sarabande, 4) Menuet, 5) Marche, 6) Chaconne
- ±×¶ó¿ìÇÁ³Ê, °üÇö¾Ç ¸ðÀ½°î(Viola d'Amore and Bassoon), G, GWV.458, 25m, 1) Overture, 2) Air, 3) Tempo di Sarabande, 4) Tempo di Bourree I-II, 5) Air: Largo, 6) Menuet I-II, # Finnish Baroque Orchestra/Sirkka-Liisa Kaakinen-Pilch
- ±×¶ó¿ìÇÁ³Ê, ÇùÁÖ°î, C, GWV.302, 10m
- ±×¶ó¿ìÇÁ³Ê, Entrada per La Musica di Tavola for strings, g, GWV.468
- ±×¶ó¿î,¿äÇÑ °íƲ¸®ÇÁ, Concerto Concertata for Viola da Gamba, WV A:XIII:14, 24m#, * Johann Gottlieb Graun(1703-1771 German Baroque/Classical)
- ±×¶ó¿î,¿äÇÑ °íƲ¸®ÇÁ, ¹ÙÀ̿ø°ÇùÁÖ°î, A, Daniel Sepec(vn),Wiener Akademie/Martin Haselbock
- ±×¶ó¿î,¿äÇÑ °íƲ¸®ÇÁ, Trio per Cembalo obligato e Viola, c, 22m
- ±×¶ó¿î,Ä® ÇÏÀθ®È÷, Å× µ¥¿ò(Te Deum), Te Deum: early Christian hymn, * Carl Heinrich Graun(1704-1759 German)
- ±×¶õÀÚ´Ï,¸¶¸£¼¿, ÇÏÀ̵ç ÁÖÁ¦¿¡ ÀÇÇÑ ÇÏÇÁ¸¦ À§ÇÑ È¯»ó°î, * Marcel Grandjany(1891-1975 French-born American Hrp)
- ±×·¹¹ö, ¼º¾Ç°î "»ç¶ûÇÑ´Ù°í ¸»Çß¾úÁÒ(Te quiero, dijiste)", Placido Domingo(Ten), * Maria Grever(1885-1951 Mexican:F)
- ±×·¹¹ö, ¼º¾Ç°î "¾à¼ÓÇØÁà(Jurame)", ten.Juan Diego Florez
- ±×·¹Ã¤´Ï³ëÇÁ, ¼ö³ÁÖ°£(Passion Week), Op.58 * Alexander Tikhonovich Grechaninov
1) Behold, the Bridegroom 2) I see Thy bridal chamber 3) In Thy Kingdom
4) Gladsome Light 5) Let my prayer be set forth 6) Now the powers of heaven
7) At Thy mystical supper 8) The wise thief 9) Thou who clothest Thyself
10) The Lord is God... The noble Joseph 11) Weep not for me, O Mother 12) As many of you ... Arise, O God
13) Let all mortal flesh
- ±×·¹¹ö,¸¶¸®¾Æ, ¼º¾Ç°î "ÁÁ¾ÆÇÑ´Ù°í ¸»Çß¾î(te quiero, dijiste)" * Maria Grever(1894-1951 Mexican)
- ±×·¹Æ®¸®,¾Óµå·¹, Suite Rococo, Vc&orch. * Andre-Ernest-Modeste Gretry(1741-1813 Belgian-French)
- ±×·¹Æ®¸®,¾Óµå·¹, ÇÃ·çÆ®ÇùÁÖ°î, C
- ±×·ÎÆä, ±×·£µå ij³â ¸ðÀ½°î, °üÇö¾Ç ¸ðÀ½°î, 32m, $ New York Philharmonic/Leonard Bernstein, * Ferde Grofe(1892-1972 American)
- ±×·ÎÆä, ¹Ì½Ã½ÃÇÇ ¸ðÀ½°î
- ±×¸®°í¸®¿ì,ÁÒÁö, ¿ÀÆä¶ó <´Ù´ººê °>; * George Grigoriu(1927-1999 Romanian)
- ±×¸®±×, 2°³ÀÇ ºÏÀ¯·´ ¼±À²(Two Nordic Melodies: In Folk Style), Op.63, 8m#
- ±×¸®±×, °¡°î "°íÇâÀ¸·Î °¡´Â ±æ"
- ±×¸®±×, °¡°î "±×´ë¸¦ »ç¶ûÇØ(Ich Liebe dich)", bar.Hermann Prey
- ±×¸®±×, °¡°î "´ÞÆØÀÌ", Op.69-4
- ±×¸®±×, °¡°î "µå¶óÅ©¸¸ÀÇ 6°³ÀÇ ½Ã(Seks Digte f Holger Drachmann)", Op.49; 1) º½ºñ(spring rain), No.6
- ±×¸®±×, °¡°î "ºñ´Ï¿¡ ½Ã¿¡ ºÙÀÎ 12°³ÀÇ ³ë·¡(Tolv Melodier til Digte af Aasmund Olavsson Vinje)", Op.33; 1) º½(spring), No.2, 2) °³¿ï µû¶ó(along a stream), No.5
- ±×¸®±×, °¡°î "¾î¸°ÀÌ ³ë·¡(Barnlige Sange)", Op.61; 1) ºÎ¸£´Â ¼Ò¸®(call); Bjornson, No.3
- ±×¸®±×, °¡°î "6°³ÀÇ ³ë·¡(Seks Sange)", Op.48; 1) Àλç(greeting); Heinrich Heine, 2) ¾î´À ³¯ ³ªÀÇ »ó³äÀº(one day, my thought); Emanuel Geibel, 3) ¼¼»óÀÇ º¯È(the way of the world); Ludwig Uhland, 4) Á¶¿ëÇÑ ³ªÀÌÆÃ°ÔÀÏ(the secretive Nightingale); Vogelweide, 5) Àå ¹ÌÀÇ °èÀý(the time of roses); Johann Wolfgang von Goethe), 6) ²Þ (a dream)
- ±×¸®±×, °¡°î "¿µÈ¥ÀÇ ³ë·¡(Hjertets Melodier af H.C.Andersen)", Op.5; 1) µÎ °³ÀÇ °¥»ö ´«(two brown eyes), No.1, 2) ±×´ë¸¦ »ç¶ûÇØ(I love you), No.3
- ±×¸®±×, °¡°î "ÀÔ¼¾ÀÇ 6°³ÀÇ ½Ã(Seks Digte af Henrik Ibsen)", Op.25; 1) ¹éÁ¶ (swan); Henrik Ibsen, No.2, 2) ¼ö·Ã°ú ÇÔ²²(with a waterlily); Henrik Ibsen, No.4
- ±×¸®±×, °¡°î "Å©¶óÅ©ÀÇ ½Ã(Digte af Vilhelm Krag)", Op.60; 1) ±â´Ù¸®´Â µ¿¾È (while I wait), No.3
- ±×¸®±×, °¡°î "ÆÄ¿ï¼¾ÀÇ 5°³ÀÇ ½Ã(Fem Digte af John Paulsen)", Op.26; 1) Èñ¸Á (Hope), No.1
- ±×¸®±×, °¡À»ÀÇ ÆøÇ³, Op.18-4, ÈÄ¿¡ ÀÌ °îÀ» °üÇö¾ÇÀ» À§ÇÑ ¿¬ÁÖȸ¿ë ¼°î('°¡À»¿¡', Op.11)À¸·Î ÀÛ°î
- ±×¸®±×, ±³Çâ°î, c, 37m
- ±×¸®±×, ±³ÇâÀû ¹«°î(Symphonic Dance), Op.64
- ±×¸®±×, ³ë¸£¿þÀÌ¾È ´í½º
- ±×¸®±×, ·Î¸Á½º(Romancer), Op.39, 1) ÇÉÄ¡¿À ¾ð´öÀ¸·Î ºÎÅÍ(from monte Pincio); Bjornson, No.3
- ±×¸®±×, ¸ðÀ½°î(Çö¾ÇÇÕÁÖ¸¦ À§ÇÑ), "Ȧº£¸£Å© ¸ðÀ½°î", Op.40,5°î ±¸¼º, ¹ÙÈå½Ã´ëÀÇ µ§ ¸¶Å© Ȧº£¸£Å© ³²ÀÛ Åº»ý 200Áֳ⠱â³ä ÀÛ°î
- ±×¸®±×, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, F, Op.8, 22m$ 1M>ÁøÁÖó·³ ºû³´Ù´Â Æò°¡, 3VSÁß 3¹øÀÌ À¯¸í
- ±×¸®±×, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, G, Op.13, 21m#, Oleg Kagan(vn)/Sviatoslav Richter(pf)
- ±×¸®±×, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, c, Op.45, 44¼¼(1887)¿¡ ÀÛ°î, 2¹ø¿¡ ºñÇØ ¹ÎÁ·Àû ¿ä¼Ò°¡ ¿ÏȵǾî ÀÖ°í º¸Æí¼ºÀ» ¶ì°í ÀÖÀ½, 24m
- ±×¸®±×, »êó³à;°¡¸£º¸¸® ½Ã¿¡ ºÙÀÎ ³ë·¡Áý(Haugtussa(The Mountain Maid); Song cycle to poems by Arne Gaborg), Op.67; 1) À¯È¤(enticement), 2)¼Ò ³à(the little maiden), 3) ºí·çº£¸® ºñÅ»±æ(Blueberry slope), 4) ¸¸³²(the encounter), 5) »ç¶û(love), 6) ¾î¸° ¿°¼ÒµéÀÇ Ãã(kids' dance), 7) ½½Ç ³ª³¯(sorrowful day), 8) °³Æ² ½Ã³Á°¡¿¡¼(at Gjatle brook)
- ±×¸®±×, ¼Á¤ ¸ðÀ½°î(Lyric Pieces), ±×¸®±×°¡ ÀÛ°îÇÑ 66°îÀÇ ¼Á¤ ¼Òǰ Áß 4°îÀ» »Ì¾Æ ³ë¸£¿þÀÌÀÇ ¾Æ¸§´Ù¿î dz°æÀ» ¹¦»çÇÏ´Â °üÇö¾Ç°îÀ¸·Î Æí°î
- ±×¸®±×, ¼Á¤ ¼Ò°îÁý 8(Lyric Pieces: Book 8), Op.65; 1) From early years 2) Peasant's song 3) Melancholy 4) Salon 5) Ballad 6) Wedding day at Troldhaugen
- ±×¸®±×, ¼º¾Ç°î "±×´ë¸¦ »ç¶ûÇØ"
- ±×¸®±×, ¼º¾Ç°î "º½(Varen)", bar.Harald Bjoerkoey
- ±×¸®±×, ¼º¾Ç°î "½ÃÀÎÀÇ °íº°", ms.Monica Groop/Roger Vignoles(pf)
- ±×¸®±×, ¿¬ÁÖȸ¿ë ¼°î(°üÇö¾ÇÀ» À§ÇÑ), Op.11, "°¡À»¿¡"
- ±×¸®±×, ÿ·Î¼Ò³ªÅ¸, a, Op.36, 28m
- ±×¸®±×, Æä¸£ ±ÏÆ®, Á¦1 ¸ðÀ½°î, Op.46, 4°î±¸¼º, 1) ¾ÆÄ§±âºÐ, 2) ¿ÀÁ¦ÀÇ Á×À½, 3) ¾Æ´ÏÆ®¶óÀÇ Ãã, 4) »ê¼Ó ¸¶¿ÕÀÇ Àü´ç¿¡¼, Gothenburg Symphony Orchestra/Neeme Jaervi
- ±×¸®±×, Æä¸£ ±ÏÆ®, Á¦2 ¸ðÀ½°î, Op.55, 4°î±¸¼º, 1) À×±Û¸®µåÀÇ Åº½Ä 2) ¾Æ¶óºñ¾ÆÀÇ Ãã 3) Æä¸£±ÏÆ®ÀÇ ±ÍÇâ 4) ¼Öº£ÁöÀÇ ³ë·¡
- ±×¸®±×, ÇǾƳë¼Ò³ªÅ¸, e, Op.7 >Glenn Gould $
- ±×¸®±×, ÇǾƳëÇùÁÖ°î, a, Op.16,
/Arthur Rubinstein #&
- ±×¸®±×, Çö¾Ç4ÁßÁÖ°î, g, Op.27, 32m#, ³ë¸£¿þÀ̱¹¹Î°¨°¢ Ç¥Çö, g,FÁß g°¡ À¯¸í, Guarneri Quartet
- ±×¸®±×, "Ȧº£¸£±×ÀÇ ½Ã´ë·ÎºÎÅÍ(Fra Holbergs tid)" ¸ðÀ½°î(Holberg Suite), Op.40, * 5°³ÀÇ °îÀ¸·Î ±¸¼º- 1) ÀüÁÖ°î(Praeludium) 2) »ç¶ó¹æµå(Sarabande) 3) °¡º¸Æ®¿Í ¹¿Á¦Æ®(Gavotte et Musette) 4) ¿¡¾î(Air:¿¡¸£,¾Æ¸®¾Æ) 5) ¸®°íµ¿(Rigaudon)
- ±×¸®ÇÁ½º,Âû½º Å踰½¼, ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ ½Ã°î(Poem for Flute and Orchestra), A.93, 10m$, # Scott Goff(fl),Seattle Symphony/Gerard Schwarz, * Charles Tomlinson Griffes(1884-1920 American)
- ±×¸°,¸ð¸®½º, ¼°î 3, C, * Maurice Greene(1696-1755 English)
- ±×¸°,¸ð¸®½º, ¼°î 5
- ±Û·¡½º,Çʸ³, ±³Çâ°î 4, "¿µ¿õ(Heroes)", 44m, American Composers Orchestra/Dennis Russell Davies, * Philip Glass(1937- American)
- ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 1, E, Op.5, "Slavyanskaya", 33m, Royal Scottish National Orchestra/Jose Serebrier
- ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 3, D, Op.33, 49m#, * Alexander Glazunov(1865-1936 Russian)
- ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 5, Bb, Op.55, 36m, # Royal Scottish National Orchestra/Jose Serebrier
- ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 6, c, Op.58, 42m#, USSR Ministry of Culture Symphony Orchestra/Gennady Rozhdestvensky
- ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 7, F, "Àü¿ø(Pastoral)", 36m
- ±Û¶óÁÖ³ëÇÁ, ±³Çâ°î 8, Eb, Op.83, 47m
- ±Û¶óÁÖ³ëÇÁ, µ¿¾çdzÀÇ ±¤½Ã°î(Oriental Rhapsody for Large Symphony Orchestra), Op.29, 25m
- ±Û¶óÁÖ³ëÇÁ, Mazurka-oberek(¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ), D
- ±Û¶óÁÖ³ëÇÁ, ¸í»ó°î, Op.32
- ±Û¶óÁÖ³ëÇÁ, "¹Ù´Ù(La Mer)", °üÇö¾Ç°î, Op.28, 15m
- ±Û¶óÁÖ³ëÇÁ, ¹ÙÀ̿ø°ÇùÁÖ°î, a, Op.82, 21m, 1) Leila Josefowicz(Vn),Montreal Symphony Orchestra/Charles Dutoit, 2) Jascha Heifetz(vn),RCA Victor Symphony Orchestra/Walter Hendl
- ±Û¶óÁÖ³ëÇÁ, ¹ß·¹ÀÇ Àå¸é(Scenes de Ballet), Op.52, °üÇö¾Ç°î, 28m
- ±Û¶óÁÖ³ëÇÁ, ºñ°¡(Elegie for Viola and Piano), Op.44, 5m, Michael Kugel(va), Boris Berezovsky(pf)
- ±Û¶óÁÖ³ëÇÁ, »ç°è(The Seasons), ¹ß·¹¸ðÀ½°î, Op.67, 1¸·4Àå ¹«°î, 1) °Ü¿ï- ¼¸® ¾óÀ½ ½Î¶ó±â´« µî 4°³ÀÇ º¯ÁÖ°î 2) º½ 3)¿©¸§- µµ±úºñ ºÎä¿Í ¾ç±ÍºñÀÇ ¿ùÃ÷, ¹î³ë·¡ 4) °¡À»- ¹ÙÄ«³¯, °¡À»ÀÇ ¸ÚÁø ¼öÈ®ÀÇ ÃàÁ¦, # Philharmonia Orchestra/Evgeny Svetlanov
- ±Û¶óÁÖ³ëÇÁ, ¼»ç½Ã(Poeme epique), Op.posth., 15m#
- ±Û¶óÁÖ³ëÇÁ, ¼Á¤Àû ½Ã(Poeme lyrique), Op.12, °üÇö¾Ç°î
- ±Û¶óÁÖ³ëÇÁ, ½½¶óºê ÃàÁ¦(Une fete slave), Op.26, °üÇö¾Ç°î, 12m, Moscow Symphony Orchestra/Konstantin Krimets
- ±Û¶óÁÖ³ëÇÁ, ÄܼƮ ¿ÐÃ÷ 1(Concert Waltz), D, Op.47, Orchestra of the Suisse Romande/Kazuki Yamada
- ±Û¶óÁÖ³ëÇÁ, Å©·½¸°(The Kremlin), Op.30, °üÇö¾Ç°î, 27m$, # Moscow Symphony Orchestra/Konstantin Krimets
- ±Û¶óÁÖ³ëÇÁ, ÇǾƳëÇùÁÖ°î 1, f, Op.92, 35m
- ±Û¶óÁÖ³ëÇÁ, ÇǾƳëÇùÁÖ°î 2, B, Op.100, 18m
- ±Û¶óÁÖ³ëÇÁ, È£¸¥°ú ÇǾƳ븦 À§ÇÑ "²Þ"(Reverie for horn and piano), Db, Op.24
- ±Û·¡½º,Çʸ³, ¹ÙÀ̿ø°ÇùÁÖ°î 2, "The American Four Seasons", 42m /Gidon Kremer * Philip Glass(1937- American)
- ±Û·è, ¼º¾Ç°î "¿À ³ªÀÇ °¨¹Ì·Î¿î »ç¶û(O del mio dolce ardor)", bar. Renato Bruson
- ±Û·è, ½ÅÆ÷´Ï¾Æ, G, 6m
- ±Û·è, "¾Æ¿ï¸®µ¥ÀÇ ÀÌÇǰԳ×À̾Æ" ¼°î(Iphigenie en Aulide: Suite)
- ±Û·è, ¿À¸£Æä¿À¿Í ¿¡¿ì¸®µðü(Orpheus and Eurydice), ¹ß·¹À½¾Ç; /"Dance of the Blessed Spirits", /"¿¡¿ì¸®µðü ¾øÀÌ ¾î¶»°Ô »ì¾Æ°¡³ª(Che faro senza Euridice)"
- ±Û·è, ¿ÀÆä¶ó <¾Ëü½ºÅ×(Alceste)>; /"½ºÆ½½ºÀÇ ½Å(Divinite du Styx)"
- ±Û·è, ¿ÀÆä¶ó <¿À¸£Æä¿À¿Í ¿¡¿ì¸®µðü(Orpheus and Eurydice)>; ¼°î
- "³ªÀÇ À¯¸®µðü´Â ¾îµð¿¡(Che faro senza Euridice)",# contralto/Kathleen Ferrier
- "¸¼Àº ÇÏ´ÃÀÌ¿©(Che puro ciel!)"
- ±Û·è, ¿ÀÆä¶ó <ÆÄ¸®µ¥¿Í ¿¤·¹³ª(Paride and Elena)>;
- "¿À °¨¹Ì·Î¿î ³ªÀÇ »ç¶û(O! del mio dolce ardor)", bar.Renato Bruson
- ±Û¸®½º,¾Æ¼, ÇǾƳëÇùÁÖ°î,¹Ì±¹Àû À½¾ÇÀ» ÅëÇØ ¹Ì ¿µ ¿ìÈ£ÁõÁø¿¡ ³ë·Â
- ±Û¸®¿¡¸£, È£¸¥ÇùÁÖ°î, Bb, Op.91, 23m * Reinhold Gliere(1875-1956 Russian)
- ±Û¸®¿¡¸£, Humoresque for Bassoon and Piano, Op.35-8
- ±Û¸µÄ«, ·ç½º¶õ°ú ·çµå¹Ð¶ó(Ruslan and Ludmilla): ¼°î
- ±Û¸µÄ«, ºñâ 3ÁßÁÖ°î(Trio pathetique), d, 16m
- ±Û¸µÄ«, ¼º¾Ç°î "°¡³ÇÑ ½ÃÀÎ", contralto.Lina Mkrtchyan
- ±Û¸µÄ«, ¼º¾Ç°î "³ ¸ÚÁø ¼ø°£À» ±â¾ïÇÕ´Ï´Ù", $, sop. Galina Gorchakova
- ±Û¸µÄ«, ¼º¾Ç°î "¿©ÇàÀÇ ³ë·¡", bar.Sergei Leiferkus
- ±Û¸µÄ«, ¼º¾Ç°î "ÀǽÉ(Doubt)"
- ±Û¸µÄ«, ¼º¾Ç°î "Á¾´Þ»õ", Sergei Leiferkus(Bar)
- ±Û¸µÄ«, ¾È´ÜÅ× ÄŸºô·¹¿Í ·Ðµµ, d, 18m
- ±Û¸µÄ«, ¾ß»ó°î(Nocturne), Eb, Pf, Hp, Xavier de Maistre(hp)
- ±âÀ¯¸Í, Ä«ÇÁ¸®Ä¡¿À 2, ¹ÙÀ̿ø° °î, 5m * ·çÀÌ °¡ºê¸®¿¤ ±âÀ¯¸Í(Louis Gabriel Guillemain:1705-1770)
- ±æ¹þÆ® & ¼³¸®¹ø, ¼º¾Ç°î, "I have a song to sing."
- ±æ¹þÆ® & ¼³¸®¹ø, ¿ÀÆä¶ó <°ïµ¹¶ó »ç°ø(Gondoliers)>; /"Take a pair of sparkling eyes"
- ±î¸£ÅÚ¸®¿¡¸®, ±³Çâ°î 2, E, 11m, Antonio Cartellieri(1772-1807 Polish-Austrian)
- ±î¸£ÅÚ¸®¿¡¸®, ±³Çâ°î 3, C, 23m
- ³ª¸£µð´Ï(ÇÇ¿¡Æ®·Î), ¼Ò³ªÅ¸, D, Vn & Pf, 15m * Pietro Nardini(1722-1793 Italian:&vn)
- ³ªÀÚ·¹½º(¿¡¸£³×½ºÅä), Brazilian Dances, Brejeiro(À峱⠾), ÇÇ¾Æ³ë µ¶ÁÖ°î * Ernesto Nazareth(1863-1934 Brazilian &pianist)
- ³×µå¹ß, ½½Ç ¿ÐÃ÷: ¹ß·¹ ÆÇÅ丶ÀÓ "Àè¿¡ ´ëÇÑ µ¿È" Áß(Valse Triste from ballet pantomime "A Fairy Tale about Jack"), ½Ç³»¾Ç, * Oskar Nedbal(1874-1930 Czech Va)
- ³×Å©,Ç츣¸¸, Å©½ÃÄÚ½ºÀÇ ¿ìÆí¸¶Â÷(Csikos Post), * Hermann Necke(1850-1912 German)
- ³Ú½¼, ¼º¾Ç°î "Make a Rainbow", Marilyn Horne(Ms), * Portia Nelson(1920-2001 American popular singer/F)- songwriter, cf) The Sound of Music (1965)
- ³ëÀÌÄÞ,Áö±â½º¹®Æ®, ¿µ¿õÀû ´ë±³Çâ°î(Grande Sinfonie heroique), Op.19, 24m * Sigismund von Neukomm(1778-1858 Austria)
- ´ÏÄݶóÀÌ, ¿ÀÆä¶ó <À©ÀúÀÇ À¯ÄèÇÑ ¾Æ³«³×µé(Die Lustigen Weiber von Windsor)>; ¼°î,
- "±×¸®ÇÏ¿© ±×³¯ ¹ãÀÇ À¯ÄèÇÑ ¼Ò±ØÀº...(So hat denn der schwank der frohlichen Nacht...)"-3:Çdz¯·¹, sop. Edith Mathis, ms. Hanna Schwarz, sop. Helen Donath, bass. Kurt Moll
- "µé¾îºÁ, Á¾´Þ»õ°¡ ÀÛÀº ½£¿¡¼ ³ë·¡ÇØ(Horch, die Lerche singt im Hain)"-2:ÆæÅæÀÇ ¾Æ¸®¾Æ, ten.Peter Schreier
- "¹ÏÀ» ¼ö ¾ø±º »·»·½º·¯¿î Àΰ£(Nein, das ist wirklich doch zu keck)"-1:ÇÃ·çÆ® ºÎÀΰú ¶óÀÌÈ÷ ºÎÀÎÀÇ 2Áßâ, sop.Edith Mathis, ms.Hanna Schwarz
- "»¡·¡Åë¿¡´Ù°¡?(In einem Waschkorb?)"-2:ÇÃ·çÆ®¾¾¿Í ÆÈ½ºÅ¸ÇÁÀÇ 2Áßâ, bar. Bernd Weikl, bass. Kurt Moll
- "¾ö¸¶ ǰ ¼ÓÀÇ °³±¸ÀïÀÌ ¶§ºÎÅÍ(Als Bueblein klein an der Mutter Brust)"-2:ÆÈ½ºÅ¸ÇÁÀÇ ¾Æ¸®¾Æ(Drinking Song), bass.Kurt Moll, º£¸¦¸° µµÀÌÄ¡ ±¹¸³¿ÀÆä¶ó ÇÕâ´Ü
- "¿À ¾Æ¸§´Ù¿î ´ÞÀÌ¿©(O susser Mond)"-3:ÇÕâ, º£¸¦¸° µµÀÌÄ¡ ±¹¸³¿ÀÆä¶ó ÇÕâ´Ü
- "ÆÈ½ºÅ¸ÇÁ(Falstaff)ÀÇ ¼ú³ë·¡"
- "ÆæÅæ! ³» »ç¶û ¾È³ª!(Fenton! Mein Maedchen)"-2:ÆæÅæ°ú ¾È³ªÀÇ »ç¶ûÀÇ 2Áßâ, ten. Peter Schreier, sop. Helen Donath
- ´Ò¼¾, ±³Çâ°î 1, g, Op.7, 33m >London Symphony Orchestra/Colin Davis, * Carl August Nielsen(1865-1931 Danish)
- ´Ò¼¾, ±³Çâ°î 2, Op.16, "³× °¡Áö ±âÁú(The Four Temperaments)", 32m, $ New York Philharmonic/Alan Gilbert
- ´Ò¼¾, ±³Çâ°î 3, Op.27, "È®Àå±³Çâ°î(Sinfonia espanziva)", 35m # Nancy Wait Kromm(Sop),Kevin McMillan(Bar),San Francisco Symphony/Herbert Blomstedt
- ´Ò¼¾, ±³Çâ°î 4, Op.29, "ºÒ¸ê(Inextinguishable)", 35m, # BBC Symphony Orchestra/Andrew Davis
- ´Ò¼¾, ±³Çâ°î 5, Op.50, 34m#, BBC Symphony Orch./Andrew Davis
- ´Ò¼¾, ¹ÙÀ̿ø°ÇùÁÖ°î, Op.33,36m
- ´Ò¼¾, »ç¶ûÀÇ Âù°¡
- ´Ò¼¾, ¾È°³´Â È帣°í, ÇÃ·çÆ®°î
- ´Ò¼¾, ¿Àº¸¿Í ÇǾƳ븦 À§ÇÑ 2°³ÀÇ È¯»ó°î(Fantasy Pieces(2) for Oboe and Piano), FS.8/Op.2
- ´Ò¼¾, ÀÛÀº ¸ðÀ½°î(Little Suite), a, Op.1, 15m
- ´Ò¼¾, Áö¹æ¿¡¼ÀÇ ¼¼·¹³ªÅ¸(Serenata in Vano), FS.68(1914), 7m
- ´Ò¼¾, ÇÃ·çÆ®ÇùÁÖ°î
- ´Ò¼¾, Ç︮¿À½º ¼°î(Helios Overture), Op.17
- ´Ò¼¾, Çö¾Ç4ÁßÁÖ°î, g, Op.13, 26m
- ´Ò¼¾, Çö¾Ç5ÁßÁÖ°î, G, FS.5, 25m#, Tim Frederiksen(va)/The Young Danish String Quartet
- ´Ùºñµå,Æä¸£µð³Æ®, Æ®·Òº»ÇùÁÖ°î(Trombone Concertino), Eb, Op.4, * Ferdinand David(1810-1873 German Vn &comp)
- ´Ù¿ï·£µå, ´«¹°ÀÇ ÆÄ¹Ý(Lachrimae antiquae pavan), Daniel Taylor(countertenor),Andreas Martin(lute),Les Voix Humaines, * John Dowland(1563-1626 English)
- ´Ù¿ï·£µå, µ§¸¶Å© ¿ÕÀÇ °¡À̾߸£(The King of Denmark's Galliard), ½Ç³»¾Ç, Christoph Denoth(Guitar)
- ´Ù¿ï·£µå, ¶óÅ©¸®¸Þ ¶Ç´Â 7°³ÀÇ ´«¹°(Lachrimae or Seven Tears), 26m, Elizabeth Kenny(lute)
- ´Ù¿ï·£µå, ¼º¾Ç°î "Come Again", ct.Iestyn Davies/Thomas Dunford (lute)
- ´Ù¿ï·£µå, ¼º¾Ç°î "Me, Me and None but Me", ct.Andreas Scholl
- ´Ù¿ï·£µå, ¼º¾Ç°î "Shall I sue?"
- ´Ù¿ï·£µå, ¼º¾Ç°î "Time Stands Still", ct. Daniel Taylor
- ´Ù¿ï·£µå, ¼º¾Ç°î "Weep you no more sad fountains"
- ´Ù¿ï·£µå, ¼º¾Ç°î "³»°¡ Á¶±Ýµµ Á¶±ÞÇÏÁö ¾Ê´Ù¸é(What If I never Speed)", sop.Kathleen Battle/Christopher Parkening(gt)
- ´Ù¿ï·£µå, ¼º¾Ç°î "´ÞÄÞÇÑ »ç¶ûÀÌ¿©, ´Ù½Ã µ¹¾Æ¿Í¿ä(Come Again! Sweet Love Doth Now Invite)"
- ´Ù¿ï·£µå, ¼º¾Ç°î "Èê·¯¶ó, ³» ´«¹°ÀÌ¿©(Flow, My Tears, Fall From Your Springs)"
- ´Ù¿ï·£µå, Dance Suite, 14m, Buffalo Guitar Quartet
- ´Ù¿ï·£µå, ÀëÆÛ ´Ù¿ï·£µå ÀëÆÛ µ¹·»½º(Semper Dowland semper dolens), P.9, 7m, Paul O'Dette(Baroque Lute)
- ´Ù¿ï·£µå, Sir Henry Umptons Funeral
- ´ÜÄ¡, 5ÁßÁÖ°î, Bb, Op.51-1, 13m; * Franz Danzi(1763-1826 German vc)
- ´ÜÄ¡, °ü¾Ç5ÁßÁÖ°î, Bb, Op.56-1, 13m
- ´ÜÄ¡, °ü¾Ç5ÁßÁÖ°î, Eb, Op.67-3, 16m#, Albert Schweitzer Quintett
- ´ÜÄ¡, ¹Ù¼øÇùÁÖ°î, F, 18m
- ´ÜÄ¡, Ŭ¶ó¸®³Ý°ú ÇÃ·çÆ®¸¦ À§ÇÑ ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×, Bb, Op.41, 20m#, Robert Dohn(fl),Dieter Klocker(cl),Academy of St. Martin in the Fields/Iona Brown
- ´Þ¶ó, ¼º¾Ç°î "Ä«·ç¼Ò(Caruso)", ten. Luciano Pavarotti, * Lucio Dalla(1943-2012 Italian singer)
- ´Þ¶ó¹ÙÄÚ,ÁÖ¼¼Æä Ŭ·¹¸àÅ×, ÿ·Î¼Ò³ªÅ¸, d, ABV.35, Giuseppe Clemente Dall'Abaco(1710-1805 Italian)
- ´Þ¶óÇÇÄݶó, ±âµµ
- ´Þ¶óÇÇÄݶó, ÀÛÀº ¾ß»ó°î,¼¾º£¸£Å©ÀÇ 12À½±â¹ý »ç¿ë
- ´óµð, 3ÁßÁÖ°î 2, G, Op.98, (Pf Vn Vc), * Vincent d'Indy(1851-1931 French)
- ´óµð, ±³Çâ°î(ÇÁ¶û½º »ê»ç¶÷µé¿¡ ÀÇÇÑ)(Symphony On A French Mountain Air), Op.25, $ Francois-Joel Thiollier(Pf),National Symphony Orchestra of Ireland/Antonio de Almeida
- ´óµð, ´Ùä·Î¿î ÄÚ¶ö(Choral varie), Op.55, ÇùÁÖ°î, 11m, Theodore Kerkezos(saxophone),London Symphony Orchestra/Yuri Simonov
- ´óµð, Ŭ¶ó¸®³Ý/¹ÙÀ̿ø°, ÇǾƳë, ÿ·Î¸¦ À§ÇÑ 3ÁßÁÖ°î, Bb, Op.29, 35m#, Amici Ensemble
- µ¥ ¶ó ¸¶ÀÚ(·¹Áö³ë ¼¼ÀÎÁî), ¾È´Þ·çÀÚ(Andaluza), 3m, ±âŸ°î, * Regino Sainz de la Maza(1896-1981 Spanish Guitarist &comp)
- µ¥ Å©·¹¼¾Á¶(De Crescenzo), ¼º¾Ç°î "Á¦ºñ´Â µ¹¾Æ¿À°Ç¸¸(Rondine al nido)"
- µ¥ Å©·çƼ½º, ¼º¾Ç°î "°¡À»", * Ernesto De Curtis(1875-1937 Italian)
- µ¥ Å©·çƼ½º, ¼º¾Ç°î "±×´ë¸¦ ³Ê¹«³ª »ç¶ûÇØ (Ti voglio tanto bene)"
- µ¥ Å©·çƼ½º(De Curtis), ¼º¾Ç°î "³Í ¿Ö ¿ïÁö ¾Ê°í(Tu ca nun chiagne)", Giuseppe di Stefano(Ten)
- µ¥ Å©·çƼ½º(De Curtis), ¼º¾Ç°î "µ¹¾Æ¿À¶ó ¼Ò·»Åä·Î(Torna a surriento)", # ten.Luciano Pavarotti
- µ¥ Å©·çƼ½º, ¼º¾Ç°î "¹°¸ÁÃÊ:³ª¸¦ ÀØÁö ¸»¾Æ¶ó(Non ti scordar di me)"
/Ferruccio Tagliavini #&
- µ¥À̺ñµå,Á¸, ¼º¾Ç°î "You are the new day." * John David(1946- Welsh)
- µ¥ÇÁ·¹,Á¶½ºÄ», ¼º¸ð ¸¶¸®¾Æ ¹Ì»ç(Missa "Ave Maris Stella), 33m#, Taverner Choir/Andrew Parrott(cond), * Josquin des Prez(1450/1455-1521)
- µ¥ÇÁ·¹,Á¶½ºÄ», Three Chansons
- µ§Â÷, ¼º¾Ç°î "±×´ë°¡ ³¯ ÀÌÇØÇÑ´Ù¸é(Si vous l¡¯aviez compris)", ten. Jose Carreras, * Luisi Denza(1846-1922)
- µ§Â÷, ¼º¾Ç°î "¸ÅȤÀÇ ´«(Occhi di fata)" $, ten.Luciano Pavarotti
- µ§Â÷, ¼º¾Ç°î "»ç¶ûÀÇ µÎ·Á¿ò(J'ai peur de l¡¯aimer)", sop. Joan Sutherland
- µ§Â÷, ¼º¾Ç°î "Funiculi-Funicula", ten.Giuseppe di Stefano
- µ¨¶óÄí¾Æ,¿¡¹Ù, ¼º¾Ç°î "¸ñ°¡(Villanelle)", sop. Rita Streich, * Eva Dell'Acqua(1856-1930 Belgian &singer)
- µ¨¸®¿ì½º, °üÇö¾Ç°î "¹ã¿¡(At Night)", 8m# * Frederick Delius(1862-1934 English)
- µ¨¸®¿ì½º, °üÇö¾Ç°î "ºê¸®±×ÀÇ À峯-¿µ±¹ ±¤½Ã°î(Brigg Fair: An English Rhapsody)", 16m
- µ¨¸®¿ì½º, °üÇö¾Ç°î "¾ÖÆÈ¶óÄ¡¾Æ(Appalachia)", 38m, ¼º¾Ç°î Appalachia: Sir Thomas Beecham(arranger) * Frederick Delius(1862-1934 English)
- µ¨¸®¿ì½º, °üÇö¾Ç°î "¾ð´ö ³Ê¸Ó Àú ¸Ö¸®(Over the Hills and Far Away)", 13m, $ Royal Philharmonic Orch./Sir Thomas Beecham
- µ¨¸®¿ì½º, °üÇö¾Ç°î "¿©¸§ ³ë·¡(A Song of Summer)", 11m
- µ¨¸®¿ì½º, °üÇö¾Ç°î "¿©¸§ Á¤¿ø¿¡¼(In a Summer Garden)", 15m $
- µ¨¸®¿ì½º, °üÇö¾Ç°î "Àϸô(Sunset-Near the Plantation)", 10m
- µ¨¸®¿ì½º, ¿ÀÆä¶ó <·Î¹Ì¿À¿Í ÁÙ¸®¿§ ¸¶À»(A Village Romeo and Juliet)>; "The Walk to the Paradise Garden"
- µ¨¸®¿ì½º, Ç÷θ®´Ù ¸ðÀ½°î; "Daybreak - Dance", "By the River", "Sunset - Near the Plantation", "At Night"
- µ¨¸®¿ì½º, ÿ·ÎÇùÁÖ°î, 1921ÀÛ°î,24m (Frederick Delius,b.1862 ¿µ±¹)
- µµ³ª¿ìµð, ¼º¾Ç°î "±×¸®¿î ¾ó±¼/¾Æ¸§´Ù¿î ±×´ë¸ð½À(Vaghissima sembianza)", ten. Carlo Bergonzi, * Stefano Donaudy(1879-1925 Naples)
- µµ³ª¿ìµð, ¼º¾Ç°î "ºÒ¾î¶ó »êµé¹Ù¶÷(Spirate pur spirate)", sop.Emma Rosati
- µµ³ª¿ìµð, ¼º¾Ç°î "¿À ±×¸®¿î ³» »ç¶û(O del mio amoto ben)"
- µµ´ÏÁ¦Æ¼, ±³Çâ°î, D, 19m
- µµ´ÏÁ¦Æ¼, ±³Çâ°î, d, 22m$, Failoni Chamber Orchestra/Geza Oberfrank
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "´«¹°(Una lacrima)"
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¹Ù´Ù ÇÑ °¡¿îµ¥ Áý ÇÑ Ã¤ Áö¾úÀ¸¸é"
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¹î»ç°ø(Il Barcaiolo)", sop.Eva Mei
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¹î»ç¶÷ÀÇ »ç¶û(Amor marinano)"
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "ºÒ±æÇÑ »ç¶û(L'amor funesto)"
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¾Æ¸§´Ù¿î ÁýÀ» °®°í ½Í¾î(Me voglio fa'na casa)", 1) ten.Jose Carreras 2) ten.sCarlo Bergonzi
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¾î¸Ó´Ï¿Í ¾ÆÀÌ(La mere et l¡¯enfant)", ten.Rolando Villazon
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "¤½ÃÀÇ ¿©ÀÎ(La Zingara)"
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "ź½Ä(Il sospiro)"
- µµ´ÏÁ¦Æ¼, ¼º¾Ç°î "Ȳȥ(Le crepuscule)"
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <µ· ÆÄ½ºÄå·¹(Don Pasquale)>;
- "4¿ùÀÇ ¹ãÀº ¾ó¸¶³ª ¾Æ¸§´Ù¿îÁö(Com¡¯e gentil)", ten.Luciano Pavarotti
- "±× ´«±æÀÌ ±â»çÀÇ ¸¶À½À» »ç·ÎÀâ¾Æ(Quel guardo il cavaliere)", sop.Angela Gheorghiu
- "´Ù½Ã Çѹø »ç¶ûÀÇ ¸»À»(Tornami a dir)"-¿¡¸£³×½ºÅä¿Í ³ë¸®³ªÀÇ 2Áßâ, sop.Barbara Hendricks/ten.Luca Canonici
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¶ó ÆÄº¸¸®Å¸(La Favorita)>;
- "·¹¿À³ë¶ó, ±×ÀÇ »ç¶û¿¡ ´äÇÏ¿©..."
- "ºÎµå·¯¿î ¿µÈ¥ÀÌ¿©(Spirito gentil)"
- "¿À, ³ªÀÇ Æä¸£³µµ¿©(O mio Fernando)", ms. Fiorenza Cossotto
- "À§´ëÇÑ »ç¶ûÀ» À§ÇØ ÀÀ´äÇØ ÁÖ¿À"
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¶÷¸Þ¸£¹«¾îÀÇ ·çÄ¡¾Æ(Lucia di Lammermoor)>;
- "°¨¹Ì·Î¿î ±×ÀÇ À½¼ºÀÌ µé·Á¿À³×(Il dolce suono mi colpi di sua voce)"-3:±¤¶õÀÇ Àå¸é, Maria Callas(Sop)
- "³ª´Â Á×À½ÀÇ Ç°¿¡ ¾È°ÜÀÖ´Ù"
- "³ªÀÇ ÇѼûÀ» »êµé¹Ù¶÷¿¡ ½Ç¾î(Verranno a te sull¡¯aure)"
- "³¯°³¸¦ Æì°í Çϴ÷Π°£ ±×´ë¿©(tu che a dio spiegasti l¡¯ali)"
- "ÀÌ ¼ø°£ ¹«¾ùÀÌ ³ªÀÇ ºÐ³ë¸¦ ¸ØÃß°Ô ÇÒ °ÍÀΰ¡?(Chi mi frena in tal momento?)"-2: °áÈ¥¼¾à Àå¸é~6Áßâ, ·çÄ¡¾Æ:Joan Sutherland(Sop) /¿¡µå°¡¸£µµ:Luciano Pavarotti(Ten) /¿£¸®ÄÚ:Sherrill Milnes(Bar) /¾Æ¸£Åõ·Î:Ryland Davies(Ten) /¶óÀ̸óµµ:Nicolai Ghiaurov(Bass) /¾Ë¸®»ç:Huguette Tourangeau(Mezzo-Sop), Royal Opera House Covent Garden Orchestra & Choir/Richard Bonynge
- "ÁÖÀ§´Â ħ¹¬¿¡ Àá±â°í(regnava nel silenzio)"
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <·çÅ©·¹Ä¡¾Æ º¸¸£ÀÚ(Lucrezia Borgia)>;
- "´ç½ÅÀº »ç¶÷ÀÇ ¸ð½ÀÀ» ÇÑ Ãµ»ç"
- "ÇູÀÇ ºñ¹ÐÀ» °æÇè¿¡¼ ¹è¿ì°í(Il segreto per esser felici)", ms. Shirley Verrett/RCA ÀÌÅ»¸®¾Æ³ª ÇÕâ´Ü
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <»ç¶ûÀÇ ¹¦¾à(Liebestrank)>;
- "µé¾îº¸¿À, µé¾îº¸¿À, ¸¶À» »ç¶÷µé(Udite, udite, o rustici)"-µÑÄ«¸¶¶óÀÇ ¾Æ¸®¾Æ$, bar.Fernando Corena
- "¿¾³¯¿¡ ÆÄ¸®½º°¡ ÇÑ °Íó·³"
- "À¯È¤ÇÏ´Â »êµé¹Ù¶÷¿¡°Ô ¹°¾îº¸¼¼¿ä(Chiedi all¡¯aura lusinghiera)"-³×¸ð¸®³ë¿Í ¾Æµð³ªÀÇ 2Áßâ, sop.Kathleen Battle, ten.Luciano Pavarotti
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <»þ¸ð´ÏÀÇ ¸°´Ù>;
- "¾Æ, ³Ê¹« Å« ±â´ë¿´³ª...ÀÌ ¸¶À½ÀÇ ºû"
- "¿À ´ç½ÅÀº ³» ¸¶À½ÀÇ ºû(O luce di quest¡®anima)", sop.Ruth Ann Swenson
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¾È³ª º¼·¹³ª(Anna Bolena)>;
- "°íÇâÀÇ ¼ºÀ¸·Î µ¥·Á´Ù ÁÖ¿À"
- "³» ¸¶À½À» µé¿©´Ù º¸½Ã´Â ÇÏ´À´Ô(Dio che me vedi in core)"-2:¾È³ª¿Í Á¶¹Ý³ªÀÇ 2Áßâ
- "³» ¼Õ¿¡ ¶³¾îÁø ±×ÀÇ ´«¹°ÀÌ(Io senti sulla mio mano)"-1:¾È³ª ¹× ¸®Ä«¸£µµ µîÀÇ 5Áßâ
- "´ç½Å ¶³°í ÀÖ³ª¿ä..(Tremate voi? ...si tremo)"
- "´ç½ÅÀÇ ½½ÇÄÀº ¹Ì¼Òó·³ ¾Æ¸§´ä°í(Deh! non voler constringere)"-1:½º¸ÞÅæÀÇ ·Î¸Á½º
- "ÀþÀº ³¯¿£ ¼øÁøÇß¾úÁö(Come, innocente giovane)"-¾È³ªÀÇ ¾Æ¸®¾Æ
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¾Ë¹Ù(Alba) °øÀÛ)>;
- "¼ø°áÇÏ°í ¾Æ¸§´Ù¿î õ»ç¿©"
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <¿¬´ëÀÇ µþ>;
- "±×·¸°Ô µÇ¾ú³×..ÇÁ¶û½º ¸¸¼¼(C¡¯en est donc fait.. Salut a la France)"-sop.Natalie Dessay
- µµ´ÏÁ¦Æ¼, ¿ÀÆä¶ó <ÄÉ´Ò¿ö½º ¼ºÀÇ ¿¤¸®ÀÚº£Å¸(Elisabetta al castello di Kenilworth)>;
- "±×°¡ ³»°Ô ´Ù½Ã ¸»ÇÏ´Â µí(Par che mi dica ancora)"
- µµ´ÏÁ¦Æ¼, À×±Û¸®½¬ È¥ ÄÜü¸£Æ¼³ë(Concertino for English Horn), G, 11m
- µµ¸£³Ú,·çÀÌ ¾ÓÆ®¿Ï, ¸ðÀ½°î(Suitte en Trio for chamber ensemble), e, * Louis-Antoine Dornel(1685-1765 French)
- µµ¸£³Ú,·çÀÌ ¾ÓÆ®¿Ï, ¸ðÀ½°î(Suitte), a, 11m
- µµ¸®¾Æ, ¼º¾Ç°î "Ȳ±Ýºû ¹Ð¹çÀÇ ³ë·¡"
- µµ½ºÅ»,´ÏÄÚ, ¼º¾Ç°î "»ç¶÷µéÀº ¶§¶§·Î ¿©ÇàÀ» ÇØ¾ß µÅ¿ä(Man muss mal ab und zu verreisen)", * Nico Dostal(1895-1981 Austrian)-operetta & film music
- µµ½¼,Àª¸®¾ö, ÈæÀÎ ¹Î¿ä ±³Çâ°î(Negro Folk Symphony), 36m, Detroit Symphony Orchestra/Neeme Jarvi, * William Dawson(1899-1990 American)
- µµÇ÷¯,ÇÁ¶õÃ÷, ¾È´ÜÅ×¿Í ·Ðµµ, (Fl,Vn,Pf), * Franz Doppler(1821-1883 Polish &Fl) Flute ÀÛǰÀ¸·Î À¯¸í
- µµÇ÷¯,ÇÁ¶õÃ÷, Çë°¡¸® Àü¿ø ȯ»ó°î, Op.26
- µµÈ峪´Ï, Pastorale on a Hungarian Christmas Song, WoO, 6m * Erno (Ernst von) Dohnanyi(1877-1960 Hungarian)
- µµÈ峪´Ï, Çë°¡¸® ¸ñ°¡(Ruralia hungarica for Orchestra(5)), Op.32b:No.1, 8m, Danubia Symphony Orchetra/Domonkos Heja, cf) /Ruralia hungarica (7) for Piano, Op.32a, /Ruralia hungarica (5) for Orchestra, Op.32b, /Ruralia hungarica (3) for Violin and Piano, Op.32c, /Ruralia hungarica for Cello and Piano, Op.32d
- µÎ¶õÅ×,ÇÁ¶õü½ºÄÚ, ¼º¾Ç°î "»ç¶ûÀÌ °¡µæ Âù ¼º¸ð(Vergin tutto amor)", sop.Charlotte Margiono, * Francesco Durante(1684-1755 Neapolitan:Italian)
- µÎ¼¼Å©,¶óµð½½¶óÇÁ, ÇǾƳëÇùÁÖ°î, C, Op.29, 23m, * Jan Ladislav Dussek(1760-1812 Czech)
- µÎ¼¼Å©,¶óµð½½¶óÇÁ, ÇǾƳëÇùÁÖ°î, g, Op.49
- µÎ¼¼Å©,¶óµð½½¶óÇÁ, ÇǾƳëÇùÁÖ°î, Eb, Op.70, 30m
- µÚ·òÇ÷¹, ·¹Äû¿¥, Op.9, 38m * Maurice Durufle(1902-1986,French)
- µÚÄ«, ¸¶¼ú»çÀÇ Á¦ÀÚ(The Sorcerer¡¯s Apprentice), °üÇö¾Ç°î, ±«Å×ÀÇ ½Ã¸¦ ¹¦»ç, # London Symphony Orch./Leopold Stokowski, * Paul Dukas(1865-1935 French)
- µÚÄ«, Æú¸®À¡Å×(Polyeucte), °üÇö¾Ç°î
- µÚÆÄ¸£Å©, °¡°î "·ÎÀÚ¸ùµå °ü"(Le Manoir de Rosamonde), Robert de Bonnie` res(P)
- µÚÆÄ¸£Å©, °¡°î "½½Ç ³ë·¡"(Chanson Triste), Jean Lahor(P)
- µÚÆÄ¸£Å©, °¡°î "¿©Çà¿¡ÀÇ ÃÊ´ë"(L'Invitation au Voyage), Charles Baudelaire(P)
- µÚÆÄ¸£Å©, °¡°î "Àü»ý"(La ie Ante'rieure), Charles Baudelair(P)
- µÚÆÄ¸£Å©, °¡°î "ȲȦ"(Extase), Jean Lahor(P)
- µÚÆÄÀÌ, ÄܽºÅºÆ¼³ëÇÃÀ» À§ÇÑ ¾Ö°¡(Lamentatio sanctae matris ecclesiae Constantinopolitanae), * Guillaume DuFay(1397-1474 French)
- µÚÆ÷¸£, Àå »ß¿¡¸£, ÿ·Î¼Ò³ªÅ¸ 1, d * Jean-Pierre Duport(1741-1818:classical French Vc)
- µÚÇø®,ÀÚÅ©, La Damanzy, 5m, Yves Prefontaine(harpsichord), * Jacques Duphly(1715-1789 French harpsichordist)
- µÚÇø®,ÀÚÅ©, Medee, Yves Prefontaine(harpsichord)
- µÚÇø®,ÀÚÅ©, Æ÷¸£Å©·¹(La Forqueray), 5m, Skip Sempe(harpsichord)
- µå º£¸®¿À,»þ¸¦, ¹ÙÀ̿ø°ÇùÁÖ°î 5, D, Op.55, 15m, Philippe Quint(vn)/Slovak Radio Symphony Orchestra/Kirk Trevo, * Charles-Auguste de Beriot(1802-1870 Belgian)
- µåº¸¸£ÀÛ, 7°³ÀÇ °£ÁÖ°î(Seven Interludes for small orchestra), B.15,23m#3, Russian Philharmonic Orchestra/Dmitry Yablonsky
- µåº¸¸£ÀÛ, ±³Çâ°î 1, c, Op.3, "Áñ·Î´ÏüÀÇ Á¾(Bells of Zlonice)",51m
- µåº¸¸£ÀÛ, ±³Çâ°î 2, Bb, Op.4, 54m
- µåº¸¸£ÀÛ, ±³Çâ°î 3, Eb, Op.10, 38m, Berlin Philharmonic Orchestra/Rafael Kubelik
- µåº¸¸£ÀÛ, ±³Çâ°î 4, d, Op.13, 40m, # London Symphony Orchestra/Istvan Kertesz
- µåº¸¸£ÀÛ, ±³Çâ°î 5, F, Op.76, 28m
- µåº¸¸£ÀÛ, ±³Çâ°î 6, Op.60, ºê¶÷½º dz¿¡ º¸Çì¹Ì¾ÈÀÇ Ç³(ƯÈ÷ 3m)À» °áÇÕ, 43m, # Baltimore Symphony Orchestra/Marin Alsop
- µåº¸¸£ÀÛ, ±³Çâ°î 7, d, Op.70, 37m #3 $1) London Philharmonic Orchestra/Carlo Maria Giulini, 2) Bournemouth Symphony Orchestra/Jose Serebrier, 3) London Symphony Orchestra/Istvan Kertesz
- µåº¸¸£ÀÛ, ±³Çâ°î 8, G, Op.88, "¿µ±¹±³Çâ°î", Ä·ºê¸®Áö¿¡¼ ÇÐÀ§ÃëµæÈÄ ¿¬ÁÖ, S9 ´ÙÀ½À¸·Î À¯¸í, Czech Philharmonic Orchestra/Vaclav Talich
- µåº¸¸£ÀÛ, ±³Çâ°î 9, e, Op.95, "½Å¼¼°è", 2M>²Þ ¼ÓÀÇ °íÇâ, $ Czech Philharmonic Orchestra/Karel Ancerl
- µåº¸¸£ÀÛ, ±³ÇâÀûº¯ÁÖ°î(Symphonic Variations), Op.78, ½½¶óºêÀû °¡¶ô, 23m#
- µåº¸¸£ÀÛ, ³¶¸¸Àû ¼Òǰ(4°³ÀÇ), Op.75, Vc¿Í Pf·Îµµ Æí°î ¿¬ÁÖ, # Renaud Capucon(Vn)/Khatia Buniatishvili(Pf)
- µåº¸¸£ÀÛ, ·Î¸Á½º(¹ÙÀ̿ø°°ú ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ), f, Op.11
- µåº¸¸£ÀÛ, ·Ðµµ(ÿ·Î¿Í ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ), g, Op.94, #
- µåº¸¸£ÀÛ, ¸ð¶óºñ¾Æ 2Áßâ(Moravian Duets), Op.32; 4) ½½Çľø´Â À̺°, sop. Genia Kuehmeier/ms. Bernarda
- µåº¸¸£ÀÛ, ¸ðÀ½°î, A, Op.98b, "American", 16m
- µåº¸¸£ÀÛ, ¹Ì»ç(Mass for soloists, mixed chorus, and orchestra), D, Op.86, 39m
- µåº¸¸£ÀÛ, ¹°±Í½Å(The Water Goblin), Op.107, 20m#, °üÇö¾Ç°î, $ London Symphony Orchestra/Istvan Kertesz
- µåº¸¸£ÀÛ, 2´ëÀÇ ¹ÙÀ̿ø°°ú ºñ¿Ã¶ó¸¦ À§ÇÑ 3ÁßÁÖ(Terzetto for 2 Violins and Viola), C, Op.74, Josef Suk & Miroslav Ambros(Vn),Karel Unterm?ller(Va)
- µåº¸¸£ÀÛ, ¹ÙÀ̿ø° ¼Ò³ªÅ¸, F, Op.57, 24m
- µåº¸¸£ÀÛ, ¹ÙÀ̿ø° ¼Ò³ªÆ¼³ª, G, Op.100, "Àεð¾ð ¾Ö°¡(Indian Lament)", 17m, Wolfgang Schneiderhan(vn)/Walter Klien(pf)
- µåº¸¸£ÀÛ, ¹ÙÀ̿ø°ÇùÁÖ°î, a, Op.53, {$Anne-Sophie Mutter(vn),Berlin Philharmonic Orchestra/Manfred Honeck}
- µåº¸¸£ÀÛ, ¹ß¶óµå, d, Op.15, Vn & Pf
- µåº¸¸£ÀÛ, º¸Çì¹Ì¾ÆÀÇ ½£¿¡¼(From the Bohemian Forest), Op.68
- "1) Á¦»ç½Ç¿¡¼(In the Spinning-Room)"
- "2) ¾îµÎ¿î È£¼ö°¡¿¡¼(By the Black Lake)"
- "3) ¸¶³àÀÇ ¾È½ÄÀÏ(Witches' Sabbath)"
- "4) ¸Á´ë¿¡¼(On the Watch)"
- "5) °í¿äÇÑ ½£(Silent Woods)"
- "6) ½Ã²ô·¯¿î ÇÑ ¶§(In Troubled Times)"
- µåº¸¸£ÀÛ, »çÀ°Á¦¼°î, Op.92, C87
- µåº¸¸£ÀÛ, ¼º¾Ç°î "¾î¸Ó´Ô²²¼ °¡¸£ÃÄ ÁֽŠ³ë·¡(Songs my mother taught me)", Op.55:4
- µåº¸¸£ÀÛ, ¼º¾Ç°î "ÀÛÀº º½²É(Eine kleine Fruehlingsweise)"
- µåº¸¸£ÀÛ, ¼¼·¹³ªµ¥(ÇöÀ» À§ÇÑ), E, Op.22, 28m
- µåº¸¸£ÀÛ, ¼¼·¹³ªµ¥, d, Op.44, 23m,
- µåº¸¸£ÀÛ, ½£ÀÇ ºñµÑ±â, Op.110, 19m, Scottish National Orchestra/Neeme Jarvi
- µåº¸¸£ÀÛ, ½ºÄɸ£Á¶ Ä«ÇÁ¸®Ä¡¿À¼Ò(Scherzo capriccioso), Op.66 $
- µåº¸¸£ÀÛ, ½ºÅ¸¹ÙÆ® ¸¶Å׸£(Stabat Mater), Op.58, 10°î ±¸¼º, 85ms
- µåº¸¸£ÀÛ, ½½¶óºê ±¤½Ã°î 2, g, Op.45-2, 11m
- µåº¸¸£ÀÛ, ½½¶óºê ±¤½Ã°î 3, Ab, Op.45-3, 12m
- µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 1, C, Op.46-1, (Furiant), °üÇö¾Ç°î, °¢°¢ 8°îÀ¸·Î ±¸¼ºµÈ Op.46, Op.72 µÎ °³ÀÇ ÀÛǰÀÌ ÀÖÀ½ (No.1, No.8 > C87)
- µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 2, e, Op.46-2, (Dumka), °üÇö¾Ç°î
- µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 3, Ab, Op.46-3, (Polka), °üÇö¾Ç°î
- µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 4, F, Op.46-4, (Sousedska), # Cleveland Orchestra/Christoph Von Dohnanyi
- µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 10, e, Op.72-2, (Starodavny), 5m, $ 1) Cleveland Orchestra/George Szell, 2) Budapest Festival Orchestra/Ivan Fischer
- µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 12, Db, Op.72-4, (Dumka), $ Czech Philharmonic Orchestra/Vaclav Neumann
- µåº¸¸£ÀÛ, ½½¶óºê ¹«°î 16, Ab, Op.72-8, (Sousedska), 8m
- µåº¸¸£ÀÛ, ¿À¼¿·Î ¼°î, Op.93, °üÇö¾Ç°î, 14m
- µåº¸¸£ÀÛ, ¿ÀÆä¶ó <·ç»ìÄ«>; * ·ç»ìÄ«°¡ Àΰ£¼¼°èÀÇ »ç¶÷°ú ¸ø ÀÌ·é »ç¶ûÀ» Ç¥Çö
- "ÇÑ ¹øµµ º» Àû ¾ø´Â ¾Æ¸§´Ù¿î ¸ð½À(Vidino divna, p?esladka)"-¿ÕÀÚÀÇ ¾Æ¸®¾Æ, ten.Piotr Beczala
- µåº¸¸£ÀÛ, ¿µ¿õÀÇ ³ë·¡(Heroic song), Op.111, °üÇö¾Ç°î, 20m, BBC Symphony Orchestra/Jiri Belohlavek
- µåº¸¸£ÀÛ, ¿ùÃ÷, Op.54-4
- µåº¸¸£ÀÛ, À¯¸ð·¹½ºÅ©, ÇǾƳë°î, Op.101-7
- µåº¸¸£ÀÛ, Àεð¾È ·¯¸àÆ®,¹ÙÀ̿ø°°î, Op.100, V&Pf C 2MÀ» Ŭ¶óÀ̽½·¯°¡ V·Î Æí°î
- µåº¸¸£ÀÛ, Àü¼³(10 Legends), Op.59, °üÇö¾Ç°î, 43m#, English Chamber Orchestra/Rafael Kubelik, cf) $Op.59-4
- µåº¸¸£ÀÛ, Á¶¿ëÇÑ ½£¼Ó(Silent Woods), °üÇö¾Ç°î, Op.68-5 >, from (From the Bohemian Forest, Op.68); C40
- µåº¸¸£ÀÛ, üÄÚ ¸ðÀ½°î(Czech Suite), Op.39
- µåº¸¸£ÀÛ, ÿ·ÎÇùÁÖ°î, b, Op.104 > C40, $ Andre Navarra(vc)/New Symphony Orchestra of London/Rudolf Schwarz
- µåº¸¸£ÀÛ, Ãø¹é³ª¹«(Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ), B.152, ¿¬ÀÛ °¡°îÁß 12°îÀ» Çö¾Ç4ÁßÁÖ·Î ¸¸µë, ¾Çº¸¿¡´Â "³ë·¡ÀÇ ¸Þ¾Æ¸®"¶ó°í ÀûÇô ÀÖÀ½, 1) ´ÞÄÞÇÑ »ç¶û 2) »ç¶ûÀº °ð Á×À½ 3) ºÎµå·¯¿î ±×´ë ´«µ¿ÀÚ 4) ½½Ç ¿ì¸® »ç¶û 5) ±×´ëÀÇ ÆíÁö¸¦ ãÀ¸¸ç 6) ¸ÅȤÀûÀÎ ³ë¶õ Àå¹Ì¿© 7) ±× Áý ¾ÕÀ» ¼¼ºÀ̸ç 8) ³ª ¿©±â, ¾îµÎ¿î ½£ ¼Ó¿¡¼ 9) ³» »ç¶û ¿ÀÁ÷ ±×´ë »Ó 10) Ãß¾ïÀÇ ÀÚ¸® 11) ¸ðµÎ Àáµç ÈÄ 12) ³» ³ë·¡ÀÇ Àǹ̸¦ ¹¯´Â ±×´ë
- µåº¸¸£ÀÛ, ÇǾƳë3ÁßÁÖ°î 2, g, Op.26, 32m, $ Beaux Arts Trio
- µåº¸¸£ÀÛ, ÇǾƳë3ÁßÁÖ°î 3, f, Op.65, üÄÚÀÇ ÀúÇ׿½Ã´ë¿¡ ÀÛ°î(1883), ÇâÅä»ö
- µåº¸¸£ÀÛ, ÇǾƳë3ÁßÁÖ°î 4, e, Op.90, "µÒŰ(Dumky)" >ºñ°¡
- µåº¸¸£ÀÛ, ÇǾƳë4ÁßÁÖ°î 2, Eb, Op.87, 35m
- µåº¸¸£ÀÛ, ÇǾƳë5ÁßÁÖ°î, A, Op.81, 39m, $ Menahem Pressler(Pf)/Emerson String Quartet, Sviatoslav Richter(pf)/Borodin Quartet
- µåº¸¸£ÀÛ, ÇǾƳëÇùÁÖ°î, g, Op.33,41m, # Stephen Hough(pf),City of Birmingham Symphony Orchestra/Andris Nelsons
- µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 10, Eb, Op.51, 32m, $ Emerson String Quartet
- µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 11, C, Op.61, 39m
- µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 12, F, Op.96, "¾Æ¸Þ¸®Ä«", $µåº¸¸£ÀÛ ½Ç³»¾ÇÁß °¡Àå À¯¸í
- µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 13, G, Op.106
- µåº¸¸£ÀÛ, Çö¾Ç4ÁßÁÖ°î 14, Ab, Op.105 >Emerson String Quartet
- µåº¸¸£ÀÛ, Çö¾Ç5ÁßÁÖ°î 2, G, Op.77, Vn1 Vn2 Va Vc¿¡ ´õºíº£À̽º Ãß°¡, 41m$, $ Marlboro Festival Ensemble
- µåº¸¸£ÀÛ, Çö¾Ç5ÁßÁÖ°î 3, Eb, Op.97
- µåº¸¸£ÀÛ, Ȳ±Ý ¹°·¹(The Golden Spinning-Wheel), Op.109, 28m, $ Berlin Philharmonic Orchestra:Sir Simon Rattle
- µåºß½Ã, °¥»ö¸Ó¸® ¼Ò³à(La fille aux cheveux de lin)
- µåºß½Ã, ±¤½Ã°î(Ŭ¶ó¸®³ÝÀ» À§ÇÑ), ¹ãÀÇ ±âºÐÀ» ½ÃÀûÀ¸·Î Ç¥Çö * Claude Debussy(1862-1918 French)
- µåºß½Ã, ±³Çâ°î, b, 11m, arranger:Tony Finno, National Orchestra of Lyon/Jun Markl
- µåºß½Ã, ±³ÇâÀû ¸ðÀ½°î "º½(Printemps)", 17m
- µåºß½Ã, ±â»ÝÀÇ ¼¶(L'Isle joyeuse), Pf(Sviatoslav Richter)
- µåºß½Ã, ·»Å亸´Ù ´õ ´À¸®°Ô(La plus que lente), Pf
- µåºß½Ã, ¸ñ½ÅÀÇ ¿ÀÈÄ¿¡ÀÇ ÀüÁÖ°î,±³Çâ½Ã°î,ÀλóÆÄ À½¾ÇÀÇ Ã¢½ÃÀÚ,°¨°¢ Áß¿ä½Ã
- µåºß½Ã, ¹Ù´Ù(La Mer)-3°³ÀÇ ±³Çâ¾ÇÀû ½ºÄÏÄ¡, 24m
- µåºß½Ã, ¹ÙÀ̿ø°¼Ò³ªÅ¸, G, 17m
- µåºß½Ã, ¹éÀϸù(Reverie), °üÇö¾Ç°î
- µåºß½Ã, º£¸£°¡¸¶½ºÅ© ¸ðÀ½°î(Suite bergamasque), 1) ÀüÁÖ°î(Prelude) 2) ¹ÌÀ¯¿¡Æ®(Menuet) 3) ´Þºû(Clair de lune) 4) ÆÄ½ºÇÇ¿¡(Passepied)
- µåºß½Ã, ¼º ¼¼¹Ù½ºÂùÀÇ ¼ø±³(Martyrdom of St. Sebastian: Symphonic Fragments), °üÇö¾Ç°î,
- µåºß½Ã, ¼º¾Ç°î "³ªºñ(Les papillons)", sop. Sandrine Piau
- µåºß½Ã, ¼º¾Ç°î "´Þºû(Claire de lune)" $
- µåºß½Ã, ¼º¾Ç°î "¸¸µ¹¸°"
- µåºß½Ã, ¼º¾Ç°î "¾Æ¸§´Ù¿î Àú³á"
- µåºß½Ã, ¼º¾Ç°î "Àú³áÀÇ Çϸð´Ï(Harmonie du Soir)"
- µåºß½Ã, ¼º¾Ç°î "Áß±¹Ç³ÀÇ ·Ðµµ(Rondel Chinois)"
- µåºß½Ã, ½Ãµù½º(¹«¹ÝÁÖ ÇÃ·çÆ®¸¦ À§ÇÑ); ¸ñ½ÅÀ» À§ÇÏ¿©,Ææ½Å?,3m
- µåºß½Ã, ¾Æ¶óº£½ºÅ© 1, ÇǾƳë°î
- µåºß½Ã, ¾Æ¶óº£½ºÅ© 2
- µåºß½Ã, ¾ß»ó°î, °üÇö¾Ç°î, 27m, ¼¼¹øÂ° °î ¼¼·¹³×½º´Â º¸Ä®¸®½º·Î ³ë·¡µÊ, $ Ambrosian Singers,Philharmonia Orchestra/Michael Tilson Thomas
- µåºß½Ã, ¾î¸°ÀÌ ¼¼°è, ÇÇ¾Æ³ë ¸ðÀ½°î, 6°î±¸¼º; 1) ±×¶óµÎ½º ¾Æµå ÆÄ¸£³ª¼û ¹Ú»ç(Doctor Gradus ad Parnassum), 2) Áüº¸ÀÇ ÀÚÀå°¡(Jimbo's Lullaby)(Áüº¸´Â ½´½´ÀÇ ÄÚ³¢¸® ÀÎÇü), 3) ÀÎÇüÀ» À§ÇÑ ¼¼·¹³ªµ¥(Serenade for the Doll), 4) ´«¼ÛÀ̰¡ ÃãÃá´Ù(The snow is dancing), 5) ¾î¸° ¾çÄ¡±â(The little Shepherd), 6) °ñ¸®¿ö±×ÀÇ ÄÉÀÌÅ©¿öÅ©(Golliwogg's Cake-walk)
- µåºß½Ã, ¿µ»ó 1Áý, °üÇö¾Ç°î, 1) ¹°¿¡ ºñÄ¡´Â ±×¸²ÀÚ 2) ¶ó¸ð¸¦ Âù¾çÇϸç 3) ¿òÁ÷ÀÓ * 2): ÇÁ¶û½º°¡ ³ºÀº õÀç ¶ó¸ð¿¡ ´ëÇÑ ¼Á¤Àû ½ÉÁ¤
- µåºß½Ã, ¿µ»ó 2Áý, 1) ÀÙ»õ¿¡ È帣´Â Á¾¼Ò¸® 2) ȲÆóÇÑ Àý¿¡ °É¸° ´Þ 3) ±Ýºû °í±â
- µåºß½Ã, ¿µ¿õÀÇ ÀÚÀå°¡, 1Â÷´ëÀü½Ã µ¶ÀÏ¿¡ ´ëÇ×ÇÏ´Â º§±â¿¡ ±¹¿ÕÀÇ ¿µ¿õÀû ¸ð½À ¹¦»ç
- µåºß½Ã, À¯Èñ(Jeux), °üÇö¾Ç°î, 18m, # London Symphony Orchestra/Valery Gergiev
- µåºß½Ã, ÀÛÀº ¸ðÀ½°î(Petite Suite), L.65, 12m $ National Orchestra of Lyon/Jun Markl
- µåºß½Ã, Àå³°¨ »óÀÚ(La Boite a Joujoux (The Box of Toys)), L.128, 33m, # London Symphony Orchestra/Michael Tilson Thomas, Montreal Symphony Orchestra/Charles Dutoit
- µåºß½Ã, ÀüÁÖ°î 1Áý, ÇǾƳë°îÁý, 12°î
- µåºß½Ã, ÀüÁÖ°î 2Áý, ÇǾƳë°îÁý, 12°î, 3,5,6,8,12ÀÇ 5°î¸¸ ÀϹÝÀû
- µåºß½Ã, ÿ·Î¼Ò³ªÅ¸, d, #
- µåºß½Ã, Ŭ¶ó¸®³Ý°ú °üÇö¾ÇÀ» À§ÇÑ Ã¹ ¹øÂ° ·¦¼Òµð(Premiere Rhapsodie for Clarinet and Orchestra), L.116, 8m
- µåºß½Ã, ÇÃ·çÆ®¿Í ºñ¿Ã¶ó ±×¸®°í ÇÏÇÁ¸¦ À§ÇÑ ¼Ò³ªÅ¸, 18m $
- µåºß½Ã, ÆÇÈ(Estampes), ÇǾƳë°îÁý
- µåºß½Ã, ÇǾƳ븦 À§ÇÏ¿©(Pour le Piano), pf, 14m
- µåºß½Ã, ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ È¯»ó°î, 24m
- µåºß½Ã, Çö¾Ç4ÁßÁÖ°î,g, Op.10, 25m#
- µåºß½Ã, È·ÁÇÑ ÀÜÄ¡ 1Áý,3°î ±¸¼º,1.¼Ò¹ÚÇÑ »ç¶÷µé 2.¸ñ½Å 3. °¨»óÀûÀÎ ´ëÈ
- µåºß½Ã, È·ÁÇÑ ÀÜÄ¡ 1Áý,3°î ±¸¼º,1.Àº¹ÐÇÏ°Ô 2.²ÀµÏ°¢½Ã 3. ´Þºû
- µåºñ¿£´À, 3ÁßÁÖ°î 1, Op.27, 10m * Francois Devienne(1759-1803, French)
- µåºñ¿£´À, ¹Ù¼ø°ú Çö¾Ç 3ÁßÁÖ¸¦ À§ÇÑ 4ÁßÁÖ°î, g, O.73-3, 17m, Musica Reale
- µåºñ¿£´À, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 1, C
- µåºñ¿£´À, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 2, Eb
- µåºñ¿£´À, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, Bb
- µåºñ¿£´À, ÇÃ·çÆ®ÇùÁÖ°î 3, G, 15m
- µé¶ö¶ûµå,¹Ì¼Ð ¸®»þ¸£, Å©¸®½º¸¶½º ±³Çâ°î(Symphony for Christmas), * Michel Richard Delalande(1657-1726 French Baroque)
- µé¸®ºê, ¼º¾Ç°î "Ä«µð½ºÀÇ ¾Æ°¡¾¾µé(Chanson Espagnole: Les filles de Cadix)", * Leo Delibes(1836-1891 French)
- µé¸®ºê, ¿ÀÆä¶ó <¶óÅ©¸Þ(Lakme)>;
- "²ÉÀÇ ÀÌÁßâ", sop.Joan Sutherland/ms.Jane Berbie
- "º¸¼®À» ½ºÄÉÄ¡ÇÏ·Á Çϳ×(Prendre le dessin d¡¯un bijou)"-Á¦¶öµåÀÇ ¾Æ¸®¾Æ, ten.Gregory Kunde
- "»ç¶ûÇÏ´Â ¿¬ÀÎÀº ¼Õ¿¡ ¼ÕÀ» Àâ°í ÀÖ¾úÁÒ... ±×°¡ Àú±â¿¡ ÀÖ´Ù(Ils allaient deux a deux...C¡¯est lui! C¡¯est lui!)"-3¸· Çdz¯·¹, sop.Natalie Dessay(¶óÅ©¸Þ)/ten.Gregory Kunde(Á¦¶öµå)/bar.Jose van Dam (´Ò¶óÄŸ)
- Á¾ÀÇ ³ë·¡:"ÀþÀº ÈùµÎ ¾Æ°¡¾¾, ¾îµð·Î °¡½Ã³ª¿ä?(Ou va la jeune Hindoue)"-¶óÅ©¸ÞÀÇ ¾Æ¸®¾Æ, sop.Natalie Dessay
- µé¸®ºê, ÄÚÆç¸®¾Æ,¹«¿ë¸ðÀ½°î
- µð ¶óÂ¥·Î(Di Lazzaro), °¡°î "·Î¸¶ÀÇ ±âŸ"(Chitarra Romana), ten.Vittorio Grigolo
- µð īǪ¾Æ(Di Capua), ¼º¾Ç°î "±×´ë »´¿¡ ÀÔ ¸ÂÃ߸®(I te vurria vasa)", ten. Luciano Pavarotti
- µð īǪ¾Æ, ¼º¾Ç°î "¸¶¸®¾Æ ¸¶¸®(Maria Mari)", $ ten. Giuseppe di Stefano
- µð īǪ¾Æ, ¼º¾Ç°î "¿À ³ªÀÇ Å¾ç(O sole mio)", ten.Jose Carreras
- µð¾Æº§¸®, ±âŸ¼Ò³ªÅ¸, A * Anton Diabelli(1781-1858 Austrian music publisher)
- µðÅͽºµµ¸£ÇÁ, ½ÅÆ÷´Ï¾Æ 1, C, "¼¼»óÀÇ 4¼¼´ë(The Four Ages of the World)", 17m, Carl Ditters von Dittersdorf(1739~1799 Austrian)
- µðÅͽºµµ¸£ÇÁ, ½ÅÆ÷´Ï¾Æ 4, F, "Æä¸£¼¼¿ì½º·ÎºÎÅÍ ±¸¿ø¹ÞÀº ¾Èµå·Î¸Þ´Ù(The Rescue of Andromeda by Perseus)", 30m$, Failoni Orchestra Budapest/Hanspeter Gmuer
- µðÅͽºµµ¸£ÇÁ, ½ÅÆ÷´Ï¾Æ 5, A, "°³±¸¸®·Î º¯ÇÑ ¸®Å°¾Æ ³óºÎµé(Transformation of the Lycian Peasants into Frogs)", 23m#
- µðÅͽºµµ¸£ÇÁ, ¿Àº¸ÇùÁÖ°î, G, 15m * Dittersdorf, Carl Ditters von(1739 ~ 1799 )
- µðÅͽºµµ¸£ÇÁ, Çö¾Ç4ÁßÁÖ°î 2, Bb, 16m
- µòµð¾Æ(½ÃÁö½º¸óµµ)(Sigismondo d'India), ¼º¾Ç°î, "µé¸®Áö ¾Ê´ø°¡¿ä, ³ªÀÌÆÃ°ÔÀÏ ¼Ò¸®°¡" * (Sigismondo d'India: 1582 -before 1629)
- µô¸®¾î½º, °¡°î "°íÇâÀ¸·Î °¡´Â ±æ"
- µô¸®¾î½º, ¿©¸§ÀÇ Á¤¿ø
- ¶¼Á¦(Taize) ¼º°¡, "³» ¿µÈ¥¾Æ ÁÖ¸¦ Âù¾çÇ϶ó"
- ¶óµ¼½ºÅ°, Magnificat anima mea Dominum, * Mikolaj Radomski(or Miko©©aj Radomia, 15c, Polish)
- ¶ó¶ó, ¼º¾Ç°î "±×¶ó³ª´Ù"(Granada), * Agustin Lara(1897-1970 Spanish)
- ¶ó¶ó, ¼º¾Ç°î "±×´ë´Â ³» ¸¶À½ ¼Ó¿¡(You belong to my heart.)"
- ¶ó¶ó, ¼º¾Ç°î "Çѹø¸¸(Solamente una vez)", ten.Jose Carreras, Gloria Estefan
- ¶ó¸¶, ¼º¾Ç°î "Á¶¿ëÈ÷ ºÎ¸£´Â ³ë·¡"(Silenzio cantatore)", ten.Franco Corelli, * Gaetano Lama(1886-1950 Italian)
- ¶ó¸ð, ³ªÀ̽º(Nais) ¸ðÀ½°î, /Entry of the Combatants * Jean-Philippe Rameau(1683-1764 French; Baroque)
- ¶ó¸ð, ¼º¾Ç°î, "»ç¶û¿¡ ºüÁø ³ªÀÌÆÃ°ÔÀÏ"
- ¶ó¸ð, ¿ÀÆä¶ó <´Ù¸£´Ù´©½º(Dardanus)>; /¼°î
- ¶ó¸ð, ¿ÀÆä¶ó <¿ì¾ÆÇÑ ÀεµÀÇ ³ª¶óµé>;
- "º¯´ö½º·¯¿î ³ªºñ(Papillon inconstant)", sop. Noemi Rime
- ¶ó¸ð, ¿ÀÆä¶ó <Ç캣ÀÇ ÃàÁ¦(Les Fetes d'Hebe)>; Suite
- ¶ó¸ð, ¿ë°¨ÇÑ ÀεµÁ¦±¹(Les Indes galantes); Overture, Airs, and Dances, ¹ß·¹¸ðÀ½°î
- ¶ó¸ð, Å©·¦»ó °îÁý, 1683B
- ¶ó¸ð, ÅÁºÎ·©
- ¶ó¸ð, Æú¸²´ÏÀÇ ÃàÁ¦(Les Fetes de Polymnie)
- ¶ó¸ð, ÇöóÅ× ¸ðÀ½°î(Platee Suite), 43m#, Philharmonia Baroque Orchestra/Nicholas McGegan
- ¶ó¸ð, ÇDZ׸»¸®¿Â ¸ðÀ½°î(Pigmalion Suite), °üÇö¾Ç°î, 15m
- ¶ó¸ð, Concert No.2, "La Laborde", 18m$, Elaine Comparone.hpsc,The Queen's Chamber Band
- ¶ó¹Ì·¹½º, ¹Ì»ç Å©¸®¿Ã¶ó(Misa Criolla); /$ Gloria, /Sanctus, * Ariel Ramirez(1921-2010 Argentine)
- ¶óº§, °Å¿ï, ÇǾƳë°îÁý, 5°î±¸¼º> 1) ¹ã³ª¹æ(Noctuelles), 2) ½½Ç »õµé(Oiseaux tristes), 3) ¹Ù´Ù À§ÀÇ Á¶°¢¹è(Une barque sur l'ocean), 4) ¾î¸´±¤´ëÀÇ ¾ÆÄ§ ³ë·¡(Alborada del gracioso). 5) °ñÂ¥±âÀÇ Á¾(La vall?e des cloches) * 4)°¡ °¡Àå À¯¸í
- ¶óº§, °í»óÇÏ°í °¨»óÀûÀÎ ¿ÐÃ÷(Valses nobles et sentimentales), °üÇö¾Ç°î
- ¶óº§, ´ÙÇÁ´Ï½º¿Í Ŭ·Î¿¡(Daphnis et Chloe), ¹«¿ë ¸ðÀ½°î 1, ¾ß»ó°î, °£ÁÖ°î, ½Î¿òÀÇ ÃãÀÇ 3°î
- ¶óº§, ´ÙÇÁ´Ï½º¿Í Ŭ·Î¿¡(Daphnis et Chloe), ¹«¿ë ¸ðÀ½°î 2, »õº®, ÆÇÆ®¹Ò, Àϵ¿ÀÇ ÃãÀÇ 3°î
- ¶óº§, <µÑÄ¡³× °øÁÖ¿¡°Ô ¸¶À½ »¯±ä µ·Å°È£Å×>;
- 1) °ø»óÀûÀÎ ³ë·¡(Chanson romanesque), bar. Gerard Souzay
- 2) ¼»çÀûÀÎ ³ë·¡(Chanson epique), bar. Gerard Souzay
- 3) Ãà¹èÀÇ ³ë·¡(Chanson a boire), bar. Gerard Souzay
- ¶óº§, ¶ó ¹ß½º(La Valse), ¹«¿ë½Ã, 11m, Chicago Symphony Orchestra/Jean Martinon
- ¶óº§, ¸¶´Ù°¡½ºÄ«¸£¼¶ ÅäÀεéÀÇ ³ë·¡,°¡°î,3°î> 1) ¸¸³ëºÎ 2) ¾Æ¿ì¾Èµ¥ 3) ÈÞ½Ä
- ¶óº§, ¹°ÀÇ Èñ·Õ(Jeux d'eau), ÇǾƳë°î
- ¶óº§, ¹ÙÀ̿ø°°ú ÿ·Î¸¦ À§ÇÑ ¼Ò³ªÅ¸
- ¶óº§, ¹ÙÀ̿ø°¼Ò³ªÅ¸, G, 17m, ´Ü¾ÇÀå ±¸¼ºÀÇ VS ¹ß°ßÀ¸·Î VS 2·Î Ç¥±âµÇ±âµµ ÇÔ, Janine Jansen(Vn)/Itamar Golan(Pf)
- ¶óº§, ¹ãÀÇ °¡½ºÆÄ¸£, ÇǾƳë°îÁý, ¹°ÀÇ ¿äÁ¤, ±³¼ö´ë, ³ÀïÀÌ, ½ºÄ«¸£º¸( µµ±úºñºÒ) 3°î ±¸¼º
- ¶óº§, º¼·¹·Î,°üÇö¾Ç°î,ÀÛÀº ºÏÀ¸·Î ½ÃÀ۵Ǵ ÁÖÁ¦¸®µëÀÌ 169ȸ ¹Ýº¹
- ¶óº§, ¼ÁÖ¿Í ¾Ë·¹±×·Î(ÇÏÇÁ, ÇÃ·çÆ®, Ŭ¶ó¸®³ÝÀ» À§ÇÑ), Çö¾Ç4ÁßÁÖ ÇÃ·çÆ® Ŭ¶ó¸®³ÝÀÇ ¹ÝÁÖ, 10m
- ¶óº§, ½ºÆäÀÎ ±¤½Ã°î(Rhapsodie Espagnole), °üÇö¾Ç°î#, 4°î ±¸¼º: 1) ¹ãÀÇ ÀüÁÖ°î(Prelude a la nuit), 2) ¸»¶ó°Ô³Ä(Malaguena), 3) ÇϹٳ׶ó(Habanera), 4) ÃàÁ¦(Feria), Ulster Orch./Yan Pascal Tortelier
- ¶óº§, ¾î¸´±¤´ëÀÇ ¾ÆÄ§³ë·¡(Albora del gracioso), °üÇö¾Ç°î, #Orchestre de la Suisse Romande/Ernest Ansermet
- ¶óº§, ¾î¹Ì °ÅÀ§ ¸ðÀ½°î(Mother Goose Suite (Ma mere l'oye)), 5°î ±¸¼º: 1) ÀáÀÚ´Â ½£ ¼ÓÀÇ ¹Ì³àÀÇ ÆÄ¹Ý(Pavane de la Belle au Bois dormant) 2) ³ÀïÀÌ(Petit Poucet) 3) ÆÄ°í´ÙÀÇ ¿©¿Õ ·¹µå·Î³×Æ®(Laideronnette, Imp?rantrice des Pagodes) 4) ¹Ì³à¿Í ¾ß¼öÀÇ ´ëÈ(Les Entretiens de la Belle et de la Bete) 5) ¿äÁ¤ÀÇ Á¤¿ø(La Jardin feerique)
- ¶óº§, ¿ì¾ÆÇÏ°í °¨»óÀûÀÎ ¿ÐÃ÷(Valses nobles et sentimentales), Pf, 15m, Bertrand Chamayou(pf)$
- ¶óº§, Ä¡°£´À(Tzigane)(¹ÙÀ̿ø°°ú °üÇö¾Ç ¶Ç´Â ÇǾƳ븦 À§ÇÑ), 10m
- ¶óº§, ÄíÇÁ¶ûÀÇ ¹«´ý, °üÇö¾Ç ¸ðÀ½°î, ÀüÁÖ°î, Æú¶õ, ¸®°íµç, ¹Ì´º¿§ÀÇ 4°î
- ¶óº§, ÆÄ¹Ý´À(Á×Àº ¿Õ³à¸¦ À§ÇÑ), ÇǾƳë°î, ÆÄ¹Ý> °øÀÛÃã
- ¶óº§, ÇǾƳë3ÁßÁÖ°î, a, 27m >Morgenstern Trio
- ¶óº§, ÇǾƳë¼Ò³ªÆ¼³×
- ¶óº§, ÇǾƳëÇùÁÖ°î(¿Þ¼ÕÀ» À§ÇÑ)
- ¶óº§, ÇǾƳëÇùÁÖ°î, G, µÎ °³ÀÇ PC, 21m, $ Steven Osborne(pf)/BBC Scottish Symphony Orchestra/Ludovic Morlot
- ¶óº§, ÇϹٳڶódzÀÇ º¸Ä®¸®½º ¿¬½À°î
- ¶óº§, Çö¾Ç4ÁßÁÖ°î, F, 28m#, Jupiter String Quartet
- ¶óº¸,¾Ó¸®, ±³Çâ½Ã(Nicolas LenauÀÇ ½Ã¿¡ ÀÇÇÑ), "Procession Nocturne", Op.6 * Henri Rabaud(1873-1949 French)
- ¶óº¸,¾Ó¸®, Suite anglaise No.2, 7m, °üÇö¾Ç°î
- ¶ó¼ö½º,¿Ã¶õµå µå, Missa Pro Defunctis, 33m#, * Orlande de Lassus(1532-1594 Netherlandish)
- ¶ó¿ì·Î,¾ÈÅä´Ï¿À, ±âŸ¸¦ À§ÇÑ 4°³ÀÇ º£³×ÁÖ¿¤¶ó ¿ùÃ÷, * Antonio Lauro(1917-1986 Venezuelan)
- ¶ó¿ì¹ö(¿äÁ¦ÇÁ), 4°³ÀÇ Áß¼¼Ç³ ¹«°î * Joseph Lauber(1864-1952)
- ¶ó¿ìŸ¹Ù¶ó, °¡À»ÀÇ Á¤¿øµé(Autumn Gardens, 26m, $ Vladimir Ashkenazy(pf),Helsinki Philharmonic/Vladimir Ashkenazy, * Einojuhani Rautavaara(1928-, Finnish)
- ¶ó¿ìŸ¹Ù¶ó, ±³Çâ°î 7, "ºûÀÇ Ãµ»ç(Angel of Light)", 37m, Helsinki Philharmonic/Leif Segerstam
- ¶ó¿ìŸ¹Ù¶ó, õ»óÀÇ ¾Æ´ÙÁö¿À(Çö¾Ç ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ:Adagio Celeste for String Orchestra), 7m
- ¶óÀ̽ðÅ, ¼º¾Ç°î "Çâ¼öÀÇ ³ë·¡", ³¶¸¸Àû ¼Á¤À» ÇÇ¾Æ³ë ¹ÝÁÖ¿Í ÇÔ²² È£¸¥À¸·Î Ç¥Çö
- ¶óÀ̳×ÄÉ,Ä®, ºñ¿Ã¶ó¿Í ÇǾƳ븦 À§ÇÑ 3°îÀÇ È¯»ó ¼Òǰ, Op.43, 13m
- ¶óÀ̳×ÄÉ,Ä®, ÿ·Î¼Ò³ªÅ¸, G, Op.238, 21m * Carl Reinecke(1824-1910 German)
- ¶óÀ̳×ÄÉ,Ä®, ÇÃ·çÆ® ¼Ò³ªÅ¸, Op.167 "¿îµð³×(Undine)"
- ¶óÀ̳×ÄÉ,Ä®, ÇǾƳë4ÁßÁÖ°î, D, Op.272, 18m
- ¶óÀÌÄ«,¾ÈÅæ, ¸ðÂ¥¸£Æ® ÁÖÁ¦¿¡ ÀÇÇÑ ¼Ò³ªÅ¸, <¸¶¼úÇǸ®> 2¸·ÀÇ »çÁ¦µéÀÇ ÇàÁø, 19m, Ivan Illic(pf)
- ¶óÀÌÄ«,¾ÈÅæ, ¼°î, D, 10m, Symphony Orchestra Wuppertal/Peter Gulke, * Anton Reicha(1770-1836 Czech)
- ¶óÀκ£¸£°Å, ¿À¸£°£,¹ÙÀ̿ø°°ú ÿ·Î¸¦ À§ÇÑ ¸ðÀ½°î, Op.149, * Joseph Rheinberger(1839-1901)
- ¶óÀκ£¸£°Å, È£¸¥¼Ò³ªÅ¸, Eb, Op.178
- ¶óÂ¥·Î(Lazzaro), ¼º¾Ç°î "Chitarra Romana"
- ¶óÄ®·¹, ¼º¾Ç°î "¾Æ¸¶Æú¶ó(Amapola:¾Æ¸§´Ù¿î ¿©ÀÎ)" * Joseph Maria Lacalle(1860-1937 Spanish->American Cl&)
- ¶óÄÚ½ºÅ¸, ¼º¾Ç°î "Áø½ÇÇÑ »ç¶û" * Genaro Monreal Lacosta(1894-1974)
- ¶óÇÁ, ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¿©¼¸ °³ÀÇ »ì·ÕdzÀÇ ¼Òǰ, Op.85, $(No.3:Cavatina No.6:Tarantella) * Joseph Joachim Raff(1822-1882 German-Swiss)
- ¶óÈå³Ê,ÇÁ¶õÃ÷, °üÇö¾Ç¸ðÀ½°î 1, d, Op.113, 43m * Franz Lachner(1803-1890 German &cond)
- ¶óÈå³Ê,ÇÁ¶õÃ÷, °üÇö¾Ç¸ðÀ½°î 7, d, Op.190, 30m
- ¶óÈå³Ê,ÇÁ¶õÃ÷, ¼º¾Ç°î "Áú¹®(Fragen)", sop.Joan Sutherland
- ¶óÈ帶´Ï³ëÇÁ, ±³Çâ°î 1, d, Op.13
- ¶óÈ帶´Ï³ëÇÁ, ±³Çâ°î 2, e, Op.27, 60m, 1908ÃÊ¿¬½Ã ½ºÅ©¸®¾Æºó ¹ý¿ÀÇ ½Ã ´É°¡ ±Û¸µÄ«»ó ¼ö»ó, # London Symphony Orchestra/Valery Gergiev
- ¶óÈ帶´Ï³ëÇÁ, ±³Çâ°î 3, a, Op.44, 41m#, USSR RTV Large Symphony Orchestra/Evgeny Svetlanov
- ¶óÈ帶´Ï³ëÇÁ, ±³ÇâÀû ¹«°î(Symphonic Dances), Op.45, 3°î ±¸¼º, 35m#, USSR Symphony Orchestra/Evgeny Svetlanov, Royal Concertgebouw Orchestra/Mariss Jansons
- ¶óÈ帶´Ï³ëÇÁ, ·Î¸Á½º, a, vn & pf, 5m
- ¶óÈ帶´Ï³ëÇÁ, º¯ÁÖ°î(¼îÆØ ÁÖÁ¦¿¡ ÀÇÇÑ), Op.22, 27m
- ¶óÈ帶´Ï³ëÇÁ, º¯ÁÖ°î 18(ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ ±¤½Ã°î¿¡ µû¸¥), 4m
- ¶óÈ帶´Ï³ëÇÁ, º¸Ä®¸®½º(Vocalise), Op.34-14, ÀÚ½ÅÀÇ ÃÊ»óÈ¿¡ ÇØ´çÇÏ´Â ÀÛǰ,7m, 14°³ÀÇ °¡°î(Op.34)ÀÇ ¸¶Áö¸· °î
- ¶óÈ帶´Ï³ëÇÁ, Áý½Ã ÁÖÁ¦¿¡ ÀÇÇÑ ±â»ó°î(Capriccio on Gypsy Themes) "º¸Çì¹Ì¾Æ ±â»ó°î(Caprice bohemien)", Op.12, °üÇö¾Ç°î,
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î: 12°³ÀÇ ³ë·¡(Op.21), 1) "¿î¸í(fate)"-Op.21-1,
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Christ is risen" (Hristos vakres), Op.26-6, D.Myeryezhkoskii
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Dream; And I had a native land(Son; I u min'a byl kraj radnoj)", Op.8-1, A.Pleschcheyev
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Fragment from A.Musset; Why does my aching heart (Atryvak iz A.Musset; Shto tak usilenna)", Op.21-6, Apukhtin
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "He has taken everything from me (Fs'o otn'al u min'a)", Op.26-2, F.Tyutchyev
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Oh, no, I beseech you, do not leave! (O, net, mal'u, ni uhadi!)", Op.4-1, D.Myeryezhkovskii
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "She is as fair as day (Ana kak polden' harasha)", Op.14-9, N.Minski
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Yesterday we met (Fchira my fstretilis)", Op.26-13, Ya Polonskii
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "³ªÀÇ ¾ÆÀ̾ß, ²É¾î·³ ¾Æ¸§´ä±¸³ª(My child, you are beautiful as a flower)", Op.8-2
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "¹ãÀÇ °í¿äÇÑ Ä§¹¬ ¼Ó¿¡¼(In the Mysterious Silence of the Night; Oh, I will spend long moments),(V malchan'ji nochi tajnay; O, dolga budu ja)", Op.4-3, Fyet
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "¾Æ¸§´Ù¿î ¿©ÀÎÀÌ¿© ³ª¸¦ À§ÇØ ³ë·¡ÇÏÁö¸¶¿À[±×´ë¿©, ³ë·¡ÇÏÁö ¸»¾ÆÁÖ¿À](Let me not hear you sing (Ne poj, krasavitsa, pri mne))", OP.4-4, A.Pushkin, # sop. Barbara Hendricks
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "¿©±ä ¾ó¸¶³ª ¾Æ¸§´Ù¿î°¡(Zdes¡¯ Choroso)", Op.21-7, sop.Renee Fleming,Jean-Yves Thibaudet(pf)
- ¶óÈ帶´Ï³ëÇÁ, ¼º¾Ç°î "Àú³á±âµµ(Vespers(All-Night Vigil))", Op.37, 53m
- ¶óÈ帶´Ï³ëÇÁ, ÀüÁÖ°î(10°³ÀÇ), Op.23, Pf * (Op.23-2: Bb, Op.23-4: D)
- ¶óÈ帶´Ï³ëÇÁ, ÀüÁÖ°î, c#, Op.3-2,ÇǾƳë°î,13°îÀÇ ÀüÁÖ°îÁß $, Á¾¼Ò¸®¿¡¼ ¾Ï½Ã
- ¶óÈ帶´Ï³ëÇÁ, Á×À½ÀÇ ¼¶(The Isle of the Dead), Op.29, °üÇö¾Ç°î, 21m#
- ¶óÈ帶´Ï³ëÇÁ, ÿ·Î¼Ò³ªÅ¸, g, Op.19, 35m, $1) Mstislav Rostropovich(Vc), Vladimir Horowitz(Pf) 2) Truls Mork(Vc)/Jean-Yves Thibaudet(Pf)
- ¶óÈ帶´Ï³ëÇÁ, ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ µÎ °³ÀÇ ÀÛǰ Áß "µ¿¾çdzÀÇ Ãã°î", Op.2-2
- ¶óÈ帶´Ï³ëÇÁ, ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ ¶óÈ帶´Ï³ëÇÁ ÁÖÁ¦¿¡ ÀÇÇÑ ¸á·Îµð, D
- ¶óÈ帶´Ï³ëÇÁ, ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ ·¦¼Òµð, Op.43, 21m, ¼ÁÖ(1º¯ÁÖ)¸¦ Æ÷ÇÔÇÏ¿© 24º¯ÁÖ·Î ±¸¼º, $
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î(2´ëÀÇ) 2, g, Op.17
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳë3ÁßÁÖ°î 1(¿¤·¹Áö3ÁßÁÖ 1: Trio Elegiaque), g, Op.posth.
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳë3ÁßÁÖ°î 2(¿¤·¹Áö3ÁßÁÖ 2: Trio Elegiaque), d, Op.9
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳë¼Ò³ªÅ¸ 1, d, Op.28, 33m
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳë¼Ò³ªÅ¸ 2, bb, Op.36,18m$, $ Alexis Weissenberg(pf)
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳëÇùÁÖ°î 1, f#, Op.1
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳëÇùÁÖ°î 2, c, Op.18, 4°îÁß 2,3¹ø ÀÚÁÖ ¿¬ÁÖ,2¹øÀÌ À¯¸í, 32m$, # Julius Katchen(Pf), London Symphony Orchestra/Georg Solti, # Moura Lympany(pf), Royal Concertgebouw Orchestra/Malcolm Sargent
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳëÇùÁÖ°î 3, d, Op.30#, Martha Argerich, # Berlin Radio Symphony Orchestra/Riccardo Chailly, #1) Byron Janis(pf)/London Symphony Orchestra/Antal Dorati, #2) Vladimir Feltsman(pf), Russian National Symphony Orchestra/Mikhail Pletnev, 3) Vladimir Ashkenazy(pf)/London Symphony Orchestra/Anatole Fistoulari
- ¶óÈ帶´Ï³ëÇÁ, ÇǾƳëÇùÁÖ°î 4, g, Op.40, 1926c, 24m
- ¶õ³Ê, ¸ðÂ÷¸£Æ® ¿¬ÁÖÀÚ-¿ÐÃ÷(Die Mozartisten-Waltzer), Op.196, 9m, Vienna Philharmonic Orchestra/Mariss Jansons, * Joseph Lanner(1801-1843 Austrian)
- ¶õ³ëÀÌ, 3ÁßÁÖ°î, Bb, Op.15, (cl,vc,pf) * Eduard von Lannoy(1787-1853 Flemish)
- ¶ö·Î, ±³Çâ°î, G, 25m * Edouard Lalo(1823-1892 French)
- ¶ö·Î, ¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ ·Î¸Á½º-¼¼·¹³ªµ¥(Romance-Serenade for Violin and Orchestra), 5m, Jean-Jacques Kantorow(vn)/Tapiola infonietta/Kees Bakels
- ¶ö·Î, ½ºÆäÀα³Çâ°î(Symphonie espagnole),¹ÙÀ̿ø°°ú °üÇö¾Ç°î, d, Op.21, ¹ÙÀ̿ø°ÇùÁÖ°î2¿¡ ÇØ´ç, # Ida Haendel(violin),Czech Philharmonic Orchestra/Karel Ancerl
- ¶ö·Î, ¿ÀÆä¶ó <À̽ºÀÇ ¿Õ(Le Roi d'Ys)> /"Lorsque je t'ai vu"
- ¶ö·Î, ÿ·ÎÇùÁÖ°î, d, 26m # Jacqueline Du Pre(vc),Cleveland Orchestra/Daniel Barenboim
- ¶û½ºÆ®·ö, Divertimento Elegiaco, 16m, Swedish Chamber Orchestra/Petter Sundkvist, * Ture Rangstrom(1884-1947 Swedish)
- ¸®ÅÍ,¾Æ¿ì±¸½ºÆ®, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(Sinfonia concertante for two Bassoons), F, 17m, * August Gottfried Ritter(1811-1885 German Romatic &Org)
- ·¯ÅÍ,Á¸, "Draw on, sweet night" polyphony, 6m, John Rutter(1945- British)
- ·¯ÅÍ,Á¸, ·¹Äû¿¥(Requiem), Op.66, 37m#, Choir of Kings College,City of London Sinfonia/John Rutter
- ·¯ÅÍ,Á¸, ¼Á¤ ¸ðÀ½°î, * Waltz(4), Catrin Finch(Hp),Sinfonia Cymru/John Rutter
- ·¯ÅÍ,Á¸, ¼º¾Ç°î "All Things Bright and Beautiful", The Choirgirl
- ·¯ÅÍ,Á¸, ¼º¾Ç°î "Clap Your Hands"
- ·¯ÅÍ,Á¸, ¼º¾Ç°î "Deep Peace", Libera
- ·¯ÅÍ,Á¸, ¼º¾Ç°î "³ªÀÇ ´«À» ¿¾îÁÖ¼Ò¼(Open thou Mine Eyes)", ¼º ¸¶¸£Å© ÇÕâ´Ü
- ·¯ÅÍ,Á¸, ¼º¾Ç°î "ÁÖ´Ô ÁֽŠ¾Æ¸§´Ù¿î ¼¼»ó(For the Beauty of the Earth)", #St. John¡¯s ¹Ì±¹¼º°øÈ¸ ¼Ò³â¼Ò³à ÇÕâ´Ü
- ·¹°Å,¸·½º, 8°³ÀÇ ¼º°¡°î(Acht Geistliche Gesange/8 Sacred Songs for Chorus), Op.138, 19m, * Max Reger(1873-1916 German)
- ·¹°Å,¸·½º, ¹«¹ÝÁÖ ºñ¿Ã¶ó¸ðÀ½°î 1, g, Op.131-1
- ·¹°Å,¸·½º, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î, G, Op.131c-1, vc, 13m
- ·¹°Å,¸·½º, ¼º¾Ç°î "¸¶À̾ÆÀÇ ÀÚÀå°¡(Maria Wiegenlied)", sop.Eva Marton
- ·¹°Å,¸·½º, ÇǾƳëÇùÁÖ°î, f, Op.114, 41m
- ·¹¹ÙÀÌ, ¹ÙÀ̿ø°°ú ±âŸ¸¦ À§ÇÑ ¼Ò³ªÅ¸, e, 23m * Ferdinand Rebay(1880-1953 Austrian)
- ·¹ºê·é, ¿Àº¸ÇùÁÖ°î 3, C, 16m#, Heinz Holliger(ob),Camerata Bern/Thomas Furi, * Ludwig August Lebrun(1752-1790 German Ob)
- ·¹ºê·é, ¿Àº¸ÇùÁÖ°î 4, Bb, 18m, # Heinz Holliger(ob),Camerata Bern/Thomas Furi
- ·¹ºê·é, ¿Àº¸ÇùÁÖ°î 6, F, 19m, # Heinz Holliger(ob)/Camerata Bern/Thomas Furi
- ·¹½ºÇDZâ, 5°³ÀÇ ³ë·¡- »ê¸²ÀÇ ½Å: 1) ¸ñ¾ç½Å 2) Á¤¿øÀÇ ³ë·¡ 3) Á¤¿øÀÇ ¸ð½À 4) ¹° 5) Ȳȥ, ·çÇdzëÀÇ ½Ã¿¡ ±âÃÊ, ½º½Â ¸²½ºÅ°ÄÝ»çÄÚÇÁÀÇ ¿µÇâ
- ·¹½ºÇDZâ, °¡À»ÀÇ ½Ã°î, °üÇö¾Ç°î
- ·¹½ºÇDZâ, °ídzÀû ¹«°î°ú ¾Æ¸®¾Æ(Ancient Airs and Dances)-¸ðÀ½°î 2, 18m#2, Los Angeles Chamber Orchestra/Sir Neville Marriner
- ·¹½ºÇDZâ, °ídzÀû ¹«°î°ú ¾Æ¸®¾Æ(Ancient Airs and Dances)-¸ðÀ½°î 3, 16m
- ·¹½ºÇDZâ, ±³È¸ÀÇ À¯¸®Ã¢(Church Windows), °üÇö¾Ç°î, 24m, The Philadelphia Orchestra/Eugene Ormandy
- ·¹½ºÇDZâ, º¯ÁÖ°îdzÀÇ ¾ÆµðÁö¿À(Adagio con variazioni for cello and orchestra), P.133
- ·¹½ºÇDZâ, ·Î¸¶ÀÇ »ù(Fountains of Rome), ±³Çâ½Ã, >BPO/Karajan
- ·¹½ºÇDZâ, ·Î¸¶ÀÇ ¼Ò³ª¹«,±³Çâ¾Ç½Ã, 4ºÎ±¸¼º
- ·¹½ºÇDZâ, ·Î¸¶ÀÇ ÃàÁ¦
- ·¹½ºÇDZâ, ¹ÙÀ̿ø°¼Ò³ªÅ¸,2M> ¸®Çϸ£Æ® ½´Æ®¶ó¿ì½º¿Í À¯»çÇÑ ºÐÀ§±â
- ·¹½ºÇDZâ, ¹ÙÀ̿ø°ÇùÁÖ°î, A, P.49
- ·¹½ºÇDZâ, ºê¶óÁúÀÇ Àλó(Brazilian Impressions), °üÇö¾Ç°î, Buffalo Philharmonic Orchestra//JoAnn Falletta
- ·¹½ºÇDZâ, »õ, ¸ðÀ½°î, 1) ÀüÁÖ°î 2) ºñµé±â 3) ¾Ïż 4) ¹ã²Ò²¿¸® 5) »µ²Ú»õ
- ·¹½ºÇDZâ, ȯ»óÀûÀÎ Àå³°¨ °¡°Ô(La Boutique fantasque: ·Î½Ã´Ï ¿øÀÛ), °üÇö¾Ç°î, 27m
- ·¹¿ÂÄ«¹ß·Î, ¼º¾Ç°î "³ªÆú¸®ÀÇ ¼¼·¹³ªµ¥"
- ·¹¿ÂÄ«¹ß·Î, ¼º¾Ç°î "µ· ÁÖ¾ÓÀÇ ³ë·¡"
- ·¹¿ÂÄ«¹ß·Î, ¼º¾Ç°î "¾ÆÄ§ÀÇ ³ë·¡(Mattinata)"
- ·¹¿ÂÄ«¹ß·Î, ¼º¾Ç°î "ÇÁ¶û½º ¼¼·¹³ªµ¥(Serenata Francese)", ten.Roberto Alagna
- ·¹¿ÂÄ«¹ß·Î, ¿ÀÆä¶ó <ÆÈ¸®¾ÆÄ¡(Pagliacci)>;
- "½Å»ç¼÷³à ¿©·¯ºÐ! ¾È³çÇϼ¼¿ä?(Prologo Si puo? Signore! Signori!)"-Prologue, {# bar. Geraint Evans, # bar. Juan Pons(Åä´Ï¿À)}
- "¾îÂî ±×´ë´Â ³ª¸¦ ¸ÅȤÇß³ª?(Decidi il mio destin)"-½Çºñ¿À¿Í ³Ý´ÙÀÇ »ç¶ûÀÇ 2Áßâ, bar. Alberto Rinaldi(½Çºñ¿À)/sop. Teresa Stratas(³Ý´Ù)
- "ÀÇ»óÀ» ÀÔ¾î¶ó(Vesti la giubba)", {$ten. Luciano Pavarotti, $ten. Placido Domingo(Ä«´Ï¿À)}
- "ÀÌÁ¦ ³ª´Â ´õ ÀÌ»ó ±¤´ë°¡ ¾Æ´Ï´Ù(No, Pagliaccio non son)"-Çdz¯·¹, /ten. Placido Domingo(Ä«´Ï¿À)/bar. Alberto Rinaldi(½Çºñ¿À)/sop. Teresa Stratas(³Ý´Ù)/bar. Juan Pons(Åä´Ï¿À)
- "Á¾ÀÇ ÇÕâ(Don, din, don)"
- "ÆÈ¸®¾ÆÄ¡°¡ ¿Ô´Ù!(Son qua! Ritornano)", ten. Placido Domingo(Ä«´Ï¿À)/sop. Teresa Stratas(³Ý´Ù)
- ·¹À̸óµå, ¼º¾Ç°î "ÇÏÀ̵¨º£¸£Å©¿¡ µÎ°í ¿Â ³»¸¶À½(Ich hab¡¯ mein Herz in Heidelberg verloren)", Bar.Hermann Prey, * Fred Raymond(1900-1954 Austrian)
- ·¹ÀÌ¿¡,Àå-¹äƼ½ºÆ®(Ghent), Æ®¸®¿À¼Ò³ªÅ¸(Trio Sonata for recorder, oboe & continuo), F, Op.2/2, * Jean Baptiste Loeillet of Ghent(1688-1720 Belgian)
- ·¹ÀÌÇÏ,¿äÁ¦ÇÁ, ÿ·ÎÇùÁÖ°î, A, Op.4-1, 28m, Mikael Ericsson(vc),Czech Chamber Orch./Ondrej Kukal, * Josef Reicha(1752-1795 Czech &cellist)
- ·¹Áî´Ïüũ, µµ³ª µð¾Æ³ª ¼°î
- ·¹Äõ³ª, ¼º¾Ç°î "Siboney", ten.Placido Domingo, * Ernesto Lecuona(1895-1963 Cuban)
- ·¹Äõ³ª, ½ºÆäÀÎ ¸ðÀ½°î(Suite espanola): Gitanerias, Malaguena & Cordoba, Pf
- ·¹ÇÇü(¸®Ä¡´Ï¿À), ¼º¾Ç°î "±¸¸§ÀÇ ±×¸²ÀÚ(Ombra di nube)" * Licinio Refice (1883-1954, Italian composer)
- ·¹Çϸ£, "±Ý°ú Àº" ¿ùÃ÷, Op.79
- ·¹Çϸ£, ¿ÀÆä·¹Å¸ <¹Ì¼ÒÀÇ ¶¥>;
- "¾ðÁ¦³ª ¹Ì¼Ò¸¦ ¸Ó±Ý°í(Immer nur Laecheln)", ten.Rene Kollo
- ·¹Çϸ£, ¿ÀÆä·¹Å¸ <¸Þ¸® À§µµ¿ì>;
- "¹Ùº¸°°Àº ±â¸¶º´ÀÌ¿©(Heia, Maedel, aufgeschaut)", sop.Cheryl Studer, bar.Bo Skovhus
- "ºô·ªÀÇ ³ë·¡(Vilja Song)"
- "»ç¶ûÀº ¸»ÀÌ ¾ø´Â °Í(Lippen Schweigen)", ten. Nicolai Gedda/sop. Annelise
- "¿À Á¶±¹ÀÌ¿©, ±×´ë´Â ³ª¸¦ ½ÃÇèÇϰí(O Vaterland, du machst beu Tag)", bar.Thomas Hampson
- "Àå¹Ì ²ÉÀÙÀÌ ¿¸®µí(Wie eine Rosenknospe)", ten.Rainer Trost/sop.Barbara Bonney
- "Àú´Â Á¤¼÷ÇÑ À¯ºÎ³à¶ø´Ï´Ù(Ich bin eine anstaendige Frau)"-¹ß¶û½Ã¿£´À¿Í Ä«¹ÌÀ¯ÀÇ 2Áßâ, ten.Werner Hollweg/sop.Teresa Strata
- ·¹Çϸ£, ¿ÀÆä·¹Å¸ <¼¼»óÀº ¾Æ¸§´Ù¿ö>; /"¼¼»óÀº ¾Æ¸§´Ù¿ö"
- ·¹Çϸ£, ¿ÀÆä·¹Å¸ <ÁêµðŸ(Giuditta)>; /"³» ÀÔ¼ú, ±× ÀÔ¸ÂÃãÀº ¶ß°Ì°í(Meine Lippen, die kuessen so heiss)"
- ·¹Çϸ£, ¿ÀÆä·¹Å¸ <¤½ÃÀÇ »ç¶û>;
- "ħ¹ß·Ò ¼Ò¸®¸¦ µéÀ»¶§¸¶´Ù(Hoer ich Zimbalklaenge)"-Csardas, ms.Elina Garanca
- ·¹Çϸ£, ¿ÀÆä·¹Å¸ <ÆÄ°¡´Ï´Ï>; /"±â»Û ¸¶À½À¸·Î Ű½ºÇϳ×(2_¾Æ¸®¶ó)"
- ·¹Çϸ£, õÀϾßÈ(A Tale from One Thousand and One Nights), °üÇö¾Ç°î, Berlin Radio Symphony Orchestra/Michail Jurowski
- ·Îµå¸®°í, ¸¶µå¸®°¥ ÇùÁÖ°î(2´ëÀÇ ±âŸ¸¦ À§ÇÑ) * Joaquin Rodrigo(1901-1999 Spanish)
- ·Îµå¸®°í, ¼º¾Ç°î "»ç¶ûÀÇ ¾Æ¶õÈѽº(En Aranjuez con tu amor)"
- ·Îµå¸®°í, ½ºÆäÀÎdzÀÇ ¼Òǰ(3°³ÀÇ)(Tre Piezas Espanolas), guitar, 14m, # Julian Bream(Gt)
- ·Îµå¸®°í, ¾Æ¶õÈѽºÇùÁÖ°î(±âŸ¸¦ À§ÇÑ), 23m
- ·Îµå¸®°í, ¾È´Ù·Î½Ã¾ÆÇùÁÖ°î(4°³ÀÇ ±âŸ¸¦ À§ÇÑ), 25m
- ·Îµå¸®°í, ¾î´À ±ÍÀÎÀ» À§ÇÑ È¯»ó°î(Fantasia para un gentilhombre), 20m, Pepe Romero(guitar)/Academy of St Martin in the Fields/Neville Marriner
- ·Îµå¸®°í, ÇÏÇÁÇùÁÖ°î, "¼¼·¹³ªµ¥ÇùÁÖ°î(Concierto Serenata)", 23m, $ Nicanor Zabaleta(Hrp),Berlin Radio Symphony Orchestra/Ernst Marzendorfer
- ·Îµå¸®°í, Tres viejos aires de danza
- ·Î¸£Äª, ¿ÀÆä¶ó <¿îµð³×(Undine)>; "¾Æ¹öÁö, ¾î¸Ó´Ï, ÇüÁ¦Àڸſ©(Vater, Mutter, Schwestern, Brueder)", # ten.Rene Kollo, * Gustav Albert Lortzing(1801-1851 German)
- ·Î»ç, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(Sinfonia Concertante for Violin, Cello and Orchestra), Op.29 * Miklos Rozsa(1907-1995 Hungarian)
- ·Î»ç½º, ÆÄµµ¸¦ ³Ñ¾î(Over the waves), ¸ß½ÃÄÚ À½¾Ç°¡(1868-1894)·Î¼ »ì·Õ¿ë À½¾ÇÀ» ÀÛ°î, 1891³â Èñ¸ÁÀ» ÁÖÁ¦·Î ÀÛ°îÇÑ ÀÌ °îÀ¸·Î ¼¼°èÀûÀ¸·Î À¯¸íÇØÁü
- ·Î¼¼Æ¼,¾ÈÅä´Ï¿À, ±³Çâ°î 25, Bb, 18m, Concerto Koln, * Antonio Rosetti(1750-1792 Czech)
- ·Î¼¼Æ¼,¾ÈÅä´Ï¿À, ±³Çâ°î 28, D, 15m, Hamburg Symphony Orchestra/Johannes Moesus
- ·Î¼¼Æ¼,¾ÈÅä´Ï¿À, ±³Çâ°î 32, Eb, 18m, Concerto Koeln:Ensemble
- ·Î½º, ÄÜ¼ÒÆ® 4(Royall Consorts: Suite), D, 12m, * consort: a group of people who play very old music, or the group of old-fashioned instruments they use, * William Lawes(1602-1645 English)
- ·Î½º, ÄÜ¼ÒÆ® 5(Royall Consorts: Suite), D, 11m
- ·Î½º, ÄÜ¼ÒÆ® 8(Royall Consorts: Suite), C, 13m, # Purcell Quartet
- ·Î½º, ÄÜ¼ÒÆ® 9(Royall Consorts: Suite), F, 16m, # Purcell Quartet
- ·Î½º, ÄÜ¼ÒÆ® 10(Royall Consorts: Suite), Bb, 10m, Purcell Quartet
- ·Î½º³Ê, Gentle Musicke(for Flute and String orchestra), Op.44 * Arnold Rosner(1945-2013, American)
- ·Î½Ã´Ï, 4Áß¼Ò³ªÅ¸ 6(µÎ´ëÀÇ ¹ÙÀ̿ø° ÿ·Î ¹× ´õºíº£À̽º¸¦ À§ÇÑ), D
- ·Î½Ã´Ï, µµµÏ±îÄ¡ ¼°î
- ·Î½Ã´Ï, "¸¶È£¸ÞÆ® 2¼¼(Maometto II)" ¼°î, °üÇö¾Ç°î
- ·Î½Ã´Ï, ¼ÁÖ¿Í º¯ÁÖ°î(Ŭ¶ó¸®³Ý°ú °üÇö¾ÇÀ» À§ÇÑ), Ŭ¶ó¸®³Ý> »ç¶÷¼Ò¸®¿¡ °¡Àå °¡±õ´Ù 13m
- ·Î½Ã´Ï, ¼º¾Ç°î, "°í¾çÀÌ 2Áßâ(Duetto buffo di due gatti)", sop.Edita Gruberova/ms.Vesselina Kasarova
- ·Î½Ã´Ï, ¼º¾Ç°î, "²ÉÀ¸·Î Àå½ÄµÈ Áö±Ý(Or che di fiori adomo)"
- ·Î½Ã´Ï, ¼º¾Ç°î, "¸¶Áö¸· ±â¾ï(L¡¯Ultimo Ricordo)", ms.Marilyn Horne
- ·Î½Ã´Ï, ¼º¾Ç°î, "¸Ö¸®(La lontananza)"
- ·Î½Ã´Ï, ¼º¾Ç°î, "¹î³ë·¡(Barcarolle)", ms.Anna Bonitatibus
- ·Î½Ã´Ï, ¼º¾Ç°î, "º£³×Ä¡¾Æ ¿äÆ®°æÁÖ(La Regata Veneziana)", Felicity Lott(Sop),Ann Murray(Ms)
- ·Î½Ã´Ï, ¼º¾Ç°î, "½ºÆäÀÎdzÀÇ ³ë·¡(Canzonetta spagnuola)"
- ·Î½Ã´Ï, ¼º¾Ç°î, "¾Æ±âÀÇ ³ë·¡(La chanson du bebe)", # bar.Thomas Hampson
- ·Î½Ã´Ï, ¼º¾Ç°î, "¾ËÇÁ½ºÀÇ ¾çÄ¡±â ¼Ò³à"
- ·Î½Ã´Ï, ¼º¾Ç°î, "¾à¼Ó(La Promessa)"
- ·Î½Ã´Ï, ¼º¾Ç°î, "¿¹»Û Áý½Ã ¾Æ°¡¾¾(La petite bohemienne)", ms.Marilyn Horne
- ·Î½Ã´Ï, ¼º¾Ç°î, "À¯¶û(L'esule)"
- ·Î½Ã´Ï, ¼º¾Ç°î, "ÀÛÀº Áý½Ã¼Ò³à(La petite bohemienne)"
- ·Î½Ã´Ï, ¼º¾Ç°î, "Áñ°Å¿î ÈÞ½Ä(Le Lazzarone)", # bar.Michel Brodard, # ms.Anna Bonitatibus
- ·Î½Ã´Ï, ¼º¾Ç°î, "ÃÖÈÄÀÇ Ãß¾ï(L¡¯ultimo ricordo)"
- ·Î½Ã´Ï, ¼º¾Ç°î, "Ãã(La Danza)", ten.Lawrence Brownlee
- ·Î½Ã´Ï, ¼º¾Ç°î, "ÇÇ·»Ã¼ÀÇ ²ÉÆÄ´Â ¾Æ°¡¾¾(La fioraia fiorentina)", sop.Jessica Pratt
- ·Î½Ã´Ï, ½ºÅ¸¹ÙÆ® ¸¶ÅÍ(Stabat Mater); /"ź½ÄÇÏ´Â ¼º¸ð´ÔÀÇ ¸¶À½(Cujus animam gementem)"
- ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 1, G, Va´ë½Å ÄÜÆ®¶óº£À̽º »ç¿ë,Vn1 Vn2 Ce Cb
- ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 2(Sonata a quattro), A, 13m, Berlin Philharmonic Orchestra/Herbert von Karajan
- ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 3, C, 6°îÁß 3,5¹ø À¯¸í,11m
- ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 4, Bb, 13m
- ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 5, Eb, 6°îÁß 3,5¹ø À¯¸í,14m
- ·Î½Ã´Ï, ½ºÆ®¸µ¼Ò³ªÅ¸ 6, D
- ·Î½Ã´Ï, ¿ÀÆä¶ó <µµµÏ±îÄ¡>;
- "³ªÀÇ °¡½¿Àº ±â»Ý¿¡ µé¶°(Di piacer mi balza il cor)"-´Ï³×ŸÀÇ ¾Æ¸®¾Æ, sop. Mady Mesple
- ·Î½Ã´Ï, ¿ÀÆä¶ó <¶ó ü³×·»Åç¶ó>;
- "½½ÇÄÀº »ç¶óÁö°í(Non piu mesta)", ms.Cecilia Bartoli
- ·Î½Ã´Ï, ¿ÀÆä¶ó <¼¼¹Ì¶ó¹Ìµ¥>;
- "³ª¸¦ À¯È¤ÇÏ´Â ¾Æ¸§´Ù¿î ºûÀÌ¿©(Bel raggio lusinghier)", ms.Teresa Berganza
- "dzºÎÇÑ »ó»ó·ÂÀ¸·Î(Alle piu calde immagini)", sop.Montserrat Caballe,ms.Shirley Verrett
- "Èñ¸Á°ú ȯÈñÀÇ ¾Æ¸§´Ù¿î ºû"
- ·Î½Ã´Ï, ¿ÀÆä¶ó <¼¼ºô¸®¾ÆÀÇ À̹߻ç>; ¼°î
- "±×°Ç Àú¿¹¿ä(Dunque io son)", ms. Cecila Bartoli/bar. Bryn Terfel
- "±×·³ ³... ³¯ ¼ÓÀÎ °ÍÀÌ ¾Æ´Ñ°¡¿ä?"
- "³ª´Â ¸¶À»ÀÇ Á¦1ÀÎÀÚ(Largo al factotum)", bar. Leo Nucci
- "¹æ±Ý µé¸° ±×´ë À½¼º(una voce poco fa)", ms.Teresa Berganza
- "º¸¾Æ¶ó... ¿ôÀ¸¸ç ÇÏ´ÃÀ» º¸¾Æ¶ó(Ecco, ridente in cielo)"
- "Çè´ãÀ̶û »êµé¹Ù¶÷ó·³(La calunnia e un venticello)", bass.Paolo Montarsolo
- ·Î½Ã´Ï, ¿ÀÆä¶ó <½Åµ¥·¼¶ó>; /"½½Çİú ´«¹° ¼Ó¿¡¼ ž"
- ·Î½Ã´Ï, ¿ÀÆä¶ó <¾ËÁ¦¸®ÀÇ ÀÌÅ»¸®¾Æ ¿©ÀÎ(L'Italiana in Algeri)>;
- "¾Æ¸§´Ù¿î ¿©ÀÎÀ» ±×¸®¿ö Çϸé¼"
- "»ç¶ûÇÏ´Â ±×¸¦ À§ÇÏ¿©(Per lui che adoro)", Elina Garanca
- "ÀÜÀÎÇÑ ¿î¸íÀÌ¿©! ÀÜȤÇÑ »ç¶ûÀÌ¿©(Cruda sorte! Amor tiranno!)", ms.Cecilia Bartoli, ms.Agnes Baltsa
- ·Î½Ã´Ï, ¿ÀÆä¶ó <¿µ±¹¿©¿Õ ¿¤¸®ÀÚºª>;
- ·Î½Ã´Ï, ¿ÀÆä¶ó <¿À¸® ¹éÀÛ(Le Comte Ory)>;
- "ÀÌ °¡½¿¿¡ µå¸®¿î ¾µ¾µÇÔ"
- ·Î½Ã´Ï, ¿ÀÆä¶ó <Àª¸®¾ö ÅÚ(William Tell)>; ¼°î-Swingle Singers, * <ºôÇ︧ ÅÚ>, <±¼¸®¿¤¸ð ÅÚ(Guillaume Tell)>·Î ºÒ¸®¸ç ¿øÀü ¿ÀÆä¶ó´Â <±â¿è ÅÚ>
- "³» ¾Æµé¾Æ...¿òÁ÷ÀÌ¸é ¾ÈµÈ´Ù(Mio figlio...Resta immobile)", bar.Sherrill Milnes
- "´Þ·Á°¡ÀÚ! ³¯¾Æ°¡ÀÚ!!(Corriam! Voliam!)"
- "¾îµÎ¿î ½£(Sombre foret)", sop.Montserrat Caballe
- "¿À ħ¹¬ÀÇ ¾È½Äó¿©(O muto asil)"
- "¿òÁ÷ÀÌ¸é ¾ÈµÈ´Ù(Resta immobile, e ver la terra)"-3: Àª¸®¾ö ÅÚÀÇ ¾Æ¸®¾Æ, bar.Sherrill Milnes(Àª¸®¾öÅÚ)
- "ÇÇó·³ °ÇÏ°Ô ½ñ¾ÆÁö´Â(Allor che scorre de¡¯forti il sangue)"-2:¾Æ¸£³îµµ, ÅÚ, °ýƼ¿¡·ÎÀÇ 3Áßâ, ten.Luciano Pavarotti(¾Æ¸£³îµµ),bar.Sherrill Milnes(Àª¸®¾öÅÚ),bass.Nicolai Ghiaurov(°ýƼ¿¡·Î)
- ·Î½Ã´Ï, ¿ÀÆä¶ó <ÀÌÅ»¸®¾ÆÀÇ ÅÍŰÀÎ(Il turco in Italia)>; /¼°î
- ·Î½Ã´Ï, ¿ÀÆä¶ó <ÅÁÅ©·¹µð(Tancredi)>;
- "¼³·¹´Â °¡½¿(Di tanti Palpiti)"
- ·Î½Ã´Ï, ¿ÀÆä¶ó <È£¼öÀÇ ¿©ÀÎ(/¹Ì³à)>;
- "±× ¼ø°£¿¡ ±×ó·³ ¸¹Àº °¨Á¤ÀÌ(Tanti affetti in tal momento)", ms.Cecilia Bartoli
- "³Ê´Â ³» ½½ÇÄÀ» µèÁö ¸øÇϴ±¸³ª"
- "»ç¶ûÀ» °¡µæ ´ã¾Æ(tanti affetti in tal momento)"
- "¾Æ! ¾î¶»°Ô ¼û±æ ¼ö ÀÖÀ»±î, ³» Àý½ÇÇÑ ¿Á¤À»"
- ·Î½Ã´Ï, Àª¸®¾ö ÅÚ ¼°î,»õº® ÆøÇ³¿ì Àû¸· ¾ËÇÁ½ºÀÇ ÀÚ¿¬À» ¹¦»ç>4ºÎ ±¸¼º
- ·Î½Ã´Ï, ÆÄ°¡´Ï´Ï¿¡ ºÎÄ¡´Â ¸»-¹ÙÀ̿ø°°ú ÇöÀ» À§ÇÑ ºñ°¡(Un Mot a Paganini per violino e archi)
- ·ÎÀ̾î, Duos Concertante, A, Op.31-1, µÎ ´ëÀÇ ±âŸ¸¦ À§ÇÑ °î, 3°îÀÇ Duos Concertante, * Antoine De Lhoyer(1768-1852 French Guitarist)
- ·ÎÀ̾î, Allemande, Jean Rondeau(harpsichord), * Joseph-Nicolas-Pancrace Royer(1705-1755 French &harpsichordist)
- ·ÎÀ̾î, ÇÕ½ÃÄÚµå ÀÛǰÁý 1±Ç
- ·ÎÀÔÄÉ, ÇǾƳë¼Ò³ªÅ¸, Bb, 29m * Julius Reubke
- ·ÎÀú½º, ¼º¾Ç°î "Blue Moon", * Richard Rodgers(1902-1979 American)
- ·ÎÀú½º, ¼º¾Ç°î "Climb ev'ry mountain"
- ·ÎÀú½º, ¼º¾Ç°î "Manhattan", sop.Dawn Upshaw
- ·ÎÀú½º, ¼º¾Ç°î "You¡¯ll Never Walk Alone", Susan Boyle
- ·ÎÀú½º, ¹ÂÁöÄà <³²ÅÂÆò¾ç>;
- "Bali Ha¡¯i", Sarah Vaughan
- "I'm in love with a wonderful guy", $ sop.Kiri Te Kanawa
- "¾î´À ȲȦÇÑ Àú³á(Some Enchanted Evening)", ten. Jose Carreras
- ·ÎÀú½º, ¹ÂÁöÄà ;
- "Climb Every Mountain", ten. Placido Domingo
- "Edelweiss", bar.Bryn Terfel
- "Maria", ten. Francisco Araiza
- "Something Good", ms.Anne Sofie von Otter
- ·ÎÀú½º, ¹ÂÁöÄà <¾Ë·¹±×·Î>;
- "What a Lovely Day for a Wedding", #, bar. Bryn Terfel, Chorus of Opera North
- ·ÎÀú½º, ¹ÂÁöÄà <¿ÀŬ¶óÈ£¸¶>;
- "What a Beautiful Morning",#, bar.Bryn Terfel
- ·ÎÀú½º, ¹ÂÁöÄà <¿Õ°ú ³ª>;
- "I Whistle a Happy Tune", Debora Kerr
- "Shall We Dance?", Debora Kerr
- ·ÎÁ¦Æ¼,¾ÈÅä´Ï¿À, ±³Çâ°î 28, D, 15m * Antonio Rosetti(1750-1792)
- ·ÎÁ¦Æ¼,¾ÈÅä´Ï¿À, È£¸¥ÇùÁÖ°î(2´ëÀÇ È£¸¥°ú °üÇö¾ÇÀ» À§ÇÑ), 18m
- ·ÎÁ¨¹Á·¯, ±³È¸ÇùÁÖ°î, "±Û·Î¸®¾Æ"
- ·ÎÄ«ÅÚ¸®, ¼ÁÖ 4, G, 4m * Pietro Antonio Locatelli(1695-1764 Italian Baroque &Vn)
- ·ÎÄ«ÅÚ¸®, 24°³ÀÇ Ä«ÇÁ¸®½º(24 Capriccios), Vn
- ·ÎÄ«ÅÚ¸®, Concerto XI a Quattro, c, # Freiburg Baroque Orchestra/Gottfried von der Goltz
- ·ÎÄ«ÅÚ¸®, Concerto VII a Cinque, F, 7m, Freiburg Baroque Orchestra/Gottfried von der Goltz
- ·ÎÄ«ÅÚ¸®, ¼Ò³ªÅ¸(2´ë vn°ú BC¸¦ À§ÇÑ), D, Op.8-8, 12m, Musica Alta Ripa
- ·ÎÅ©, The Tempest: Incidental Music, 20m# * Matthew Locke(1621-1677 English Baroque)
- ·ÎÅ©, »ïÈÀ½(Tripla concordia: Suite), G
- ·ÎŸ,´Ï³ë, 3ÁßÁÖ(ÇÃ·çÆ® ¹ÙÀ̿ø° ÇǾƳ븦 À§ÇÑ), 13m * Nino Rota(1911-1979 Italian)
- ·ÎŸ,´Ï³ë, 9ÁßÁÖ(Nonetto per flauto, oboe, clarinetto, fagotto, corno, violino, viola, violoncello e contrabbasso), 26m
- ·ÎƼ,¾ÈÅä´Ï¿À, ¼º¾Ç°î "±×´ë´Â ´ÙÁ¤ÇÑ ÀÔ¼ú·Î ¸»Çß¾úÁö(Pur dicesti o bocca bella)", ten. Ramon Vargas, * Antonio Lotti(1667-1740 Italian Baroque)
- ·ÎÆÄ¸£Ã÷, 3ÁßÁÖ°î(ÇǾƳë¿Í ÇöÀ» À§ÇÑ), a, Vn Va Pf, * Joseph Guy Ropartz(b1864)
- ·Ñ¶ó,¾Ë·¹»êµå·Î, ±³Çâ°î, Bb, BI.540, 11m, Milan Chamber Orchestra/Massimiliano Caldi, * Alessandro Rolla(1757-1841 Italian Va&Vn)
- ·Ñ¶ó,¾Ë·¹»êµå·Î, ±³Çâ°î, D, BI.553
- ·Òº£¸£Å©,Áö±×¹®Æ®, ¹ÂÁöÄà ; /"Lover come back to me", * Sigmund Romberg(1887-1951 Austro-Hungarian)
- ·Òº£¸£Å©,Áö±×¹®Æ®, ¼º¾Ç°î "¼¼·¹³ªµ¥(Serenade)", ten.Placido Domingo
- ·Òº£¸£Å©,Áö±×¹®Æ®, ¿ÀÆä·¹Å¸ <»ç¸·ÀÇ ³ë·¡>;
- "One Alone", ten.Robert White
- "»ç¸·ÀÇ ³ë·¡(The Desert Song)", sop.Judith Raskin/ten.Mario Lanza
- ·Òº£¸£Å©,Áö±×¹®Æ®, ¿ÀÆä·¹Å¸ <¾î¸°¿ÕÀÚ>, ·Òº£¸£Å©ÀÇ ¼º°øÀÛ, drink drink °î
- ·Òº£¸£Å©,Áö±×¹®Æ®, ¿ÀÆä·¹Å¸ <ȲÅÂÀÚÀÇ Ã¹»ç¶û(The Student Prince)>; /"Deep in my heart", /"Golden Days"
- ·Úº£, ¼º¾Ç°î, "Canzonetta", sop. Elly Ameling
- ·Úº£, ¼º¾Ç°î, "½ÃÀÎ Åè(Tom der Reimer)", Op.135a, * Carl Loewe(1796-1869 German &Br:singer)
- ·Úº£, ¼º¾Ç°î, "¿ÀµòÀÇ ¹Ù´Ù ¿©Çà(Odins meeresritt)", bs-bar. Thomas Quasthoff
- ·Úº£, ¼º¾Ç°î, "¿Ã·çÇÁ ¾¾(Herr Oluf)", Op.2-2, bar.Thomas Quasthoff/Justus Zeyen(pf)
- ·ÛÆ®°Õ,ÁÙ¸®¾î½º, A Little Song of the Sea, Op.45, 12m, North German Radio Orchestra/David Porcelijn, * Julius Rontgen(1855-1932 German-Dutch)
- ·Ü¸®, ¾Ëü½ºÅ× ¸ðÀ½°î(Alceste: Suite), LWV.50, cf) Opera , 21m#3, Le Concert des Nations/Jordi Savall
- ·Ü¸®, »ç¶ûÀÇ ½Â¸®(Le Triomphe de l'amour), LWV.59, °üÇö¾Ç°î, * Jean-Baptiste Lully(1632-1687 Italian-born French)
- ·Ü¸®, ¼¹Î ±ÍÁ·(Le Bourgeois Gentilhomme):¸ðÀ½°î, LWV.43, 17m $,Le Concert des Nations/Jordi Savall
- ·Ü¸®, ¿ÀÆä¶ó <¾Æ¸£¹Ìµ¥(Armide)>; /Overture and Dances
- ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ·Î¸Á½º, Eb, Op.44-1 * Anton Rubinstein(1829-1894 Russian Pf &comp)
- ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ¸á·Îµð(Melodie), F, Op.3-1
- ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ¿ÀÆä¶ó <³×·Î>; '³ª ±×´ë¿¡°Ô ³ë·¡Çϳ×'
- ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ÿ·Î¼Ò³ªÅ¸ 1, D, Op.18, 29m#
- ·çºó½ºÅ¸ÀÎ,¾ÈÅæ, ÇǾƳëÇùÁÖ°î 4, d, Op.70, 29m, $ Michael Ponti(pf),Philharmonia Hungarica/Othmar Maga
- ·ç¼¿, ±³Çâ°î 1, Op.7, "½£ÀÇ ½Ã", ÇÁ¶ûÅ©ÀÇ ¼øÈ¯±â¹ý »ç¿ë
- ·çÂî(Luzzi), ¼º¾Ç°î, "¾Æº£¸¶¸®¾Æ"
- ·çÂ÷½ºÅ°, ¼º¾Ç°î "¿À º½ÀÌ¿©(O Primavera)", sop.Catherine Bott, * Luzzasco Luzzaschi(1545-1607 Italian &org)
- ·çÄ«µô¸®, ±ØÀådz ¼°î5,D, Op.4-5,1729c
- ·çÅ佺¿ÍÇÁ½ºÅ°, ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î (Variations on a theme of Paganini), 5m#, Pf, * Witold Lutoslawski(1913-1994 Polish)
- ¸£±×¶û,¹Ì¼Ð, ¼º¾Ç°î "ÀÌ ¼¼»ó ³¡ÀÇ Çâ±â(Un parfum de fin du monde)", $ Bruno Laplante(Bar),France Duval(Sop), * Michel Legrand(1932- French musical composer)-arranger, conductor, and pianist, cf) film music- "The Umbrellas of Cherbourg(1964)"
- ¸£´©¾Æ¸£,Àö, ¼º¾Ç°î "»ç¶ûÇÑ´Ù°í ¸»ÇØÁÖ¿À(Parlez-moi d¡¯amour)", Bruno Laplante, # ms. Anne Sofie von Otter, # bar. Bruno Laplante, * Jean Lenoir(1891-1976 French)
- ¸£´Ï¿¡,¾Ó¸®¿¡¶ß, Àü¼³(Legende, dapres 'Les Elfes' de Leconte de Ilsle), 10m$ Valerie Milot(Hp) * Henriette Renie(1875-1956 French Hp& F)
- ¸£º§,Àå Æä¸®, Sonate cinquieme, D, * Jean-Fery Rebel(1666-1747 French Baroque)
- ¸£º§,Àå Æä¸®, ¿ø¼Ò(Les Elemens: Air pour l'amour...Caprice), °üÇö¾Ç°î
- ¸£Äê(±â¿è), ¹ÙÀ̿ø°¼Ò³ªÅ¸, G, 29m * Guillaume Lekeu(1870-1894) º§±â¿¡ ÀÛ°î°¡
- ¸£Äê(±â¿è), ÿ·Î¼Ò³ªÅ¸, f, 43m, $ Luc Dewez(vc), Luc Devos(pf)
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, e, Op.5-3 $ * Jean-Marie Leclair(1697-1764 French Baroque &Vn)
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, D, Op.9-3, Vn & Pf, 11m
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸(µÎ ´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), e
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 5, a, Op.7-5, 15m, Simon Standage(vn)/Collegium Musicum 90/Simon Standage
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 1(Concertos (6) for Violin, Strings and Basso Continuo), Bb, Op.10-1, 14m, # Simon Standage(vn), Collegium Musicum 90/Simon Standage
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 3, D, Op.10-3, 14m, Simon Standage(vn)/Collegium Musicum 90/Simon Standage
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 5, e, Op.10-5, 17m
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¹ÙÀ̿ø°ÇùÁÖ°î 6, g, Op.10-6, 17m, Simon Standage(vn),Collegium Musicum 90
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, Op.2-1
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ¿ÀÆä¶ó <½ºÅ³¶ó¿Í ±Û¶ó¿ìÄí½º(Scylla et Glaucus)>: ¹ß·¹À½¾Ç
- ¸£Å¬·¹¸£,Àö-¸¶¸®, ÇÃ·çÆ®¼Ò³ªÅ¸, C
- ¸£Æäºê¸£, Ŭ¶ó¸®³Ý4ÁßÁÖ°î 4, c, 18m * Jean-Xavier Lefe`vre(1763 ~ 1829) ½ºÀ§½º Å»ýÀÇ Å¬¶ó¸®³Ý ÁÖÀÚ
- ¸®,¹ÌÄ¡, ¹ÂÁöÄà <¶ó¸¸Â÷ÀÇ »ç³ªÀÌ>; * Mitch Leigh(1928-2014 American)
- "Impossible Dream", # ten.Jose Carreras
- ¸®°ÔƼ, ¹Ù°¡ÅÚ(6°³ÀÇ), (bagatelle)-ÇÇ¾Æ³ë ¿¬ÁÖ¿ë µÎ ¼¼µµ¸· Çü½ÄÀÇ ¼Òǰ°î * Gyoergy Ligeti(1923-2006 Hungarian:contemporary classical music)
- ¸®ºù½ºÅÏ,Á¦ÀÌ, ¼º¾Ç°î "Mona Lisa", Jose Carreras(Ten), Jay Livingston (1915-2001 American)
- ¸®½º,Æä¸£µð³µå, 8ÁßÁÖ°î, f, Op.128, º£Å亥ÀÇ Á¦ÀÚ, º£Å亥ÀÇ ½º½ÂÀÎ ¾ÈÅæ¸®½ºÀÇ ¾Æµé * Ferdinand Ries(1784-1838 German)
- ¸®½º,Æä¸£µð³µå, ±³Çâ°î 1, D, Op.23, 26m, $ Zurich Chamber Orchestra/Howard Griffiths
- ¸®½º,Æä¸£µð³µå, ¼Ò³ªÆ¼³ª(Sonatina), C, Op.6, (for four hands), # Susan Kagan(pf)/Vassily Primakov(pf)
- ¸®½º,Æä¸£µð³µå, ½º¿þµ§ ±¹°¡ º¯ÁÖ°î(Swedish National Airs with Variations), Op.52, Concerto(Pf)
- ¸®½º,Æä¸£µð³µå, Ŭ¶ó¸®³Ý3ÁßÁÖ(Trio for Clarinet/Violin, Cello and Piano), Op.28, 23m, #3 Dieter Klocker(Cl),Armin Fromm(Vc),Thomas Duis(Pf)
- ¸®½º,Æä¸£µð³µå, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, Op.169, 20m#, Dieter Klocker(Cl)/Thomas Duis(Pf)
- ¸®½º,Æä¸£µð³µå, ÇÃ·çÆ®4ÁßÁÖ°î(Quartet for flute, violin, viola and violoncello), d, WoO.35/1, 29m, Ardinghello Ensemble 29:02
- ¸®½º,Æä¸£µð³µå, ÇǾƳë¼Ò³ªÅ¸, Bb, Op.47, 13m
- ¸®½º,Æä¸£µð³µå, ÇǾƳëÇùÁÖ°î, Ab, Op.151, "¶óÀÎÀÇ Àλç(Gruss an den Rhein)"
- ¸®½º,Æä¸£µð³µå, ÇǾƳëÇùÁÖ°î 3, c#, Op.55
- ¸®½º,Æä¸£µð³µå, ÇǾƳëÇùÁÖ°î 7, a, Op.132, "Farewell to England(/London)"
- ¸®½º,Æä¸£µð³µå, ÇǾƳëÇùÁÖ°î 9, g, Op.177, 28m
- ¸®½ºÆ®, Les Morts - Oraison pour Grand Orchestre. S.112/1, 8m, Orchester Wiener Akademie/Marin Haselboeck
- ¸®½ºÆ®, Grand duo concertant, S.128 cf) Vn & Pf, 12m
- ¸®½ºÆ®, 2°³ÀÇ Àü¼³(Deux Legendes), ÇǾƳë°î, S.175, # Pierre-Laurent Aimard(pf)
- ¸®½ºÆ®, ±³Çâ½Ã "¿ä¶÷¿¡¼ ¹«´ý±îÁö(Von der Wiege bis zum Grabe)", S.107
- ¸®½ºÆ®, ±³Çâ½Ã "ÇÁ·Î¸ÞÅ׿콺", 13m
- ¸®½ºÆ®, ±³Çâ½Ã6, "¸¶Á¦ÆÄ", ºòÅç À¯°íÀÇ ½Ã¿¡ ÀǰÅ
- ¸®½ºÆ®, ±³Çâ½Ã "Çܸ´", S.104, Gewandhausorchester Leipzig/Kurt Masur
- ¸®½ºÆ®, ³ë¸£¸¶ÀÇ È¸»ó(Reminiscences de Norma), S.394, 16m, Benjamin Grosvenor(pf)
- ¸®½ºÆ®, ´ÜÅ× ±³Çâ°î(Dante Symphony), S.109, 51m#, Rotterdam Philharmonic Orchestra/Helmond Concert Choir/James Conlon
- ¸®½ºÆ®, º£³×Ä¡¾Æ¿Í ³ªÆú¸®
- ¸®½ºÆ®, º£¾ÆÃ¼ÇÏ¿¡ ÀÇÇÑ È¯»ó°î°ú Ǫ°¡(Fantasy and Fugue on B-A-C-H), 11m
- ¸®½ºÆ®, ºñ°¡ 1(Premiere Elegie)
- ¸®½ºÆ®, ºñ°¡ 2(Deuxieme Elegie)
- ¸®½ºÆ®, »ç¶ûÀÇ ²Þ3,ÇǾƳë°î,Ab,3°îÀÇ »ç¶ûÀÇ ²Þ>3¹ø $
- ¸®½ºÆ®, ¼º¾Ç°î "³»°¡ ÀáµÑ¾úÀ» ¶§ (¿À ²Þ¿¡ ¿À¼Ò¼)(Quand je dors)", sop.Barbara Hendricks, Steffan Scheja, #ten. Nicolai Gedda
- ¸®½ºÆ®, ¼º¾Ç°î "±×°ÍÀº ³î¶ó¿î ÀÏÀ̾ú³×(Es muss ein wunderbares sein), ten. Peter Schreier"
- ¸®½ºÆ®, ¼º¾Ç°î "¶óÀÎ, ¾Æ¸§´Ù¿î È帧 ¼Ó¿¡"
- ¸®½ºÆ®, ¼º¾Ç°î "·Î·¼¶óÀÌ(Die Loreley)"
- ¸®½ºÆ®, ¼º¾Ç°î ºòÅ丣 À§°íÀÇ ½Ã¿¡ ºÙÀÎ °¡°î "¾ÆÀ̾ß, ³»°¡ ¿ÕÀ̶ó¸é ³×°Ô ³» ¿Õ±¹À» ¹°·ÁÁÙÅÙµ¥..."
- ¸®½ºÆ®, ¼º¾Ç°î "»ç¶ûÀÇ ²Þ 3(Liebestraum)"
- ¸®½ºÆ®, ¼º¾Ç°î "¾Æº£¸¶¸®¾Æ(Ave Maria)"
- ¸®½ºÆ®, ¼º¾Ç°î "¿À ²Þ¿¡ ¿À¼Ò¼(Oh! quand je dors)", ten.Dennis O¡¯Neill
- ¸®½ºÆ®, ¼º¾Ç°î "¿À »ç¶ûÀÌ¿©, »ç¶ûÇÒ ¼ö ÀÖ´Â ÇÑ »ç¶ûÇ϶ó(O lieb so lang du lieben kannst)" S.298, $ sop.Margaret Price
- ¸®½ºÆ®, ¼º¾Ç°î "Á¶¿ëÈ÷ ¿ï·Á¶ó, ³ªÀÇ ³ë·¡¿©(Kling leise, mein Lied)", sop.Margaret Price/Cyprien Katsaris(pf)
- ¸®½ºÆ®, ¼Ò³ªÅ¸Ç³ÀÇ È¯»ó°î "´ÜÅ׸¦ Àаí", S.161-7, 16m
- ¸®½ºÆ®, Sonetto 104 del Petrarca, 5m, Vladimir Horowitz(pf)
- ¸®½ºÆ®, ½ºÆäÀα¤½Ã°î, S.254, 13m
- ¸®½ºÆ®, ¿¬½À°î(ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ), 6°î, ¶ó įÆÄ³Ú¶ó,ÆÄ°¡´Ï´Ï VC2ÀÇ ·Ðµµ¸¦ ÁÖÁ¦
- ¸®½ºÆ®, ¿¬ÁÖȸ¿ë ¿¬½À°î(3°³ÀÇ); 1)¾Ö°¡(Il lamento), 2)°æÄèÇÔ(La Leggierezza), 3)ź½Ä(Un Sospiro), 22m, Claudio Arrau(pf)
- ¸®½ºÆ®, ¿À¶óÅ丮¿À <±×¸®½ºµµ(Christus)>, 68m
- ¸®½ºÆ®, ¿ì¿ïÇÑ ¿ÐÃ÷(Valse melancolique), S210a, 5m, Leslie Howard(pf)
- ¸®½ºÆ®, ÀüÁÖ°î, ±³Çâ½Ã3,5ºÎ±¸¼º,13°îÀÇ ±³Çâ½Ã
- ¸®½ºÆ®, ÀüÁÖ°î, S511a
- ¸®½ºÆ®, ÃÊÀý±â±³ ¿¬½À°î(Transcendental Etudes), 1) Preludio, 2) Etude in a minor, 3) Paysage, 4) Mazeppa, 5) Feux-Follets,
6) Vision, 7) Eroica, 8) Wilde Jagd, 9) Ricordanza, 10) Etude in f minor, 11) Harmonies du soir, 12) Chasse-Neige, Lazar Berman(pf) 63m
- ¸®½ºÆ®, ź½Ä(Un Sospiro), pf, 6m
- ¸®½ºÆ®, ÆÄ¿ì½ºÆ® ±³Çâ°î(Faust Symphony), 77m
- ¸®½ºÆ®, ÆäÆ®¶ó¸£Ä«ÀÇ ¼Ò³×Åä 104(Sonetto 104 del Petrarca), Vladimir Horowitz(pf)
- ¸®½ºÆ®, ÇǾƳë¼Ò³ªÅ¸, b, S.178, 30m, Pf: Martha Argerich
- ¸®½ºÆ®, ÇǾƳëÇùÁÖ°î 1, Eb > C29
- ¸®½ºÆ®, ÇǾƳëÇùÁÖ°î 2, A
- ¸®½ºÆ®, Çë°¡¸® ±¤½Ã°î, °üÇö¾Ç°î(6°î), ÇǾƳë°îÀÎ Çë°¡¸®±¤½Ã°î¿¡¼ 6°î °üÇö¾Ç°îÀ¸·Î Æí°î > C85, 1°î: ÇǾƳë°î No.14, 2°î: ÇǾƳë°î No.12, 3°î: No.6, 4°î: No.2, 5°î: NO.5, 6°î: No.9, "Carnival in Pest"
- ¸®½ºÆ®, Çë°¡¸® ±¤½Ã°î,ÇǾƳë°îÁý, 15°î, No.2 C# $, No.6 Db, No.15 a
- ¸®½ºÆ®, ȯ»ó°î(Çë°¡¸® ¹Î¿ä ¼±À²¿¡ ÀÇÇÑ)
- ¸®Ã÷, ¿Àº¸ÇùÁÖ°îÁý, f, Op.33, 14m, * Rietz, Julius(1812-1877)
- ¸®Ã÷, Ŭ¶ó¸®³ÝÇùÁÖ°î, g, Op.29, 21m
- ¸®Å¬, Cassation, Eb, 24m, * Johann Georg Lickl(1769-1843 Austrian &org)
- ¸®Å¬, ¿Àº¸¿¡4ÁßÁÖ°î, C, Op.26-1, 14m
- ¸®ÇɽºÅ°, Grande Caprice, ¹ÙÀ̿ø°°î, 4m * Lipinsky, Karol Jozef(1790-1861), Æú·£µå Å»ýÀÇ Vn ´ë°¡ÀÌÀÚ ÀÛ°î°¡
- ¸®È÷ÅÍ,¸Æ½º, ÀÚºñ(Mercy), ½Ç³»¾Ç, 5m, * Max Richter(1966- Germany)
- ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ±³Çâ°î 43, f, Op.3-5, 15m
- ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ½ÅÆ÷´Ï¾Æ 2, F, 9m, Helsinki Baroque Orchestra/Aapo Hakkinen, * Franz Xaver Richter(1709-1789 Czech Vn &comp)
- ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ½ÅÆ÷´Ï¾Æ 4, F, 12m
- ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ½ÅÆ÷´Ï¾Æ 5, F, 13m, Helsinki Baroque Orchestra/Aapo Hakkinen
- ¸®È÷ÅÍ,ÇÁ¶õÃ÷ ÀÚ¹ö, ½ÅÆ÷´Ï¾Æ 10, e, 13m
- ¸°µ¥¸¸, »êŸũ·Î½º ¿À½Ã´Ù
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, 5ÁßÁÖ°î(Quintet for flute, clarinet, horn, bassoon, and piano), Bb, # Nash Ensemble
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ±³Çâ°î 1, e, Op.1, 26m
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ±³Çâ°î 2, f#, Op.9 "¾ÈŸ¸£(Antar)", 34m, # Pittsburgh Symphony Orchestra/Lorin Maazel
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ±³Çâ°î 3, C, Op.32, 30m, London Symphony Orchestra/Yondani Butt
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ±Ý°è ¸ðÀ½°î(Le Coq d'or Suite (The Golden Cockerel)), * ¿ÀÆä¶ó <±Ý°è>¿¡¼ ³× Àå¸éÀ» °üÇö¾Ç°îÀ¸·Î Æí°î
- 3) ¼¼¸¶Ä« ¿©¿ÕÀÇ ¼Õ´Ô µµµ· ¿Õ
- 4) °áÈ¥ÀÜÄ¡¿Í µµµ·ÀÇ ½½Ç Á×À½
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ·¯½Ã¾ÆºÎȰÁ¦, Op.36
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, »çµåÄÚ(Sadko), Op.5, °üÇö¾Ç°î, # Bergen Philharmonic Orchestra/Dmitri Kitayenko
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, »ìź ȲÁ¦ÀÇ À̾߱â-¸ðÀ½°î(The Tale of Tsar Saltan-Suite), Op.57, 19m
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¼º¾Ç°î "¹Ù¶÷ÀÌ ¾Æ´Ï¶ó³×, Àú ¾ð´ö¿¡¼ ºÒ¾î¿Í", Op.43-2
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¼¼Çì¶óÀÚµ¥, ±³Çâ¾Ç ¸ðÀ½°î, Op.35, 45m, London Symphony Orchestra/Igor Markevitch
- 2) Ä«·»´Ù¸£ ¿ÕÀÚÀÇ À̾߱â
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ½ºÆäÀÎ ±â»ó°î, °üÇö¾Ç°î, Op.34, ÇØ±º º¹¹«½ÃÀý¿¡ ½ºÄÏÄ¡
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¿ÀÆä¶ó <±Ý°è(Le Coq d'or)>; žçÀÇ Âù°¡
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¿ÀÆä¶ó <»çµåÄÚ>; ÀεµÀÇ ³ë·¡
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ¿Õ¹úÀÇ ºñÇà, °üÇö¾Ç°î
- ¸²½ºÅ°ÄÝ»çÄÚÇÁ, ȯ»ó°î, Op.33,8m
- ¸¶µ¥¸£³ª, ¿À¶ó(AURA), »õ·Î¿î ÀλóÁÖÀÇ Ã¢Á¶¸¦ ¸ñÀûÀ¸·Î ÀÛ°î
- ¸¶·¹,¸¶·À, ±¤±âÀÇ 2Çà½Ã(½ºÆäÀÎÀÇ ±¤±â)[Couplets de Folies (Folies d'Espagne)], ½Ç³»¾Ç(2 viola da gamba, harpsichord), 18m
- ¸¶·¹,¸¶·À, ¸®ÄÚ´õ¸ðÀ½°î, g, 10°îÀ¸·Î ±¸¼º, 6°³ÀÇ ¸®ÄÚ´õ¸ðÀ½°î * Marin Marais(1656-1728 French)
- ¸¶·¹,¸¶·À, ¸¶·¹Áö¿£´ÀdzÀÇ ¼Ò³ªÅ¸(Sonate a la Maresienne), 12m
- ¸¶·¹,¸¶·À, ¸ðÀ½°î, d, 33m
- ¸¶·¹,¸¶·À, ¸ðÀ½°î, G
- ¸¶·¹,¸¶·À, ¾Ë½Ã¿Â(Alcyone) ¸ðÀ½°î: Chaconne
- ¸¶·¹,¸¶·À, ÆÄ¸®»ê ¼º Áê´Àºñ¿¡ºê ¼º´çÀÇ Á¾¼Ò¸®(La Sonnerie de Sainte-Genevieve du Mont de Paris), Reinhard Goebel(Vn)/Musica Antiqua Koeln
- ¸¶·¹,¸¶·À, Sujet diversitez(theme and variations) for viola da gamba and continuo, 13m
- ¸¶¸£²²½º,¾Æ¸£¶Ñ·Î(Arturo Marquez), Danzon no.2, ´ëÇ¥°î * ¸ß½ÃÄÚÀÇ ´ëÇ¥Àû Çö´ëÀ½¾Ç°¡
- ¸¶¸£½´³Ê, ¹èºÎ ¼°î(Der Baebu: Overture), Op.98, °üÇö¾Ç°î, * Heinrich August Marschner(1795-1861 German)
- ¸¶¸£Ã¿·Î,º£³×µ¥Åä, ¼º¾Ç°î "³ª¿¡°Ô Ÿ¿À¸£´Â ºÒ²É(Quella fiamma che m¡¯accende)", ms.Cecilia Bartoli, * Benedetto Marcello(1686-1739 Italian)
- ¸¶¸£Ã¿·Î,¾Ë·¹»êµå·Î, ¿Àº¸ÇùÁÖ°î, d, * Alessandro Marcello(1673-1747 Italian), ÀϹÝÀûÀ¸·Î ¸»ÇÏ´Â ¸¶¸£Ã¿·Î´Â º£³×µ¥Åä ¸¶¸£Ã¿·ÎÀÓ
- ¸¶¸£ÅõÄ¡,ÁÖÁ¦Æä, ÿ·Î ¼Ò³ªÅ¸, f#, Op.52, 28m, Raphaela Gromes(vc)/Julien Riem(pf), * Martucci, Giuseppe(1856-1909, Italian)
- ¸¶¸£Æ¼´Ï, ¼º¾Ç°î "»ç¶ûÀÇ ±â»Ý(Plaisir d'amour)", sop.Benita Valente/bar.Thomas Allen
- ¸¶¸®´Ï,ºñ¾ÆÁö¿À, ¼º¾Ç°î "â°øÀÇ º°°ú ÇÔ²²(Con le stelle in ciel)", # ms.Magdalena Kozena, * Biagio Marini(1594-1663 Italian &vn)
- ¸¶¸®´Ï,ºñ¾ÆÁö¿À, ¼Ò³ªÅ¸ "¼ÒÇÁ¶ó ¶ó ¸ð´ÏÄ«(sopra la Monica)", Op.8, 3m
- ¸¶¸®¿À, ¼º¾Ç°î "¸Õ »êŸ ·çÄ¡¾Æ(Santa Lucia Luntana)", ten.Andrea Bocelli, * E.A.Mario(1884-1961 Italian)
- ¸¶¼î, ¼º¾Ç°î "Foy porter", sop.Emma Kirkby
- ¸¶¼î, "¿¹»Û ´ÞÄÞÇÑ ºÎÀÎ(Virelai)"; "³ªÀÇ ºÎÀο¡ ´ëÇØ¼(Rondeau)"; "¾ÆÁÖ ´ÞÄÞÇÑ ºÎÀÎ, »ç¶ûÀÌ ³ª·Î ÇÏ¿©±Ý ¿øÇÏ°Ô ÇÑ´Ù(Ballade)", µ¶Ã¢°î, Áß¼¼À½¾ÇÀÇ ÇÑ Çü½Ä> refrain ¹è¿ * Guillaume de Machaut(1300-1377 Medieval French)
- ¸¶¼î, ¼º¸ð¸¶¸®¾ÆÀÇ ¹Ì»ç, "³ëƲ´ã ¹Ì»ç", 14c ÇÁ¶û½º Áß¿äÇÑ À½¾Ç°¡, 1) Kyrie eleison:Lord have mercy 2) Gloria 3) Credo:I believe 4) Sanctus 5) Agunus Dei:Lamb of God
- ¸¶½¬,Á¸, ±³Çâ°î 6, D, 18m * John Marsh(1752-1828 English)
- ¸¶½º³×, °üÇö¾Ç¸ðÀ½°î 1, Op.13, 24m # Hong Kong Philharmonic Orchestra/Kenneth Jean * Jules Massenet(1842-1912 French)
- ¸¶½º³×, ±×¸² °°Àº dz°æ ¸ðÀ½°î, 4°î±¸¼º
- ¸¶½º³×, ¿ÀÆä¶ó <¸£ ½Ãµå>, "¿ï¾î¶ó, ³» ´«ÀÌ¿©"
- ¸¶½º³×, ¿ÀÆä¶ó <µ·Å°È£Å×(Don Quichotte)>;
- "¿À ³ªÀÇ ÁÖÀδÔ(O mon maitre, o mon grand)"-Çdz¯·¹ µ·Å°È£Å×ÀÇ Á×À½Àå¸é, bar.Sorin Coliban/bass-bar.Erwin Schrott
- ¸¶½º³×, ¿ÀÆä¶ó <¸¶³ó(Manon)>;
- "²ÞÀÇ ³ë·¡: ´«À» °¨À¸¸é(En fermant le yeux)"
- "³»°¡ °Å¸®¸¦ °É¾î°¥ ¶§¸é"
- "¾È³ç, ¿ì¸®ÀÇ ÀÛÀº Å×À̺íÀÌ¿©(Adieu, notre petite table)"-2
- "Ç×»ó ºÎµå·¯¿î »ç¶ûÀ» µû¸£¼¼¿ä(Obeissons quand leur voix appelle)"-¸¶³óÀÇ °¡º¸Æ®, sop.Rita Streich
- ¸¶½º³×, ¿ÀÆä¶ó <º£¸£Å׸£>;
- "º£¸£Å׸£, º£¸£Å׸£.. ±×°¡ ³» ¸¶À½ ¼Ó¿¡ ÀÖ´Ù°í ´©°¡ »ó»óÀ̳ª Çϰڴ°¡..."
- "º½¹Ù¶÷ÀÌ¿©, ¿Ö ³ªÀÇ ÀáÀ» ±ú¿ì³ª?(Pourquoi me reveiller?)", ten.Rolando Villazon
- ¸¶½º³×, ¿ÀÆä¶ó <ÄÉ·çºó>;
- "²Þ²Ù´Â »ç¶û ¿µ¿øÇ϶ó(Vive amour qui reve)"-¾ÆÄ§ÀÇ ³ë·¡, sop. Angela Gheorghiu
- ¸¶½º³×, ¿ÀÆä¶ó <ŸÀ̽º>;
- "³ª´Â ŸÀ̽º, ±úÁö±â ½¬¿î ¿ì»ó(C¡¯est Thais, l¡¯idole fragile)"-1:ŸÀ̽º¿Í ´Ï½Ã¾Æ½ºÀÇ 2Áßâ, sop. Renee Fleming(ŸÀ̽º), ten.Giuseppe Sabbatini(´Ï½Ã¾Æ½º)
- "³»°¡ ¾Æ¸§´ä´Ù°í ¸»ÇØÁÖ·Å(Dis-moi que je suis belle)"-°Å¿ïÀÇ ¾Æ¸®¾Æ, $, sop.Nino Machaidze
- "Àú±â ³¸¼± ÀÌ´Â ´©±¸Àΰ¡¿ä?(Quel est cet etranger)"-1:ŸÀ̽º¿Í ¾ÆÅ¸³ª¿¤ÀÇ ´ë¸é Àå¸é, sop. Renee Fleming(ŸÀ̽º), bar. Thomas Hampson(¾ÆÅ¸³ª¿¤)
- ¸¶½ºÄ«´Ï, ¼º¾Ç°î "¾Æº£¸¶¸®¾Æ(Ave Maria)", Placido Domingo(Ten)
- ¸¶½ºÄ«´Ï, ¿ÀÆä¶ó <Ä£±¸ ÇÁ¸®Ã÷>;
- "º£Æäµµ »ç¶ûÇØ(Ed anche Beppe amo...O amore)", ten.Beniamino Gigli
- ü¸® ÀÌÁßâ, ten.Luciano Pavarotti & sop.Mirella Freni
- ¸¶½ºÄ«´Ï, ¿ÀÆä¶ó <Ä«¹ß·¹¸®¾Æ ·ç½ºÆ¼Ä«³ª>; °£ÁÖ°î$
- "¿À·»Áö²É Çâ±â´Â ¹Ù¶÷¿¡ ³¯¸®°í(Gli aranci olezzano)", ÁµÇÁ¸® ¹Ì¼Ð ÇÕâ´Ü
- "¿À ·Ñ¶ó, ±×´ëÀÇ »´Àº Àå¹Ì¿Íµµ °°ÀÌ"
- ¸¶½½¶õÄ«, ¸ñ°ü5ÁßÁÖ°î 2, 22m, * Maslanka, David(b.1943, U.S.), Missouri Quintet
- ¸¶À̾î,¿¡µå°¡, 1B: Vn,Ce,Double Bass, 4m * Edgar Meyer(1960- American Bassist)
/Yo-Yo Ma#&
- ¸¶À̾î,¿¡µå°¡, Short Trip Home
- ¸¶À̾¾î, ¿ÀÆä¶ó <µð³ë¶ó(Dinorah)>;
- "±×¸²ÀÚÀÇ ³ë·¡(Ombra leggiera)", sop.Maria Callas, # sop. Eva Lind
- "½Ã°è°¡ ¿ï¸± ¶§(Quand l¡¯heure sonnera)", ten.Jerry Hadley/bar.Thomas Hampson
- ¸¶À̾¾î, ¿ÀÆä¶ó <¾ÆÇÁ¸®Ä«ÀÇ ¿©ÀÎ>;
- "¿À ³«¿øÀÌ¿©(O paradis)", ten.Placido Domingo
- ¸¶À̾¾î, ¿ÀÆä¶ó <¾Ç¸¶ ·Îº£¸£(Robert le Diable)>; /"Ballet des Nonnes(Ballet of Nuns)";°üÇö¾Ç
- ¸¶À̾, Ä«¹ÙƼ³ª
- ¸¶Æ¾,À̽ºÅäÇÁ, ¼º¾Ç°î "Come to the Fair", Kiri Te Kanawa(Sop), * Easthope Martin(1882-1925 English)
- ¸¸Åä¹Ù´Ï, Áý½Ã Ä«´Ï¹ß
- ¸»·¯, °¡°îÁý(·òÄɸ£Æ® ½Ã¿¡ ÀÇÇÑ), 5°î ±¸¼º
- 1) ¼¼»ó¿¡ ³ª±×³× µÇ¾î[³ª´Â ¼¼»ó¿¡¼ Ȧ·Î µÇ¾î
- 2) ¾Æ¸§´Ù¿òÀ» »ç¶ûÇÑ´Ù¸é ³ª¸¦ »ç¶ûÇÏÁö ¸»¾Æ¿ä
- 4) ¶óÀÓ ¿À·»Áö Çâ±â¸¦ ¸¶¼Ì³×
- 5) Çѹ㿡 ±ú¾î[/ÇÑ ¹ãÁß¿¡]
- ¸»·¯, ±³Çâ°î 1, D, "°ÅÀÎ(The Titan)", 50m, # Boston Symphony Orchestra/Ozawa Seiji, # Koelner Rundfunk-Sinfonieorchester/Gary Bertini
- ¸»·¯, ±³Çâ°î 2, c, "ºÎȰ(Resurrection)", 4M-Primordial Light:a solo 5M - Resurrection: so solo chorus, 88m
- ¸»·¯, ±³Çâ°î 3, d, "¿©¸§ ¾ÆÄ§ÀÇ ²Þ", 6¾ÇÀå ±¸¼º, ÀüüÀÇ ¹ÝÀÌ µÇ´Â 1¾ÇÀåÀ» 1ºÎ ³ª¸ÓÁö 5¾ÇÀåÀ» 2ºÎ·Î ÇÔ, ¸»·¯ ±³Çâ°îÀÇ °Å´ëȰ¡ ¶Ñ·ÇÇØÁö°í ÀÖÀ½
- ¸»·¯, ±³Çâ°î 4, G, "Ode to Heavenly Joy", 57m, # sop. Judith Raskin,Cleveland Orchestra/George Szell, $ Helen Donath(sop),Radio-Sinfonie-Orchester Frankfurt/Eliahu Inbal, Judith Raskin(sop)/Cleveland Orchestra/George Szell
- ¸»·¯, ±³Çâ°î 5, c#, 1M:Àå¼ÛÇàÁø°î, 72m, 5¾ÇÀå ±¸¼º, 2-4¹øÀº ¼º¾ÇÀÌ Ãß°¡µÇ¾úÀ¸³ª 5-7¹øÀº ¼ø¼ö ±â¾ÇÀûÀÎ ±³Çâ°î, 1) Radio-Sinfonie-Orchester Frankfurt/Eliahu Inbal, 2) Symphonieorchester des Bayerischen Rundfunks/Mariss Jansons
- ¸»·¯, ±³Çâ°î 6, a, "ºñ±ØÀû(tragic)", 87m, Wiener Philharmoniker/Leonard Bernstein
- ¸»·¯, ±³Çâ°î 7, e, "¹ã³ë·¡(Song of the Night)", 74m#
- ¸»·¯, ±³Çâ°î 8, Eb, "õ¸íÀÇ ±³Çâ°î", 1ºÎ:¿À¼Ò¼ âÁ¶ÀÚ¿©, 2ºÎ:ÆÄ¿ì½ºÆ®, 1907c, C103-4
- ¸»·¯, ±³Çâ°î 9, D, 82m
- ¸»·¯, ±³Çâ°î 10, f#/F#, 77m#
- ¸»·¯, ´ëÁöÀÇ ³ë·¡(Das Lied von der Erde), ÀÌÅÂ¹é µîÀÇ ½Ã¿¡ °îÀ» ºÙÀÓ, 1) ´ëÁöÀÇ ¾Ö¼ö¸¦ ³ë·¡ÇÏ´Â ¼úÀÇ ³ë·¡(ÀÌŹé) 2) °¡À»ÀÇ °íµ¶(Àü±â) 3) ûÃá¿¡ ´ëÇÏ¿©(ÀÌŹé) 4) ¾Æ¸§´Ù¿ò¿¡ ´ëÇÏ¿©(ÀÌŹé) 5) º½¿¡ ÃëÇÏ´Â »ç¶÷(ÀÌŹé) 6) À̺°(¸ÍÈ£¿¬, ¿ÕÀ¯), 61m
- ¸»·¯, ·òÄɸ£Æ® °¡°î(Ruckertlieder)
- ¸»·¯, <¹æ¶ûÇÏ´Â ÀþÀºÀÌÀÇ ³ë·¡>, °¡°îÁý(4°î);
- 1) "±×³àÀÇ È¥·ÊÀÇ ³¯(Wenn mein Schatz Hochzeit macht)"
- 2) "¾ÆÄ§¿¡ µéÀ» °Å´Ò¸ç(Ging heut' Morgen ubers Feld)"
- 3) "³» °¡½¿¿¡ ¹ÚÈù ¶ß°Å¿î Ä®ÀÌ(Ich hab' ein gluhend Messer)"
- 4) "Ǫ¸¥ µÎ ´«µ¿ÀÚ(Die zwei blauen Augen)"
- ¸»·¯, ¼º¾Ç°î "À̺°°ú ±âÇÇ(Scheiden und Meiden)", ms.Janet Baker/Gerald Moore(pf)
- ¸»·¯, ¼º¾Ç°î "¼¼ õ»ç°¡ ³ë·¡ ºÒ·¶´Ù(Es sungen drei Engel)", from S.3, ms.Janet Baker/·±´ø ½ÉÆ÷´Ï ÇÕâ´Ü/»ç¿ì½º ¿£µå ¼Ò³âÇÕâ´Ü
- ¸»·¯, ¾î¸°ÀÌÀÇ ÀÌ»óÇÑ »ÔÇǸ®, °¡°îÁý(12°î)
- ¸»·¯, <ÀþÀº³¯ÀÇ ³ë·¡>;
- "³ª´Â Áñ°Ì°Ô Ǫ¸¥ ½£¼ÓÀ» °É¾ú³×(Ich ging mit Lust durch einen gruenen Wald)", bar.Dietrich Fischer-Dieskau
- ¸»·¯, Á×Àº ¾ÆÀ̸¦ Ã߸ðÇÏ´Â ³ë·¡, ¼º¾Ç°î;
- 1) "ÀÌÁ¦ ºû³ª´Â ÇØ°¡ ¶°¿À¸¥´Ù"
- 2) "¿Ö ±×·¸°Ô ¾îµÎ¿î ´«Ãʸ®¸¦"
- 3) "³ÊÀÇ ¾î¸Ó´Ï°¡ µé¾î¿Ã ¶§"{¾ö¸¶°¡ ¹®À» ¿°í µé¾î¼³ ¶§}
- 4) "¾ÆÀ̵éÀº Àá½Ã ¿ÜÃâÇßÀ» »ÓÀÌ´Ù"
- 5) "ÀÌ·± ºñ¹Ù¶÷¿¡"{ÀÌ·¸°Ô ±ÄÀº ³¯¾¾¿¡}
- ¸»·¯, ÇǾƳë4ÁßÁÖ°î, a, 12m# n2, 1¾ÇÀåÀ¸·Î ÀÛ°îÀÌ Áß´ÜµÈ ¹Ì¿Ï¼º°î, ¸»·¯ÀÇ À¯ÀÏÇÑ ½Ç³»¾Ç°î
- ¸Á°í·¹, ¸¶µå¸®°¥(Madrigal), Gt * Agustin Barrios Mangore(1885-1944 Paraguayan classical guitarist)
- ¸Á°í·¹, Mazurka appassionata, 5m, John Williams(guitar)
- ¸ÆÄËÁö(Alexander Campbell Mackenzie:1847-1935), Scottish Concerto, Op.55, 28m, ½ºÄÚÆ²·£µåÀÇ ³¶¸¸ÆÄ ÀÛ°î°¡
- ¸Þµ¥¸£, Sonata, "Der Polnische Pracher", 12m$ * Johann Valentin Meder(1649-1719 German)
- ¸Þ¸£Ä«´ÜÅ×, ÇÃ·çÆ®ÇùÁÖ°î 2, e, Op.57 * Saverio Mercadante(1795-1870 Italian)
- ¸Þ¸®ÄÅä, ¼º¾Ç°î "±×´ë´Â ¾ÆÁ÷µµ ±× ¼º°¡¸¦ ±â¾ïÇϴ°¡(Do you remember still that hymn?)" #& * Oskar Merikanto(1868-1924 Finnish)
- ¸Þ»çÁ¦,¾Óµå·¹, ¿ÀÆä·¹Å¸ <°¡¸éÀ» ¾´ »ç¶û>; * Andre Messager(1853-1929 French)
- "³»°Õ µÎ¸íÀÇ ¿¬ÀÎÀÌ ÀÖ¾î¿ä(J¡¯ai deux amants)"
- ¸Þ½Ã¾Ó, 4ÁßÁÖ°î(¼¼»óÀÇ Á¾¸»À» À§ÇÑ;Quartet for the End of Time), 8ºÎºÐÀÇ Á¾±³Àû ÁÖÁ¦·Î ±¸¼º,T2, (Vn Cl Ce Pf), 44m
- ¸Þ½Ã¾Ó, °ËÀº ƼƼ»õ, T2~
- ¸Þ½Ã¾Ó, »ýÅ© ¸£½Ã¾Ó(5°³ÀÇ Èķű¸),T3
- ¸ÞÀª,¿¡Æ¼¿£´À ´ÏÄݶó½º, ±³Çâ°î 2, D, 26m $, * Etienne-Nicolas Mehul(1763-1817 French)
- ¸ÞÀÌ,Çѽº, ¼º¾Ç°î "¼¼»ó¿¡ ¿ï·Á ÆÛÁö´Â ³ë·¡(Ein Lied geht um die Welt)", * Hans May(1886-1958, Austrian-born Film Composer, in Britain)
- ¸ÞÀ̽¼, "Nearer my God to Thee" * Lowell Mason
- ¸ÞīƮ´Ï,Æú, ¿À¶óÅ丮¿À <¸®¹öÇ®>, 2Â÷´ëÀü ´ç½Ã ¸ÞīƮ´Ï°¡ ¸®¹öÇ®¿¡¼ ž ÀÚ¶ó¸é¼ ´À³¤ ÀüÀï¿¡ ´ëÇÑ °øÆ÷ Á¤°æ µîÀ» ¹¦»ç
- ¸ÞÆ®³Ê, ¾Æ¶óº£½ºÅ©(3°³ÀÇ), Op.7, ÇÇ¾Æ³ë µ¶ÁÖ°î * Nikolai Medtner(1880-1951 Russian)
- ¸ÞÆ®³Ê, ¾ß»ó°î(3°³ÀÇ), Op.16, 13m
- ¸ÞÆ®³Ê, ÀØÇôÁø ¸á·Îµð(Forgotten Melodies) Op.38 - "Alla Reminiscenza"
- ¸àµ¨½ºÁ¸, °í¿äÇÑ ¹Ù´Ù¿Í Áñ°Å¿î Ç×ÇØ-¼°î(Calm Sea and Prosperous Voyage Overture), °üÇö¾Ç°î, Op.27 * Felix Mendelssohn(1809-1847 German)
- ¸àµ¨½ºÁ¸, ±³Çâ°î 1, c, Op.11, 30m
- ¸àµ¨½ºÁ¸, ±³Çâ°î 2, Bb, Op.52, "°æ¹èÂù¼Û(Lobgesang)" $ New Philharmonia Orchestra/New Philharmonia Chorus/Wolfgang Sawallisch
- ¸àµ¨½ºÁ¸, ±³Çâ°î 3, a, Op.56, "½ºÄÚÆ²·£µå(Scottish)", London Symphony Orchestra/Riccardo Chailly
- ¸àµ¨½ºÁ¸, ±³Çâ°î 4, A, Op.90, "ÀÌŸ®", 4M:»ìŸ·¼·Î(ºü¸¥ 3¹ÚÀÚ Ãã°î), 30m
- ¸àµ¨½ºÁ¸, ±³Çâ°î 5, D, Op.107, "Á¾±³°³Çõ(Reformation)", 5SÁß °¡Àå Àå¾ö, 4M: Choral "ÄÚ¶ö ¡®³» ÁÖ´Â °ÇÑ ¼º(Ein¡¯ feste Burg ist unser Gott)", Gewandhausorchester Leipzig/Kurt Masur, 27m
- ¸àµ¨½ºÁ¸, ·Ðµµ Ä«ÇÁ¸®Ä¡¿À¼Ò, Op.14, pf, 6m, Wilhelm Backhaus(pf)
- ¸àµ¨½ºÁ¸, ¹«¾ð°¡(Lieder ohne Worte;Songs without words), Pf, 8Áý 49°î ±¸¼º, * 1Áý:Op.19(6°î:2-a 'ÈÄȸ', 3-A '»ç³ÉÀÇ ³ë·¡'), 2Áý:Op.30(6°î), 3Áý:Op.38(6°î), 4Áý:Op.53(6°î), 5Áý:Op.62(6°î), 6Áý:Op.67(6°î), 7Áý:Op.85(6°î), 8Áý:Op.102(6°î), ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ ¹«¾ð°¡:Op.109
- ¸àµ¨½ºÁ¸, ¹«¾ð°¡(Lieder ohne Worte;Songs without words), f#, Op.30-6, "º£³×Ä¡¾ÆÀÇ ¹î³ë·¡"-3°îÀÌ ÀÖÀ½. * 1Áý:Op.19ÀÇ 6°î, g(Á¦1 º£³×Ä¡¾ÆÀÇ ¹î³ë·¡: Das venetianisches Gondellied I), 2Áý:Op.30ÀÇ 6°î, f#(Á¦2 º£³×Ä¡¾ÆÀÇ ¹î³ë·¡: Das venetianisches Gondellied II), 5Áý:Op.62ÀÇ 5°î, a(Á¦3 º£³×Ä¡¾ÆÀÇ ¹î³ë·¡: Das venetianisches Gondellied III)
- ¸àµ¨½ºÁ¸, ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ÇùÁÖ°î, d, 36m
- ¸àµ¨½ºÁ¸, ¹ÙÀ̿ø°ÇùÁÖ°î, e, Op.64,3´ë VC>º£Å亥(¾Æ´ã) ºê¶÷½º,À¯ÀÏÇÑ VC, À̺ê ÇùÁÖ°î, C106,
- ¸àµ¨½ºÁ¸, º¯ÁÖ°î(ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ ÇùÁÖÀû: Variations concertantes), D, Op.17, 9m#2, Lynn Harrell(vc)/Bruno Canino(pf)
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "°¡À»¿¡(Im Herbst)" Op.9-5
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "°¡À»ÀÇ ³ë·¡(Herbstlied)", Op.84-2
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "°¥´ëÀÇ ³ë·¡(Schilflied)", Op.71-4
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "±×´ëÀÇ Çª¸¥ ´«µ¿ÀÚ(Aquellos ojos verdes)", ten. Juan Diego Florez
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "³ë·¡ÀÇ ³¯°³ À§¿¡(Auf Flu"geln des Gesanges)", Op.34-2
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "¹è ¿©Çà"
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "º£³×Ä¡¾ÆÀÇ °ïµ¹¶ó ³ë·¡(Venezianisches Gondellied)", Op.57-5
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "º½ ³ë·¡(Fruhlingslied )", Op.34-3, ten.Peter Schreier
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "¾çÄ¡±âÀÇ ³ë·¡"
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î "¿À ÆòÈÀÇ ºñµÑ±â¿©(O for the wings for a dove)", boy sop.Aled Jones
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î: 2Áßâ(1), "³»»ç¶ûÀ» ¸»·Î ÇÒ ¼ö ÀÖ´Ù¸é(Ich wollt¡¯, meine Lieb¡¯)", Op.63-1, Op.63:part I,II(°¢ 3°î), sop. Isobel Baillie/contralto. Kathleen Ferrier
- ¸àµ¨½ºÁ¸, ¼º¾Ç°î: 2Áßâ(5), "¹Î¿ä(Volkslied)", sop. Benita Valente, sop. Ilona Kombrink
- ¸àµ¨½ºÁ¸, ¾ö°ÝÇÑ º¯ÁÖ°î, d, Op.54,ÁÖÁ¦¿Í 17°³ º¯ÁÖ°îÀ¸·Î ±¸¼º,11m
- ¸àµ¨½ºÁ¸, ¿¬ÁÖȸ¿ë ¼Òǰ 2(Konzertstuck for Clarinet, Basset horn and Piano), D, Op.114, 9m
- ¸àµ¨½ºÁ¸, ¿À¶óÅ丮¿À <¿¤¸®¾Æ>; /"ÁÖ¿©, °¨»çÇϳªÀÌ´Ù", /"´«À» µé¾î »êÀ» º¸¶ó(Lift Thine Eyes)"
- ¸àµ¨½ºÁ¸, ¿À¸£°µ¼Ò³ªÅ¸ 2, Op.65
- ¸àµ¨½ºÁ¸, ÿ·Î¼Ò³ªÅ¸ 1, Bb, Op.45, 22m $, 1) Steven Isserlis(vc)/Melvyn Tan(pf), 2) Esther Nyffenegger(vc)/Gerard Wyss(pf)
- ¸àµ¨½ºÁ¸, ÿ·Î¼Ò³ªÅ¸ 2, D, Op.58, 25m
- ¸àµ¨½ºÁ¸, Ä«ÇÁ¸®Ä¡¿À(3°³ÀÇ), Op.33, Pierre Leconte(pf)
- ¸àµ¨½ºÁ¸, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, Eb, 21m
- ¸àµ¨½ºÁ¸, ÇǾƳë3ÁßÁÖ°î 1, d, Op.49,$
- ¸àµ¨½ºÁ¸, ÇǾƳë3ÁßÁÖ°î 2, c, Op.66, 31m, # Sitkovetsky Trio
- ¸àµ¨½ºÁ¸, ÇǾƳë¼Ò³ªÅ¸, E, Op.6, 22m
- ¸àµ¨½ºÁ¸, ÇǾƳë¼Ò³ªÅ¸, Bb, Op.106, 19m, # Frederic Chiu(Pf)
- ¸àµ¨½ºÁ¸, ÇǾƳëÇùÁÖ°î 1, g, Op.25,19m, Á¾´Þ»õ°¡ ÁöÀú±Í´Â ´À³¦
- ¸àµ¨½ºÁ¸, ÇǾƳëÇùÁÖ°î 2, d, Op.40, 23m#, * Rudolf Serkin(pf)/Columbia Symphony Orchestra/Eugene Ormandy
- ¸àµ¨½ºÁ¸, Çΰ¥ÀÇ µ¿±¼ ¼°î, Op.26, Gewandhausorchester Leipzig/Kurt Masur
- ¸àµ¨½ºÁ¸, ÇÑ ¿©¸§¹ãÀÇ ²Þ,ºÎ¼öÀ½¾Ç, Op.61, # "¾ó·è¹«´Ì ¹ìÀÌ¿©(You Spotted Snakes)", sop. Lilian Watson, ms. Delia Wallis
- ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 1, Eb, Op.12, 23m$, Ysaye Quartet
- ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 2, a, Op.13, 30m, $ Ebene String Quartet, Juilliard String Quartet
- ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 3, D, Op.44-1,29m, # Emerson String Quartet
- ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 4, e, Op.44-2, 29m
- ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 5, Eb, Op.44-3, 33m, $ Emerson String Quartet
- ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î 6, f, Op.80, 26m
- ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ°î, Eb, 20m
- ¸àµ¨½ºÁ¸, Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ 4°³ÀÇ ¼Òǰ(¾È´ÜÅ×, ½ºÄɸ£ÂÉ, Ä«ÇÁ¸®Ä¡¿À, Ǫ°¡), Op.81, 21m
- ¸àµ¨½ºÁ¸, Çö¾Ç5ÁßÁÖ°î 2, Bb, Op.87, 31m n2, #2
- ¸àµ¨½ºÁ¸, Çö¾Ç8ÁßÁÖ°î, Eb, Op.20, ±«Å× ÀÛǰÀÇ ½Ã»óÀ» Ç¥Çö, 16¼¼ ¶§ ÀÛǰ, 4´ëÀÇ Çö¾Ç±â¿¡ 2´ëÀÇ Va 2´ëÀÇ Vc
- ¸àµ¨½ºÁ¸, Çö¾Ç±³Çâ°î 1(String Symphony), C, 11m
- ¸àµ¨½ºÁ¸, Çö¾Ç±³Çâ°î 2(String Symphony), D, 11m
- ¸àµ¨½ºÁ¸,ÆÄ´Ï, ¼º¾Ç°î "°¡À»¿¡" * Fanny Mendelssohn(1805-1847 German Pf)
- ¸àµ¨½ºÁ¸,ÆÄ´Ï, Çö¾Ç4ÁßÁÖ°î, Eb,
- ¸á¶ó¸£Æ¾, ¼Á¤ ¸ðÀ½°î 3(Suite Lyrique), Op.93, "º§±â¿¡ÀÇ Àλóµé", °üÇö¾Ç°î, Erkki Melartin(1875-1937 Finnish)
- ¸ð´Ï¿ì½´ÄÚ,½ºÅ¸´Ï½º¿ÍÇÁ, The Countess: Overture, * Stanislaw Moniuszko(1819-1872 Polish)
- ¸ð´Ï¿ì½´ÄÚ,½ºÅ¸´Ï½º¿ÍÇÁ, The Raftsman: Overture
- ¸ð´Ï¿ì½´ÄÚ,½ºÅ¸´Ï½º¿ÍÇÁ, µ¿È ¼°î(The Fairy Tale: Concert Overture), 13m, Warsaw Philharmonic Orchestra/Antoni Wit
- ¸ðµÎ¿ì´¢(Domenico Modugno), °¡°î "º¼¶ó·¹(Volare)"
- ¸ð¶õ,·Î¹öÆ®, Trinity Requiem, * Robert Moran(1937- American)
- ¸ð¶ö·¹½º, Missa Quaeramus cum pastoribus, * Cristobal de Morales(1500-1553 Spanish)
- ¸ð·¼, ºê¶óÁú ¹«°î(Danza Brasileira), * Jorge morel(1931- Argentina classical guitarist&)
- ¸ð¸®ÄÚ³×,¿£´Ï¿À, µ¥º¸¶óÀÇ Å׸¶(Deborah's Theme:(Once upona time in America), ¿µÈÀ½¾Ç ÀÛ°î°¡, * Ennio Morricone(1928- Italian)
- ¸ð¸®ÄÚ³×,¿£´Ï¿À, Nella Fantasia, #2, Chloe David Agnew(ob), Celtic Woman
- ¸ð¼Ð·¹½º, ÇÃ·çÆ®, ¿Àº¸¿¡¿Í °üÇö¾ÇÀ» À§ÇÑ ÄÜü¸£ÅºÅ×, F, 14m, $, * Ignaz Moscheles(1794-1870 Bohemian)
- ¸ð½´ÄÚÇÁ½ºÅ°,¸ð¸®Ã÷, ½ºÆäÀι«°î, Op.12, 14m, San Francisco Ballet Orchestra/Martin West * Moritz Moszkowski(1854-1925 German-Polish)
- ¸ð½´ÄÚÇÁ½ºÅ°,¸ð¸®Ã÷, ÇǾƳëÇùÁÖ°î, b, Op.3, 53m, Ludmil Angelov(pf), BBC Scottish Symphony Orchestra/Vladimir Kiradjiev
- ¸ðÂ¥¸£Æ®, ±³Çâ°î, a, K.16a, "Odense", 13m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 1, Eb, K.16, 13m, 8¼¼¶§ ÀÛ°î,ÇÏÀ̵çÀÇ ¿µÇâ * Wolfgang Amadeus Mozart(1756-1791 Austrian Classical)
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 2, Bb, K.17, 20m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 3, Eb, K.18, 15m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 4, D, K.19, 14m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 5, Bb, K.22, 7m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 6, F, K.43, 14m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 7, D, K.45, 12m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 8, D, K.48, 15m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 9, C, K.73, 13m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 10, G, K.74, 9m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 11, D, K.84, 11m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 12, G, K.110, 15m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 13, F, K.112, 12m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 14, A, K.114, 20m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 15, G, K.124, 12m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 16, C, K.128, 12m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 17, G, K.129, 12m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 18, F, K.130, 19m, The English Concert[Europe's leading baroque orch.]//Trevor Pinnock,
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 19, Eb, K.132, 17m, Danish Radio Sinfonietta/Adam Fischer
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 20, D, K.133, 25m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 21, A, K.134, 20m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 23, D, K.162b, 9m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 24, F, K.491, 31m, #
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 25, g, K.183, 2°³ÀÇ g S> S25:ÀÛÀº g S, S40:Å« g S, 27m$
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 26, Eb, K.184(161a/166a), 28m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 27, G, K.199(161b/162a)
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 28, C, K.200, 24m#, Wiener Philharmoniker/James Levine
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 29, A, K.201, 21m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 30, D, K.202(186b), 26m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 31, "ÆÄ¸®"
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 32, G, K.318, ÀÌŸ®Ç³ÀÇ ¼°îÇü½Ä& °¡Àå ªÀº ±³Çâ°îÀ̱⿡ ¼°î À̶ó°íµµ ÇÔ, 9m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 33, Bb, K.319
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 34, C, K.338,¿ø·¡ 3M minuetÀÌ ¾øÀ¸¸ç S38ÀÇ minuet »ç¿ë?
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 35, D, K.385, "ÇÏÇÁ³Ê(Haffner)"
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 36, C, K.425, "¸°Ã÷(Linz)", 28m, $1) Vienna Philharmonic/Carlos Kleiber, 2) Berlin Staatskapelle Orchestra/Erich Kleiber
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 37, G, K.444/425a, Royal Philharmonic Orchestra/Erich Leinsdorf (Conductor)
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 38, D, K.504, "ÇÁ¶óÇÏ(Prague)", 24m$, Berliner Philharmoniker/Carl Schuricht
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 39, Eb, K.543, "¹éÁ¶ÀÇ ³ë·¡"
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 40, g, K.550, ¸ðÂ¥¸£Æ® ÃÖ°íÀÇ °ÉÀÛÀ¸·Î °£ÁÖ, C42, $1) Royal Concertgebouw Orchestra/Nikolaus Harnoncourt, 2) Staatskapelle Dresden/Otmar Suitner
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 41, C, K.551, "ÁêÇÇÅÍ(Jupiter)", 38m$, Royal Philharmonic Orchestra/Rene Leibowitz
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 43, F, K.76-42a
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 44, D, K.81-731
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 45, D, K.95
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 46, C, K.96-111b, 12m
- ¸ðÂ¥¸£Æ®, ±³Çâ°î 47, D, K.97(K.73m), 8m
- ¸ðÂ¥¸£Æ®, ±³È¸ ¼Ò³ªÅ¸, C, K.336
- ¸ðÂ¥¸£Æ®, ´ë¹Ì»ç(Grosse Messe), c, K.427, "Great", 52m, 1) Camilla Tilling(Sop),Sarah Connolly(Sop),Timothy Robinson(Ten),Neal Davies(Bas),Gabrieli Consort and Players/Paul McCreesh, 2) Maria Stader, Hertha Toepper(sop), Ernst Haefliger(ten), Ivan Sardi(bass)/
Chor der St.-Hedwigs-Kathedral/Radio-Symphonie-Orchester Berlin/Ferenc Fricsay, 3) London Symphony Orchestra & Chorus/Colin Davis
- ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 1(Divertimento for String Quartet), ÈñÀ¯°î, D, K.136(125a), 12m
- ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 2, K.137(125b)
- ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 3, F, K.138(125c)
- ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 7(Divertimento for 2 Horns, Bassoon and Strings), D, K.205(167a)
- ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 11, D, K.251, 25m $
- ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 12, Eb, K.252, 11m
- ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä 17, D, K.334(320b), 46m, Berlin Philharmonic Orchestra/Herbert von Karajan
- ¸ðÂ¥¸£Æ®, µðº£¸£Æ¼¸àÅä(¹ÙÀ̿ø° ºñ¿Ã¶ó ÿ·Î¸¦ À§ÇÑ), Eb, K.563, 39m
- ¸ðÂ¥¸£Æ®, ¶ó¸£°ÔÅä¿Í ¾Ë·¹±×·Î(Larghetto and Allegro in E flat for Piano four Hands), Eb, K.deest, 7m, Ingrid Haebler(pf) and Jorg Demus(pf)
- ¸ðÂ¥¸£Æ®, ·¹±â³ª ÄÚÀϸ®(Regina coeli), C, K276
- ¸ðÂ¥¸£Æ®, ·¹Äû¿¥, d, K.626, 52m, $ Concentus musicus Wien/Nikolaus Harnoncourt
- ¸ðÂ¥¸£Æ®, ·Ðµµ(ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ), D, K.Anh.184, C95
- ¸ðÂ¥¸£Æ®, ·Ðµµ, D, K.382
- ¸ðÂ¥¸£Æ®, ·Ðµµ, A, K.386
- ¸ðÂ¥¸£Æ®, ·Ðµµ, D, K.485, $ Ingrid Haebler(Pf)
- ¸ðÂ¥¸£Æ®, ·Ðµµ, a, K.511, 10m, Mitsuko Uchida(Pf)
- ¸ðÂ¥¸£Æ®, ¸ðÅׯ®, "ÃãÃç¶ó ±â»µÇ϶ó ÇູÇÑ È¯Èñ¿©(Exsultate, jubilate/Rejoice, shout)", K.165, ¼º´çÀÇ ¹«¹ÝÁÖÇÕâ°î, 17m
- ¸ðÂ¥¸£Æ®, ¹Ì´º¿§(6°³ÀÇ), K.105
- ¸ðÂ¥¸£Æ®, ¹Ì»ç°î, C, K.66 *13¼¼ ¶§ ÀÛ°î
- ¸ðÂ¥¸£Æ®, ¹Ì»ç°î 14, C, K.317 "´ë°ü½Ä ¹Ì»ç°î(Coronation Mass)", 27m, $ Berlin Philharmonic Orchestra,Vienna Singverein/Herbert von Karajan
- ¸ðÂ¥¸£Æ®, ¹Ì»ç ºê·¹ºñ½º(Missa brevis), C, K.259
- ¸ðÂ¥¸£Æ®, ¹Ù¼øÇùÁÖ°î, Bb, K.191, ÆÄ°÷À¸·Î µ¶Á־DZâ·Î´Â °ÅÀÇ »ç¿ëµÇÁö ¾ÊÀ½, 18m#
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 17, C, K.296, 15m
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 18, G, K.301
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 20, C, K.303
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 21, e, K.304, 12m#, Karl Suske(vn)/Walter Olbertz(pf)
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 22, A, K.305/293d $ >Itzhak Perlman/Daniel Barenboim
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 23, D, K.306, 20m, Riccardo Minasi(vn)/Maxim Emelyanychev(fortepiano)
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 24, F, K.376/374d
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 25, F, K.377/374e $
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 26, Bb, K.378/317d
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 27, G, K.379/373a, 19m
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 28, Eb, K.380/374f, 20m#, Anne-Sophie Mutter(Vn)/Lambert Orkis(Pf)
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 29, A, K.402/385e, * Alina Ibragimova(vn)/Cedric Tiberghien(pf)
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 30, C, K.403/385c, 12m
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 32, Bb, K.454, 42°îÁß ´ëÇ¥Àû ÀÛǰ
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 33, Eb, K.481, 19m $
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 35, A, K.526, 22m, # Christian Tetzlaff(Vn),Lars Vogt(Pf)
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°(µÎ ´ëÀÇ)°ú °üÇö¾ÇÀ» À§ÇÑ ÄÜü¸£Åä³×(2´ëÀÇ: Concertone for 2 Violins and Orchestra), C, K.190, 29m, $ Itzhak Perlman,Pinchas Zukerman(Vn),Chaim Jouval(Ob),Marcel Bergman(Vc),Israel Philharmonic Orchestra/Zubin Mehta
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 1, Bb, K.207, "©Ã÷ºÎ¸£Å©ÇùÁÖ°î": K.207, 211, 216, 218, 219, 22m, 7 Vn C.
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 2, D, K.211, 21m, $ David Oistrakh(vn),Berliner Philharmoniker
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 3, G, K.216, ½ºÆ®¶ó½ººÎ¸£Å© ¹Î¿ä¸¦ ¼ÒÀç,N5
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 4, D, K.218, "±º´ëÇùÁÖ°î" < 1MÇàÁø°îdz, 23m#, 1)$ Henryk Szeryng(Vn),New Philharmonia Orchestra/Sir Alexander Gibson, 2)$ Reinhold Barchet(vn)/Pro Musica Orchestra/Rolf Reinhardt
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 5, A, K.219, "Å;îŰ½¬", 27m, 3¾ÇÀå ·Ðµµ°¡ ÅÍŰdzÇàÁø°î, °¡Àå ºó¹øÈ÷ ¿¬ÁÖ, $ Frank Peter Zimmermann(vn),Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks/Radoslaw Szulc, $ Zino Francescatti(vn),Zurich Chamber Orchestra/Edmond de Stoutz
- ¸ðÂ¥¸£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î 7, Eb, K.268,24m
- ¸ðÂ¥¸£Æ®, º£½ºÆä¸£ Áõ°ÅÀÚ ÃàÀÏ - Àå¾ö Àú³á±âµµ, K.339, /"ÁÖ´ÔÀ» Âù¾çÇ϶ó(Laudate dominum)"
- ¸ðÂ¥¸£Æ®, 12°³ º¯ÁÖ°î("¾Æ, ¾î¸Ó´Ï²² ¸»¾¸µå¸±°Ô¿ä(Ah vous dirai-je, Maman:¹Ý¦¹Ý¦ ÀÛÀº º°)" ÁÖÁ¦¿¡ ÀÇÇÑ), C, K.265, 12m
- ¸ðÂ¥¸£Æ®, 12°³ º¯ÁÖ°î(Variations on "La bergere Celimene", G, K.359/374a
- ¸ðÂ¥¸£Æ®, 12°³ º¯ÁÖ°î(variations on the romance "Je suis Lindor"), Eb, K.354, 18m
- ¸ðÂ¥¸£Æ®, 7°³ÀÇ º¯ÁÖ°î ("»ç¶ûÀ» ´À³¢´Â ³²ÀÚµéÀº(Bei Mannern, welche Liebe Fuhlen)" ÁÖÁ¦¿¡ ÀÇÇÑ: Mozart's "The Magic Flute"), Eb, WoO.46, (Vc Pf)
- ¸ðÂ¥¸£Æ®, 7°³ÀÇ º¯ÁÖ°î(Seven Variations), D, K.25
- ¸ðÂ¥¸£Æ®, º¯ÁÖ°î(La ci darem la mano ÁÖÁ¦¿¡ ÀÇÇÑ)-<µ· ÁÒ¹Ù´Ï>, Cyprien Katsaris(pf)
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "Ave Verum Corpus", K.618, Toelzer knabenchoir Toelz Boys Choir
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "°æ°í(Warnung)", K.433, sop.Irmgard Seefried /pf. Gerald Moore
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "°æ¼ÖÇÑ ¾Æ¸£¹Ùü¿©!"(¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ)
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "°í¿äÇÔÀº ¹Ì¼ÒÁþ°í(Ridente la calma)", K.152, 1) Elly Amelling(Sop) 2) sop.Irmgard Seefried/Gerald Moore(pf)
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "±×´ë ¾øÀÌ ¾îÂîÇ϶ó°í", K.505 cf) ¾Æ¸®¾Æ
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "³ª´Â ±×°ÍÀ» ÁüÀÛÇß¾î¿ä"
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "³ªÀÇ ¼Ò¿ø"
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "³» °¨»ç¸¦ ¹Þ¾ÆÁÖ¿À(Nehmt meinen Dank)"-ÄܼƮ ¾Æ¸®¾Æ, K.383, sop.Renee Fleming
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "´ÄÀº ¿©ÀÎ", K.517
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¸¶¹ý»ç(Der Zauberer)", K.472, sop.Barbara Bonney
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¸¸Á·(Die Zufriedenheit)", K.473, sop.Edith Mathis
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "º¯ÇÔ¾ø´Â »ç¶ûÀ»(L¡¯amero, saro costante)", sop. Emma Kirkby
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "º½À» ±â´Ù¸®¸ç(Sehnsucht nach dem Fruehling)", K.596,#, Elisabeth Schwarzkopf(sop)
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "º½ÀÇ µ¿°æ"
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "»ç¶û½º·± ¿©ÀÎÀÌ¿©, ³ª¿Í ÇÔ²² °©½Ã´Ù(Nun Liebes Weibchen ziehst mit mir)", K.625, sop.Erika Koeth, bass. Walter Berry
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "(ÀÌÁßâ)ÀÌÁ¦ ³ª¿Í ÇÔ²² °©½Ã´Ù"
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "½Ç Àã´Â ¾î¸° ¼Ò³à(Die kleine Spinnerin)", K.531
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¿À, ½ÅÀÌ¿©! Á¦ ¾ê±â¸¦ µé¾îº¸¼Ò¼(Vorrei Spiegarvi, Oh Dio)"-ÄܼƮ ¾Æ¸®¾Æ, K.418, sop.Patricia Petibon
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¾Æ¸§´Ù¿î º½Àº ¹ú½á ¹Ì¼Ò Áþ°í(Schon lacht der holde Fruhling)"-concert aria, K.580, #2 sop.Sabine Devieilhe
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¿Ü·Î¿î ½£¿¡¼(Dans un bois solitaire)", K.308, $, 1)Barbara Bonney(sop), 2) sop.Rita Streich
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "¿ë¼ÇÏ¿À, ³ªÀÇ ´ÔÀÌ¿©(Per pieta, bell idol mio)"-ÄܼƮ ¾Æ¸®¾Æ, K.78, sop.Edita Gruberova
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "À̺°ÀÇ ³ë·¡(Trennugslied)" K.519 ~Sop. Arleen Auger
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "Àú³áÀÇ »ý°¢[/Àú³áÀÇ Á¤Ãë](Abendempfindung)" K.523, Sop. Elisabeth Schwarzkopf
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "Á¦ºñ²É(Das Veilchen)", K.476
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "Ŭ·Î¿¡¿¡°Ô(An Chloe)", K.524, $, Peter Schreier(Ten), # Barbara Bonney(Sop)
- ¸ðÂ¥¸£Æ®, ¼º¾Ç°î "ÇÏ´ÃÀÇ ¿©¿Õ(Regina Coeli)", K.276, ¶óÀÌÇÁÄ¡È÷ ¹æ¼ÛÇÕâ´Ü
- ¸ðÂ¥¸£Æ®, <¼ºÃ¼ÃàÀÏÀ» À§ÇÑ ¿¬µµ>, KV.243
- "Çϴ÷κÎÅÍ ³»·Á¿Â »ý¸íÀÇ ¾ç½Ä(Panis vivus)", ten.Uwe Heilmann
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 4, D, K.203, "Colleredo"
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 5, D, K.204
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 6, D, K.239, "Serenata notturna", 15m, Bamberger Symphoniker/Joseph Keiberth
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 7, D, K.250, "ÇÏÇÁ³Ê", 10°îÁß °¡Àå À¯¸í
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 9, D, K.320 "Æ÷½ºÆ®È£¸¥(Posthorn)", 45m, $ Vienna Philharmonic Orchestra/James Levine
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 10, Bb, K.361, "±×¶ûÆÄ¸£Æ¼Å¸(Gran Partita)", 49m, # Winds of the Berlin Philharmonic/Zubin Mehta
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 11, Eb, K.375,13°³ÀÇ ¼¼·¹³ªµ¥,24m
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 12, c, K.388(384a), 23m, # Orpheus Chamber Orchestra
- ¸ðÂ¥¸£Æ®, ¼¼·¹³ªµ¥ 13, G, K.525, Eine Kleine Nachtmusik
- ¸ðÂ¥¸£Æ®, ÇàÁø°î(March for Orchestra), D, K.249
- ¸ðÂ¥¸£Æ®, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(4´ëÀÇ ¸ñ°üÀ» À§ÇÑ) (Sinfonia concertante: Fl/Cl, Ob, Bsn, Hrn), Eb, K.297b, 30m, $ New York Philharmonic/Alan Gilbert
- ¸ðÂ¥¸£Æ®, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(¹ÙÀ̿ø° ºñ¿Ã¶ó & ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ), Eb, K.364, 2SC> µ¶Á־DZ⠿¬Áֺθ¦ °¡Áø 18c ½ÉÆ÷´ÏÇüÅÂÀÓ
- ¸ðÂ¥¸£Æ®, ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(¿Àº¸ Ŭ¶ó¸®³Ý È¥ ¹Ù¼øÀ» À§ÇÑ), Eb, 31m
- ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À(¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ), E, K.261,
- ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À(ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ), C, K.315
- ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À,ÇǾƳë°î, K.540
- ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À¿Í ·Ðµµ(Çϸð´ÏÄ« ÇÃ·çÆ® ¿Àº¸ ºñ¿Ã¶ó¿Í ÿ·Î¸¦ À§ÇÑ), K.167
- ¸ðÂ¥¸£Æ®, ¾Æ´ÙÁö¿À¿Í ·Ðµµ(ÇÏÇÁ¸¦ À§ÇÑ), c, K.617,11m
- ¸ðÂ¥¸£Æ®, ¾È´ÜÅ×(Mecanical OrganÀ» À§ÇÑ), K.616
- ¸ðÂ¥¸£Æ®, ¾È´ÜÅ×(ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ), C, K.315
- ¸ðÂ¥¸£Æ®, ¾È´ÜÅ×¿Í º¯ÁÖ°î(³× ¼ÕÀ» À§ÇÑ), G, K.501
- ¸ðÂ¥¸£Æ®, ¾Ëĵå·Î, K.294, Concert Aria, ¾Ë·çÀÌÁö¾Æ¸¦ À§ÇØ ÀÛ°î
- ¸ðÂ¥¸£Æ®, ¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ(Concert Aria), K.418, "ÇÏ´ÃÀÌ¿©, ´ç½Å¿¡°Ô ¾ê±âÇÒ ¼ö ÀÖ´Ù¸é(Vorrei Spiegarvi, Oh Dio)", sop. Patricia Petibon
- ¸ðÂ¥¸£Æ®, ¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ(Concert Aria), K.419, "¾Æ´Ï¿ä, ´ç½ÅÀº ¾Æ¹« °Íµµ ¸ô¶ó¿ä(No, no, che non sei capace)", sop.Cyndia Sieden
- ¸ðÂ¥¸£Æ®, ¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ(Concert Aria), K.578, "À§´ëÇÑ ¿µÈ¥°ú °í±ÍÇÑ ¸¶À½(Alma grande e nobil core)", sop.Gundula Janowitz
- ¸ðÂ¥¸£Æ®, ¿¬ÁÖȸ¿ë ¾Æ¸®¾Æ(Concert Aria), K.583, "°¡¾ß Çϸ®, ±×·¯³ª ¾îµð·Î? ¿À ½ÅÀÌ¿©(Vado, ma dove? O Dei!)", sop.Gundula Janowitz
- ¸ðÂ¥¸£Æ®, ¿Àº¸4ÁßÁÖ, F, K.370, 15m, # ºê·ô¾ß¸£ È£ÇÁ(Brynjar Hoff:oboe) & Èù´Ù Æ®¸®¿À(Hindar Trio)
- ¸ðÂ¥¸£Æ®, ¿Àº¸ÇùÁÖ°î, c, K.314, ÇÃ·çÆ®ÇùÁÖ°î2·Î Æí°î $
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <±ØÀå Áö¹èÀÎ>, K.486;
- "Ä£¾ÖÇÏ´Â ÀþÀºÀÌ¿© (Bester Juengling)", sop.Krisztina Laki
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <µ· ÁÒ¹Ù´Ï>; ¼°î,
- "±×³à ¸¶À½ÀÌ Æò¿ÂÇÏ¸é ³» ¸¶À½µµ Æí¾ÈÇØ/±×³à ¸¶À½ÀÇ Æò¾ÈÀ» À§ÇÏ¿©(Dalla sua pace)", # ten.Fritz Wunderlich, # ten. Ernst Haefliger
- "±×´Â ³ª¸¦ ¹è½ÅÇßÁö¸¸(Mi tradi quell'alma ingrata)", sop. Veronique Gens
- "³» ¸í¿¹¸¦ »©¾ÑÀ¸·Á ÇÑ ÀÚ¸¦(Or sai chi l¡¯onore)"-Donna AnnaÀÇ ¾Æ¸®¾Æ, sop. Birgit Nilsson
- "³» »ç¶ûÇÏ´Â ¾È³ª¸¦ À§ÇØ(Il mio tesoro)"$, $ ten. Placido Domingo
- "´ç½ÅÀº °ð ¾Ë°Ô µÉ°Å¿¹¿ä(Vedrai, Carino)"-ü¸¦¸®³ªÀÇ ¾Æ¸®¾Æ, # sop. Kathleen Battle, # sop. Mirella Freni
- "¶§·ÁÁÖ¼¼¿ä, »ç¶ûÇÏ´Â ¸¶Á¦Åä¿©(Batti, batti, o bel Masetto)", sop.Barbara Bonney, sop. Lucia Popp
- "»ç¶ûÇÏ´Â ÀÌ¿©, ³»°¡ ÀÜÀÎÇÏ´Ù°í ¸»ÇÏÁö ¸»¾Æ¿ä"
- "¼¤ÆäÀÎÀÇ ³ë·¡(Champagnerarie)"
- "¿ì¸® ÇÔ²² ¼ÕÀ» Àâ°í(La ci darem la mano)"$
- "ÀÚ, â°¡·Î ¿Í¿ä(Deh vieni alla finestra)"-µ· ÁÒ¹Ù´ÏÀÇ ¼¼·¹³ªµ¥, ten. Roberto Alagna
- "īŻ·Î±×ÀÇ ³ë·¡(Madamina, il catalogo e questo)"-·¹Æ÷·¼·ÎÀÇ ¾Æ¸®¾Æ, # bar.Geraint Evans
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <·çÄ¡¿À ½Ç¶ó(Lucio Silla)>, K.135;
- "³» ¿¬ÀÎÀÇ ±×¸²ÀÚ°¡ ³ª¸¦ ±â´Ù¸®³×(D¡¯elisio in sen m¡¯attend)"
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <¸¶¼úÇǸ®>;
- "±¸ÇØÁà¿ä! ±¸ÇØÁà¿ä!(Zu Hilfe! Zu Hilfe!)"-1¸· µµÀÔºÎ, ten. Uwe Heilmann(Ÿ¹Ì³ë)/sop. Adrianne Pieczonka(½Ã³à1)/ sop.Annette Kuetenbaum(½Ã³à2)/ms. Jard van Nes(½Ã³à3)
- "³ª´Â¾ß »õÀâÀ̲Û(Der Vogelfanger bin ich ja)", bar. Thomas Quasthoff
- "³ÊÀÇ ¸ÅȤÀûÀÎ ¼Ò¸®´Â Á¤¸» °Çϵµ´Ù"
- "µµ¿ÍÁÖ¼¼¿ä, µµ¿ÍÁÖ¼¼¿ä!(Zu hilfe, zu hilfe!)", ten.Francisco Araiza, sop.Yvonne Kenny, Iris Vermillion, Anne Collins
- "µÎ·Á¿ö ¸»¶ó, »ç¶ûÇÏ´Â ÀþÀºÀÌ¿©(O zittre nicht, mein lieber Sohn)"-1:¹ãÀÇ ¿©¿ÕÀÇ ¾Æ¸®¾Æ, sop.Cheryl Studer
- "ºü¸¥ °ÉÀ½, ³¯·ÆÇÑ ¿ë±â·Î(Schnelle Fuesse, rascher Mut)", sop.Kiri Te Kanawa, bar.Olaf Baer, ten.Aldo Baldin
- "»ç¶ûÀ» ´À³¢´Â ³²Àڵ鿡°Ô´Â(Bei Maennern, welche Liebe fuehlen)", sop.Pilar Lorengar/bar.Hermann Prey
- "»ç¶ûÀ» ´À³¢´Â ³²Àڵ鿡°Ô´Â(Bei Maennern, welche Liebe fuehlen)" ÁÖÁ¦¿¡ ÀÇÇÑ 7°³ÀÇ º¯ÁÖ°î , Adrian Brendel(vc)/Alfred Brendel(pf)
- "¼º½º·¯¿î Àü´ç¿¡´Â(In diesen heil¡¯gen Hallen)", bar.Jose van Dam
- "¾Æ °¡¹ö¸° »ç¶ûÀÌ¿©(Ach, ich fuehl¡¯s)", sop.Lucia Popp
- "¾Æ°¡¾¾³ª ºÎÀÎÀ̳ª(Ein Maedchen oder Weibchen)", bar.Matthias Goerne
- "¾Æ°¡¾¾³ª ºÎÀÎÀ̳ª(Ein Maedchen oder Weibchen)" ÁÖÁ¦¿¡ ÀÇÇÑ 12°³ÀÇ º¯ÁÖ°î, Adrian Brendel(vc)/Alfred Brendel(pf)
- "¾ó¸¶³ª ¾Æ¸§´Ù¿î ¾ó±¼Àΰ¡?(ÃÊ»óÀÇ ¾Æ¸®¾Æ)"
- "¿¬ÀÎÀÌµç ¾Æ³»µç(Ein Maedchen oder Weibchen)"
- "¿À À̽ýº¿Í ¿À½Ã¸®½º ½ÅÀÌ¿©(O Isis und Osiris)"-2:ÀÚ¶ó½ºÆ®·ÎÀÇ ¾Æ¸®¾Æ, bass. Kurt Moll(ÀÚ¶ó½ºÆ®·Î)
- "ÀÌ ÃÊ»óÈ´Â ³Ê¹«µµ ¾Æ¸§´Ù¿ö(Dies Bildnis ist bezaubernd schoen)", ten.Fritz Wunderlich
- "Áö¿ÁÀÇ º¹¼ö°¡ ³» ¸¶À½À» Å¿ì³×(~¿¡ ²ú¾î¿À¸¥´Ù)"-¹ãÀÇ ¿©¿ÕÀÇ ¾Æ¸®¾Æ
- "ÆÄÆÄ°Ô³ª, ÆÄÆÄ°Ô³ª(Papagena! Papagena!)"-ÆÄÆÄ°Ô³ëÀÇ ¾Æ¸®¾Æ, bar. Hermann Prey
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <ÀÌÁýÆ® ¿Õ Ÿ¸ð½º>, K.345; /°£ÁÖ°î(4¸·)
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <Â÷À̵¥(Zaide)>;
- "ÆíÈ÷ ½¬¾î¿ä, ³» »ç¶û(Ruhe Sanft, Mein Holdes Leben)", #sop.Lucia Popp, #sop.Maria Bayo
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <ÄÚÁö ÆÇ ÅõÅ×(Cosi fan tutte)>;
- "±×¿¡°Ô ´«À» µ¹¸®½Ã¿À(Rivolgete a lui lo sguardo)", bass.Fernando Corena
- "³ª´Â °ËÀº ¸Ó¸® ³²ÀÚ°¡ ¸¶À½¿¡ µé¾î(Prendero quel brunettino)"-µµ¶óº§¶ó¿Í ÇÇ¿À¸£µô¸®ÁöÀÇ 2Áßâ, ms.Marie Mclaughlin(µ¥½ºÇdzª), sop.Kiri Te Kanawa(ÇÇ¿À¸£µô¸®Áö), ms.Ann murray(µµ¶óº§¶ó)
- "³ Àú °ÇÀåÇÑ Ã»³âÀÌ ¸¶À½¿¡ µé¾î¿ä"-ÇÇ¿À¸£µô¸®Áö¿Í µµ¶óº§¶óÀÇ 2Áßâ
- "³²ÀÚ¸¦, ´õ±¸³ª ±ºÀÎÀ» ¹Ï¾î¿ä?(In Uomini, in soldati)"-µ¥½ºÇdzªÀÇ ¾Æ¸®¾Æ
- "³» ¸¶À½À» ´ç½Å²² ¹ÙĨ´Ï´Ù(Il core vi dono, bell'iol mio)"-2:±¼¸®¿¤¸ð¿Í µµ¶óº§¶óÀÇ 2Áßâ, bar.Thomas Hampson(±¼¸®¿¤¸ð)/ ms.Ann Murray(µµ¶óº§¶ó)
- "¸ðÁø ¹Ù¶÷¿¡µµ ²ô¶±¾ø´Â ¹ÙÀ§Ã³·³"
- "¹Ù¶÷Àº ºÎµå·´°í ¹°°áÀº ÀÜÀÜÇϱ⸦(Soave sia il vento)"-1:3Áßâ, bass.Ferrucio Furlanetto(µ· ¾ËÆù¼Ò), sop.Kiri Te Kanawa(ÇÇ¿À¸£µô¸®Áö), ms.Ann Murray(µµ¶óº§¶ó)
- "»ç¶ûÀÇ »êµé¹Ù¶÷Àº(Un¡¯aura amorosa)", ten.Stuart Burrows, $ ten. Placido Domingo
- "¿©ÀÚ ³ªÀÌ ¿´Ù¼¸À̸é(Una donna a quindici anni)"-2:µ¥½ºÇdzªÀÇ ¾Æ¸®¾Æ, Lucia Popp(sop)
- "¿©ÀÚÀÇ Á¤Á¶´Â ¾Æ¸®ºñ¾ÆÀÇ ºÒ»çÁ¶"-Guglielmo¿Í Ferrando, Don AlfonsoÀÇ 3Áßâ
- "¿òÁ÷ÀÌÁö ¾Ê´Â ¹ÙÀ§Ã³·³(Come scoglio)", sop. Pilar Lorengar
- "Àǻ缱»ý´Ô ¿À¼Ì³×¿ä(Eccovi il medico)"
- "ÆÄµµ´Â Á¶¿ëÇϰí, »êµé¹Ù¶÷ÀÌ ºÒ¾î¿À³×"
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <ƼÅä ȲÁ¦ÀÇ ÀÚºñ>;
- "ÀÌ·± ÈȯÀº ´õ ÀÌ»óÀº ¸¸µé¾îÁöÁö ¾ÊÀ¸¸®"
- "³ª´Â ¶°³ªÁö¸¸ µ¹¾Æ¿À¶ó(Parto, Parto)", 1) ms.Joyce DiDonato 2) ms.Teresa Berganza
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <Çǰ¡·ÎÀÇ °áÈ¥>; ¼°î,
- "°í±ÍÇÑ ÁÖÀδÔ...ÃãÀ» Ãß°í ½ÍÀ¸½Ã´Ù¸é/¹éÀÛ´Ô, ÃãÃß±æ ¿øÇϽŴٸé(Bravo signor, pardone...Se vuol ballare, signor Contino)"
- "±×¸®¿î ½ÃÀýÀº °¡°í(Dove sono)"
- "³ ¸ô¶ó, ³ ¸ô¶ó(Non so piu)", ms.Ann Murray
- "³»°¡ ÇѼû½¬°í ÀÖÀ» µ¿¾È(Vedro, mentr¡¯io sospiro)", bar.Dietrich Fischer-Dieskau
- "´õ ÀÌ»ó ³¯Áö ¸øÇϸ®(Non piu andrai)"
- "¹«¸À» ²Ý¾î¿ä(Venite... Inginocchiatevi)", sop.Edith Mathis
- "»ç¶ûÀÇ ½ÅÀÌ¿©, À§·ÎÇØÁÖ¼Ò¼[»ç¶ûÀ» ÁÖ¼Ò¼](porgi, amor)", sop. Gundula Janowitz
- "¾î¼¸é ÁÁ¾Æ ÀÌ ³» ¸¶À½(Non so piu cosa son, cosa faccio)"
- "Àú³á¹Ù¶÷ÀÌ ºÎµå·´°Ô(che soave zeffiretto)(3)"-ÆíÁöÀÇ 2Áßâ, $ sop. Gianna Rolandi/sop. Felicity
- "ÃãÃß°í ½ÍÀ¸½Ã´Ù¸é(Se vuol ballare)"-Çǰ¡·ÎÀÇ ¾Æ¸®¾Æ, bar.Hermann Prey
- ¸ðÂ¥¸£Æ®, ¿ÀÆä¶ó <ÈıÃÀ¸·ÎºÎÅÍÀÇ µµÇÇ(Die Entfuehrung aus dem Serail)>, K.384; ¼°î, Royal Philharmonic Orchestra/Sir Colin Davis
- "±â»ÝÀÇ ´«¹°ÀÌ È带 ¶§(Wenn der Freude Traenen fliessen)"
- "³ªÀÇ ¿î¸íÀº ¾ðÁ¦±îÁö³ª ºñ±ØÀ̷δÙ(Traurigkeit ward mir zum Lose)", sop. Ruth Ann Swenson
- "ÇÏ! ³ª´Â À̰å³×(Ha! Wie will ich triumphieren)", bass. Martti Talvela
- "¾î¶°ÇÑ °í¹®À» °¡ÇÑ´Ù ÇØµµ(Martern aller Arten)", Cheryl Studer(Sop)
- "ÀºÇý´Â ÀØÁö ¾Ê°Ú½À´Ï´Ù... żö Á¦¸²ÀÌ¿©, ¿À·¡ »ç¼Ò¼!(Nie werd¡¯ich deine Huld verkennen... Bassa Selim lebe lange!)", ten. Goesta Winbergh
- "ÀÌ ¾ó¸¶³ª ±â»Û ÀÏÀΰ¡(Welche Wonne, welche Lust)":(2)ºí·Ðµ¥ÀÇ ¾Æ¸®¾Æ
- "ÄܽºÅºÃ¼, ±×³à¸¦ ´Ù½Ã ¸¸³¯ ¼ö ÀÖ´Ù´Ï"
- ¸ðÂ¥¸£Æ®, À½¾ÇÀû ³ó´ã, K.522, 4M, °üÇö¾Ç°î
- ¸ðÂ¥¸£Æ®, ÀüÁÖ°î°ú Ǫ°¡(¹ÙÀ̿ø°°ú ºñ¿Ã¶ó ±×¸®°í ÿ·Î¸¦ À§ÇÑ), K.404a, Jonathan Crow (Vn)/Douglas McNabney(Va)/Matt Haimovitz(Vc)
- ¸ðÂ¥¸£Æ®, ÄŸŸ <¹«ÇÑÇÑ ¿ìÁÖÀÇ Ã¢Á¶ÁÖ¸¦ Âù¹ÌÇÏ´Â ±×´ë(Die ihr des unerme©¬lichen Weltalls Schoepfer ehrt)>, K.619, 7m
- ¸ðÂ¥¸£Æ®, ÄŸŸ <ÇÁ¸®¸ÞÀ̽¼ÀÇ ±â»Ý>, K.471
- ¸ðÂ¥¸£Æ®, Ŭ¶ó¸®³Ý3ÁßÁÖ°î(Ŭ¶ó¸®³Ý ºñ¿Ã¶ó ÇǾƳ븦 À§ÇÑ), Eb, K.498, "Kegelstatt trio"¶ó°íµµ ÇÔ, 21m * ¿ø·¡ ¾Çº¸´Â Pf,Vn,Va(º¸Åë ÇǾƳë3ÁßÁÖÀÇ Vc¸¦ Va·Î ´ëü)À̳ª Pf ´ë½Å Clµµ °¡´ÉÇÏ´Ù°í Á¦½Ã: ¿äÁòÀº ÁÖ·Î ClÀ¸·Î ±¸¼º.
- ¸ðÂ¥¸£Æ®, Ŭ¶ó¸®³Ý5ÁßÁÖ°î, A, K.581, 33m$, 1) Alfred Prinz(clarinet),Wiener Kammerensemble, 2) Jack Brymer(clarinet)/Allegri Quartet
- ¸ðÂ¥¸£Æ®, Ŭ¶ó¸®³ÝÇùÁÖ°î, A, K.622, 2M>¸ð ÀÚ½ÅÀÇ ¸¸³âÀÇ ½½ÇÄÀ» Àß Ç¥Çö, C110, Leopold Wlach(cl),Vienna State Opera Orchestra/Artur Rodzinski
- ¸ðÂ¥¸£Æ®, Å׻츮¾ÆÀÇ »ç¶÷µé, K.316, Concert Aria, ¾Ë·çÀÌÁö¾Æ¸¦ À§ÇØ ÀÛ°î
- ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®4ÁßÁÖ°î 1, D, K.285
- ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®4ÁßÁÖ°î 2, G, K.285a
- ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®4ÁßÁÖ°î 3, C, K.285b
- ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®4ÁßÁÖ°î 4, A, K.298
- ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®5ÁßÁÖ°î, D, K.577
- ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®¿Í ÇÏÇÁ¸¦ À§ÇÑ ÇùÁÖ°î, C, K.299,¸ð ÀÛǰÁß °¡Àå ¾Æ¸§´ä´Ù> ƯÈ÷ 2M,30m, C110
- ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®ÇùÁÖ°î 1, G, K.313,23m
- ¸ðÂ¥¸£Æ®, ÇÃ·çÆ®ÇùÁÖ°î 2, D, K.314, 19m
- ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î(Divertimento for Piano, Violin and Cello), Bb, K.254, (Pf,Vn,Vc), 20m$, $Beaux Arts Trio
- ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î 1, G, K.496, 20m, Beaux Arts Trio
- ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î 2, Bb, K.502, 22m
- ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î 3, E, K.542, 19m
- ¸ðÂ¥¸£Æ®, ÇǾƳë3ÁßÁÖ°î 6, C, K.548, 21m#, Beaux Arts Trio
- ¸ðÂ¥¸£Æ®, ÇǾƳë4ÁßÁÖ°î 1, g, K.478, 31m
- ¸ðÂ¥¸£Æ®, ÇǾƳë4ÁßÁÖ°î 2, Eb, K.493, 2°îÀÇ ÇǾƳë4ÁßÁÖ°î, 30m#, Georg Solti(pf)/Melos Quartett
- ¸ðÂ¥¸£Æ®, ÇǾƳë¿Í °ü¾ÇÀ» À§ÇÑ 5ÁßÁÖ°î, Eb, K.452, (Ob,Cl,Hn,Bn), 24m
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 1, C, K.279, $
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 2, F, K.280, 15m
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 3, Bb, K.281, 12m
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 4, Eb, K.282, 17m
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 5, G, K.283,17m
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 6, D, K.284, "Duernitz":µà¸£´ÏÃ÷ ³²ÀÛÀ» À§ÇØ ÀÛ°î, 26m$, $ Ingrid Haebler, # Andras shiff
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 7, C, K.309, 23m, Claudio Arrau(pf)
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 8, a, K.310, ´ã´ãÇÑ ¾Ö¼ö, µð´© ¸®ÆÄÆ® ¿¬ÁÖ°¡ À¯¸í
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 9, D, K.311
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 10, C, K.330 #, $ Ingrid Haebler(pf)
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 11, A, K.331, "ÅÍŰÇàÁø°î(Turkish Rondo)"
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 12, F, K.332, ƯÈ÷ Finale´Â °¨µ¿Àû, 15m#
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 13, Bb, K.333, 21m, Evgeni Koroliov(pf)
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 14, c, K.457, 17m, Alicia de Larrocha(pf), # Piotr Anderszewski(pf)
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 15, F, K.533/494, 25m, $ Ingrid Haebler(Pf)
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 16, C, K.545 "Ãʺ¸ÀÚ¸¦ À§ÇÑ ÀÛÀº ¼Ò³ªÅ¸", Conrad Hansen(pf)
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 18, D, K.576,14m $ Marc-Andre Hamelin(Pf), Ingrid Haebler(Pf)
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸(³× ¼ÕÀ» À§ÇÑ), K.381, ¸ðµÎ 5°î ÀÛ°î(K.19d, K.358, K.381, K.497, K.521)
- ¸ðÂ¥¸£Æ®, ÇǾƳë¼Ò³ªÅ¸(µÎ ´ëÀÇ ÇǾƳ븦 À§ÇÑ), D, K.448, 22m * Murray Perahia, Radu Lupu(piano)
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 2, Bb, K.39
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 3, D, K.40, 11¼¼¶§ ÀÛ°î,12m
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 4, G, K.41,13m#, Geza Anda(pf),Camerata Academica des Salzburger Mozarteums
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 5, D, K.175,22m
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 6, Bb, K.238,20m
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 7(3´ëÀÇ ÇǾƳ븦 À§ÇÑ), F, K.242, "Lodron Concerto", 23m
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 8, C, K.246, 22m, Geza Anda(pf),Camerata Academica des Salzburger Mozarteums
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 9, Eb, K.271 "Jeunehomme"
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 10(2´ëÀÇ ÇǾƳ븦 À§ÇÑ ÇùÁÖ°î), Eb, K.365(K.316a), 23m, # Imogen Cooper & Anne Queffelec(Pf),ASMF/Neville Marriner
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 11, F, K.413
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 12, A, K.414, 26m#
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 13, C, K.415, 27m, Daniel Barenboim(pf)/Vienna philharmonic/Daniel Barenboim
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 14, Eb, K.449, 23m, Daniel Barenboim(pf),Berlin Philharmonic Orch./Daniel Barenboim
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 15, Bb, K.450, 23m, Annerose Schmidt(pf)/Dresdner Philharmonie/Kurt Masur
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 16, D, K.451, 22m#
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 17, G, K.453,30m, {#Piotr Anderszewski(pf),Scottish Chamber Orchestra}
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 18, Bb, K.456, 32m, # Murray Perahia(pf)
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 19, F, K.459, Alfred Brendel(pf),Academy of St Martin in the Fields/Sir Neville Marriner
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 20, d, K.466, 30m#, $1) Martha Argerich,Orchestra Mozart/Claudio Abbado, 2) Annerose Schmidt(pf),Dresdner Philharmonie/Kurt Masur, 3) Martha Argerich(pf)/Sinfonieorchester des Norddeutschen Rundfunks/Reinhard Peters
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 21, C, K.467, $Rudolf Serkin(pf)/Columbia Symphony Orchestra/Alexander Schneider
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 22, Eb, K.482, Sviatoslav Richter/Philharmonia Orchestra/Riccardo Muti
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 23, A, K.488
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 24, c, K.491, Evgeny Kissin(pf),London Symphony Orch./Colin Davis
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 25, C, K.503, 34m, Friedrich Gulda(pf),Wiener Philharmoniker/Claudio Abbado
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 26, D, K.537, "´ë°ü½Ä"
- ¸ðÂ¥¸£Æ®, ÇǾƳëÇùÁÖ°î 27, Bb, K.595, Clara Haskill(pf),Orchestre des Concerts Lamoureux/Igor Markevitch
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 1, G, K.80, 15m, Hagen Quartet
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 3, D, K.156, 13m * Hagen Quartet
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 4, C, K.157, 12m
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 5, F, K.158, 14m, Amadeus Quartet
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 6, Bb, K.159
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 7, Eb, K.160
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 8, F, K.168, K.168-K.173: "ºñ¿£³ª4ÁßÁÖ", Amadeus Quartet
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 9, A, K.169
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 10, C, K.170, 14m#
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 11, Eb, K.171
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 14, G, K.387, Quatuor Ysay
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 15, d, K.421, 30m, ÇÏÀ̵翡°Ô ÇåÁ¤µÈ 6SQ(14-19 ÇÏÀ̵ç 4ÁßÁÖ)Áß À¯ÀÏÇÑ ´ÜÁ¶°î, {# Suske-Quartett, $ Cleveland Quartet, # Amadeus Quartet)
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 16, Eb, K.428, 30m
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 17, Bb, K.458 "»ç³É(The Hunt)", 28m, # Hagen Quartett
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 18, A, K.464, 31m#
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 19, C, K.465, "Dissonant"
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 20, D, K.499 "Hoffmeister", 34m#, Belcea Quartet
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 21, D, K.575, "Prussian no.1", 21m, Amadeus Quartet
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 22, Bb, K.589, 22m
- ¸ðÂ¥¸£Æ®, Çö¾Ç4ÁßÁÖ°î 23, F, K.590, 27m#
- ¸ðÂ¥¸£Æ®, Çö¾Ç5ÁßÁÖ°î 2, c, K.406
- ¸ðÂ¥¸£Æ®, Çö¾Ç5ÁßÁÖ°î 3, C, K.515,36m, 6°îÀÇ Çö¾Ç5ÁßÁÖ°î
- ¸ðÂ¥¸£Æ®, Çö¾Ç5ÁßÁÖ°î 4, g, K.516, ¸ðÀÚ¸£Æ® ½Ç³»¾ÇÁß ÃÖ°íÀÇ °ÉÀÛ
- ¸ðÂ¥¸£Æ®, Çö¾Ç5ÁßÁÖ°î 6, Eb, K.614
- ¸ðÂ¥¸£Æ®, È£¸¥ÇùÁÖ°î 1, D, K.412
- ¸ðÂ¥¸£Æ®, È£¸¥ÇùÁÖ°î 2, Eb, K.417, NATUR HORNÀ¸·Î ¿¬ÁÖ
- ¸ðÂ¥¸£Æ®, È£¸¥ÇùÁÖ°î 3, Eb, K.447, 4HCÁß °¡Àå ¶Ù¾î³²$,25m
- ¸ðÂ¥¸£Æ®, È£¸¥ÇùÁÖ°î 4, Eb, K.495, 4HC,17m
- ¸ðÂ¥¸£Æ®, ȯ»ó°î, d, K.397
- ¸ðÂ¥¸£Æ®, ȯ»ó°î, c, K.475
- ¸ðÂ¥¸£Æ®, ȯ»ó°î, f, K.608
- ¸ðÂ¥¸£Æ®,·¹¿ÀÆúµå, ±³Çâ°î, D, D.18, 8m * Leopold Mozart(1719-1787 German): father of W.A.Mozart
- ¸ðÂ¥¸£Æ®,·¹¿ÀÆúµå, ±³Çâ°î, G, G.5
- ¸ðÂ¥¸£Æ®,·¹¿ÀÆúµå, ±³Çâ°î, G, G.7
- ¸ðÂ¥¸£Æ®,·¹¿ÀÆúµå, Æ®·³ÆêÇùÁÖ°î
- ¸ðÃ÷ÄÚÇÁ½ºÅ°, ¸ðÀ½°î(µÎ ´ëÀÇ ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), g, Op.71 cf)1854-1925
- ¸ó»ì¹ÙÇì,ÀÚºñ¾î, ¼º¾Ç°î "ÈæÀÎ ¾Æ±â¸¦ À§ÇÑ ÀÚÀå°¡(Cancion de cuna para dormir a un negrito)", ms. Shirley Verrett, * Xavier Montsalvatge(1912-2002 Spanish)
- ¸óÅ©, ¼º¾Ç°î "Abide with Me", ms.Katherine Jenkins, * William Henry Monk(1823-1889 English Organist)
- ¸óÅ׺£¸£µð, ¸¶´ÏÇÇīƮ(Magnificat), * ´©°¡º¹À½: 1/46-55Àý "³» ¿µÈ¥ÀÌ ÁÖ¸¦ Âù¹ÌÇϳªÀÌ´Ù"·Î ±¸¼º
- ¸óÅ׺£¸£µð, ¸¶µå¸®°¥, 1) º½¹Ù¶÷Àº ºÒ¾î¿À°í 2) ³ª´Â ÀÌÁ¦ Á×°Ô µÇ¾ú´ä´Ï´Ù 3) ¾Æ ±×´ë°¡ ÁøÁ¤ ³ª¸¦ »ç¶ûÇÑ´Ù¸é, 14c ·»µð´Ï°¡ »ç¿ë, 16c 5ºÎ·Î µÈ ¼¼¼ÓÀû »ç¶û ³»¿ëÀÇ ÁßÇÕâ°î
- ¸óÅ׺£¸£µð, ¸ðÅׯ®:ÄŸŸµµ¹Ì³ë, »õ³ë·¡·ÎÁÖ´Ô²²³ë·¡Ç϶ó, ´ç½Å²² Âù¾ç°æ¹è µå¸®³ªÀÌ´Ù
- ¸óÅ׺£¸£µð, º§ ÆÄ½ºÅ丣(Bel Pastor),¾Æ¸§´Ù¿î ¸ñÀÚ´ÔÀÌ¿©,2Áßâ,¿©ÀÚ°¡ »ç¶ûÀ» Ç¥Çö, ³²ÀÚ°¡ ´äÇÔ
- ¸óÅ׺£¸£µð, ¼º¾Ç°î "¼¼»ó¿¡¼ ¹þ¾î³ª°í ½Í¾î(Voglio di vita uscir)", sop.Emma Kirkby
- ¸óÅ׺£¸£µð, ¼º¾Ç°î "źũ·¹µð¿Í Ŭ·Î¸°´ÙÀÇ ÀüÅõ(Combattimento di Tancredi e Clorinda)"
- ¸óÅ׺£¸£µð, ¿ÀÆä¶ó <Æ÷Æä¾ÆÀÇ ´ë°ü>;
/"³ª´Â ´ç½ÅÀ» ¹Ù¶óº¾´Ï´Ù(pur ti miro)",
/"¿À´Ã Æ÷Æä¾Æ´Â ·Î¸¶Á¦±¹ÀÇ È²Èİ¡ µÈ´Ù³×(Oggi sara Poppea)":¾Æ¸£³¯Å¸ÀÇ ¾Æ¸®¾Æ,
- ¸óÅ׺£¸£µð, Âù¾ç(Hymnus) "°æ»ç·Î´Ù, ¹Ù´ÙÀÇ º°ÀÌ¿©(Ave maris stella)
- ¸óƼ,ºñÅ丮¿À, Â÷¸£´Ù½Ã(Csardas), * Vittorio Monti(1868-1922): ÀÌŸ® ÀÛ°î°¡, * Â÷¸£´Ù½Ã´Â 19¼¼±âÃÊÀÇ Çë°¡¸®ÀÇ ÀüÅë¹Î¼Ó¹«°î, 6m
- ¸ô·ÎÀÌ, ¼º¾Ç°î "Lover¡¯s old sweet song", # Sop.Donna Bennett, James Lynam Molloy(1837-1909 Irish)
- ¸ô·ÎÀÌ, ÆÄ¹Ý´À 3
- ¸ô¸®,Å丶½º, ȯ»ó°î, * Thomas Morley(1557-1602 English)
- ¸ô¸®Å©,º£¸£³ª¸£, ¿Àº¸¿¡ ¼ÒÇùÁÖ°î(Concertino for Oboe and Orchestra), g, 14m
- ¸ô¸®Å©,º£¸£³ª¸£, ÇÃ·çÆ®ÇùÁÖ°î, d, 22m * Wilhelm Bernhard Molique(1802-1869 German Vn)
- ¸öÆ÷¿ì, ³ë·¡¿Í Ãã 6(Canciones y danzas), Canciones y danzas(6), # Anja Lechner(vc)/Francois Couturier(pf), * Federico Mompou(1893-1987 Spanish)
- ¸öÆ÷¿ì, ³ë·¡¿Í Ãã 6(Canciones y danzas), Canciones y danzas(14), # Anja Lechner(vc)/Francois Couturier(pf)
- ¹«·¹, ±³Çâ¸ðÀ½°î 1 Áß ·Ðµµ
- ¹«¼Ò¸£±×½ºÅ°, Destskaya
- ¹«¼Ò¸£±×½ºÅ°, ¹ÎµÕ»êÀÇ ÇÏ·í¹ã,±³Çâ½Ã
- ¹«¼Ò¸£±×½ºÅ°, ¼º¾Ç°î "º·èÀÇ ³ë·¡"
- ¹«¼Ò¸£±×½ºÅ°, ¾î¸°ÀÌÀÇ ¹æ, °¡°îÁý(7°î), 1) À¯¸ð¿Í ÇÔ²² 2) Àú ±¸¼®¿¡¼ 3) µüÁ¤¹ú·¹ 4) ÀÎÇü°ú ÇÔ²² 5) ÀáÀÚ¸®¿¡ µé¸é¼ 6) ¸ñ¸¶¸¦ Ÿ°í 7) °í¾çÀÌ ¸ÅÆ®·Î½º
- ¹«¼Ò¸£±×½ºÅ°, ¿ÀÆä¶ó <º¸¸®½º °íµÎ³ëÇÁ(Boris Godunov)>; /Symphonic Synthesis 24m /"°¡Àå °·ÂÇÑ ÈûÀº ³ªÀÇ °Í"
- ¹«¼Ò¸£±×½ºÅ°, ¿ÀÆä¶ó <È£¹Ý½¬Ä¡³ª>; /ÀüÁÖ°î(Prelude from Khovanshchina) - ¸ð½ºÅ©¹Ù °ÀÇ »õº®(Dawn on the Moskva-River(arr:D.Shostakovich)) * Khovanshchina´Â ¹Ì¿Ï¼º ¿ÀÆä¶ó
- ¹«¼Ò¸£±×½ºÅ°, Àü¶÷ȸÀÇ ±×¸², °üÇö¾Ç ¸ðÀ½°î, 10°î ±¸¼º > C50
- ¹«ÆÌ, ¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸, D
- ¹«ÆÌ, »þÄÜ´À(Chaconne), G * Georg Muffat(1653-1704 Baroque), 16m
- ¹«ÆÌ, ¾Æ¸£¸ð´ÏÄÚ Æ®¸®ºÎÅä(Armonico Tributo: Sonata No. 3 in A Major), 8m
- ¹Ì½½¸®º£Ã¼Å©, ±³Çâ°î, C, F.26, 9m, * Josef Myslivecek(1737-1781 Czech)
- ¹Ì½½¸®º£Ã¼Å©, µðº£¸£Æ¼¸àÅä, F, 12m
- ¹Ì½½¸®º£Ã¼Å©, ÿ·ÎÇùÁÖ°î, C, Wendy Warner(vc),Camerata Chicago/Drostan Hall
- ¹Ì¾ß½ºÄÚÇÁ½ºÅ°, ¼¼·¹³ªµ¥ 1, Eb, Op32-1, 18m, * Nikolai Myaskovsky(1881-1950 Russia)
- ¹Ì¾ß½ºÄÚÇÁ½ºÅ°, ÿ·Î¼Ò³ªÅ¸, Op.81, 20m, Mstislav Rostropovich(vc)/Alexander Dedyukhin(pf)
- ¹Ì¾ß½ºÄÚÇÁ½ºÅ°, ÿ·ÎÇùÁÖ°î, Op.66
- ¹Ì¾ß½ºÄÚÇÁ½ºÅ°, Çö¾Ç4ÁßÁÖ°î 13, a, Op.86, 26m
- ¹Ì¿ä, La Cheminee du roi Rene(The Fireplace of King Rene), Op.205, 13m * Darius Milhaud(1892-1974 French)
- ¹Ì¿ä, ´º¿åÀÇ ÇÁ¶û½º »ç¶÷; 6°î ±¸¼º(¾È°³ ³¤ Çãµå½¼ °, ¼öµµ¿ø, ¼¾Æ®·² ÆÄÅ©ÀÇ ¸¶Â÷, ŸÀÓ½º½ºÄù¾î, ÁöºØ À§¿¡ ²Ù¸çÁø ȴܵé, ¾çŰ½ºÅ¸µð¿òÀÇ ¾ß±¸½ÃÇÕ), °Å½®ÀÇ ÆÄ¸®ÀÇ ¾Æ¸Þ¸®Ä«Àΰú ´ëºñÇÏ¿© ÀÛ°îµÊ.
- ¹Ì¿ä, ¼¼°èÀÇ Ã¢Á¶(La creation du monde), Op.81, ¹«¿ë ¸ðÀ½°î, $ Turtle Island Quartet, Ying String Quartet
- ¹Ì¿ä, ¼ÒÇùÁÖ°î, "4°èÀý": º½ ¿©¸§ °¡À» °Ü¿ï, º½:Vn, ¿©¸§:Va, °¡À»:P, °Ü¿ï:Æ®·Òº», 44m
- ¹Ì¿ä, ½ºÄ«¶ó¹«½´(Scaramouche)-2´ëÀÇ ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, Op.165b, ¶óƾdz, 1) Vif 2) Modere 3) Brazileira, # Katia & Marielle Labeque(pf)
- ¹Ì¿ä, ÁöºØ À§ÀÇ ¼Ò(Le Boeuf sur le Toit), Op.58, °üÇö¾Ç°î138
- ¹Ì¿ä, Ŭ¶ó¸®³Ý°ú ÇǾƳ븦 À§ÇÑ ½ºÄ«¶ó¹«½´
- ¹Ì¿ä, Æ÷·Î¹æ½º ¸ðÀ½°î(Suite provencale), Op.152, °üÇö¾Ç°î, 14m, $ Orchestre du Capitole de Toulouse/Michael Plasson
- ¹Ð³Ê, ¸¶Ãµ·ç ȯ»ó°î
- ¹Ð³Ê, ½ºÄÚÆ¼½¬ ·¦¼Òµð
- ¹ÖÄí½º, ¹ß·¹ <¶ó ¹Ù¾ßÅ׸£(La Bayadere)>; /"The Kingdom of the Shades", * Leon Minkus(1826-1917 Austrian, =Ludwig Minkus)
- ¹Ù±×³Ê, ±³Çâ°î, C, WWV.29, 38m
- ¹Ù±×³Ê, ±³Çâ°î, E, WWV.35, 14m
- ¹Ù±×³Ê, ´º¸¥º£¸£Å©ÀÇ ¸í°¡¼ö(Die Meistersinger von Nuernberg); ¼°î
- ¹Ù±×³Ê, ¶óÀÎÀÇ È²±Ý(Das Rheingold) ¸ðÀ½°î, 22m
- ¹Ù±×³Ê, º£Á¨µ·Å© °¡°îÁý; 1) õ»ç(Der Engel), 5) ²Þ(Traeume)
- ¹Ù±×³Ê, ¼º¾Ç°î "º½"
- ¹Ù±×³Ê, ¼º¾Ç°î "¼Ò³ª¹«(Der Tannenbaum)"
- ¹Ù±×³Ê, ¾Æ´ÙÁö¿À(Ŭ¶ó¸®³Ý°ú Çö¾ÇÀ» À§ÇÑ), 9m
- ¹Ù±×³Ê, ¿ÀÆä¶ó <´µ¸¥º£¸£Å©ÀÇ ¸í°¡¼ö(Die Meistersinger von Nuernberg);
- "±¸¼¼ÁÖ²²¼ ¿À½Ã¾î (Da zu dir die Heiland kam)"(3) -¼º īŸ¸®³ª ¼º´ç ¾È Âù¼Û Àå¸é
- "¾ÆÄ§Àº Àå¹ÌºûÀ¸·Î ºû³ª°í (Morgenlich leuchtend im rosigen Schein)"
- ¹Ù±×³Ê, ¿ÀÆä¶ó <´Ïº§·î°ÕÀÇ ¹ÝÁö>; ¹ßÄû·¹-"ÀÌÁ¦ ÀÛº°ÀÌ´Ù, °íÁý¼¼°í ¾Æ¸§´Ù¿î ³Ê" * Der Ring des Nibelungen: 1) ¶óÀÎÀÇ È²±Ý 2) ¹ßÄû·¹ 3) ÁöÅ©ÇÁ¸®Æ® 4) ½ÅµéÀÇ È²È¥; 4°³ÀÇ ¼»ç ¾Ç±ØÀ¸·Î ±¸¼º
- ¹Ù±×³Ê, ¿ÀÆä¶ó <´Ïº§·î°ÕÀÇ ¹ÝÁö> Áö±×ÇÁ¸®Æ® ¸ñ°¡, °üÇö¾Ç°î
- ¹Ù±×³Ê, ¿ÀÆä¶ó <¶óÀÎÀÇ È²±Ý(Das Rheingold)> "Der Ring, An Orchestral Adventure"
- ¹Ù±×³Ê, ¿ÀÆä¶ó <·Î¿£±×¸°>;
- "È¥·ÊÀÇ ÇÕâ(Treulich gefu"hrt dahin)"
- "È¥ÀÚ¼ °íÅëÀÇ ³ª³¯À» º¸³»¸ç(Einsam intrueben Tagen)"-¿¤ÀÚÀÇ ²Þ, Sop. Birgit Nilsson
- ¹Ù±×³Ê, ¿ÀÆä¶ó <¹ßÄû·¹(Die Walku"re)>; ¹ßÄû·¹ÀÇ ±âÇà (Ride of the Valkyries)
- ¹Ù±×³Ê, ¿ÀÆä¶ó <¹æÈ²ÇÏ´Â ³×µ¨¶õµåÀÎ>; "¼°î" / /
- "½Ç Àã´Â ¿©ÀεéÀÇ ÇÕâ", ms.Isola Jones
- ¹Ù±×³Ê, ¿ÀÆä¶ó <źȣÀÌÀú>; ¼°î
- "Àü´ÉÇϽмº¸ð½Ã¿©(Allma"cht'ge Jungfrau)", sop. Gundula Janowitz
- "±×´ë, °í±ÍÇÑ Àü´çÀÌ¿©(Dich teure Halle, gruess ich wieder)"
- ¹Ù±×³Ê, ¿ÀÆä¶ó <Æ®¸®½ºÅº°ú ÀÌÁ¹µ¥>; /"IsoldeÀÇ »ç¶ûÀÇ Á×À½"
- ¹Ù±×³Ê, ¿ÀÆä¶ó <ÆÄ¸£ÁöÆÈ(Parsifal)>; ÀüÁÖ°î(1)
- ¹Ù±×³Ê, ÆÄ¸£ÁöÆÈ(Parsifal): Music from Act II, °üÇö¾Ç°î
- ¹Ù±×³Ê, ÆÄ¸£ÁöÆÈ(Parsifal): Music from Act III, Symphonic Synthesis
- ¹Ù±×³Ê, ÆÄ¿ì½ºÆ® ¼°î, °üÇö¾Ç°î, 13m
- ¹Ù¸£ºñ¿¡¸®,ÇÁ¶õÄ¡½ºÄÚ, »ç¸£¼ö¿¤¶ó(Zarzuela) <¶ó¹Ù»ß¿¡½ºÀÇ À̹߻ç(El barberillo de Lavapies)>; * zarzuela-the popular Spanish opera form, * Francisco Asenjo Barbieri(1823-1894 Spanish)
- "ÆÈ·Î¸¶ÀÇ ³ë·¡(Cacion de Palom)"
- ¹Ù¸£Åå, "An Evening in the Village" cf)Oboe
- ¹Ù¸£Åå, 2°³ÀÇ ÃÊ»ó, Op.5, ÇùÁÖ°î(Vn), 12m
- ¹Ù¸£Åå, °üÇö¾ÇÇùÁÖ°î, sz.116, 38m$, Berlin Philharmonic/Herbert von Karajan
- ¹Ù¸£Åå, ·ç¸¶´Ï¾Æ ¹Î¼Ó¹«°î(6); 1) Àå´ëÃã(Dance with sticks), 2) Ç㸮¶ì¸¦ Àâ°í Ãß´Â Ãã(Waistband dance), 3) ¹ßÀ» ±¸¸£¸ç Ãß´Â Ãã(Stamping dance), 4) ³ª¹« ÇǸ® Ãã(Hornpipe dance), 5) ·ç¸¶´Ï¾Æ ¾î¸°ÀÌ ÆúÄ«(Romanian polka), 6) ºü¸¥ Ãã(Quick dance)
- ¹Ù¸£Åå, ¹ÙÀ̿ø°ÇùÁÖ°î 2, b, Sz.112, 37m * Çö´ëÀ½¾ÇÀÇ ´ëÇ¥Àû VnC(µÎ °îÀÇ VnC)
- ¹Ù¸£Åå, ºñ¿Ã¶óÇùÁÖ°î
- ¹Ù¸£Åå, Áß±¹ÀÇ ÀÌ»óÇÑ °ü¸®(Miraculous Mandarin Suite), Op.19/SZ.73, 31m, $ Chicago Symphony Chorus,Chicago Symphony Orchestra/Pierre Boulez
- ¹Ù¸£Åå, ÇǾƳë5ÁßÁÖ°î, 4M38m
- ¹Ù¸£Åå, ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, Op.14/Sz.62
- ¹Ù¸£Åå, 2´ëÀÇ ÇǾƳë¿Í Ÿ¾Ç±â¸¦ À§ÇÑ ¼Ò³ªÅ¸, Sz.110
- ¹Ù¸£Åå, ÇǾƳë¼Ò³ªÅ¸
- ¹Ù¸£Åå, ÇǾƳëÇùÁÖ°î 1, Sz.83, 23m, $ Maurizio Pollini(pf),Chicago Symphony Orchestra/Claudio Abbado
- ¹Ù¸£Åå, ÇǾƳëÇùÁÖ°î 2, C, Sz.95, Ç×°¡¸® ¹Î¿ä ¼öÁý, ÇǾƳëÀÇ Å¸¾Ç±âÀû ¿ä¼Ò¸¦ ¹ßÀü, 28m
- ¹Ù¸£Åå, ÇǾƳëÇùÁÖ°î 3, Sz.119, 2M> "¹ãÀÇ À½¾Ç", 1945c ¸¶Áö¸· ÀÛǰ, 25m
- ¹Ù¸£Åå, Çë°¡¸® ½ºÄÏÄ¡(Hungarian Sketches), SZ.97, °üÇö¾Ç°î, 11m
- ¹Ù¸£Åå, Çö°ú Ÿ¾Ç±â¿Í ÿ·¹½ºÅ¸¸¦ À§ÇÑ À½¾Ç(Music for Strings, Percussion and Celesta), Sz.106, 28m#
- ¹Ù¸£Åå, Çö¾Ç4ÁßÁÖ°î 4, ´ëÇ¥ÀÛ
- ¹Ù¸£Åå, ÇöÀ» À§ÇÑ µðº£¸£Æ¼¸àÅä(Divertimento for String Orchestra), Sz.113, 25m
- ¹Ù¸®¿¡¸£,Àå, ÿ·Î¼Ò³ªÅ¸ * Jean Barriere(1707-1747 French cellist&)
- ¹Ù¸®¿À½º ¸Á°í·¹,¾î±¸½ºÆ¾, Danza Paraguaya 1, * Agustin Barrios-Mangore(1885-1944 Paraguayan classical guitarist)
- ¹Ù¹ö,»ç¹Â¿¤, ¹ÙÀ̿ø°ÇùÁÖ°î, Op.14, 22m
- ¹Ù¹ö,»ç¹Â¿¤, ¼Ò¹®³ Çб³ÀÇ ¼°î, Op.5, 1932c, 8m
- ¹Ù¹ö,»ç¹Â¿¤, ¿©¸§À½¾Ç(Summer Music), Op.31, ½Ç³»¾Ç
- ¹Ù¹ö,»ç¹Â¿¤, ¿ÀÆä¶ó <¹Ù³×»ç(Vanessa)>; "°Ü¿ïÀÌ ´Ù°¡¿À³×"
- ¹Ù¹ö,»ç¹Â¿¤, Çö¾Ç 4ÁßÁÖ, Op.11
- ¹Ù¹ö,»ç¹Â¿¤, ÇöÀ» À§ÇÑ ¼¼·¹³ªµ¥, Op.1, 10m
- ¹Ù¹ö,»ç¹Â¿¤, ÇöÀ» À§ÇÑ ¾Æ´ÙÁö¿À, Op.11, ¿ø·¡ Çö¾Ç4ÁßÁÖ1 bÀÇ ÇÑ ¾ÇÀåÀ» Æí°î
- ¹ÙÀ̼¾º£¸£Å©,¾Ë·º½Ã½º, ÇǾƳëÇùÁÖ°î 21, C, K.467, * Alexis Weissenberg(1929-2012), Bulgarian-born French pianist
- ¹ÙÀ̽º, ¼Ò³ªÅ¸(µÎ ´ëÀÇ ·ùÆ®¸¦ À§ÇÑ), A, 15m
- ¹ÙÀ̽º, ¼Ò³ªÅ¸ 39, C, "Partita Grande", 32m, Jakob Lindberg(lute)
- ¹ÙÀ̽º, ¼Ò³ªÅ¸ 52, c, Siciliana, 5m, Robert Barto(lute)
- ¹ÙÀ̽º, ·ùÆ®ÇùÁÖ°î, d, 16m * Silvius Leopold Weiss(1686-1750, German(born in Poland), ·ùÆ® À½¾ÇÀÇ ´ë°¡
- ¹ÙÀ̽º, ¸ðÀ½°î, d, 15m, (lute)
- ¹ÙÀ̽º, ¸ðÀ½°î, F, 25m
- ¹ÙÀ̽º, ¸ðÀ½°î, g, 29m
- ¹ÙÀ̽º, ÆÄ¸£Æ¼Å¸(Partita), d, 21m, $Nigel North(lute)
- ¹ÙÀÌŬ¶óÀÎ, ¼Ò³ªÅ¸, g, 8m, * Romanus Weichlein(1652-1706 Austrian)
- ¹ÙÀκ£¸£Å©, ¸ô´Ùºñ¾Æ ÁÖÁ¦¿¡ ´ëÇÑ ±¤½Ã°î, op.47-1, 13m * Moisey (Mieczyslaw) Weinberg(1919~1996) Æú·£µå Å»ýÀÇ ·¯½Ã¾Æ ÀÛ°î°¡
- ¹ÙÀÏ,Äí¸£Æ®, °¡°î "9¿ùÀÇ ³ë·¡" * Kurt Weill(1900-1950 German)
- ¹ÙÀÏ,Äí¸£Æ®, ¾îµÒ ¼ÓÀÇ ¼÷³à-±³ÇâÀû ¾ß»ó°î(Lady in the Dark-Symphonic Nocturne) (¿¬ÁÖȸ¿ë ¸ðÀ½°î, R. R. Bennett, arranger), 17m#
- ¹ÙÀÏ,Äí¸£Æ®, Äõµé¸®ºª(Quodlibet), Op.9, °üÇö¾Ç°î
- ¹ÙÂî´Ï, ¿äÁ¤ÀÇ Ãã, (ÇÃ·çÆ®, ÇÏÇÁ)
- ¹ÙÈå, 3´ëÀÇ ÇÕ½ÃÄڵ带 À§ÇÑ ÇùÁÖ°î, d, BWV.1063, Kenneth Gilbert,Trevor Pinnock,Lars Ulik Moetensen(hc)/The English Concert/Trevor Pinnock
- ¹ÙÈå, 3ÁßÁÖ, d, BWV.583, 5m #
- ¹ÙÈå, 3ÁßÁÖ ¼Ò³ªÅ¸:A Musical Offering, c, BWV.1079 cf) fl,pf,vn
- ¹ÙÈå, Ach, Gott und Herr BWV.714, 4m, cf)org
- ¹ÙÈå, G¼±»óÀÇ ¾Æ¸®¾Æ, 5m
- ¹ÙÈå, °áÈ¥ ÄŸŸ, BWV.202;
- "1) "º½¹Ù¶÷ÀÌ ¾²´ÙµëÀ¸¸ç¡± (Wenn die Fruehlingsluefte streichen)"
- "1) "»ç¶ûÀÇ ¿¬½À°ú Àå³½º·± Æ÷¿ËÀº(Sich uben im Lieben)", sop. Emma Kirkby
- ¹ÙÈå, °ñµåº£¸£Å©º¯ÁÖ°î(The Goldberg Variations), BWV.988, 51m $, ÁÖÁ¦¿Í 30°³ÀÇ º¯ÁÖ°îÀ¸·Î ±¸¼º, $ Glenn Gould(pf)
- ¹ÙÈå, °üÇö¾Ç ¸ðÀ½°î 1, C, BWV.1066
- ¹ÙÈå, °üÇö¾Ç ¸ðÀ½°î 2, b, BWV.1067, 26m, $ Concentus musicus Wien/Nikolaus Harnoncourt
- ¹ÙÈå, °üÇö¾Ç ¸ðÀ½°î 3, D, BWV.1068, ¸ðÀ½°îÁß °¡Àå À¯¸í,2M G¼±»óÀÇ ¾Æ¸®¾Æ, #Le Concert des Nations/Jordi Saval, # Musica Antiqua Koeln/Reinhard Goebel
- ¹ÙÈå, °üÇö¾Ç ¸ðÀ½°î 4, D, BWV.1069
- ¹ÙÈå, ³óºÎÄŸŸ, BWV.212
- ¹ÙÈå, ·ùÆ® ¸ðÀ½°î, g, BWV.995, 26m, $ Paul O'Dette(baroque lute)
- ¹ÙÈå, ·ùÆ® ¸ðÀ½°î 2, c, BWV.997, 17m#2, Eduardo Fernandez(guitar)
- ¹ÙÈå, ¸¶´ÏÇÇīƮ(Magnificat), D, BWV.243, 12°î ±¸¼º
- 1) "³» ¸¶À½ ÁÖ¸¦ ¿ì·¯·¯ ¹Þµé¾î"
- 2) "³» ¿µÈ¥Àº ³ªÀÇ ±¸¼¼ÁÖÀÎ ½ÅÀ» ±â»Ú°Ô ¸ð½Ã¸®"
- 3) "ÁÖ²²¼ ºñõÇÑ ¿©Á¾À» µ¹º¸¼Ì½À´Ï´Ù(Quia respexit humilitatem)"-¼ÒÇÁ¶ó³ë ¾Æ¸®¾Æ
- 4) "¸¸¼¼(Omnes generations)[¸ðµç ±¹¹ÎÀÌ¿©]"-ÇÕâ
- 5) "Àü´ÉÀÚ, ¿ì¸®¿¡°Ô Å« ÀÏÀ» ÇØ Á̵ּµ´Ù"
- 6) "±× ÁÖÀÇ ºÒ½ÖÈ÷ ¿©±èÀº ´ë´ë·Î"
- 7) "½ÅÀº °Å·èÇÑ ¼Õ¿¡ ÈûÀ» ³ªÅ¸³»°í"
- 8) "±Ç¼¼ ÀÖ´Â ÀÚ¸¦ ÀÚ¸®¿¡¼ ²ø¾î³»¸®°í"
- 9) "±¾ÁÖ¸° ÀÚ¿¡°Ô ¸À³ À½½ÄÀ» ½ÇÄÆ ¸ÔÀ̰í"
- 10) "½Å, ±× ºÒ½ÖÈ÷ ¿©±èÀ» ÀØÁö ¾ÊÀ¸·Á°í"
- 11) "¿ì¸®µéÀÇ ¼±Á¶¿¡°Ô ¾Ë¸®½Å °Íó·³"
- ¹ÙÈå, ¸¶´ÏÇÇīƮ(Magnificat), Eb, BWV.243a, 34m
- ¹ÙÈå, ¸¶Å ¼ö³°î, BWV.244;
- "»ç¶û¶§¹®¿¡ ³ªÀÇ ±¸¼¼ÁÖ°¡ Á×À¸·Á ÇÑ´Ù"
- "ÁÖ¿© ¿ì¸®¸¦ ºÒ½ÖÈ÷ ¿©±â¼Ò¼(Erbarme dich, mein Gott)"
- "In deepest grief, here sit we weeping"
- ¹ÙÈå, ¸ðÅׯ® 1, »õ ³ë·¡·Î ÁÖ´Ô²² ³ë·¡Ç϶ó, ½ÃÆí149,150, »ýÀϱâ³äÀ» À§ÇÑ °î, ¹«¹ÝÁÖ ±³È¸¿ë ÇÕâ°î,16m
- ¹ÙÈå, ¸ðÅׯ® 2, ¼º·É²²¼ ¿ì¸®ÀÇ ¿¬¾àÇÔÀ» µµ¿ÍÁֽó×, 2ºÎ> 1) ·Î¸¶¼8Àå 2) ·çÅÍÀÇ ÄÚ¶ö°¡»ç, ¸ðÅׯ® 2-6> Ãßµµ½ÄÀ» À§ÇÑ °î,7m
- ¹ÙÈå, ¸ðÅׯ® 3, ¿¹¼ö ³ªÀÇ ±â»Ý, ±íÀº ½Å¾ÓÀû ³»¿ë, 6 MotetÁß Áß½ÉÀÌ µÊ, 25m
- ¹ÙÈå, ¸ðÅׯ® 4, µÎ·Á¿ö ¸»¶ó,12m
- ¹ÙÈå, ¸ðÅׯ® 5, ¿À¼Ò¼ ¿¹¼ö¿© ¿À¼Ò¼,10m
- ¹ÙÈå, ¸ðÅׯ® 6, ÁÖ´ÔÀ» Âù¾çÇ϶ó ¸ðµç ¹é¼ºµé¾Æ, ½ÃÆí117,7m
- ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ 1, b, BWV.1002*, $ Henryk Szeryng(vn)
- ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ 2, d, BWV.1004*, 30m
- ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ 3, E, BWV.1006*, 18m, Nathan Milstein(vn)
- ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, g, BWV.1001*, $ Henryk Szeryng(vn)
- ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, a, BWV.1003*, #1) Alina Ibragimova(vn), $2) Henryk Szeryng(vn)
- ¹ÙÈå, ¹«¹ÝÁÖ ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, C, BWV.1005*
- ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 1, G, BWV.1007, 6°³ÀÇ ¸ðÀ½°î, ÄùÅÙ½ÃÀý¿¡ ÀÛ°î, Jean-Max Clement(vc)
- ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 2, d, BWV.1008, # Jean-Max Clement(vc)
- ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 3, C, BWV.1009, 22m$, Zuill Bailey(vc), Jean-Max Clement(vc)
- ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 4, Eb, BWV.1010
- ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 5, c, BWV.1011
- ¹ÙÈå, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î 6, D, BWV.1012
- ¹ÙÈå, ¹«¹ÝÁÖ ÇÃ·çÆ® ÆÄ¸£Æ¼Å¸ 3, a, BWV.1013, 13m#, Emmanuel Pahud (Fl)
- ¹ÙÈå, ¹Ì»ç(Messe), b, BWV.232, part I: 53m, part II: 54m, * ±Û·Î¸®¾Æ Áß ¾ËÅä ¾Æ¸®¾Æ "¼ººÎÀÇ ¿À¸¥ ÂÊ¿¡ ¾É¾Æ°è½Å ÁÖ¿©.(Qui sedes ad dexteram Patris)"
- ¹ÙÈå, ¹Ì»ç ºê·¹ºñ½º(Missa Brevis), F, BWV.233, 23m
- ¹ÙÈå, ¹Ì»ç ºê·¹ºñ½º(Missa Brevis), A, BWV.234, 33m
- ¹ÙÈå, ¹Ì»ç ºê·¹ºñ½º, g, BWV.235, Àå´ëÇÑ ¹Ì»ç°îÀ» Ãà¾à
- ¹ÙÈå, ¹Ì»ç ºê·¹ºñ½º(Missa Brevis), G, BWV.236, 27m, # Ghent Collegium Vocale,Ghent Collegium Vocale Orchestra/Philippe Herreweghe
- ¹ÙÈå, ¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ Çª°¡, BWV.1026, 4m
- ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), b, BWV.1014, $ 1) Henryk Szeryng(vn)/Helmut Walcha(harpsichord), 2) Leonid Kogan(vn)/Karl Richter(harpsichord)
- ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), A, BWV.1015, 15m$, 1) Susanne Lautenbacher(Vn)/Martin Galling(harpsichord), 2) Leonid Kogan(vn)/Karl Richter(harpsichord)
- ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), E, BWV.1016, 15m$, 1) Leonid Kogan(vn)/Karl Richter(harpsichord)
- ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 4(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), c, BWV.1017, 16m$, 1) Susanne Lautenbacher(Vn)/Martin Galling(harpsichord) 2) Giuliano Carmignola(vn), Andrea Marcon(harpsichord) $3) Henryk Szeryng(vn)/Helmut Walcha(harpsichord)
- ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 5(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), f, BWV.1018, 16m, #1) Susanne Lautenbacher(Vn)/Martin Galling(harpsichord), $2) Henryk Szeryng(vn)/Helmut Walcha(harpsichord)
- ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 6(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), G, BWV.1019, 16m, Michelle Makarski(Vn)/Keith Jarrett (Pf)
- ¹ÙÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸(¹ÙÀ̿ø°°ú ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, BWV.1023, 12m
- ¹ÙÈå, ¹ÙÀ̿ø°ÇùÁÖ°î(¹ÙÀ̿ø°, Çö¾Ç ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ÇùÁÖ°î), a, BWV.1041, # David Oistrakh(vn), Wien Symphony Orch./David Oistrakh
- ¹ÙÈå, ¹ÙÀ̿ø°ÇùÁÖ°î, E, BWV.1042, 2M À¯¸í, 6VCÁß3°î ÇöÁ¸,ÄùÅٽôë ÀÛǰ, 17m#, David Oistrakh(vn), Wien Symphony Orch./David Oistrakh
- ¹ÙÈå, ¹ÙÀ̿ø°ÇùÁÖ°î(µÎ´ëÀÇ ¹ÙÀ̿ø°, Çö¾Ç ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿ÀÀ» À§ÇÑ), d, BWV.1043, ÇöÁ¸ÇÏ´Â 3VCÁß °¡Àå ¸¹ÀÌ ¿¬ÁÖ, 15m$, $ Zino Francescatti,Regis Pasqier(vn)/Festival Strings Lucern/Rudolf Baumgartner
- ¹ÙÈå, ¹ÙÀ̿ø°ÇùÁÖ°î(¹ÙÀ̿ø°°ú ¿Àº¸¿¡¸¦ À§ÇÑ), c, BWV.1060a, 13m# Elizabeth Wallfisch(Vn),Anthony Robson(Ob),Orchestra of the Age of Enlightenment/Elizabeth Wallfisch
- ¹ÙÈå, ¹ÝÀ½°èÀû ȯ»ó°î°ú Ǫ°¡(Chromatic Fantasy and Fugue), d, BWV.903, 12m#, Scott Ross(harpsichord)
- ¹ÙÈå, ºÎȰÀý ¿À¶óÅ丮¿À(Easter Oratorio(Oster-Oratorium)), BWV.249, 45m, Fritz Wunderlich(ten),Friederike Sailer(sop),Margarete Bence(alto),August Messthaler(bass)/Stuttgart Bach-Chor und Orchester/Marcel Couraud
- ¹ÙÈå, ºÎȰÀý ÄŸŸ(Eater Cantata), BWV.4, "Christ lag in Todesbanden", 21m
- ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 1, F, BWV.1046
- ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 2, F, BWV.1047
- ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 3, G, BWV.1048, 6°î Áß °¡Àå À¯¸í
- ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 4, G, BWV.1049
- ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 5, D, BWV.1050
- ¹ÙÈå, ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î 6, Bb, BWV.1051
- ¹ÙÈå, ºñ¿Ã¶ó ´Ù °¨¹Ù ¼Ò³ªÅ¸ 1, G, BWV.1027, 13m
- ¹ÙÈå, ºñ¿Ã¶ó ´Ù °¨¹Ù ¼Ò³ªÅ¸ 3, g, BWV.1029, $ Pierre Fournier(vc)/Susana Ruzickova(harpsichord)
- ¹ÙÈå, »ç¶ûÇÏ´Â ÇüÀÇ ¿©Çà¿¡ ¹ÙÄ¡´Â Ä«ÇÁ¸®Ä¡¿À, BWV.992, Pf
- ¹ÙÈå, ¼ÁÖ¿Í Çª°¡, g, BWV.535, $ Nelson Freire(Pf)
- ¹ÙÈå, ¼ÁÖ¿Í Çª°¡, Eb, BWV.552
- ¹ÙÈå, ¼ÁÖ¿Í Çª°¡ ±×¸®°í ¾Ë·¹±×·Î(Prelude, Fugue and Allegro), Eb, BWV.998, guitar, 12m#
- ¹ÙÈå, ½ÃÆí 51(Paslm 51: Tilge, Hoechster, meine Suenden), BWV.1083, 38m, (from the Stabat Mater by G.B.Pergolesi)
- ¹ÙÈå, ½ÉÆ÷´Ï¾Æ, Bb, Op.9-1
- ¹ÙÈå, Aria Variata, a, BWV.989, 16m, # Angela Hewitt(pf)
- ¹ÙÈå, ¾È³ª ¸·´Þ·¹³ª¸¦ À§ÇÑ À½¾Ç¼öø Áß 12°³ÀÇ ¾Æ¸®¾Æ¿Í ³ë·¡; Minuet,
- ¹ÙÈå, ¾È³ª ¸·´Þ·¹³ª¸¦ À§ÇÑ À½¾Ç¼öø Áß 12°³ÀÇ ¾Æ¸®¾Æ¿Í ³ë·¡; ´ç½ÅÀÌ ³» °ç¿¡ °è½Å´Ù¸é(Bist du bei mir) BWV.508
- ¹ÙÈå, ¿µ±¹¸ðÀ½°î 1, A, BWV.806, 7°î±¸¼º, 23m $ Piotr Anderszewski(Pf)
- ¹ÙÈå, ¿µ±¹¸ðÀ½°î 2, a, BWV.807, 9°î±¸¼º, ÀüüÀûÀ¸·Î È·Á,20m cf) No.2, ÀüÁÖ°î°ú ¾Ë¸£¸Áµå, a, BWV.807
- ¹ÙÈå, ¿µ±¹¸ðÀ½°î 3, g, BWV.808, 22m#, Piotr Anderszewski(pf)
- ¹ÙÈå, ¿µ±¹¸ðÀ½°î 4, F, BWV.809
- ¹ÙÈå, ¿µ±¹¸ðÀ½°î 5, e, BWV.810, 20m ¾ö¼÷°¨
- ¹ÙÈå, ¿µ±¹¸ðÀ½°î 6, d, BWV.811, 26m#
- ¹ÙÈå, ¿À¸£°µÇùÁÖ°î, a, BWV.593, 13m, Samuil Feinberg(arranger), Martin Roscoe(pf)
- ¹ÙÈå, ¿Àº¸¿¡ÇùÁÖ°î, F, BWV.1053R
- ¹ÙÈå, ¿Àº¸¿¡ÇùÁÖ°î, d, BWV.1059
- ¹ÙÈå, ¿Àº¸¿¡´Ù¸ð·¹ÇùÁÖ°î, A, BWV.1055, Anthony Robson(ob d¡¯amore),±×°¡ ÁöÈÖÇÏ´Â °è¸ùÁÖÀÇ ½Ã´ë Orch.
- ¹ÙÈå, ¿äÇÑ ¼ö³°î, BWV.245, (Part One; 1-7:¹è½Å°ú üÆ÷,8-14:º£µå·ÎÀÇ ºÎÀÎ), (Part Two; 15-18:½É¹®°ú äÂïÁú, 19-25:À¯ÁËÆÇ°á°ú ½ÊÀÚ°¡, 26-30:½ÊÀÚ°¡ÀÇ 7¾ðÁß 3¾ð, 31-40:¿¹¼öÀÇ Á×À½)
- ¹ÙÈå, ÀÌÅ»¸®¾Æ dzÀÇ ¾Æ¸®¾Æ º¯ÁÖ°î, a, BWV.989, 10m
- ¹ÙÈå, ÀÌÅ»¸®¾Æ ÇùÁÖ°î, F, BWV.971, 13m, # Claire-Marie Le Guay(Pf)
- ¹ÙÈå, Àκ¥¼Ç(2¼º):½ÅÆ÷´Ï, (No.1:BWV.772 - No.15:BWV.786), 26m
- ¹ÙÈå, Àκ¥¼Ç(3¼º):½ÅÆ÷´Ï, (No.1:BWV.787 - No.15:BWV.801), 23m
- ¹ÙÈå, ÀüÁÖ°î(6°³ÀÇ ¼ÒÀüÁÖ°î)(six little preludes), C,BWV.933, c,BWV.934, d,BWV.935, D,BWV.936, E,BWV.937, e,BWV.938
- ¹ÙÈå, ÀüÁÖ°î(lute), c, BWV.999
- ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡(prelude and fugue), a, BWV.543, Org
- ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, a, BWV.543, Lise De la Salle(pf)
- ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, b, BWV.544
- ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, C, BWV.545
- ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, c, BWV.546
- ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, C, BWV.547
- ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, e, BWV.548, (no.18), 1) Yo-Yo Ma(vc)/Chris Thile(mandolin)/Edgar Meyer(bass)
- ¹ÙÈå, ÀüÁÖ°î°ú Ǫ°¡, F#, BWV.882
- ¹ÙÈå, è¹ß·Î¼Ò³ªÅ¸, G, 19m
- ¹ÙÈå, ÄŸºô·¹, BWV.1019a, 6m
- ¹ÙÈå, ÄŸŸ, BWV.23, "´ç½Å²²¼´Â Áø½ÇÇÑ ½ÅÀÌ½Ã¸ç ´ÙÀÀÇ ¾ÆµéÀ̽õµ´Ù(2Áßâ)"
- ¹ÙÈå, ÄŸŸ, BWV.32, <»ç¶ûÀÇ ¿¹¼ö, ³ªÀÇ ¼Ò¸Á>, /"¿©±â ³» ¾Æ¹öÁö Áý¿¡¼(Hier in meines Vaters Staette)"
- ¹ÙÈå, ÄŸŸ, BWV.51, "¸¸¹é¼º¾Æ, ±â»µÇϸç Çϳª´ÔÀ» ¸ÂÀ¸¶ó(Jauchzet Gott in Allen Landen)", sop.Kathleen Battle/Wynton Marsalis(trp)
- ¹ÙÈå, ÄŸŸ, BWV.56, "³ª ±â²¨ÀÌ ½ÊÀÚ°¡¸¦ Áö°Ú³ë¶ó(Ich will den Kreuzstab gerne tragen)"
- ¹ÙÈå, ÄŸŸ, BWV.63, "õ±¹À» ±¸ÇÏ°í °£Ã»Ç϶ó"(¾ÙÅä¿Í Å׳ÊÀÇ ¾Æ¸®¾Æ)"
- ¹ÙÈå, ÄŸŸ, BWV.68, "Çϳª´ÔÀÌ ¼¼»óÀ» »ç¶ûÇÏ»ç"; /"(¾Æ¸®¾Æ) ³ªÀÇ ½Å½É ±íÀº ¸¶À½"
- ¹ÙÈå, ÄŸŸ, BWV.78, "¿ì¸®´Â ¿¬¾àÇÏÁö¸¸ Èû¼¾ ¹ß°ÉÀ½À» ¼µÎ¸¨´Ï´Ù"
- ¹ÙÈå, ÄŸŸ, BWV.82, "³ª´Â ÈíÁ·ÇϳªÀÌ´Ù(Ich habe genung)", /"³ªÀÇ Á×À½ÀÌ Áñ°Ì½À´Ï´Ù(Ich freue mich auf meinen Tod)"
- ¹ÙÈå, ÄŸŸ, BWV.91, "¿¹¼ö ±×¸®½ºµµ¿©, Âù¼Û¹ÞÀ¸¼Ò¼(Gelobet seisat du, Jesu Christ)", 19m
- ¹ÙÈå, ÄŸŸ, BWV.95, "±×¸®½ºµµ´Â ³ªÀÇ »îÀÌ¿ä(Christus, der ist mein Leben)"
- ¹ÙÈå, ÄŸŸ, BWV.99, "Çϳª´Ô²²¼ ÇϽô ÀÏÀº ¸ðµÎ ¼±Çϵµ´Ù(Was Gott tut, das ist wohlgetan)"
- ¹ÙÈå, ÄŸŸ, BWV.118, "O Jesu Christ, meins Lebens Licht", 8m, Trinity Wall Street/Julian Wachner
- ¹ÙÈå, ÄŸŸ, BWV.130, "Herr Gott, dich loben alle wir", 14m
- ¹ÙÈå, ÄŸŸ, BWV.140, <´« ¶ß¶ó°í ºÎ¸£´Â ¼Ò¸® ÀÖµµ´Ù(Wachet auf, ruft uns die Stimme)>; 7°î ±¸¼º
- 2) "±×°¡ ¿À¼Ì´Ù...(Er Kommt, der Brautigam kommt)":·¹Ä¡Å¸Æ¼º¸, ten.Theo Altmeyer, sop.Elly Ameling, bs.Hans Sotin
- 3) "¾ðÁ¦ ¿À½Ã³ª¿ä, ³ªÀÇ ±¸ÁÖ¿©(Wann kommst du, mein Heil?)":¾Æ¸®¾Æ(ÀÌÁßâ), sop.Christine Schaefer/bar.Mathias Goerne/Hilary Hahn(vn)
- 4) "½Ã¿ÂÀº ÆÄ¼ö²ÛÀÇ ³ë·¡¸¦ µè°í(Zion hoert die Waechter singen)", Monteverdi Choir
- 6) "»ç¶ûÀº º¯Ä¡ ¾Ê³×(Mein Freund ist mein)":¾Æ¸®¾Æ(ÀÌÁßâ)
- ¹ÙÈå, ÄŸŸ, BWV.147, <¸¶À½°ú ÀÔ°ú Çൿ°ú »ý¸íÀ¸·Î(Herz und mund und tat und leben)>
- "¿¹¼ö, Àΰ£ ¼Ò¸ÁÀÇ ±â»Ý(Jesus bleibet meine freude: Jesu, Joy of Man's Desiring)", King¡¯s Singers
- ¹ÙÈå, ÄŸŸ, BWV.156, "ÇÑÂʹßÀº ¹«´ýÀ» µó°í ³ª´Â ¼ ÀÖµµ´Ù(Ich steh mit einem Fu©¬ im Grabe)"
- ¹ÙÈå, ÄŸŸ, BWV.158, <ÆòȰ¡ ÇÔ²² ÀÖÀ¸´Ï>;
- "¼¼»óÀÌ¿© ³ª´Â ÁöÃÆ´Ù(Welt, ade, ich bin dein muede)"
- ¹ÙÈå, ÄŸŸ, BWV.175, "±×´Â ¾çµéÀÇ À̸§À» ºÎ¸£½Ãµµ´Ù(Er rufet seinen Schafen mit Namen)"
- ¹ÙÈå, ÄŸŸ, BWV.180, "¿À, »ç¶ûÇÏ´Â ¿µÈ¥ÀÌ¿©, ÀÚ½ÅÀ» °¡²Ù¾î¶ó(Schmuecke dich, o liebe Seele)"
- ¹ÙÈå, ÄŸŸ, BWV.182, "ÇÏ´ÃÀÇ ¿ÕÀÌ¿©, ¾î¼ ¿À¼Ò¼(Himmelskonig, sei willkommen)", 29m
- ¹ÙÈå, ÄŸŸ, BWV.198, <Èĺñ¿©, ÇÑÁٱ⠺ûÀ» ³²°ÜµÎ¼Ò¼>;
- "¿µ¿øÇÑ »çÆÄÀ̾îÀÇ Áý(Der ewigkeit Saphirens Haus)", ten.Ian Bostridge
- ¹ÙÈå, ÄŸŸ, BWV.204, <Àú´Â ±â»Þ´Ï´Ù(Ich bin in mir vergnuegt:I am content in myself)>, 30m, sop.Dorothee Mields,L'Orfeo Barockorchester/Michi Gaigg
- ¹ÙÈå, »ç³É ÄŸŸ, BWV.208;/ "¾çµéÀº ÆòÈ·ÎÀÌ Ç®À» ¶â°í(Schafe koennen sicher weiden)"; Magdalena Kozena(Ms)
- ¹ÙÈå, Ä¿ÇÇ ÄŸŸ, BWV.211;
- "°í¾çÀ̰¡ ÁãÀâ±â¸¦ ±×¸¸µÑ ¼ö ¾øµíÀÌ(Die Katze lasst das Mausen nicht)", The Amsterdam Baroque Choir
- "¾Æ Ä¿ÇÇ´Â ¾îÂÀ À̸®µµ ¸ÀÀÖÀ»±î(Ei! Wie schmeckt der Coffee sue©¬e)"
- "¾ÆÀ̶õ ±ÍÂú±â ¦ÀÌ ¾ø´Â °Í(Hat Mann nicht mit seinen Kindern)", bar. Dietrich Fischer-Dieskau
- "Á¶¿ëÈ÷ Çϼ¼¿ä! Àâ´ãÀ» ±×Ä¡½Ã±æ(Schweigt stille, plaudert nicht;Be still, stop chattering)"
- ¹ÙÈå, ÄÚ¶ö ÀüÁÖ°î, BWV.639, "´ç½ÅÀ» ºÎ¸£³ªÀÌ´Ù, ÁÖ ¿¹¼ö ±×¸®½ºµµ¿©(Ich ruf zu dir, Herr Jesu Christ)", Pf
- ¹ÙÈå, ÄÚ¶ö ÀüÁÖ°î, BWV.659, "¸¸¹ÎÀÇ ±¸¼¼ÁÖ¿©, ¾î¼ ¿À¼Ò¼(Nun Komm, der Heiden Heiland)"
- ¹ÙÈå, ÅäīŸ, c, BWV.911, 11m &2
- ¹ÙÈå, ÅäīŸ, D, BWV.912, 10m
- ¹ÙÈå, ÅäīŸ, d, BWV.913, 12m
- ¹ÙÈå, ÅäīŸ¿Í Ǫ°¡, D, BWV.532, 12m
- ¹ÙÈå, ÅäīŸ¿Í Ǫ°¡, d, BWV.538, "µµ¸®¾È(Dorian)", ¿À¸£°£°î, Kare Nordstoga(organ)
- ¹ÙÈå, ÅäīŸ, ¾Æ´ÙÁö¿À¿Í Ǫ°¡, C, BWV.564
- ¹ÙÈå, ÅäīŸ¿Í Ǫ°¡, d, BWV.565, ¿À¸£°£°î #
- ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 1, Eb, BWV.525
- ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 3, d, BWV.527, 12m,
- ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 4, e, BWV.528, 11m
- ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 5, C, BWV.529, 14m
- ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸ 6, G, BWV.530, 12m#
- ¹ÙÈå, Æ®¸®¿À¼Ò³ªÅ¸, G, BWV.1038, 8m#
- ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 1, Bb, BWV.825, 17m, 6°îÀÇ ÇÏÇÁ½ÃÄÚµå ÆÄ¸£Æ¼Å¸
- ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 2, c, BWV.826, 22m, # Andras Schiff
- ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 3, a, BWV.827, 14m$, # Murray Perahia(pf)
- ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 4, D, BWV.828, 18m#
- ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 5, G, BWV.829, 21m, # Igor Levit(pf)
- ¹ÙÈå, ÆÄ¸£Æ¼Å¸ 6, e, BWV.830, 28m, # Vladimir Feltsman(pf), # Dino Ciani(pf)
- ¹ÙÈå, ÆÄ»çÄ®¸®¾Æ¿Í Ǫ°¡(Passacaglia and Fugue), c, BWV.582, $ * Passacaglia: ¹Ù·ÎÅ©½Ã´ëÀÇ º¯ÁÖ°îÀ¸·Î »þÄÜ´À(Chaconne)¶ó°íµµ ÇÔ
- ¹ÙÈå, Æò±ÕÀ²Å¬¶óºñ¾î°îÁý 1±Ç(Das wohltemperierte Klavier Teil I), (Well-Tempered Clavier, Book I-II) Àü2±Ç 48°îÀ¸·Î ±¸¼º(BWV.846-869/BWV.870-893), ¹ÙÈå ÃÖ°íÀÇ °ÉÀÛ, $ Andras Schiff(Pf)
- ÀüÁÖ°î°ú Ǫ°¡ 1, C, BWV.846
- ÀüÁÖ°î°ú Ǫ°¡ 2, c, BWV.847
- ÀüÁÖ°î°ú Ǫ°¡ 3, C#, BWV.848
- ÀüÁÖ°î°ú Ǫ°¡ 4, c#, BWV.849
- ÀüÁÖ°î°ú Ǫ°¡ 5, D, BWV.850
- ÀüÁÖ°î°ú Ǫ°¡ 6, d, BWV.851
- ÀüÁÖ°î°ú Ǫ°¡ 7, Eb, BWV.852
- ÀüÁÖ°î°ú Ǫ°¡ 8, eb, BWV.853
- ÀüÁÖ°î°ú Ǫ°¡ 9, E, BWV.854
- ÀüÁÖ°î°ú Ǫ°¡ 10, e, BWV.855
- ÀüÁÖ°î°ú Ǫ°¡ 11, F, BWV.856
- ÀüÁÖ°î°ú Ǫ°¡ 12, f, BWV.857
- ÀüÁÖ°î°ú Ǫ°¡ 13, F#, BWV.858
- ÀüÁÖ°î°ú Ǫ°¡ 14, f#, BWV.859
- ÀüÁÖ°î°ú Ǫ°¡ 15, G, BWV.860
- ÀüÁÖ°î°ú Ǫ°¡ 16, g, BWV.861
- ÀüÁÖ°î°ú Ǫ°¡ 17, Ab, BWV.862
- ÀüÁÖ°î°ú Ǫ°¡ 18, g#, BWV.863
- ÀüÁÖ°î°ú Ǫ°¡ 19, A, BWV.864
- ÀüÁÖ°î°ú Ǫ°¡ 20, a, BWV.865
- ÀüÁÖ°î°ú Ǫ°¡ 21, Bb, BWV.866
- ÀüÁÖ°î°ú Ǫ°¡ 22, bb, BWV.867
- ÀüÁÖ°î°ú Ǫ°¡ 23, B, BWV.868
- ÀüÁÖ°î°ú Ǫ°¡ 24, b, BWV.869
- ¹ÙÈå, Æò±ÕÀ²Å¬¶óºñ¾î°îÁý 2±Ç(Das wohltemperierte Klavier Teil II);
- ÀüÁÖ°î°ú Ǫ°¡ 4, c#, BWV.873
- ÀüÁÖ°î°ú Ǫ°¡ 5, D, BWV.874
- ÀüÁÖ°î°ú Ǫ°¡ 8, d#, BWV.877
- ÀüÁÖ°î°ú Ǫ°¡ 9, E, BWV.878
- ÀüÁÖ°î°ú Ǫ°¡ 11, F, BWV.880
- ÀüÁÖ°î°ú Ǫ°¡ 16, g, BWV.885
- ¹ÙÈå, Ǫ°¡(Fugue), g, BWV.1000, 5m#, Elizabeth Farr(lute-harpsichord)
- ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 1, d, BWV.812, 15m
- ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 2, c, BWV.813, 15m
- ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 3, b, BWV.814
- ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 4, Eb, BWV.815, 12m, Andras Schiff(pf)
- ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 5, G, BWV.816, 15m, # Sergey Schepkin(pf), # Wilhelm Backhaus(pf), # Emil Gilels(pf)
- ¹ÙÈå, ÇÁ¶û½º ¸ðÀ½°î 6, E, BWV.817, 6°î ±¸¼º, No.5,6 $, 8M11m, Fazil Say(pf)
- ¹ÙÈå, ÇÁ¶û½ºÇ³ ¼°î(Overture in the French Style), b, BWV.831, 33m#3, Rosalyn Tureck(Pf)
- ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÇÕ½ÃÄڵ带 À§ÇÑ), g, BWV.1020
- ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÃÀ¹ß·Î¸¦ À§ÇÑ), b, BWV.1030, 21m $ Philippa Davies(Fl),Maggie Cole(Hpc)
- ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÃÀ¹ß·Î¸¦ À§ÇÑ), Eb, BWV.1031
- ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÅëÁÖ ÀúÀ½(Basso Continuo)À» À§ÇÑ), C, BWV.1033, 8m
- ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸(ÇÃ·çÆ®¿Í ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, BWV.1034,continuo = basso continuo = through bass
- ¹ÙÈå, ÇÃ·çÆ®¼Ò³ªÅ¸, E, BWV.1035, 12m, Andrea Oliva(fl)/Angela Hewitt(pf)
- ¹ÙÈå, ÇǾƳëÇùÁÖ°î 5, f, BWV.1056(Cembalo Concerto,keyboard), 15m
- ¹ÙÈå, ÇǾƳëÇùÁÖ°î 6, F, BWV.1057, 17m, Murray Perahia(pf),Academy of St Martin in the Fields
- ¹ÙÈå, ÇÏÇÁ¸ðÀ½°î, BWV.1006-a
- ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î, c, BWV.981, Benedetto MarcelloÀÇ ÇùÁÖ°î ÀÛǰÀ» Æí°îÇÑ °Ç¹Ý¾Ç±â(ÇÕ½ÃÄÚµå, ÃÀ¹ß·Î) ÇùÁÖ°î(keyboard concerto)
- ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î 1(ÇǾƳë¿Í ÇöÀ» À§ÇÑ ÇùÁÖ°î), d, BWV.1052, 21m, # Francesco Cera(harpsichord)/I Barocchisti/Diego Fasolis
- ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î 2, E, BWV.1053, 18m
- ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î 3, D, BWV.1054,VC2(E)ÀÇ Æí°îÀÌ´Ù, 17m, # Andras Schiff(Pf)/Chamber Orchestra of Europe
- ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î 7, g, BWV.1058, 13m
- ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î(µÎ ´ëÀÇ ÇÕ½ÃÄÚµå(ÃÀ¹ß·Î)¸¦ À§ÇÑ), C, BWV.1061, 18m
- ¹ÙÈå, ÇÕ½ÃÄÚµåÇùÁÖ°î(µÎ ´ëÀÇ ÇÕ½ÃÄڵ带 À§ÇÑ), c, BWV.1062, 15m
- ¹ÙÈå, ÇùÁÖ°î(Concerto after Alessandro Marcello), d, BWV.974, pf, 10m, * ¸¶¸£Ã¿·ÎÀÇ ¿Àº¸¿¡ÇùÁÖ°î(d)À» Æí°îÇÑ °î
- ¹ÙÈå, ÇùÁÖ°î(concerto for flute, violin, harpsichord and strings), a, BWV.1044, 18m
- ¹ÙÈå, ÇùÁÖ°î(Concerto for Oboe D'amore, Strings and Continuo), 18m
- ¹ÙÈå, ȯ»ó°î, c, BWV.921, ÇǾƳë°î, 4m
- ¹ÙÈå, ȯ»ó°î°ú Ǫ°¡, g, BWV.542, ¿À¸£°£ °î, 12m
- ¹ÙÈå,C.P.E., ±³Çâ°î, e, Wq.178/H.653, 11m * Carl Philipp Emanuel Bach(1714-1788)-J.S.BachÀÇ ´Ù¼¸ °(»ýÁ¸ÇÑ µÑ°) ¾Æµé
- ¹ÙÈå,C.P.E., ±³Çâ°î, Eb, Wq.179/H.654, Les Violons du Roy/Bernard Labadie
- ¹ÙÈå,C.P.E., ±³Çâ°î, G, Wq.180/H.655, 12m
- ¹ÙÈå,C.P.E., ±³Çâ°î, Bb, Wq.182-2/H.658, Wq.182(6)
- ¹ÙÈå,C.P.E., ±³Çâ°î 3, F, Wq.183-3, 10m, The English Concert/Andrew Manze
- ¹ÙÈå,C.P.E., ±³Çâ°î(³× ¹øÂ°)(Vierte Orchester-Sinfonie), G, Wq.183-4, 10m
- ¹ÙÈå,C.P.E., ·Ðµµ, A, Wq.58, Pf, 4m
- ¹ÙÈå,C.P.E., ¹Ù¼øÇùÁÖ°î, d, Wq.22, 23m
- ¹ÙÈå,C.P.E., ¹ÙÀ̿ø°¼Ò³ªÅ¸, b, Wq.76 * Wq.:Carl Philipp Emanuel BachÀÇ ÀÛǰ¹øÈ£
- ¹ÙÈå,C.P.E., ¼Ò³ªÅ¸(ºñ¿Ã¶ó ´Ù °¨¹Ù¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), D, Wq.137
- ¹ÙÈå,C.P.E., ¼Ò³ªÅ¸(Sonata for oboe, harpsichord and basso continuo), g, Wq.135, 11m
- ¹ÙÈå,C.P.E., ¼Ò³ªÅ¸(Sonata for Keyboard), A, Wq.65-32/H.135, Danny Driver(pf)
- ¹ÙÈå,C.P.E., ¿À¸£°µÇùÁÖ°î(¿À¸£°µ, Çö ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ)(Concerto for organ, strings and basso continuo), G, 24m
- ¹ÙÈå,C.P.E., ¿Àº¸¿¡ÇùÁÖ°î, Eb, Wq.165, 20m$, (Oboe, Strings and Harpsichord), Ku Ebbinge(ob),Amsterdam Baroque Orchestra/Ton Koopman
- ¹ÙÈå,C.P.E., ÀÌÁßÇùÁÖ°î, Eb
- ¹ÙÈå,C.P.E., ÿ·ÎÇùÁÖ°î 1(ÿ·Î¿Í Çö¾Ç ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), a, Wq.170, 24m
- ¹ÙÈå,C.P.E., ÿ·ÎÇùÁÖ°î 3, A, Wq.172, 19m
- ¹ÙÈå,C.P.E., ÄŸºô·¹, b
- ¹ÙÈå,C.P.E., ÇÃ·çÆ®¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ÇԺθ£Å© ¼Ò³ªÅ¸, G, Wq.133
- ¹ÙÈå,C.P.E., ÇÃ·çÆ®¼Ò³ªÅ¸, G, Wq.85, 10m, Dorothea Seel(transvers flute)/Christoph Hammer(pf)
- ¹ÙÈå,C.P.E., ÇÃ·çÆ®ÇùÁÖ°î, D, Wq.13, 19m
- ¹ÙÈå,C.P.E., ÇÃ·çÆ®ÇùÁÖ°î, d, Wq.22, 23m
- ¹ÙÈå,C.P.E., ÇÃ·çÆ®ÇùÁÖ°î, A, Wq.168, 21m * Alexis Kossenko(flute) Arte Dei Suonatori
- ¹ÙÈå,C.P.E., ÇÃ·çÆ®ÇùÁÖ°î, G, Wq.169, 25m
- ¹ÙÈå,C.P.E., ÇǾƳë¼Ò³ªÅ¸, f#, Wq.52/4, 12m
- ¹ÙÈå,C.P.E., ÇǾƳë¼Ò³ªÅ¸, C, Wq.65/47, 8m
- ¹ÙÈå,C.P.E., ÇÕ½ÃÄÚµåÇùÁÖ°î, G, Wq.34, 23m
- ¹ÙÈå,C.P.E., ÇÕ½ÃÄÚµåÇùÁÖ°î(Concerto for harpsichord and strings), F, Wq.38, 21m
- ¹ÙÈå,C.P.E., ÇùÁÖ°î, Eb, 1759c(45¼¼)
- ¹ÙÈå,C.P.E., ȯ»ó°î, f#, Wq.67, 11m, Danny Driver(pf)
- ¹ÙÈå,J.C., °¡¿ï·¹ÀÇ ¾Æ¸¶µð½º(Amadis de Gaule) * Johann Christian Bach(1735-1782 Classical) J.S.BachÀÇ »ýÁ¸ÇÑ 11¹øÂ° ¸·³» ¾Æµé
- ¹ÙÈå,J.C., °Ç¹Ý¼Ò³ªÅ¸(Keyboard Sonata), c, Op.5-6
- ¹ÙÈå,J.C., °Ç¹ÝÇùÁÖ°î 6, D, Op.1-6, Keyboard Concerto/ÇÕ½ÃÄÚµåÇùÁÖ°î,
- ¹ÙÈå,J.C., °Ç¹ÝÇùÁÖ°î 5, Eb, Op.7-5
- ¹ÙÈå,J.C., ±³Çâ°î, D, Op.3-1, 9m, Op.3(6)
- ¹ÙÈå,J.C., ±³Çâ°î, Eb, Op.3-3, 9m
- ¹ÙÈå,J.C., ±³Çâ°î, Bb, Op.3-4, 8m
- ¹ÙÈå,J.C., ±³Çâ°î, g, Op.6-6, 15m
- ¹ÙÈå,J.C., ±³Çâ°î(´ë¼°î), Eb, Op.18-1
- ¹ÙÈå,J.C., ±³ÇâÀû ÇùÁÖ°î(¹ÙÀ̿ø°°ú ÿ·Î¸¦ À§ÇÑ), A
- ¹ÙÈå,J.C., Grand Overture 2, Bb
- ¹ÙÈå,J.C., ¿Àº¸¿¡ÇùÁÖ°î, F, 18m
- ¹ÙÈå,J.C., 5ÁßÁÖ°î, D, Op.11-6, 14m
- ¹ÙÈå,J.C., Ç÷Ô, ¿Àº¸¿¡, ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÄÜÆ¼´©¿À¸¦ À§ÇÑ 5ÁßÁÖ, Op.11-6
- ¹ÙÈå,W.F., ±³Çâ°î, D, F.64 * Wilhelm Friedemann Bach(1710-1784) - ¹ÙÈå,J.S.ÀÇ Å«¾Æµé·Î¼ ´ç´ë ÃÖ°íÀÇ ¿À¸£°£ ÁÖÀÚÀÌ´Ù.
- ¹ÙÈå,W.F., ¼°î, g, $, 20m, Les Violons du Roy/Bernard Labadie
- ¹ÙÈå,W.F., ¼Ò³ªÅ¸, a, FK nv8, 13m-Christophe Rousset(harpsichord)
- ¹ÙÈå,W.F., ÇÕ½ÃÄÚÇùÁÖ°î, e, Falck.65, 23m, Maude Gratton(harpsichord)/Il Convito
- ¹Ú½º, ƾŸ°Ö(Tintagel), 14m, BBC Philharmonic Orch./Sir Edward Downes, * Arnold Bax(1883-1953 English)
- ¹ÝÇÒ,¿äÇÑ ¹äƼ½ºÆ®, ±³Çâ°î, A, Bryan A9, Nicolaus Esterhazy Sinfonia/Uwe Grodd, * Johann Baptist Vanhal(1739-1813 Czech)
- ¹ÝÇÒ,¿äÇÑ ¹äƼ½ºÆ®, ±³Çâ°î, C, Bryan C3, 10m, Nicolaus Esterhazy Sinfonia/Uwe Grodd
- ¹ÝÇÒ,¿äÇÑ ¹äƼ½ºÆ®, ±³Çâ°î, D, Bryan D17, 18m, Nicolaus Esterhazy Sinfonia/Uwe Grodd
- ¹ß¶óŰ·¹ÇÁ, ³ëº§·¹Å×(Novelette for Piano), A, 6m, * Mily Balakirev(1837-1910 Russian)
- ¹ß¶óŰ·¹ÇÁ, º¸Çì¹Ì¾Æ¿¡¼(In Bohemia), °üÇö¾Ç°î, 12m#
- ¹ß¶óŰ·¹ÇÁ, Á¤¿ø(Au jardin), Pf, 4m
- ¹ß¶óŰ·¹ÇÁ, Ÿ¸¶¶ó(Tamara), 20m, °üÇö¾Ç°î
- ¹ß·»Æ¼´Ï,Áê¼¼Æä, ÿ·Î¼Ò³ªÅ¸ X, E, cf) Twelve Sonatas for Recorder & Basso Continuo, * Giuseppe Valentini(1681-1753 Italian Vn)
- ¹ß·»Æ¼´Ï,Áê¼¼Æä, ÇÕÁÖÇùÁÖ°î(Concerto for 4 violins), a, Op.7-11, 19m, Ensemble 415
- ¹ß¹Ù½ºÆ®·¹, La de Caze, * Claude-Benigne Balbastre(1724-1799 French)
- ¹ß¹Ù½ºÆ®·¹, La Lamarck, 5m, Sophie Yates(harpsichord)
- ¹ßÅÍ,¿äÇÑ °íÆ®ÇÁ¸®µå, ¸ðÀ½°î(¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ) 6, b, * Johann Jacob Walther(1650-1717 German Vn)
- ¹ßÆ®ÅäÀÌÆç, »ç¶û°ú º½(Amour et printemps), 4m * Emile Waldteufel
- ¹ßÆ®ÅäÀÌÆç, ½ºÄÉÀÌÅͽº ¿ùÃ÷, °üÇö¾Ç°î, Op.183
- ¹ßÆä,¸¶ÀÌŬ Àª¸®¾ö, ¿ÀÆä¶ó <º¸Çì¹Ì¾ÆÀÇ ¼Ò³à(Bohemian Girl)>; * Micheal William Balfe(1808-1870 Irish)
- "´ë¸®¼® ±ÃÀü¿¡ »ç´Â ²ÞÀ» ²Ù¾ú³×(I dreamt I dwelt in marble halls)", sop.Joan Sutherland
- ¹æÅ©½º, Sequence for Solo Cello, 13m
- ¹êÅÎ,±×·£ºô, Çìºê¸®µð¾È ±³Çâ°î(Hebridean Symphony), * Sir Granville Bantock(1868-1946 English)
- ¹öµå(Àª¸®¾ö), ¼º¾Ç°î "Ave verum corpus" * William Byrd(1543-1623 English)
- ¹öµå(Àª¸®¾ö), ¼º¾Ç°î "Though Amaryllis dance in green"
- ¹öÅÍÇʵå, ¼º¾Ç°î "¸Å±âÀÇ Ãß¾ï(When You and I were Young, Maggie)", ten.Robert White, * James Austin Butterfield(1837-1891 American)
- ¹ø½ºÅ¸ÀÎ, ¹ÂÁöÄà <¿ø´õÇ® Ÿ¿î>; /"A Little Bit in Love", * Leonard Bernstein(19918-1990 American &cond)
- ¹ø½ºÅ¸ÀÎ, ¹ÂÁöÄà <¿þ½ºÆ®»çÀÌµå ½ºÅ丮>; ¹ß·¹À½¾Ç
- "Maria", ten. Jose Carreras
- "Somewhere", sop.Patricia Petibon
- ¹ø½ºÅ¸ÀÎ, ¿þ½ºÆ®»çÀÌµå ½ºÅ丮-±³ÇâÀû ¹«°î
- ¹ø½ºÅ¸ÀÎ, ¹ÂÁöÄà <ĵµðµå(Candide)>; /¼°î,
- "È»çÇϰí Áñ°Ì°Ô(Glitter and Be Gay)", sop.Dawn Upshaw
- "I am Easily Assimilated", ms.Elina Garanca
- ¹ø½ºÅ¸ÀÎ, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, 10m
- ¹ø½ºÅ¸ÀÎ, ÇöóÅæÀÇ <Ç⿬>¿¡ µû¸¥ ¼Ö·Î ¹ÙÀ̿ø°, Çö¾Ç, ÇÏÇÁ, Ÿ¾Ç±â¸¦ À§ÇÑ ¼¼·¹³ªµ¥(Solo Violin,Strings, Harp and Percussion after Plato¡¯s "Symposium"), 5M ±¸¼º, 30m,
- ¹ø½ºÅ¸ÀÎ, On the town - 3°³ÀÇ ´í½º ¿¡ÇǼҵå
- ¹ø½ºÅ¸ÀÎ,¿¤¸Ó, ¾Þ¹«»õ Á×À̱â(To Kill A Mockingbird), 8m * Elmer Bernstein(1922-2004 American) ¿µÈÀ½¾Ç ÀÛ°î(Ȳ¾ßÀÇ 7ÀÎ, ½Ê°è, ´ëÅ»ÁÖ)
- ¹øÄ¡, Changes of Phase: I, III, IV, (Fl,Ob,Cl,Bss,Hn), 11m * Kenji Bunch(1973- American, Vl &Com)
- ¹øÄ¡, Áø³ëÀÇ ³¯(Dies Irie)
- ¹ú¸°,¾îºù, ¹ÂÁöÄà <¾Ö´Ï¿©, ÃÑÀ» Àâ¾Æ¶ó(Annie Get Your Gun)>; * Irving Berlin(1888-1989 American)
- "They Say It¡¯s Wonderful", bar.Thomas Hampson,Kim Criswell
- ¹ú¸°,¾îºù, ¼º¾Ç°î "Cheek to cheek", ¹ÂÁöÄÿµÈ Top Hat(1935)¿¡¼ ÃÊ¿¬
- ¹ú¸°,¾îºù, ¼º¾Ç°î " What¡¯ll I Do?", sop. Kiri Te Kanawa
- º£³ªÃ÷Ű, ¼º¾Ç°î "It would be wonderful indeed", * Ralph Benatzky(1884-1957 Austrian:Czech origin)
- º£³×µñÆ®, ¼º¾Ç°î "´ÞÄÞÇÑ »ç¿ùÀÌ ¿À¸é(La Capinera)", Á¶¼ö¹Ì(Sop), * Sir Julius Benedict(1804-1885 German-born, England)
- º£³×µñÆ®, ¼º¾Ç°î "Áý½Ã¿Í »õ(The Gypsy and the Bird)", Joan Sutherland(Sop)
- º£³×Æ®,¸®Ã³µå ·Îµå´Ï, ÆÄ¸£Æ¼Å¸(Partita), 17m, * Richard Rodney Bennett(1936-2012 English)
- º£³×Æ®,Á¸, ¼º¾Ç°î "Venus¡¯ birds", * John Bennett(1735-1784 English Org)
- º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼°î 3, Bb, 13m, * Veracini,Francesco Maria(1690-1768)
- º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼°î 4, F
- º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼Ò³ªÅ¸, b, Op.1-1, 18m, 1) John Holloway(vn)/Jaap ter Linden(vc)/Lars Ulrik Mortensen(harpsichord)
- º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼Ò³ªÅ¸, b, Op.1-3, Vn & Pf, 14m
- º£¶óÄ¡´Ï(ÇÁ¶õü½ºÄÚ ¸¶¸®¾Æ), ¼Ò³ªÅ¸, A, Op.1-7, Vn & Pf, 12m
- º£¸£³Ê,ÇÏÀθ®È÷, ¼º¾Ç°î "µéÀå¹Ì(Heidenroeslein)", ±«Å×ÀÇ ½Ã, * Heinrich Werner(1800-1833 German)
- º£¸£µð, ·¹Äû¿¥(Messa da Requiem), 84m * ÁøÈ¥¹Ì»ç°î
- º£¸£µð, ¼º¾Ç°î "°ÅÁö"(Il poveretto)
- º£¸£µð, ¼º¾Ç°î "°íµ¶ÇÑ ¹æ¿¡¼"(In solitaria stanza)
- º£¸£µð, ¼º¾Ç°î "¹æ¶û(L'esule)"
- º£¸£µð, ¼º¾Ç°î "ºÒ½ÖÇÑ »ç¶÷(Il poveretto)"
- º£¸£µð, ¼º¾Ç°î "½Åºñ(Il Mistero)", ten.Rolando Villazon
- º£¸£µð, ¼º¾Ç°î "¾Æº£¸¶¸®¾Æ(Ave Maria)", Magdalena Kozena(m-sop)
- º£¸£µð, ¼º¾Ç°î "À¯È¤(La Seduzione)", bass.Paolo Washington
- º£¸£µð, ¼º¾Ç°î "Àϸô"
- º£¸£µð, ¼º¾Ç°î "¤½ÃÀÇ ¿©ÀÎ(La Zingara)"
- º£¸£µð, ¼º¾Ç°î "Â·¹±â(Stornello)"
- º£¸£µð, ¼º¾Ç°î "Ãà¹è"(Brindisi)
- º£¸£µð, ¼º¾Ç°î "Ȳȥ"(Il tramonto)
- º£¸£µð, ¿ÀÆä¶ó <°¡¸é ¹«µµÈ¸>;
- "³»°¡ ¿©±â ÀÖ¼Ò(Teco io sto)"-¸®Ä«¸£µµ¿Í ¾Æ¸á¸®¾ÆÀÇ 2Áßâ, ten. Placido Domingo, sop. Katia Ricciarelli
- "³Ê¿´±¸³ª, ±×³àÀÇ ¿µÈ¥À» ´õ·´Èù ÀÚ°¡(Eri tu, che macchiavi quell¡¯anima)"-·¹³ªÅäÀÇ ¾Æ¸®¾Æ, bar. Hermann Prey
- "ºû³ª´Â º°À» º¸¼¼¿ä(Volta la terra)", sop.Diana Damrau
- "¿µ¿øÈ÷ ±×´ë¸¦ ÀҴ´ÙÇØµµ(Ma se m¡¯e forza perderti)", ten.Placido Domingo
- "À̹ø Ç×ÇØ´Â ¹«»çÇÒ±î(Di¡¯ tu se fedele)"
- º£¸£µð, ¿ÀÆä¶ó <³ªºÎÄÚ>;
- "°¡°Å¶ó, ½½ÇÄÀÌ¿©, Ȳ±Ýºû ³¯°³¸¦ Ÿ°í(Va pensiero, sull¡¯ali dorate)"-È÷ºê¸® ³ë¿¹µéÀÇ ÇÕâ
- "´ç½ÅÀ» »ç¶ûÇÏ¿À( Io t¡¯amava!), ºÒŸ´Â ¸¶À½À¸·Î"-¾Æºñ°¡ÀÏ·¹,À̽º¸¶¿¤·¹¿Í Æä³×³ªÀÇ 3Áßâ, ten.Veriano Luchetti(À̽º¸¶¿¤·¹), ms.Elena Obraztsova(Æä³×³ª),sop. Renata Scotto(¾Æºñ°¡ÀÏ·¹)
- "¿î¸íÀÇ ¼ø°£ÀÌ ´Ù°¡¿À°í ÀÖ´Ù(2¸·ÀÇ Çdz¯·¹ Àå¸é)"
- "À§´ëÇÑ ÁÖ´ÔÀÌ ¿¹¾ðÀÚÀÇ ÀÔÀ» ÅëÇØ"-ÀÚÄ«¸®¾ÆÀÇ ±âµµ
- "À̵éÀº ³ªÀÇ ÀÚ¼ÕµéÀÌ¿À"-³ªºÎÄÚÀÇ ¾Æ¸®¾Æ
- "ÀÌÁýÆ®ÀÇ ¹Ù´å°¡¿¡¼...ÇØ¶ß±âÀüÀÇ ¹ã°ú °°ÀÌ(D¡¯Egitto la sui lidi... Come notte a sol fulgente)"-ÀÚÄ«¸®¾ÆÀÇ ¾Æ¸®¾Æ, bass.Nicolai Ghiaurov(ÀÚÄ«¸®¾Æ)/Ambrosian Opera Chorus
- "ÃàÁ¦ÀÇ Àå½Ä¹°À» ¶³¾î¶ß·Á¶ó(Gli arredi festivi)":1
- "ÇѶ§´Â ³ªµµ ±â»Ú°Ô ¸¶À½À» ¿±âµµ Çß¾úÁö"-¾Æºñ°¡ÀÏ·¹ÀÇ ¾Æ¸®¾Æ
- º£¸£µð, ¿ÀÆä¶ó <µµµÏµé(I Masnadieri)>; /¼°î * ½Ç·¯ÀÇ <±ºµµ(Die Ra"uber)>¸¦ °¢»ö
- º£¸£µð, ¿ÀÆä¶ó <µ· Ä«¸¦·Î(Don Carlo)>;
- "¹÷Âù »ç¶û°ú ¿Á¤À¸·Î(Di qual amor, di quant¡¯ardor)(1)" -¿¤¸®ÀÚº£Å¸¿Í Ä«¸¦·ÎÀÇ »ç¶ûÀÇ 2Áßâ:ÆþÅÙºí·Î(Fontainebleau) Àå¸é
- "¿À ÀúÁÖ¹ÞÀº ³ªÀÇ ¹Ì¸ð¿©(O don Fatale)", Shirley Verrett(Ms)
- "¿À Ä«¸¦·Î, µé¾îº¸°Ô(Carlos, ecoute...)"-·Îµå¸®°íÀÇ Á×À½, bar.Thomas Hampson
- "À§´ëÇÑ Ä«¸¦·Î ȲÁ¦µµ ħ¹¬ÀÇ ÇÑ ÁÜ Àç°¡ µÇ¼Ì³ª´Ï(Carlo il sommo Imperatore non e piu che muta polve)"-4:»ê ÁÖ½ºÅä ¼öµµ¿ø Àå¸é, ¼ö»ç(Un frate):Jose van Dam(Bass), µ· Ä«¸¦·Î:Jose Carreras(Ten)
- "ÇÔ²² »ì°í ÇÔ²² Á״´Ù(Dio che nell¡¯alma infondere)"
- º£¸£µð, ¿ÀÆä¶ó <¶ó Æ®¶óºñ¾ÆÅ¸(La Traviata)>;
- "¾Æ ±×´ë¿´´ø°¡(1.Estrano!-Ah, fors¡¯e lui)", sop.Beverly Sills
- "ºÒŸ´Â ¸¶À½(Lunge da lei)"#, ten.Placido Domingo
- "¾ðÁ¦³ª ÀÚÀ¯·Ó°Ô(Sempre Libera)", sop. Anna Netrebko, ten. Saimir Pirgu
- "¿À ³ªÀÇ ºñ°ÌÇÔÀÌ¿©(O mio rimorso)
- "Áö³³¯ÀÌ¿©, ¾È³ç(Addio, del passato)", sop.Nino Machaidze
- "ÇÁ·Î¹æ½ºÀÇ ¹Ù´Ù¿Í À°Áö(2)"
- "ÇÁ·Îº¥Â÷, ³× °íÇâÀ¸·Î(Di Provenza il mar, il suol)", bar. Renato Bruson
- º£¸£µð, ¿ÀÆä¶ó <·Ò¹Ù¸£µð¾ÆÀÎ>; /"ÇÏ´ÃÀÌ ¸¸µå½Å õ»ç"
- º£¸£µð, ¿ÀÆä¶ó <·çÀÌÀÚ ¹Ð·¯(Luisa Miller)>;
- "ÇØÀú¹«´Â °í¿äÇÑ Àú³á¿¡(quando le sere al placido)/¾î´À °í¿äÇÏ°í º°¹àÀº Àú³á", ten.Carlo Bergonzi
- º£¸£µð, ¿ÀÆä¶ó <¸®°ñ·¹Åä>;
- "°ÇÑ »ç¶ûÀÌ ³ª¸¦ ºÎ¸£³×(Possente amor mi chiama)"-¸¸Åä¹Ù °øÀÛÀÇ Ä«¹ÙƼ³ª(2), ten.Placido Domingo
- "°ýƼ¿¡¸£ ¸»µ¥!... »ç¶û½º·¯¿î À̸§ÀÌ¿©(Gualtier Malde!... Caro nome)"
- "±×³à ´«¿¡ È帣´Â ´«¹°ÀÌ º¸ÀÌ´Â µíÇϳ×(Parmi veder le lagrimae)"-¸¸Åä¹Ù °øÀÛÀÇ Ä«¹ÙƼ³ª(2), ten.Placido Domingo
- "±×¸®¿î ±× À̸§(Caro Nome)", sop.Joan Sutherland
- "»ç¶ûÀº ¿µÈ¥ÀÇ Å¾ç(E il sol dell¡¯anima)", ten.Luciano Pavarotti/sop.Joan Sutherland
- "»ç¶ûÀÇ ½ÅÀÇ ¾Æ¸§´Ù¿î µþÀÌ¿©(Bella figlia dell¡¯amore)"-4Áßâ(3), ten.Alfredo Kraus/sop.Beverly Shills/alto.Mignon Dunns/bar.Sherrill Milnes
- "¿©ÀÚÀÇ ¸¶À½(la donna e mobile)(3)", ten.Placido Domingo
- º£¸£µð, ¿ÀÆä¶ó <¸Æº£µå>;
- "¹«½¼ ÀÏÀÌ ÀÖ³ª¿ä? ¿ì¸®¿¡°Ô ¸»ÇØÁà¿ä!(Che faceste? dite su!)"-1:¸¶³àµéÀÇ ÇÕâ,¶ó ½ºÄ®¶ó±ØÀå Orch & ÇÕâ´Ü/Claudio Abbado
- "»ç¶ûµµ ¸í¿¹µµ À§¾Èµµ(Perfidi! all¡¯anglio contro me v¡¯unite!)"-¸Æº£µåÀÇ ¾Æ¸®¾Æ, bar. Leo Nucci
- "¼÷¸íÀûÀÎ ¾Æ³»¿©(Fatal mia donna!)"-1:·¹ÀÌµð ¸Æº£½º¿ÍÀÇ 2Áßâ, bar. Piero Cappuccilli, ms. Shirley Verrett
- "½Â¸®ÀÇ ÇÕâ(Inno di Vittoria)"-4:Çdz¯·¹, ¶ó ½ºÄ®¶ó±ØÀå Orch & ÇÕâ´Ü/Claudio Abbado
- "¿¬¹Îµµ ¸í¿¹µµ »ç¶ûµµ(Pieta, rispetto, amore)"-4:¸Æº£½ºÀÇ ¾Æ¸®¾Æ, bar.Renato Bruson, bar. Piero Cappuccilli
- "¿À¼¼¿ä, ´ç½Å²² ÈûÀ» µå¸±²²¿ä(Vieni! t'affretta!)"-1:·¹ÀÌµð ¸Æº£½ºÀÇ ¾Æ¸®¾Æ, ms. Shirley Verrett
- "¿À ¾ÆÀÌµé¾Æ, ºÎ¸ðÀÇ ¼ÕÀº ³ÊÈñµéÀÇ ¹æÆÐ°¡ µÇÁö ¸øÇÏ¿´±¸³ª(O Figli, o figli miei!)"-4:¸Æ´õÇÁÀÇ ¾Æ¸®¾Æ, ten. Placido Domingo
- "ÀÜÀ» ä¿ö¿ä °¡µæ(Si colmi il calice)"-Ãà¹èÀÇ ³ë·¡
- "Áþ¹âÈ÷´Â Á¶±¹ÀÌ¿©(Patria Oppressa)"
- "Çϴÿ¡´Â ¾îµÎ¿î ±×¸²ÀÚ°¡ µå¸®¿ì°í(Come dal ciel precipita)"-2:¹ÝÄÚÀÇ ¾Æ¸®¾Æ, bass. Nicolai Ghiaurov
- º£¸£µð, ¿ÀÆä¶ó <½Ã¸ó º¸Ä«³×±×¶ó>;
- "±Í¿©¿î µþ¾ÆÀ̰¡(Suon ogni labbaro il mio nome)"-ÇÇ¿¡½ºÄÚ¿Í ½Ã¸óÀÇ 2Áßâ, bar.Dmitri Hvorostovsky(½Ã¸ó), bass.Ildar Abdrazalov(ÇÇ¿¡½ºÄÚ)
- "´©ÃßÇÑ °÷¿¡¼ ÅÂ¾î³ °í¾Æ¶ø´Ï´Ù(Orfanella il teto umile)"-1:½Ã¸ó°ú ¾Æ¸á¸®¾Æ ºÎ³àÀÇ 2Áßâ, sop.Barbara Frittoli(¾Æ¸á¸®¾Æ), bar.Dmitri Hvorostovsky(½Ã¸ó)
- "µþ¾Æ! À̸§À» ºÎ¸£´Â °Í¸¸À¸·Îµµ(Figlia! A tal nome io palpito)"
- "Àü´ÉÇϽнÅÀÌ¿©, ±×µéÀ» ÃູÇϼҼ(Gran Dio, li benedici)"-3:ÃÖÈÄÀÇ 4Áßâ°ú Çdz¯·¹, sop. Barbara Frittoli(¾Æ¸á¸®¾Æ), ten. Stefano Secco(°¡ºê¸®¿¤·¹), bar.Dmitri Hvorostovsky (½Ã¸ó), bass.Ildar Abdrazalov (ÇÇ¿¡½ºÄÚ)
- º£¸£µð, ¿ÀÆä¶ó <½ÃÄ¥¸®¾Æ¼¶ÀÇ Àú³á±âµµ>;
- "°í¸¿½À´Ï´Ù, ¿©·¯ºÐ(Merce, dilette amiche)", sop.Angela Gheorghiu
- "¹Ù´Ù¿©, ¾ÆÁ÷Àº ÀáÀÚ¶ó(Deh! tu calma, O Dio possente)"-1:¿¤·¹³ªÀÇ ¾Æ¸®¾Æ, sop. Martina Arroyo(¿¤·¹³ª), John Alldis ÇÕâ´Ü
- "ÁøÁ¤ÇÑ µ¿Á¤½ÉÀ¸·Î ²ø·ÈÀ» ¶§(Quando al mio sen per te parlava)"-3:¸ùÆ÷¸£Å× Ãѵ¶°ú ¾Æ¸®°íÀÇ 2Áßâ, bar. Sherrill Milnes(Ãѵ¶), ten. Placido Domingo(¾Æ¸®°í)
- º£¸£µð, ¿ÀÆä¶ó <¾ÆÀÌ´Ù>;
- "¿À ³ªÀÇ Á¶±¹ÀÌ¿©(O partia mia)", sop.Montserrat Caballe
- "À̱â°í µ¹¾Æ¿À¶ó°í ÇÏ´Ù´Ï!(Ritorna vincitor!)", sop.Ghena Dimitrova
- "ÀÌÁýÆ®¿¡ ¿µ±¤À»(Gloria all¡¯Egitto)"-(2)°³¼±ÇàÁø°î, bass. Nicolai Ghiaurov(¶÷Çǽº),¶ó ½ºÄ®¶ó±ØÀå Orch & ÇÕâ´Ü/Claudio Abbado
- "Àü´ÉÇϽŠÇÁŸ½ÅÀÌ¿©(Possente, Possente Ftha)"-(1.2)¹«³àµéÀÇ ³ë·¡, sop. Lucia Valentia Terrani(¹«³àÀå)/¶ó ½ºÄ®¶ó±ØÀå ÇÕâ´Ü
- "û¾ÆÇÑ ¾ÆÀÌ´Ù(Celeste Aida)"(1), ten.Franco Corelli
- º£¸£µð, ¿ÀÆä¶ó <¾ÆÆ¿¶ó(Attila)>;
- "¿µ¿øÇÑ ¿µ±¤ÀÇ Á¤»ó¿¡¼(Dagl¡¯immortali vertici)"
- º£¸£µð, ¿ÀÆä¶ó <¿¡¸£³ª´Ï(Ernani)>;
- "¿À, ³ªÀÇ ÀþÀº ½Ã°£ÀÌ¿©(Oh, de¡¯ verd¡¯anni miei)"(3)-Ä«¸¦·Î 5¼¼ÀÇ ¾Æ¸®¾Æ, bar.Renato Bruson
- Çdz¯·¹(3)-Ä«¸¦·Î 5¼¼ ȲÁ¦ ¼±Æ÷¿Í ¹Ý¿ªÀÚµé ´ë»ç¸é Àå¸é
- º£¸£µð, ¿ÀÆä¶ó <¿ÀÅÚ·Î>;
- "±â»µÇ϶ó, ¹«½½¸²ÀÇ ÀںνÉÀº ¹Ù´Ù¿¡ ¼öÀåµÇ¾ú´Ù(Esultate! l'orgoglio musulmano sepolto e` in mar)"
- "³ª´Â ÀÜÀÎÇÑ ½ÅÀ» ¹Ï´Â´Ù(Credo in un dio crudel)"-À̾ưíÀÇ ½ÅÁ¶, Sherrill Milnes(Bar)
- "³»°¡ (Ä®À» µé¾ú´Ù°í) µÎ·Á¿ö ¸¶¿À(Niun mi tema)"
- "¹ãÀÇ Á¤Àû ¼ÓÀ¸·Î ¼Ò¶õÀº »ç¶óÁö°í(Gia nelle notte)"-»ç¶ûÀÇ 2Áßâ, ten. Mario del Monaco, sop.Renata Tebaldi
- "½ÅÀÌ¿©, ´ç½ÅÀº ÀÌ ¸ðµç Ä¡¿åÀ» ³»°Ô ¾È°ÜÁֽóªÀ̱î?"
- "¾Æº£¸¶¸®¾Æ(Ave Maria)", sop.Renee Fleming
- "¿µ¿øÈ÷ ¾È³ç, ½Å¼ºÇÑ Ãß¾ïÀÌ¿©(Ora e` per sempre addio, sante memorie)"
- º£¸£µð, ¿ÀÆä¶ó <¿î¸íÀÇ Èû(La forza del destino)>; /¼°î
- "½ÅÀÌ¿©, Á¦°Ô Æòȸ¦ ÁÖ¼Ò¼(pace,pace mio dio)"
- "ÀÌ ¾ö¼÷ÇÑ ½Ã°£¿¡(Solenne in quest¡¯ora)"
- º£¸£µð, ¿ÀÆä¶ó <ÀÏ Æ®·Î¹ÙÅä·¹(Il Trovatore)>;
- "±×³àÀÇ ºû³ª´Â ¹Ì¼Ò´Â(Il balen del suo sorriso)"
- "³Ê´Â ³» ¾ÆµéÀÌ´Ù(Condotta ell'era in ceppi)"
- "ºÒ²ÉÀº Ÿ¿À¸£°í(Stride la vampa)"
- "»ç¶û½º·± ±×´ë"(Ah si, ben mio)
- "»ç¶ûÀº Àå¹Ìºû ³¯°³¸¦ Ÿ°í(d¡¯amor sull¡¯ali rosee)", sop.Maria Callas
- "Àú ¹«¼¿î ºÒ±æÀ» º¸¶ó(di quella pira)"
- º£¸£µð, ¿ÀÆä¶ó <1Â÷ ½ÊÀÚ±ºÀÇ ·Ò¹Ù¸£µð¾ÆÀÎ>; /"³ªÀÇ ±â»ÝÀ»"
- º£¸£µð, ¿ÀÆä¶ó <ÆÈ½ºÅ¸ÇÁ(Falstaff)>;
- "°¡¶ó! ´ÄÀº Á¸(Va, vecchio John)"-2:ÆÈ½ºÅ¸ÇÁÀÇ ¾Æ¸®¾Æ, bar. Bryn Terel
- "Çâ±â·Î¿î »êµé¹Ù¶÷ ¼û°á À§·Î(Sul fil d¡¯un soffio etesio)"-³ª³×Æ®ÀÇ ¾Æ¸®¾Æ, sop.Angela Gheorghiu
- º£¸£¹ßÆ®, 7ÁßÁÖ°î(Septet for clarinet, bassoon, horn, violin, viola, cello & double-bass), Bb, "±×·£µå(Grand)", * Franz Adolf Berwald(1796-1868 Swedish)
- º£¸£¹ßÆ®, ±³Çâ°î 1, g, "ÁøÁöÇÑ(Serieuse)", 30m
- º£¸£¹ßÆ®, ±³Çâ°î 2, D, "º¯´ö½º·±(Capricieuse)", 28m
- º£¸£¹ßÆ®, Memory of the Norwegian Alps
- º£¸£Å©, °üÇö¾ÇÀ» À§ÇÑ 3 Pieces
- º£¸£Å©, ¹ÙÀ̿ø°ÇùÁÖ°î, À¯ÀÏÇÑ VC, 25m
- º£¸¦¸®¿ÀÁî, ²Þ°ú Ä«ÇÁ¸®½º(Reverie et Caprice), Op.8, Vn, 8m, Renaud Capucon(Vn),Deutsche Kammerphilharmonie Bremen/Daniel Harding
- º£¸¦¸®¿ÀÁî, ·¹Äû¿¥, Op.5
- º£¸¦¸®¿ÀÁî, ·Î¸¶ÀÇ »çÀ°Á¦ ¼°î, Op.9
- º£¸¦¸®¿ÀÁî, ·Î¹Ì¿À¿Í Á츮¿§, Op.17, ±³Çâ°î(µ¶Ã¢ ÇÕâ)
- º£¸¦¸®¿ÀÁî, ¼º¾Ç°î <9°îÀÇ ¾ÆÀÏ·£µådz °¡°î>, Op.2, H.38;
- 4) "¾Æ¸§´Ù¿î ¿©ÇàÀÚ ¿©ÀÎ(La belle voyageuse)"
- º£¸¦¸®¿ÀÁî, ¼º¾Ç°î "Æ®¸®½ºÆ¼¾Æ(Tristia)", Op.18
- º£¸¦¸®¿ÀÁî, ¼º¾Ç°î "Æ÷·Î"
- º£¸¦¸®¿ÀÁî, ¿©¸§¹ã(Les Nuits d'ete:Summer Night), °¡°îÁý, Op.7, T1, * 4ÆíÀÇ °¡°îÁý Áß °¡Àå À¯¸í, Å׿ÀÇÊ °íƼ¿¡(1811-1872)ÀÇ 'Á×À½ÀÇ Èñ±Ø'(1838³â¿¡ Ãâ°£) ½ÃÁý¿¡¼ 6ÆíÀ» ¹ßÃéÇÏ¿© ÀÛ°î, 30m$, ms.Susan Graham,Orchestra of the Royal Opera House Covent Garden/John Nelson
- 1°î: ¸ñ°¡(Villanelle)-º½ÀÇ ±â»ÝÀ» ¿¬Àΰú ³ë·¡ÇÔ
- 2°î: Àå¹ÌÀÇ È¥-¿¬ÀÎÀÇ Á×À½À» Àå¹ÌÀÇ È¥¿¡ ºñÀ¯
- 3°î: ¿¬ÀÎÀÇ Á×À½À» ½½ÆÛÇÏ´Â ¹î»ç¶÷
- 4°î: ºÎÀç-¿¬ÀÎÀÌ µ¹¾Æ¿À±â¸¦ ¿Üħ
- 5°î: ¹¦Áö¿¡¼-´Þºû ºñÄ¡´Â ¹«´ý°¡¿¡¼ ¿¬ÀÎÀ» ±×¸®¿öÇÔ
- 6°î: ¹ÌÁöÀÇ ¼¶(Unknown isle)-¿µ¿øÇÑ »ç¶ûÀÇ ¼¼°èÀÎ ¹ÌÁöÀÇ ¼¶À» ³ë·¡
- º£¸¦¸®¿ÀÁî, ¿ÀÆä¶ó <º£¾ÆÆ®¸®Ã¼¿Í º£³×µñÆ®>;
- "±×¸¦ ¸¸³ª°Ú¾î¿ä(Je vais le voir)"
- º£¸¦¸®¿ÀÁî, ¿ÀÆä¶ó <º¥º£´©Åä ÿ¸®´Ï>;
- "¾ó¸¶³ª ¾Æ¸§´Ù¿î ²ÉµéÀΰ¡... ³»°¡ ºÎ¸ð´Ô¸¸Å ³ªÀ̵é¾úÀ» ¶§(Les belles fleurs!...Quand j¡¯aurai votre age)", sop. Anna Netrebko
- º£¸¦¸®¿ÀÁî, ¿ÀÆä¶ó <½Å¼ºÇÑ ±ÃÀüÀÇ ½ÉÆÇµé(Les Francs Juges)>, Op.3; ¼°î
- º£¸¦¸®¿ÀÁî, ¿ÀÆä¶ó ; /"Tra la la"
- º£¸¦¸®¿ÀÁî, ÀÌÅ»¸®¾ÆÀÇ Çì·Ñµå, Op.16, 4°î ±¸¼º, ½ÃÀÎ ¹ÙÀÌ·±ÀÇ Àå½Ã 'Â÷Àϵå Çì·Ñµå'ÀÇ ÁÖÀΰøÀ» ´Ù·ë, 1) »êÁßÀÇ Çì·Ñµå 2) ¼ø·ÊÀÇ ÇàÁø 3) ¾ÆºÎ·çÄ¡»êÀÇ »ê»ç¶÷ÀÌ ³ë·¡ÇÏ´Â ¼¼·¹³ªµ¥ 4) »êÀûÀÇ Ç⿬°ú ³¹«, °ú°ÅÀÇ È¸»ó, # Philarmonia Orchestra/Colin Davis
- º£¸¦¸®¿ÀÁî, Àå¼Û°ú °³¼±ÀÇ ´ë±³Çâ°î, Op.15, Àå¼ÛÇàÁø°î À̺°ÀÇ ±âµµ ¿µ±¤ÀÇ Âù°¡, 35m
- º£¸¦¸®¿ÀÁî, Å× µ¥¿ò(Te Deum), Op.22, # European Community Youth Orchestra/Claudio Abbado
- º£¸¦¸®¿ÀÁî, ÆÄ¿ì½ºÆ®ÀÇ Ãµ¹ú(La Damnation de Faust), Op.24; -¹Ù¶÷¿äÁ¤ÀÇ Ãã, °üÇö¾Ç°î, Boston Symphony orch./Seiji Ozawa
- º£¸¦¸®¿ÀÁî, "ÇØÀû" ¼°î(Le Corsaire-Overture), Op.21
- º£¸¦¸®¿ÀÁî, ȯ»ó ±³Çâ°î, Op.14, "¾î¶² ¿¹¼ú°¡ÀÇ »ý¾ÖÀÇ ÀÏÈ", 1) ²Þ ¿Á¤ 2)¹«µµÈ¸ 3) µéÆÇÀÇ Á¤°æ 4) ÇüÀåÀ¸·ÎÀÇ ÇàÁø 5) ¾Ç¸¶ÀÇ ÃàÇÏÀÏ ¹ãÀÇ ²Þ, 55m, $1) Berliner Philharmoniker/Claudio Abbado(Last Recording), $2) Tbilisi Symphony Orchestra/Djansug Kakhidze, $3) Philharmonia Orchestra/Andre Cluytens
- º£¸®¿À,·çÄ¡¾Æ³ë, ½ÅÆ÷´Ï¾Æ(Sinfonia), * Luciano Berio(1925-2003 Italian)
- º£¹Ù³ëÇÁ½ºÅ°, ¼¼·¹³ªµ¥, Æ®·³ÆêÀÇ ±â±³°¡ ¿ä±¸µÊ
- º£¹ö, 4ÁßÁÖ°î(¹ÙÀ̿ø°,ºñ¿Ã¶ó,ÿ·Î,Æ÷¸£Å×ÇǾƳ븦 À§ÇÑ), Bb, Op.8 * Carl Maria Von Weber(1786-1826 German)
- º£¹ö, ±³Ç×°î 1, C, J.50, 25m# Queensland Philharmonic Orchestra/John Georgiadis
- º£¹ö, ±³Ç×°î 2, C, J.51,19m
- º£¹ö, ¹«µµÈ¸¿¡ÀÇ ±ÇÀ¯(Invitation to the Dance), Op.65, ¹¦»çÀû Ç¥Á¦À½¾Ç, Berlin Philharmonic Orchestra/Herbert von Karajan
- º£¹ö, º¯ÁÖ°î(Ŭ¶ó¸®³Ý°ú ÇǾƳ븦 À§ÇÑ), Op.33
- º£¹ö, ¼ÒÇùÁÖ°î(ÇǾƳ븦 À§ÇÑ),f, Op.79 * concertino(=Concerstueck) = ¼ÒÇùÁÖ°î(ÇÕÁÖÇùÁÖ°îÀÇ µ¶ÁÖ ºÎºÐ:µ¶ÁÖÇùÁÖ°î)
- º£¹ö, ¾È´ÜÅ×¿Í Çë°¡¸®Ç³ÀÇ ·Ðµµ(Andante e Rondo Ungarese), Op.35
- º£¹ö, ¿Àº£·Ð ¼°î, J.306, °üÇö¾Ç°î
- º£¹ö, ¿ÀÆä¶ó <¸¶ÅºÀÇ »ç¼ö>;
- "±¸¸§ÀÌ Å¾çÀ» °¡¸±Áö¶óµµ(Und ob die Wolke sie verhuelle)"-¾Æ°¡Å×ÀÇ Ä«¹ÙƼ³ª, sop.Elisabeth Gruemmer
- "¸ÚÁø ³²ÀÚ°¡ Áö³ª°¡°í ÀÖÀ¸¸é(Kommt ein schlanker Bursch gegangen)"-¿£ÇîÀÇ ¾Æ¸®¾Æ, sop. Rita Streich
- "½£À» Áö³ª°í µéÀ» °Ç³Ê(Durch die Waelder, durch die Auen)"-¸·½ºÀÇ ¾Æ¸®¾Æ, ten.Peter Schreier
- º£¹ö, Áú¹Ù³ª ÁÖÁ¦¿¡ ÀÇÇÑ 7°³ º¯ÁÖ°î, Eb, Op.33, Dieter Kloecker(Cl)/Werner Genuit(Pf)
- º£¹ö, Ŭ¶ó¸®³Ý5ÁßÁÖ°î, Bb, Op.34, 28m#, Harold Wright(cl), # Wolfgang Meyer (Cl), Eisler Quartett
- º£¹ö, Ŭ¶ó¸®³ÝÇùÁÖ°î 1, f, Op.73(J.114), 2Cl,°¡Àå ¸¹ÀÌ ¿¬ÁÖ, # Martin Frost(Cl),Tapiola Sinfonietta/Jean-Jacques Kantorow
- º£¹ö, Ŭ¶ó¸®³ÝÇùÁÖ°î 2, Eb, Op.74, 22m#
- º£¹ö, ÆÄ°÷ÇùÁÖ°î, F, Op.75, ±ØÀûÀÎ Èû °Á¶,17m
- º£¹ö, ÇǾƳë¼Ò³ªÅ¸ 1, C, Op.24, Garrick Ohlsson(pf)
- º£¹ö, ÇǾƳë¼Ò³ªÅ¸ 3, e, Op.49
- º£¹ö, ÇǾƳë¼Ò³ªÅ¸ 4, e, Op.70
- º£¹ö, È·ÁÇÑ ·Ðµµ(Rondo Brillante), Eb, Op.62, Pf, 6m
- º£º£¸¥, ¿©¸§ ¹ãÀÇ ¹Ù¶÷¿¡ ºÎÄ¡´Â Àü¿ø°î, * Anton Webern(1883-1945 Austria)
- º£º£¸¥, Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ ´À¸° ¾ÇÀå(Langsamer Satz fur Streichquartett), Chamber Orchestra Kremlin/Misha Rachlevsky
- º£½ºÆ®È£ÇÁ,¿äÇÑ ÆÄ¿ï Æù, ¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸ 3, d, c1694, 13m * Johann Paul von Westhoff(1656-1705 Weimar,Germany)
- º£¾î¸¸,ÇÏÀθ®È÷, Ŭ¶ó¸®³Ý5ÁßÁÖ°î 3, Eb * Heinrich Baermann(1784-1847 Romantic, born in Potsdam:German) &Cl
- º£Å©,ÇÁ¶õÃ÷ À̱׳ªÃ÷, ½ÅÆ÷´Ï¾Æ, D, Op.2-1, 11m, Thirteen Strings Chamber Orchestra/Kevin Mallon, * Franz Ignaz Beecke(1734-1809 German)
- º£Å©,ÇÁ¶õÃ÷ À̱׳ªÃ÷, ÇǾƳëÇùÁÖ°î, F, 31m, #2 Natasa Veljkovic(pf),Bad Bruckenau Bavarian Chamber Orchestra/Johannes Moesus
- º£Å亥, 3ÁßÁÖ°î(Ŭ¶ó¸®³Ý°ú ÿ·Î ±×¸®°í ÇǾƳ븦 À§ÇÑ), Bb, Op.11 * Ludwig van Beethoven(1770-1827 German)
- º£Å亥, 3ÁßÇùÁÖ°î(ÇǾƳë ÿ·Î ¹ÙÀ̿ø°À» À§ÇÑ), C, Op.56, 36m, $ 1) Gordan Nikolitch(Vn),Tim Hugh(Vc),Lars Vogt(pf)/London SO/Bernard Haitink, 2) David Oistrakh(vn), Mstislav Rostropovich(vc), Sviatoslav Richter(pf)/Berliner Philharmoniker/Herbert von Karajan
- º£Å亥, 5ÁßÁÖ(ÇÇ¾Æ³ë ¿Àº¸¿¡ Ŭ¶ó¸®³Ý ÇÏÇÁ ¹Ù¼øÀ» À§ÇÑ), Eb, Op.16,
- º£Å亥, 6ÁßÁÖ°î(Sextet for Winds), Eb, Op.71, 21m
- º£Å亥, 6ÁßÁÖ°î(Sextet for 2 Horns and Strings), Eb, Op.81b, 17m, # Gerd Seifert(horn)/Manfred Klier(horn)/Drolc Quartet
- º£Å亥, 7ÁßÁÖ°î(Septet), Op.20, ÀÌ °îÀÇ ¹Ì´º¿§¿¡¼ ÇǾƳë¼Ò³ªÅ¸ 20ÀÇ 2¾ÇÀå ÁÖÁ¦¸¦ »ç¿ëÇϰí ÀÖÀ½, # Melos Ensemble of London
- º£Å亥, 8ÁßÁÖ°î, Eb, Op.103, 22m#, Berlin Philharmonic Winds
- º£Å亥, 12°³ÀÇ ´ë¹«°î(12 Contradances), Nos) 1-C, 2-A, 3-D, 4-Bb, 5-Eb, 6-C, 7-Eb, 8-C, 9-A, 10-C, 11-D, 12-Eb
- º£Å亥, 12°³ÀÇ µ¶ÀϹ«°î(Twelve German Dances for Orchestra), WoO.8, 20m, # Academy of St. Martin in the Fields/Sir Neville Marriner
- º£Å亥, °¡°îÁý(°Ö¶ó¸®Æ® ½Ã¿¡ ÀÇÇÑ 6°îÀÇ), 33¼¼ ¶§ÀÎ 1803³â¿¡ ÀÛ°î, ¼Ò¿ø, ÀÌ¿ô »ç¶÷ÀÇ »ç¶û µî 6°îÀ¸·Î ±¸¼º
- º£Å亥, °í¿äÇÑ ¹Ù´Ù¿Í Ãູ ¹ÞÀº Ç×ÇØ, Op.112
- º£Å亥, ±³Çâ°î 1, C, Op.21, 23m, # 1) Vienna State Opera Orchestra/Hermann Scherhen, 2) Bamberger Symphoniker/Joseph Keilberth, 3) Wiener Symphoniker/Philippe Jordan
- º£Å亥, ±³Çâ°î 2, D, Op.36
- º£Å亥, ±³Çâ°î 3, Eb, Op.55, "¿µ¿õ(Eroica)", 49m, C92, $ Berliner Philharmoniker/Simon Rattle,
- º£Å亥, ±³Çâ°î 4, Bb, Op.60, 36m#, $ Berliner Philharmoniker/Herbert/von Karajan, $ London Philharmonic Orchestra/Georg Solti
- º£Å亥, ±³Çâ°î 5, c, Op.67, "¿î¸í", 33m, $ Wiener Philharmoniker/Carlos Kleiber
- º£Å亥, ±³Çâ°î 6, F, Op.68, "Àü¿ø"; 1) Àü¿ø¿¡ µµÂøÇßÀ»¶§ÀÇ À¯ÄèÇÑ ±âºÐ, 2) ½Ã³Á°¡¿¡¼, 3) ³óºÎµéÀÇ Áñ°Å¿î ¸ðÀÓ, 4) ÆøÇ³, 5) ÆøÇ³ÀÌ Áö³ª°£ ÈÄÀÇ ÆòÈ, 5¾ÇÀå ±¸¼ºÀ̳ª 4,5¾ÇÀåÀº ÀÌ¾î¼ ¿¬ÁÖ
- º£Å亥, ±³Çâ°î 7, A, Op.92, 3&4M> ¹ÚÄ«½º½ÅÀÇ ºÐ³ë¶ó ÇÔ,Æø¹ßÀû À½ÀÇ Àü°³, * Land of freedom(2¾ÇÀå ÁÖÁ¦), $1) Wiener Philharmoniker/Carlos Kleiber, $2) Orchester Wiener Akademie/Martin Haselboeck
- º£Å亥, ±³Çâ°î 8, F, Op.93, "¸°Ã÷±³Çâ°î", "ÀÛÀº F±³Çâ°î" (5,7 ¹ø°ú ´ëÁ¶Àû)
- º£Å亥, ±³Çâ°î 9, c, Op.125, "ÇÕâ", Orchestra della Radio Televisione della Svizzera Italiana/Hermann Scherchen
- º£Å亥, ´ëǪ°¡(Grosse Fugue), Bb, Op.133
- º£Å亥, ·¹¿À³ë·¹ ¼°î 2, Op.72, 12m * ¿ÀÆä¶ó "Çǵ¨¸®¿À"¸¦ À§ÇÑ 4°îÀÇ ¼°î; 1) Leonore No.1(Op.138), 2) Leonore No.2(Op.72), 3) Leonore No.3(Op.72a), Fidelio(Op.72b)
- º£Å亥, ·¹¿À³ë·¹ ¼°î 3, Op.72a, 14m
- º£Å亥, ·¹¿ÀÆúÆ® 2¼¼ ´ë°ü½Ä ÄŸŸ(Accession of Emperor Leopold II), WoO,88
- º£Å亥, ·Î¸Á½º 1, G, Op.40, ¹ÙÀ̿ø°°î
- º£Å亥, ·Î¸Á½º 2, F, Op.50, ¹ÙÀ̿ø°°î, Arthur Grumiaux(Vn),Royal Concertgebouw Orchestra/Bernard Haitink
- º£Å亥, ·Ðµµ 2, G, Op.51, 11m
- º£Å亥, ·Ðµµ(ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ), Bb, WoO.6
- º£Å亥, ·Ðµµ Ä«ÇÁ¸®Ä¡¿À(Rondo alla ingharese quasi un capriccio), G, Op.129, # Grigory Sokolov(pf)
- º£Å亥, <¸Ö¸® ÀÖ´Â ¿¬Àο¡°Ô(An die ferne Geliebte)>, Op.98, ¿¬°¡°îÁý 6°î, ten.Christoph Pregardien
- "3) °¡º±°Ô ÃãÃß´Â ÀÛÀº »õ¿©"
- "4) ³ôÀº ÇÏ´ÃÀ» ¶°°¡´Â ±¸¸§"
- "6) ´Ã ºÎ¸£´ø ³ë·¡·Î À̺°À»"
- º£Å亥, ¹Ì´º¿§(°üÇö¾ÇÀ» À§ÇÑ 12°³ÀÇ), WoO.7 $>Academy of St. Martin in the Fields/Sir Neville Marriner
- º£Å亥, ¹Ì´º¿§(°üÇö¾ÇÀ» À§ÇÑ 6°³ÀÇ), WoO.10(C, G, Eb, Bb, D, D), WoO10-2(G): ÇÇ¾Æ³ë Æí°î
- º£Å亥, ¹Ì»ç(Mass,Messe), C, Op.86, 41m#
- º£Å亥, ¹Ù°¡ÅÚ(7°îÀÇ), Op.33:7°î * ¹Ù°¡ÅÚ(Bagatelle):ªÀº ¼Òǰ±â¾Ç°î
- º£Å亥, ¹Ù°¡ÅÚ(11°îÀÇ:Eleven Bagatelles), Op.119:11°î, # Andrew Rangell(pf)
- º£Å亥, ¹Ù°¡ÅÚ(6°îÀÇ), Op.126; no.1/G, no.2/g, no.3/Eb, no.4/b, no.5/G, no.6/Eb, Sviatoslav Richter(pf)
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, D, Op.12-1
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, A, Op.12-2, 10VSÁß Ã³À½ 3°îÀÌ Op.12ÀÓ
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, Eb, Op.12-3,
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 4, a, Op.23,
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 5, F, Op.24, "º½", 10°î VC, 1) Josef Suk(vn)/Jan Panenka(pf), 2) Johanna Martzy(vn),Jean Antonietti(pf), 3) Wolfgang Schneiderhan(vn)/Wilhelm Kempff(pf)
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 6, A, Op.30-1, 22m, # Henryk Szeryng(vn)/Ingrid Haebler(pf)
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 7, c, Op.30-2, $ Anne-Sophie Mutter/Lambert Orkis
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 8, G, Op.30-3, 15m, #) Wolfgang Schneiderhan(vn), Carl Seemann(pf), $2) Lola Bobesco(vn)/Albert Guttman(pf)
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 8, G, Op.30-3, 17m, $ Wolfgang Schneiderhan(vn), Wilhelm Kempff(pf)
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 9, A, Op.47, "Å©·ÎÀ̼"
- º£Å亥, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 10, G, Op.96, 27m $ Pinchas Zukerman(Vn)/Marc Neikrug(Pf)
- º£Å亥, ¹ÙÀ̿ø°ÇùÁÖ°î, D, Op.61,¾Æ´ã(¸àµ¨½ºÁ¸ VC: À̺ê)
- º£Å亥, º¯ÁÖ°î(6°³ÀÇ), D, Op.76, Sviatoslav Richter(pf)
- º£Å亥, º¯ÁÖ°î(32°³ÀÇ), c,14m
- º£Å亥, º¯ÁÖ°î(Wenzel Mu"llerÀÇ °¡°î "Ich bin der Schneider Kakadu"¿¡ ÀÇÇÑ ÇÇ¾Æ³ë ¹ÙÀ̿ø° ÿ·Î¸¦ À§ÇÑ), G, Op.121a,
"Kakadu Variation" - "10 Variations on 'Ich bin der Schneider Kakadu'"
- º£Å亥, º¯ÁÖ°î(µð¾Æº§¸® ÁÖÁ¦¿¡ ÀÇÇÑ 33°³ÀÇ: 33 Variations on a Waltz by Anton Diabelli), C, Op.120, 45m#, µð¾Æº§¸® > ÃâÆÇ»óÀÎ, ÀÛ°î°¡, ÇǾƳë°îÀÇ °áÁ¤Ã¼ ƯÈ÷ 31¹ø¿¡ ´ëÇØ Çѽº Æù ºâ·Î´Â ¹ÙÈåÀÇ ¾Æ´ÙÁö¿À°¡ Àç»ýÇß´Ù°í ±ØÂù, Alfred Brendel:Pf
- º£Å亥, º¯ÁÖ°î(¸ðÂ÷¸£Æ® 'µ·Áö¿À¹Ý´Ï' ÁÖÁ¦¿¡ ÀÇÇÑ; Variations on Mozart's "la ci darem la mano"), C, WoO.28, 9m
- º£Å亥, º¯ÁÖ°î(¸ðÂ¥¸£Æ® '¸¶Àû' Áß "µþÀÌ³Ä ¾Æ³»³Ä(Ein Madchen oder Weibchen(A Maiden or Little Wife))" ÁÖÁ¦¿¡ ÀÇÇÑ Ã¿·Î¿Í ÇǾƳ븦 À§ÇÑ 12°³ÀÇ), F, Op.66, # Jean-Guihen Queyras(Vc),Alexander Melnikov(Pf)
- º£Å亥, º¯ÁÖ°î(¸ðÂ¥¸£Æ® '¸¶Àû' Áß "In Men, Who know the Feeling of Love" ÁÖÁ¦¿¡ ÀÇÇÑ Ã¿·Î¿Í ÇǾƳ븦 À§ÇÑ 7°³ÀÇ), WoO.46
- º£Å亥, º¯ÁÖ°î(G.Paisiello ¿ÀÆä¶ó '¶ó ¸ð¸®³ª¶ó(La molinara)' Áß "Nel cor piu non mi sento(¸¶À½À¸·Ð ´õ ´À³¢Áö ¸øÇØ)" ÁÖÁ¦¿¡ ÀÇÇÑ 6°³ÀÇ), WoO.70
- º£Å亥, º¯ÁÖ°î°ú Ǫ°¡(15°³ÀÇ), Eb, Op.35 "Eroica Variations", 24m, # Emanuel Ax(pf)
- º£Å亥, ¼º¾Ç°î "±×´ë¸¦ »ç¶ûÇØ"(Ich liebe dich)
- º£Å亥, ¼º¾Ç°î "¸ÞÃß¶ó±â(Wachtelaschlag)"
- º£Å亥, ¼º¾Ç°î "¾Æµ¨¶óÀ̵¥(Adelaide)", Op.46, Fritz Wunderlich
- º£Å亥, ¼º¾Ç°î "¾Æ! ¸ø ¹ÏÀ» »ç¶÷ÀÌ¿©(Ah! Perfido)", sop.Birgit Nilsso
- º£Å亥, ¼º¾Ç°î "¿ì¸®ÀÇ »ç¶û(Notre amour)", ºñâ ¼Ò³ªÅ¸ 2¾ÇÀåÀÇ ¼±À², bar. Bruno Laplante, sop. France Dubal
- º£Å亥, ¼º¾Ç°î "ÀÔ¸ÂÃã(Der Kuss)", Op.128, Fritz Wunderlich, # ms. Anne Sofie von Otter
- º£Å亥, ¼º¾Ç°î "5¿ùÀÇ ³ë·¡(Mailied)", Op.52-4
- º£Å亥, ¼º¾Ç°î "ÀÚ¿¬ ¼Ó¿¡ ±êµç ½ÅÀÇ ¿µ±¤"(Die Ehre Gotteses aus der Natur) Op.48-4
- º£Å亥, ¼º¾Ç°î "ü³ä(Resignation)"
- º£Å亥, ¼º¾Ç°î "ÆÄ¿ì½ºÆ®¿¡¼ÀÇ º·èÀÇ ³ë·¡", ten.Peter Schreier/Walter Olbertz(pf
- º£Å亥, ¼º¾Ç°î "Èñ»ýÀÚÀÇ ³ë·¡(Opferlied)", ten.Peter Schreier
- º£Å亥, ¾ÆÅ׳×ÀÇ ÆóÇã, Op.113
- º£Å亥, ¾È´ÜÅ× ÄÜ ¹Ù¸®¾ÆÄ¡¿À´Ï(Andante con Variazioni for Mandolin and Harpsichord), D, WoO.44b
- º£Å亥, ¾È´ÜÅ×(Andante for Piano), F, WoO.57, (Andante Favori), 11m, Claudio Arrau(pf)
- º£Å亥, ¿¡±×¸óÆ® ¼°î, Op.84, $ Berlin Philharmonic Orchestra/Claudio Abbado
- º£Å亥, ¿¤¸®Á¦¸¦ À§ÇÏ¿©(Fuer Elise), a, WoO.59, Alexis Weissenberg(pf)
- º£Å亥, ¿À¶óÅ丮¿À <°¨¶÷»ê À§ÀÇ ±×¸®½ºµµ>, Op.85, 6°î, 56m, 1) ¿¹¼öÀÇ ±â¿ø(¼ÁÖ, Å×³Ê ¿µÃ¢), 2) õ»ç ¼¼¶óÇ˰ú õ»çµéÀÇ ³ë·¡(¼ÒÇÁ¶ó³ë ¼Ã¢, ¿µÃ¢), 3) ¿¹¼ö¿Í õ»ç ¼¼¶óÇËÀÇ ³ë·¡(Å׳Ê, ¼ÒÇÁ¶ó³ë ¼Ã¢, ¿µÃ¢°ú µà¿§), 4) ¿¹¼öÀÇ °á½É°ú º´»çµéÀÇ ³ë·¡(Å×³Ê ¼Ã¢, ³²¼º3ºÎ ÇÕâ), 5) ¿¹¼ö, Á¦ÀÚ, º´»çÀÇ ³ë·¡(Å×³Ê ¼Ã¢, ³²¼º ÇÕâ), 6) º£µå·Î, ¿¹¼ö, õ»çµåÀÇ ÇÕâ(¼Ã¢, 3Áßâ ÇÕâ)
- º£Å亥, ¿ÀÆä¶ó <Çǵ¨¸®¿À]>; /»çÁßâ "¾ó¸¶³ª ³î¶ó¿î ´À³¦ÀÎÁö(Mir ist so wunderbar)"
- º£Å亥, À£¸µÅæÀÇ ½Â¸®, Op.91, "À£¸µÅæÀÇ ½Â¸®",14m
- º£Å亥, Àå¾ö¹Ì»ç°î, d, Op.123, 76m
- º£Å亥, ÿ·Î¼Ò³ªÅ¸ 1, F, Op.5-1, 23m#, Daniil Shafran(vc)/Anton Ginsburg(pf)
- º£Å亥, ÿ·Î¼Ò³ªÅ¸ 2, g, Op.5-2, 27m#3, $$1) Mstislav Rostropovich(vc)/Sviatoslav Richter(pf), 2) Daniil Shafran(vc)/Anton Ginsburg(pf)
- º£Å亥, ÿ·Î¼Ò³ªÅ¸ 3, A, Op.69, 5°îÁß $À¯¸í> 2M, 22m, {$1) Mstislav Rostropovich(vc), Sviatoslav Richter(pf) 2) Ludwig Hoelscher(vc), Joerg Demus(pf)}
- º£Å亥, ÿ·Î¼Ò³ªÅ¸ 4, C, Op.102-1 $
- º£Å亥, ÿ·Î¼Ò³ªÅ¸ 5, D, Op.102-2, 25m
- º£Å亥, ÄÚ¸®¿Ã¶õ ¼°î, Op.62, ÄÚ¸®¿Ã¶õ> 5¼¼±âÀÇ ¿µ¿õ
- º£Å亥, ÇÁ·Î¸ÞÅ׿콺ÀÇ Ã¢Á¶¹°(The Creatures of Prometheus), ¹«¿ëÀ½¾Ç. Op.43, 66m
- º£Å亥, ÇÃ·çÆ®¿Í ¹ÙÀ̿ø°, ºñ¿Ã¶ó¸¦ À§ÇÑ ¼¼·¹³ªµ¥, D, Op.25, Maxence Larrieu(Fl)/Arthur Grumiaux(Vn)/Georges Janzer(Va)
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 1, Op.1-1, 24¼¼ ¶§ ÀÛ°î, 28m, #1) Borodin Trio, 2) Trio Wanderer
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 2, G, Op.1-2, 33m
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 3, c, Op.1-3, 28m, $1) Rudolf Buchbinder(pf)/Janos Starker(vc)/Josef Suk(vn), $2) Daniel Barenboim(pf)/Pinchas Zukermann(vn)/Jacqueline du Pre(vc)
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 4, Bb, Op.11, "°Å¸®ÀÇ ³ë·¡(Gassenhauer)", $1) Beaux Arts Trio, 2) Oliver Schnyder Trio
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 5, D, Op.70-1, "À¯·É", Op.70
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 6, Eb, Op.70-2, 30m
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 7, Bb, Op.97, "´ë°ø(Archduke)", $1) Vladimir Ashkenazy(Pf)/Itzhak Perlman(Vn)/Lynn Harrell(Vc), 2) Beaux Arts Trio, 3) Wilhelm Kempff(pf)/Henryk Szeryng(vn)/Pierre Fournier(vc)
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 8, Bb, Op.Post / WoO.39
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 9, Eb, WoO.38, 43m
- º£Å亥, ÇǾƳë3ÁßÁÖ°î 10, Eb, Op.44,(14 Variations on an Original Theme), 13m
- º£Å亥, ÇǾƳë4ÁßÁÖ°î, Eb, WoO.36-1, 19m
- º£Å亥, ÇǾƳë4ÁßÁÖ°î, D, WoO.36-2, 16m
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 1, f, Op.2-1, 36PS,3 Op.2Áß Op.2-1ÀÌ °¡Àå ºñ±ØÀûÀÓ
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 2, A, Op.2-2, 22m#
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 3, C, Op.2-3, 3 Op.2Áß °¡Àå ±Ô¸ð°¡ Å
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 4, Eb, Op.7, "»ç¶ûÇÏ´Â ±×³à"
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 5, c, Op.10-1, 18m
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 6, F, Op.10-2, 18m$,¼±¸íÇÏ°í °æÄè
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 7, D, Op.10-3, 23m
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 8, c, Op.13, "ºñâ(Pathetique)", 18m#, C89, 1) Annie Fischer(Pf), 2) Emil Gilels(pf)
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 9, E, Op.14-1
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 10, G, Op.14-2, # Sviatoslav Richter(Pf)
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 11, Bb, Op.22, Sviatoslav Richter(Pf)
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 12, Ab, Op.26, "Funeral March", 19m $
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 13, Eb, Op.27-1 "ȯ»ó°îdzÀÇ ¼Ò³ªÅ¸(Sonata quasi una fantasia)", 21m#
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 14, c#, Op.27-2, "¿ù±¤(Moonlight)", $ Wilhel Backhaus(pf)
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 15, D, Op.28, "Àü¿ø", PS14¿Í ´ëÁ¶¸¦ ÀÌ·é´Ù
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 16, G, Op.31-1, 22m
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 17, d, Op.31-2, "ÅÛÆä½ºÆ®(Tempest)", 3°³ÀÇ Op.31, 21m, $ Alfredo Brendel(pf)
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 18, Eb, Op.31-3, "»ç³É(The Hunt)", 22m
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 19, Op.49-1
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 20, G, Op.49-2, ¿ø·¡´Â Ãʱâ ÀÛǰ, 2¾ÇÀåÀÇ ÁÖÁ¦¸¦ 7ÁßÁÖ°î(Op.20)ÀÇ Minuet ¾ÇÀå¿¡¼ »ç¿ë
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 21, C, Op.53, "Waldstein"
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 22, F, Op.54
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 23, f, Op.57, "¿Á¤(Appassionato)", º£ PS 32°îÁß $$, ºñâ ¿ù±¤°ú ÇÔ²² 3´ë PS, $ Sviatoslav Richter(pf)
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 24, F#, Op.78, "Å×·¹Á¦", 2¾ÇÀå ±¸¼º
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 25, G, Op.79, "»µ²Ù±â¼Ò³ªÅ¸",7m
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 26, Eb, Op.81a, "°íº°"
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 27, e, Op.90, 12m, $ Sviatoslav Richter, Hans Richter-Haaser(pf)
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 28, A, Op.101
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 29, Bb, Op.106, "Hammerklavier", 43m, 1) Rudolf Serkin(Pf)$, 2) Wilhelm Backhaus(pf)$
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 30, E, Op.109, 18m#
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 31, Ab, Op.110, 19m, Rudolf Serkin(Pf)$
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸ 32, c, Op.111, ¸¶Áö¸· PS, 28m#, Mitsuko Uchida(pf)
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸, Eb, WoO.47-1
- º£Å亥, ÇǾƳë¼Ò³ªÅ¸, f, WoO.47-2
- º£Å亥, ÇǾƳëÇùÁÖ°î 1, C, Op.15, 38m#, $ Friedrich Gulda(pf),Wiener Philharmoniker/Horst Stein
- º£Å亥, ÇǾƳëÇùÁÖ°î 2, Bb, Op.19, 27m, Julius Katchen(pf), London Symphony Orchestra/Piero Gamba
- º£Å亥, ÇǾƳëÇùÁÖ°î 3, c, Op.37> C79, 37m, $1) *Sviatoslav Richter(Pf),Philharmonia Orchestra/Riccardo Muti, #2) Mitsuko Uchida(pf),
Royal Concertgebouw Orchestra/Kurt Sanderling, 3) Monique de la Bruchollerie(pf)/National Philharmonic Orhestra:Budapest
- º£Å亥, ÇǾƳëÇùÁÖ°î 4, G, Op.58, PC5 VC°ú ÇÔ²² º£Å亥ÀÇ 3´ë ÇùÁÖ°î, cf) ÇǾƳë5ÁßÁÖ°îÀ¸·Î Æí°î->Op.58a(Muza Rubackyte(pf)/Shanghai String Quartet), $ Wilhelm Backhaus(pf),Wiener Philharmoniker/Clemens Krauss
- º£Å亥, ÇǾƳëÇùÁÖ°î 5, Eb, Op.73, "ȲÁ¦", 5°îÁß °¡Àå °ÉÀÛ, 39m, $1) Vladimir Horowitz(pf),RCA Victor Symphony Orchestra/Fritz Reiner; Wiener Philharmoniker/Claudio Abbado 2) Emil Gilels(pf),Leningrad Philharmonic Orchestra/Kurt Sanderling 3) Arthur Rubinstein(pf),Boston Symphony Orchestra/Erich Leinsdorf, $4) Artur Schnabel(pf)/Chicago Symphony Orchestra/Frederick Stock
- º£Å亥, Çö¾Ç3ÁßÁÖ°î, Eb, Op.3, 40m, 5Çö¾Ç3ÁßÁÖ, # Itzhak Perlman(Vn)/Pinchas Zukerman(Va)/Lynn Harrell(Vc)
- º£Å亥, Çö¾Ç3ÁßÁÖ°î, G, Op.9-1, 25m, Anne-Sophie Mutter(Vn)/Bruno Giuranna(Va)/Mstislav Rostropovich(Vc)
- º£Å亥, Çö¾Ç3ÁßÁÖ°î, D, Op.9-2, 25m $
- º£Å亥, Çö¾Ç3ÁßÁÖ°î, c, Op.9-3, 23m
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 1, F, Op.18-1
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 2, G, Op.18-2
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 3, D, Op.18-3 $
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 4, c, Op.18-4, 23m, # Beethoven Quartett
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 5, A, Op.18-5, 27m#, 1)$ Alban Berg Quartett 2) Gewandhaus-Quartett
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 6, Bb, Op.18-6
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 7, F, Op.59-1, "¶óÁî¸ðÇÁ½ºÅ°1(Rasumovsky No.1)"> 7,8,9ÀÇ 3°î, 38m, $ Alban Berg Quartet
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 8, e, Op.59-2, "¶óÁî¸ðÇÁ½ºÅ°2(Rasumovsky No.2)", 34m, 3°îÁß °¡Àå ¸¹ÀÌ ¿¬ÁÖ, #4 $1) Emerson String Quartet, 2)$ Vegh Quartet
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 9, C, Op.59-3, "¶óÁî¸ðÇÁ½ºÅ°3(Rasumovsky No.3)", "¿µ¿õ4ÁßÁÖ°î", 31m, # Emerson String Quartet, ## Takacs Quartet
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 10, Eb, Op.74, "ÇÏÇÁ4ÁßÁÖ°î"> 1M¿¡¼ ÇÏÇÁÀÇ È¿°ú, 31m#, Takacs Quartet
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 11, f, Op.95, "Serioso", 20m$, Takacs Quartet
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 12, Eb, Op.127, 36m#, Emerson String Quartet
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 13, Bb, Op.130, 42m, # Alexander String Quartet
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 14, c#, Op.131, 7M ±¸¼º, º£Å亥 Çö¾Ç4ÁßÁÖ°îÁß ÃÖ°í
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 15, a, Op.132, 44m, "½Å¿¡ ´ëÇÑ ¼º½º·¯¿î °¨»çÀÇ ³ë·¡", 5M ±¸¼º, Barchet Quartet
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 16, F, Op.135 > Çö¾Ç4ÁßÁÖ°î15
- º£Å亥, Çö¾Ç4ÁßÁÖ°î 17, F, Op.135,¼ø¼öÇÑ sonataÇü½Ä¸é¿¡¼ º¸¸é 16Á¦¿Ü
- º£Å亥, Çö¾Ç5ÁßÁÖ°î, C, Op.29, 34m, # Zurich String Quintet
- º£Å亥, Çö¾Ç5ÁßÁÖ°î(2´ëÀÇ ¹ÙÀ̿ø°,ºñ¿Ã¶ó ±×¸®°í 2´ëÀÇ Ã¿·Î¸¦ À§ÇÑ), A, 36m * º£Å亥ÀÇ ¹ÙÀ̿ø°¼Ò³ªÅ¸ 9(Å©·ÎÀ̼) Æí°î(?)
- º£Å亥, È£¸¥¼Ò³ªÅ¸, F, Op.17, 12m, # Radovan Vlatkovic(horn)/ERic le Sage(pf)
- º£Å亥, ȯ»ó°î(ÇÕâ°ú ÇǾƳë & °üÇö¾ÇÀ» À§ÇÑ), Op.80, "ÇÕâȯ»ó°î", 22m#, Rudolf Serkin(pf),Boston Symphony Orchestra,Tanglewood Festival Chorus/Seiji Ozawa
- º¥´Ù,°Ô¿À¸£±× ¾ÈÅæ, ±³Çâ°î 7, D, 10m, * Georg Anton Benda(1722-1795 Prag)
- º¥´Ù,À̸® ¾ÈÅä´Ñ, ±³Çâ°î 7, D, 11m * Jiri Antonin Benda(1722-1795 Czech)
- º¥´Ù,ÇÁ¶õÃ÷, ¼Ò³ªÅ¸, D, (Vn,Hpc,Vc), 7m, Leila Schayegh(vn)/Vaclav Luks(harpsichord)/Felix Knecht(vc)
- º¥´Ù,ÇÁ¶õÃ÷, ÇÃ·çÆ®¼Ò³ªÅ¸, e, 8m * Franz Benda(1709-1786 Czech &Vn), ¾ÈÅä´Ñ º¥´ÙÀÇ Çü
- º¥´Ù,ÇÁ¶õÃ÷, ÇÃ·çÆ®ÇùÁÖ°î, e, 18m, Emmanuel Pahud(fl),Potsdam Chamber Orchestra/Trevor Pinnock
- º¥ÀÚ¹Î,¾Æ¼, Ä¡¸¶·Î»ç ÁÖÁ¦¿¡ ÀÇÇÑ ¿Àº¸ ÇùÁÖ°î, c, * Arthur Benjamin(1893-1960 Australian)
- º§¸®´Ï, ¼º¾Ç°î, "³ªÀÇ ÇÊ·¹ÀÇ ½½Ç ¸ð½ÀÀÌ¿©(Dolente immagine di fille mia)", ten.Dennis O¡¯Neill
- º§¸®´Ï, ¼º¾Ç°î, "³» »ç¶ûÇÏ´Â ´ÔÀÇ ¸¶À½À»(Ma rendi pur contento)", # sop.Eva Mei, $ sop. Montserrat Caballe
- º§¸®´Ï, ¼º¾Ç°î, "µ¹¾Æ¿Í ´Ù¿À ±Í¿©¿î Çʸ®µ¥¿©"
- º§¸®´Ï, ¼º¾Ç°î, "¹æÈ²ÇÏ´Â Àººû ´Þ/ÀºÀºÇÑ ´Þºû(Vaga luna che inargenti)", $ Rolando Villazon(Ten)
- º§¸®´Ï, ¼º¾Ç°î, "ºÒ²¨Áø â", ten.Jose Carreras
- º§¸®´Ï, ¼º¾Ç°î, "ºÒŸ´Â ¿å¸Á(Il fervido desiderio)"
- º§¸®´Ï, ¼º¾Ç°î, "¾î¸° ½ÃÀýÀÇ ²Þ(Sogno d¡¯infanzia)"
- º§¸®´Ï, ¼º¾Ç°î, "¿ë¼ÇÏ¿À, ³ªÀÇ ¾Æ¸§´Ù¿î ¿ì»óÀÌ¿©(Per pieta, bell' idol mio)"
- º§¸®´Ï, ¼º¾Ç°î, "¿ì¿ï, »ó³ÉÇÑ ¿äÁ¤ÀÌ¿©(Malinconia, ninfa gentile)"
- º§¸®´Ï, ¼º¾Ç°î, "ÀÛÀº ³ªºñ(La farfalletta)"
- º§¸®´Ï, ¼º¾Ç°î, "Ãß¾ï"
- º§¸®´Ï, ¼º¾Ç°î, "ȸ»ó(La ricordanza)"
- º§¸®´Ï, ¿Àº¸ÇùÁÖ°î, Eb, ´Ü ÇÑÆíÀÇ ÇùÁÖ°î
- º§¸®´Ï, ¿ÀÆä¶ó <³ë¸£¸¶(Norma)>;
- "Á¤°áÇÑ ¿©½Å(Casta Diva)", sop.Maria Callas
- º§¸®´Ï, ¿ÀÆä¶ó <¸ùÀ¯º´ÀÇ ¿©ÀÎ>;
- "¹ÝÁö¸¦ ¹ÞÀ¸¼¼¿ä(Prendi, l¡¯anel ti dono)", ten.Roberto Alagna/sop.Angela Gheorghiu
- "žçÀÌ ³ª¸¦ À§ÇØ ¹àÀº ºûÀ» ³»´Â±¸³ª(Compagne, teneri amici... Come per me sereno)", sop.Maria Callas
- º§¸®´Ï, ¿ÀÆä¶ó <ºñ¾ÓÄ«¿Í Æä¸£³µµ>;
- "ÀϾ¼¼¿ä ¾Æ¹öÁö(Sorgi, o padre)", sop. Jane Eaglen/ms. Anne-Marie Owens
- º§¸®´Ï, ¿ÀÆä¶ó <û±³µµ>;
- "±×´ë¿¡°Ô »ç¶ûÀ»(A te, o cara)"
- "±×¸®¿î ¸ñ¼Ò¸®°¡ ³ª¸¦ ºÎ¸£°í ÀÖ¾ú´Ù(Quila voce sua soave)", sop.Angela Gheorghiu
- "³» ¼Ò¸ÁÀ» µé¾îÁÖ¼¼¿ä-±×ÀÌÀÇ ºÎµå·¯¿î À½¼ºÀÌ µé·È¾î¿ä"
- º§¸®´Ï, ¿ÀÆä¶ó <īǮ·¿°¡¿Í ¸óÅ×±Ô°¡>;
- "±×¸¦ µµ¿ÍÁÖ¼Ò¼(Soccorso, sostegno)"-1:Çdz¯·¹
- "³Ê¸¸ Ȧ·Î, ¿À ³ªÀÇ ÁÙ¸®¿¡Å¸(Tu sola, o mia Giulietta)", ten.Placido Domingo
- "¼öµµ¾øÀÌ ´«¹°¿¡ Á¥¾î(Eccomi in lieta vesta... Oh! quante volte)"-1¸· ÁÙ¸®¿¡Å¸ÀÇ ¾Æ¸®¾Æ
- "¾Æ! ¾Æ¹öÁöÀÇ ¿ë¼µµ ¾øÀÌ(Ah! non poss¡¯io partire)"-ÁÙ¸®¿¡Å¸ÀÇ ¾Æ¸®¾Æ, sop. Anna Netrebko
- "ÀÌ Ä®·Î½á º¹¼ö¸¦ Çϸ®¶ó(E Serbato a questo acciaro)"-Å׹ߵµÀÇ ¾Æ¸®¾Æ, ten. Dano Raffanti
- "ÀÚ µµ¸ÁÄ¡ÀÚ, ¿ì¸®¿¡°Ô´Â ±×±æ¹Û¿¡ ¾ø´Ù(Si, fuggire)"-1:·Î¸Þ¿À¿Í ÁÙ¸®¿¡Å¸ÀÇ »ç¶ûÀÇ 2Áßâ
- "Çϴ÷Π¿Ã¶ó°£ ±×´ë ¾Æ¸§´Ù¿î ¿µÈ¥ÀÌ¿©(Deh, tu bell¡¯anima)"-2:·Î¹Ì¿ÀÀÇ ¾Æ¸®¾Æ, ms. Joyce DiDonato
- º§¸®´Ï, ¿ÀÆä¶ó <ÇØÀû>;
- "±× ¼ø°áÇÑ ¹Ì¼Ò·Î(Col sorriso d¡¯innocenza)", sop.Angela Gheorghiu
- "õÁø³¸¸ÇÑ ¹Ì¼Ò¿Í »ç¶ûÀÌ °¡µæÇÑ ¸ð½À(Col sorriso d¡¯innocenza)"
- º¸³ª±¸¶ó, ¼º¾Ç°î "¹Ù´Ù¿¡ ºñÄ£ ´Þ(Luna Marinara)", $ Luciano Pavarotti(Ten), * Michael John Bonagura
- º¸³íÄ¡´Ï,¾ÈÅä´Ï¿À ¸¶¸®¾Æ, ¿ÀÆä¶ó ; /"ÇǰïÇÑ ¼ø·ÊÀÚó·³(Cosi stanco Pellegrino)" * Giovanni Bononcini(1670-1747 Italian Baroque)
- º¸·Îµò, ±³Çâ°î 1, Eb
- º¸·Îµò, ±³Çâ°î 2, b, Op.5, "¿µ¿õ", "ºñâ"°ú ÇÔ²² ·¯½Ã¾Æ¸¦ ´ëÇ¥ÇÏ´Â À½¾Ç, 30m$, Radio-Sinfonieorchester Stuttgart/Carlos Kleiber
- º¸·Îµò, ¾ß»ó°î, 8m
- º¸·Îµò, ¿ÀÆä¶ó <À̰ñ°ø>; /"Æú·ÎºñÄ¡ÀÇ ¹«°î"
- º¸·Îµò, Áß¾Ó ¾Æ½Ã¾ÆÀÇ ÃÊ¿ø¿¡¼(In The Steppes of Central Asia), °üÇö¾ÇÀû ȸÈ
- º¸·Îµò, ÇǾƳë5ÁßÁÖ°î, c, ´ëÇ¥Àû ÀÛǰ,20m
- º¸·Îµò, Çö¾Ç4ÁßÁÖ°î 1, A, 36m
- º¸·Îµò, Çö¾Ç4ÁßÁÖ°î 2, D, $, 2MÀº NocturnÀ¸·Î µ¶¸³ÀûÀ¸·Î ¿¬ÁֵDZ⵵ ÇÔ, $ Takacs Quartet
- º¸¸£Æ®³Æ½ºÅ°, ¼º¾Ç°î "»ç¶ûÀÇ Èû¿¡ ±â´ë¾î ±âµµÇÕ´Ï´Ù"
- º¸¿ìÀÎ,¿äÅ©, ªÀº ¼Ò³ªÅ¸, Op.35-1, 13m, Edwin York Bowen (1884~1961 English)
- º¸À̽º,Àª¸®¾ö, ±³Çâ°î 1, Bb, 8m * William Boyce (1711-1779 English)
- º¸À̽º,Àª¸®¾ö, ±³Çâ°î 7, Bb, 9m
- º¸À̽º,Àª¸®¾ö, ¼°î 2, G, 7m
- º¸À̽º,Àª¸®¾ö, Æ®¸®¿À ¼Ò³ªÅ¸ 2, F, 8m
- º¸À̽º,Àª¸®¾ö, Æ®¸®¿À ¼Ò³ªÅ¸ 8, Eb, 11m$, Collegium Musicum 90
- º¸À̽º,Àª¸®¾ö, ÇÕÁÖÇùÁÖ°î(Concerto grosso), Bb, 11m $ Cantilena/Adrian Shepherd
- º¸ÀÌÅä, ¿ÀÆä¶ó <¸ÞÇǽºÅäÆç·¹(Mefistofele)>; /ÀüÁÖ°î * Arrigo Boito(1842-1918 Italian &poet)
- "³ª´Â ºÎÁ¤ÇÑ ¿µÈ¥(Son lo spirito che nega)", bs.Samuel Ramey
- "¾î´À³¯ ±íÀº ¹Ù´å¼Ó¿¡(L¡¯altra notte in fondo al mare)", sop.Renata Tebaldi
- º¸Ã¿¸®, ¾Èµå·¹¾Æ, ·Î¸Á½º(?)
- º¸Äɸ®´Ï, ±³Çâ°î, C, G.41
- º¸Äɸ®´Ï, ±³Çâ°î, A, Op.35-3, G.511, 16m
- º¸Äɸ®´Ï, ±³Çâ°î, F, Op.35-4. G.512, 17m, # Ensemble 415/Chiara Banchini
- º¸Äɸ®´Ï, ±³Çâ°î, A, Op.37-4, G.518
- º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 1, d, G.445
- º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 2, E, G.446
- º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 3, Bb, G.447
- º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 4, D, G.448, "Fandango", 17m#
- º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 5, D, G.449
- º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 6, G, G.450
- º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 7, e, G.451
- º¸Äɸ®´Ï, ±âŸ5ÁßÁÖ°î 9, C, G.453, "¸¶µå¸®µå·ÎºÎÅÍÀÇ ±Í¿µ(La Ritirata di Madrid)", 27m#, $ Pepe Romero(guitar), Academy of St. Martin in the Fields
- º¸Äɸ®´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, Bb
- º¸Äɸ®´Ï, ¼ÁÖ¿Í ÆÇ´ç°í(Introduction and Fandango)
- º¸Äɸ®´Ï, ½ºÅ¸¹ÙÆ® ¸¶Å׸£ (½½ÇÄÀÇ ¼º¸ð), G.532, ¼ÒÇÁ¶ó³ë¿Í °üÇö¾ÇÀÌ ¾Ó»óºíÀ» ÀÌ·ë
- º¸Äɸ®´Ï, ÿ·Î¼Ò³ªÅ¸ 6, A
- º¸Äɸ®´Ï, ÿ·ÎÇùÁÖ°î 6, D. G.479, 17m
- º¸Äɸ®´Ï, ÿ·ÎÇùÁÖ°î 7, G, G.480
- º¸Äɸ®´Ï, ÿ·ÎÇùÁÖ°î 9, Bb, G.482, 5CCÁß °¡Àå ¶Ù¾î³²,23m#, Yo-Yo Ma(vc),Ton Koopman(keyboard),Amsterdam Baroque Orchestra/Ton Koopman
- º¸Äɸ®´Ï, ÿ·ÎÇùÁÖ°î, C, G.573
- º¸Äɸ®´Ï, ÆÇ´ç°í, ÃÀ¹ß·Î°î, Fandango;(music for) a lively Spanish dance
- º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, C, Op.2-6, G.164
- º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, g, Op.8-4, G.168, Op.8(G.165-G.170)
- º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, A, Op.8-6, G.170, 11m, Venice String Quartet
- º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, E, Op.11-5, G.275, 21m
- º¸Äɸ®´Ï, Çö¾Ç4ÁßÁÖ°î, g, Op.32-5, G.205, 17m, Cuarteto Casals
- º¸Äɸ®´Ï, Çö¾Ç5ÁßÁÖ°î, "¸¶µå¸®µå ¹ãÀÇ À½¾Ç", 1780c,10m
- º¸Äɸ®´Ï, Çö¾Ç5ÁßÁÖ°î, E Op.11-5, G.275, 21m#,
- º¸Äɸ®´Ï, Çö¾Ç5ÁßÁÖ°î, g, Op.29-6, G.318, 20m
- º¸Å׸£¹®Æ®(Çѽº), ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, Vc, 5m * Hans Bottermund(1892 - 1949)
- º¸Å׽ôÏ, ´õºíº£À̽ºÇùÁÖ°î, f#, 23m * Giovanni Bottesini(1821-1889 Italian &db)
- º¸Å׽ôÏ, º§¸®´ÏÀÇ ¸ùÀ¯º´ÀÇ ¿©Àο¡ ÀÇÇÑ È¯»ó°î(Fantasia Sonnambula), (Db & Pf)
- º¸Å׽ôÏ, Elegia, D, Ryutaro Hei(double bass)/Yu Kosuge(pf)
- º¹¼, ¾ß»ó°î(¿Àº¸¿Í ÇÏÇÁ¸¦ À§ÇÑ), F
- º» Àª¸®¾Ï½º, "In the Fen Country", 14m, Academy of St. Martin in the Fields/Sir Neville Marriner
- º» Àª¸®¾Ï½º, ±³Çâ°î 1, "¹Ù´Ù(Sea Symphony)", 66m, London Symphony Orchestra and London Symphony Chorus/Andre Previn
- º» Àª¸®¾Ï½º, ±³Çâ°î 2, "·±´ø±³Çâ°î", 46m, ´ëÇ¥ÀÛ $ London Symphony Orchestra/Andre Previn
- º» Àª¸®¾Ï½º, ±³Çâ°î 3, "Àü¿ø(Pastoral)", 33m, $
- º» Àª¸®¾Ï½º, ±³Çâ°î 4, f, 1935c, 33m
- º» Àª¸®¾Ï½º, ±³Çâ°î 5, D, 40m#, Curtis Institute Symphony Orchestra/Andre Previn
- º» Àª¸®¾Ï½º, ±³Çâ°î 6, e,Â÷°©°í »ý±â°¡ ¾ø´Â Á¤Àû,¿µ±¹¹Î¿äÀÇ ¿ä¼Ò °¡¹Ì, 1944-47c
- º» Àª¸®¾Ï½º, ±³Çâ°î 7, "³²±Ø(Sinfonia Antartica)", 38m, $ Linda Hohenfeld(Sop),Philharmonia Orchestra/Leonard Slatkin,Women of the Philharmonia Chorus
- º» Àª¸®¾Ï½º, ³¯¾Æ¿À¸£´Â Á¾´Þ»õ(The Lark Ascending), 15m
- º» Àª¸®¾Ï½º, ³ëÆÜ ±¤½Ã°î 1(Norfolk Rhapsody), e
- º» Àª¸®¾Ï½º, ·Î¸Á½º(¹ÙÀ̿ø°°ú ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ), "Á¾´Þ»õ ³¯¾Æ ¿À¸£´Ù", 14m
- º» Àª¸®¾Ï½º, "¸»¹ú(The Wasps)":¼°î
- º» Àª¸®¾Ï½º, 'ºÎÀÚ¿Í ³ª»ç·Î'ÀÇ 5°³ÀÇ º¯Çü(Five Variants of 'Dives and Lazarus'), °üÇö¾Ç°î $
- º» Àª¸®¾Ï½º, ¼º¾Ç°î "·ùÆ®¸¦ µç ¿À¸£Æä¿ì½º (Orpheus with his lute)", ct.ten.David Daniels
- º» Àª¸®¾Ï½º, ¼º¾Ç°î "¸°µ§ ÃÊ¿ø(Linden Lea)", ct.David Daniels, ct.ten.David Daniels
- º» Àª¸®¾Ï½º, ¼º¾Ç°î <¿©ÇàÀÇ ³ë·¡>(9 Songs of Travel), 9°îÀ¸·Î ±¸¼º
- "6) The Infinite Shining Heavens"
- "7) Whither I must wander?"
- "8) Bright is the ring of words"
- "9) I have trod the upwrd and the downward slope"
- º» Àª¸®¾Ï½º, ¿Àº¸ÇùÁÖ°î, a, 16m, # Maurice Bourgue(ob)/English Chamber Orchestra/William Boughton
- º» Àª¸®¾Ï½º, õ·Î¿ªÁ¤ ¸ðÀ½°î(The Pilgrim's Progress: Suite), 8m
- º» Àª¸®¾Ï½º, "Å丶½º Å»¸®½º ÁÖÁ¦¿¡ ÀÇÇÑ È¯»ó°î", Å丶½º Å»¸®½º´Â 1550³â´ë ¿µ±¹ÀÇ ´ëÇ¥Àû ÀÛ°î°¡, 18m, # Royal Philharmonic Orchestra/Leopold Stokowski
- º» Àª¸®¾Ï½º, "Ææ ÄÁÆ®¸®¿¡¼(In the Fen Country)"
- º» Àª¸®¾Ï½º, "Ǫ¸¥ ¿Ê¼Ò¸Å ÁÖÁ¦¿¡ ÀÇÇÑ È¯»ó°î"
- º» Àª¸®¾Ï½º, ÇùÁÖ°î(µÎ´ëÀÇ ÇǾƳ븦 À§ÇÑ), 30m
- º¼¶õ½º,Äɺó, Leaping Dance, * Kevin Volans(1949- South Africa)
- º¼¸µ,Ŭ·Îµå, 2´ëÀÇ ÇǾƳ븦 À§ÇÑ ¼Ò³ª´Ù * Claude Bolling(1930- French Jazz Pf &comp)
- º¼¸µ,Ŭ·Îµå, ÇÃ·çÆ®¿Í ÀçÁî ÇÇ¾Æ³ë Æ®¸®¿À¸¦ À§ÇÑ ¸ðÀ½°î 1(Suite for Flute and Jazz Piano Trio)
- º¼¸µ,Ŭ·Îµå, ÇÃ·çÆ®¿Í ÀçÁî ÇÇ¾Æ³ë Æ®¸®¿À¸¦ À§ÇÑ ¸ðÀ½°î 2(Suite for Flute and Jazz Piano Trio)
- º¼¸µ,Ŭ·Îµå, Baroque and Blue
- º¼ÇÁ, °¡°îÁý(¸þ¸®ÄÉ ½Ã¿¡ ÀÇÇÑ), * Hugo Wolf(1860-1903 Austrian)
- "ÁÁÀº ³²ÀÚ¿Í ÁÁÀº ¿©ÀÚ(Gutmann und Gutwieb)", bar. Dietrich Fischer-Dieskau
- º¼ÇÁ, ¼º¾Ç°î "°¡´Ï¸Þµå(Ganymed)"
- º¼ÇÁ, ¼º¾Ç°î "±âµµ(Gebet)"
- º¼ÇÁ, ¼º¾Ç°î "³ª¸¦ À§·ÎÇØÁÙ °÷Àº ¾îµðÀΰ¡(Wo finde ich Trost)"
- º¼ÇÁ, ¼º¾Ç°î "µµ¹ö¿©Çà"
- º¼ÇÁ, ¼º¾Ç°î "¹ãÀÇ ¸¶¹ý(Nachtzauber)", bar.Bo Skovhus
- º¼ÇÁ, ¼º¾Ç°î "¹æ¶û±æ¿¡(Auf einer Wanderung)", bar.Thomas Quasthoff
- º¼ÇÁ, ¼º¾Ç°î "¼¼·¹³ªµ¥(Das Staendchen)", ten.Christoph Pregerdien
- º¼ÇÁ, ¼º¾Ç°î "¿©¸§³¯ÀÇ ÀÚÀå°¡(Wiegenlied im Sommer)", sop.Rita Striech
- º¼ÇÁ, ¼º¾Ç°î "¿¾±×¸²¿¡ ºÎÃÄ(Auf ein altes Bild)", bar.Dietrich Henschel
- º¼ÇÁ, ¼º¾Ç°î "¿äÁ¤ÀÇ ³ë·¡"
- º¼ÇÁ, ¼º¾Ç°î "ÀºµÐ(Verborgenheit)", bar.Dietrich Fischer-Dieskau/Sviatoslav Richter(pf)
- º¼ÇÁ, ¼º¾Ç°î "ÀÚ´Â ¾Æ±â¿¹¼ö(Schlafendes Jesuskind)"
- º¼ÇÁ, ¼º¾Ç°î "ÁÖÇöÁ¦(Epiphanias)"
- º¼ÇÁ, ¼º¾Ç°î "ħ¹¬ÀÇ »ç¶û(Verschwiegene liebe)"
- º¼ÇÁ, ¾ÆÀÌÇîµµ¸£ÇÁ °¡°îÁý, 15°îÀ¸·Î ±¸¼º, Çâ¼ö°¡ °¡Àå À¯¸í, µ¿Çü¹Ýº¹À» °ÅµìÇÏ´Â ÇÇ¾Æ³ë ¹ÝÁÖ°¡ Ư»ö
- º¼ÇÁ,¿¡¸¥½ºÆ® ºôÇ︧, Çö¾Ç4ÁßÁÖ°î, d, "Quatro", * Ernst Wilhelm Wolf(1735-1792 German)
- º¼ÇÁ-Æä¶ó¸®, ¹Ù¼ø, È¥°ú ÇöÀ» À§ÇÑ Á¶°î-ÇùÁÖ°î, F, Op.16, 22m
- º¼ÇÁ-Æä¶ó¸®, ¿ÀÆä¶ó <¼º¸ðÀÇ º¸¼®>; /°£ÁÖ°î
- º¼ÇÁ-Æä¶ó¸®, ¿ÀÆä¶ó <¼öÁÝÀº ¿©ÀÎ(La dama boba)>; /¼°î$
- º¼ÇÁ-Æä¶ó¸®, À̵ô·¹(¸ñ°¡)ÇùÁÖ°î(Idillio Concertino), Op.15(1932), 20m, Diego Dini Ciacci(ob),Orchestra of Venice and Padua/Zsolt Hamar
- ºÆ¸Þ(Oskar Boehme), Æ®·³Æê°ú ÇǾƳ븦 À§ÇÑ ÇùÁÖ°î, f, Op.18, 14m
- ºÀÆÄ,·çÀ̽º, Ä«´Ï¹ßÀÇ ¾ÆÄ§(Manha de Carnaval), * Luiz Bonfa(1922-2001 Brazillian guitarist&)
- ºÎÁ¶´Ï, Åõ¶õµµÆ® ¸ðÀ½°î(Turandot Suite for orchestra)-±ØºÎ¼öÀ½¾Ç, Op.41, 24m, Filarmonica della Scala/Riccardo Muti, * Ferruccio Busoni(1866-1924 Italian &pf)
- ºÎÁö ÆäÄ¡¾Æ(Buzzi-Peccia), °¡°î "·Î¸®Å¸"(Lolita)
- ºÏ½ºÅ×Èĵ¥(Dietrich Buxtehude), ¼Ò³ªÅ¸ 3, g, BuxWV.261
- ºÒ¶ûÁ¦,¸±¸®, º½ÀÇ ¾ÆÄ§¿¡(D'un matin de printemps(Of a Spring Morning)) * Lili Boulanger(1893-1918 French) Nadia BoulangerÀÇ ¿©µ¿»ý
- ºä¶¥, ¹ÙÀ̿ø°ÇùÁÖ°î 4, d, Op.31, $5 Hilary Hahn(vn),German Philharmonic Chamber Orchestra of Bremen/Paavo Jarvi
- ºä¶¥, ¹ÙÀ̿ø°ÇùÁÖ°î 5, a, Op.37, VC4º¸´Ù ¼Á¤Àû, 19m # Leonid Kogan(vn),Moscow State Orchestra/Kirill Kondrashin
- ºä¶¥, ºñ¿Ã¶ó¼Ò³ªÅ¸, Bb, Op.36, 22m, $ Antoine Tamestit(va)/Cedric Tiberghien(pf)
- ºä¶¥, ÿ·ÎÇùÁÖ°î 1, a, Op.46, 27m, Wen-Sinn Yang(vc)/Evergreen Symphony Orchestra/Gernot Schmalfuss
- ºê¶ó°¡Åä,È£¼¼, ±×¶ó½Ã¿¤¶ó¿Í ºÎ¿¡³ë½º¾ÆÀÌ·¹½º(Graciela y Buenos Aires), * Jose Bragato(1915- Italian-born Argentine Vc)
- ºê¶ó´ÏÃ÷Ű,ÆÄ¿ï, ±³Çâ°î, c, Op.11, 18m * Paul Wranitzky(1756-1808 Moravian Classical)
- ºê¶ó´ÏÃ÷Ű,ÆÄ¿ï, ±³Çâ°î, D, Op.36
- ºê¶óÀ̾,°³ºó, ¼º¾Ç°î "On Photography", 15m, * Gavin Bryars(1943- English)
- ºê¶óÃ÷Ű, ¼º¾Ç°î "Be My Love", $ Joseph Calleja(Ten), Mario Lanza(Ten), * Nicholas Brodszky(1905-1958 Russian)
- ºê¶õµé,¿äÇÑ, 5ÁßÁÖ°î(ÆÄ°÷°ú ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÿ·Î, ÇǾƳ븦 À§ÇÑ), F, Op.13, 21m * Johann Evangelist Brandl(1760-1837 German)
- ºê¶õµé,¿äÇÑ, 5ÁßÁÖ°î(ÆÄ°÷°ú ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÿ·Î, ÇǾƳ븦 À§ÇÑ), C, Op.61, 25m
- ºê¶õµé,¿äÇÑ, 5ÁßÁÖ°î(ÆÄ°÷°ú ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÿ·Î, ÇǾƳ븦 À§ÇÑ), F, Op.62, 22m, Calamus Ensemble
- ºê¶õµé,¿äÇÑ, ±³Çâ°î, D, Op.25
- ºê¶÷½º, 3°³ÀÇ °£ÁÖ°î(3 Intermezzi for piano), Op.117, Markus Groh(pf)
- °£ÁÖ°î 1(Intermezzo), Eb, Op.117-1, 4m
- °£ÁÖ°î 2(Intermezzo), bb, Op.117-2, 4m
- °£ÁÖ°î 3(Intermezzo), c#, Op.117-3, 6m
- ºê¶÷½º, 4°³ÀÇ ÇÇ¾Æ³ë ¼Òǰ(4 Klavierstuecke), Op.119;
- 1) °£ÁÖ°î(Intermezzo), b, Op.119-1
- 2) °£ÁÖ°î(Intermezzo), e, Op.119-2
- 3) °£ÁÖ°î(Intermezzo), C, Op.119-3
- 4) ±¤½Ã°î(Rhapsody), Eb, Op.119-4
- ºê¶÷½º, 6°³ÀÇ ÇÇ¾Æ³ë ¼Òǰ(6 Klavierstuecke), Op.118;
- 1) °£ÁÖ°î 2(Intermezzo), A, Op.118-2
- ºê¶÷½º, ±³Çâ°î 1, c, Op.68, ºñ±ØÀû, "10¹ø±³Çâ°î", 3B À½¾Ç°¡, ¹ÙÈå º£Å亥, 48m, $ New York Philharmonic/Kurt Masur, $ Concertgebouw Orchestra/Eduard van Beinum, $ Orchestre de Paris/Charles Munch
- ºê¶÷½º, ±³Çâ°î 2, D, Op.73, ¸ñ°¡Àû, "ºê¶÷½ºÀÇ Àü¿ø±³Çâ°î", 40m$, $1) Gewandhausorchester/Riccardo Chailly, $2) Berliner Sinfonie-Orchester/Guenther Herbig
- ºê¶÷½º, ±³Çâ°î 3, F, Op.90, ³²¼ºÀû, "ºê¶÷½ºÀÇ ¿µ¿õ±³Çâ°î"(¸®È÷ÅÍ), "½£ÀÇ ¸ñ°¡"(½´¸¸)
- ºê¶÷½º, ±³Çâ°î 4, e, Op.98, ¾Ö¼öÀû,³ÇØÇÑ °î, $ Wiener Philharmoniker/Carlos Kleiber
- ºê¶÷½º, ´ëÇÐÃàÀü ¼°î, Op.80, C80
- ºê¶÷½º, µ¶ÀÏ ·¹Äû¿¥, Op.45, 67m
- ºê¶÷½º, µ¶ÀÏ ¹Î¿ä(14°³ÀÇ), WoO.34, /Àú±â °ñÂ¥±â ¾Æ·¡·Î(Da unten im tale), /Çã¶ôÇØÁÖ¿À »ç¶û½º·± ¾Æ°¡¾¾¿©(Erlaube mir, fein¡¯s Maedchen)
- ºê¶÷½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, G, Op.78, 3M > ºñÀÇ ³ë·¡ ¼±À² »ç¿ë, "ºñÀÇ ¼Ò³ªÅ¸", 26m$, 1) Anne-Sophie Mutter(Vn)/Lambert Orkis(Pf) 2) Esther Nyffenegger(vc)/Annette Weisbrod(pf); ÿ·ÎÆí°î
- ºê¶÷½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, A, Op.100, "Âù°¡¼Ò³ªÅ¸", "Åæ¼Ò³ªÅ¸"
- ºê¶÷½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, d, Op.108, 20m, Wolfgang Schneiderhan(vn)/Carl Seemann(pf), Jamie Larerdo(vn)/Vladimir Sokoloff(pf)
- ºê¶÷½º, ¹ÙÀ̿ø°ÇùÁÖ°î, D, Op.77, 3´ë VC, 39m$, $ Michele Auclair(vn),Wiener Symphoniker/Willem van Otteloo
- ºê¶÷½º, ¹ÙÀ̿ø°°ú ÿ·Î¸¦ À§ÇÑ ÀÌÁßÇùÁÖ°î, a, Op.102, 32m, $$ Zino Francescatti(vn),Pierre Fourniner(vc),Columbia Symphony Orchestra/Bruno Walter 2) Yehudi Menuhin (Vn),Mstislav Rostropovich(Vc),London Symphony Orch/Colin Davis
- ºê¶÷½º, ¹ß¶óµå 4, B, Op.10-4, Ballads(4):Op.10(d, D, b, B)
- ºê¶÷½º, º¯ÁÖ°î(½´¸¸ ÁÖÁ¦¿¡ ÀÇÇÑ), Op.9, 16m, Pf
- ºê¶÷½º, º¯ÁÖ°î(ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ), Op.35, 20m# Jean-Yves Thibaudet(Pf)
- ºê¶÷½º, º¯ÁÖ°î(ÇÏÀ̵ç ÁÖÁ¦¿¡ ÀÇÇÑ), Op.56a, Op.56b
- ºê¶÷½º, ºñ±ØÀû ¼°î(Tragic Overture), d, Op.81, 15m#, C80, $ Gewandhausorchester/Riccardo Chailly
- ºê¶÷½º, ºñ¿Ã¶ó¼Ò³ªÅ¸ 1, f, Op.120-1, 21m
- ºê¶÷½º, ºñ¿Ã¶ó¼Ò³ªÅ¸ 2, Eb, Op.120-2, 20m, Kim Kashkashian(Va)
- ºê¶÷½º, ¼º¾Ç°î "Love Brings Us Together"
- ºê¶÷½º, ¼º¾Ç°î <4°³ÀÇ ³ë·¡> Op.43; /"¿µ¿øÇÑ »ç¶û(Von ewiger Liebe)"
- ºê¶÷½º, ¼º¾Ç°î "°¡½¿±íÀÌ °£Á÷ÇÑ µ¿°æ(Gestillte Sehnsucht)", Op.91-1
- ºê¶÷½º, ¼º¾Ç°î "°ñÂ¥±â ¾Æ·¡·Î(Da untem in Tale)"
- ºê¶÷½º, ¼º¾Ç°î "±×°ÍÀº ½½ÇÄÀΰ¡ ±â»ÝÀΰ¡(Sind es schmerzen, sind es freuden)"
- ºê¶÷½º, ¼º¾Ç°î "³ª´Â Á¡Á¡ Æòȷοî Àá¿¡ ºüÁ®µé°í(Immer leiser wird mein Schlummer)", Op.105-2, sop.Jessye Norman/Daniel Barenboim(pf)
- ºê¶÷½º, ¼º¾Ç°î "³» »ç¶ûÀº ÃÊ·Ï»ö" Op.63-5
- ºê¶÷½º, ¼º¾Ç°î "´Þ¿¡°Ô(An den Mond)" Op.71-2
- ºê¶÷½º, ¼º¾Ç°î "µéÀÇ Àû¸·(Feldeinsamkeit)", Op.86-2, bar.Dieskau
- ºê¶÷½º, ¼º¾Ç°î "º¸¶÷¾ø´Â ¼¼·¹³ªµ¥", Op.84-4
- ºê¶÷½º, ¼º¾Ç°î "ºñ¹Ð(Geheimnis)", Op.71-3
- ºê¶÷½º, ¼º¾Ç°î "ºñÀÇ ³ë·¡(Regenlied)"
- ºê¶÷½º, ¼º¾Ç°î "»çÆ÷ Âù°¡(Sapphische Ode)", Op.94-4, sop.Jessye Norman/Daniel Barenboim(pf)
- ºê¶÷½º, ¼º¾Ç°î "»ç¶ûÀÇ ³ë·¡(Minnelied)", Op.71-5, bass. Hans Hotter
- ºê¶÷½º, ¼º¾Ç°î "¼Ò³àÀÇ ³ë·¡" Op.107-5
- ºê¶÷½º, ¼º¾Ç°î "¼Ò½Ä" Op.47-1
- ºê¶÷½º, ¼º¾Ç°î "½ÄŹÀÇ ³ë·¡(Tafellied)"
- ºê¶÷½º, ¼º¾Ç°î "¿µ¿øÇÑ »ç¶û(Von ewiger Liebe)", Op.43-1, sop.Jessye Norman
- ºê¶÷½º, ¼º¾Ç°î "¿À·¡µÈ »ç¶û(Alte Liebe)"
- ºê¶÷½º, ¼º¾Ç°î "ÀÏ¿äÀÏ(Sonntag)", Op.47-3, bar.Hermann Prey
- ºê¶÷½º, ¼º¾Ç°î "ÀÚÀå°¡(Wiegenlied)", boy sop. Anthony Way
- ºê¶÷½º, ¼º¾Ç°î "ÀáÀÇ ¿äÁ¤(Sandma"nnchen)", $ sop.Elly Ameling
- ºê¶÷½º, ¼º¾Ç°î "Á¤¿ø»ç(Die Gaertener)", Op.17-3, The Monteverdi Choir
- ºê¶÷½º, ¼º¾Ç°î "Ç×ÇØ"
- ºê¶÷½º, ¼º¾Ç°î "È£¼ö¿¡¼(Auf dem See)", Op.106-2
- ºê¶÷½º, ¼¼·¹³ªµ¥ 1, D, Op.11, 45m#, $ LSO/Michael Tilson Thomas
- ºê¶÷½º, ¼¼·¹³ªµ¥ 2, A, Op.16, 5M32m$, # London Symphony Orch.:Michael Tilson Thomas, $ London Symphony Orchestra/Bernard Haitink
- ºê¶÷½º, ½Â¸®ÀÇ ³ë·¡, Op.55, ºñÁ¦ÀÇ °üÇö¾Ç¼°î 'Á¶±¹'°ú ´ëÁ¶
- ºê¶÷½º, ¾Æ¸§´Ù¿î ¸¶°Ö·Î³×, ¿¬°¡°îÁý; /"ÀÌ ±â»Ý°ú ȲȦÇÔÀ» ¾î¶»°Ô ÇØ¾ß Çϳª¿ä?(Wie soll ich die Freude, die Wonne denn tragen?)"
- ºê¶÷½º, ¾ÙÅä ·¦¼Òµð(Alto Rhapsody), ¾ÙÅä µ¶Ã¢; ±â±³ ¹èÁ¦ À½¾Ç¼º °Á¶
- ºê¶÷½º, ¿µ¿øÇÑ »ç¶û¿¡ ´ëÇØ¼(Von ewige Liebe), Op.43-1, Vc & Pf, 4m
- ºê¶÷½º, ¿ÐÃ÷(16°î), Op.39
- ºê¶÷½º, ¾ÖµµÀÇ ³ë·¡ (Naenie), Op.82, 14m
- ºê¶÷½º, ¿î¸íÀÇ ³ë·¡(Schicksallied), Op.54, 16m
- ºê¶÷½º, ÿ·Î¼Ò³ªÅ¸ 1, e, Op.38, 24m#, 1) Esther Nyffenegger(vc)/Gerad Wyss(pf), 2) Janos Starker(vc)/Gyoergy Sebok(pf)
- ºê¶÷½º, ÿ·Î¼Ò³ªÅ¸ 2, F, Op.99, 2°îÀÇ CS, ³¶¸¸ÁÖÀÇ ½Ã´ëÀÇ ´ëÇ¥Àû ÿ·Î°î, Jacqueline Du Pre(vc)/Ernest Lush(pf)
- ºê¶÷½º, Ŭ¶ó¸®³Ý3ÁßÁÖ°î, a, Op.114, 25m#, Michael Collins(Cl)/Steven Isserlis(Vc)/Stephen Hough(Pf)
- ºê¶÷½º, Ŭ¶ó¸®³Ý5ÁßÁÖ°î, b, Op.115, 3´ë Ŭ¶ó¸®³Ý5ÁßÁÖ(¸ðÂ¥¸£Æ®), 37m, $ 1) Friedrich Fuchs(cl)/Wiener Konzerthaus Quartett, 2) Bernard Walton(cl),Members of the Music Gruop of London
- ºê¶÷½º, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 1, f, Op.120-1
- ºê¶÷½º, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 2, Eb, Op.120-2, 19m, # Martin Frost(cl)/Roland Pontinen(pf)
- ºê¶÷½º, ÇǾƳë3ÁßÁÖ°î 1, B, Op.8, 37m, $ Isaac Stern(vn),Leonard Rose(vc),Eugene Istomin(pf)
- ºê¶÷½º, ÇǾƳë3ÁßÁÖ°î 2, C, Op.87,26m
- ºê¶÷½º, ÇǾƳë3ÁßÁÖ°î 3, c, Op.101
- ºê¶÷½º, ÇǾƳë4ÁßÁÖ°î 1, g, Op.25, 40m
- ºê¶÷½º, ÇǾƳë4ÁßÁÖ°î 2, A, Op.26
- ºê¶÷½º, ÇǾƳë4ÁßÁÖ°î 3, c, Op.60, 32m, The Pro Arte Piano Quartet
- ºê¶÷½º, ÇǾƳë5ÁßÁÖ°î, f, Op.34, 41m, ºê¶÷½ºÀÇ Áß¿äÇÑ ÀÛǰ, $ Elisabethe Leonskaja(Pf),Alban Berg Quartett
- ºê¶÷½º, ÇǾƳë¼Ò³ªÅ¸ 1, C, Op.1
- ºê¶÷½º, ÇǾƳë¼Ò³ªÅ¸ 2, A, Op.100
- ºê¶÷½º, ÇǾƳë¼Ò³ªÅ¸ 3, f, Op.5, 39m
- ºê¶÷½º, ÇǾƳë¼Òǰ(6°³ÀÇ), Op.118, 1) Intermezzo, a, 2) Intermezzo, G, 3) Ballade, g, 4) Intermezzo, f, 5) Romance, F, 6) Intermezzo, eb, 22m
- ºê¶÷½º, ÇǾƳëÇùÁÖ°î 1, d, Op.15, 49m, ºê ÇùÁÖ°î 4°î, PC 2, VC 1,V&CC 1> 19¼¼±â ÃÖ°íºÀ, $ 1) Claudio Arrau(pf),Philharmonia Orchestra/Carlo Maria Giulini, 2) Gary Graffman(Pf),Boston Symphony Orchestra/Charles Munch, 3) Maurizio Pollini(pf),Berliner Philharmoniker/Claudio Abbado, 4)$ Paul Lewis(pf),Swedish Radio Symphony Orchestra/Daniel Harding
- ºê¶÷½º, ÇǾƳëÇùÁÖ°î 2, Bb, Op.83, 50m, 1) $Claudio Arrau(pf)/Philharmonia Orchestra/Carlo Maria Giulini, 2) $ Wilhelm Backhaus(pf)/Wiener Philharmoniker/Carl Schuricht, 3) Wilhelm Backhaus(pf)/Wiener Philharmoniker/Karl Boehm
- ºê¶÷½º, Çë°¡¸® ¹«°î 1, g, Andreas Ottensamer(Cl),Leonidas Kavakos(Vn),Stephan Koncz(Vc), * 21°î, WoO.1, ÇǾƳë & °üÇö¾Ç°î
- ºê¶÷½º, Çë°¡¸® ¹«°î 2, d, Evgeny Kissin(pf)
- ºê¶÷½º, Çë°¡¸® ¹«°î 3, F, Evgeny Kissin(pf)
- ºê¶÷½º, Çë°¡¸® ¹«°î 4, f, f#(orchestra), # Budapest Festival Orchestra/Ivan Fischer
- ºê¶÷½º, Çë°¡¸® ¹«°î 5, f#, g(orchestra), # Budapest Festival Orchestra/Ivan Fischer
- ºê¶÷½º, Çë°¡¸® ¹«°î 6, Db, D(orchestra), Anne-Sophie Mutter(vn), # Budapest Festival Orchestra/Ivan Fischer
- ºê¶÷½º, Çë°¡¸® ¹«°î 7, F, A(orchestra)
- ºê¶÷½º, Çë°¡¸® ¹«°î 8, a
- ºê¶÷½º, Çë°¡¸® ¹«°î 9, e
- ºê¶÷½º, Çë°¡¸® ¹«°î 10, E, F(orchestra)
- ºê¶÷½º, Çë°¡¸® ¹«°î 11, d
- ºê¶÷½º, Çë°¡¸® ¹«°î 12, d
- ºê¶÷½º, Çë°¡¸® ¹«°î 13, D
- ºê¶÷½º, Çë°¡¸® ¹«°î 14, d
- ºê¶÷½º, Çë°¡¸® ¹«°î 15, Bb
- ºê¶÷½º, Çë°¡¸® ¹«°î 16, f
- ºê¶÷½º, Çë°¡¸® ¹«°î 17, f#
- ºê¶÷½º, Çë°¡¸® ¹«°î 18, D
- ºê¶÷½º, Çë°¡¸® ¹«°î 19, b
- ºê¶÷½º, Çë°¡¸® ¹«°î 20, e
- ºê¶÷½º, Çë°¡¸® ¹«°î 21, e
- ºê¶÷½º, Ç ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ¿Í Çª°¡, Op.24, 28m#, °üÇö¾Ç°î & pf, Murray Perahia(pf)
- ºê¶÷½º, Çö¾Ç4ÁßÁÖ°î 1, c, Op.51-1
- ºê¶÷½º, Çö¾Ç4ÁßÁÖ°î 2, a, Op.51-2, 34m, $1) Alban Berg Quartett, 2) Amadeus Quartet
- ºê¶÷½º, Çö¾Ç4ÁßÁÖ°î 3, Bb, Op.67, 38m, $ Budapest String Quartet
- ºê¶÷½º, Çö¾Ç5ÁßÁÖ°î 2, G, Op.111, 30m
- ºê¶÷½º, Çö¾Ç6ÁßÁÖ°î 1(µÎ ´ëÀÇ ¹ÙÀ̿ø° µÎ ´ëÀÇ ºñ¿Ã¶ó ±×¸®°í µÎ ´ëÀÇ Ã¿·Î¸¦ À§ÇÑ), Bb, Op.18, 42m $, 2°³ÀÇ Çö¾Ç6ÁßÁÖ, 1) Nash Ensemble, $2) Mandelring Quartett
- ºê¶÷½º, Çö¾Ç6ÁßÁÖ°î 2, G, Op.36, 40m $ NES Chamber Orchestra/Dmitry Sitkovetsky
- ºê¶÷½º, È£¸¥ 3ÁßÁÖ°î, Eb, Op.40, (Hn Vn Pf)
- ºê·¼,ÀÚÅ©, ¼º¾Ç°î "³¯ ¶°³ªÁö ¸»¾Æ¿ä(Ne me quitte pas)"#, Bruno Laplante(bar), * Jacques Brel(1929-1978 Belgian singer, French)
- ºê·ÎµåÁîŰ, ¼º¾Ç°î "³» »ç¶ûÀÌ µÇ¾î ÁÖ¿À(Be my love)", * Nicholas Brodszky(1905-1958 Ukraine, popular songs)
- ºê·çº¤, Points on Jazz (for two pianos and chamber orchestra), 30m, * Dave Brubeck
- ºê·çÅ©³Ê, 4°³ÀÇ °üÇü³« ¼Òǰ(Four Orchestral Pieces)
- ºê·çÅ©³Ê, °¡À» Àú³áÀ» ¹Ù¶óº¸´Â°í¿äÇÑ ½Ã¼±, Pf, 4m
- ºê·çÅ©³Ê, ±³Çâ°î 1, c, 50m#, Deutsches Symphonie-Orchester Berlin/Riccardo Chailly
- ºê·çÅ©³Ê, ±³Çâ°î 2, c, 52m
- ºê·çÅ©³Ê, ±³Çâ°î 3, d, 59m
- ºê·çÅ©³Ê, ±³Çâ°î 4, Eb, "³¶¸¸Àû ±³Çâ°î", 71m
- ºê·çÅ©³Ê, ±³Çâ°î 5, Bb, 82m
- ºê·çÅ©³Ê, ±³Çâ°î 6, A, 57m $
- ºê·çÅ©³Ê, ±³Çâ°î 7, E, 66m $ Chicago Symphony Orchestra/Sir Georg Solti
- ºê·çÅ©³Ê, ±³Çâ°î 8, c, 76m
- ºê·çÅ©³Ê, ±³Çâ°î 9, d, 66m #, Wien Philharmonic/Carlo Maria Giulini
- ºê·çÅ©³Ê, ·¹Äû¿¥, d
- ºê·çÅ©³Ê, ¹Ì»ç 2, e
- ºê·çÅ©³Ê, ¹Ì»ç 3, f, "´ë¹Ì»ç(Grosse Messe)", 4°î
- ºê·çÅ©³Ê, Çö¾Ç4ÁßÁÖ°î, c, 24m, The Israel String Quartet
- ºê·çÈå, ±³Çâ°î 1, Eb, Op.28, 27m, Staatskapelle Weimar/Michael Halasz
- ºê·çÈå, ±³Çâ°î 2, f, Op.36, 33m, # Staatskapelle Weimar/Michael Halasz
- ºê·çÈå, ±³Çâ°î 3, E, Op.51, 35m
- ºê·çÈå, ·Î¸Á½º(¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ), Op.42, 10m, # Jack Liebeck(vn)/BBC Scottish Symphony Orchestra/Martyn Brabbins
- ºê·çÈå, ·Î¸Á½º(ºñ¿Ã¶ó¿Í °üÇö¾ÇÀ» À§ÇÑ), F, Op.85, 9m, # Yuri Bashmet(va),London Symphony Orchestra/Neeme Jarvi
- ºê·çÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, G, Op.78
- ºê·çÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, A, Op.100
- ºê·çÈå, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, d, Op.108
- ºê·çÈå, ¹ÙÀ̿ø°ÇùÁÖ°î 1, g, Op.26, 3°îÀÇ VCÁß 1$, 26m, {$1)Leonid Kogan(Vn)/Berlin Radio Symphony Orchestra/Lorin Maazel, 2) Zino Francescatti(Vn),New York Philharmonic/Thomas Schippers, 3) Nathan Milstein(vn),Prague Philharmonic Orchestra/Lorin Maazel, 4) Leonidas Kavakos(vn), Enrico Pace(pf)}
- ºê·çÈå, ¹ÙÀ̿ø°ÇùÁÖ°î 2, d, Op.44, 23m, Jascha Heifetz(vn),RCA Victor Symphony Orchestra/Izler Solomon
- ºê·çÈå, ½º¿þµ§ ¹Î¿ä ¼±À²¿¡ ÀÇÇÑ ¼¼·¹³ªµ¥(Serenade on Swedish Melodies), Op.Posth., 15m
- ºê·çÈå, ½ºÄÚÆ²·£µå ȯ»ó°î(Schottische Fantasie:¹ÙÀ̿ø°°ú ÇÏÇÁ¿Í °üÇö¾ÇÀ» À§ÇÑ), Op.46, 24m#, ½ºÄÚÆ²·£µå ¹Î¿ä¸¦ ÁÖÁ¦·Î »ç¿ë, Alfredo Campoli(vn),London Philharmonic Orchestra/Adrian Boult
- ºê·çÈå, ¾Æº£ ¸¶¸®¾Æ, 9m, Vn
- ºê·çÈå, ÀÎ ¸Þ¸ð¸®¾ö(In Memoriam)-¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ ¾Æ´ÙÁö¿À, Op.65, 16m, Savatore Accardo(vn), Gewandhausorchester Leipzig/Kurt Masur
- ºê·çÈå, ÄÌÆ® ÁÖÁ¦¿¡ ÀÇÇÑ ¾Æ´ÙÁö¿À(Adagio on Celtic Themes), e, Op.56, 7m
- ºê·çÈå, ÄÝ ´Ïµå¶óÀÌ(Kol Nidrei for Cello and Orchestra), Op.47, Mischa Maisky
- ºê·çÈå, Ŭ¶ó¸®³Ý°ú ºñ¿Ã¶ó, ÇǾƳ븦 À§ÇÑ 8°³ÀÇ ¼Òǰ, Op.83: I. Andante, II. Allegro con moto, III. Andante con moto, IV. Allegro agitato, V. Rumanische Melodie: Andante, VI. Nachtgesang (Nocturne): Andante con moto, VII. Allegro vivace, ma non troppo, VIII. Moderato
- ºê·çÈå, Çö¾Ç5ÁßÁÖ°î, a, Op.posth.
- ºê¸®Áö, ¹Ù´Ù, H.100, 1) Seascape, 2) Sea Foam, 3) Moonlight, 4) Storm, °üÇö¾Ç¸ðÀ½°î * Frank Bridge(1879-1941 English &Va)
- ºê¸®Ä¡¾Ëµð,ÁÙ¸®¿À, º£´Ï½ºÀÇ »çÀ°Á¦(Il Carnevale de Venezia per flauto e pianoforte), Op.78, James Galway(Fl), Phillip Moll(Pf) * Giulio Briccialdi(1818-1881 Italina Flautist&)
- ºê¸®Æ°, 4°³ÀÇ ¹Ù´Ù °£ÁÖ°î(from Peter Grimes)
- ºê¸®Æ°, ´Ü¼ø±³Çâ°î(Simple symphony for string orchestra), Op.4; 1) ¼Ò¶õ½º·± ºÎ·¹(Boisterous bouree), 2) Àͻ콺·± ÇÇġīÅä(Playful pizzicato), 3) °¨»óÀûÀÎ »ç¶ó¹æµå(Sentimental saraband), 4) Àå³½º·± ¸¶Áö¸·°î(Frolicsome Finale)
- ºê¸®Æ°, º½ ±³Çâ°î, Op.44
- ºê¸®Æ°, ±Ý¿äÀÏ ¿ÀÈÄ, Op.7, ÇÕâ¸ðÀ½Áý
- ºê¸®Æ°, ·¹Äû¿¥
- ºê¸®Æ°, ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î, Op.80,25m
- ºê¸®Æ°, ¼º¾Æ°î "The Foggy, Foggy Dew", ten.Robert Tear
- ºê¸®Æ°, ¿ÀÆä¶ó <ÇÇÅÍ ±×¶óÀÓ½º(Peter Grimes)>; /"Grimes! Grimes!", /Interlude V. Moonlight
- ºê¸®Æ°, Àϸ®¹Ì³ª½º, °¡°îÁý, 7)¾Æ¸§´Ù¿î Á¸Àç(·©º¸ÀÇ ½Ã), ÇÇÅÍ ÇǾîÁîÀÇ ³ë·¡¿¡ ºê¸®Æ°ÀÌ ¹ÝÁÖ¸¦ ÇÔ
- ºê¸®Æ°, û¼Ò³âÀ» À§ÇÑ °üÇö¾Ç ÀÔ¹®, "ÆÛ¼¿ ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î°ú Ǫ°¡", Op.34
- ºê¸®Æ°, Å×³Ê¿Í È¥,ÇöÀ» À§ÇÑ ¼¼·¹³ªµ¥, Op.31
- ºê¸®Æ°, ÇÁ¶ûÅ© ºê¸®Áö ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(Variations on a Theme of Frank Bridge), Op.10, 26m#, London Philharmonic Orchestra/Vladimir Jurowski
- ºê¸®Æ°, ÇǾƳëÇùÁÖ°î, Op.13, 34m
- ºê¸®Æ°, Çö¾Ç4ÁßÁÖ°î, F
- ºê¿Í¸ð¸£Æ¼¿¡, Don Quichotte chez la Duchesse: Overture and Dance Suite, * Joseph Bodin de Boismortier(1689-1755 French Baroque)
- ºê¿Í¿¤µð¿Ü, ÇÏÇÁÇùÁÖ°î, C, 21m, $, Annie Challan(Hp),Ensemble Instrumental Sinfonia/Jean Witold, * Francois-Adrien Boieldieu(1775-1834 French) ÇÁ¶û½ºÀÇ ¸ðÂ¥¸£Æ®¶ó ºÒ¸².
- ºí¶óº£,¹Ì½©, ÇÃ·çÆ®ÇùÁÖ°î, a, Jean-Pierre Rampal(Fl),Jean Francois Paillard's Chamber Orchestra/ Jean Francois Paillard, * Michel Blavet(1700-1768 French &fl)
- ºí·£µå, ¼º¾Ç°î "³»°íÇâÀ¸·Î ³ª¸¦ º¸³»ÁÖ¿À(Carry Me Back to Old Virginy)", bar. Hermann Prey, * James A. Bland(1854-1911 African-American)
- ºí·ÎÈå, ±³Çâ°î "±¤¾ßÀÇ ¼Ò¸®", À¯ÅÂÀû, 27m * Ernest Bloch(1880-1959 Swiss-born American)
- ºí·ÎÈå, ¹Ù¾Ë ¼À(Baal Shem)(=Master of the Name)
- ºí·ÎÈå, À¯ÅÂÀÎÀÇ »î(Jewish life); 1) ±âµµ(prayer) 2) ±â¿ø(supplication) 3) À¯ÅÂÀÎÀÇ ³ë·¡(Jewish song), 9m
- ºí·ÎÈå, Çìºê¶óÀÌ ±¤½Ã°î(¼Ö·Î¸ó,ÿ·Î¿Í °üÇö¾ÇÀ» À§ÇÑ)
- ºñ´Ï¾Æºê½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î 1, F, Op.14, 1853c, 27m#, Ivry Gitlis(vn),Orchestre National de L'Opera de Monte-Carlo/Jean-Claude Casdesus, * Henryk Wieniawski(1835-1880 Polish &Vn)
- ºñ´Ï¾Æºê½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î 2, d, Op.22, 2°îÁß 2$
- ºñ´Ï¾Æºê½ºÅ°, ½ºÄɸ£Á¶ Ÿ¶õÅÚ¶ó(Scherzo-tarantelle), Op.16, 5m#, Gavriel Lipkind(vc)/Alexandra Lubchansky(pf)
- ºñ´Ï¾Æºê½ºÅ°, Àü¼³( ·¹°Õµ¥), Op.17
- ºñ´Ï¾Æºê½ºÅ°, Æú·Î³×ÀÌÁî(¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), A
- ºñµµ¸£(Âû½º ¸¶¸®), ¿À¸£°µ±³Çâ°î, Op.13-1, 38m, Charles-Marie Widor(1844-1937 French)
- ºñµµ¸£(Âû½º ¸¶¸®), ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, Op.34, 17m
- ºñµµ¸£(Âû½º ¸¶¸®), ÇǾƳë ÇùÁÖ°î 2, c, Op.77, 19m, # Markus Becker(pf),BBC National Orchestra of Wales/Thierry Fischer
- ºñµµ¸£(Âû½º ¸¶¸®), ȯ»ó°î(Fantaisie), Ab, Op.62, 22m#, Markus Becker(pf),BBC National Orchestra of Wales/Thierry Fischer
- ºñ·», ¼¼·¹³ªµ¥, Op.11, 14m#, Academy of St. Martin in the Fields/Sir Neville Marriner, * Dag Wiren(1905-1986 Swedish)
- ºñ·», Çö¾Ç4ÁßÁÖ°î 3, d, Op.18
- ºñ¹ßµð, 2´ëÀÇ ¹ÙÀ̿ø°, ·ùÆ®, ¹Ù¼Ò ÄÜÆ¼´º¿À¸¦ À§ÇÑ ÇùÁÖ°î, D, RV.93 * Antonio Vivaldi(1678-1741 Italian Baroque)
- ºñ¹ßµð, ±Û·Î¸®¾Æ(Gloria), D, RV.589
- ºñ¹ßµð, ±âŸÇùÁÖ°î, A, RV.82, 10m, Sharon Isbin(guitar)/Zurich Chamber Orchestra/Howard Griffiths
- ºñ¹ßµð, ¶ó ½ºÆ®¶ó¹Ù°£ÀÚ(La Stravaganza), Op.4, 12 ÇùÁÖ°î(Vn)
- ÇùÁÖ°î 7, C, RV.185, Jean-Pierre Wallez(vn)/Ensemble Instrumental de France
- ÇùÁÖ°î 8, d, RV.249, # Rachel Podger(Vn)/Arte dei Suonatori/li>
- ÇùÁÖ°î 9, F, RV.284, Jean-Pierre Wallez(vn)/Ensemble Instrumental de France
- ºñ¹ßµð, ¸®ÄÚ´õÇùÁÖ°î, G, RV.437
- ºñ¹ßµð, ¸¸µ¹¸°ÇùÁÖ°î, C, RV.425, 8m#, Eliot Fisk(guitar)/Orchestra of St. Luke's
- ºñ¹ßµð, ¸ðÅׯ® <¼¼»ó¿¡ Âü ÆòÈ ¾ø¾î¶ó>, RV.630; /"¼¼»ó¿¡ Âü ÆòÈ ¾ø¾î¶ó(Nulla in mundo pax sincera)", sop.Emma Kirkby
- ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, C, RV.472
- ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, C, RV.477, 11m
- ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, d, RV.481
- ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, Eb, RV.483
- ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, e, RV.484, 12m
- ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, F, RV.487
- ºñ¹ßµð, ¹Ù¼øÇùÁÖ°î, a, RV.498, 11m
- ºñ¹ßµð, ¹ÙÀ̿ø°¼Ò³ªÅ¸, Op.2-7, 7m
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, C, RV.190, 15m
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, c, RV.199 "Il Sospetto"
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, c, RV.202, 12m, Fabio Biondi/Europa Galante
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, D, RV.204, 5m
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, D, RV.208, "Il grosso Mogul", 14m
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, Eb, RV.254,14m, Giuliano Carmignola(vn),Accademia Bizantina/Ottavio Dantone
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, e, RV.273, 14m#, Daniel Hope(Vn)/Chamber Orchestra of Europe
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î(¹«°î ÁÖÁ¦¿¡ ÀÇÇÑ), RV.307, 10m
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, G, RV.310
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, g, RV.325, 7m
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, a, RV.356, Op.3-6, "ȼºÀÇ ¿µ°¨"
- ºñ¹ßµð, ¹ÙÀ̿ø°ÇùÁÖ°î, RV.580, Op.3-10, "ȼºÀÇ ¿µ°¨"
- ºñ¹ßµð, ºñ¿Ã¶ó´Ù¸ð·¹ÇùÁÖ°î(Concerto for Viola d'Amore), D, RV.392, 9m, Rachel Barton Pine(vn)/Ars Antigua
- ºñ¹ßµð, ºñ¿Ã¶ó´Ù¸ð·¹ÇùÁÖ°î(Concerto for Viola d'Amore), A, RV.396, 10m
- ºñ¹ßµð, ºñ¿Ã¶ó´Ù¸ð·¹ÇùÁÖ°î(Concerto for Lute and Viola d'amore), d, RV.540, 12m, Rachel Barton Pine(viola d'amore)/Hopkinson Smith(lute)/Ars Antigua
- ºñ¹ßµð, »ç°è, Op.8, ÇÕÁÖÇùÁÖ°î(No.1-4; E, g, F, f)
- ºñ¹ßµð, ¼º¾Ç°î "°Ì¾ø´Â ÀÛÀº ³ªºñ(La Farfalletta audace)", sop.Simone Kermes
- ºñ¹ßµð, ¼º¾Ç°î "¼¼»ó¿¡ ÂüÆòÈ ¾ø¾î¶ó":Motet, RV.630
- ºñ¹ßµð, ¼º¾Ç°î "ÀüÀïÅÍ¿¡¼ Àú¸¦ ½ÃÇèÇÏ±æ ¿øÇϽøé"
- ºñ¹ßµð, ¼Ò³ªÅ¸ 1(¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), g, Op.12-1, RV.27 * Op.2¿¡ 12°³ ¼Ò³ªÅ¸
- ºñ¹ßµð, ¼Ò³ªÅ¸ 2, A, Op.12-2, RV.31
- ºñ¹ßµð, ¼Ò³ªÅ¸ 3, d, Op.12-3, RV.14
- ºñ¹ßµð, ¼Ò³ªÅ¸ 4, F, Op.12-4, RV.20
- ºñ¹ßµð, ¼Ò³ªÅ¸ 5, b, Op.12-5, RV.36
- ºñ¹ßµð, ¼Ò³ªÅ¸ 6, A, Op.12-6, RV.1
- ºñ¹ßµð, ¼Ò³ªÅ¸ 7, c, Op.12-7, RV.8
- ºñ¹ßµð, ¼Ò³ªÅ¸ 8, G, Op.12-8, RV.23
- ºñ¹ßµð, ¼Ò³ªÅ¸ 9, e, Op.12-9, RV.16
- ºñ¹ßµð, ¼Ò³ªÅ¸ 10, f, Op.12-10, RV.21
- ºñ¹ßµð, ¼Ò³ªÅ¸ 11, D, Op.12-11, RV.9
- ºñ¹ßµð, ¼Ò³ªÅ¸ 12, a, Op.12-12, RV.32
- ºñ¹ßµð, ½ÅÆ÷´Ï¾Æ, b, RV.168, Venice Baroque Orchestra/Andrea Marcon
- ºñ¹ßµð, ¿Àº¸¿¡ÇùÁÖ°î, C, RV.447, Maurice Bourgue(ob),I Solisti Veneti/Claudio Scimone
- ºñ¹ßµð, ¿ÀÆä¶ó <±¤¶õÀÇ ¿À¸¦¶õµµ(Orlando furioso)>, RV.728;
- ºñ¹ßµð, ¿ÀÆä¶ó <±×¸®¼¿´Ù(Griselda)>;
- "ÆøÇ³ÀÌ ¸ô¾ÆÄ¡°í(Agitata da due venti)"
- ºñ¹ßµð, ¿ÀÆä¶ó <¶ó ½Çºñ¾Æ(La Silvia)>;
- "±×°ÍÀÌ ³»°¡ »ç¶ûÇØ¾ß ÇÏ´Â ¸¶À½À̶ó´Â °É ¾Ð´Ï´Ù"
- ºñ¹ßµð, ¿ÀÆä¶ó <¹ÙÀÚÁ¦>;
- "³ª´Â ¸ê½Ã¹Þ´Â ¾Æ³»¶ó¿À(Sposa son disprezzata)"
- ºñ¹ßµð, ¿ÀÆä¶ó <¿Ã¶õµµ(Orlando)>;
- ºñ¹ßµð, ¿ÀÆä¶ó <À¯µðÆ®ÀÇ ½Â¸®>;
- "³»°¡ ³Ê¸¦ ÀεµÇϸ®¶ó(Veni, sequere fida)", ms.Magdalena Kozena
- ºñ¹ßµð, ¿ÀÆä¶ó <ÁÖ½ºÆ¼³ë(Giustino)>, RV 717; /"³ªÀÇ »ç¶ûÇÏ´Â ´Ô ¸¸³ª¸®"
- ºñ¹ßµð, ¿ÀÆä¶ó <ÆÛ½ºÀÇ ¾Æ¸§´Ù¿î ¾Æ°¡¾¾>; /"¼¼·¹³ªµ¥"
- ºñ¹ßµð, ¿Àº¸¿¡ÇùÁÖ°î, a, RV.463
- ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 1(Sonata for Cello and Basso Continuo), Bb, RV.47
- ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 2, F, RV.41, Marco Ceccato(vc)/Accademia Ottoboni(pf)
- ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 3, a, RV.43
- ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 4, Bb, RV.45, 13m, # Anner Bylsma(vc)/Francesco Galligioni(vc)/Ivano Zanenghi(archlute)/Andrea Marcon(org)
- ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 5, e, RV.40
- ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸ 6, Bb, RV.46
- ºñ¹ßµð, ÿ·Î¼Ò³ªÅ¸, C, RV.399, 7m
- ºñ¹ßµð, ÿ·ÎÇùÁÖ°î(ÿ·Î¿Í Çö ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ÇùÁÖ°î), RV.406, 9m, $ Mstislav Rostropovich(vc),The Saint Paul Chamber Orchestra/Hugh Wolff
- ºñ¹ßµð, ÿ·ÎÇùÁÖ°î, G, RV.413
- ºñ¹ßµð, ÿ·ÎÇùÁÖ°î, a, RV.418, Christophe Coin(vc piccolo),The Academy of Ancient Music/Christopher Hogwood
- ºñ¹ßµð, ÿ·ÎÇùÁÖ°î, b, RV.424, Christophe Coin(vc),The Academy of Ancient Music/Christopher Hogwood
- ºñ¹ßµð, ö·ÎÇùÁÖ°î(µÎ ´ëÀÇ µ¶ÁÖ Ã¿·Î¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), g, RV.531, # Yo-Yo Ma & Jonathan Manson(baroque vc),The Amsterdam Baroque Orchestra/Ton Koopman
- ºñ¹ßµð, Æ®¸®¿À¼Ò³ªÅ¸, d, RV.63, "La follia variations"
- ºñ¹ßµð, Æ®¸®¿À¼Ò³ªÅ¸(¹ÙÀ̾ó¸°, ·ùÆ®(±âŸ), ¹Ù¼ÒÄÜÆ¼´©¿À¸¦ À§ÇÑ)(Trio for violin, lute(guitar) & B.C), C, RV.82
- ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 1, F, "¹Ù´ÙÀÇ ÆøÇ³",7m
- ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 2, g, RV.439 "La notte", 9m
- ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 4
- ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 5, F, Op.10, RV.434, 9m, Emmanuel Pahud(fl),Australian Chamber Orchestra/Richard Tognetti
- ºñ¹ßµð, ÇÃ·çÆ®ÇùÁÖ°î 6
- ºñ¹ßµð, ÇÇÄÝ·ÎÇùÁÖ°î, C
- ºñ¹ßµð, ÇÕÁÖÇùÁÖ°î, g, RV.578, Nigel Kennedy(Vn)/Daniel Stabrawa(Vn)/Olaf Maninger(Vc)
- ºñ¹ßµð, ÇùÁÖ°î, a, RV.127, 4m
- ºñ¹ßµð, ÇùÁÖ°î(Concerto for Strings), c, RV.119, 5m, Venice Baroque Orchestra/Andrea Marcon
- ºñ¹ßµð, ÇùÁÖ°î(Concerto for Strings), d, RV.128, I Barocchisti/Diegi Fasolis
- ºñ¹ßµð, ÇùÁÖ°î(Çö°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, RV.133
- ºñ¹ßµð, ÇùÁÖ°î, g, RV.156, 6m
- ºñ¹ßµð, ÇùÁÖ°î, g, RV.157, 6m, {Concerto Italiano}
- ºñ¹ßµð, ÇùÁÖ°î, d, RV.243, 9m
- ºñ¹ßµð, ÇùÁÖ°î, e, RV.277, "Il Favorito", Vn, 12m
- ºñ¹ßµð, ÇùÁÖ°î(2°³ÀÇ Æ®·³ÆêÀ» À§ÇÑ), C, 11m
- ºñ¹ßµð, ÇùÁÖ°î(2´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), a, Op.3-8, RV.522
- ºñ¹ßµð, ÇùÁÖ°î(2´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), Bb, RV.530, 9m
- ºñ¹ßµð, ÇùÁÖ°î(2´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), A, RV.552, "¸Þ¾Æ¸®(Echo)"
- ºñ¹ßµð, ÇùÁÖ°î(4´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ), D, RV.549, 7m
- ºñ¹ßµð, ÇùÁÖ°î(2´ëÀÇ ÇÃ·çÆ®¸¦ À§ÇÑ), C, RV.533
- ºñ¹ßµð, ÇùÁÖ°î(¿Àº¸, Çö¾Ç ±×¸®°í ÄÜÆ¼´©¿À¸¦ À§ÇÑ), d, RV.454, 8m
- ºñ¹ßµð, ÇùÁÖ°î, g, RV.531
- ºñ¹ßµð, ÇùÁÖ°î(¹ÙÀ̿ø°, ¿À¸£°µ, Çö¾Ç ±×¸®°í ÄÜÆ¼´©¿À¸¦ À§ÇÑ), c, RV.766, #
- ºñ¹ßµð, ÇùÁÖ°î, Eb, Op.8-5, "¹Ù´ÙÀÇ ÆøÇ³(La Tempesta di Mare)"
- ºñ¹ßµð, ȼºÀÇ ¿µ°¨ 6
- ºñ¹ö, 15¼ºÀ» À§ÇÑ ·¹Äû¿¥(Requiem for 15), A, ¼º¾Ç°î, 41m, # Amsterdam Baroque Choir,Amsterdam Baroque Orchestra/Ton Koopman
- ºñ¹ö, ¼¼·¹³ªµ¥, C, "Nightwatchman's Call", 10m#, * Heinrich Ignaz Franz von Biber(1644-1704 Bohemian-Austrian &vn)
- ºñ¹ö, ¼Ò³ªÅ¸ 5
- ºñ¹ö, Sonata Seconda A 8, 5m, Concentus musicus Wien/Nikolaus Harnoncourt
- ºñ¹ö, Àß½ºº£¸£±× ¹Ì»ç(Missa Salisburgensis), /Credo
- ºñº£½º,¾Æ¸¶µ¥¿À, »ç¸£¼ö¿¤¶ó <µ·³ª ÇÁ¶õ½Ã½ºÅ°Å¸>; "¿¬ÀεéÀÇ ÇÕâ(Coro de romanticos)", Amadeu Vives(1871-1932, Spanish)
- ºñ¼ó, ¼º¾Ç°î "Áñ°Å¿î ³ªÀÇ Áý(Home, Sweet Home)", # bar. Bryn Terfel, * Henry Rowley Bishop(1786-1855 English)
- ºñ¼ó, ¼º¾Ç°î "º¸¶ó! Á¤´Ù¿î Á¾´Þ»õ¸¦(Lo! Here the Gentil Lark)"
- ºñ¿ÀƼ, ¹ÙÀ̿ø°ÇùÁÖ°î 18, e, 27m
- ºñ¿ÀƼ, ¹ÙÀ̿ø°ÇùÁÖ°î 22, a, 29 VCÁß °¡Àå ¶Ù¾î³ ÀÛǰ, 30m$, $ Lola Bobesco(vn),Staatliche Philharmonie Rheinland-Pfalz/Kurt Redel, # Itzhak Perlman(Vn),Juilliard Orchestra/Lawrence Foster
- ºñ¿ÀƼ, ÇǾƳëÇùÁÖ°î, g, ºñ¹ßµð¸¦ Á¦¿ÜÇϰí´Â °¡Àå ¸¹Àº Vn C ÀÛ°î, 19c ¹ÙÀ̿ø®´Ï½ºÆ® & ÀÛ°î°¡
- ºñÁ¦, °¡°î "»ç¶ûÀÇ ³ë·¡"
- ºñÁ¦, °¡°î "½ÅÀÇ ¾î¸° ¾ç(Agnus Dei)"
- ºñÁ¦, °üÇö¾Ç ¼°î, Op.19, "Á¶±¹", ÇÁ·¯½Ã¾Æ¿Í ÇÁ¶û½º ÀüÀï¿¡¼ÀÇ ÇÁ¶û½ºÀÎÀÇ ¾Ö±¹½ÉÀ» Ç¥Çö. ÀÌ ¶§ ºê¶÷½º´Â '½Â¸®ÀÇ ³ë·¡'¸¦ ÀÛ°î
- ºñÁ¦, ±³Çâ°î 1, C, 28m, # LSO/Roberto Benzi
- ºñÁ¦, ¹ÝÀ½°èÀû º¯ÁÖ°î(Variations chromatiques de concert), 14m, San Francisco Ballet Orchestra/Martin West
- ºñÁ¦, ¼º¾Ç°î "4¿ùÀÇ ³ë·¡(Chanson d¡¯avril)", bar.Gerard Souzay
- ºñÁ¦, ¼º¾Ç°î "±×´ë ¸¶À½À» ¿¾î¿ä(Ouvre ton coeur)", sop. Barbara Hendricks
- ºñÁ¦, ¼º¾Ç°î "»ç¶ûÀÇ ³ë·¡(Chant d¡¯amour)", ms.Cecilia Bartoli
- ºñÁ¦, ¼º¾Ç°î "¾Æ¶ø ¿©ÁÖÀÎÀÇ ÀÛº°Àλç(Adieux de l¡¯hotesse arabe)", sop.Marie Devellereau
- ºñÁ¦, ¼º¾Ç°î "Tarentelle", ms.Cecilia Bartoli
- ºñÁ¦, ¾Æ¸¦¸£ÀÇ ¿©ÀÎ, Á¦1 ¸ðÀ½°î, 4°î±¸¼º> 1) ÀüÁÖ°î, 2) ¹Ì´º¿§, 3) ¾Æ´ÙÁö¿§Åä, 4) Ä«¸®¿ë(Á¾)
- ºñÁ¦, ¾Æ¸¦¸£ÀÇ ¿©ÀÎ, Á¦2 ¸ðÀ½°î, 4°î±¸¼º> ·Î¸¶ÀÇ ÇÏ·ç ¹× »çÀ°Á¦ Ç¥ÇöºñÁ¦, ¿ÀÆä¶ó Ä®¸à, 1) ÆÄ½ºÅä¶ö, 2) °£ÁÖ°î, 3) ¹Ì´º¿§, 4) ÆÄ¶ûµ¹
- ºñÁ¦, ¾ÆÀ̵éÀÇ ³îÀÌ(Jeux d'enfants), Op.22, °üÇö¾Ç°î
- ºñÁ¦, ¾ß»ó°î(ÇǾƳ븦 À§ÇÑ), D, 3m
- ºñÁ¦, ¿ÀÆä¶ó <¾Æ¸§´Ù¿î ÆÛ½ºÀÇ ¾Æ°¡¾¾(La jolie fille de Perth)>; /"¼¼·¹³ªµ¥"
- ºñÁ¦, ¿ÀÆä¶ó <ÁøÁÖÁ¶°³ÀâÀÌ(Pearl Fishers)>;
- "±Í¿¡ ³²Àº ±×´ë À½¼º(Je crois entendre encore )"-NadirÀÇ ·Î¸Á½º, # ten.Jussi Bjoerling, # ten.Alain Vanzo
- "¹ã¿¡ ¿©±â¿¡¼ ³ªÈ¦·Î(Me voila seule dans la nuit)"-·¹À϶óÀÇ ¾Æ¸®¾Æ, sop.Ileana Cotrubas
- "½Å¼ºÇÑ »ç¿ø¿¡¼(Au fond du temple saint)"-³²¼º2Áßâ, ten.Gregory Cross/bar.Gino Quilico
- ºñÁ¦, ¿ÀÆä¶ó <Ä®¸à>;
- ²É³ë·¡-"´ç½ÅÀÌ ´øÁ®ÁØ ÀÌ ²ÉÀº(La Fleur que tu m¡¯avais jetee)"
- "³ª´Â ¾Æ¹«°Íµµ µÎ·ÆÁö ¾Ê¾Æ"-(MichaelaÀÇ ¾Æ¸®¾Æ), sop.Pilar Lorengar
- "»ç¶ûÀº ÀÚÀ¯·Î¿î »õ(L¡¯amour est un oiseau rebelle)", ms.Teresa Berganza
- "½Å³ª´Â Æ®¶óÀÌ¾Þ±Û ¼Ò¸®(Les triangles des sistres tintaient)"-Áý½ÃÀÇ ³ë·¡, Magdalena Kozena(ms)
- "¿©·¯ºÐ Ãà¹è¸¦ µì½Ã´Ù(Votre toast)"
- ºñÁ¦, Ä®¸à ¸ðÀ½°î 1(Carmen Suite)
- ºñÁ¦, Ä®¸à ¸ðÀ½°î 2
- ºñÁ¦, <¾Æ¸§´Ù¿î ÆÛ½ºÀÇ ¾Æ°¡¾¾(La jolie fille de Perth(The Fair Maid of Perth))> ¸ðÀ½°î, Orchestre de Paris/Daniel Barenboim
- ºñÄ¡,¿¡À̹Ì, ¹ß¶óµå(Ballade), Op.6, 9m, Kirsten Johnson(pf), * Amy Beach(1867-1944 American/F &pf)
- ºñÄ¡,¿¡À̹Ì, ÇǾƳ븦 À§ÇÑ 4°³ÀÇ ½ºÄÏÄ¡(4 Sketches for piano), Op.15; 1) In Autumn 2) Phantoms 3) Dreaming 4) Fireflies
- ºñÅ»¸®, »þÄÜ´À(Chaconne; Ciaccona), g, 10m, Boris Goldstein(violin)/Claus Kuehnl(organ)
- ºñÆ®,ÇÁ¸®µå¸®È÷, ±³Çâ°î 6, a, WV.1.16, "ÅÍŰ ±³Çâ°î(Sinfonie Turque)" * Friedrich Witt(1770-1836 German &Vc)
- ºñÆ®,ÇÁ¸®µå¸®È÷, ±³Çâ°î 9, d, WV.1.19
- ºò½Ã¿À, ¼º¾Ç°î "´©°¡ ³ªº¸´Ù ÇູÇÒ±î(Chi e piu felice di me)", ten. Luciano Pavarotti
- ºò½Ã¿À, ¼º¾Ç°î "¸¶¸®¿ì, ³»°Ô »ç¶ûÀÇ ¸»À»..."(Parlami d¡¯amore Mariu: Sprich mir von der Liebe, Mariu), ten.Mario del Monaco, * Cesare Andrea Bixio(1896-1978 Italian)
- ºò½Ã¿À, ¼º¾Ç°î "¹Ù¶÷¿¡ ºÎÄ¡´Â ³ªÀÇ ³ë·¡"(La mia canzone al vento)
- ºò½Ã¿À, ¼º¾Ç°î "¾ö¸¶(mamma)", $ ten.Luciano Pavarotti
- ºóÄ¡, ¿ÀÆä¶ó <¼¼¹Ì¶ó¹Ìµ¥(Semiramide)> * Leonardo Vinci (1690-1730 Italian, opera composer)
- ¹Ì¸£Å׿ÀÀÇ ¾Æ¸®¾Æ(In braccio a mille furie)
- ºô¶ó-·Îº¸½º, ºê¶óÁúdzÀÇ ¹ÙÈå 1, 1) Introducao(Embolada) 2) Preludio(Modinha) 3) Fuga(Conversa), Die 12 Cellisten der Berliner Philharmoniker
- ºô¶ó-·Îº¸½º, ºê¶óÁúdzÀÇ ¹ÙÈå 4(Bachianas brasileiras) * Heitor Villa-Lobos(1887-1959 Brazilian)
- ºô¶ó-·Îº¸½º, ºê¶óÁúdzÀÇ ¹ÙÈå 5; /"¾Æ¸®¾Æ"
- ºô¶ó-·Îº¸½º, ºê¶óÁúdzÀÇ ¹ÙÈå 7, °üÇö¾Ç°î, 27m
- ºô¶ó-·Îº¸½º, ¼º¾Ç°î "Melodia Sentimental"
- ºô¶ó-·Îº¸½º, ¼º¾Ç°î "³ªÀÇ ±æ(Nesta Rua)"
- ºô¶ó-·Îº¸½º, ¼î·Î½º 1(Choros for guitar)
- ºô¶ó-·Îº¸½º, ÀüÁÖ°î 2, E, 3m, 5°³ÀÇ ±âŸÀ» À§ÇÑ ÀüÁÖ°î
- ºô¶ó-·Îº¸½º, ÀüÁÖ°î 5(Prelude 5:Homenagem ao Vida Social), guitar, 4m
- ºô¸§½º, ±³Çâ°î 1, C, Op.9, 26m*, NDR Radio Philharmonic/Howard Griffiths, * Johann Wilhelm Wilms (1772-1847 Dutch-German)
- ºô¸§½º, ±³Çâ°î 6, d, Op.58, 31m,
- »Ü¶û,ÇÁ¶õ½Ã½º, 3ÁßÁÖ°î(¿Àº¸, ¹Ù¼ø ±×¸®°í ÇǾƳ븦 À§ÇÑ), FP.43, ¿À³×°Å ¹Ì¿ä¿Í ÇÔ²² ¹Ýµåºß½Ã ¹Ý¹Ù±×³Ê, 1939c, 13m#
- »Ü¶û,ÇÁ¶õ½Ã½º, 6ÁßÁÖ°î(ÇǾƳë¿Í ¸ñ°ü5ÁßÁÖ¸¦ À§ÇÑ),17m
- »Ü¶û,ÇÁ¶õ½Ã½º, <µ¿¹° ¿ìÈÁý>; ´ÜºÀ³«Å¸(Le dromadaire)
- »Ü¶û,ÇÁ¶õ½Ã½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸
- »Ü¶û,ÇÁ¶õ½Ã½º, ½ÅÆ÷´Ï¿¡Å¸(Sinfonietta), FP.141, 27m, # Luxembourg Philharmonic Orchestra/Jonathan Darlington
- »Ü¶û,ÇÁ¶õ½Ã½º, ¿Àº¸¿¡¼Ò³ªÅ¸, 3mv:'¾Öµµ(Deploration)', Maurice Bourgue(Ob)/acques Fevrier(pf)
- »Ü¶û,ÇÁ¶õ½Ã½º, ¿Ã°µÇùÁÖ°î, g, 23m
- »Ü¶û,ÇÁ¶õ½Ã½º, ÿ·Î¼Ò³ªÅ¸, 22m
- »Ü¶û,ÇÁ¶õ½Ã½º, Ä«ÇÁ¸®Ä¡¿À,T3
- »Ü¶û,ÇÁ¶õ½Ã½º, ÇÃ·çÆ®¼Ò³ªÅ¸, FP.164, 12m # Wolfgang Schulz(fl)/James Levine(pf)
- »Ü¶û,ÇÁ¶õ½Ã½º, ÇùÁÖ°î(µÎ´ëÀÇ ÇǾƳ븦 À§ÇÑ), d, 19m,T3
- »çµ¥·Î, ¼º¾Ç°î "»ç¶ûÀÌ¿©, »ç¶ûÀÌ¿©(Amuri, Amuri )", ten. Ferruccio Tagliavini, * Geni Sadero(1886-1961 Italy f)
- »çµ¥·Î, ¼º¾Ç°î "½ÃÄ¥¸®ÀÇ ÀÚÀå°¡(Era la vo)", sop. Victoria de los Angeles
- »ç¶ó»çÅ×, ¹Ù½ºÅ© ±â»ó°î(Caprice Basque), Op.24, Leonid Kogan(vn), Andrei Mitnik(pf), * Pablo de Sarasate(1844-1908 French)
- »ç¶ó»çÅ×, ¼ÁÖ¿Í Æ®¶õÅÚ¶ó
- »ç¶ó»çÅ×, ¾È´Þ·ç½Ã¾ÆÀÇ ·Î¸Á½º(Romanza Andaluza), Op.22-1, (vn, pf), 5m, {#Leonidas Kavakos(vn)/Enrico Pace(pf)}
- »ç¶ó»çÅ×, Áö°íÀ̳׸£¹ÙÀÌÁ¨(Zigeunerweisen:¤½ÃÀÇ ³ë·¡),¹ÙÀ̿ø°°î, Op.20
- »ç¶ó»çÅ×, Ä®¸àȯ»ó°î, Op.25, ¿ÀÆä¶ó Ä®¸à¿¡¼ ½ºÆäÀÎdz ¸á·Îµð¸¸ »Ì¾Æ Æí°î, 14m
- »ç¸£Å丮,ÇÁ¶õü½ºÄÚ, ¼º¾Ç°î "ÆøÇ³À» ³Ñ¾î(Oltre la tempesta)" * Francesco Sartori(1957- Italian &Pf,Trmp)
- »ç¸£Å丮,ÇÁ¶õü½ºÄÚ, ¼º¾Ç°î "Time to Say Goodbye(Con te partiro)"
- »ç¸£Æ¼,ÁÖ¼¼Æä, ¼º¾Ç°î "»ç¶ûÇÏ´Â ´ÔÀ» ¸Ö¸® ¶°³ª(Lungi dal caro bene)" {»ç¶ûÇÏ´Â À̷κÎÅÍ ¸Ó¸® ¶³¾îÁ®} * Giuseppe Sarti(1729-1802 Italian)
- »çŰ´Ï,¾ÈÅä´Ï¿À, ¿À·¹¶ó¼¼¸®¾Æ(opera seria) ; "¿À »ç¶ûÇÏ´Â ¿¬ÀÎÀÌ¿© ¿À¶ó(Vieni, o caro amato bene)", * Antonio Sacchini(1730-1786 Italian)
- »çƼ, ¼º¾Ç°î "±×´ë¸¦ ¿øÇØ¿ä(Je te veux)", # ten.Nicolai Gedda/Aldo Ciccolini(pf) * Erik Satie(1866-1925 French)
- »çƼ, ¼º¾Ç°î "²É(Les Fleurs)", J-P. Contamine de Latour(P)
- »çƼ, ¼º¾Ç°î "´ÙÁ¤ÇϰÔ(Tendrement)", ten.Nicolai Gedda
- »çƼ, ¼º¾Ç°î "ºñ°¡"(Ele'gie), J-P. Contamine de Latour(P)
- »çƼ, ¼º¾Ç°î "»ç¶ûÀº ¸Ö¸®Çϰí"
- »çƼ, ¼º¾Ç°î "»õ(Les Oiseaux)"
- »çƼ, ¼º¾Ç°î "¿¥ÆÄÀÌ¾î ±ØÀåÀÇ ¿©°¡¼ö(La Diva de ¡°L¡¯Empire¡±)", bar.Bruno Laplante/Marc Durand(pf)
- »çƼ, ¼º¾Ç°î "Áß¼¼ÀÇ ³ë·¡"(Chanson Me'die'vale), Catulle Mende` s(P), ¿ì¹°°¡¿¡¼ ±â»ç¸¦ ¸¸³ª ¿¬Á¤À» ´À³¤ ó³àÀÇ ¼øÁ¤À» Ç¥Çö
- »çƼ, ¼º¾Ç°î "õ»çµé"(Les Anges), J-P. Contamine de Latour(P)
- »çƼ, Áü³ëÆäµð(Gymnopedie), °üÇö¾Ç°î, ÇÁ¶û½º 6ÀÎÁ¶ÀÇ ¼±±¸ÀÚ, 3°îÁß 1,3¹ø µåºß½Ã Æí°î
- »ê½º,°¡½ºÆÄ¸£, Canarios * Gaspar Sanz (1640 - 1710)
- »êÅ佺(ÆÄºí·Î), ¼º¾Ç°î "¸¼°Ô °µ ÇÏ´Ã(Cielito Lindo)"
- »ì¸®¿¡¸®,¾ÈÅæ, 24°³ÀÇ º¯ÁÖ°î(½ºÆäÀÎ Æú¸®¾Æ ÁÖÁ¦¿¡ ÀÇÇÑ on "La Follia di Spagna") * Follia 16¼¼±â ÃÊ ¿¡½ºÆÄ³ÄÀÇ Ãã°î, * Antonio Salieri(1750-1825 Italian)
- »ì¸®¿¡¸®,¾ÈÅæ, ÇǾƳëÇùÁÖ°î, Bb, 26m
- »ì¸®¿¡¸®,¾ÈÅæ, ÇùÁÖ°î(ÇÃ·çÆ®¿Í ¿Àº¸¸¦ À§ÇÑ), C
- »ï¸¶¸£Æ¼´Ï,Á¶¹Ý´Ï ¹ÙƼ½ºÅ¸, ±³Çâ°î, A, JC.62, 10m, Aradia Ensemble/Kevin Mallon, * Giovanni Battista Sammartini(1700-1775 Italian)
- »ï¸¶¸£Æ¼´Ï,ÁÖ¼¼Æä, Concerto in F major for Recorder(Concerto per flautino), 13m, Maurice Steger(flautino) & Friends, * Giuseppe Sammartini(1695-1750 Italian)
- »÷´õ½¼, ¼º¾Ç°î "Friend o¡¯mine", bar.Thomas Allen
- »þ¸£º¥Ä«, ÇÁ¶õÃ÷ Å©»ç¹ö, 6°³ÀÇ ¿ÐÃ÷, Op.28, pf.Seta Tanyel * Franz Xaver Scharwenka(1850-1924 German)
- »þ¸£ÆÎƼ¿¡, ¼º¾Ç°î "±×³¯ ÀÌÈÄ(Depuis le jour)", * Marc-Antoine Charpentier(1643-1704 French Baroque)
- »þ¸£ÆÎƼ¿¡, ¼ºÃ³³àÀÇ Åº»ý(Nativite de la Vierge)
- »þ¸£ÆÎƼ¿¡, ¾Ç±â¸¦ À§ÇÑ Å©¸®½º¸¶½º(6°î)(Noels pour les instruments(6), for 2 flutes, strings & continuo), H.534
- »þ¸£ÆÎƼ¿¡, ¿ÀÆä¶ó <·çÀÌÁî>;
- "±×´ë¸¦ »ç¶ûÇÑ ³¯·ÎºÎÅÍ(Depuis le jour...)", sop.Kiri Te Kanawa
- »þ¸£ÆÎƼ¿¡, Messe de Minuit, 29m
- »ý»ó½º, 3ÁßÁÖ°î, F, Op.18, 29m
- »ý»ó½º, ±âµµ(Priere for Cello and Organ), Op.158, 5m, Mstislav Rostropovich(vc)/Hebert Tachezi(org)
- »ý»ó½º, ±³Çâ°î 1, Eb, Op.2, 31m#
- »ý»ó½º, ±³Çâ°î 2, a, Op.55, 23m
- »ý»ó½º, ±³Çâ°î 3, c, Op.78, "¿À¸£°µ±³Çâ°î", 38m, Marie-Claire Alain(oragn)/Wiener Symphoniker/Georges Pretre
- »ý»ó½º, ±³Çâ°î, A, 25m, National Orchestra of France/Jean Martinon
- »ý»ó½º, ±³Çâ°î, F, "Urbs Roma", 40m#, National Orchestra of France/Jean Martinon
- »ý»ó½º, µ¿¹°ÀÇ »çÀ°Á¦, °üÇö¾Ç ¸ðÀ½°î, "µ¿¹°¿ø ´ëȯ»ó°î"
- »ý»ó½º, ·¹Äû¿¥(Messe de Requiem), Op.54, 35m
- »ý»ó½º, ·Î¸Á½º(for fl and pf), Op.37
- »ý»ó½º, ·Î¸Á½º(for horn & pf), E, Op.67, # Tod Bowermaster(F.Hrn)/James Howsmon(Pf)
- »ý»ó½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, d, Op.75, 21m, $Jascha Heifetz(vn)/Brooks Smith(pf)
- »ý»ó½º, ¹ÙÀ̿ø°ÇùÁÖ°î 3, b, Op.61, 28m, $ Joshua Bell(Vn),Montreal Symphony Orchestra/Charles Dutoit
- »ý»ó½º, ¼ÁÖ¿Í ·Ðµµ Ä«ÇÁ¸®Ä¡¿À¼Ò, Op.28
- »ý»ó½º, ¼º¾Ç°î "°³¹Ì¿Í º£Â¯ÀÌ(La cigale et la fourmi)", bar. Stephen Varcoe
- »ý»ó½º, ¼º¾Ç°î "²Þ(Revere)", bar.Jose van Dam
- »ý»ó½º, ¼º¾Ç°î "´Þºû(Claire de lune)"
- »ý»ó½º, ¼º¾Ç°î "º°ÀÌ ºû³ª´Â ¹ã(Notte Stellata)"
- »ý»ó½º, ¼º¾Ç°î "º½ÀÇ ±â»ç¿¡°Ô Àλç(Salut au chevalier printemps)", Op.151-2
- »ý»ó½º, ¼º¾Ç°î "ȲȦ°æ(Extae)"- Victor HugoÀÇ ½Ã¿¡ ºÙÀÎ °¡°î
- »ý»ó½º, ¼º¾Ç°î "Bitter Sweet", Annie Haslam
- »ý»ó½º, ¿µ¿õ Ä«ÇÁ¸®½º(Caprice Heroique), Op.106, 9m, pf
- »ý»ó½º, ¿Àº£¸£´ºÀÇ ·¦¼Òµð(Rhapsodie d'Auvergne), Op.73, Pf & Orch
- »ý»ó½º, ¿Àº¸¿¡¼Ò³ªÅ¸, Nicholas Daniel(ob)/Julius Drake(pf)
- »ý»ó½º, ¿ÀÆä¶ó <»ï¼Õ°ú µ¥¸±¶ó>;
- "±×´ë À½¼º¿¡ ³» ¸¶À½ ¿¸®°í(Mon coeur s'ouvre a ta voix)", sop.Maria Callas
- "²ÉÇÇ´Â º½ÀÌ ¿Ô³×(Voici le printemps nous portant des fleurs)"-µ¥¸±¶óÀÇ µîÀåÀå¸é, ms.Waltraud Meier(µ¥¸±¶ó),ten.Placido Domingo(»ï¼Õ),bass.Samuel Ramey(À̽º¶ó¿¤ ³ëÀÎ)
- "´« ¶ß´Â º½(Primtemps qui commence)", ms.Rita Gorr
- "¿ÀÁö ¾ÊÀ¸·Á Çߴµ¥, ³¡³» À̰÷¿¡ ¿À°í¾ß ¸»¾Ò±¸³ª(En ces lieux, malgre moi)"-2:»ï¼Õ°ú µ¥¸±¶óÀÇ 2Áßâ, ten.Placido Domingo(»ï¼Õ),ms.Waltraud Meier(µ¥¸±¶ó)
- "ÁÖ¿©, ÈûÀ» ÁÖ¼Ò¼(Seigneur, inspire-moi)"-3:Çdz¯·¹ Àå¸é, ten.Placido Domingo(»ï¼Õ)
- "ÇüÁ¦µéÀÌ¿©, ÀϾ¶ó(Arretez, o mes freres!)"-»ï¼ÕÀÇ ¾Æ¸®¾Æ¿Í ÇÕâ(1), ten.Placido Domingo(»ï¼Õ)
- »ý»ó½º, Á×À½ÀÇ ¹«µµ(Danse macabre), ±³Çâ½Ã°î, Op.40
- »ý»ó½º, ÿ·Î¼Ò³ªÅ¸ 1, Op.32, 20m
- »ý»ó½º, ÿ·ÎÇùÁÖ°î 1, a, Op.33, 20m#, Gautier Capucon(vc),Radio France Philharmonic Orchestra/Lionel Bringuier
- »ý»ó½º, ÿ·ÎÇùÁÖ°î 2, d, Op.119
- »ý»ó½º, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸, Eb, Op.167, 16m
- »ý»ó½º, ÇǾƳë3ÁßÁÖ°î 2, e, Op.92
- »ý»ó½º, ÇǾƳëÇùÁÖ°î 1, D, Op.17, 5PC, 27m
- »ý»ó½º, ÇǾƳëÇùÁÖ°î 2, g, Op.22, $, 22m
- »ý»ó½º, ÇǾƳëÇùÁÖ°î 4, c, Op.44
- »ý»ó½º, ÇǾƳëÇùÁÖ°î 5, F, Op.103, "ÀÌÁýÆ®(Egyptian)", 2¾ÇÀå- "³ªÀϰÀÇ ¹ãÀÇ ·¦¼Òµð", 28m#
- »ý»ó½º, Çì¶óŬ·¹½ºÀÇ Ã»³â ½Ã´ë(La Jeunesse d'Hercule), Op.50, °üÇö¾Ç°î, 18m$, # Radio France Philharmonic Orchestra/Marek Janowski
- »ý»ó½º, È¥°ú °üÇö¾ÇÀ» À§ÇÑ ÇùÁÖÀû ÀÛǰ, f, Op.94, 9m
- »ý»ó½º, ÇϹٳڶó(¾Æ¹Ù³×Áî(Havanaise)¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ)), Op.83,11m
- »ýÆ®-ÄÝ·Õºê, 2´ëÀÇ ºñ¿ÃÀ» À§ÇÑ ¿¬ÁÖȸ¿ë ÀÛǰ 8, "La Conference", ºñ¿Ã=ºñ¿Ã¶ó ´Ù °¨¹Ù, * Jean de Sainte-Colombe(Monsieur de Sainte-Colombe)(1640-1700 French,Va)
- »ýÆ®-ÄÝ·Õºê, 2´ëÀÇ ºñ¿ÃÀ» À§ÇÑ ¿¬ÁÖȸ¿ë ÀÛǰ, "º¹±Í(Le Retour)", D
- »ýÆ®-ÄÝ·Õºê, ´«¹°(Les Pleurs), µ¶ÁÖ°î(ºñ¿Ã¶ó ´Ù °¨¹Ù)
- »þ¸£ÆÎµð¿¡, ¿ÀÆä¶ó ·çÀÌÁî; /±×´ë¸¦ »ç¶ûÇÑ ³¯ºÎÅÍ.
- »þ¹Ì³ªµå, 6°³ÀÇ ¿¬ÁÖȸ¿ë ¿¬½À°î(6 Etudes de concert), Op.35, cf) V. Impromptu, * Cecile Chaminade(1857-1944 French, female)
- »þ¹Ì³ªµå, °¡À», Op.35-2, ÇÇ¾Æ³ë °î, (Peter Jacobs;Pf), 7m
- »þ¹Ì³ªµå, ±³ÇâÀû ¿¬½À°î(Etude Symphonique), Op.28
- »þ¹Ì³ªµå, ¼¼·¹³ªµ¥ ¿¡½ºÆÄ´¥
- »þ¹Ì³ªµå, ÇÃ·çÆ®¿Í °üÇö¾ÇÀ» À§ÇÑ ÄÜü¸£Æ¼³ë, Op.107, 8m#, Wolfgang Schultz(fl),Haydn Orch/Ola Rudner
- »þ¹Ì³ªµå, ÇǾƳë¼Ò³ªÅ¸, c, Op.21, 16m
- »þºê¸®¿¡, È£¸¥°ú °üÇö¾ÇÀ» À§ÇÑ ¶ó¸£°ÔÅä(Larghetto for Horn and Orchestra), 10m $, * Emmanuel Chabrier(1841-1894 French Romantic &pf)
- »þºê¸®¿¡, ½ºÆäÀα¤½Ã°î
- »þºê¸®¿¡, Àü¿ø ¸ðÀ½°î(Suite pastorale), 20m, # National Orchestra of France/Armin Jordan
- »þÈ寮, Ŭ¶ó¸®³ÝÇùÁÖ°î, D, Dieter Klocker (cl), * Theodor von Schacht (1748-1823 German)
- ¼³¸®¹Ý, °¡°î "ÀÒ¾î¹ö¸° ÈÀ½(the lost chord)" * Sir Arthur Sullivan(1842-1900 English)
- ¼³¸®¹Ý, ¼°î, C, "In Memoriam"
- ¼³¸®¹Ý, ¿ÀÆä¶ó "°ïµ¹¶ó »ç°ø(The Gondoliers)", - ¼°î
- ¼º¾Ç°î_¹Ì»ó, "Alo-Ha-Oe"
- ¼º¾Ç°î_¹Ì»ó, "Blowin' in the wind"
- ¼º¾Ç°î_¹Ì»ó, "BuonGiorno a te(ÁÁÀº ÇÏ·çµÇ±â¸¦)"
- ¼º¾Ç°î_¹Ì»ó, "Flee as a Bird", ms.Rose Taylor
- ¼º¾Ç°î_¹Ì»ó, "Dona dona"
- ¼º¾Ç°î_¹Ì»ó, "the Gift"
- ¼º¾Ç°î_¹Ì»ó, "Hush little baby"
- ¼º¾Ç°î_¹Ì»ó, "It might as well be spring"
- ¼º¾Ç°î_¹Ì»ó, "Love Conquers Everything"
- ¼º¾Ç°î_¹Ì»ó, "Notte(¹ã)"
- ¼º¾Ç°î_¹Ì»ó, "In the Sweet by and by"
- ¼º¾Ç°î_¹Ì»ó, "³ª´Â ³ë·¡Çϳ×(Je chante)"
- ¼º¾Ç°î_¹Ì»ó, "³ªÀÇ ÀÚÀ¯(Ma liberte)"
- ¼º¾Ç°î_¹Ì»ó, "µµ´ëü ¾î¼¶ó°í?(Was denn, was denn)"
- ¼º¾Ç°î_¹Ì»ó, "¸ß½ÃÄÚÀÇ ÃàÁ¦"
- ¼º¾Ç°î_¹Ì»ó, "¹Ù´Ù À§ÀÇ ºÎµå·¯¿î ¼Õ±æ(Caresse Sur L'Ocean)"
- ¼º¾Ç°î_¹Ì»ó, "¹Ý¦ ¹Ý¦ ÀÛÀº º°"
- ¼º¾Ç°î_¹Ì»ó, "ºÒŸ°Ô ÇϼҼ"
- ¼º¾Ç°î_¹Ì»ó, "Á¦ºñÀÇ ³ë·¡"
- ¼º¾Ç°î_¹Ì»ó, "ÁÖ¿Í ÇÔ²² °¡³×(Vaya con Dios)"
- ¼º¾Ç°î_¹Ì»ó, "õ»óÀÇ ¼º¸ð(Regina Coeli)"
- ¼º¾Ç°î_¹Ì»ó, "Ȳ»ö ¸¶Â÷¸¦ Ÿ°í¼"
- ¼º¾Ç°î_¹Ì»ó_ij·Ñ, "Give good gifts to one another"
- ¼º¾Ç°î_(³ªÆú¸® ¹Î¿ä), "¸¶·¹Å°¾Æ·¹(Marechiare)" * Marechiare´Â ³ªÆú¸® ¼ÂÊ¿¡ ÀÖ´Â ¾îÃÌ À̸§À¸·Î ¿ø·¡ '¸¼Àº ¹Ù´Ù'ÀÇ Àǹ̸¦ Áö´Ô.
- ¼º¾Ç°î_(³ªÆú¸® ¹Î¿ä), "»êŸ·çÄ¡¾Æ(Santa Lucia), ten. Mario Lanza
- ¼º¾Ç°î_(³ë¸£¿þÀÌ ¹Î¿ä), "´ç½ÅÀÇ ³ÐÀº ³¯°³¸¦ Æì°í(Bred dina vida vingar: Spread your wide wings)"
/Sissel#&
- ¼º¾Ç°î_(µ¶ÀÏ µ¿¿ä), "Hoppe, Hoppe, Reiter(¶Ù¾î¶ó, ¶Ù¾î¶ó, ±â¼ö¿©)"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "Muss i denn", ºó ¼Ò³âÇÕâ´Ü
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "²¿¸¶ Çѽº(Haenschen klein)", sop.Lucia Popp
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "³ªÀÇ ¾Æ°¡¾ß(Kindlein mein)", sop. Birgid Steinberger
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "³» ¸¶À½ÀÇ ²É(Du, du liegst mir am Herzen)", #$ ten.Peter Schreier
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "³» ¸ðµç »ý°¢(All mein Gedanken)"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "´Üdz µç ½£"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "´ÞÀÌ ¶°¿Ã¶ú´Ù(Der mond ist aufgegangen)", bar.Hermann Prey
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "¶°³ªÀÚ ÀÌ µµ½Ã¸¦(Muss i denn Muss i denn zum Staedtele hinaus)"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "¼Ò¸®°³°¡ ºùºù"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "½£¿¡¼ Ȳ¾ß¿¡¼(Im Wald und auf der Heide)"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "¾Æ¸§´Ù¿î ÃÊ¿ø¿¡¼(Im schoensten Wiesengrunde)"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "¿¬ÀÎÀÌ¿© µ¹¾Æ¿Í¿ä(Maedel ruck ruck ruck )"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "Àú³áÀÇ ³ë·¡(Abendlied)"
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "Á¦ºñµéÀÇ ³ë·¡(Schwalbenlied)", Montanara Choir
- ¼º¾Ç°î_(µ¶ÀÏ ¹Î¿ä), "Æ®¶ó¸®¶ó, ¿©¸§ÀÌ´Ù"
- ¼º¾Ç°î_(µ¶ÀÏ Ä³·Ñ), "Ǫ¸¥ ¿ÊÀ» ÀÔÀº ¼Ò³ª¹«¿©(O Tannenbaum)", Bar.Hermann Prey
- ¼º¾Ç°î_(µðÁî´Ï ¾Ö´Ï¸ÞÀ̼Ç) <½Åµ¥·¼¶ó>, "Bibbidi-Bobbidi-Boo", sop.Barbara Hendricks
- ¼º¾Ç°î_(·¯½Ã¾Æ ³ë·¡), "±×´ë¸¦ ¸¸³µ¾úÁö"
- ¼º¾Ç°î_(·¯½Ã¾Æ ³ë·¡), "¹éÇÐ"
- ¼º¾Ç°î_(·¯½Ã¾Æ ·Î¸Á½º), "µîºÒ"
- ¼º¾Ç°î_(·¯½Ã¾Æ ·Î¸Á½º), "¸¶ºÎ¿©, ¸»µéÀ» ÀçÃËÇÏÁö ¸¶¿À", bar.Dmitri Hvorostovsky
- ¼º¾Ç°î_(·¯½Ã¾Æ ·Î¸Á½º), Ä«Ãò»þ(Katyusha), bar.Dmitri Hvorostovsky
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "°íÅëÀÌ¿© Áö³ª°¡¶ó, °ð ½½ÇÄÀÌ »ç¶óÁú °ÍÀÌ´Ù"
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "±¹È"
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "±æ"
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "³ª Ȧ·Î ±æÀ» °È³×"
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "´ç½ÅÀÌ ³» ¿µÈ¥À» ¿øÇÒ ¶§(Kagda, dusha)", bar.Dmitri Hvorostovsky
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "º¢²É"
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "ºÓÀº »ç¶óÆÇ"
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "½ºÅÙÄ« ¶óÁø(Stenka Razin)", Stenka Razin-Çõ¸í ÁöµµÀÚ
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "¾Æ, ³Ê ±Í¿©¿î ¾Æ°¡¾¾", bar. Dmitri Hvorostovsky
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "¾Æ¹«¸£ °ÀÇ ¹°°á"
- ¼º¾Ç°î_(·¯½Ã¾Æ ¹Î¿ä), "Æ®·ÎÀÌÄ«(Troika)", ten.Nicolai Gedda
- ¼º¾Ç°î_(¸¶¿À¸® ¹Î¿ä), "Pokarekare ana"
- ¼º¾Ç°î_(¸ß½ÃÄÚ ¹Î¿ä), "De punta y taco"
- ¼º¾Ç°î_(¸ß½ÃÄÚ ¹Î¿ä), "La Cucaracha"
- ¼º¾Ç°î_(¸ß½ÃÄÚ ¹Î¿ä), "»õó·³ ³¯¾Æ°¡¶ó(Flee as a bird)", ms.Rose Taylor
- ¼º¾Ç°î_(¸ß½ÃÄÚ ¹Î¿ä), "Á¦ºñ(La Golondrina)", ten.Francisco Araiza
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "°ñÂ¥±âÀÇ µîºÒ(When It¡¯s Lamp Lighting Time in The Valley)", Roger Wagner Chorale
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "At the river", Copland Á¤¸®, Ms. Jennifer Lamore
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Down by the riverside"
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Home on the Range(¾ð´ö À§ÀÇ Áý)", Roger Wagner Chorus
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Long time ago", Copland Á¤¸®, Ms. Marilyn Horne
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "³ªÀÇ »ç¶û Ŭ·¹¸àŸÀÎ(O My Darling Clementine)", Roger Wagner Chorus
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "È«ÇÏÀÇ °ñÂ¥±â(Red River Valley)", Mocedades
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Shenandoah"
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Simple gifts", Mormon Tabernacle choir
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Wayfaring stranger" &@
- ¼º¾Ç°î_(¹Ì±¹ ¹Î¿ä), "Àڴϰ¡ ÁýÀ¸·Î µ¹¾Æ¿Ã ¶§(When Johnny Comes Marching Home)", ms.Marilyn Horne
- ¼º¾Ç°î_(¼ÀεµÁ¦µµ ¹Î¿ä), "Cum Baya", Ms. Marilyn Horne
- ¼º¾Ç°î_(½º¿þµ§ ¹Î¿ä), "´©°¡ ¹Ù¶÷¾ø´Â ¹Ù´Ù¸¦ Ç×ÇØÇÒ ¼ö ÀÖÀ»±î(Vem kan segla)", The Swingle Singers
- ¼º¾Ç°î_(½º¿þµ§ ¹Î¿ä), "¹Ý¦ÀÌ´Â º°ºûó·³"
- ¼º¾Ç°î_(½º¿þµ§ ¹Î¿ä), "½£¿¡¼"
- ¼º¾Ç°î_(½º¿þµ§ ¼º°¡), "ÇÑ·®¾ø´Â ÁÖÀÇ ÀºÃÑ"
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "°±â½¾ ¾ð´ö(Ye Banks and Braes)", bar. Benjamin Luxon
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "¹Ð¹ç »çÀÌ·Î(Coming through the Rye)", sop.Kiri Te Kanawa
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "½ºÄ«À̼¶ÀÇ ¹î³ë·¡(The Skye Boat Song)", ten.Kenneth McKeller
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "¾Ö´Ï ·Î¸®(Annie Laurie)"
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "Amazing graces- Scotland the brave- Marie's wedding"
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "Bluebells of Scotland"
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "I¡¯m a Doun for Lack O¡¯Johnnie "
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "Loch Lomond", Drakensberg ¼Ò³âÇÕâ´Ü
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "My love is like the red, red rose"
- ¼º¾Ç°î_(½ºÄÚÆ²·£µå ¹Î¿ä), "O Waly Waly", The King¡¯s Singers, ct.Andreas scholl
- ¼º¾Ç°î_(½ºÆäÀÎ ¹Î¿ä), "Flee as a Bird", ms. Rose Taylor
- ¼º¾Ç°î_(½ºÆäÀÎ ¹Î¿ä), "Viva la Mancha!"
- ¼º¾Ç°î_(½ºÆäÀÎ ¹Ù½ºÅ© Áö¹æ ³ë·¡), ÁÁÀº ½ÃÀýÀÇ ¾ÆÄ§(Goizian argi hastian) $
- ¼º¾Ç°î_(½ºÆäÀÎ ÀÚÀå°¡), "Cancion de cuna"
- ¼º¾Ç°î_(½ºÆäÀΠij·Ñ), "Hacia Belen"
- ¼º¾Ç°î_(½½·Î¹ÙŰ¾Æ ¹Î¿ä), "Dolina, dolina", bar.Jose van Dam
- ¼º¾Ç°î_(½ÃÄ¥¸®¾Æ ¹Î¿ä), "Ciuri Ciuri"
- ¼º¾Ç°î_(½ÃÄ¥¸®¾Æ ¹Î¿ä), "Li Pira"
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ³ë·¡), "Too-ra-loo-ra-loo-ral"
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "Believe me, if all those endearing young charms"
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "Down by the Sally Gardens"
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "The Lark in the Clear Air", #
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "She moved through the fair"
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "When Irish eyes are smiling", ten.Dennis Day & Charles Dant
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), ³ªÆú·¹¿ËÀÇ ¹ß¶óµå: "¾Æ¸§´Ù¿î Àå¹Ì ÇÑ´Ù¹ß"
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "´ë´Ï º¸ÀÌ(Danny boy)", sop.Kiri Te Kanawa
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "¸¶´õ ¸ÅÅ©¸®(Mother Machree)"
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "¿©¸§ÀÇ ¸¶Áö¸· Àå¹Ì(The last rose of summer)", $
- ¼º¾Ç°î_(¾ÆÀÏ·£µå ¹Î¿ä), "Æ®¶ö¸®ÀÇ Àå¹Ì(The Rose of Tralee)"#, ten.Robert White
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "±×´ë ´«µ¿ÀÚ¸¦ ¼úÀÜ¿¡ ´ã¾Æ(Drink to me with thine eyes)", sop.Rita Streich#
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "¹Ï¾îÁÖ¿À, ¸ðµç °ÍÀÌ º¯ÇÒÁö¶óµµ(Believe me, if all those endearing charms)", ten.Charles Craig
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "»õÁ¶°³¿Í È«ÇÕ(Cockles and mussels)"
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "¼¼ ¸¶¸® ±î¸¶±Í(The Three Ravens)"
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Blow the Wind Southernly", # bar.Bryn Terfel, bar.Benjamin Luxon
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Bushes and Briars", Quartonal
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Charming beauty bright" #
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Drink to me with thine eyes"
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "I will give my love an apple"
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "I will walk with my love"
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Lord Randall", ct. Andreas Scholl
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "My love is like the red, red rose." cf) Weber Æí°î
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Robin is my joy" #
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "Scarborough fair"
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "The Water is Wide"
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "The water of Tyne"
- ¼º¾Ç°î_(¿µ±¹ ¹Î¿ä), "What Shall We Do with the Drunken Sailor?", Robert Shaw Chorale
- ¼º¾Ç°î_(¿À½ºÆ®·¼¸®¾Æ ¹Î¿ä), "¿ÐĪ ¸¶Æ¿´Ù(Waltzing Matilda)", The Scholars(Vocal Group)
- ¼º¾Ç°î_(¿À½ºÆ®¸®¾Æ ¹Î¿ä), "¾ÆÄ§¿¡(In der Fruah)", sop.Rita Streich
- ¼º¾Ç°î_(¿À½ºÆ®¸®¾Æ ¹Î¿ä), "Àú³áÀÇ ³ë·¡ (Abendlied)", sop.Rita Streich
- ¼º¾Ç°î_(¿þÀÏÁî ¹Î¿ä), "¹°Çª·¹³ª¹«(The ash grove)"
- ¼º¾Ç°î_(¿þÀÏÁî ¹Î¿ä), "All through the night"
- ¼º¾Ç°î_(¿þÀÏÁî ¹Î¿ä), "Suo Gan", sop. Kathleen Battle/Christopher Parkening(gt), cf) ¿µÈ "žçÀÇ Á¦±¹" »ðÀÔ°î
- ¼º¾Ç°î_(¿þÀÏÁî ¹Î¿ä), "The Ash Grove", The Swingle Singers
- ¼º¾Ç°î_(À̽º¶ó¿¤ ¹Î¿ä), "¹ãÀÇ Àå¹Ì(Erev shel shoshanim)", "°¡½Ã¸®"·Î ¹ø¾È, Haparvarim
- ¼º¾Ç°î_(À̽º¶ó¿¤ ¹Î¿ä), "ÇϹٳª±æ¶ó(Hava Nagila)"
- ¼º¾Ç°î_(ÀÌÅ»¸®¾Æ ¹Î¿ä), "Ciao bella ciao"
- ¼º¾Ç°î_(ÀÌÅ»¸®¾Æ ¹Î¿ä), "Tiritomba"
- ¼º¾Ç°î_(ÀÌÅ»¸®¾Æ ³ªÆú¸® ¹Î¿ä), "ºÒ²¨Áø â(Fenesta che lucive)", Franco Corelli(Ten)
- ¼º¾Ç°î_(üÄÚ ¹Î¿ä), "¸ñÀ屿 µû¶ó(Stodole Pumpa)"
- ¼º¾Ç°î_(üÄÚ ¹Î¿ä), "·çġī ·çġī"
- ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ¹Î¿ä), "»õÀÇ ³ë·¡(El cant dels ocells)", ten.Jose Carreras
- ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ¹Î¿ä), "½ÅÀÇ ¾ÆÀÌ"
- ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ¹Î¿ä), "¾Æ¸á¸®¾ÆÀÇ À¯¼"
- ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ¹Î¿ä), "¿ì¸®ÀÇ ¹Ù´Ù¸¦ º¸¾Æ¶ó(Mireu el nostre mar)", "»õÀÇ ³ë·¡" ¼±À²
- ¼º¾Ç°î_(īŻ·Î´Ï¾Æ ³ë·¡), "SolsonaÀÇ Ãß¾ï"
- ¼º¾Ç°î_(Æä·ç ¹Î¿ä), "ÄÚÄ«ÆÄ¾ß(Cachapaya)", The Swingle Singers
- ¼º¾Ç°î_(Æä·ç ¹Î¿ä), "El condor pasa"
- ¼º¾Ç°î_(Æä·ç ¹Î¿ä), "Quechua song"
- ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "Alouette", $ The Scholars
- ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "Frere Jacques"
- ¼º¾Ç°î_(ÇÁ¶û½º µ¿¿ä), "¸ÚÀïÀÌ ºÏÄ¡´Â û³â(Joli Tambour)", sop.Edita Gruberova
- ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "³»»ç¶û(L'amour de moi)", The Swingle Singers
- ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "´Ù °°ÀÌ µ¹ÀÚ µ¿³× ÇÑ ¹ÙÄû(Le coq est mort)", * ÇÁ¶û½º µ¿¿ä $
- ¼º¾Ç°î_(ÇÁ¶û½º ¹Î¿ä), "¾Æºñ´¨ ´Ù¸® À§¿¡¼(Sur le pont d¡¯avignon)", Saint-Laurent ¾î¸°ÀÌÇÕâ´Ü
- ¼º¾Ç°î_(Çɶõµå ¹Î¿ä), "´©°¡ ¹Ù¶÷¾ø´Â ¹Ù´Ù¸¦ Ç×ÇØÇÒ ¼ö ÀÖÀ»±î(Vem kan segla forutan vind)", The Real Group
- ¼º¾Ç°î_(Çɶõµå ¹Î¿ä), "One lovely summer evening", Helsinki ´ëÇÐ ÇÕâ´Ü, 3m
- ¼º¾Ç°î_Å©¸®½º¸¶½º ij·Ñ, "Little Drummer Boy"
- ¼º¾Ç°î_Å©¸®½º¸¶½º ij·Ñ, "Sleigh Ride"
- ¼º¾Ç°î_Å©¸®½º¸¶½º ij·Ñ, "Winter Wonderland"
- ¼º¾Ç°î_ÈæÀοµ°¡, "³Ê °Å±â ÀÖ¾ú´À³Ä?(Were You There?)", Roger Wagner
- ¼º¾Ç°î_ÈæÀοµ°¡, "¶§¶§·Î ³ª´Â °í¾ÆÃ³·³ ´À³¢³×(Sometimes I Feel like a Motherless Child)", Jorma Hynninen(Bar)
- ¼º¾Ç°î_ÈæÀοµ°¡, "¾Æ¹«µµ ¸ô¶ó, ³ªÀÇ ½½ÇÄ(Nobody Knows the Trouble I¡¯ve Seen)", Derek Lee Ragin(CT)
- ¼º¾Ç°î_ÈæÀοµ°¡, "¿¤¸®¾ÆÀÇ ¹ÙÀ§(Elijah Rock)", Roger Wagner
- ¼º¾Ç°î_ÈæÀοµ°¡, "He's got the whole world in his hand"
- ¼º¾Ç°î_ÈæÀοµ°¡, "Joshua fit de battle of Jericho"
- ¼º¾Ç°î_ÈæÀοµ°¡, "Kum Ba Yah", ¼ÀεµÁ¦µµ ¹Î¿ä * 'Come by here my Lord!'
- ¼º¾Ç°î_ÈæÀοµ°¡, "Let me fly"
- ¼º¾Ç°î_ÈæÀοµ°¡, "On Ma Journey"
- ¼º¾Ç°î_ÈæÀοµ°¡, "Swing low, sweet chariot"
- ¼º¾Ç°î_ÈæÀοµ°¡, "Witness"
- ¼¼µå¸°,·Îµð¿Â, ½ºÆ¼È÷¶ó(Stihira)
- ¼Ä(Sheng,B), ¹«¹ÝÁÖ Ã¿·Î ¼Òǰ
- ¼Ò·ÎÀÚ¹ß, »ç¸£¼ö¿¤¶ó <Àå¹Ì²ÉÀÇ ¼Ò³à>; /"¾Æµå¸®µåÀÇ ¾î¿©»Û ¼Ò³à" * »ç¸£¼ö¿¤¶ó[zarzuela] = »ç¼³¡¤³ë·¡¡¤ÇÕ⡤Ãã µîÀ¸·Î ÀÌ·ç¾îÁø 17c ¿¡½ºÆÄ³ÄÀÇ ¾Ç±Ø
- ¼Ò·ÎÀÚ¹ß, ¿ÀÆä¶ó <Ç×±¸ÀÇ ¼±¼úÁý(La tabernera del puerto)>; "±×·²¸® ¾ø¾î(No puede ser)"
- ¼Ò¸£, 6°³ÀÇ ÂªÀº ¼Òǰ(6 Short Pieces), Op.5
- ¼Ò¸£, ¸ðÂ¥¸£Æ® '¸¶¼úÇǸ®' ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(Variations for Guitar on a theme from Mozart's "Magic Flute"), Op.9, 8m, ±âŸ°î, {# Alexander Ramirez(gt), # Pepe Romero(Gt)}
- ¼Ò¸£, ¼ÁÖ¿Í º¯ÁÖ(¸ðÂ¥¸£Æ®ÁÖÁ¦¿¡ ÀÇÇÑ), Op.20, ±âŸ°î, * Fernando Sor(1778-1839 Spanish Classical Guitarist)
- ¼Ò¹Ì½º, ¹ÙÀ̿ø°¼Ò³ªÅ¸, D, Op.1-6, # Kreeta-Maria Kentala(vn),Lauri Pulakka(vc)/Mitzi Meyerson(harpsichord)
* Giovanni Battista Somis(1686-1763 Italian Baroque Vn)
- ¼ÕÇìÀÓ,½ºÆ¼ºì, ÀÛÀº ¹ãÀÇ À½¾Ç(A Little Night Music(1973 musical)):The Night Waltzes * Stephen Sondheim(1930- American)
- ¼éÇʵå,Æú, Four Souvenirs for Violin and Piano, * Paul Schoenfield(1947- American)
- ¼Ö·¹¸£,¾ÈÅä´Ï¿À, ¼º¾Ç°î "¼ø°á" * Antonio Soler(1729-1783 Spanish)
- ¼Ö·¹¸£,¾ÈÅä´Ï¿À, 5ÁßÁÖ°î 6, g, 22m
- ¼éº£¸£Å©, ´Þ¿¡ Ȧ¸° ÇÇ¿¡·Î(Pierrot lunaire), Op.21, 3ºÎ21°î ±¸¼º; Part1: 1) ´Þ¿¡ ÃëÇØ(Mondestrunken), 2)ÄÝ·Õºñ³×(Colombine), Part3: 18) ´ÞÀÇ ¾ó·è(Der Monfleck), 19) ¼¼·¹³ªµ¥(Serenade)
- ¼éº£¸£Å©, º¯ÁÖ°î(°üÇö¾ÇÀ» À§ÇÑ), Op.31
- ¼éº£¸£Å©, ¼¼·¹³ªµ¥, Op.24, ÇàÁø°î ¹Ì´º¿§ º¯ÁÖ°î ¾È´ÜÅ× ÃãÀÇÁ¤°æ ¸®µå finale, ºÎºÐÀûÀ¸·Î 12À½±â¹ý »ç¿ë
- ¼éº£¸£Å©, ½Ç³»±³Çâ°î 1, Op.9,17m
- ¼éº£¸£Å©, ÇǾƳëÇùÁÖ°î, Op.42, 4PC, 24m
- ¼éº£¸£Å©, ÇØ¼³ÀÚ ³²¼ºÇÕâ °üÇö¾ÇÀ» À§ÇÑ ÀÛǰ: ¹Ù¸£»þ¹ÙÀÇ À¯ÀÏÇÑ »ýÁ¸ÀÚ, Op.46, °³½º½ÇÀÇ »óȲ ¹¦»ç
- ¼éº£¸£Å©, Çö¾Ç6ÁßÁÖ°î, Á¤ÈµÈ ¹ã(Verklarte Nacht(Transfigured Night)), Op.4, 36m#3, Atlanta Symphony Orchestra/Yoel Levi
- ¼éº£¸£Å©, È¥¼ºÇÕâÀ» À§ÇÑ 4°³ÀÇ ¼Òǰ, Op.27,4°³ ½Ã·Î ±¸¼º>2°³: ¼¾º£¸£Å© ½Ã- â¼¼±â 2°³: Çѽº º¤ÄÉ-Áß±¹ÀÇ ÇÃ·çÆ®, 12À½±â¹ýÀÇ Ã¢½ÃÀÚ, 12À½±â¹ý »ç¿ë: Çö´ëÀ½¾ÇÀÇ ºÐ±â, modern´ë½Å contemporary·Î Ç¥Çö, 1925c
- ¼éº£¸£±×,Ŭ·Îµå ¹Ì¼Ð, ¹ÂÁöÄà <¹Ì½º »çÀ̰ø>; * Claude-Michel Schoenberg(1944- French)
- "The Last Night of the World", Simon Bowman & Lea Salonga
- ¼î¼Û, ±³Çâ°î, Bb, Op.20, 34m#3, Orchestre du Capitole de Toulouse/Michel Plasson
- ¼î¼Û, ¹ÙÀ̿ø°°ú ÇÇ¾Æ³ë ±×¸®°í Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ ÇùÁÖ°î, D, Op.21, # James Tocco(pf),Yehonatan Berik(vn),Amernet String Quartet, # Christian Ferras(vn)/Pierre Barbizet(pf)/Quatuor Parrenin
- ¼î¼Û, ¼º¾Ç°î "³ªºñ(Les Papillons)", Op.2-3, Theophile Gautier ½Ã, sop. Jessye Norman
- ¼î¼Û, ¼º¾Ç°î "¿µ¿øÇÑ ³ë·¡"(chanson perpe'tuelle), Charles Cros(P)
- ¼î¼Û, ¼º¾Ç°î "»ç¶û°ú ¹Ù´ÙÀÇ ½Ã(Poeme de l'amour et de la mer:Poem of Love and the Sea)", Op.19, 27m
- ¼î¼Û, ¼º¾Ç°î "ÀÌÅ»¸®¾Æ ¼¼·¹³ªµ¥"
- ¼î¼Û, ½Ã°î, Op.25, ÇÁ¶û½º ´ëÇ¥Àû ÀÛǰ(»ý»ó½º VC,¶ö·Î ½ºÆäÀÎS,½Ã°î), 15m, $ Zino Francescatti(vn),New York Philharmonic/Leonard Bernstein
- ¼î¼Û, ÇǾƳë3ÁßÁÖ, g, Op.3, 31m
- ¼î¼Û, ÇùÁÖ°î, Op.21, (Pf, Vn and SQ)
- ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 1, f, Op.10, 15S, * Dmitri Shostakovich(1906-1975 Russian)
- ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 5, d, Op.47, 45m#, New York Philharmonic/Leonard Bernstein
- ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 7, d, Op.60, "·¹´Ñ±×¶óµå"
- ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 8, c, Op.65, 58m, Russian Federal Orchestra/Vakhtang Jordania
- ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 9, Eb, Op.70, 25m#, New York Philharmonic/Leonard Bernstein
- ¼î½ºÅ¸ÄÚºñÄ¡, ±³Çâ°î 10, e, Op.93, 56m#, Boston Symphony Orchestra/Andris Nelsons
- ¼î½ºÅ¸ÄÚºñÄ¡, µî¿¡(¼èÆÄ¸®(gadfly))-¿µÈÀ½¾Ç ¸ðÀ½°î, Op.97a, $
- ¼î½ºÅ¸ÄÚºñÄ¡, ·Î¸Á½º(¼¼ °³ÀÇ), Op.46a, 1) »õ·Î ž(Regeneration) 2) ÁúÅõ½É ¸¹Àº ó³à(A jealous maiden) 3) ¿¹°¨(Premonition), 8m
- ¼î½ºÅ¸ÄÚºñÄ¡, ·Î¸Á½º, ¹ÙÀ̿ø°°î, ¿µÈÀ½¾Ç ¼èÆÄ¸® ¸ðÀ½°î ÁßÀÇ Çϳª
- ¼î½ºÅ¸ÄÚºñÄ¡, ¹ÙÀ̿ø°ÇùÁÖ°î 1, a, Op.99, 39m
- ¼î½ºÅ¸ÄÚºñÄ¡, ¼º¾Ç°î "²Þ", ms.Olga Borodina
- ¼î½ºÅ¸ÄÚºñÄ¡, ¾Æ´ÙÁö¿À, (Vc & Or), 6m
- ¼î½ºÅ¸ÄÚºñÄ¡, ¿À¶óÅ丮¿À <½£ÀÇ ³ë·¡>, Op.81; 7°î ±¸¼º, 1) ½Î¿òÀÌ ³¡³µÀ» ¶§, 2) Á¶±¹À» ½£À¸·Î µ¤ÀÚ, 3) °ú°ÅÀÇ È¸»ó,
4) ¼Ò³â ÇÇ¿À³ª¸£´Â ³ª¹«¸¦ ½É´Â´Ù, 5) ½ºÅ»¸°±×¶óµå ½Ã¹ÎÀº ÀüÁøÇÑ´Ù, 6) ¹Ì·¡·ÎÀÇ »êÃ¥, 7) Âù°¡
- ¼î½ºÅ¸ÄÚºñÄ¡, ¿ÀÆä¶ó <¹Çþ½ºÅ©ÀÇ ¸Æº£½ººÎÀÎ>;
- "¾î´À³¯ ³ª´Â â³Ê¸Ó·Î ÀÛÀº»õÀÇ µÕÁö¸¦ º¸¾Ò³×"-Ä«Å׸®³ªÀÇ ¾Æ¸®¾Æ, sop.Galina Vishnevskaya
- ¼î½ºÅ¸ÄÚºñÄ¡, À¯´ëÀüÅë½Ã¿¡ ºÙÀÎ ³ë·¡Áý; /»ç·Á±íÀº ¾î¸Ó´Ï¿Í À̸ð, /ÀÚÀå°¡
- ¼î½ºÅ¸ÄÚºñÄ¡, ÀçÁî¸ðÀ½°î 1
- ¼î½ºÅ¸ÄÚºñÄ¡, ÀçÁî¸ðÀ½°î 2, (¿ÐÃ÷$), °üÇö¾Ç°î
- ¼î½ºÅ¸ÄÚºñÄ¡, ÿ·Î¼Ò³ªÅ¸, d, Op.40, À¯ÀÏÇÑCS, 4M23m
- ¼î½ºÅ¸ÄÚºñÄ¡, ÿ·ÎÇùÁÖ°î 1, Eb, Op.107, 27m#, Yo-Yo Ma/The Philadelphia Orchestra/Eugene Ormandy
- ¼î½ºÅ¸ÄÚºñÄ¡, ÇǾƳë3ÁßÁÖ 1, c, Op.8, ´Ü¾ÇÀå ÇüÅÂ, 12m
- ¼î½ºÅ¸ÄÚºñÄ¡, ÇǾƳë3ÁßÁÖ 2, e, Op.67, # Olli Mustonen(Pf),Joshua Bell(Vn),Steven Isserlis(Vc)
- ¼î½ºÅ¸ÄÚºñÄ¡, ÇǾƳ븦 À§ÇÑ ÀüÁÖ°î°ú Ǫ°¡(prelude and fugue) 7;A 14;Eb 15;Bb, Op.87, 24°îÀ¸·Î ±¸¼º(12°îÀÇ ÀåÁ¶¿Í 12°îÀÇ ´ÜÁ¶) cf) ¹ÙÈå: 24°î*2±Ç(48°î)
- ¼î½ºÅ¸ÄÚºñÄ¡, ÇǾƳëÇùÁÖ°î 1, c, Op.35, 22m, Æ®·³Æê°ú ÇöÀ» À§ÇÑ ÇǾƳëÇùÁÖ°î, Orchestra ¿¡¼ Æ®·³Æê°ú Çö¾Ç±â¸¦ Á¦¿ÜÇϰí´Â ¸ðµÎ ºüÁü, 27¼¼ ¶§ ÀÛ°î, 4M31m, # Michael Houstoun(Pf),The New Zealand Symphony Orchestra/Christopher Lyndon-Gee
- ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ 3, F, Op.73, 28m, $ Quatuor Danel
- ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ 8, c, Op.110
- ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ 13, bb, Op.138
- ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ 14, F#, Op.142, 25m
- ¼î½ºÅ¸ÄÚºñÄ¡, Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ 2°³ÀÇ ¼Òǰ:Elegy & Polka
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.6(No.1-4 in f#, c#, E, eb), 55°î(ÀÌ Áß 6°î Op.¾øÀ½), ³²¼ºÀû(Æú·Î³×ÀÌÁî; ¿©¼ºÀû)
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.7(No.1-5 in Bb, a, f, Ab, C),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.17(No.1-4 in Bb, e, Ab, a),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.24(No.1-4 in g, C, Ab, bb),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.30(No.1-4 in c, b, Db, c#),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.33(No.1-4 in g#, D, C, b),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.41(No.1-4 in c#, e, B, b),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.50(No.1-3 in G, Ab, c#),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.56(No.1-3 in B, C, c),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.59(No.1-3 in a, Ab, f),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.63(No.1-3 in B, f, c#),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.67(No.1-4 in G, g, C, a),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«, Op.68(No.1-4 in C, a, F, f),
- ¼îÆØ, ¸¶ÁÖ¸£Ä«(Mazurka in G, Mazurka in Bb, Mazurka in D, Mazurka in Bb, Mazurka in C, Mazurka in Ab, Mazurka in a "Notre Temps", Mazurka in a) * Op. ¾ø´Â 6°î
- ¼îÆØ, ¹ÙÄ«·Ñ(·¹), F#, Op.60,ÇǾƳë°î, cf) barcarole, barcarolle; a Venetian boat song usu. in or characterized by the alternation of a strong and a weak beat in 6/8 time that suggests a rowing rhythm.
- ¼îÆØ, ¹ß¶óµå 1, g, Op.23, 4°³ÀÇ ¹ß¶óµå, ÇǾƳë°î, 9m, $ Sergio Fiorentino(pf)
- ¼îÆØ, ¹ß¶óµå 2, F, Op.38
- ¼îÆØ, ¹ß¶óµå 3, Ab, Op.47
- ¼îÆØ, ¹ß¶óµå 4, f, Op.52
- ¼îÆØ, º¯ÁÖ°î(·Î½Ã´Ï "¶ó ü³×·»Åç¶ó" ÁÖÁ¦¿¡ ÀÇÇÑ: Variations on a Theme from Rossini's La Cenerentola), E >Jean-Pierre Rampal(fl)/ Robert Veyron-Lacroix(harpsichord)
- ¼îÆØ, ¼º¾Ç°î, "³«¿±"
- ¼îÆØ, ¼º¾Ç°î, "³» ¸¾ ¼Ó¿¡ ¿ï¸®´Â ³ë·¡(In mir klingt ein Lied)" <¿¬½À°î Op.10-3 /sop. Anneliese Rothenberger
- ¼îÆØ, ¼º¾Ç°î, "¸á·Îµð¾Æ(Melodia)"
- ¼îÆØ, ¼º¾Ç°î, "»ç¶û½º·± ±×´ë"
- ¼îÆØ, ¼º¾Ç°î, "¾Æ°¡¾¾ÀÇ ¼Ò¸Á", Op.74-1, sop.Elzbieta Szimytka
- ¼îÆØ, ¼º¾Ç°î, "À̺°ÀÇ ³ë·¡(In mir klingt ein Lied)", $ Annelise Rothenberger(sop)
- ¼îÆØ, ¼º¾Ç°î, "Àß»ý±ä ÀþÀºÀÌ", Op.74-8, sop.Elly Ameling
- ¼îÆØ, ½ºÄɸ£Á¶ 1, b, Op.20, 8m
- ¼îÆØ, ½ºÄɸ£Á¶ 2, bb, Op.31, 10m
- ¼îÆØ, ½ºÄɸ£Á¶ 3, c#, Op.39, 7m
- ¼îÆØ, ½ºÄɸ£Á¶ 4, e, Op.54, 12m
- ¼îÆØ, ½ÇÇÇ´À(Les Sylphides), 26m, °üÇö¾Ç°î, Boston Pops Orchestra/Arthur Fiedler
- ¼îÆØ, ¾È´ÜÅ× ½ºÇǾƳªÅä¿Í È·ÁÇÑ Æú·Î³×ÀÌÁî(Andante Spianato And Grande Polonaise Brillante), Eb, Op.22, ½ºÇǾƳªÅä > °Åħ¾øÀÌ
- ¼îÆØ, ¾ß»ó°î 1, Bb, Op.9-1, * ¾ß»ó°î,21°î: 2CD(Vol.1> C27, Vol.2> C28), [Vol 1/ Nos.1-8,19-21], Arthur Rubinstein(Pf)
- ¼îÆØ, ¾ß»ó°î 2, Eb, Op.9-2,$, 5m, {Wolfgang Schneiderhan(vn), Albert Hirsh(pf)}
- ¼îÆØ, ¾ß»ó°î 3, B, Op.9-3
- ¼îÆØ, ¾ß»ó°î 4, F, Op.15-1
- ¼îÆØ, ¾ß»ó°î 5, F#, Op.15-2,$$
- ¼îÆØ, ¾ß»ó°î 6, g, Op.15-3
- ¼îÆØ, ¾ß»ó°î 7, c#, Op.27-1
- ¼îÆØ, ¾ß»ó°î 8, Db, Op.27-2,$
- ¼îÆØ, ¾ß»ó°î 9, B, Op.32-1, [Vol 2/ Nos.9,10-18]
- ¼îÆØ, ¾ß»ó°î 10, Ab, Op.32-2
- ¼îÆØ, ¾ß»ó°î 11, g, Op.37-1
- ¼îÆØ, ¾ß»ó°î 12, G, Op.37-2
- ¼îÆØ, ¾ß»ó°î 13, c, Op.48-1
- ¼îÆØ, ¾ß»ó°î 14, f#, Op.48-2
- ¼îÆØ, ¾ß»ó°î 15, f, Op.55-1
- ¼îÆØ, ¾ß»ó°î 16, Eb, Op.55-2( ÁïÈï°îdz)> + C70
- ¼îÆØ, ¾ß»ó°î 17, B, Op.62-1> + C70,
- ¼îÆØ, ¾ß»ó°î 18, E, Op.62-2 /Maurizio Pollini
- ¼îÆØ, ¾ß»ó°î 19, e, Op.72-1
- ¼îÆØ, ¾ß»ó°î 20, c#, Op.posth.
- ¼îÆØ, ¾ß»ó°î 21, c, Op.posth.
- ¼îÆØ, ¿¬½À°î, Op.10-1, C, Op.10:12°î * ¿¬½À°îÀº Op.10, Op.25ÀÌ °¢°¢ 12°îÀ¸·Î ±¸¼ºµÇ°í ¿©±â¿¡ ¿¬½À°î 3°³°¡ Ãß°¡µÇ¾î ÃÑ 27°îÀ¸·Î ±¸¼º.
- ¼îÆØ, ¿¬½À°î, Op.10-2, a,
- ¼îÆØ, ¿¬½À°î, Op.10-3, E, "À̺°ÀÇ °î"
- ¼îÆØ, ¿¬½À°î, Op.10-4, c#,
- ¼îÆØ, ¿¬½À°î, Op.10-5, Gb, "Èæ°Ç",
- ¼îÆØ, ¿¬½À°î, Op.10-6, eb,
- ¼îÆØ, ¿¬½À°î, Op.10-7, C,
- ¼îÆØ, ¿¬½À°î, Op.10-8, F,
- ¼îÆØ, ¿¬½À°î, Op.10-9, f,
- ¼îÆØ, ¿¬½À°î, Op.10-10, Ab,
- ¼îÆØ, ¿¬½À°î, Op.10-11, Eb,
- ¼îÆØ, ¿¬½À°î, Op.10-12, c, "Çõ¸í"
- ¼îÆØ, ¿¬½À°î, Op.25-1, Ab, "¿¡¿Ã¸®¿Â ÇÏÇÁ" ¶Ç´Â "¸ñµ¿", Op.25:12°î
- ¼îÆØ, ¿¬½À°î, Op.25-2, f,
- ¼îÆØ, ¿¬½À°î, Op.25-3, F,
- ¼îÆØ, ¿¬½À°î, Op.25-4, a,
- ¼îÆØ, ¿¬½À°î, Op.25-5, e, ½ºÄɸ£Á¶Ç³ ¹«°î
- ¼îÆØ, ¿¬½À°î, Op.25-6, g#,
- ¼îÆØ, ¿¬½À°î, Op.25-7, c#,
- ¼îÆØ, ¿¬½À°î, Op.25-8, Db,
- ¼îÆØ, ¿¬½À°î, Op.25-9, Gb, "³ªºñ"
- ¼îÆØ, ¿¬½À°î, Op.25-10, b,
- ¼îÆØ, ¿¬½À°î, Op.25-11, a, "°Ü¿ï¹Ù¶÷"
- ¼îÆØ, ¿¬½À°î, Op.25-12, c, "´ë¾ç"
- ¼îÆØ, ¿¬½À°î 1, f, * Op.10, Op.25 ¿Ü Ãß°¡ ¿¬½À°î 3°î(f, Ab, Db)
- ¼îÆØ, ¿¬½À°î 2, Ab,
- ¼îÆØ, ¿¬½À°î 3, Db,
- ¼îÆØ, ¿ÐÃ÷ 1 Eb, Op.18
- ¼îÆØ, ¿ÐÃ÷ 3, a, Op.34-2, Pf,6m
- ¼îÆØ, ¿ÐÃ÷ 4, F, Op.34-3, "Valse brillante", Pf, 2m
- ¼îÆØ, ¿ÐÃ÷ 5, Ab, Op.42
- ¼îÆØ, ¿ÐÃ÷ 7, c#, Op.64-2, Pf
- ¼îÆØ, ¿ÐÃ÷ 8, Ab, Op.64-3, Pf
- ¼îÆØ, ¿ÐÃ÷ 9, Ab, Op.69-1, "Farewell", Pf
- ¼îÆØ, ¿ÐÃ÷ 10, b, Op.69-2
- ¼îÆØ, ¿ÐÃ÷ 11, Gb, Op.70-1
- ¼îÆØ, ¿ÐÃ÷ 12, f, Op.70-2, Pf
- ¼îÆØ, ¿ÐÃ÷ 13, Db, Op.70-3, Pf
- ¼îÆØ, "¿ì¸® ÇÔ²² ¼ÕÀ» Àâ°í" ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(Variations on "La ci darem la mano" from Don Giovanni), Op.2, ÇùÁÖ°î(Pf & Orch)
- ¼îÆØ, ÀÚÀå°¡(Berceuse), Db, Op.57, Polina Osetinskaya(pf)
- ¼îÆØ, Àå¼ÛÇàÁø°î, c, Op.posth.72-2
- ¼îÆØ, ÀüÁÖ°î(24), Op.28(Nos.1-24) > No.15 in Db "ºø¹æ¿ïÀüÁÖ°î"
- ¼îÆØ, ÀüÁÖ°î 1, C, Op.28-1, Op.28(Nos.1-24)
- ¼îÆØ, ÀüÁÖ°î 2, a, Op.28-2
- ¼îÆØ, ÀüÁÖ°î 3, G, Op.28-3
- ¼îÆØ, ÀüÁÖ°î 4, e, Op.28-4
- ¼îÆØ, ÀüÁÖ°î 5, D, Op.28-5
- ¼îÆØ, ÀüÁÖ°î 6, b, Op.28-6
- ¼îÆØ, ÀüÁÖ°î 7, A, Op.28-7
- ¼îÆØ, ÀüÁÖ°î 8, f#, Op.28-8
- ¼îÆØ, ÀüÁÖ°î 9, E, Op.28-9
- ¼îÆØ, ÀüÁÖ°î 10, c#, Op.28-10
- ¼îÆØ, ÀüÁÖ°î 11, B, Op.28-11
- ¼îÆØ, ÀüÁÖ°î 12, g#, Op.28-12
- ¼îÆØ, ÀüÁÖ°î 13, f#, Op.28-13
- ¼îÆØ, ÀüÁÖ°î 14, eb, Op.28-14
- ¼îÆØ, ÀüÁÖ°î 15, Db, Op.28-15, "ºø¹æ¿ïÀüÁÖ°î"
- ¼îÆØ, ÀüÁÖ°î 16, bb, Op.28-16
- ¼îÆØ, ÀüÁÖ°î 17, Ab, Op.28-17
- ¼îÆØ, ÀüÁÖ°î 18, f, Op.28-18
- ¼îÆØ, ÀüÁÖ°î 19, Eb, Op.28-19
- ¼îÆØ, ÀüÁÖ°î 20, c, Op.28-20
- ¼îÆØ, ÀüÁÖ°î 21, Bb, Op.28-21
- ¼îÆØ, ÀüÁÖ°î 22, g, Op.28-22
- ¼îÆØ, ÀüÁÖ°î 23, F, Op.28-23
- ¼îÆØ, ÀüÁÖ°î 24, d, Op.28-24
- ¼îÆØ, ÀüÁÖ°î 25, c#, Op.45
- ¼îÆØ, ÁïÈï°î 1, Ab, Op.29, 4°îÀÇ ÁïÈï°î
- ¼îÆØ, ÁïÈï°î 2, F#, Op.36
- ¼îÆØ, ÁïÈï°î 3, Gb, Op.51
- ¼îÆØ, ÁïÈï°î 4, c#, Op.66, "ȯ»óÁïÈï°î(Fantasie-Impromptu)"
- ¼îÆØ, ÿ·Î¼Ò³ªÅ¸, g, Op.65, 23m, $ Alexander Zagorinsky(Vc)/Einar Steen-N©ªkleberg(Pf)
- ¼îÆØ, Æú·Î³×ÀÌÁî 3, A, Op.40-1, "±º´ëÆú·Î³×ÀÌÁî", Pf
- ¼îÆØ, Æú·Î³×ÀÌÁî 5, f#, Op.44
- ¼îÆØ, Æú·Î³×ÀÌÁî 6, Ab, Op.53, "¿µ¿õÆú·Î³×ÀÌÁî
- ¼îÆØ, Æú·Î³×ÀÌÁî 7, Ab, Op.61, "ȯ»óÆú·Î³×ÀÌÁî"
- ¼îÆØ, Æú·Î³×ÀÌÁî 9, Bb, Op.71-2
- ¼îÆØ, Æú·Î³×ÀÌÁî 14, g#, Op.posth. 5m, Sergio Fiorentino(pf)
- ¼îÆØ, Æú·Î³×ÀÌÁî ºê¸±¶õÅ×/¼ÁÖ¿Í È·ÁÇÑ Æú·Î³×ÀÌÁî, C, Op.3,T4
- ¼îÆØ, ÇǾƳë3ÁßÁÖ°î, g, Op.8, 30m
- ¼îÆØ, ÇǾƳë¼Ò³ªÅ¸ 2, Bb, Op.35, $>3M "Àå¼ÛÇàÁø°î(Funeral March)", $ 22m, $1) Maurizio Pollini(pf), #2) Nikita Magaloff(pf), 3) Annie Fischer(pf)
- ¼îÆØ, ÇǾƳë¼Ò³ªÅ¸ 3, b, Op.58, PS1Àº ½ÀÀÛ¿¡ ºÒ°ú, PS2¿Í3ÀÌ ¸¹ÀÌ ¿¬ÁÖµÊ, 30m#
- ¼îÆØ, ÇǾƳëÇùÁÖ°î 1, e, Op.11, 39m, $ Dinorah Varsi(pf),Orchestre Philharmonique de Monte-Carlo/Jan Krenz, # Emil Gilels(pf), The Philadelphia Orchestra/Eugene Ormandy, # Gary Graffman(pf)/Boston Symphony Orchestra/Charles Munch
- ¼îÆØ, ÇǾƳëÇùÁÖ°î 2, f, Op.21, # Murray Perahia(Pf),Israel Philharmonic Orchestra/Zubin Mehta
- ¼îÆØ, ȯ»ó°î, f, Op.49, 14m, $ Maurizio Pollini(pf)
- ¼öÀÚ, The Glory of the Yankee Navy, * John Philip Sousa(1854-1932 American: the late Romantic)
- ¼öÀÚ, Hands Across the Sea
- ¼öÀÚ, The Liberty Bell
- ¼öÀÚ, Stars and Stripes Forever
- ¼öÀÚ, ¿µ¿øÇÑ Ãæ¼º(Semper Fidelis), 2m, New York Philharmonic/Leonard Bernstein
- ¼öÅ©,¿ä¼Á, ±³Çâ½Ã "¿©¸§ À̾߱â(A Summers' Tale)", Op.29, 51m, °üÇö¾Ç°î, * Josef Suk(1874-1935, Czech &vn)
- ¼öÅ©,¿ä¼Á, »ç¶û ³ë·¡(¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), Op.7-1, 5m
- ¼öÅ©,¿ä¼Á, ¼¼·¹³ªµ¥(ÇöÀ» À§ÇÑ), E, Op.6, ±×ÀÇ ´ëÇ¥Àû ÀÛǰ, 26m, # London Chamber Orchestra
- ¼öÅ©,¿ä¼Á, ¿¤·¹Áö(Elegy), Db, Op.23, 6m, Boulager Trio
- ¼öÅ©,¿ä¼Á, ȯ»óÀû ½ºÄɸ£Á¶(Fantastic Scherzo), Op.25, 15m
- ¼öÅø·Î,ÀÌ º£¸£Æ®(Soutullo y Vert), »ç¸£¼ö¿¤¶ó:ParralÀÇ ¿©ÀÎ; /"¿À, ÇູÇß´ø ½Ã°£ÀÌ¿©"
- ¼öÅø·Î,ÀÌ º£¸£Æ®, ¼º¾Ç°î "¾Æ¸§´Ù¿î ¹ã, ½Åºñ·Î¿î ¹ã(Noche de amor, noche misteriosa)", ten. Alfredo Kraus
- ½¬Ã÷,ÇÏÀθ®È÷, Schwanengesang, Opus ultimum SWV.482-488, 44m, Collegium Vocale Gent,Concerto Palatino/Philippe Herreweghe, * Heinrich Schutz(1585-1672 German&Org)
- ½´³ªÀÌ´õ,°Ô¿À¸£Å© ¾Æºê¶óÇÔ, ¹ÙÀ̿ø°°ú ºñ¿Ã¶ó¸¦ À§ÇÑ ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(Sinfonia concertante for Violin and Viola), Op.19, 25m, $2 Werner Grobholz(Vn),Jurgen Kussmaul(Va),Academy of St. Martin in the Fields/Iona Brown, * Georg Abraham Schneider(1770-1839 German)
- ½´¸¸, 3°³ÀÇ ½Ã°¡(3 Gedichte), Op.30; 1) »ÔÇǸ®¸¦ µç ¼Ò³â(Der Knabe Mit Dem Wunderhorn), 2) ½Ãµ¿(Der Page), 3) ÇÏÀÎ(Der Hidalgo), * Robert Schumann(1810-1856 German)
- ½´¸¸, 4°³ÀÇ 2Áßâ°î(4 Duets), Op.34; 1) "»ç¶ûÀÇ Á¤¿ø(Liebesgarten)" 2) "¿¬ÀÎÀÇ ¼¼·¹³ªµ¥(Liebhabers Sta"ndchen)"
- ½´¸¸, 5°³ÀÇ ¹Î¿ädzÀÇ ¼Òǰ(Five Folk Pieces), "Stucke im Volkston", Op.102, Anner Bylsma(vc)/Lambert Orkis(pf)
- ½´¸¸, ±³Çâ°î 1, Bb, Op.38, "º½", 30m$, $ Wiener Philharmoniker/Leonard Bernstein, $ London Philharmonic Orchestra/Adrian Boult
- ½´¸¸, ±³Çâ°î 2, C, Op.61, 36m
- ½´¸¸, ±³Çâ°î 3, Eb, Op.97, "¶óÀÎ(Rhenish)"
- ½´¸¸, ±³Çâ°î 4, d, Op.120, 30m $, # Philharmonia Orchestra/Guido Cantelli, # London Philharmonic Orchestra/Adrian Boult
- ½´¸¸, ±³Çâ°î, g, WoO.29, "Ã÷ºñÄ«¿ì(Zwickau)", 18m
- ½´¸¸, ±³ÇâÀû ¿¬½À°î(Symphonic Etudes), Op.13, ÇǾƳ븸À¸·Î ±³Çâ°îÀÇ È¿°ú¸¦ ½ÃÇö, ½´¸¸ÀÇ ÃÖ°íÀÇ ¸íÀÛ, 33m, Anatoly Vedernikov(pf)
- ½´¸¸, ³ªºñ(Papillons), Op.2, 15m, Pf
- ½´¸¸, ´Ùºñµåµ¿¸Í ¹«°îÁý(Davidsbundlertanze for Piano), Op.6, Pf, 27m, # Andras Schiff(PF)
- ½´¸¸, µ¿È ±×¸²(Marchenbilder(Fairy-Tale Pictures)), Op.113, ½Ç³»¾Ç, (Va,Pf), 17m
- ½´¸¸, ·¹³ªÀÇ ½Ã¿¡ ÀÇÇÑ 6°³ÀÇ ½ÃÀûÀÎ ÀÛǰ°ú ·¹Äû¿¥; 2) ³ªÀÇ Àå¹Ì, 3) ¸¸³²°ú ÀÛº°, 6) ¸¶À½ÀÌ ¹«°Å¿î Àú³á
- ½´¸¸, ·Î¸Á½º(Ŭ¶ó¸®³Ý°ú ÇǾƳ븦 À§ÇÑ 3°³ÀÇ), Op.94, ¿ø·¡´Â Ŭ¶ó¸®³ÝÀÌ ¾Æ´Ñ ¿Àº¸¿´À½
- ½´¸¸, ¸®´õ Å©¶óÀ̽º(Liederkreis), Op.24, 9°î; °¡°îÁýÀ» ¸»Çϳª ¿¬°¡°î°ú´Â ´Ù¸§, 5) "³» ½½ÇÄÀÇ ¿ä¶÷ÀÌ¿©" 7) »ê°ú ¼ºÀÌ ¹°¿¡ ºñÃÄ(Berg und Burgen schaun herunter)
- ½´¸¸, ¸®´õ Å©¶óÀ̽º(Liederkreis), Op.39, 24m, 12°î; 1) ³¸¼± ¶¥¿¡¼(In der Fremde) 2) °£ÁÖ°î(Intermezzo) 3) ½£ÀÇ ¼Ó»èÀÓ(Waldesgesprach)
4) Á¤Àû(Die Stille) 5) ´Þ¹ã(Mondnacht) 6) ¾Æ¸§´Ù¿î ³¸¼± ¶¥(Schone Fremde) 7) ¼º À§¿¡¼(Auf einer Burg) 8) ³¸¼± ¶¥¿¡¼(In der Fremde) 9) ±Ù½É(Wehmut) 10) Ȳȥ(Zwielicht) 11) ½£¼Ó(Im Walde) 12) º½ ¹ã(Fruhlingsnacht), bar.Dietrich Fischer-Dieskau/Christoph Eschenbach(pf)
- ½´¸¸, ¸¸ÇÁ·¹µå ¼°î(Manfred Overture), Op.115, ¹ÙÀÌ·±ÀÇ ±Ø½Ã ¸¸ÇÁ·¹µå¿¡ ±âÃÊÇÏ¿© 16°îÀ» ÀÛ°î, ¼°îÀÌ À¯¸í
- ½´¸¸, ¹Ì¸£Å×ÀÇ ²É(Myrten), Op.25, * 26°î ±¸¼ºµÈ °¡°îÁý; 1) ÇåÁ¤(Widmung) 3) È£µÎ³ª¹«(Der Nussbaum) 17) º£³×Ä¡¾ÆÀÇ ³ë·¡1-"Á¶¿ëÈ÷ ³ë¸¦ Àú¾î¶ó, ³ªÀÇ ¹î»ç°øÀÌ¿©(Leis' rudern hier, mein Gondolier)", 18) º£³×Ä¡¾ÆÀÇ ³ë·¡2-"Àú³á¹Ù¶÷ÀÌ ÀÛÀº ±¤ÀåÀ» °¡·ÎÁú·¯ ºÒ¾î¿À¸é(Wenn durch die Piazzetta)", 24) "±×´ë´Â ÇѼÛÀÌ ²É°ú °°ÀÌ(Du bist wie eine Blume)", bar.Olaf Ba"r
- ½´¸¸, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, a, Op.105
- ½´¸¸, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, d, Op.121
- ½´¸¸, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 3, a,
- ½´¸¸, ¹ÙÀ̿ø°ÇùÁÖ°î, d, WoO.23, 28m
- ½´¸¸, ºóÀÇ »çÀ°Á¦ dz°æ(Faschingsschwank aus Wien), Op.26, $Murray Perahia(pf), # Alicia de Larrocha(pf)
- ½´¸¸, »çÀ°Á¦(Carnaval), Op.9, Pf, 30m, # Alicia de Larrocha(pf), # Alicia de Larrocha(pf)
- ½´¸¸, ¼º¾Ç°î "°¡À»ÀÇ ³ë·¡(Herbstlied)", Op.43-2
- ½´¸¸, ¼º¾Ç°î "±×´ë´Â ÇѼÛÀÌ ²É°ú °°ÀÌ(Du bist wie eine Blume)", Op.25-24, sop.Jessye Norman/Geoffrey Parsons(pf)
- ½´¸¸, ¼º¾Ç°î "³ªÀÇ ¾Æ¸§´Ù¿î º°ÀÌ¿©(Meine Schoener Stern)", Op.101-4, sop. Barbara Hendrick
- ½´¸¸, ¼º¾Ç°î "³ªÀÇ Àå¹Ì(Meine Rose)" Op.90-2
- ½´¸¸, ¼º¾Ç°î "³ª¹« ¹ØÀ» °Å´Ò¸ç(Ich wandelte unter den Baeumen)" Op.24-3, $ Peter Schreier(Ten)/Christoph Eschenbach(Pf)
- ½´¸¸, ¼º¾Ç°î "³²ÀÚ¿Í ¿©ÀÚ(Er und Sie)" Op.78-2
- ½´¸¸, ¼º¾Ç°î "´Þ¹ã(MondNacht)", Op.39-5, sop.Anneliese Rothenberger
- ½´¸¸, ¼º¾Ç°î "µÎ»ç¶÷ÀÇ Ã´Åºº´"(Die beiden Grenadiere),Op.49-1 ÇÁ¶û½º±¹°¡ ¸¶¸£¼¼¿¡Áî°¡ Æ÷ÇÔ, ten.Ian Bostridge/Julius Drake(pf)
- ½´¸¸, ¼º¾Ç°î "·Î·¼¶óÀÌ"
- ½´¸¸, ¼º¾Ç°î "»ç¶ûÀÇ ¼Ò½Ä(Liebesbotschaft)", Op.36-6
- ½´¸¸, ¼º¾Ç°î "»ê°ú ¼ºÀÌ ¹°¿¡ ºñÃÄ(Berg¡¯ und Burgen schaun herunter)", Op.24-7, ten. Ian Bostridge
- ½´¸¸, ¼º¾Ç°î "¾Æ¸§´ä°í ÀÛÀº ²É"
- ½´¸¸, ¼º¾Ç°î "¿¬²É(Die Lotosblume)", Op.25-7
- ½´¸¸, ¼º¾Ç°î "ÀÌ ¸öÀÌ ÀÛÀº »õ¶ó¸é"
- ½´¸¸, ¼º¾Ç°î "Àú³áÀÇ ³ë·¡(Abendlied)", Op.107-6, $ ms.Anne Sofie von Otter/Bengt Forgsberg (pf)
- ½´¸¸, ¼º¾Ç°î "Á¦ºñ", Op.79-20
- ½´¸¸, ¼º¾Ç°î "ÁÙ¶óÀÌÄ«ÀÇ ³ë·¡(Lied der Suleika)"#, Op.25-9, sop.Juliane Banse
- ½´¸¸, ¼º¾Ç°î "Àå¹Ì, ¹Ù´Ù, žç(Rose, Meer und Sonne)", Op.37-9, Anne Sofie von Otter(Ms)/Bengt Forsberg(Pf)
- ½´¸¸, ¼º¾Ç°î "žç, ¹Ù´Ù, Àå¹Ì¿©(O Sonn¡¯ o Meer, o Rose!)", Op.37-10, bar. Olaf Baer/Helmut Deutsch(Pf)
- ½´¸¸, ¼º¾Ç°î "žçÀÌ ºû³ªµíÀÌ(So wahr die Sonne scheinet)", Op.37-12, Juliane Banse(Sop),Olaf Baer(Bar)/Helmut Deutsch(Pf)
- ½´¸¸, ¼º¾Ç°î "Çϴðú ¶¥", Op.96-5, ¾î¸Ó´Ï·Î »ó¡µÇ´Â ˆºÁö¿Í ÇÏ´ÃÀÌ Çϳª°¡ µÇ´Â Á¤°æÀ» ´ã°í ÀÖÀ½
- ½´¸¸, ¼º¾Ç°î "ÇåÁ¤(Widmung)", Op.25-1, bar.Thomas Quasthoff, sop. Elly Ameling
- ½´¸¸, ¼º¾Ç°î "È£µÎ³ª¹«"(Der Nussbaum), Op.25-3, ¹Ì¸£Å×ÀÇ ²É(3), $ Barbara Bonney(Sop.)/Vladimir Ashkenazy(Pf)
- ½´¸¸, ¼ÒÇùÁÖ°î(4°³ÀÇ È£¸¥°ú °üÇö¾ÇÀ» À§ÇÑ:Konzertstuck for 4 Horns and Orchestra), F, Op.86,20m
- ½´¸¸, ½£ÀÇ Á¤°æ, Op.82, 9°î ±¸¼º,23m
- ½´¸¸, ½ºÆäÀÎ ·¯ºê¼Û(Spanische Liebeslieder), Op.138, 21m
- ½´¸¸, ½ÃÀÎÀÇ »ç¶û(Dichterlibe), °¡°îÁý(16°î), Op.48 >Lied; $1) ten.Fritz Wunderlich/Hubert Giesen(pf), 2) bar.Hans Hotter/Hans Altmann(pf), 3) Dietrich Fischer-Dieskau(baritone), Jo"rg Demus(pf)
- 1) ¾Æ¸§´Ù¿î 5¿ù¿¡(Im wunderscho"nen Monat Mai)
- 2) ³ªÀÇ ´«¹°¿¡¼ ÇÇ´Â °ÍÀº(Aus meinen Tra"umen spriessen)
- 3) Àå¹Ì ¹éÇÕ ºñµÑ±â(Die Rose, die Lilie, die Taube)
- 4) ±×´ë ´«À» º¸°í ÀÖÀ¸¸é(Wenn ich in deine Augen seh')
- 5) ³ªÀÇ ¿µÈ¥À» Àû½Ã¸®¶ó(Ich will meine seele tauchen)
- 6) ¶óÀÎ, °Å·èÇÑ °¿¡¼(Im Rhein, im heiligen Strome)
- 7) ³ª´Â ¿ø¸Á¾ÊÀ¸¸®(Ich grolle nicht, und wenn das herz auch bricht)
- 8) ²ÉÀÌ ¾Ë¸é(Und wu"ssten's die Blumen)
- 9) ±×´Â ÇÃ·çÆ®¿Í ¹ÙÀ̿ø°(Das ist ein Flo"ten und Geigen)
- 10) Àú ³ë·¡¼Ò¸®¸¦ µéÀ¸¸é(Ho"r' ich das Liedchen klingen)
- 11) ¾î¶² ÀþÀºÀ̰¡ ¾î¶² ó³à¸¦ »ç¶ûÇØ¼(Ein Ju"ngling liebt ein Ma"dchen)
- 12) ºû³ª´Â ¿©¸§ ¾ÆÄ§¿¡(Am leuchtenden Sommermorgen)
- 13) ²Þ ¼Ó¿¡¼ ³ª´Â ¿ï¾ú³×(Ich hab' in Traum geweinet)
- 14) ¹ã¸¶´Ù ±×´ë¸¦ ²Þ¼Ó¿¡ º¸³×(Allna"chtlich in Traume seh' ich dich)
- 15) ¿¾ À̾߱⿡¼(Aus alten Ma"rchen winkt es)
- 16) Áö°Ü¿î Ãß¾ïÀÇ ³ë·¡(Die alten, bo"sen Lieder)
- ½´¸¸, ¾Æ´ÙÁö¿À¿Í ¾Ë·¹±×·Î(Adagio and Allegro), Ab, Op.70, Oboe and Pf, 9m, # Mischa Maisky(vc)/Martha Argerich(pf)
- ½´¸¸, ¾Æ¶óº£½ºÅ©(Arabeske), C, Op.18, 7m
- ½´¸¸, ¾Æº£Å© º¯ÁÖ°î, Op.1, 8m $ >Alexis Weissenberg(Pf)
- ½´¸¸, ¾î¸°ÀÌ Á¤°æ, ÇǾƳë°îÁý, Op.15, 13°î±¸¼º, 7>²Þ$
- ½´¸¸, ¿©·¯°¡Áö ÀÛǰ(Bunte Blaetter), Op.99, 14°î, 34m
- ½´¸¸, ¿©ÀÎÀÇ »ç¶û°ú »ý¾Ö(Frauenliebe und Leben), °¡°îÁý(8°î), Op.42 >Lied, Elisabeth Schwarzkopf(sop), Geoffrey Parsons(Pf)
- 1) óÀ½ ±×À̸¦ º» ¼ø°£ºÎÅÍ(Seit ich ihn gesehen)
- 2) ±× ´©±¸º¸´Ùµµ °í±ÍÇÑ ±×ÀÌ(Er, der Herrlichste von Allen)
- 3) ³ª´Â ¾Ë ¼ö ¾ø³× ¹ÏÀ» ¼ö ¾ø³×(Ich kann's nicht fassen, nicht glauben)
- 4) ³» ¼Õ°¡¶ô¿¡ ³¤ ¹ÝÁö¿©(Der Ring)
- 5) µ¿»ýµé¾Æ ³ª¸¦ µµ¿Í ³ª¸¦ ²Ù¸ç´Ù¿À(Helft mir, ihr Schwestern)
- 6) ´ÙÁ¤ÇÑ ±×´ë ÀǾÆÇÑ ´«À¸·Î ³ª¸¦ º¸³×(Su"ssr Freund, du blickest)
- 7) ³» ¸¶À½¿¡ ³» °¡½¿¿¡(An meinem Herzzen, an meiner Brust)
- 8) ´ç½ÅÀº óÀ½À¸·Î ³ª¿¡°Ô ½½ÇÄÀ» ÁÖ¾ú³×(Nun hast du mir den ersten Schmerz gethan)
- ½´¸¸, ¿¾À̾߱⿡ ÀÇÇÑ ±×¸²Ã¥, ÇǾƳë°î
- ½´¸¸, ¿ÕÀÇ ¾Æµé, ¹ß¶óµå, Op.116, 25m
- ½´¸¸, À¯¶ûÀÇ ¹«¸®, ÇÕâ°î, Op.29-3
- ½´¸¸, À¯¸ð·¹½ºÅ©, ÇǾƳë°î, Op.20
- ½´¸¸, ÿ·ÎÇùÁÖ°î, a, Op.129, 22m, $ Jacqueline Du Pre(vc)/New Philharmonia Orchestra/Daniel Barenboim, # Jean-Ghuien Queyras(vc)/Freiburger Barockorchester/Pablo Heras-Casado, Juernjakob Timm(vc)/Leipzig Gewandhausorchester
- ½´¸¸, Äɸ£³Ê ½Ã¿¡ ÀÇÇÑ °¡°îÁý(12), Op.35, 37m
- 1) ÆøÇ³¿ì ºÎ´Â ¹ãÀÇ Áñ°Å¿ò(Lust der Strumnnacht)
- 2) »ç¶û°ú ±â»ÝÀÌ¿© »ç¶óÁ®¶ó(Strib, Lieb und Freud)
- 3) ¹æ¶ûÀÇ ³ë·¡(Wanderlied)
- 4) ù¹øÂ° ÃÊ·Ï[/½Å·Ï](Erstes Gruen)
- 5) ½£¿¡ ´ëÇÑ µ¿°æ(Sehnsucht nach der Waldgegend)
- 6) Á×Àº Ä£±¸ÀÇ ¼úÀÜ¿¡ ºÎÃÄ(Auf das Trinkglas eines verstorbenen Freundes)
- 8) °í¿äÇÑ »ç¶û(Stille Liebe)
- 10) °í¿äÇÑ ´«¹°(Stille Traenen)
- 11) ´©°¡ ±×´ë¸¦ ±«·ÓÈ÷´Â°¡(Wer machte dich so krank?)
- 12) ³°Àº ·ùÆ®(Alte Laute)
- ½´¸¸, Å©¶óÀ̽½·¹¸®¾Æ³ª(Kreisleriana), Op.16, 35m * Kreisleriana: "Å©¶óÀ̽½·¯¿¡ °üÇÑ °Í"
- ½´¸¸, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 1, a, Op.105, ¿ø·¡´Â Ŭ¶ó¸®³ÝÀÌ ¾Æ´Ñ ¹ÙÀ̿ø°À̾úÀ½
- ½´¸¸, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸ 2, d, Op.121
- ½´¸¸, ÅäīŸ(Toccata), C, Op.7, 7m, # Sviatoslav Richter(Pf)
- ½´¸¸, ÇǾƳë3ÁßÁÖ°î 1, d, Op.63, 32m, $ Beaux Arts Trio
- ½´¸¸, ÇǾƳë3ÁßÁÖ°î 2, F, Op.80 >Beaux Arts Trio
- ½´¸¸, ÇǾƳë3ÁßÁÖ°î 3, g, Op.110, 27m
- ½´¸¸, ÇǾƳë4ÁßÁÖ°î, Eb, Op.47, 28m#, 1) Alexander Melnikov(pf)/Jerusalem Quartet, 2) Trio di Trieste/Dario De Rosa(pf), 3) Meneham Pressler(Pf)/Emerson Quartet
- ½´¸¸, ÇǾƳë5ÁßÁÖ°î, Eb, Op.44,$ 29m, Alexander Melnikov(pf)/Jerusalen Quartet
- ½´¸¸, ÇǾƳë¼Ò³ªÅ¸ 1, f#, Op.11, 35m$, Adam Laloum(pf)
- ½´¸¸, ÇǾƳë¼Ò³ªÅ¸ 2, g, Op.22, 16m#, Anatoly Vedernikov(pf)
- ½´¸¸, ÇǾƳë¼Ò³ªÅ¸ 3, f, Op.14 "Concert sans orchestre"
- ½´¸¸, ÇǾƳëÇùÁÖ°î, a, Op.54, 31m#, 1) Martha Argerich(pf),Warsaw National Philharmonic Orchestra/Kazimierz Kord
2) Julius Katchen(pf),Israel Philharmonic Orchestra/Istvan Kertesz, 3) Sviatoslav Richter(pf), Warsaw National Philharmonic Symphony Orchestra /Witold Rowicki
- ½´¸¸, ÇåÁ¤, Op.25-1,¸®½ºÆ®°¡ Æí°î,4m
- ½´¸¸, Çö¾Ç4ÁßÁÖ°î 1, a, Op.41-1, 23m# * ¼¼ °îÀÇ Çö¾Ç4ÁßÁÖ°î Áß Op.41-1 °¡Àå À¯¸í, (Melos Quartett)
- ½´¸¸, Çö¾Ç4ÁßÁÖ°î 2, F, Op.41-2, 24m, # Hagen Quartet
- ½´¸¸, Çö¾Ç4ÁßÁÖ°î 3, A, Op.41-3, 29m
- ½´¸¸, ȯ»ó°î,ÇǾƳë°î,C, Op.17, 31m, # Jon Kimura Parker(pf)
- ½´¸¸, ȯ»óÀû ¼Òǰ(3°³ÀÇ), Op.73;
- 1) ´À³¦À» °¡Áö°í ºÎµå·´°Ô(Zart und mit Ausdruck)
- 2) »ý±âÀÖ°í °¡º±°Ô(Lebhaft, leicht)
- 3) ºü¸£°í Á¤¿ÀûÀ¸·Î(Rasch und mit Feuer)
- ½´¸¸, ȯ»ó¼Ò°îÁý(Fantasiestuecke), Op.12, 29m cf) 8°î ±¸¼º; $1) Guiomar Novaes(pf.Brazil), 2) Martha Argerich(pf), 3) Ania Dorfmann(pf)
- 1) Àú³á(Das Abends), 2) ºñ»ó(Aufschwung), 3) ¿Ö?(Warum?), 4) º¯´ö(Grillen)
- 5) ¹ã¿¡(In der Nacht), 6) ¿ìÈ(Fabel), 7) ²ÞÀÇ ¾ôÈû(Traumes Wirren), 8) ³ë·¡ÀÇ Á¾¸»(Ende vom Lied)
- ½´¸¸, ȯ»ó°î(¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ), C, Op.131
- ½´¸¸,Ŭ¶ó¶ó, ·òÄɸ£Æ®ÀÇ ½Ã¿¡ ºÙÀÎ 3°³ÀÇ ³ë·¡, Op.12, * Clara Schumann(1819-1896 German)
- 1) ÆøÇ³¿ì ¼Ó¿¡ ±×°¡ ¿Ô³×(Er ist gekommen in sturm und regen)(Lebhaft, leicht)
- 2) ¿Ü¸ð ¶§¹®¿¡ »ç¶ûÇÑ´Ù¸é
- 3) ¿Ö ´ç½ÅÀº ³²µé¿¡°Ô ÀÇȤÀ» °¡Áö´Â °ÍÀÎÁö...
- ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "°º¯¿¡¼(Am Strande)", ms. Anne Sofie von Otter
- ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "±×³àÀÇ ÃÊ»óÈ(Ihr Bildnis)", sop. Dorothea Craxton/Hedayet Djeddikkar (fortepiano)
- ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "³ªÀÇ º°(Mein Stern)", sop.Susan Gritton
- ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "¹Î¿ä(Volkslied)", sop. Dorothea Craxton/Hedayet Djeddikkar (fortepiano)
- ½´¸¸,Ŭ¶ó¶ó, ¼º¾Ç°î "¿ÐÃ÷(Walzer)", sop.Dorothea Craxton
- ½´¸¸,Ŭ¶ó¶ó, ÇǾƳëÇùÁÖ°î, a, Op.7, 22m
- ½´¸áó,¿äÇÑ ÇÏÀθ®È÷, "Sacro-profanus concentus musicus": Sonata no 4 a 6, * Johann Heinrich Schmelzer(1623-1680 Austrian)
- ½´¹ÌÆ®,ÇÁ¶õÃ÷, ¿ÀÆä¶ó <³ëÆ®¸£´ã(Notre Dame)>; /°£ÁÖ°î
- ½´º£¸£Æ®, 8ÁßÁÖ°î, F, D.803, Op.166, * Franz Schubert(1797-1828 Austrian)
- ½´º£¸£Æ®, °¡°î "°¡´Ï¸ÞÆ®(Ganymed)", ±«Å×ÀÇ ½Ã °¡´Ï¸ÞÆ® D.544
- ½´º£¸£Æ®, °¡°î "°¹° À§¿¡¼(Auf dem Strom)", D.943, Hans Peter Blochwitz(ten)
- ½´º£¸£Æ®, °¡°î "°Ü¿ïÀú³á", D.938
- ½´º£¸£Æ®, °¡°î "°íµ¶ÇÑ ³²ÀÚ(Der Einsame)", Op.41, D.800, Fritz Wunderlich(ten)
- ½´º£¸£Æ®, °¡°î "°ïµ¹¶ó ¹î»ç°ø"(Der Gondelfahrer), D.809
- ½´º£¸£Æ®, °¡°î "±×´ë´Â ³ªÀÇ ¾È½Ä(Du bist die ruh)", D.776, ten. Ian Bostrige
- ½´º£¸£Æ®, °¡°î "±×¸®¿ò(Sehnsucht)", D.636, bar.Matthias Goerne/Elisabeth Leonskaja(pf)
- ½´º£¸£Æ®, °¡°î "±×¸®¿ò(Sehnsucht)", D.879, ten.Christoph Pregardien/Michael Gees(pf)
- ½´º£¸£Æ®, °¡°î "±×´ë¿¡°Ô Àλ縦(Sei mir gegrue©¬t!)", D.741, $1) bar.Dietrich Fischer-Dieskau/Gerald Moore(pf) 2) ten. Ian Bostridge
- ½´º£¸£Æ®, °¡°î "³ªÀÌÆÃ°ÔÀÏ"
- ½´º£¸£Æ®, °¡°î "³ÀïÀÌ(Der Zwerg)", D.771
- ½´º£¸£Æ®, °¡°î "³ëÀÎÀÇ ³ë·¡(Greisengesang)", D.778, bar.Dietrich Fischer-Dieskau/Gerald Moore(pf)
- ½´º£¸£Æ®, °¡°î "´«¹°(Das Weinen)", D.926, bar.Matthias Goerne/Elisabeth Leonskaja(pf)
- ½´º£¸£Æ®, °¡°î "´«¹°ÀÇ Âù°¡(Lob der Traenen)", D.711, bar.Dietrich Fischer-Dieskau/Gerald Moore(pf)
- ½´º£¸£Æ®, °¡°î "´Þ¿¡°Ô(An den Mond)", ±«Å×ÀÇ ½Ã, D.193
- ½´º£¸£Æ®, °¡°î "´Þ¿¡°Ô(An den Mond)", D.259, bar.Hermann Prey/Karl Engel(pf)
- ½´º£¸£Æ®, °¡°î "µéÀå¹Ì(Heidenroeslein)", D.257, bar. Dietrich Fischer-Dieskau
- ½´º£¸£Æ®, °¡°î "µð¿À´Ï¼Ò½º¿¡°Ô ¹ÙÄ¡´Â ¹î»ç¶÷ÀÇ ³ë·¡(Lied eines Schiffers an die Dioskuren", Op.65-1, D.360, # Ten.Fritz Wunderlich,Hubert Giesen(Pf)
- ½´º£¸£Æ®, °¡°î "·ùÆ®¿¡°Ô(An die Laute)", Op.81-2, D.905
- ½´º£¸£Æ®, °¡°î "¸¶¿Õ(Erlkoenig)", Op.4-1, bar.Hermann Prey/Karl Engel(Pf)
- ½´º£¸£Æ®, °¡°î "¸¸³²°ú À̺°(Willkommen und Abschied)", D.767, bar.Wolfgang Holzmaier
- ½´º£¸£Æ®, °¡°î "¸â³í(Memnon)", D.541, bar.Thomas Quasthoff, bar.Bo Skovhus
- ½´º£¸£Æ®, °¡°î "¹®¹Û¿¡¼(Im Freien)", D.880, sop.Elly Ameling/Dalton Baldwin(pf)
- ½´º£¸£Æ®, °¡°î "¹° À§¿¡¼ ³ë·¡ÇÔ(Auf dem Wasser zu Singen)", D.774, $, ms.Janet Bake/Geoffrey Parsons(pf), ms. Christa Ludwig
- ½´º£¸£Æ®, °¡°î "¹ÂÁîÀÇ ¾Æµé(Der Musensohn)", Op.92-1, D.764, $1) bar/ D.F.Dieskau, Gerald Moore(pf), 2) Matthias Goerne(Bar)/Andreas Haefliger(Pf)
- ½´º£¸£Æ®, °¡°î "¹Ù´Ù¿¡¼", D.746
- ½´º£¸£Æ®, °¡°î "¹Ù´ÙÀÇ °í¿ä(Meeres Stille)", ±«Å×ÀÇ ½Ã D.216
- ½´º£¸£Æ®, °¡°î "¹ÙÀ§ À§ÀÇ ¸ñµ¿(The Shepherd on the Rock(Der Hirt auf dem Felsen)", Op.129,D.965, ¸ñµ¿ÀÌ º½À» ±â´Ù¸®´Â ¿Ü·Î¿ò, sop.Barbara Hendricks, 10m
- ½´º£¸£Æ®, °¡°î "¹ã°ú ²Þ(Nacht und Traeume)", D.827, m.sop.Janet Baker
- ½´º£¸£Æ®, °¡°î "¹ãÀÇ ³ë·¡(Nachtstueck)", Op.36-2, D.672
- ½´º£¸£Æ®, °¡°î "¹ãÀÇ Âù°¡(Nachthymne)", D.687, $ Dietrich Fischer-Dieskau(bar)/Gerlad Moore(Pf)
- ½´º£¸£Æ®, °¡°î "¹ãÀλç(Gute Nacht)", D.911-1, # Bar.Dietrich Fischer-Dieskau,Gerald Moore(Pf)
- ½´º£¸£Æ®, °¡°î "¹æ¶ûÀÚÀÇ ¹ã³ë·¡ 1,2(Wanderers Nachtlied I)" D.224, D.768
- ½´º£¸£Æ®, °¡°î "º°(Die Sterne)", D.684
- ½´º£¸£Æ®, °¡°î "º¸¸®¼ö(Der Lindenbaum)", D.911-5, bar.Dietrich Fischer-Dieskau/Gerald Moore(pf)
- ½´º£¸£Æ®, °¡°î "º¸¹°À» ã´Â »ç¶÷(Der Schatzgraeber)", D.256, bar.Dietrich Fischer-Dieskau
- ½´º£¸£Æ®, °¡°î "º½¿¡(Im Fruehling )", D.882, Hans Peter Blochwitz(Ten)/Rudolf Jansen(Pf)
- ½´º£¸£Æ®, °¡°î "º½ÀÇ ½Ã³Á°¡(Am Bach im Fruehling)", D.361, Wolfgang Holzmair(Bar)/Gerard Wyss(Pf)
- ½´º£¸£Æ®, °¡°î "º½ÀÇ ³ë·¡(Fruehlingsgesang)", D.740, Robert Shaw
- ½´º£¸£Æ®, °¡°î "º½ÀÇ ½Å¾Ó(Fluehlingsglaube)", D.686
- ½´º£¸£Æ®, °¡°î "ºñ¾ÖÀÇ È¯Èñ(Wonne der Wehmut)", ±«Å×ÀÇ ½Ã D.260
- ½´º£¸£Æ®, °¡°î "»ç°ú³ª¹«¿¡ ºÎÃÄ"
- ½´º£¸£Æ®, °¡°î "»ç³É±ºÀÇ ¹ã³ë·¡(Jaegers Abendlied)", ±«Å×ÀÇ ½Ã, D.368
- ½´º£¸£Æ®, °¡°î "»ç¶û½º·¯¿î º°(Der Lieblieche Stern)", D.861, bar. Matthias Goerne
- ½´º£¸£Æ®, °¡°î "»ç¶ûÇÏ´Â ÀÌÀÇ °ç¿¡¼(Naehe des Geliebten)", D.162, ±«Å×ÀÇ ½Ã, sop.Kathleen Battle
- ½´º£¸£Æ®, °¡°î "»ù¿¡°Ô(An eine Quelle)", D.530, Hans Peter Blochwitz(Ten)/Rudolf Jansen(Pf)
- ½´º£¸£Æ®, °¡°î "»ý°¢Ç϶ó, ÀÌ ¼ø°£ÀÌ(Pensa, che questo istante)", D.76, bar.Dietrich Fischer-Dieskau/Gerald Moore(pf)
- ½´º£¸£Æ®, °¡°î "¼¼·¹³ªµ¥-µé¾î¶ó µé¾î¶ó Á¾´Þ»õ¸¦(Staendchen-Horch,horch die Lerch im Aetherblau", D.889, $ sop. Kathleen Battle
- ½´º£¸£Æ®, °¡°î "¼¼·¹³ªµ¥", D.920
- ½´º£¸£Æ®, °¡°î "¼Û¾î(Die Forelle)", D.550, bar.Thomas Quasthoff/Justus Zeyen(pf)
- ½´º£¸£Æ®, °¡°î "½£ÀÇ ¹ã³ë·¡"
- ½´º£¸£Æ®, °¡°î "½Çºñ¾Æ¿¡°Ô"(An Sylvia),Op.106-4, D.891, C74
- ½´º£¸£Æ®, °¡°î "½Ç Àã´Â ±×·¹Ã¾"
- ½´º£¸£Æ®, °¡°î "¾Æº£¸¶¸®¾Æ(Ave Maria)", D.839, sop.Elly Ameling
- ½´º£¸£Æ®, °¡°î "¾ËÇÁ½ºÀÇ »ç³É²Û"
- ½´º£¸£Æ®, °¡°î "¾îºÎÀÇ ³ë·¡(Fischerweise), D.881, bar. Hermann Prey
- ½´º£¸£Æ®, °¡°î "¾îÃÌ ¾Æ°¡¾¾"
- ½´º£¸£Æ®, °¡°î "¾ó¸¶³ª ±×¸®¿öÇÏ´Â °ÍÀÌ(Vedi quanto adoro)", D.510, ms.Cecilia Bartoli/Andras Schiff(pf)
- ½´º£¸£Æ®, °¡°î "¿ôÀ½°ú ´«¹°"(Lachen und Weinen) Op.59-4
- ½´º£¸£Æ®, °¡°î "À§·ÉÀý¿¡ ºÎÄ¡´Â ¿¬µµ¹®(Litanei auf das Fest Allerseelen)", D.343, #, ten.Ian Bostridge
- ½´º£¸£Æ®, °¡°î "À½¾Ç¿¡ ºÎħ(An die Musik)", Op.88-4, Janet Baker(Ms)/Geoffrey Parsons(Pf)
- ½´º£¸£Æ®, °¡°î "À̺°(Abschied)", D.475, Dietrich Fischer-Dieskau(bar)/Gerald Moore(pf)
- ½´º£¸£Æ®, °¡°î "ÀÚÀå°¡(Wiegenlied)", D.498, $ Annelise Rothenberger(Sop)
- ½´º£¸£Æ®, °¡°î "ÀÚÀå°¡(Wiegenlied)", D.751, Op.23-1, sop. Mirella Freni
- ½´º£¸£Æ®, °¡°î "ÀÚÀå°¡(Wiegenlied)", D.867
- ½´º£¸£Æ®, °¡°î "Àú³áÀÇ ÃÊ»ó(Abendbilder)", D.650
- ½´º£¸£Æ®, °¡°î "Àú³á ³ëÀ» ¼Ó¿¡¼/¼®¾ç¿¡(Im Abendrot/Ȳȥ¿¡)", D.799, $ Ms.Anne Sofie von Otter, # bar. Bo Skovhus
- ½´º£¸£Æ®, °¡°î "ÀþÀº ¼ö³à(Die junge Nonne)", D.828, ms.Anne Sofie von Otter
- ½´º£¸£Æ®, °¡°î "Á×À½ÀÇ À½¾Ç(Todesmusik)", D.758
- ½´º£¸£Æ®, °¡°î "ÁÙ¶óÀÌÄ«ÀÇ ³ë·¡ II: ¼Ç³(Suleika)", D.717, sop.Gundula Janowitz
- ½´º£¸£Æ®, °¡°î "õ»çµéÀÇ ÇÕâ(Mille cherubini in coro)"
- ½´º£¸£Æ®, °¡°î "ÃÊ·ÏÀÇ ³ë·¡(Das Lied im Gruenen)", D.917, sop.Cheryl Studer/Irwin Gage(Pf)
- ½´º£¸£Æ®, °¡°î "ÃÖÁ¤»ó¿¡¼", D.611
- ½´º£¸£Æ®, °¡°î "ÃÖÃÊÀÇ »ó½Ç(Erster Verlust)", ±«Å×ÀÇ ½Ã D.226
- ½´º£¸£Æ®, °¡°î "Ãæ¸¸ÇÑ »ç¶û(Fuelle der Liebe)", D.854,#, Dietrich Fischer-Dieskau(baritone)/Gerald Moore(pf)
- ½´º£¸£Æ®, °¡°î "ÇØ¿¡°Ô(An die Sonne)", D.270
- ½´º£¸£Æ®, °¡°î "Çູ(Seligkeit)", D.433, sop.Kathleen Battle
- ½´º£¸£Æ®, °¡°î "È£¼ö À§¿¡¼(Auf dem See)", ±«Å×ÀÇ ½Ã D.543, sop. Jessye Norman
- ½´º£¸£Æ®, °¡°î "Èû¾ø´Â »ç¶û(Rastlose Liebe)"
- ½´º£¸£Æ®, °¡°î "Der Koenig in Thule", D.367
- ½´º£¸£Æ®, °¡°î "Liebhaber in allen Gestalten", D.558
- ½´º£¸£Æ®, °¡°î "Der Saenger"
- ½´º£¸£Æ®, °¡°î "Der Schatzgraeber"
- ½´º£¸£Æ®, °¡°î "Irdisches Glueck", D.866-4, Dietrich Fischer-Dieskau(bar)/Gerald Moore(pf)
- ½´º£¸£Æ®, °¡°î "Tischerlied", D.274
- ½´º£¸£Æ®, °Ü¿ï ³ª±×³×(Die Winterreise), °¡°îÁý(24°î), Op.89, 72m >Lied, Josef Greindl(bass)/Hertha Klust(pf)
- 1) ¾È³çÈ÷ ÁÖ¹«¼¼¿ä(Gute Nacht)
- 2) ¹Ù¶÷°³ºñ(Die Wetterfahne)
- 3) ¾ó¾îºÙÀº ´«¹°(Gefrorene Tra"nen)
- 4) ¾ó¾îºÙÀ½/¾ó¾îºÙÀº °¡½¿(Erstarrung)
- 5) º¸¸®¼ö(Der Lindenbaum)
- 6) ³ÑÃÄÈ帣´Â ´«¹°(Wasserflut)
- 7) ½Ã³Á°¡¿¡¼(Auf den Flusse)
- 9) µµ±úºñºÒ(Das Irrlicht)
- 11) º½ÀÇ ²Þ(Fru"hlingstraum)
- 14) ¹é¹ßÀÇ ¸Ó¸®(Der greise KOpf)
- 16) ¸¶Áö¸· Èñ¸Á(Letzte Hoffnung)
- 18) ÆøÇ³ÀÇ ¾ÆÄ§(Der Stu"rmische Morgen)
- 20) ÀÌÁ¤Ç¥(Der Wegweiser)
- 21) ¿©Àμ÷(Das Wirthshaus)
- 23) ȯ»óÀÇ Å¾ç(Die Nebensonnen)
- 24) °Å¸®ÀÇ ¾Ç»ç(Der Leiermann)
- ½´º£¸£Æ®, ±³Çâ°î 1, D, D.82, 26m, $ Royal Flemish Philharmonic/Pilippe Herreweghe
- ½´º£¸£Æ®, ±³Çâ°î 2, Bb, D.125, 28m
- ½´º£¸£Æ®, ±³Çâ°î 3, D, D.200,23m
- ½´º£¸£Æ®, ±³Çâ°î 4, c, D.417, "ºñ±ØÀû ±³Çâ°î(Tragic)", 9SÁß S1.2.3Àº ½ÀÀÛ¿¡ ºÒ°ú
- ½´º£¸£Æ®, ±³Çâ°î 5, Bb, D.485, 9S,27m
- ½´º£¸£Æ®, ±³Çâ°î 6, C, D.589, 32m
- ½´º£¸£Æ®, ±³Çâ°î 7, E, D.729
- ½´º£¸£Æ®, ±³Çâ°î 8, b, D.759, "¹Ì¿Ï¼º(Unfinished)"
- ½´º£¸£Æ®, ±³Çâ°î 9, C, D.944, "The Great", S8°ú ÇÔ²² ½´º£¸£Æ®ÀÇ 2´ë °ÉÀÛ, 45m$, $1) Berliner Philharmoniker/Wilhelm Furtwaengler, $2) The Philharmonia Orchestra/Arturo Toscanini(1941 mono), $3) Royal Philharmonic Orchestra/Rafael Kubelik
- ½´º£¸£Æ®, ±³Çâ°î 10, D, D.936a, 35m
- ½´º£¸£Æ®, µ¶ÀϹ̻ç(Deutsche Messe), D.872, $»óÅõ½º(Sanctus)
- ½´º£¸£Æ®, ·ÎÀÚ¹®µ¥(Rosamunde)-±ØºÎ¼öÀ½¾Ç(Rosamunde-Incidental music), D.797; /¼°î, /"·Î¸Á½º"
- ½´º£¸£Æ®, ·ÎÀÚ¹®µ¥, D.797:¹ß·¹À½¾Ç, Gewandhausorchester Leipzig/Kurt Masur
- ½´º£¸£Æ®, ·Ðµµ(³× ¼ÕÀ» À§ÇÑ), A, D.951
- ½´º£¸£Æ®, ·Ðµµ(¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), b, Op.70, D.895 "Rondo Brillant", 14m, $ Johanna Martzy(vn)/Jean Antonietti(pf)
- ½´º£¸£Æ®, ·Ðµµ(¹ÙÀ̿ø°°ú Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ), A, D.438, 15m
- ½´º£¸£Æ®, µ¶ÀÏ ¹«°î(5)(Five German Dances), D.90, 16m
- ½´º£¸£Æ®, ¹Ì»ç (Mass), G, D.167
- ½´º£¸£Æ®, ¹Ì»ç 5(Mass: Missa Solemnis), Ab, D.678, 42m
- ½´º£¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, D, D.384, 11m#, Gil Shaham(vn)/Goeran Soellscher(guitar)
- ½´º£¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, a, D.385, 17m
- ½´º£¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, g, D.408, 13m
- ½´º£¸£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, A, D.574, Op.162, "Grand Duo"-Vn & PfÀÇ »óÈ£±ÕÇü, 24m $3, # Isabelle Faust(Vn)/Alexander Melnikov(Pf)
- ½´º£¸£Æ®, ¹éÁ¶ÀÇ ³ë·¡(Schwanengesang), °¡°îÁý(14°î),D.957 >Lied;
- 1) »ç¶ûÀÇ Àü·É(Liebesbotschaft), Ludwig Rellstab(P)
- 2) º´»çÀÇ ¿¹°¨(Kriegers Ahnung), Ludwig Rellstab(P)
- 3) º½ÀÇ ±×¸®¿ò(Fru"hlingssehnsucht), Ludwig Rellstab(P)
- 4) ¼¼·¹³ªµ¥(Sta"ndchen) $, Ludwig Rellstab(P)
- 5) ³»°¡ »ç´Â °÷(Aufenthalt), Ludwig Rellstab(P)
- 6) ¸Õ °÷¿¡¼(In der Ferne), Ludwig Rellstab(P)
- 7) À̺°(Abschied), Ludwig Rellstab(P)
- 8) ¾ÆÆ²¶ó½º(Der Atlas), Heinrich Heine(P)
- 9) ±×³àÀÇ È»ó(Ihr Bild), Heinrich Heine(P)
- 10) ¾îºÎÀÇ µþ(Das Fischerma"dchen), Heinrich Heine(P)
- 11) µµ½Ã(Die Stadt), Heinrich Heine(P)
- 12) ¹Ù´å°¡¿¡¼(Am Meer), Heinrich Heine(P)
- 13) ±×¸²ÀÚ(Der DOppelga"nger), Heinrich Heine(P)
- 14) ºñµÑ±â ¿ìÆí(Die Taubenpost), Johann Gabriel Seidl(P)
- ½´º£¸£Æ®, ½ºÄɸ£Á¶(µÎ °³ÀÇ)(two Scherzos), D.593, 10m, Gerhard Oppitz(pf)
- ½´º£¸£Æ®, ¾Æ´ÙÁö¿À(ÇǾƳë 3ÁßÁÖ¸¦ À§ÇÑ), Eb, Op.148, D.897, "Notturno"
- ½´º£¸£Æ®, ¾Æ´ÙÁö¿À(ÇǾƳ븦 À§ÇÑ), E, D.612, 5m, Gerhard Oppitz(pf)
- ½´º£¸£Æ®, ¾Æ´ÙÁö¿À¿Í ·Ðµµ ÄÜü¸£ÅºÅ×(Adagio and Rondo concertante), F, D.487, 14m, Jeno Jando(pf)/Kodaly Quartet
- ½´º£¸£Æ®, ¾Æ¸§´Ù¿î ¹°¹æ¾Ñ°£ÀÇ ¾Æ°¡¾¾(Die Scho"ne Mu"llerin), °¡°îÁý(20°î), Op.25, D.795 >Lied,
/bar. Fischer Dieskau #&
- 4) ½Ã³»¹°¿¡ ´ëÇÑ °¨»ç(Danksagung an den Bach)
- 5) ÀÏÀÌ ³¡³ Àú³á¿¡(Am Feierabend)
- 6) È£±â½É ¸¹Àº »ç³»(Der Neugierige)
- 9) ¹°¹æ¾Ñ°£ÀÇ ²É(Des Mu"llers Blumen)
- 10) ´«¹°ÀÇ ºñ(Thra"nenregen)
- 13) ³ì»ö ¸®º»À» °¡Áö°í(Mit dem Gru"nen Lautenbande)
- 15) ÁúÅõ¿Í ÀÚ¶û(Eifersucht und Stolz)
- 16) ÁÁ¾ÆÇÏ´Â »ö±ò(Der liebe Farbe)
- 17) ½È¾îÇÏ´Â »ö±ò(Die bo"se Farbe)
- 18) ½ÃµéÀº ²É(Trockne Blumen)
- 19) ¹°¹æ¾Ñ°£ û³â°ú ½Ã³Á¹°(Der Mu"ller und der Bach)
- 20) ½Ã³»ÀÇ ÀÚÀå°¡(Des Baches Wiegenlied)
- ½´º£¸£Æ®, ¾Æº£¸¶¸®¾Æ, D.838, 5m#, Leontyne Price(sop),Wiener Philharmoniker/Herbert von Karajan
- ½´º£¸£Æ®, ¾ÇÈïÀÇ ¼ø°£(6 Moments musicaux), D.780, 32m, Sviatoslav Richter(pf)
- ½´º£¸£Æ®, ¾Ë·¹±×·Î(³× ¼ÕÀ» À§ÇÑ/Allegro for four Hands), a, D.947 "ÀλýÀÇ ÆøÇ³(Lebensstuerme)", Pf, 16m
- ½´º£¸£Æ®, ¾ËÆäÁö¿À³×¼Ò³ªÅ¸(Sonata for Arpeggione and Piano), a, D.821> 6°³ÀÇ ÇöÀ» °¡Áø ÿ·ÎÇüÅÂÀÇ ¾Ç±â, $ Mstislav Rostropovich(Vc)/Benjamin Britten(Pf), $ Daniil Shafran(vc)/Walter Bohle(pf)
- ½´º£¸£Æ®, ÁÙ¶óÀÌÄ« 1(Suleika I), D.720, sop.Kathleen Battle
- ½´º£¸£Æ®, ÁïÈï°î(4°³ÀÇ), D.899/Op.90(No.1-4: c, Eb, G, Ab), Pf, 8°îÀÇ ÁïÈï°î(Op.90°ú Op.142¿¡ °¢ 4°î)
- ½´º£¸£Æ®, ÁïÈï°î, D.935/Op.142(No.1-4: f, Ab, Bb, f), 38m, $ Rudolf Serkin(pf)
- ½´º£¸£Æ®, Æú·Î³×ÀÌÁî(Polonaise), Bb, D.580, Gidon Kremer(Vn), Chamber Orch. of Europe
- ½´º£¸£Æ®, ÇǾƳë3ÁßÁÖ°î(1¾ÇÀå), Bb, D.28, "¼Ò³ªÅ¸"
- ½´º£¸£Æ®, ÇǾƳë3ÁßÁÖ°î 1, Bb, D.898, Op.99
- ½´º£¸£Æ®, ÇǾƳë3ÁßÁÖ°î 2, Eb, D.929, Op.100, 47m $$, 2PT> Bb Op.99;¿©¼ºÀû ¼Á¤Àû, Eb, Op.100; ³²¼ºÀû Àû±ØÀû, $1) Isaac Stern(Vn)/Leonard Rose(Vc)/Eugene Istomin(Pf), $2) Beaux Arts Trio, 3) Yehudi Menuhin(vn)/Hephzibah Menuhin(pf)/Maurice Gendron(vc), 4) Trio Wanderer, 4) Antje Weuthaas(vn)/Marie-Elisabeth Hecker(vc)/Martin Helmchen(pf)
- ½´º£¸£Æ®, ÇǾƳë5ÁßÁÖ°î, A, Op.114, D.667, "¼Û¾î(The Trout)", 40m, $1) Emanuel Ax(Pf)/Julius Levine(double bass)/Guarneri Quartet; 2) Emil Gilels(pf)/Rainer Zepperitz(double bass)/Members of Amadeus Quartet
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸(³× ¼ÕÀ» À§ÇÑ:Sonata for Piano 4 hands), C, D.812(Op.140), "±×·£µå µà¿À(Grand Duo)", 47m#
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 4, a, Op.post.164, D.537,22m
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 7, Eb, Op.post.122, D.568,34m
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 13, A, Op.120, D.664, 24m#2, Gerhard Oppitz(pf)
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 14, a, Op.post.143, D.784, 25m, # Jorge Bolet(pf)
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 15, C, D.840, "À¯Ç°" 23m#, Gerhard Oppitz(pf)
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 16, a, Op.42, D.845, "Grand Sonata", $ Alfred Brendel(pf)
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 17, D, D.850, 41m$ Richard Goode(Pf)
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 18, G, D.894, 43m, # Sviatoslav Richter(pf)
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 19, c, D.958, # Murray Ferahia(pf)
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 20, A, D.959, 40m, 1)Shai Wosner(pf), 2) Radu Lupu(pf)
- ½´º£¸£Æ®, ÇǾƳë¼Ò³ªÅ¸ 21, Bb, D.960, 43m#, ½´º£¸£Æ®ÀÇ ¸¶Áö¸· PS, $1) Sviatoslav Richter**, 2) Evgeny Kissin(Pf), 3) Maria Joao Pires(pf)
- ½´º£¸£Æ®, ÇÇ¾Æ³ë ¼Òǰ(3°³ÀÇ: Three Piano Pieces), D.946, 21m
- ½´º£¸£Æ®, ÇÏÇÁ Ÿ´Â ³ëÀÎÀÇ ³ë·¡; 1) °íµ¶¿¡ ¸öÀ» ´øÁø ÀÚ(Wer sich der Einsamkeit ergibt), D.478;Op.12-1, 2) ´«¹° Á¥Àº »§À» ¸Ô¾îº¸Áö ¾ÊÀº ÀÌ´Â(Wer nie sein Brot mit Tranen ass), D.479;Op.12-2, 3) »ì¸ç½Ã ¹®°çÀ¸·Î ´Ù°¡°¡¸®(An die Turen will ich schleichen), D.480;Op.12-3
- ½´º£¸£Æ®, Çë°¡¸® º§·Îµð(Hungarian Melody), b, D.817, /Andras Schiff(Pf)
- ½´º£¸£Æ®, Çö¾Ç3ÁßÁÖ°î, Bb, D.471, 8m
- ½´º£¸£Æ®, Çö¾Ç3ÁßÁÖ°î, Bb, D.581
- ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î, C, D.32
- ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 8, Bb, D.112, Op.168
- ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 10, Eb, D.87, Op.125-1, 24m
- ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 11, E, D.353, 22m, Melos Ensemble
- ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 12, C, D.703, "4ÁßÁÖ ´ÜÀå"
- ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 13, a, D.804, Op.29 "·ÎÀÚ¹®µ¥(Rosamunde)", 32m, $ Emerson String Quartet
- ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 14, d, D.810, "Á×À½°ú ¼Ò³à(Death and the Maiden)", 15°î, 43m,
$ Alban Berg Quartet #&
- ½´º£¸£Æ®, Çö¾Ç4ÁßÁÖ°î 15, G, Op.161, D.887, 53m#4, $ Kremerata Baltica/Gidon Kremer(Cond), #American String Quartet
- ½´º£¸£Æ®, Çö¾Ç5ÁßÁÖ°î, C, D.956, 4M48m $, $ Quatuor Ebene/Gautier Capu?on(vc)
- ½´º£¸£Æ®, ȯ»ó°î, ¹ÙÀ̿ø°°î, c, D.48, 14m
- ½´º£¸£Æ®, ȯ»ó°î(¹æ¶ûÀÚ), ¹ÙÀ̿ø°°î, C, Op.15, D.760, "Wanderer Fantasie"
- ½´º£¸£Æ®, ȯ»ó°î(¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ), ¹ÙÀ̿ø°°î, G, Op.159, D.934, ¸¶Áö¸· °î, 23m, {#Carolin Widmann(vn)/Alexander Lonquich(pf)}
- ½´º£¸£Æ®, ȯ»ó°î(³× ¼ÕÀ» À§ÇÑ)(Fantasia for Piano Duo), f, Op.103, D.940, pf, 20m#
- ½´Å¸¹ÌÃ÷,¿äÇÑ, ¸¸ÇÏÀÓ ±³Çâ°î, G, * Johann Stamitz(1717-1757 Czech) * Ä® ½´Å¸¹ÌÃ÷, ¾ÈÅæ ½´Å¸¹ÌÃ÷ÀÇ µÎ ¾Æµé
- ½´Å¸¹ÌÃ÷,¿äÇÑ, ¹ÙÀ̿ø°°ú Çö¾Ç ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ÇùÁÖ°î, C, 16m
- ½´Å¸¹ÌÃ÷,¿äÇÑ, ½ÅÆ÷´Ï¾Æ, A, 11m, New Dutch Academy/Simon Murphy
- ½´Å¸¹ÌÃ÷,Ä®, °üÇö¾Ç4ÁßÁÖ°î, C, Op.14-1, ¿äÇÑ ½´Å¸¹ÌÃ÷ÀÇ Å« ¾Æµé, * Carl Stamitz(1754-1801 German:Mother-German)
- ½´Å¸¹ÌÃ÷,Ä®, ±³Çâ°î, e, Op.15-2
- ½´Å¸¹ÌÃ÷,Ä®, ±³Çâ°î(6), G, Op.13/16:no.4
- ½´Å¸¹ÌÃ÷,Ä®, ºñ¿Ã¶óÇùÁÖ°î, D, Op.1
- ½´Å¸¹ÌÃ÷,Ä®, Ŭ¶ó¸®³ÝÇùÁÖ°î 3*, Bb, 13m, # Eduard Brunner(cl),Munich Chamber Orchestra/Hans Stadlmair
- ½´Å¸¹ÌÃ÷,Ä®, ÇÃ·çÆ®ÇùÁÖ°î, G, Op.29
- ½´Å¸¹ÌÃ÷,¾ÈÅæ, ¹ÙÀ̿ø°ÇùÁÖ°î, G, ¿äÇÑ ½´Å¸¹ÌÃ÷ÀÇ ÀÛÀº ¾Æµé, * Anton Stamitz(1750-1798(1809) German)
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, °¡Á¤±³Çâ°î(Symphonia Domestica), Op.53, 4ºÎ±¸¼º, 3ºÎ°¡ ¾Æ¸§´ä´Ù
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ±³Çâ°î 2, f, Op.12, 41m, # Royal Scottish National Orchestra/Neeme Jarvi
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ±³ÇâÀû ½Ã°î "¸Æº£½º", Op.23
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, "±×¸²ÀÚ ¾ø´Â ¿©ÀÎ"¿¡ ÀÇÇÑ ±³ÇâÀû ȯ»ó°î(Symphonic Fantasy on Die Frau ohne Schatten), Op.65
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, µ·Å°È£Å×(Don Quixote), ±³Çâ¾Ç½Ã, Op.35, 45m, ±³Çâ½Ã º¸Åë ¼Ò³ªÅ¸Çü½ÄÀ̳ª µ·Å°È£Å×´Â º¯ÁÖ°îÇü½ÄÀ» ÃëÇϰí ÀÖÀ½, $ Cleveland Orch, Pierre Fournier(vc)/George Szell
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, µ·ÆÎ, ±³Çâ¾Ç½Ã, Op.20
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, µðº£¸£Æ¼¸àÅä(ÄíÇÁ·©ÀÇ °Ç¹ÝÀ½¾Ç ¼Òǰ¿¡ ÀÇÇÑ, Divertimento for Small Orchestra after Couperin), Op.88, 34m, Tokyo Metropolitan Symphony Orchestra/Hiroshi Wakasugi
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¸ÞŸ¸ð¸£Æ÷Á¨(Metamorphosen), °üÇö¾Ç°î, 28m#
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, Eb, OP.18, 29m#
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¹ÙÀ̿ø°ÇùÁÖ°î, d, Op.8, À¯ÀÏÇÑ VC, 18¼¼¶§ ÀÛ°î $, Ulf Hoelscher(Vn),Staatskapelle Dresden/Rudolf Kempe
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ºÎ¸¦·¹½ºÄÉ(Burleske for Piano and Orchestra), d, 20m
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼¹Î ±ÍÁ·(Le Bourgeois Gentilhomme):¸ðÀ½°î, Op.60, # Berlin Philharmonic Orchestra/Sir Simon Rattle
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <4°³ÀÇ ³ë·¡>, Op.27; Op.27-1:4
- "½¬¾î¶ó, ³» ¿µÈ¥ÀÌ¿©(Ruhe, meine Seele)", Op.27-1
- "ºñ¹ÐÀÇ ÃÊ´ë(Heimliche Aufforderung)", Op.27-3
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <4°³ÀÇ ¸¶Áö¸· ³ë·¡(Vier letzte Lieder)>;
- 2) "9¿ù(Beim Schlafengehen)"
- 3) "ÀáÀÚ¸®¿¡ µé ¶§(Beim Schlafengehen)"
- 4) "Àú³á³ëÀ»(Im Abendrot)"
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <5°³ÀÇ ³ë·¡>, Op.48; "Freundliche Vision", Op.48-1
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <8°³ÀÇ °¡°î(Acht Lieder:Eight poems for voice and piano)>, Op.10(Op.10-1:8)
- 1) "ºÀÇå(Zueignung)/ÇåÁ¤"
- 8) "À§·ÉÁ¦(Die Zeitlose)"
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î <¿ÀÇʸ®¾ÆÀÇ ¼¼ °³ÀÇ ³ë·¡(3 Lieder der Ophelia)>, Op.67(Nos.1-3)
- 1) "¾î¶»°Ô ¾Ë¾Æº¼±î¿ä?(Wie erkenn ich mein Treulieb vor andern nun?)"
- 2) "ÁÁÀº ¾ÆÄ§(Guten Morgen)"
- 3) "¾ó±¼µµ µ¤Áö ¾Ê°í °ü À§¿¡ ¾ñ¾î °¬Áö (Sie trugen ihn auf der Bahre blo©¬!)"
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "°áÈ¥ÀÇ ³ë·¡(Hochzeitlich Lied)", Op.37-6, bar. Dietrich Fischer-Dieskau/Wolfgang Sawallisch(pf)
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "³»ÀÏ(Morgen)", Op.27-4$, (<4°³ÀÇ ³ë·¡), sop.Barbara Bonney/Malcolm Martineau(pf), # sop. Edith Mathis/Gerard Wyss (pf)
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "¼¼·¹³ªµ¥(Staendchen)", Op.17-2, sop.Arleen Auger
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "¼¼½Ç¸®¾Æ(Caecilie)", Op.27-2, sop.Amanda Roocroft
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "ÀÚÀå°¡(Wiegenlied)", Op.41-1, sop. Gwyneth Jones
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼º¾Ç°î "Àå¹Ì²É Èȯ(Das Rosenband)", Op.41-1, sop.Arleen Auger/Dalton Baldwin(pf)
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¼¼·¹³ªµ¥(Serenade for 13 wind instruments), Bb, Op.4, 24m
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¾ËÇÁ½º±³Çâ°î(Eine Alpensinfonie), Op.64, ´Ü¾ÇÀå Çü½Ä5ºÎ ±¸¼º, 52m$, Vienna Philharmonic Orchestra/Christian Thielemann
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿µ¿õÀÇ »ý¾Ö(Ein Heldenleben), ±³Çâ¾Ç½Ã, Op.40, 48m Àü±âÀû, ¿µ¿õ> ÀÚ½Å, $ Tbilisi Symphony Orchestra/Djansug Kakhidze; $ Staatskapelle Dresden/Giuseppe Sinopoli
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿Àº¸¿¡ÇùÁÖ°î, D, 26m
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿ÀÆä¶ó <±ºÆ®¶÷(Guntram)>, Op.25, ÀüÁÖ°î
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿ÀÆä¶ó <³«¼Ò½ºÀÇ ¾Æ¸®¾Æµå³×(Ariadne auf Naxos)>, /"¸Ö¸® ¾îµò°¡¿¡ ¿Õ±¹ÀÌ ÀÖ´Ù(Es gibt ein Reich)"
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿ÀÆä¶ó <»ì·Î¸Þ>, /"»ì·Î¸ÞÀÇ Ãã"
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿ÀÆä¶ó <Àå¹ÌÀÇ ±â»ç>;
- "ÀÌ·ç¾îÁú ¼ö ¾ø´Â ²ÞÀº ¾Æ´ÑÁö...(Ist ein Traum, kann nicht wirklich sein)"-Á¶ÇÇ¿Í ¿ÁŸºñ¾ÈÀÇ 2Áßâ, sop.Diana Damrau ms.Elina Garanca
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ¿äÁ¦ÇÁÀÇ Àü¼³(Josephs Legends):Symphonic Fragment, Op.63, 64m#
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, "ÀÌÅ»¸®¾Æ·ÎºÎÅÍ(Aus Italien)", Op.16, °üÇö¾Ç°î, 42m$, $ Berlin Philharmonic Orchestra/Riccardo Muti
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, "ÀÎÅ͸ÞÂÉ" Áß 4°³ÀÇ ±³ÇâÀû °£ÁÖ°î(Four Symphonic Interludes from Intermezzo: Reisefieber und Walzerszene), Op.72, 10m# Toronto Symphony Orchestra/Andrew Davis
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, "Â¥¶óÅõ½ºÆ®¶ó´Â ÀÌ·¸°Ô ¸»Çß´Ù(Also Sprach Zarathustra)", ±³Çâ¾Ç½Ã, Op.30, 33m
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ÿ·Î¼Ò³ªÅ¸, F, Op.6, 25m, Ludwig Hoelscher(vc)/Hans Richter-Haaser(pf)
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, Ä«ÇÁ¸®Ä¡¿À ÀüÁÖ°î, Op.85, "Moonlight Music"
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, Æ¿ ¿ÀÀÏ·»½´ÇǰÖÀÇ À¯ÄèÇÑ Àå³, Op.28
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ ÀÛǰ, D, "ºê·ç½ºÄÉ" (ÀÍ»ì), Op.°¡ ¾ø´Ù, ´Ü¾ÇÀåÀÇ ¼Ò³ªÅ¸ Çü½Ä, 20m
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, Çö¾Ç4ÁßÁÖ°î, A, Op.2, 29m$, Enso Quartet
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, È£¸¥ÇùÁÖ°î 1, Eb, Op.11, 2HC, 16m
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, È£¸¥ÇùÁÖ°î 2, 26m
- ½´Æ®¶ó¿ì½º,¸®Çϸ£Æ®, Tanzsuite, Op.107, 30m
- ½´Æ®¶ó¿ì½º,¿äÁ¦ÇÁ, ¼º¾Ç°î "¿À½ºÆ®¸®¾ÆÀÇ ¸¶À»Á¦ºñ", Op.164, sop. Rita Streich
- ½´Æ®¶ó¿ì½º,¿äÁ¦ÇÁ, ÀÛÀº ¹°·¹¹æ¾Æ(Moulinet)-ÇÁ¶û½ºÇ³ ÆúÄ«, °üÇö¾Ç°î, ½´Æ®¶ó¿ì½º,¿äÇÑJrÀÇ µ¿»ý, * Josef Strauss(1827-1870 Austrian)
- ½´Æ®¶ó¿ì½º,¿äÇÑ, ¶óµ¥Ã÷Ű ÇàÁø°î
- ½´Æ®¶ó¿ì½º,¿äÇÑ, ¼º¾Ç°î "½ÃÆ®·Ð²É ÇÇ´Â °÷(Wo die Zitronen bluehen)", Op.364
- ½´Æ®¶ó¿ì½º,¿äÇÑ, ¼º¾Ç°î "»ý¾Ö ´Ü Çѹø¸¸(Nur einmal im Leben)", Op.114
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¹«±Ãµ¿(Perpetuum Mobile), Op.257, Cleveland Orc./George Szell
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, »ç³É ÆúÄ«, Op.373
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¼º¾Ç°î "Annen Polka", Op.117
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¼º¾Ç°î "Bitte Schoen"
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿¹¼ú°¡ÀÇ »ý¾Ö, Op.316
- ½´Æ®¶ó¿ì½º,¿äÇÑJr. ¿ÀÆä·¹Å¸ <¹ÚÁã>; ¼°î,
- "°íÇâÀÇ ³ë·¡¸¦ µéÀ¸¸é(Klaenge der Heimat)"-Csardas, sop.Cheryl Studer
- "³ªÀÇ ÈÄÀÛ´Ô(Mein Herr Marquis)", sop. Diana Damrau
- "³»°¡ ½Ã°ñ ¾Æ°¡¾¾¸¦ ¿¬±âÇÑ´Ù¸é(Spiel ich die Unschuld vom Lande)"-3: ¾Æµ¨·¹ÀÇ ¾Æ¸®¾Æ, # sop. Renate Holm
- "°íÇâÀÇ ³ë·¡¸¦ µéÀ¸¸ç(Klaenge der Heimat)", sop.Lucia Popp
- "°íÇâÀÇ Á¾¼Ò¸®(Kla"nge der Heimat)"
- "ǰÀ§ÀÖ´Â ¸Å³Ê(Dieser Anstand so manierlich)"
- ½´Æ®¶ó¿ì½º,¿äÇÑJr. ¿ÀÆä·¹Å¸ <º£´Ï½º¿¡¼ÀÇ ÇÏ·í¹ã>;
- "¹Ù¶óº¸´Â°Ô ¾îÂ ¾Æ¸§´Ù¿îÁö(Ach, wie so herrlich zu schaun)"-¶ó±¸³ÙÀÇ ¿ÐÃ÷, ten. Fritz Wunderlich
- ½´Æ®¶ó¿ì½º,¿äÇÑJr. ¿ÀÆä·¹Å¸ <Áý½Ã ³²ÀÛ>;
- "°³¼± ÇàÁø°î(Der Ziegeunerbaron Einzugsmarsch)"
- ½´Æ®¶ó¿ì½º,¿äÇÑJr. ¿ÀÆä·¹Å¸ <Ä«»ç³ë¹Ù>;
- "¼ö³àÀÇ ÇÕâ(Nuns¡¯ Chorus)", sop.Kiri Te Kanawa
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ³²±¹ÀÇ Àå¹Ì(Rosen aus dem Sueden), Op.388
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; º½ÀÇ ¼Ò¸®, Op.410 (C82),
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ºñ¿£³ª ±âÁú(Wiener Blut:Vienna Blood), Op.354
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ºñ¿£³ª ½£¼ÓÀÇ À̾߱â, Op.325
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ¼ú°ú ¿©ÀÚ¿Í ³ë·¡(Wein, Weib, Gesang)
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ¾Æ¸§´ä°í Ǫ¸¥ µµ³ª¿ì, Op.314
- ½´Æ®¶ó¿ì½º,¿äÇÑJr, ¿ÐÃ÷; ȲÁ¦ÀÇ ¿ÐÃ÷
- ½´Æ®¶ó¿ì½º,ÇÁ¶õÃ÷, È£¸¥ÇùÁÖ°î, c, Op.8, ¸®Çϸ£Æ® ½´Æ®¶ó¿ì½ºÀÇ ¾Æ¹öÁö
- ½´Æ÷¾î,·çÀÌ, 9ÁßÁÖ°î(Nonet), F, Op.31, 31m, Çö¾Ç±â 4´ë¿Í °ü¾Ç±â 5´ë·Î ±¸¼º, »ýÁ¸½Ã¿¡´Â º£Å亥°ú °ßÁÙ¸¸ÅÀÇ Æò°¡¸¦ ¹ÞÀ½, * Louis Spohr(1784-1859: German)
- ½´Æ÷¾î,·çÀÌ, ±³Çâ°î 3, e, Op.78, 30m, $ NDR Radio Philharmonic/Howard Griffiths
- ½´Æ÷¾î,·çÀÌ, ¼º¾Ç°î "¾È½É"
- ½´Æ÷¾î,·çÀÌ, ¼º¾Ç°î "±ú¾î³ª¶ó"
- ½´Æ÷¾î,·çÀÌ, ¼º¾Ç°î "Çì¾îÁø »ç¶û"
- ½´Æ÷¾î,·çÀÌ, ÄÜü¸£ÅºÅ× 1(¹ÙÀ̿ø°°ú ÇÏÇÁ¸¦ À§ÇÑ), 23m
- ½´Æ÷¾î,·çÀÌ, Ŭ¶ó¸®³ÝÇùÁÖ°î 1, c, Op.26, 22m, Emma Johnson(Cl),English Chamber Orchestra/Gerard Schwarz
- ½´Æ÷¾î,·çÀÌ, Ŭ¶ó¸®³ÝÇùÁÖ°î 2, Eb, Op.57, 24m
- ½´Æ÷¾î,·çÀÌ, Ŭ¶ó¸®³ÝÇùÁÖ°î 4, e
- ½´Æ÷¾î,·çÀÌ, Çö¾Ç4ÁßÁÖ°î 10, A, Op.30
- ½¶Ã÷-¿¡ºí·¯,¾Æµ¹ÇÁ, ·¯½Ã¾È ·¦¼Òµð(Russian Rhapsody), Op.14, 11m, Ludmil Angelov(pf)BBC Scottish Symphony Orchestra/Vladimir Kiradjiev, * Adolf Schulz-Evler(1852-1905, Polish)
- ½º°¨¹ÙƼ,Á¶¹Ý´Ï, ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¹î³ë·¡(Gondoliera for violin and piano), Op.29, Alessio Bidoli(vn)/Bruno Canino(pf), * Giovanni Sgambati(1841-1914 Italian)
- ½º¸ÞŸ³ª, 3°³ÀÇ »ì·Õ ÆúÄ«(3 Salon Polka), Op.7, µ¶ÁÖ°î:Pf, 12m,#, Andras Schiff(pf)
- ½º¸ÞŸ³ª, ³ªÀÇ Á¶±¹(6°î), ±³Çâ½Ã, Á¦2°î ¸ô´Ù¿ì °
- ½º¸ÞŸ³ª, ¹ß·»½ºÅ¸ÀÎÀÇ Ä·ÇÁ(Wallenstein's Camp), Op.14, °üÇö¾Ç°î
- ½º¸ÞŸ³ª, ¿ÀÆä¶ó <ÆÈ·Á°£ ½ÅºÎ>; ¼°î,
- "±×´ë¸¦ ã¾Ò³ë¶ó", ten.Fritz Wunderlich, sop.Pilar Lorengar
- "¸¸ÀÏ ´ç½ÅÀÌ ±×Á¡À» Àß ¾Ë°í ÀÖ´Ù¸é", sop.Lucia Popp
- "¸ÆÁÖ´Â ½ÅÀÇ ¼±¹°(Welch Gottesgabe ist das Bier)"
- "Å©°Ô Áñ°Å¿î °ÍÀº ¾Æ´ÏÁö¸¸"
- ½º¸ÞŸ³ª, ÇǾƳë3ÁßÁÖ°î, g, Op.15,27m
- ½º¸ÞŸ³ª, Çö¾Ç4ÁßÁÖ°î 1, e, "³ªÀÇ »ý¾Ö¿¡¼(From my life)", 28m$, 1) Alban Berg Quartett, 2) Jerusalem Quartet, 3) Amadeus Quartet
- ½º¸ÞŸ³ª, Çö¾Ç4ÁßÁÖ°î 2, d, 14m
- ½º¸ÞŸ³ª, From Bohemia's Fields and Groves
- ½º¹Ì½º,¾Ù¸®½º ¸Þ¸®, ±³Çâ°î, a, 26m#, µÎ °³ÀÇ ±³Çâ°î(a,c), London Mozart Players/Howard Shelley, * Alice Mary Smith(1839-1884 English/F)
- ½º¹Ì½º,¾Ù¸®½º ¸Þ¸®, ±³Çâ°î, c
- ½ºº¥Á¨,¿äÇÑ, ³ë¸£¿þÀÌ ±¤½Ã°î(Norwegian Rhapsody) 2, Op.19, 9m, # Latvian National Symphony Orchestra/Terje Mikkelsen, * Johan Svendsen(1840-1911 Norwegian)
- ½ºº¥Á¨,¿äÇÑ, ·Î¸Á½º, G, Op.26
- ½ºº¸º¸´Ù,Å丶½º, ±³Çâ°î 1, Op.20, "of Nature", 25m * Tomas Svoboda(1939- Czech-American &Pf)
997
- ½ººñ¸®µµÇÁ, The Poem to the Memory of Sergei Yesenin; /Oh My Neglected Land /The Winter is Singing /In That Land /Threshing /The Night on the Eve of St.John Baptist's Day /1919/Peasants' Boys /I Am the Last Poet of Countryside /Sky Like the Bell, 33m, * Georgy Sviridov(1915-1998 Russian)
- ½ººñ¸®µµÇÁ, The Snowstorm(Musical Sketches to the story by Alexander Pushkin), /Troika/Waltz /Spring and Autumn /Romance /Pastoral /Military March /Wedding /Echoes of the Waltz /Winter Road, 27m#2, * ·Î¸Á½º´Â ¹ÙÀ̿ø° °îÀ¸·Îµµ ¿¬ÁÖµÊ, USSR TV and Radio Symphony Orchestra/Vladimir Fedoseyev
- ½ºÄ«¸¦¶óƼ, ¹Ì»ç, g, "¸¶µå¸®µå ¹Ì»ç(Madrid Mass)", 25m * Domenico Scarlatti(1685-1757 Italian), Kirkpatrick Number/Longo Number
- ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "°µÁö½º °¿¡ ÇØ´Â ¶°¿À¸£°í(Gia il sole dal Gange)", # ms.Cecilia Bartoli, # ten.Luciano Pavarotti
- ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "¸¶À½ ¼Ó¿¡ ´À³¢³×(Sento nel core)", ten.Kurt Equiliz/Konrad Ragossnig(gt)
- ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "»ç¶û¿¡ ºüÁø ³ªºñ(Qual farfalletta amante)", sop.Á¶¼ö¹Ì
- ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "¾î¸®¼®Àº ŰÀâÀ̰¡ ¸ð¸¥´Ù¸é(Se non sa qual vento)"
- ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "Á¦ºñ²É"
- ½ºÄ«¸¦¶óƼ, ¼º¾Ç°î "Ç÷θ°µµ°¡ ÁøÁ¤À̶ó¸é(Se Florindo e fedele)", ten.Kurt Equiliz, Konrad Ragossnig(gtr)
- ½ºÄ«¸¦¶óƼ, <¼º ³ªÅ»·¹ÀÇ ¹ãÀ» À§ÇÑ ÄŸŸ> Áß /"ÁÖ¸ñÇ϶ó, ¸Í·ÄÇÑ Àü»çµéÀÌ¿©"
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, g, K.30, 6m, # Bertrand Cuiller(harpsichord)
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, a, K.54/L.241, 5m
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, D, K.119/L.415/P217, 5m
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, C, K.132
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, d, K.213, 5m, John Williams(guitar)
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, Eb, K.252
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, F#, K.318
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, E, K.380
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, e, K.402, 11m, Andras Schiff(pf)
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, C, K.406, 5m
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, f, K.462/L.438, 4m
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, f, K.481/L.187
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, D, K.491, 5m
- ½ºÄ«¸¦¶óƼ, ¼Ò³ªÅ¸, G, K.493, 5m, Christoph Ullrich(pf)
- ½ºÄ«¸¦¶óƼ, ÃÀ¹ß·Î¼Ò³ªÅ¸, C, K.263
- ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, D, K.119, 5m (Bertrand Cuiller(harpsichord)
- ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, K.204(Ĭ ÆäÆ®¸¯ ¹øÈ£)
- ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, K.205
- ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, A, K.208
- ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, A, K.209
- ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, A, K.211
- ½ºÄ«¸¦¶óƼ, ÇÕ½ÃÄÚµå¼Ò³ªÅ¸, f, K.239, 3m
- ½ºÄ«¸¦¶óƼ, ÇÕÁÖÇùÁÖ°î 1(Concerto grosso), f, 12m
- ½ºÄ«¸¦¶óƼ, ÇùÁÖ°î 4(ÃÀ¹ß·Î¸¦ À§ÇÑ), c, 12m
- ½ºÄ«¸¦¶óƼ, ÇùÁÖ°î 6, D, 13m
- ½ºÄ®ÄÚŸ½º,´ÏÄݶó¿À½º, ¿Àº¸¿Í è¹ö ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ÄÜü¸£Æ¼³ë, * Nikos Skalkottas(1904-1949 Greek)
- ½ºÅ©¸®¾Æºó, 8°³ÀÇ ¿¬½À°î, Op.42, µ¶ÁÖ°î(pf)
- ½ºÅ©¸®¾Æºó, ±³Çâ°î 1, E, Op.26, 46m#
- ½ºÅ©¸®¾Æºó, ±³Çâ°î 2, c, Op.29, 48m# The Philadelphia Orchestra/Riccardo Muti
- ½ºÅ©¸®¾Æºó, ±³Çâ°î 3, c, Op.43, "½Å¼ºÇÑ ½Ã(The Divine Poem)", 45m, # London Symphony Orchestra/Valery Gergiev
- ½ºÅ©¸®¾Æºó, ¸¶ÁÖ¸£Ä«, E, Op.3-4, Benjamin Grosvenor(pf)
- ½ºÅ©¸®¾Æºó, ¸¶ÁÖ¸£Ä«, b, WoO.15
- ½ºÅ©¸®¾Æºó, ½ºÄɸ£ÃÊ, Ab, Pf
- ½ºÅ©¸®¾Æºó, ¾ß»ó°î, Ab, Pf
- ½ºÅ©¸®¾Æºó, ¿Þ¼ÕÀ» À§ÇÑ 2°³ÀÇ ¼Òǰ(Pieces(2) for Piano left hand), Op.9; No.2-Nocturne, Db
- ½ºÅ©¸®¾Æºó, ¿ùÃ÷, f, Op.1, Pf
- ½ºÅ©¸®¾Æºó, Àü¿ø(Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon), Op.5
- ½ºÅ©¸®¾Æºó, ÀüÁÖ°î(4°³ÀÇ), Op.22
- ½ºÅ©¸®¾Æºó, Á¦¼ö¾Ëµµ¸¦ À§ÇÑ ±â³äºñ(Monumentum pro Gesualdo di Venosa ad CD annum), # Stuttgart Chamber Orchestra/Dennis Russell Davies
- ½ºÅ©¸®¾Æºó, ÇǾƳë¼Ò³ªÅ¸ 3, f#, Op.23, ½ÅºñÈÀ½À» ÅëÇØ ºû°ú ³¿»õ±îÁöµµ Ç¥ÇöÇÏ·Á°í ½Ãµµ, 21m
- ½ºÅ©¸®¾Æºó, ÇǾƳë¼Ò³ªÅ¸ 5, F#, Op.53, Á¾±³Àû ½ÅºñÁÖÀÇ,´Ü¾ÇÀå ±¸¼º
- ½ºÅ©¸®¾Æºó, ÇǾƳëÇùÁÖ°î, f, Op.20,27m
- ½ºÅº½ÃÀ¯, Çâ¼ö, ·ç¸¶´Ï¾Æ Çâ¼ö, ÆÒÆÄÀÌÇÁ °î, ½ºÅº½ÃÀ¯´Â ÆÒÆÄÀÌÇÁ ¿¬ÁÖÀÚÀÎ µ¿½Ã¿¡ ÀÛ°î°¡
- ½ºÅÄÆ÷µå, ±³Çâ°î 2, d, "ºñ±ØÀû", 36m * Charles Villiers Stanford(1852-1924) ¿µ±¹(¾ÆÀÏ·£µå) ÀÛ°î°¡
- ½ºÅÍŰ,½ºÆ¼ºì, Partite sopra un basso, Vc, * Steven Stucky(1949- American)
- ½ºÅׯĴÏ,¾Æ°í½ºÆ¼³ë, Henrico Leone: Suite, I Barocchisti/Diego Fasolis, * Agostino Steffani(1654-1728 German)
- ½ºÅçÃ÷, ¼º¾Ç°î "±×´ë¸¦ »ç¶ûÇØ(Ich liebe dich!)", ten. Piotr Beczala
- ½ºÅçÃ÷, ¼º¾Ç°î "³»°¡ »ç¶ûÇÏ´Â ³ë·¡´Â ¿ÐÃ÷¶ø´Ï´Ù(Mein liebeslied muss ein Walzer sein)", sop.Hilde Gueden * Robert Stolz(1880-1975 Austrian)
- ½ºÅçÃ÷, ¼º¾Ç°î "³»°¡ Çѹø´õ »ç¶û¿¡ ºüÁú ¼ö ÀÖ´Ù¸é(Ich moechte einmal wieder verliebt sein)", ms.Julia Migenes,
- ½ºÅçÃ÷, ¼º¾Ç°î "´ç½ÅÀº ³»¿µÈ¥ÀÇ ÁÖÀÎ(Du sollst der Kaiser meiner Seele sein)", sop.Lucia Popp
- ½ºÅçÃ÷, ¼º¾Ç°î "ºóÀº ºñ·Î¼Ò ¹ã¿¡ ¾Æ¸§´Ù¿öÁö³×"
- ½ºÅçÃ÷, ¼º¾Ç°î "¾Æ¸§´Ù¿î ÀÌÅ»¸®¾Æ¿©"
- ½ºÅçÃ÷, ¼º¾Ç°î "ÇÁ¶óÅÍ °ø¿øÀÇ ³ª¹«¿¡ ²ÉÀº ´Ù½Ã Çǰí(In Prater bl?h¡¯n wieder die Baeume)", ten.Fritz Wunderlich
- ½ºÅçÃ÷, ¿ÀÆä·¹Å¸ <»ç¶û¹Þ´Â »ç¶÷>; /"±×´ë°¡ ³» ¿µÈ¥ÀÇ ÁÖÀÎÀÌ µÈ´Ù¸é(Du sollst der Kaiser meiner Seele sein)", sop. Lucia Popp
- ½º¸pÁ©, ¼º¾Ç°î "´ç½ÅÀÌ ³» °ç¿¡ °è½Å´Ù¸é(Bist du bei mir)" * Gottfried Heinrich Sto"lzel(1690-1749, German composer)
- ½º¸pÁ©, Quadro IV, 5m, Eopca Barocca
- ½º¸pÁ©, Quadro VI, 5m, Epoca Barocca
- ½ºÆ®¶óµ¨¶ó, °¡°î "Pieta signore" * Alessandro Stradella(1642-1682): ÀÌÅ»¸®¾Æ ÀÛ°î°¡
- ½ºÆ®¶óºó½ºÅ°, °áÈ¥, ¹«¿ë°î, 4°î±¸¼º
- ½ºÆ®¶óºó½ºÅ°, 3¾ÇÀå ±³Çâ°î(Symphony in Three Movements), 22m, Chicago Symphony Orchestra/Pierre Boulez
- ½ºÆ®¶óºó½ºÅ°, (CÁ¶) ±³Çâ°î, C, 1940³â ½ÃÄ«°í ¿ÀÄɽºÆ®¶ó 50Áֳ⠱â³äÀ¸·Î ÀÛ°î, Áö±Ý±îÁöÀÇ Çö´ëÀû °¨°¢¿¡ ÀÇÇÑ ÀÛ°î°ú´Â ´Þ¸® °íÀüÁÖÀÇ¿¡ µ¹¾Æ°¡ ÀÛ°î,¼Ò¹ÚÇÑ ¸¶À½ÀÇ ¾È½Ä
- ½ºÆ®¶óºó½ºÅ°, ½ÃÆí ±³Çâ°î(Symphony of Psalms)
- ½ºÆ®¶óºó½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î, D, À¯ÀÏÇÑ VC,22m
- ½ºÆ®¶óºó½ºÅ°, º´»çÀÇ À̾߱â(L'histoire du soldat) ¸ðÀ½°î, ±ØÀ½¾Ç ¸ðÀ½°î, 24m#, Columbia Chamber Ensemble
- ½ºÆ®¶óºó½ºÅ°, º½ÀÇ Á¦Àü, ¹«¿ë ¸ðÀ½°î
- ½ºÆ®¶óºó½ºÅ°, ºÒ»õ, ¹«¿ë ¸ðÀ½°î
- ½ºÆ®¶óºó½ºÅ°, ¾ÆÆú·Î:¾ÆÆú·Ð ¹«»ç Á¦Æ®(Apollo:Apollon Musagete), ¹«¿ë ¸ðÀ½°î, 30m# English String Orchestra/William Boughton
- ½ºÆ®¶óºó½ºÅ°, Àü¿ø(Pastorale), Op.5, The Philadelphia Orchestra/Yannick Nezet-Seguin
- ½ºÆ®¶óºó½ºÅ°, ÆäÆ®·ç½¬Ä«(Petrushka), 15°î ±¸¼º, 34m
- ½ºÆ®¶óºó½ºÅ°, ÇǾƳë¼Ò³ªÅ¸ 2, g#, Op.19
- ½ºÆ®¶óºó½ºÅ°, ÇùÁÖ°î, Eb, "µÒ¹Ù¸£Åæ ¿ÀÅ©½º(Dumbarton Oaks Concerto)"*, °üÇö¾Ç°î, 13m
- ½ºÆ®¶óºó½ºÅ°, ÇùÁÖ°î(ÇöÀ» À§ÇÑ), D, 13m
- ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, Danzas de Panama(Dances of Panama), °üÇö¾Ç°î, 14m#, Berlin Symphony Orchestra/Isaiah Jackson, * William Grant Still(1895-1978 African-American)
- ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, Folk Suite 2
- ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, ±³Çâ°î 1, "Afro-American", 24m, Detroit Symphony Orchestra/Neeme Jaervi
- ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, ±³Çâ°î 4, "ÅäÂø¹Î(Autochthonous)", 26m
- ½ºÆ¿,Àª¸®¾ö ±×·£Æ®, ·Î¸Á½º(Romance for Alto Saxophone and Piano), 5m#, Marcus Eley(Cl)/Lucerne DeSa(Pf)
- ½ºÆùƼ´Ï, ¿ÀÆä¶ó <º£½ºÅ¸ÀÇ ¹«³à(La Vestale)>; /Airs de ballet:14m * Gaspare Spontini(1774-1851 Italian)
- ½ºÇʸ¸(Spilman), ¼º¾Ç°î, "¾Ûư(Afton)°ÀÇ ¹°°á(Flow Gently, Sweet Afton)", * Jonathan E. Spilman(1812-1896 American)
- ½Ã¸¶³ëÇÁ½ºÅ°, ³ìÅϰú Ÿ¶õÅÚ¶ó(Notturno e tarantella), Op.28, Vn,Pf * Karol Szymanowski(1882-1937 Polish)
- ½Ã¸¶³ëÇÁ½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î 1, Op.35, 23m
- ½Ã¸¶³ëÇÁ½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î 2, D, Op.61, 22m
- ½Ãº§¸®¿ì½º, 10°³ÀÇ ¼Òǰ, Op.24, µ¶ÁÖ°î(pf)
- ½Ãº§¸®¿ì½º, °¡°î "¾ÖÀÎ", Op.14
- ½Ãº§¸®¿ì½º, °¡°î "Çɶõµð¾Æ Âù°¡"
- ½Ãº§¸®¿ì½º, ±³Çâ°î 1, e, Op.39, 41m, ½½¶óºê »öü, 1,2¹ø °¡Àå ¸¹ÀÌ ¿¬ÁÖ, $ Gothenburg Symphony Orchestra/Neeme Jarvi, $ Vienna Philharmonic Orchestra/Leonard Bernstein, # Atlanta Symphony Orchestra/Yoel Levi
- ½Ãº§¸®¿ì½º, ±³Çâ°î 2, D, Op.43, 41m, ±×ÀÇ ÀÛǰÁß $¿ì¼ö, Â÷ÀÌÄÚÇÁ½ºÅ° ¿µÇâ, ÇÉ·£µå ±¹¹Î»ýȰ ¹Ý¿µ, "½Ãº§¸®¿ì½ºÀÇ Àü¿ø±³Çâ°î", $ $ Gothenburg Symphony Orchestra/Neeme Jarvi, # Symphonieorchester des Bayerischen Rundfunks/Mariss Jansons
- ½Ãº§¸®¿ì½º, ±³Çâ°î 3, C, Op.52, $ Gothenburg Symphony Orchestra/Neeme Jarvi, # Boston Symphony Orchestra/Sir Colin Davis
- ½Ãº§¸®¿ì½º, ±³Çâ°î 4, a, Op.63, 37m, $ Gothenburg Symphony Orchestra/Neeme Jarvi
- ½Ãº§¸®¿ì½º, ±³Çâ°î 5, Eb, Op.82, 31m, $ Gothenburg Symphony Orchestra/Neeme Jarvi, $ Berliner Philharmoniker/Herbert von Karajan
- ½Ãº§¸®¿ì½º, ±³Çâ°î 6, d, Op.104, $ Gothenburg Symphony Orchestra/Neeme Jarvi
- ½Ãº§¸®¿ì½º, ±³Çâ°î 7, C, Op.105, 22m#, Atlanta Symphony Orchestra/Robert Spano, $ Gothenburg Symphony Orchestra/Neeme Jarvi
- ½Ãº§¸®¿ì½º, ±³Çâ½Ã "¿£ »ç°¡(En Saga)", Op.9, 17m, * Symphonic Poem: Á¦¸ñÀÌ ÀÖ´Â ´Ü¾ÇÀåÀ¸·Î ±¸¼ºµÈ °üÇö¾Ç°î, Moscow Philharmonic Orchestra/Vassily Sinaisky
- ½Ãº§¸®¿ì½º, ³ªÀÇ °íÇâ, Op.92, ÇÕâ°î
- ½Ãº§¸®¿ì½º, ·Î¸Á½º, C, Op.42
- ½Ãº§¸®¿ì½º, ¹Ù´ÙÀÇ ¿äÁ¤, Op.73
- ½Ãº§¸®¿ì½º, ¹ÙÀ̿ø°ÇùÁÖ°î, d, Op.47, $ Zino Francescatti, NPO/Leonard Bernstein
- ½Ãº§¸®¿ì½º, ¾È´ÜÅ× Æä½ºÆ¼º¸(Andante Festivo), Çö¾Ç4ÁßÁÖ¸¦ À§ÇØ ÀÛ°î
- ½Ãº§¸®¿ì½º, ¾ßÇà°ú ÇØµ¸ÀÌ(Night-Ride and Sun Rise), Op.55
- ½Ãº§¸®¿ì½º, ¿ª»çÀû Àå¸é ¸ðÀ½°î 1, Op.25, °üÇö¾Ç°î, 18m
- ½Ãº§¸®¿ì½º, ¿¬ÀÎ, ¸ðÀ½°î, 3°î> 1) ¿¬ÀÎ 2) ¿À¼Ö±æ 3) ½½Ç À̺°, Çö°ú Ÿ¾Ç±â·Î¸¸ ¿¬ÁÖ
- ½Ãº§¸®¿ì½º, À½À¯½ÃÀÎ(The Bard), Op.64, 7m, Lahti Symphony Orchestra/Okko Kamu
- ½Ãº§¸®¿ì½º, Ä«·¼¸®¾Æ ¸ðÀ½°î(Karelia Suite), Op.11, 13m, # Philadelphia Orchestra/Eugene Ormandy
- ½Ãº§¸®¿ì½º, Ä«·¼¸®¾Æ ¼°î, Op.10
- ½Ãº§¸®¿ì½º, Äí¿Ã·¹¸¶(Kuolema)ÀÇ ºÎ¼öÀ½¾Ç, 1) Valse Triste, Op.44-1 2) Scene with Cranes, Op.44-2 3) Canzonetta, Op.62a 4) Valse Romantique, Op.62b
- ½Ãº§¸®¿ì½º, Å©¸®½ºÆ¼¾È 2¼¼(King Christian II), Op.27, ¸ðÀ½°î(5°î) 1) ¾ß»ó°î 2) ºñ°¡ 3) ¹ÂÁ¦Æ® 4) ¼¼·¹³ªµ¥ 5) ¹ß¶óµå, # New Zealand Symphony Orchestra/Pietari Inkinen
- ½Ãº§¸®¿ì½º, ŸÇǿöó(Tapiola), Op.112, 19m#, Tapiola=½£ÀÇ ¿Õ±¹
- ½Ãº§¸®¿ì½º, Åõ¿À³Ú¶óÀÇ ¹éÁ¶, ±³Çâ½Ã, Op.22-3, Touonela> Àú½Â
- ½Ãº§¸®¿ì½º, Æç·¹¾Æ½º¿Í ¸á¸®Àåµå ¸ðÀ½°î(Pelleas et Melisande Suite), Op.46, °üÇö¾Ç°î, 28m, # Iceland Symphony Orchestra/Petri Sakari
- ½Ãº§¸®¿ì½º, Æ÷Èå¿ç¶óÀÇ µþ(Pohjola's Daughter), Op.49, °üÇö¾Ç°î, 13m#
- ½Ãº§¸®¿ì½º, ÇÉ·£µð¾Æ,±³Çâ½Ã, Op.26-7, (Berliner Philharmoniker/Herbert von Karajan)
- ½Åµù, Suite in old style, Op.10, Vn & Organ, 13m * Christian Sinding(1856-1941 Norwegian)
- ½Ç·¯, ¼º¾Ç°î, "Åø·¹ÀÇ ¿Õ"
- ½Ç·¯, ¼º¾Ç°î, "·Î·¼¶óÀÌ"
- ½Çº£½ºÆ®·ÎÇÁ, ¹Ù°¡ÅÚ(Bagatelles), 34m * ÇÇ¾Æ³ë ¼Òǰ, Valentin Silvestrov(pf), * Valentin Silvestrov(1937- Ukrainian &Pf)
- ¾Æ±×¸®Äݶó,¿äÇÑ ÇÁ¸®µå¸®È÷, ÇÃ·çÆ®¼Ò³ªÅ¸(Sonata for Flute and Basso Continuo), A, * Johann Friedrich Agricola(1720-1774 German)
- ¾Æ³îµå,»ç¹«¿¤, ¼°î, Bb, Op.8-1, 8m, Toronto Chamber Orchestra/Kevin Mallon, * Samuel Arnold(1740-1802 English &org)
- ¾Æ´ç, ÁöÁ© ¸ðÀ½°î(Giselle), 28m#, $ Vienna Philharmonic Orchestra/Herbert von Karajan, * Adolphe Adam(1803-1856 French)
- ¾Æ´ç, ¼º¾Ç°î "°Å·èÇÑ ¹ã(O Holy Night)"
- ¾Æ´ç, ¿ÀÆä¶ó <Åõ¿ì»ç>;
- "¾Æ, ¾î¸Ó´Ï²² ¸»¾¸µå¸®ÁÒ(Ah! vous dirai-je, maman)", sop.Á¶¼ö¹Ì
- ¾Æ´ç, ¿ÀÆä¶ó <ºñ¿Ã·¹Æ®ÀÇ ²ÀµÎ°¢½Ãµé>;
- "Ä«³ª¸®ÀÇ ³ë·¡(La chanson du canari)", sop.Á¶¼ö¹Ì
- ¾Æµ¥½º,Å丶½º, ÄíÇÁ·©¿¡ ÀÇÇÑ 3°³ÀÇ ½ÀÀÛ(Three Studies from Couperin:2006), 13m, # Chamber Orchestra of Europe/Thomas Ades, * Thomas Ades(1971- British &Pf)
- ¾Æµò¼¿, ¹Ù¸£»þ¹Ù ÇùÁÖ°î, Misha Dichter(Pf),Philharmonia Orchestra/Sir Neville Marriner, * Richard Addinsell(1904-1977 British)
- ¾Æµò¼¿, ¼º¾Ç°î "±×¸²ÀÚ(Un'ombra)"<(¹Ù¸£»þ¹Ù ÇùÁÖ°î), ten. Jose Carreras
- ¾Æ·»½ºÅ°,¾ÈÅæ, ±³Çâ°î 1, b, Op.4, 34m, Â÷ÀÌÄÚÇÁ½ºÅ°ÀÇ Àý´ëÀû ¿µÇâÀ» ¹ÞÀ½. * Anton Stepanovich Arensky(1861-1906 Russian; Romantic)
- ¾Æ·»½ºÅ°,¾ÈÅæ, ¸ðÀ½°î 1(2´ëÀÇ ÇǾƳ븦 À§ÇÑ), F, Op.15, 13m
- ¾Æ·»½ºÅ°,¾ÈÅæ, ¸ðÀ½°î 2(2´ëÀÇ ÇǾƳ븦 À§ÇÑ), Op.23, "½Ç·ç¿§(Silhouettes)", °üÇö¾Ç°î, # Moscow Symphony Orchestra/Dmitry Yablonsky
- ¾Æ·»½ºÅ°,¾ÈÅæ, ¼¼·¹³ªµ¥, (Vn & Pf), 2m
- ¾Æ·»½ºÅ°,¾ÈÅæ, Â÷ÀÌÄÚÇÁ½ºÅ° ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î op. 35a, 15m
- ¾Æ·»½ºÅ°,¾ÈÅæ, ÇǾƳë3ÁßÁÖ°î 1, d, Op.32, 31m#2 ¸²½ºÅ°ÄÝ»çÄÚÇÁÀÇ Á¦ÀÚ, Â÷ÀÌÄÚÇÁ½ºÅ°ÀÇ µÚ¸¦ ÀÕ´Â ÀÛ°î°¡·Î¼ ÀÌ °î ¿ª½Ã Â÷ÀÌÄÚÇÁ½ºÅ°ÀÇ ÇǾƳë3ÁßÁÖÀÇ ¸ÆÀ» ÀÕ°í ÀÖ´Ù.
- ¾Æ·»½ºÅ°,¾ÈÅæ, ÇǾƳëÇùÁÖ°î, f, Op.2
- ¾Æ·»½ºÅ°,¾ÈÅæ, ȯ»ó°î(·¯½Ã¾Æ ¹Î¿ä¿¡ ÀÇÇÑ: Fantasia on Russian Folksongs), Op.48, 9m
- ¾Æ¸£µðƼ, ¼º¾Ç°î "ÀÔ¸ÂÃã(Il Bacio)", sop.Joan Sutherland, * Luigi Arditi(1822-1903 Italian Vn &comp)
- ¾Æ¸£¹æ, º§¸®´ÏÀÇ ¿ÀÆä¶ó <³ë¸£¸¶> Áß "Á¤°áÇÑ ¿©½Å(Casta Diva)" ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î , * Jean-Baptiste Arban(1825-1889 French, Cornetist)
- ¾Æ¸®¾Æ°¡,ÈÄ¾È Å©¸®¼Ò½ºÅä¸ð µ¥, ±³Çâ°î, D, 24m, # Concerto Koln/Guy Van Waas, * Juan Crisostomo de Arriaga(1806~1826 Spain) ½ºÆäÀÎÀÇ ¸ðÂ¥¸£Æ®¶ó ºÒ¸².
- ¾Æ¸®¾Æ°¡,ÈÄ¾È Å©¸®¼Ò½ºÅä¸ð µ¥, ¿ÀÆä¶ó(¼ÒÆ÷Ŭ·¹½ºÀÇ ºñ±Ø ¡®¿ÀÀ̵ðǪ½º ¿Õ¡¯À» ±âÃÊ·Î ÇÑ) ¿ÀÀ̵ðǪ½º¿Í Äݷγ×; Æú¸®´ÏüÀÇ ¾Æ¸®¾Æ
- ¾Æº§, ±³Çâ°î, F, Op.7-4, Op.6: 6S, * Carl Friedrich Abel(1723-1787 German Classical)
- ¾Æº§, ±³Çâ°î, D, Op.17-3, Op.17: 6S
- ¾Æº§, ¹ÙÀ̿ø°, ¿Àº¸¿¡, Ŭ¶ó¸®³ÝÀ» À§ÇÑ ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×, Bb, 17m#, Werner Grobholz{vn),Gernot Schmalfuss(ob),Dieter Klocker(cl)/Academy of St. Martin in the Fields/Iona Brown
- ¾Æºê¶óÇÔ,Æú, ¿ÀÆä·¹Å¸ <ÇÏ¿ÍÀÌÀÇ ²É(Die Blume von Hawaii)>; * Paul Abraham(1892-1960 Jewish-Hungarian)
- "¾È¶ôÀÇÀÚ ÀÎÇü(Diwanpueppchen)", ten.Jonas Kaufmann & sop.Julia Kleiter
- ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 3, d, (Concerti(12) for Strings after Domenico Scarlatti), * Charles Avison(1709-1770 English/Baroque & classical)
- ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 4, a
- ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 5, d
- ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 6, D, 12m, # Cafe Zimmermann (Instrumental Ensemble)
- ¾Æºñ½¼,Âû½º, Çö¾ÇÇùÁÖ°î 9, C, (after D. Scarlatti), 13m
- ¾Æºù, Reflection of the Moon in the "Erquan" Spring, * Ah Bing(1893-1950 China)
- ¾ÆÀ̺꽺,C, ±³Çâ°î 2, 38m#, ¹Ì±¹ Çö´ëÀ½¾ÇÀÇ Ã¢½ÃÀÚ> ±³È¸À½¾Ç ÇàÁø°î µîÀÌ ÁÖ·ù, * Charles Ives(1874-1954 American Modernist)
- ¾ÆÀ̺꽺,C, ±³Çâ°î 3, "¾ß¿µÈ¸(The Camp Meeting)", 23m, # Orpheus Chamber Orchestra
- ¾ÆÀ̺꽺,C, ´ë´ä¾ø´Â Áú¹®, ½Ã°£ÀÇ °ø°£È-Á¸Àç¿¡ ´ëÇÑ ¿µ¿øÇÑ Áú¹®
- ¾ÆÀÌºí·¯, ±³Çâ°î 1, C, 23m * Joseph Leopold Eybler(1765-1846 Austrian)
- ¾ÆÀÌºí·¯, ±³Çâ°î 2, d, 26m #
- ¾ÆÀÌºí·¯, Çö¾Ç3ÁßÁÖ°î, C, Op.2, 29m, $ Members of Quintett Momento Musicale
- ¾ÆÀÌºí·¯, Çö¾Ç5ÁßÁÖ°î, D, (Vn,2Va,Vc,Db), 42m
- ¾ÆÀÏ·£µå, ´Ù¿î·£µå ¸ðÀ½°î(A Downland Suite), °üÇö¾Ç°î, 18m * John Ireland(1879-1962 English)
- ¾ÆÅ©·Ð,¿äÁ«(Josef Achron), Hebrew Melody, (Vn, Pf) 5m
- ¾È,·¹À̳¯µµ, ¹ÙÀ̿ø°¼Ò³ªÅ¸, C, * Reynaldo Hahn(1874-1947 French)
- ¾È,·¹À̳¯µµ, ¼º¾Ç°î "°¨¹Ì·Î¿î ½Ã°£(L¡¯heure exquise)", bar.Bruno Laplante
- ¾È,·¹À̳¯µµ, ¼º¾Ç°î "²Þ(Reverie)", sop.Barbara Hendricks
- ¾È,·¹À̳¯µµ, ¼º¾Ç°î "³»³ë·¡¿¡ ³¯°³°¡ ÀÖ´Ù¸é(Si mes vers avaient des ailes)"
- ¾È,·¹À̳¯µµ, ¼º¾Ç°î "¸¶Áö¸· ¿ÐÃ÷(La Deniere Valse)", sop. Felicity Lott
- ¾È,·¹À̳¯µµ, ¼º¾Ç°î "»ç¶û¿¡ ºüÁø »ç¶÷(L¡¯Enamouree)", sop. Anna Netrebko
- ¾È,·¹À̳¯µµ, ¼º¾Ç°î "Àº¹ÐÇϰÔ(En sourdine)", c.t.Philippe Jaroussk
- ¾È,·¹À̳¯µµ, ¼º¾Ç°î "Ŭ·Î¸®½º¿¡°Ô(A Chloris)", ten.Martin Hill, Ob&orch.
- ¾È,·¹À̳¯µµ, ¼º¾Ç°î "È·ÁÇÑ ÃàÁ¦(Fetes Galantes)"
- ¾È,Åä¸Ó½º, ¿ÀÆä¶ó <·ÎÀÚ¸óµå>; * Thomas Arne(1710-1778 English)
- "Rise, Glory, Rise", ten.Ian Bostridge
- ¾Èµå·¹¾Æ½º ¼ñ, ¼º¾Ç°î "¹éÇÕó·³ ÇÏ¾á ¾ó±¼"
- ¾ÈÀÍÅÂ, Çѱ¹È¯»ó°î
- ¾Ë¶ó¸£,Àå-´ÞÆÎ, Estudio brilliante, Guitar, * Jean-Delphin Alard(1815-1888 French Vn)
- ¾Ë·», ¼º¾Ç°î "Over the Rainbow", * Harold Arlen(1905-1986 American)
- ¾Ë·», ¼º¾Ç°î "Stormy Weather"
- ¾Ë·Ð¼Ò,ÇÁ¶õ½Ã½ºÄÚ, »ç¸£¼ö¿¤¶ó <·Ð´ÙÀÇ ¿¬Àεé>; "Serenata", ten.Placido Domingo, * Francisco Alonso(1887-1948 Spanish)
- ¾Ë·Ð¼Ò,ÇÁ¶õ½Ã½ºÄÚ, »ç¸£¼ö¿¤¶ó <º£ÀÏÀÇ ¿©ÀÎ>; "Áý½ÃÀÇ ³ë·¡(Cancion del gitano)", Jose Carreras(ten)
- ¾Ë·ô,Àª¸®¾ö, ½ºÄÚÆ²·£µå Ãã ¸ðÀ½°î(Suite of Scottish Dances), 1946c, Royal Ballet Sinfonia/Gavin Sutherland, * William Alwyn(1905-19985 English &cond)
- ¾Ëº£´ÏÁî, ¶ó º£°¡(La vega (The plain)), 14m, Christopher Parkening(guitar),London Symphony Orchestra/Elmer Bernstein, * Isaac Albeniz(1860-1909 Spanish Pf&)
- ¾Ëº£´ÏÁî, ·¦¼Òµð¾Æ ¿¡½ºÆÄ´¢¶ó(Rapsodia Espanola), Op.70, 18m
- ¾Ëº£´ÏÁî, ¸¶¸£¿äÄ«(Mallorca), Op.202, µ¶ÁÖ°î(vn/gt), 6m
- ¾Ëº£´ÏÁî, ¼º¾Ç°î "±×´ë ¸ñ¼Ò¸®ÀÇ ¿ï¸²(El eco de tu voz)"
- ¾Ëº£´ÏÁî, ½ºÆäÀÎ ¸ðÀ½°î 4(Suite espanola)
- ¾Ëº£´ÏÁî, ½ºÆäÀÎ ¸ðÀ½°î 5(Suite espanola), Asturias(leyenda), Guitar #
- ¾Ëº£´ÏÁî, ½ºÆäÀÎ ¸ðÀ½°î 6(Suite espanola), "Aragon", Op.47, Texas Guitar Quartet
- ¾Ëº£´ÏÁî, ½ºÆäÀÎ ¸ðÀ½°î 7(Suite espanola), "Castilla", Op.47
- ¾Ëº£´ÏÁî, À̺£¸®¾Æ(Iberia:Almeria), µ¶ÁÖ°î(pf), 11m
- ¾Ëº£´ÏÁî, Àü¼³(Leyenda(Asturias)), ±âŸ °î, 6m
- ¾Ëº£´ÏÁî, Äí¹Ù ±¤½Ã°î(Rapsodia Cubana), Op.66
- ¾Ëº£´ÏÁî, Recuerdos de viaje, Op.71, 30m, Guillermo Gonzalez(Pf)
- ¾Ëºê·¹È÷Ã÷º£¸£°Å, Æ®·Òº»ÇùÁÖ°î(Concerto for Trombobe and Strings), Bb, * Johann Georg Albrechtsberger(1736-1809 Austrian)
- ¾Ëºñ³ë´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, Bb, ¹Ù·ÎÅ©À½¾Ç ¹× Ãʱ⠿ÀÆä¶óÀÇ ´ëÇ¥ÀÚ * Isaac Albeniz(1860-1909 Spanish Pf &comp)
- ¾Ëºñ³ë´Ï, ¾Æ´ÙÁö¿À, g
- ¾Ëºñ³ë´Ï, ¾Æ¼ú·¹È£½º(Azulejos), Pf
- ¾Ëºñ³ë´Ï, ¿Àº¸ÇùÁÖ°î, Bb, Op.7-3, 8m
- ¾Ëºñ³ë´Ï, ¿Àº¸ÇùÁÖ°î, D, Op.7-6, 8m
- ¾Ëºñ³ë´Ï, ¿Àº¸ÇùÁÖ°î, d, Op.9-2, 11m
- ¾Ëºñ³ë´Ï, ¿Àº¸ÇùÁÖ°î, g, Op.9-8, 11m
- ¾Ëºñ³ë´Ï, ¿ÀÆä¶ó <¾Æ½ºÅ¸¸£Åä(Astarto)>; /"¹èÀº¸Á´öÇÑ º°ÀÌ¿©"
- ¾Ëºñ³ë´Ï, Æ®·³ÆêÇùÁÖ°î, Bb, Op.7-3, 8m * arr. ¿Àº¸ÇùÁÖ°î,Op.7-3
- ¾Ëºñ³ë´Ï, Æ®·³ÆêÇùÁÖ°î(µÎ ´ëÀÇ), C, Op.9-9 * arr. from concerto in C major for two oboes, strings and continuo Op.9-9
- ¾ËIJ, ¾ß»ó°î 1(Nocturne for Piano), Op.22, 6m, * Charles Valentin Alkan(1813-1888 French)
- ¾ËIJ, À̼ÙÀÇ Ç⿬(Le festin d'Esope), ÇǾƳë°î, 8m
- ¾ËÇÁº¥,ÈÞ°í, ºñ°¡(Elegy), 5m, # Swedish Radio Symphony Orchestra/Stig Westerberg
- ¾ËÇÁº¥,ÈÞ°í, ½º¿þµ§ ·¦¼Òµð 1, Op.18 "ÇÑ¿©¸§ÀÇ ¹é¾ßÁ¦(Midsummer Vigil", * Hugo Alfven(1872-1960, Swedish)
- ¾Ö´ý½º,Á¸ ·çÅÍ, ¼Ò¹ÚÇÏ°í °¨»óÀûÀÎ À½¾Ç(Naive and Sentimental Music), 44m, Los Angeles Philharmonic: Esa-Pekka Salonen, * John Luther Adams(1947- American)
- ¾Ö´ý½º,Á¸ ·çÅÍ, ÁÖ¼®ÀÇ Ãã, °üÇö¾Ç°î
- ¾Ö´ý½º,Á¸ ·çÅÍ, Become Ocean, °üÇö¾Ç°î, Seattle Symphony Orch.: Ludovic Morlot
- ¾Ö´ý½º,Á¸ ·çÅÍ, Secon Quartet, St. Lawrence String Quartet
- ¾ß³ªÃ¼Å©, Symphonic Suite from Jenufa
- ¾ß³ªÃ¼Å©, µµ³ª¿ì ±³Çâ°î, 3¾ÇÀå Æ¯ÀÌ
- ¾ß³ªÃ¼Å©, ¶óŰ¾È Ãã°î(Lachian Dances), JW.6-17, °üÇö¾Ç°î, 20m
- ¾ß³ªÃ¼Å©, ¹É¶óµð(Mladi(Youth)), ½Ç³»¾Ç, 17m
- ¾ß³ªÃ¼Å©, ¹ÙÀ̿ø°¼Ò³ªÅ¸, g, 1914c, 14m, À¯ÀÏÇÑ vs, Josef Suk(Vn)/Rudolf Firkusny
- ¾ß³ªÃ¼Å©, ¼Ò±³Çâ°î(°üÇö¾ÇÀ» À§ÇÑ), ±×ÀÇ ÀÛǰÁß °¡Àå ¸¹ÀÌ ¿¬ÁֵǴ °ÍÀÇ Çϳª, µåº¸¸£ÀÛÀ̳ª ½º¸ÞŸ³ª°¡ µ¶ÀÏÀ½¾ÇÀÇ ¿µÇâÀ» ¹ÞÀºµ¥ ¹ÝÇØ ¾ß³ªÃ¼Å©´Â ·¯½Ã¾Æ À½¾Ç ƯÈ÷ ¹«¼Ò¸£±×½ºÅ°ÀÇ ¿µÇâÀ» ¹ÞÀ½
- ¾ß³ªÃ¼Å©, "¿µ¸®ÇÑ »õ³¢ ¾Ï¿©¿ì(The Cunning Little Vixen)": ¸ðÀ½°î, °üÇö¾Ç°î
- ¾ß³ªÃ¼Å©, "¿¹´©ÆÄ"ÀÇ ±³ÇâÀû ¸ðÀ½°î(Symphonic Suite from Jenufa), 23m
- ¾ß³ªÃ¼Å©, "ÀâÃÊ ¿ì°ÅÁø ¿À¼Ö±æ(On an overgrown path)", JW.8-17, 15°îÀ¸·Î ±¸¼ºµÈ ÇǾƳë°îÁý: 1) ¿ì¸®µéÀÇ Àú³á ³ªÀý 2) ³«¿±À¸ »ç¶ûÀÇ ³ë·¡ 3)ÇÔ²² ¿Í¿ä 4) ÇÁ¸®µ¥Å©ÀÇ ¼º¸ð ¸¶¸®¾Æ 5) ±×µéÀº Á¦ºñó·³ Á¦Àß°Å·È´Ù 6) ¸»µµ ¾øÀÌ 7) ÈÞ½Ä 8) ÀÌÅä·Ï °ÌÀ» ¸Ô°í 9) ´«¹°À» È긮¸ç 10) ºÎ¾ûÀÌ´Â ³¯¾Æ°¡Áö ¾Ê¾Ò´Ù 11) Andante 12) Allegretto 13) Piu mosso 14) Allegro 15) Vivo
- ¾ß³ªÃ¼Å©, Ÿ¶ó½º ºÒ¹Ù(Taras Bulba), JW.6-15, °üÇö¾Ç°î, 22m, $ Czech State Philharmonic/Jose Serebrier cf) Am I Really that beautiful?
- ¾ß³ªÃ¼Å©, Çö¾Ç4ÁßÁÖ°î 1, "Å©·ÎÀ̼ ¼Ò³ªÅ¸(The Kreutzer Sonata)", 18m#, Medici Quartet
- ¾ß³ªÃ¼Å©, Çö¾Ç4ÁßÁÖ°î 2, "ºñ¹ÐÆíÁö"
- ¾ß³ªÃ¼Å©, ÇöÀ» À§ÇÑ ¸ñ°¡(Idyll for Strings), JW.6-3, 29m#
- ¾ß´ÏÃ÷, 4ÁßÁÖ°î(¿Àº¸, ¹ÙÀ̿ø°, ºñ¿Ã¶ó ±×¸®°í ÄÜÆ¼´©¿À¸¦ À§ÇÑ), g, "O Haupt voll Blut und Wunden", 19m * Johann Gottlieb Janitsch(1708-1763)
- ¾ß´Ù½ºÁ¸(À߷θó), ÇǾƳëÇùÁÖ°î 1, c, Op.89, 15m, * Salomon Jadassohn
- ¾îÀ©, ·¤ÇÁ(Erwin, Ralph), ¼º¾Ç°î, "Ich ku"sse ihre Hand, Madame"
- ¿¡°Ô¸£Æ®,¿ä¾ÆÈû ´ÏÄݶó½º, ±³Çâ°î 2, g, 31m#2, Gavle Symphony Orchestra/Gerard Korsten, * Joachim Nikolas Eggert(1779-1813 Swedish)
- ¿¡³×½ºÄí(Á¦¿À¸£Á¦), °üÇö¾Ç ¸ðÀ½°î 3, D, Op. 27 "Villageoise", Op.27, 27m, # Monte Carlo Philharmonic Orchestra/Lawrence Foster
- ¿¡³×½ºÄí(Á¦¿À¸£Á¦), ±³Çâ°î 1, Eb, Op.13
- ¿¡³×½ºÄí(Á¦¿À¸£Á¦), ·ç¸¶´Ï¾Æ ±¤½Ã°î 1, a, Op.11-1 * Georges Enescu(1881-1955 Romanian) ¹ÙÀ̿ø°ÀÇ ´ë°¡·Î ¾Ë·ÁÁü,France: ¿¡³×½ºÄÚ,Á¶¸£ÁÖ(Georges Enesco)
- ¿¡³×½ºÄí(Á¦¿À¸£Á¦), Àü¼³(Legend), trumpet & pf, 6m
- ¿¡·Ñ(Herold), Zampa ¼°î,10m
- ¿¡·Ñ, ³ª¸·½ÅÀÇ Ãã,¹«¿ë±Ø ÁßÀÇ °î
- ¿¡¸¥½ºÆ®,ÇÏÀθ®È÷ ºôÇ︧, ¿¤·¹Áö, Op.10, 8m, Vn & Pf * Heinrich Wilhelm Ernst(1812-1865 Moravian(Czech) Vn), ÆÄ°¡´Ï´Ï¿¡ ¹ö±Ý°¡´Â Vn
- ¿¡¸¥½ºÆ®,ÇÏÀθ®È÷ ºôÇ︧, Pensees fugitives for Violin and Piano, 12°î ±¸¼º
- ¿¡¸¦·¹¹ÙÈå, ¼Ò³ªÅ¸ 3(Sonata Terza) * Philipp Heinrich Erlebach(1605-1648 Esens:Germany)
- ¿¡À̳ª¿ìµð,·çµµºñÄÚ, Passaggio * Ludovico Einaudi(1955- Italian Pf)
- ¿¡À̺ñ½¼, ÇùÁÖ°î 3, d, * Concerti(12) for Strings after Domenico Scarlatti, * Charles Avison(1709-1770 Baroque English)
- ¿¡À̺ñ½¼, ÇùÁÖ°î 6, D, 12m
- ¿¡À̺ñ½¼, ÇùÁÖ°î 9, C, 13m
- ¿¡À̺ñ½¼, ÇùÁÖ°î 12, D, 17m
- ¿¤°¡, 3°³ÀÇ ¹Ù¹Ù¸®¾È Ãã°î(Three Bavarian Dances), Op.27, °üÇö¾Ç°î
- ¿¤°¡, ±³Çâ°î 2, Eb, Op.63, 57m#, London Symphony Orchestra/Sir Colin Davis
- ¿¤°¡, ´ë°ü½Ä ¼Û°¡(Coronaton Ode), Op.44, 1) Crown The King 2) The Queen 3) Daughter of Ancient Kings 4) Britain, Ask Of Thyself 5) Hark, Upon The Hollowed Air 6) Peace, Gentle Peace 7) Land of Hope and Glory
- ¿¤°¡, º¯´ö½º·± ¿©ÀÚ(La Capricieuse:The Capricious Woman), Op.17, ½Ç³»¾Ç, 4m
- ¿¤°¡, »ç¶ûÀÇ Àλç(Salut d¡¯amour), Op.12, ¹ÙÀ̿ø°°î
- ¿¤°¡, ¼ÁÖ¿Í ¾Ë·¹±×·Î(Çö¾ÇÀ» À§ÇÑ), Op.47,14m
- ¿¤°¡, ¼º¾Ç°î "½£À» È帣´Â °³¿ïÀÇ ³ë·¡"
- ¿¤°¡, ¼º¾Ç°î "¾ðÁ¨°¡(Quando)", $ ten. Jose Carreras
- ¿¤°¡, ¼º¾Ç°î "Evening Scene", ÇÕâ°î, The Finzi Singers
- ¿¤°¡, ¼ö¼ö²²³¢ º¯ÁÖ°î, Op.36, G gÀÇ 14°³ º¯ÁÖ>14¸í Ä£±¸ÀÇ °³ÀÎ ¼º°ÝÀ» ¹¦»ç,°¢ º¯ÁÖ Ã¹¸Ó¸®¿¡ CAE(¿¤°¡ºÎÀÎÀÇ À̸§¾àÀÚ) EDU(ºÎÀÎÀÌ ¿¤°¡¸¦ ºÎ¸£´Â ¾ÖĪ) ÀÌ ºÙ¾îÀÖÀ½
- ¿¤°¡, ½ºÆäÀÎ ¼¼¶ó³ªµ¥(Spanish Serenade for Choir or Choir/Orchestra), Op.23, Worcester Cathedral Choir
- ¿¤°¡, ½ºÆäÀÎÀÇ ±ÍºÎÀÎ ¸ðÀ½°î(Spanish Lady Suite), Op. 89
- ¿¤°¡, ¾î¸°ÀÌ ¹æ ¸ðÀ½°î(Nursery Suite)
- ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 1(Pomp and Circumstance - March), D, Op.39-1, 6°îÁß 1,2°î¸¸ ¿¬ÁÖµÊ(1:"Èñ¸Á°ú ¿µ±¤ÀÇ ³ª¶ó",2,4)
- ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 2, a, Op.39-2
- ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 3, c, Op.39-3
- ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 4, G, Op.39-4
- ¿¤°¡, À§Ç³´ç´çÇÑ ÇàÁø°î 5, C, Op.39-5
- ¿¤°¡, ÀþÀ½ÀÇ ÁöÆÎÀÌ ¸ðÀ½°î 2(Wand of Youth Suite), Op.1b, °üÇö¾Ç°î, 16m
- ¿¤°¡, ÿ·ÎÇùÁÖ°î, e, Op.85, 29m
- ¿¤°¡, ÄÚÄÉÀÎ ¼°î(Cockaigne Overture) "·±´ø ½Ã³»¿¡¼(In London Town)", Op.40, °üÇö¾Ç°î, 14m
- ¿¤°¡, ÄܼƮ ¾Ë·¹±×·Î(Concert Allegro), Op.46
- ¿¤°¡, ÆÈ½ºÅ¸ÇÁ-±³ÇâÀû ¿¬½À(Falstaff-Symphonic Study), c, Op.68, 34m# Scottish National Orchestra/Sir Alexander Gibson
- ¿¤°¡, Çö¾ÇÀ» À§ÇÑ ¼¼·¹³ªµ¥, e, Op.20, 12m
- ¿¤·¹¸£, »õº®, ±³Çâ½Ã, ¿¡½ºÅä´Ï¾Æ ÀÛ°î°¡?
- ¿À³×°Å, ±³Çâ°î 2(Æ®·³Æê°ú Çö¾Ç±â¸¦ À§ÇÑ), H.153, ÇÁ¶û½º 6ÀÎÁ¶ÀÇ ÇÑ»ç¶÷, 25m, Fritz Wesenigk(Trp),Berlin Philharmonic/Herbert von Karajan, * Arthur Honegger(1892-1955 Swiss)
- ¿À³×°Å, ±³Çâ°î 3, "Àü·Ê"(¿¹¹è)
- ¿À³×°Å, ±³Çâ°î 4, H.191, "¹ÙÁ©ÀÇ ±â»Ý(Deliciae Basilienses)", 27m, $ Bournemouth Sinfonietta/Tamas Vasary
- ¿À³×°Å, ¿©¸§³¯ÀÇ ¸ñ°¡(Pastorale d'ete), °üÇö¾Ç°î, # Bournemouth Sinfonietta/Tamas Vasary
- ¿À³×°Å, ÆÛ½ÃÇÈ231
- ¿À¸£ÇÁ,Ä®, Ä«¸£¹Ì³ª ºÎ¶ó³ª, ÄŸŸ (/"¿À, ¿î¸íÀÇ ¿©½ÅÀÌ¿©", /"¿î¸íÀÇ Å¸°Ý" )
- ¿Àºê¶óµµ¸£½º,Æä¸£³µµ, ¼º¾Ç°î "ÀÛÀº ½ÅºÎ(Chiquitita la novia)"
- ¿Àºê¶óµµ¸£½º,Æä¸£³µµ, ½ºÆäÀÎ °íÀü°¡°î, /¿ÀÁ÷ ³ª¸¸ÀÇ ¶ó¿ì·¹¿Ã¶ó(La mi sola, Laureola), /°¡Àå ºÎµå·¯¿î ¸Ó¸®Ä«¶ôÀ¸·Î(Del cabello mas sutil) * Fernando Obradors(1897-1945 Spanish)
- ¿ÀÆ®Å׸£(ÀÚÅ© ¸¶¸£ÅÊ), ¸ðÀ½°î 2, c, (Jacque Martin Hotteterre: 1674-1763); ÇÃ·çÆ¼½ºÆ®·Î¼ ÀÛ°î°¡
- ¿ÀÆæ¹ÙÈå, ¼º¾Ç°î "Ƽ·ÑÁö¹æÀÇ ¹«°î(Valse tyolienne)"
- ¿ÀÆæ¹ÙÈå, ÿ·Î¸¦ À§ÇÑ ¸ðÀ½°î 2(µÎ ´ëÀÇ), Op.53-2, 10m * 6°î ¸ðÀ½°î
- ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <·Îºó½¼ Å©·ç¼Ò>, /"³»°¡ ¼þ¹èÇÏ´Â ±×¿¡°Ô·Î µ¥·Á´Ù ÁÖ¼¼¿À(Conduisez-moi vers celui que j¡¯adore)"
- ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <¹®°¡ÀÇ ³²Æí(Un mari a la porte)>; ¼°î
- ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <¾Æ¸§´Ù¿î ¿¤·»(La belle Helene)>;
- "»ç¶÷µéÀº ³ª¸¦ ±Ý¹ßÀÇ Çï·»À̶ó°í ºÎ¸£ÁÒ(On me nomme Helene la blonde)"
- "Àú¿¡°Ô »ç¶ûÀ» ÁÖ¼Ò¼(amours divins..)"
- ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <õ±¹°ú Áö¿Á>; ¼°î
- ¿ÀÆæ¹ÙÈå, ¿ÀÆä¶ó <È£ÇÁ¸¸ÀÇ À̾߱â>;
- "³» À̸§Àº ÄÚÆç¸®¿ì½º(Je me nomme Coppelius)", bass.Samuel Ramey/ten.Francisco Araiza/ms.Anne Sofie von Otter
- "(ÀÎÇü ¿Ã¸²ÇǾÆÀÇ ³ë·¡) ¼Ò»ç³ª¹« ½£ÀÇ »õµé(Les oiseaux dans la charmille)", sop.Edita Gruberova
- ""¾Æ¸§´Ù¿î ¹ã, »ç¶ûÀÇ ¹ã(Belle nuit, o nuit d¡¯amour)"-¹î³ë·¡, $sop.Jessye Norman/ms.Ann Murray
- "¿¾³¯¿¾Àû ¾ÆÀÌÁ¦³ªÈå ±ÃÁ¤¿¡"
- "Ŭ¶óÀÎÀðÅ©ÀÇ ¹ß¶óµå(Il etait une fois a la cour d¡¯Eisenach)", ten. Placido Domingo
- ¿ÀÆæ¹ÙÈå, ¿ÀÆä·¹Å¸ <Æä¸®ÄÝ(La Perichole)>; /"±×³àµéÀº ºü¸£±âµµ ÇÏÁö"
- ¿ÀÆæ¹ÙÈå, ÀÚ²ô¸°´ÀÀÇ ´«¹°
- ¿ÀÆæ¹ÙÈå, Áñ°Å¿î ÆÄ¸® »ç¶÷µé, Ãã°î
- ¿Â½½·Î¿ì, Çö¾Ç4ÁßÁÖ°î 30, c, Op.56 * George Onslow(1784 -1853), the French Beethoven
- ¿Ã·¹ ºÒ(Ole Bull), Saeterjentens Sondag(The Shepherd Girl`s Sunday), Aaron Rosand(vn), Robert Levin(pf) 3m, violinist¸é¼ ³ë¸£¿þÀÌ ¹ÎÁ·À½¾ÇÀÇ ¼±±¸ÀÚ; ±×¸®±× µî¿¡°Ô ¿µÇâÀ» ¹Ìħ
- ¿Ã¸®ºñ¿¡¸®, ¼º¾Ç°î "¸ÅȤ" * Dino Olivieri
- ¿ÐÅÏ,Àª¸®¾ö, ±âŸ¿Í ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ 5°³ÀÇ ¹Ù°¡ÅÚ(Five Bagatelles for Guitar and Orchestra), 16¤Ñs
- ¿ÐÅÏ,Àª¸®¾ö, ¹ÙÀ̿ø°ÇùÁÖ°î, b, 3°³ÀÇ ÇùÁÖ°î(Vn,Va,Ce), 30m * Sir William Turner Walton(1902-1983 English)
- ¿ÐÅÏ,Àª¸®¾ö, ÿ·ÎÇùÁÖ°î, 1956c,ÀÌ °îÀ¸·Î À¯¸íÇØÁü, 28m
- ¿ä¾ÆÈû,¿äÁ¦ÇÁ, ¹ÙÀ̿ø°°ú °üÇö¾ÇÀ» À§ÇÑ ³ëÅõ¸£³ë(Notturno for violin and orchestra), Op.12, 9m, Daniel Hope(vn)/Royal Stockholm Philharmonic Orchestra/Sakari Oramo, * Joseph Joachim(1831-1907 Hungarian)
- ¿ä¾ÆÈû,¿äÁ¦ÇÁ, ¼°î 'Çܸ´', Op.4, 15m, Oslo Philharmonic/Mariss Jansons
- ¿äÅ©, 4´ëÀÇ ±âŸ¸¦ À§ÇÑ ¹ÝÅõ¿Í ÄûÄ(Bantu y Quiccan for 4 guitars) * Andrew York(1958- American classical guitarist &comp)
- ¿ìµå, ¼º¾Ç°î "ÇÇÄ«µðÀÇ Àå¹Ì(Roses of Picardy)"
- ¿ìµå, Çö¾Ç4ÁßÁÖ°î 3, Op.20
- ¿ìµåÄÛ,·Î¹öÆ®, ÇùÁÖ°î(µ¶ÀÏ ÇÃ·çÆ®, Çö¾Ç°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, * Robert Woodcock(1690-1728 English Baroque)
- ¿ì¸Þ¹Ù¾ß½Ã,½Ã°Ô·ç, Polonaise, -¿µÈ <2046> O.S.T., * Shigeru Umebayashi(1951- Japanese)
- ¿öÅ©, ÇҾƹöÁö ½Ã°è
- ¿þ¹ö,¾Øµå·ù ·ÎÀ̵å, ¹ÂÁöÄà <¿ÀÆä¶óÀÇ À¯·É(The Phantom of the Opera)>; * Andrew Lloyd Webber(1948- English)
- "Think of me", sop.Lesley Garrett
- ¿þ¹ö,¾Øµå·ù ·ÎÀ̵å, ¹ÂÁöÄà ;
- "Love Changes Everything", $ Sarah Brightman
- ¿þ¹ö,¾Øµå·ù ·ÎÀ̵å, ¹ÂÁöÄà ;
- "I don¡¯t Know How to Love Him", Sharon Campbell
- ¿þ¹ö,¾Øµå·ù ·ÎÀ̵å, ¼º¾Ç°î "·¹Äû¿¥"-Pie Jesu, sop.Barbara Bonney/bs.Anthony Way
- À¥½ºÅÍ,Á¶¼Á Çʺ긯, ¼º¾Ç°î "Sweet By And By", * Joseph Philbrick Webster(1819-1875 American)
/Wheaton College Women's Chorale #&
- À©Å¬·¯(Winkler), ÇÕâ°î "Ä«ÇÁ¸® ¼¶ÀÇ ¾îºÎ"
- Àª´õ, »ç¶ó¿¹º¸ÀÇ Ã¿¸®½ºÆ®(µ¶ÁÖ Ã¿·Î¸¦ À§ÇÑ)
- Àª¸®¾ö½º,Á¸, The Imperial Death March, 3m, * John Williams(1932- American &cond&Pf)
- Àª¸®¾ö½º,Á¸, ¿µÈ ; /"Somewhere in my Memory"
- Àª¸®¾ö½º,Á¸, ¿µÈ ; /"Main Theme"
- À̶óµð¿¡¸£, ¼º¾Ç°î "¶ó ÆÈ·Î¸¶(La Paloma)", (Sebastian Yradier:1809~1865); ¿¡½ºÆÄ³Ä(½ºÆäÀÎ) ÀÛ°î°¡ * La Paloma´Â ÈòºñµÑ±â
- À̹ٳëºñÄ¡,ÀÌ¿Â, µµ³ª¿ì °ÀÇ Àܹ°°á, üÄÚ¿¡¼´Â ºÒŸ¿ì ° * Ion Ivanovici(1845-1902 Romanian)
- À̺£¸£,ÀÚÅ©, µ·Å°È£Å×ÀÇ ³ë·¡(Chansons de Don Quichotte); bar.Jose van Dam, * Jacques Ibert(1890-1962 French)
- 1) µ·Å°È£Å×ÀÇ Ãâ¹ßÀÇ ³ë·¡(Chanson du depart de Don Quichotte)
- 2) µÑ½Ã³× °øÁÖ¿¡ ´ëÇÑ ³ë·¡(Chanson a Dulcinee)
- 3) °øÀÛÀÇ ³ë·¡(Chanson du Duc)
- 4) µ·Å°È£Å×ÀÇ Á×À½ÀÇ ³ë·¡(Chanson de la morte de Don Quichotte)
- ÀÌ¿þÀÌÁð,¿¡¸¯, ¿Àº¸ÇùÁÖ°î, "Down a River of Time", 23m, $ Linda Strommen(Ob)/Sejong Soloists, * Eric Ewazen(1954- American)
- ÀÌÀÚÀÌ,¿ÜÁ¨, ¼Ò³ªÅ¸,c,Op.27-4 "Dedicated to Fritz Kreisler" * Eugene Ysaye (1858-1931): º§±â¿¡ ÀÛ°î°¡/¹ÙÀ̿ø®´Ï½ºÆ®
- ÀÌÆú¸®ÅäÇÁ-À̹ٳëÇÁ, Caucasian Sketches 1, Op.10, Edmonton Symphony Orchestra/Uri Mayer, * Mikhail Ippolitov-Ivanov(1859-1935 Russian &cond)
- ÀÚ´Ï,¾Èµå·¹¾Æ, ÿ·ÎÇùÁÖ°î 5, G, WD.790, 8m * Andrea Zani(1696-1757 Italian Vn&)
- Àܵµ³ªÀÌ,¸®Ä«¸£µµ, ¿ÀÆä¶ó <ÁÙ¸®¿¡Å¸¿Í ·Î¸Þ¿À>; * Riccardo Zandonai(1883-1944 Italian)
- "ÁÙ¸®¿¡Å¸, ³ª¿ä(Guilietta, son io)", ten.Jonas Kaufmann
- ÀÜÄ»,Ŭ·¹¸Á, ¼º¾Ç°î "»õÀÇ ³ë·¡(Le chant des oiseaux)"
- Á¦¹Ì´Ï¾Æ´Ï,ÇÁ¶õü½ºÄÚ, ÿ·Î¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸, Op.5-3, 6°³ ¼Ò³ªÅ¸(Op.5) * Francesco Geminiani(1687-1762 Italian Vn&)
- Á¦¹Ì´Ï¾Æ´Ï,ÇÁ¶õü½ºÄÚ, ÿ·Î¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸, Op.5-6, 8m
- Á¦¹Ì´Ï¾Æ´Ï,ÇÁ¶õü½ºÄÚ, ÇÕÁÖÇùÁÖ°î(Concerto grosso), g, Op.3-2, "La Follia"(after Corelli's op.5 no.12), 11m#, Op.3(6°³: D,g,e,d,-,-,)
- Á¦¼ö¾Ëµµ,Ä«¸¦·Î, ¸¶µå¸®°¥ 4Áý: 'ÀÚºñ¸¦' ³ª´Â ¿ï¸ç Àý±ÔÇϳ×('Merce', grido piangendo: Quatro libro di madrigali), * Carlo Gesualdo(1566-1613 Italian)
- Á¨Å²½º,Ä®, Cantate Domino, * Karl Jenkins(1944- Welsh)
- Á¨Å²½º,Ä®, Miserere: Songs of Mercy and Redemtion, 50m
- Á¨Å²½º,Ä®, °¡°î ¿¹ÀÌÃ÷ÀÇ ½Ã¿¡ ºÙÀÎ ³ë·¡;He wishes for the cloths of heaven
- Á¨Å²½º,Ä®, Æòȸ¦ À§ÇÑ ¹Ì»ç-'The armed man' Áß Agnus Dei
- Á©·¯,Ä®, ¼º¾Ç°î "¸ðµÎµé ¾È³ç(Gruess Euch Gott, alle miteinander)" * Carl Zeller(1842-1898 Austrian)
- Á©·¯,Ä®, ¿ÀÆä·¹Å¸ <»õÀå¼ö(Bird seller)>;
- "³ ¿ìü±¹¿¡¼ ¿Â Å©¸®½ºÅÚÀÌ¿¹¿ä(Ich bin die Christel von der Post)", Renate Holm(sop)
- "¸ðµÎ¿¡°Ô ½ÅÀÇ °¡È£°¡(Grue©¬ euch Gott, alle miteinander)", ten.Fritz Wunderlich
- Á©·»Ä«,¾á µð½º¸¶½º, Missa Dei Patris, C, 70m * Jan Dismas Zelenka(1679-1745) ¹ÙÈå ½Ã´ëÀÇ Ã¼ÄÚ ÀÛ°î°¡
- Á©·»Ä«,¾á µð½º¸¶½º, Æ®¸®¿À¼Ò³ªÅ¸ 2(2´ëÀÇ ¿Àº¸, ¹Ù¼ø ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), 19m
- Á©·»Ä«,¾á µð½º¸¶½º, Æ®¸®¿À¼Ò³ªÅ¸ 3(2´ëÀÇ ¿Àº¸, ¹Ù¼ø ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), ZWV.181-3, 15m
- Á©·»Ä«,¾á µð½º¸¶½º, Æ®¸®¿À¼Ò³ªÅ¸ 5, F, ZWWV.181-5, 15m, Heinz Holliger(ob),Maurice Bourgue(ob),Klaus Thunemann(bassoon),Klaus Stoll(bass),Jonathan Rubin(lute),Christiane Jaccottet(harpsichord)
- Á©·»Ä«,¾á µð½º¸¶½º, ¼Ò³ªÅ¸ 3(¹ÙÀ̿ø°, ¿Àº¸, ¹Ù¼ø ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), Bb, 15m
- Á©·»Ä«,¾á µð½º¸¶½º, ÇùÁÖ°î, G, Z.186, 17m, Czech Philharmonic Orchestra/Vaclav Neumann
- Á¶¸£´Ù³ë, ¿ÀÆä¶ó <¾Èµå·¹¾Æ ¼Î´Ï¿¡(Andrea Chenier)>;
- "5¿ùÀÇ ¾Æ¸§´Ù¿î ¾î´À³¯ ó·³(come un bel di di maggio)", ten.Jussi Bjoerling
- "´ç½Å °ç¿¡(Vicino a te)... ¿ì¸®ÀÇ Á×À½Àº »ç¶ûÀÇ ½Â¸®(La nostra morte e il trionfo dell'amor"-¸¶Áö¸· ÀÌÁßâ, /ten.Luciano Pavarotti & sop.Monserrat Caballe
- "¾î´À ³¯ Ǫ¸¥ ÇÏ´ÃÀ» ¹Ù¶óº¸¸ç(Un di all¡¯azzurro spazio)"(1)-¼Î´Ï¿¡ÀÇ ÁïÈï½Ã(Improviso)
- "¾î¸Ó´Ï´Â µ¹¾Æ°¡½Ã°í(la mamma morta)"
- "Á¶±¹À» ¹è¹ÝÇÑ ÀÚ(Nemico della Patria)"-Á¦¶ó¸£ÀÇ ¸ð³î·Î±×, bar.Renato Bruson, bar.Jose van Dam
- Á¶¸£´Ù³ë, ¿ÀÆä¶ó <Æäµµ¶ó>; /
- "±ÝÁöµÈ »ç¶û(amor ti vieta)"
- Á¶¸£´Ù´Ï,ÁÖ¼¼Æä, ¼º¾Ç°î "¿À ³»»ç¶û(Caro mio ben)", * Giuseppe Giordani(1751-1798 Italian)
- Á¶ºö, ¼º¾Ç°î "¾î¸®¼®Àº Áþ(Insensatez)", bar.Erwin Schrott, * Antonio Carlos Jobim(1927-1994 Brazilian)
- Á¶ºö, ¼º¾Ç°î "ÀÌÆÄ³×¸¶¿¡¼ ¿Â ¼Ò³à(Garota de Ipanema)", sop.Elly Ameling
- Á¶ºö, Çູ(Felicidade), Fl&Gt
- Á¸½º,Á¸ Æú, ¼º¾Ç°î "Âü³ª¹« ¾Æ·¡(So ell encina)" * John Paul Jones(1946- English)
- Á¸½ºÅæ,¸ð¸®½º, Tarn Hows (A Cumbrian Rhapsody), 13m, Royal Ballet Sinfonia/Gavin Sutherland, * Maurice Johnstone(1900-1976 British)
- ÁÒ½ºÄ» µ¥ÇÁ·¹, O Virgo Virginum,->15c ÀÌŸ® ÀÛ°î°¡, ¸ÞŸÀ½¾ÇÁ¦ ¹ßÇ¥
- ÁÖÄÉ·Î(Zucchero), ¹ÌÁ¦·¹·¹(Miserere) * Adelmo Fornaciari(1955-), Zucchero´Â ±×ÀÇ ¹«´ëÀ̸§
- ÁÙ¸®¾Æ´Ï,¸¶¿ì·Î, ±âŸÇùÁÖ°î, A, Op.30, 23m, # Narciso Yepes(guitar),English Chamber Orchestra/Garcia Navarro, * Maruo Giuliani(1781-1829 Italian)
- ÁÙ¸®¾Æ´Ï,¸¶¿ì·Î, ·Î½Ã´Ï ¿ÀÆä¶ó <źũ·¹µð>; "¼³·¹´Â ¸¶À½(Di tanti palpiti) º¯ÁÖ°î", sop.Antonia Elisabeth Brown, Adriano Sebastiani(gtr)
- ÁÙ¸®¾Æ´Ï,¸¶¿ì·Î, ¼º¾Ç°î "°íº°(Abschied)", Op.89-3, sop.Christina Hoegman
- ÁÙ¸®¾Æ´Ï,¸¶¿ì·Î, ¼º¾Ç°î "¼¼·¹³ªµ¥(Staendchen)"
- ÁêÆä, ½ÃÀΰú ³óºÎ ¼°î,10m
- ÁêÆä, ¿ÀÆä·¹Å¸ º¸Ä«Ä¡¿À; /"Ç÷η»½º¿¡´Â ¹ÌÀεµ ¸¹¾Æ"
- Áö±Û·¯,ÆÄºí·Î, ¼º¾Ç°î "ºÓÀº Åʰí(Rojotango)", * Pablo Ziegler(1944- Argentine)
- ÁúÇã(Silcher), ¼º¾Ç°î "·Î·¼¶óÀÌ(Die Loreley)", ten. Peter Schreier, * Friedrich Silcher(1789-1860 German)
- ÁúÇã(Silcher), ¼º¾Ç°î "Ÿ¶ó¿ìÀÇ ¾ØÇî(Aennchen von Tharau)", bar. Hermann Prey
- Â÷ÀÌÄÚÇÁ½ºÅ°, 1812³â ¼°î, "Àå¾ö¼°î", Op.49
- Â÷ÀÌÄÚÇÁ½ºÅ°, °¨»óÀûÀÎ ¿ÐÃ÷(Valse sentimentale), Op.51-6, Vn, # Timofei Dokshitser(trp)/Sergej Solodovnik(pf)
- Â÷ÀÌÄÚÇÁ½ºÅ°, °üÇö¾Ç¸ðÀ½°î 1, d, Op.43, 42m, New Philharmonia Orchestra/Antal Dorati
- Â÷ÀÌÄÚÇÁ½ºÅ°, °üÇö¾Ç¸ðÀ½°î 2, C, Op.53, #
- Â÷ÀÌÄÚÇÁ½ºÅ°, °üÇö¾Ç¸ðÀ½°î 3, G, Op.55, 40m#
- Â÷ÀÌÄÚÇÁ½ºÅ°, °üÇö¾Ç¸ðÀ½°î 4, G, Op.61 "¸ðÂ÷¸£Æ¼¾Æ³ª(Mozartiana)"
- Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 1, g, Op.13, "°Ü¿ï³¯ÀÇ È¯»ó(Winter Daydreams)" $
- Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 2, c, Op.17, "¼Ò·¯½Ã¾Æ(Little Russian)", 1M°ú 4M¿¡ ¿ìÅ©¶óÀ̳ª ¹Î¿ä »ç¿ë, 33m#, Gewandhausorchester Leipzig/Kurt Masur
- Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 3, D, Op.29, "Polish", 46m
- Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 4, f, Op.36, $ Leningrad Philharmonic Orchestra/Evgeny Mravinsky, $ London Symphony Orchestra/Igor Markevitch
- Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 5, e, Op.64,S4¿Í S6(ºñâ)À» ÇÕÇÑ ´À³¦, 46m, $ Leningrad Philharmonic Orchestra/Evgeny Mravinsky
- Â÷ÀÌÄÚÇÁ½ºÅ°, ±³Çâ°î 6, b, Op.74, "ºñâ", $ Leningrad Philharmonic Orchestra/Evgeny Mravinsky, $ London Symphony Orchestra/Igor Markevitch
- Â÷ÀÌÄÚÇÁ½ºÅ°, ±³ÇâÀû ȯ»ó°î: ·¹¹Ì´ÏÀÇ ÇÁ¶õü½ºÄ«(Francesca da Rimini), Op.32, 25m, ´ÜÅ×ÀÇ ½Å°î Áß Áö¿ÁÆí(5)¿¡¼ ¿µ°¨À» ¾ò¾î ÀÛ°î,1876c, #
- Â÷ÀÌÄÚÇÁ½ºÅ°, ·Î¸Á½º, f, Op.5, Vladimir Feltsman(pf)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ·Î¹Ì¿À¿Í ÁÙ¸®¿§: ȯ»ó¼°î, °üÇö¾Ç°î, 22m
- Â÷ÀÌÄÚÇÁ½ºÅ°, ·ÎÄÚÄÚ ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(ÿ·Î¿Í °üÇö¾ÇÀ» À§ÇÑ), Op.33, ¸ðÂ¥¸£Æ® ¿¡ ´ëÇÑ Á¸°æÀ» Ç¥Çö,19m
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¸¸ÇÁ·¹µå ±³Çâ°î(Manfred Symphony), b, Op.58, 53m, $ Russian National Orchestra/Mikhail Pletnev
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¸ð½ºÅ©¹Ù ÄŸŸ(Moscow Cantata), 23m, Lyubov Sokolova(m.sop),Alexy Markov(bar),Orchestra of the Mariinsky Theatre
Chorus of the Mariinsky Theatre/Valery Gergiev
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¼ÒǰÁý-"±×¸®¿î °íÀåÀÇ Ãß¾ï(Souvenir d'un lieu cher)", Op.42; 1) ¸í»ó°î(Meditation), Op.42-1, 2) ½ºÄɸ£Á¶(Scherzo), Op.42-2, 3)¸á·Îµð(Melodie), Op.42-3
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¹ÙÀ̿ø°ÇùÁÖ°î, D, Op.35, º£ ºê ¸àÀÇ 3´ë VC¿ÍÇÔ²² ¼¼°èÀû °ÉÀÛ, 1) Nathan Milstein(vn)/Prague Philharmonic Orchestra/Lorin Maazel,2) Itzhak Perlman, Philadelphia Orchestra/Eugene Ormandy #&
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¹éÁ¶ÀÇ È£¼ö,¹«¿ë ¸ðÀ½°î, Op.20, 5°î±¸¼º, 2) ¹éÁ¶ÀÇÃã, 4) Ç×°¡¸®¹«°î
- Â÷ÀÌÄÚÇÁ½ºÅ°, »ç°è(The Seasons), Op.37, 41m, ÇǾƳë°î, 1) 1¿ù; È·Ô°¡¿¡¼ 2) 2¿ù; Ä«´Ï¹ß 3) 3¿ù;Á¾´Þ»õÀÇ ³ë·¡ 4) 4¿ù;¾Æ³×¸ð³× 5) 5¿ù;¹é¾ß 6) 6¿ù;¹î³ë·¡ 7) 7¿ù;Ãß¼ö±ºÀÇ ³ë·¡ 8) 8¿ù;Ãß¼ö 9) 9¿ù;»ç³É 10) 10¿ù;°¡À»ÀÇ ³ë·¡ 11) 11¿ù; Æ®·ÎÀÌÄ« 12) 12¿ù;Å©¸®½º¸¶½º, # Yefim Bronfman(Pf), Sviatoslav Richter(pf)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "A tear trembles in your jealous gaze"(sleza drazhyt f tvajom rivnivam zvore), Op.6-4, A.K.Tolstoy(P)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Don Juan's Serenade; darkness is enfolding"-µ· ȯÀÇ ¼¼·¹³ªµ¥(Serenada Don Zhuana; Gasnut dal'nej Al'puhary), Op.38-1, A.K.Tolstoy(p)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Fearful Moments; You listen, your sweet head bowed" (Strashnaja minuta; Ty nimajesh, vniz sklaniv galofku), Op.28-6, Â÷ÀÌÄÚÇÁ½ºÅ°(P)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Heroism"(Podvik) , Op.60-11, A.Khomyakov(P)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "I threw the open window" (Rastaril ja akno...), Op.63-2, K.Romanov(P)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Nightingale"(Salavej), Op.60-4, A.Pushkin(P), Dmitri Hvorostovsky(Bar)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "No, only those who have longed" (Net, tol'ka tot, kto znal), Op.6-6, A.Myey(P)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Once again, as before, I am alone"(Snova, kak prezhde'e, adin) , Op.73-6, D.Rathaus(P)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "Reconciliation; O, heart of mine, sleep deeply!"(Primiren'je; O, zasni majo sertse gluboka!) , Op.25-1, N.Shcchyerbina(p) $
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "±×¸®¿òÀ» ¾Æ´Â À̸¸ÀÌ(Nur wer die Sehnsucht kennt)", ten.Fritz Wunderlich
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î "¾î´À À̸¥ º½³¯À̾úÀ»±î?", Op.38-2, #bass.Nicolai Ghiaurov, #ms. Olga Borodina
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼º¾Ç°î 2Áßâ "¿Á¤Àº ÀÌ¹Ì Áö³ª°¬´Ù", Op.46-5
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¼¼·¹³ªµ¥(ÇöÀ» À§ÇÑ), C, Op.48, Çö¾ÇÇÕÁÖ°î,33m
- Â÷ÀÌÄÚÇÁ½ºÅ°, ½ºÆäÀÌµå ¿©¿Õ(Queen of Spades):¸ðÀ½°î, (A Park in Leningrad), Op.68
- Â÷ÀÌÄÚÇÁ½ºÅ°, ½½¶óºêÇàÁø°î, °üÇö¾Ç°î, Op.31, 9m$, Royal Philharmonic Orchestra/Yuri Temirkanov
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¾È´ÜÅ× ÄŸºô·¹
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¾ß»ó°î, Op.19-4
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¾î¸°À̸¦ À§ÇÑ ¾Ù¹ü, Op.39, 24°î±¸¼º, ÀÚ½ÅÀÇ ¾î¸° ½ÃÀý ȸ»ó
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¿ÀÆä¶ó <¸¶Á¦ÆÄ>; /"¿À, ¸¶¸®¾Æ, ¸¶¸®¾Æ"
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¿ÀÆä¶ó <¿¡ÇÁ°Ô´Ï ¿À³×±ä>;
- "»ç¶ûÀº ÀþÀº ³¯¿¡¸¸ ²É ÇÇ´Â °ÍÀÌ ¾Æ´Ï´Ù"-±×·¹¹Î °øÀÛÀÇ¡¡¾Æ¸®¾Æ, # bas.Alexsander Anisimov
- "¾îµð·Î °¡¹ö·È³ª, ³ªÀÇ ÀþÀº ³¯Àº"-·»½ºÅ°ÀÇ ¾Æ¸®¾Æ, ten.Neil Shicoff
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¿ì¿ïÇÑ ¼¼·¹³ªµ¥(Serenade melancholique), bb, Op.26, (Vn,Orch), $ Midori(Vn),London Symphony Orchestra/Leonard Slatki
- Â÷ÀÌÄÚÇÁ½ºÅ°, ¿ùÃ÷ ½ºÄɸ£Á¶(Valse Scherzo), Op.34, 5m, # David Oistrakh(vn)/Vladimir Yampolsky(pf), # Sergei Nakariakov(trp)/Alexander Markovich(pf)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ÀÌŸ® ±â»ó°î(Capriccio Italien), °üÇö¾Ç°î, Op.45, 15m#
- Â÷ÀÌÄÚÇÁ½ºÅ°, ÀÚÀå°¡, Op16-1
- Â÷ÀÌÄÚÇÁ½ºÅ°, ÀáÀÚ´Â ½£¼ÓÀÇ ¹Ì³à, ¹«¿ë ¸ðÀ½°î, Op.66, 4ºÎ±¸¼º
- Â÷ÀÌÄÚÇÁ½ºÅ°, Áö°íÀ̳׸£¹ÙÀÌÁ¨ÀÇ È¯»ó°î, ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ °î, 5M23m; 3 & 4M-Áý½ÃÀÇ À²µ¿, ¸®½ºÆ®ÀÇ Çë°¡¸®·¦µð¿¡¼ ¿µ°¨;À¯»ç
- Â÷ÀÌÄÚÇÁ½ºÅ°, ÅÛÆä½ºÆ®(The Tempest)-±³ÇâÀû ȯ»ó°î(The Tempest - Symphonic Fantasia), F, Op.18, 22m, # Chicago Symphony Orchestra/Claudio Abbado
- Â÷ÀÌÄÚÇÁ½ºÅ°, ÇǾƳë3ÁßÁÖ°î, a, Op.50, "ÇÑ À§´ëÇÑ ¿¹¼ú°¡¸¦ ±â³äÇÏ¿©", 2ºÎ±¸¼º, 1ºÎ´Â ¾ÖµµÀÇ °î Ç¥Á¦, 42m#, /Trio Wanderer, /Suk Trio
- Â÷ÀÌÄÚÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î 1, bb, Op.23,PC 3°îÁß 1$
- Â÷ÀÌÄÚÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î 2, G, Op.44, 3PCÁß PC1ÀÌ ÁÖ·Î ¾Ë·ÁÁü, 39m#
- Â÷ÀÌÄÚÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î 3, Eb, Op.75
- Â÷ÀÌÄÚÇÁ½ºÅ°, Çܸ´:ȯ»ó ¼°î(Hamlet:Fantasy Overture), Op.67, 17m, # Simon Bolivar Symphony of Venezuela/Gustavo Dudamel
- Â÷ÀÌÄÚÇÁ½ºÅ°, Çö¾Ç4ÁßÁÖ°î 1, D, Op.11, 4ÁßÁÖ 3°îÁß 1$, Andante cantabile$
- Â÷ÀÌÄÚÇÁ½ºÅ°, Çö¾Ç6ÁßÁÖ°î, d, Op.70, "ÇÇ·»Ã¼ÀÇ Ãß¾ï[/Ç÷η»½º](Souvenir de Florence)", ·¯½Ã¾ÆÀÇ ¿ì¿ïÇÔ°ú ÀÌŸ®ÀÇ Á¤¿ÀûÀÎ ¸éÀ» Á¶È, ÀÌŸ® üÀç Áß¿¡ ÀÛ°îµÈ ¿¬À¯·Î ºÙ¿©Áø À̸§À¸·Î ³»¿ë°ú´Â ¹«°ü, 34m#
- Â÷ÀÌÄÚÇÁ½ºÅ°, È£µµ±î±âÀÎÇü, Op.71, ¹«¿ë¸ðÀ½°î, 1) ¼°î 2) ÇàÁø°î 3) º°»çÅÁÀÇ Ãã 4) ½ºÆäÀÎ Ãã(Chocolate), 5) ·¯½Ã¾Æ Ãã(Trepak), 6)¾Æ¶óºñ¾È Ãã(coffee), 7) Áß±¹ÀÎÀÇ Ãã(tea), 8) °¥ÀÙÇǸ®ÀÇ Ãã(Dance of the Reed Pipes), 9) Polichinelle(the clown), 10) ²ÉÀÇ ¿ÐÃ÷(Waltz of the Flowers)
- Â÷ÀÌÄÚÇÁ½ºÅ°, ȯ»óÇùÁÖ°î(ÇǾƳ븦 À§ÇÑ), G, Op.56,28m
- Â÷ÀÌÄÚÇÁ½ºÅ°,¾Èµå·¹, Çö¾Ç4ÁßÁÖ°î 2, C, Op.5, * Andre Tchaikowsky(1935-1982 Polish &pf)
- äµåÀ¨, ±³Çâ°î 2, Bb, Op.21, 35m, $ Detroit Symphony Orchestra/Neeme Jarvi, * George W. Chadwick(1854-1931 American)
- äµåÀ¨, Ž ¿À¼¢ÅÍ(Tam O'Shanter), °üÇö¾Ç°î, 19m, Czech State Philharmonic/Jose Serebrier
- õ°, ¹ÙÀ̿ø°ÇùÁÖ°î, "³ªºñ¿¬ÀÎ(Butterfly Lovers)", 27m * Chen Gang(1935- Chinese)
Butterfly Lovers #&
- ü·¹ÇÁ´Ñ,¾Ë·º»ê´õ, ¿¬ÁÖȸ¿ë ¿¬½À°î(5°îÀÇ ÇǾƳ븦 À§ÇÑ;Concert Etudes(5) for Piano), Op.52, * Alexander Tcherepnin(1899-1977 Russian)
- ü·çºñ´Ï, ¿¬ÁÖȸ¿ë ¼°î(Concert Overture), 10m
- ü·çºñ´Ï, Çö¾Ç4ÁßÁÖ°î 2, C, 29m * Luigi Cherubini (1760-1842) ÀÌŸ® ÀÛ°î°¡
- ü¸£´Ï,Ä«¸¦, 9ÁßÁÖ°î(Nonet), Eb, Claudius Tanski(Pf)
- ü¸£´Ï,Ä«¸¦, ±³Çâ°î 2(Grande Symphony), D, Op.781, 40m, #1) SWR Radio Orchestra Kaiserslautern/Grzegorz Nowak
- ü¸£´Ï,Ä«¸¦, ±³Çâ°î 6, g, 33m, SWR Radio Orchestra Kaiserslautern/Grzegorz Nowak
- ü¸£´Ï,Ä«¸¦, ¾È´ÜÅ×¿Í Æú¶óÄ«(Andante e Polacca), Op.posth., 12m cf) Hn & pf, * Carl Czerny(1791-1857 Austrian)
- ü¸£´Ï,Ä«¸¦, ÇǾƳë¼Ò³ªÅ¸ 9,b, Op.145, 33m
- ü»ç¸®´Ï, ¼º¾Ç°î "ÇÇ·»Ã¼ÀÇ ²Þ(Firenze Sogno)", # Giuseppe di Stefano(Ten), * Carlo Francesco Cesarini(1666-1741 Italian)
- ÃÀ¸°½ºÅ°, ±³Çâ°î 1, d, 32m * Alexander von Zemlinsky(1871-1942 Austrian)
- ÃÀ¸°½ºÅ°, ±³Çâ°î 2, Bb, 43m$, Gurzenich Orchestra/James Conlon
- ÃÀ¸°½ºÅ°, ±³Çâ°î 2, Bb, 43m
- ÃÀ¸°½ºÅ°, ÃãÀÇ ½Ã(Ein Tanzpoem:A Dance Poem), °üÇö¾Ç°î, 35m#
- ÃÀ¸°½ºÅ°, ȯ»ó°î(ÇǾƳ븦 À§ÇÑ:Fantasien uber Gedichte von Richard Dehmel), Op.9, 12m
- Ä¡¸¶·Î»ç, ¿Àº¸ÇùÁÖ°î, C, 11m * Heinz Holliger(oboe) Bamberg Symphony Orchestra/Peter Maag, * Domenico Cimarosa(1749-1801 Italian)
- Ä¡¸¶·Î»ç, ¿ÀÆä¶ó ºñ¹Ð°áÈ¥;
- "¸¸ÀÏ ´ç½ÅÀÇ ¸¶À½ ¾È¿¡¼ ¼û½®´Ù¸é(2Áßâ)"
- Ä¡¸¶·Î»ç, ÇÃ·çÆ®ÇùÁÖ°î(2´ëÀÇ)(Concerto for Two Flutes)
- Ä¡¸¶·Î»ç, ÇÇ¾Æ³ë ¼Ò³ªÅ¸(Keyboard Sonata), Bb, R.11
- Ä¡¸¶·Î»ç, ÇÇ¾Æ³ë ¼Ò³ªÅ¸, c, R.12, 5m
- Ä¡¸¶·Î»ç, ÇÇ¾Æ³ë ¼Ò³ªÅ¸, D, R.28, 7m
- Ä¡¾ÏÇÇ, ºó¼¾ÃÝ, ¼º¾Ç°î "´Ï³ªÀÇ Á×À½(Tre giorni son che Nina)", sop.Renata Tebadi, * Vincenzo Legrenzio Ciampi(1719-1762 Italian)
- Ä¥·¹¾Æ, ¿ÀÆä¶ó <¾Æµå¸®¾Æ³ª ¸£Äíºê·Ú¸£(Adriana Lecouvreur)>; * Francesco Cilea(1866-1950 Italian)
- "¾²µð¾´ Áñ°Å¿ò, ´ÞÄÞÇÑ Áñ°Å¿ò"
- "Àú´Â Çѳ¹ âÁ¶ÁÖÀÇ ¹ÌõÇÑ ÇϳàÀÏ »Ó(Io son l¡¯umile ancella)", sop.Galina Gorchakova
- "ÁöÄ£ ³» ¿µÈ¥(L¡¯anima ho stanca)", ten.Jonas Kaufmann
- Ä¥·¹¾Æ, ¿ÀÆä¶ó <¾Æ¸¦¸£ÀÇ ¿©ÀÎ>; /"Æäµ¥¸®ÄÚÀÇ Åº½Ä(Lamento di Federico)", Jose Carreras(ten)
- Ä«´Ï¿À, ¼º¾Ç°î "»ç¶û¿¡ ºüÁø º´»ç(¡¯O surdato ¡¯nnammurato)", * Enrico Cannio(1874-1949, Italian Composer)
- Ä«·ê¸®, º£Å亥 ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, F, Op.169, * Ferdinando Carulli(1770-1841 Italian)
- Ä«¸£µô·Î, ¼º¾Ç°î "¹«Á¤ÇÑ ¸¶À½(Core 'ngrato)", ten.Peter de Sotto, * Salvatore Cardillo(1874-1947 Italian-American)
- Ä«¸®½Ã¹Ì, ¼º¾Ç°î "³» °¡½¿¿¡ ½Â¸®°¡(Vittoria, mio core!)",bar. Dmitri Hvorostovsky, * Giacomo Carissimi(1605-1674 Italian)
- Ä«¹Ð·¹¸®,Âû½º, ÇǾƳëÇùÁÖ°î 1, "ÁöÁßÇØ", ´ëÇ¥°î, Andrede De Groote(Pf),Bournemouth Symphony Orchestra/Michael Laus, * Charles Camilleri(1931-2009 Maltese)
- Ä«¹ß·¹ÇÁ½ºÅ°, ÿ·ÎÇùÁÖ°î 1, g * Dmitry Borisovich Kabalevsky(1904-1987 Russian)
- Ä«¹ß·¹ÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î 1, a, Op.9, 32m, Michael Korstick(pf),NDR Radiophilharmonie/Alun Francis
- Ä«¹ß·¹ÇÁ½ºÅ°, ¹Ùº¸ ºê·Ú´¨(Colas Breugnon) ¼°î, Op.24
- Ä«»çµµ, ÿ·Î µ¶ÁÖ¸¦ À§ÇÑ ¸ðÀ½°î, 16m, Gaspar Cassado(1897-1966,Spanish)
- Ä«½ºÅÚ´©º¸-Å×µ¥½ºÄÚ, ±âŸÇùÁÖ°î 1(Concerto for Guitar), D, Op.99, 20m#, John Williams(guitar), English Chamber Orchestra/Sir Charles Groves, * Mario Castelnuovo-Tedesco(1895-1968 Italian)
- Ä«½ºÅÚ´©º¸-Å×µ¥½ºÄÚ, Ä«³í ¼Ò³ªÅ¸(Sonatina Canonica), Op.196, ½Ç³»¾Ç
- Ä«½ºÅÚ·Î,´Ù¸®¿À, Sonata decima sesta, 6m, Irish Baroque Orchestra/Monica Huggett, * Dario Castello(1621-1658 Italian)
- īġ´Ï, ¼º¾Ç°î "µé¾îºÁ¿ä, ¿¡¿ìÅ׸£Æä, ´ÞÄÞÇÑ ³ë·¡¸¦(Odi, Euterpe, il dolce canto)", * Giulio Caccini(1551-1618 Italian)
- īġ´Ï, ¼º¾Ç°î "º°À» ¹Ù¶óº¸¸ç(Sfogava con le stelle)", ct. Yoshikatsu Mera
- īġ´Ï, ¼º¾Ç°î "¾Æ¸¶¸±¸®, ³»»ç¶û(Amarilli, mia bella)", boy sop.Aled Jones
- īġ´Ï, ¼º¾Ç°î "¿À ¾ó¸¶³ª ¾Æ¸§´Ù¿î ³¯Àΰ¡(O Che Felice Giorno)", sop. Mari Bayo
- īŻ¶ó´Ï, Ero e Leandro (Hero and Leander), 18m, Orchestra Sinfonica di Roma/Francesco La Vecchia
- īŻ¶ó´Ï, Il Mattino(Morning) 'Sinfonia Romantica', 14m#, Orchestra Sinfonica di Roma/Francesco La Vecchia, * Alfredo Catalani(1854-1893 Italian)
- īŻ¶ó´Ï, ¿ÀÆä¶ó <¶ó ¿Ð¸®(La Wally)>;
- "±×·³, Àü ¸Ö¸® ¶°³ª°Ú¾î¿ä(ebben? ne andro lontana)"#, sop.Renata Tebaldi
- īŻ¶ó´Ï, ¿ÀÆä¶ó <·Î·¼¶óÀÌ>;
- īǪ½ºÆ¾,´ÏÄݶóÀÌ, º¯ÁÖ°î, Op.41, 8m, * Nikolai Kapustin(1937- Russian)
- īǪ½ºÆ¾,´ÏÄݶóÀÌ, ¿¤·¹Áö(Elegy for Cello and Piano), Op.96, 5m, Christine Rauh(vc), Benyamin Nuss(pf)
- īǪ½ºÆ¾,´ÏÄݶóÀÌ, ÿ·Î¿Í Çö¾ÇÀ» À§ÇÑ ÇùÁÖ°î 2, Op.103, 24m, Christine Rauh(cello),Deutsche Radio Philharmonie Saarbruecken Kaiserslautern/Nicholas Collon
- īǪ½ºÆ¾,´ÏÄݶóÀÌ, ÇÇ¾Æ³ë ¼Ò³ªÅ¸ 2, Op.54, 22m
- Ä«ÇÁ,À¯Áø, Kalevipoeg: Suite, 21m, * Eugen Kapp(1908-1996 Estonian)
- Äÿ¸®,±â¾ß, Ex contario * Giya Kancheli(1935- Georgian)
- Ä®´Ù¶ó, Sonata duodecima, d, Op.1/12 * Antonio Caldara(1670-1736 born in Venice:Italy Baroque)
- Ä®´Ù¶ó, ¼º¾Ç°î "±×´ë ³ÃÁ¤Çصµ(Sebben, crudele)", bar.Renato Bruson
- Ä®´Ù¶ó, ¼º¾Ç°î "»ç¶ûÇÏ´Â ¸¶À½(Alma del core)", $ Luciano Pavarotti(ten)
- Ä®´Ù¶ó, ¼º¾Ç°î "Æ÷±ÙÇÑ ½£ÀÌ¿©(Selve amiche)", ms. Monica Groop
- Ä®´Ù¶ó, ½ÅÆ÷´Ï¾Æ 9, Bb, Slovak Chamber Orchestra/Bohdan Warchal
- Ä®´Ù¶ó, ½ÅÆ÷´Ï¾Æ 12, a, Akademir fu"r Alte Musik Berlin
- Ä®´Ù¶ó, Enone; ¾Æ¸®¾Æ "¿¬ÀÎÀÌ¿©, ³ª´Â ¶°³ª³×(Vado, o sposa)"
- Ä®¸®´ÏÄÚÇÁ,¹Ù½Ç¸®, ±³Ç×°î 1, g, 37m# * Vasily Sergeyevich Kalinnikov(1866-1901 Russian)
- Ä®¸®º¸´Ù, ¹ÙÀ̿ø°ÇùÁÖ°î 5, a, Op.133, * Johann Wenzel Kalliwoda(1801-1866 Bohemian)
- Ä®¸¸,¿¥¸Ó¸®È÷, ¿ÀÆä·¹Å¸ <¤½Ã °øÁÖ(The Gypsy Princess)> /"Let me dance and let me sing" *Emmerich Kalman(1882-1953, Hungarian composer of operettas)
- Ä®¸¸,¿¥¸Ó¸®È÷, ¿ÀÆä·¹Å¸ <Â÷¸£´Ù½´(Csardasfuerstin)> /"ÃãÃß°í ½Í¾î"
- Įũºê·¹³Ê,ÇÁ·¹µ¥¸¯, 6ÁßÁÖ°î, G, Op.58, ÇÁ·¹µ¥¸¯, Friedrich Kalkbrenner(1785-1849 German Pf)
- įºñ´Ï,ÁÖ¼¼Æä,¸¶¸®¾Æ, ¸ñ°ü5ÁÖ°î 3, F, 14m, Avalon Wind Quintet, * Giuseppe Maria Cambini(1746-1825 French)
- įºñ´Ï,ÁÖ¼¼Æä,¸¶¸®¾Æ, ÇǾƳëÇùÁÖ°î 3, G, Op.15, 14m, Franco Redondi(pf),Milan Chamber Orchestra/Paolo Vaglieri
- įÆÄ,±¸½ºÅ¸º¸, ¹ÙÀ̿ø°°ú ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ¸á·Îµð, Op.1, Gustavo Campa(1863-1934 Mexican)
- ݽºº£¸£°Å, Battaglia, * Johannes Kapsberger(1580-1651 German-Italian early Baroque)
- ݽºº£¸£°Å, ¼º¾Ç°î "ÇϾá Àå¹Ì(Rosa bianca)", sop.Raquel Andueza
- ݽºº£¸£°Å, ¼º¾Ç°î "ÇູÇÑ ¿µÈ¥(Felici gl¡¯animi)", ms.Magdalena Kozena
- IJƲ·çºê, ¿Àº£¸£´ºÀÇ ³ë·¡(Chants d'Auvergne(Songs of the Auvergne)); * Joseph Canteloube(1879-1957 French)
- 1) "Malourous Qu'o Uno Fenno (Unfortunate is he who has a wife)"
- 2) "Lo Fiolaire(The Spinner)"
- 3) "Bailero(Shephard's Song of the Auvergne hills)"
- 5) "La Delaissado(The Abandoned)"
- 6) "Deux Bourees: (1) N'Ai Pas leu de Mio(I have no girl to love me), (2) Lo Calhe(The Quail)"
- 7) "Trois Bourees: (1) L'Aio de Rotso(Spring Water), (2) Ound'Onore`n Gorda?(Where will we find our flock?), (3) Obal, Din Lou Limouzi(Down below in Limousin)"
- 8) "Lou Boussu(The Hunchback)"
- 10) "Passo Pel Prat(Go through the meadow)"
- 11) "Lou Coucut(The Cuckoo)"
- 12) "Brezairola(Lullaby)"
- IJÇÁ¶ó, ¿ÀÆä¶ó ÅÁŬ·¹µå> Triumphal March, C86
- ij´×,Å丶½º, Justin MorganÀÇ Âù°¡ ÁÖÁ¦¿¡ ÀÇÇÑ È¯»ó°î(Fantasy on a Hymn Tune by Justin Morgan), 11m * Thomas Canning(1911-1989 American)
- ijµå¸¸, ¼º¾Ç°î "At Dawning", Roger Wagner ÇÕâ´Ü, * Charles Wakefield Cadman(1881-1946 American)
- ͏®Æ÷³ª(Califona), ¼º¾Ç°î, "¹Ù´Ù·Î °¡ÀÚ"
- Ä¿´ÏÁî, ÆÄµ¿ ¼ÓÀÇ °üÇö¾Ç(Symphony in Waves), 39m * Aaron Jay Kernis(1960- American)
- Ä¿´ÏÁî, Air for violin, 11m#, Joshua Bell(vn),Minnesota Orchestra/David Zinman
- Ä¿´ÏÁî, Sarabanda in Memoriam, (1997:arr. 2003)
- ÄÁ,Á¦·Ò, ¼º¾Ç°î "A Fine Romance", sop.Kiri Te Kanawa, * Jerome Kern(1885-1945 American)
- ÄÁ,Á¦·Ò, ¼º¾Ç°î "Smoke Gets in Your Eyes", Jeanne Lehman
- ÄÁ,Á¦·Ò, ¼º¾Ç°î "The Last Time I Saw Paris", Thomas Hampson(bar)
- ÄÁ,Á¦·Ò, ¼º¾Ç°î "Long Ago and Far Away", sop.Kiri Te Kanawa
- ÄÁ,Á¦·Ò, ¼º¾Ç°î "The Song is You", Thomas Hampson(Bar)
- ÄÁ,Á¦·Ò, ¼º¾Ç°î "They didn't Believe Me", Voices of Ascension
- ÄÉ·çºñ´Ï(·çÀÌÁö), ·¹Äû¿¥, d, 41m, * µÎ °îÀÇ ·¹Äû¿¥(c, d) * Luigi Cherubini(1760-1842) ÀÌÅ»¸®¾ÆÀÇ ÀÛ°î°¡
- ÄÉÅÚºñ, ¼öµµ¿øÀÇ Á¤¿ø¿¡¼(In a Monastery Garden)
- ÄÉÅÚºñ, Áß±¹ »ç¿øÀÇ Á¤¿ø¿¡¼(In a Chinese Temple Garden)
- ÄÉÅÚºñ, "ÃÊ¿ø ³Ê¸Ó µé¸®´Â Á¾¼Ò¸®(Bells across the meadows)", 4m
- ÄÉÅÚºñ, Æä¸£½Ã¾ÆÀÇ ½ÃÀå¿¡¼(In a persian market), °üÇö¾Ç°î
- ÄÚ´©½º, ¹ÙÀ̿ø°ÇùÁÖ°î, e Jules Conus(1869-1942 Russian)
- ÄÚ´ÙÀÌ, °¥¶õŸ ¹«°î(Dances of Galanta), GalantaiÁö¹æÀÇ ¹Î¿ä ¹× Áý½ÃÀ½¾ÇÀ» ¹ÙÅÁÀ¸·Î ÀÛ°î, °Ý·ÄÇÏ°Ô 3¹ø °¡¶ôÀÌ ¹Ù²ñ, Zoltan Kodaly(1882-1967 Hungarian)
- ÄÚ´ÙÀÌ, °üÇö¾ÇÀ» À§ÇÑ ÇùÁÖ°î, 16m
- ÄÚ´ÙÀÌ, ¸¶·Î½ºÃ¼Å© ¹«°î(Dances of Marosszek), °üÇö¾Ç°î
- ÄÚ´ÙÀÌ, »êÁßÀÇ ¹ã, ¿©¼ºÇÕâ°î, »êÀÇ ½ÅºñÇÔÀ» ¹¦»ç, À̸¦ À§ÇØ °¡»ç ¾øÀÌ ¸ñ¼Ò¸®·Î¸¸ ºÎ¸§
- ÄÚ´ÙÀÌ, ¾Æ´ÙÁö¿À, * Vc & Pf, 8m
- ÄÚ´ÙÀÌ, ¿©¸§³¯ÀÇ Àú³á(Summer Evening), 16m#, °üÇö¾Ç°î, Orpheus Chamber Orchestra
- ÄÚ´ÙÀÌ, ÿ·Î¼Ò³ªÅ¸, Op.8, 34m, Natalie Clein(vc)
- ÄÚ´ÙÀÌ, ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ Adagio
- ÄÚ´ÙÀÌ, Çϸ® ¾ß³ë½º ¸ðÀ½°î(Hary Janos Suite), °üÇö¾ÇÁ¶°î, 24m, 6°î, ÀüÁÖ°î, ºñ¿£³ªÀÇ À½¾Ç½Ã°è, ³óÃÌÀÇ Àú³á, ³ªÆú·¹¿ÂÀÇ ÀüÀï°ú ÆÐ¹è, °£ÁÖ°î, ȲÁ¦¿Í ½ÅÇÏÀÇ µîÀå, Çϸ®¾ß³ë½º> Àü¼³ÀûÀÎ ¹ÎÁ·ÀÇ ¿µ¿õ, $ Chicago Symphony Orchestra/Neeme Jarvi
- ÄÚ´ÙÀÌ, Çë°¡¸® ¹Î¿ä ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, "°øÀÛ»õ", 24m
- ÄÚ·¹Æ®(¸¶ÀÌŬ), 6°³ÀÇ Ã¿·Î¼Ò³ªÅ¸, Op.20 * Michel Corrette(1707-1795 French(org))
- ÄÚ·¼¸®, ±³È¸ÇùÁÖ°î 3(Concerto da chiesa), c, 11m, * Arcangelo Corelli(1653-1713 Italian &Vn)
- ÄÚ·¼¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, D, Op.5-1, 11m$
- ÄÚ·¼¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, F, Op.5-4, 10m, The Avison Ensemble
- ÄÚ·¼¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, A, Op.5-9 (2M > C86)
- ÄÚ·¼¸®, ¹ÙÀ̿ø°¼Ò³ªÅ¸, d, Op.5-12, "¶ó Æú¸®¾Æ(La Folia)"; 16-17c À¯ÇàÇÑ ÀþÀºÀ̵éÀÇ ½Ã²ô·¯¿î À½¾ÇÀ» ¸»ÇÔ(folia; noisy carnival dance of Portuguese origin), >Itzhak Perlman/Samuel Sanders(Pf)
- ÄÚ·¼¸®, ¿Àº¸ÇùÁÖ°î, 9m
- ÄÚ·¼¸®, Æ®¸®¿À¼Ò³ªÅ¸(2´ëÀÇ ¹ÙÀ̿ø°°ú ¿À¸£°µÀ» À§ÇÑ), D, Op.3-2, Op.3:12°³ÀÇ Æ®¸®¿À¼Ò³ªÅ¸
- ÄÚ·¼¸®, Æ®¸®¿À¼Ò³ªÅ¸(2´ëÀÇ ¹ÙÀ̿ø°°ú ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), G, Op.3-6
- ÄÚ·¼¸®, ÇÃ·çÆ®¼Ò³ªÅ¸, 9m
- ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 1(Concerto grosso), D, Op.6-1, 11m, Philharmonia Baroque Orchestra/Nicholas McGegan
- ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 6, F, Op.6-6, 12 Op.6, ÇÕÁÖÇùÁÖ°îÀº ¹Ù·ÎÅ©½Ã´ë¿¡ ½ÉÆ÷´Ï ¿ªÇÒÀ» ÇÑ Çö¾Ç±âÀÇ ÇÕÁÖ°îÀÌ´Ù
- ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 7, D, Op.6-7
- ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 8, g, Op.6-8
- ÄÚ·¼¸®, ÇÕÁÖÇùÁÖ°î 9, F, Op.6-9, 8m, Philharmonia Baroque Orchestra/Nicholas McGegan
- ÄÚ¸£³Ú¸®¿ì½º, ¿ì¸® ¾Æ¹öÁö(Çϳª´Ô)(Vaterunser), Op.2, °¡°îÁý, Áֱ⵵¹®À» °¡»ç·Î »ç¿ë, 25m, * Peter Cornelius(1783-1867)
1)Vater unser, der du bist im Himmel 2)Geheiliget werde dein Name 3)Zu uns komme dein Reich
4)Dein Wille geschehe 5)Unser taeglich Brot gib uns heute 6)Vergib uns unsere Schuld
7)Also auch wir vergeben unseren Schuldigen 8)Fuehre uns nicht in Versuchung 9)Erloese uns vom Uebel
- ÄÚ¸¥°ñÆ®, 6°³ÀÇ °£´ÜÇÑ ³ë·¡Áý(Op.9) /(OP.9-4) "ÀÛÀº ¿¬¾ÖÆíÁö(Liebesbriefchen)"
- ÄÚ¸¥°ñÆ®, ±³Çâ°î, F#, Op.40, 51m# * Erich Wolfgang Korngold(1897-1957 American:born in Austria)
- ÄÚ¸¥°ñÆ®, ¹ÙÀ̿ø°ÇùÁÖ°î, D, Op.35, 26m
- ÄÚ¸¥°ñÆ®, ¹ß·¹ <´«»ç¶÷>; ÀüÁÖ°î°ú ¼¼·¹³ªµ¥(The Snowman: Prelude and Serenade), Daniel Hope(vn),Royal Stockholm Philharmonic/Alexander Shelley
- ÄÚ¸¥°ñÆ®, ½ÅÆ÷´Ï¿¡Å¸(Sinfonietta), B, Op.5, 44m, # Dallas Symphony Orchestra/Andrew Litton
- ÄÚ·¹Æ®, ÄÜü¸£Åä ÄÚ¹Í(Concerto comique) No.25, "Les Sauvages et la Furstemberg" * Michel Corrette(1707-1795, French organist, composer)
- ÄÚ¸®¾Æ,Ä¢, ½ºÆäÀÎ, °üÇö¾Ç°î, * Chick Corea(1941- American)
- ÄÚ¸±¸®¾Æ³ë, ÇÃ·çÆ®¿Í Çö¾Ç ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ Ç×ÇØ(Voyage for Flute and String Orchestra), Paul Edmund-Davies(fl),I Fiamminghi/Rudolf Werthen, * John Corigliano(1938- American)
- ÄÚ½ºÅ¸, ¼º¾Ç°î "5¿ùÀ̾ú³×(Era de maggio)", * Mario Pasquale Costa(1858-1933 Italian)
- ÄÚ½ºÆ®, ·Ðµµ, Op.43-2, ±âŸ°î, ±âŸÀ½¾ÇÀÇ ¼Á¤½ÃÀÎ
- ÄÚÁ©·çÈå,·¹¿ÀÆúÆ®, ±³Çâ°î 10, A, "A la Francese", 26m n2 * Leopold Kozeluch(1747-1818 Czech)
- ÄÚÁ©·çÈå,¾ÈÅä´Ñ, ¿Àº¸¿¡ÇùÁÖ°î, F, 21m, Albrecht Mayer(ob),Potsdam Chamber Orchestra/Albrecht Mayer, * Jan Antonin Kozeluh(1738-1814 Bohemian, or Johann Antonin Kozeluch)
- ÄÚÁ©·çÈå,¾ÈÅä´Ñ, ÇǾƳëÇùÁÖ°î, D, 28m, Karl-Andreas Kolly(pf)/Zurich Chamber Orchestra/Paul Goodwin
- ÄÚÁ©·çÈå,·¹¿ÀÆúÆ®, Çö¾Ç4ÁßÁÖ°î, C, Op.33-1, 22m, Stamic Quartet
- ÄÚÁ,¿äÁ¦ÇÁ, °í¿±(Les Feuilles Mortes), 5m, Alison Balsom(trumpet), * KOSMA, Joseph (1905~ Hungarian)
- ÄÚÃ÷,¿¡¸¯, ¼¼ ¸íÀÇ ¿¤¸®ÀÚºª(The Three Elizabeths), °üÇö¾Ç°î, 20m#, London Pops Orchestra/Frederick Fennell, * Eric Coates(1886-1957 American)
- ÄÚÅ©, Concertino Pastorale, Op.35, 14m, * Erland von Koch(1910-2009 Swedish)
- ÄÚÇ÷£µå, °íÇâÆíÁö(Letter From Home), °üÇö¾Ç°î
- ÄÚÇ÷£µå, ±³Çâ°î 1(¿À¸£°£°ú °üÇö¾ÇÀ» À§ÇÑ), 24m
- ÄÚÇ÷£µå, ±³Çâ°î 3, 4M > º¸Åë »ç¶÷À» À§ÇÑ ÆÎÆÄ¸£
- ÄÚÇ÷£µå, ±ØÀåÀ» À§ÇÑ À½¾Ç(Music for the Theatre), °üÇö¾Ç°î, 22m
- ÄÚÇ÷£µå, ·Îµ¥¿À ¸ðÀ½°î(Four Dance Episodes from Rodeo):¹ß·¹ ¸ðÀ½°î, 4°î ±¸¼º, 1) Ä«¿ìº¸ÀÌÀÇ ÈÞÀÏ, 2) ¸¶±Â°£ÀÇ ¾ß»ó°î, 3) Saturday Night ¿ÐÃ÷, 4) È£¿ì´Ù¿î, ·Îµð¿À> Ä«¿ìº¸ÀÌÀÇ ¸¶¼ú°æ±â
- ÄÚÇ÷£µå, ¸µÄÁ ÃÊ»óÈ(Lincoln Portrait)
- ÄÚÇ÷£µå, ¹Ì±¹ÀÇ ¿¾ ³ë·¡Áý(Old American Songs), set 1;
- 1) "The Boatmen¡¯s Dance"
- 5) "I Bought Me a Cat", # bass.Samuel Ramey
- ÄÚÇ÷£µå, ¹Ì±¹ÀÇ ¿¾ ³ë·¡Áý(Old American Songs), set 2;
- 3) "The Golden Willow Tree"
- ÄÚÇ÷£µå, ºÓÀº Á¶¶û¸»
- ÄÚÇ÷£µå, ºô¸® ´õ ۵å(Billy the Kid), ¹«¿ë ¸ðÀ½°î, 20m, $ New York Philharmonic/Leonard Bernstein
- ÄÚÇ÷£µå, »ì·Õ ¸ß½ÃÄÚ(El Salon Mexico), °üÇö¾Ç°î, ¸ß½ÃÄÚ ¹Î¼Ódz
- ÄÚÇ÷£µå, ¼º¾Ç°î "Long time ago", Æí°î(¹Ì±¹ÀÇ ¿¾³ë·¡), bar.Thomas Hampson
- ÄÚÇ÷£µå, ¿µÈ¸¦ À§ÇÑ À½¾Ç(Music for Movies)s, °üÇö¾Ç°î, 17m#
- ÄÚÇ÷£µå, ¾ÆÆÈ¶óÄ¡¾ÆÀÇ º½(Appalachian Spring), °üÇö¾Ç ¸ðÀ½°î, 8ºÎ±¸¼º
- ÄÚÇ÷£µå, ¿ì¸® µ¿³×(Our Town), 9m
- ÄÚÇ÷£µå, Á¶¿ëÇÑ µµ½Ã(Quiet City for Trumpet, Horn and String Orchestra), °üÇö¾Ç°î, 10m, Paula Engerer(english horn)/Scott Moore(trumpet)/Nashville Chamber Orchestra/Paul Gambill
- ÄÚÇ÷£µå, Äí¹Ù ¹«°î(Danzon Cubano)
- ÄÚÇ÷£µå, Ŭ¶ó¸®³Ý¼Ò³ªÅ¸,
- ÄÚÇ÷£µå, Ŭ¶ó¸®³ÝÇùÁÖ°î, 17m #, David Shifrin, clarinet/New York Chamber Symphony/Gerard Schwarz
- ÄÚÇî,·¹³Êµå, ¼º¾Ç°î "ÇÒ·¼·ç¾ß(Hallelujah)", * Leonard Cohen(1934- Canadian Singer)
- ÄÝ·¯¸®Áî-Å×ÀÏ·¯,»ç¹«¿¤, Deep River, 6m, William Chapman Nyaho(pf)
- ÄÝ·¯¸®Áî-Å×ÀÏ·¯,»ç¹«¿¤, Symphonic Variations on an African Air, Op.63 * Samuel Coleridge-Taylor(1875-1912 English); African Mahler¶ó ºÒ¸± Á¤µµÀÇ ¸í¼º
- ÄÝ·Òºñ¿¡, ¹Ì¼Ð, ¿¥¸¶´©¿¤(Emmanuel), # Branford Marsalis(Sax),English Chamber Orchestra/Andrew Litton, # Chris Botti(Trp),Lucia Micarelli(Vn), * Michel Colombier(1939-2004 French)
- ÄíÀÌ(¼¼ÀÚ¸£), ¸ðÀ½°î 2, E, Op.38, * Cesar Cui(1835-1918 Russian)
- ÄíÀÌ(¼¼ÀÚ¸£), ¸ðÀ½°î 4(Pieces caracteristiques), "A Argenteau", Op.40; 9°î: 6) Causerie(Etude)$, # Bratislava Radio Symphony Orchestra/Robert Stankovsky
- ÄíÀÌ(¼¼ÀÚ¸£), ÀüÁÖ°î(25°³ÀÇ), Op.64, Pf; Ab:No.17
- ÄíÇÁ·©, ±ÃÁ¤¿¬ÁÖ°î 2(Concerts royaux), D, 14m, * Francois Couperin(1668~1733 French Baroque), Francois Couperin "Le Grand"¶ó°íµµ ÇÔ
- ÄíÇÁ·©, ±ÃÁ¤¿¬ÁÖ°î 3(Concerts royaux), A, 18m $, Le Concert des Nations/Jordi Savall
- ÄíÇÁ·©, ±ÃÁ¤¿¬ÁÖ°î 4(Concerts royaux), e
- ÄíÇÁ·©, »õ·Î¿î ¿¬ÁÖȸ ¸ðÀ½°î 9(Nouveaux Concerts), E, "Ritratto dell'Am ore(A Portrait of Love)"
- ÄíÇÁ·©, ¿©·¯ ³ª¶ó »ç¶÷µé 3: "½Å¼º·Î¸¶Á¦±¹ÀÎ"(Les nations: L'imperiale)
- ÄíÇÁ·©, ¿À¸£°µ ¹Ì»ç¸ðÀ½°î, - Chromhorne sur la Taille(5), Scott Ross(Org)
- ÄíÇÁ·©, Dix-huitieme ordre, Pf, 22m, # Angela Hewitt(pf)
- Äð¶ó¿ì, ¼Ò³ªÆ¼³ª, C, Op.20-1, Mordecai Shehori(pf), * Friedrich Kuhlau(1786-1832 German-born Danish)
- Äð¶ó¿ì, ¼Ò³ªÆ¼³ª, Op.55-1, 2MÀ¸·Î ±¸¼º
- Äð¶ó¿ì, "¿¤¸®»ç(Elisa)" ¼°î, Op.29, 11m, Danish National Radio Symphony Orchestra/Michael Schonwandt
- Äð¶ó¿ì, "¿äÁ¤ÀÇ ¾ð´ö(Elf Hill)" ¼°î, Op.100, 11m, Danish National Radio Symphony Orchestra/John Frandsen
- Äð¶ó¿ì, "Àª¸®¾ö ¼¼ÀͽºÇǾî" ¼°î, Op.74, # Danish National Radio Symphony Orchestra/Michael Schonwandt
- ÄþÅÍ,·ÎÀú, Áö±Ý ½ÉÈ«»ö ²ÉÀÙÀÌ ÀáÀÚ°í ÀÖ´Ù(Now Sleeps the Crimson Petal), Op.3-2, Stephen Hough(pf), * Roger Quilter(1877-1953 English)
- Å©³×ũƮ, Grande Symphonie: Musical Portrait of Nature, * Justin Heinrich Knecht(1752-1817 German)
- Å©¶ó¿ì½º, 3ÁßÁÖ°î, D, (Vn,Pf,Vc), 21m, * Joseph Martin Kraus(1756-1792 German) ¸ðÂ¥¸£Æ® ½Ã´ëÀÇ ÀÛ°î°¡·Î ´ç½Ã ±¹Á¦Àû °¨°¢À» °¡Áö°í ÀÛ°î
- Å©¶ó¿ì½º, ±³Çâ°î, F, VB.130, 15m, # Swedish Chamber Orchestra/Petter Sundkvist
- Å©¶ó¿ì½º, ±³Çâ°î, C, VB.138, "¹ÙÀ̿ø° ¿Àºí¸®°¡ÄÚ(Violin Obligato),13m
- Å©¶ó¿ì½º, ±³Çâ°î, c#, VB.140, 20m
- Å©¶ó¿ì½º, ±³Çâ°î, c, VB.142, "ºó ±³Çâ°î(Wiener Sinfonie), 22m
- Å©¶ó¿ì½º, ±³Çâ°î, Eb, VB.144, 20m
- Å©¶ó¿ì½º, ±³Çâ°î, F, VB.145, 21m, Swedish Chamber Orchestra/Petter Sundkvist
- Å©¶ó¿ì½º, ±³Çâ°î, c, VB.148, "Àå¼Û ±³Çâ°î(Symphony funebre), 22m
- Å©¶ó¿ì½º, ·Ðµµ, F, (Pf), 9m
- Å©¶ó¿ì½º, ºñ¿Ã¶ó, ÿ·Î ±×¸®°í °üÇö¾ÇÀ» À§ÇÑ ÇùÁÖ°î, G, VB.153a, 23m
- Å©¶ó¿ì½º, ºñ¿Ã¶óÇùÁÖ°î, C, VB.153b, 17m, David Aaron Carpenter(va)/Tapiola Sinfonietta
- Å©¶ó¿ì½º, ºñ¿Ã¶óÇùÁÖ°î, Eb, VB.153c
- Å©¶ó¿ì½º, ½ÅÆ÷´Ï¾Æ(Sinfonia), c#, 20m
- Å©¶ó¿ì½º, ½ÅÆ÷´Ï¾Æ ºÎÆÄ(Sinfonia Buffa), F, VB.129, 16m##, {# Swedish Chamber Orchestra/Petter Sundkvist}
- Å©¶ó¿ì½º, ÇǾƳë¼Ò³ªÅ¸, E, 32m
- Å©¶ó¿ì½º, The Birthday of King Gustav III: Overture, 9m, Helsinki Baroque Orchestra/Aapo Hakkinen
- Å©¶óÀ̽½·¯, ·¹Ä¡Å¸Æ¼ºê¿Í ½ºÄɸ£ÃÊ-Ä«ÇÁ¸®½º(Recitative and Scherzo-caprice), Op.6, Henryk Szeryng(vn)
- Å©¶óÀ̽½·¯, ¸ðÂ¥¸£Æ®ÀÇ ·Ðµµ, ¸ðÂ¥¸£Æ® °îÀ» Æí°î
- Å©¶óÀ̽½·¯, ¹ÙÀ̿ø°ÇùÁÖ°î, C, ÀÛǰ¼º°Ý»ó ºñ¹ßµðÀÇ ÀÛǰÀ¸·Î »ý°¢µÇ´Â ÀÛǰÀÌ´Ù
- Å©¶óÀ̽½·¯, º£Å亥 ÁÖÁ¦¿¡ ÀÇÇÑ ·Ðµð³ë(Rondino), Vn°î
- Å©¶óÀ̽½·¯, º¸Äɸ®´Ï ÁÖÁ¦¿¡ ÀÇÇÑ ·Ðµð³ë, Vn(Pf), 3m
- Å©¶óÀ̽½·¯, ºñ¿£³ª ±¤½Ã°î(Caprice viennois), Henryk Szeryng(vn)
- Å©¶óÀ̽½·¯, ºó dzÀÇ ¼ÒÇàÁø°î, Vn & Pf
- Å©¶óÀ̽½·¯, »ç¶ûÀÇ ±â»Ý(Liebesfreud), Henryk Szeryng(vn)
- Å©¶óÀ̽½·¯, »ç¶ûÀÇ ½½ÇÄ(Liebesleid), Henryk Szeryng(vn)
- Å©¶óÀ̽½·¯, ¼ÁÖ ÁÖÁ¦¿Í º¯ÁÖ(Ŭ¶ó¸®³ÝÀ» À§ÇÑ Swedish Air¿¡ ÀÇÇÑ)
- Å©¶óÀ̽½·¯, ¼º¾Ç°î "The Old Refrain", $ ten.Placido Domingo/Itzhak Perlman(vn)
- Å©¶óÀ̽½·¯, ¾Æ¸§´Ù¿î ·ÎÁ¸°(Schoen Rosmarin), Henryk Szeryng(vn)
- Å©¶óÀ̽½·¯, ÀüÁÖ°î°ú ¾Ë·¹±×·Î(Ǫ³Ä´Ï ½ºÅ¸ÀÏÀÇ)(Praeludium and Allegro in the Style of Pugnani), ¹ÙÀ̿ø°°î, 5m#, Wanda Wilkomirska(vn)/ Antonio Barbosa(pf), Ida Haendel(violin)/Alfred Holecek
- Å©¶óÀ̽½·¯, Áß±¹ÀÇ ºÏ(Tambourin Chinois), Henryk Szeryng(vn)
- Å©¶óÀ̽½·¯, ÅÛÆ÷ µð ¹Ì´º¿¡Åä(Tempo di Minuetto), Henryk Szeryng(vn)
- Å©¶óÀ̽½·¯, Çë°¡¸® ¹«°î(Hungarian Dance), Henryk Szeryng(vn)
- Å©¶óÇÁÆ®(Antonin Kraft), ÿ·ÎÇùÁÖ°î, C, Op.4, 24m
- Å©·¾½º, ÆÄ¸£Æ¼Å¸ 2, Bb, 28m * Johann Ludwig Krebs(1713 - 1780)
- Å©·Î¸Ó,ÇÁ¶õÃ÷, ±³Çâ°î 2, D, Op.40, 28m * Franz Krommer(1759-1831 Czech)
- Å©·Î¸Ó,ÇÁ¶õÃ÷, ±³Çâ°î 4, c, Op.102, 29m, $ London Mozart Players/Matthias Bamert
- Å©·Î¸Ó,ÇÁ¶õÃ÷, Ŭ¶ó¸®³Ý4ÁßÁÖ°î, Bb, Op.83
- Å©·Î¸Ó,ÇÁ¶õÃ÷, Ŭ¶ó¸®³Ý(2´ëÀÇ)À» À§ÇÑ ÇùÁÖ°î, Eb, Op.91, 23m, $
- Å©·Î¸Ó,ÇÁ¶õÃ÷, ÇÃ·çÆ®5ÁßÁÖ°î, Eb, Op.66
- Å©·ÎÀÌó, ÇÃ·çÆ®,ºñ¿Ã¶ó,±âŸ¸¦ À§ÇÑ 3ÁßÁÖ, Op.16, * Conradin Kreutzer(1780-1849 German)
- Å©·ÒȦÃ÷,Àå ¹äÆ¼½ºÆ®, ÇÏÇÁÇùÁÖ°î, Bb, Op.5-7, Xavier de Maistre(hrp)/Les Arts Florissants/William Christie, * Jean-Baptiste Krumpholtz(1742-1790 French)
- Å©·ç¼¿, Ŭ¶ó¸®³Ý4ÁßÁÖ 1, Eb, Op.2, 21m, * Bernhard Henrik Crusell(1775-1838 Swedish-Finnish & Cl)
- Å©·ç¼¿, Ŭ¶ó¸®³Ý4ÁßÁÖ 2, c, Op.4, 19m#, Kari Kriikku(Cl)/Avanti String Quartet
- Å©·ç¼¿, Ŭ¶ó¸®³Ý4ÁßÁÖ 3, D, Op.7, 26m, Eric Hoeprich(cl)/members of the London Haydn Quartet
- Å©·çÇÁÆ®,´ÏÄݶó¿ì½º Æù, È£¸¥¼Ò³ªÅ¸, E, Hermann Baumann(Hrn)/Leonard Hokanson(Pf), * Nicolaus Freiherr von Krufft(1779-1818 German)
- Å©¸®Ä¿,¿äÇÑ Çʸ³, ¼Ò³ªÅ¸ X, A, 5m, * Johann Philipp Krieger(1649-1725 German)
- Å©¹ÝÃ÷,¿äÇÑ ¿ä¾ÆÈû, ÇÃ·çÆ®ÇùÁÖ°î, b, No.5 * Johann Joachim Quantz(1697-1773 German Fl &comp) 18c µ¶ÀÏÀÇ À¯¸íÇÑ flutist
- Å©¹ÝÃ÷,¿äÇÑ ¿ä¾ÆÈû, ÇÃ·çÆ®ÇùÁÖ°î, C, 17m
- Å©¹ÝÃ÷,¿äÇÑ ¿ä¾ÆÈû, ÇÃ·çÆ®ÇùÁÖ°î, G, 16m, # James Galway(fl)/Wurttembergisches Kammerorchester Heilbronn/Jorg Faerber
- Ŭ¶ó¹Ì,¿ì³ë, ¼°î, °üÇö¾Ç°î * Uuno (Kalervo) Klami(1900-1961 Finnish)
- Ŭ¶ó¹Ì,¿ì³ë, ¹Ù´Ù dz°æ(Sea Pictures), °üÇö¾Ç°î, 24m, $ Iceland Symphony Orchestra/Petri Sakari
- Ŭ¶ó¹Ì,¿ì³ë, ¾È°³ ³¤ ¾ÆÄ§, Çɶõµå Á¤°æ ¹¦»ç
- Ŭ¶ó¹Ì,¿ì³ë, Ä®·¹¿Ð¶ó ¸ðÀ½°î(Kalevala Suite), Op.23, $(The Spout of Spring), °üÇö¾Ç°î, 32m#, Iceland Symphony Orch./ Petri Sakari
- Ŭ¶óÅ©,¸®º£Ä«, ºñ¿Ã¶ó¼Ò³ªÅ¸(/ÿ·Î), * Rebecca Clarke(1886-1979 English &Va, female)
- Ŭ·¹¸àÆ®,ÇÁ¶õÃ÷, ¹ÙÀ̿ø°ÇùÁÖ°î, D, 40m, # Rachel Barton Pine(Vn),Royal Philharmonic Orchestra/Jose Serebrier, * Franz Clement(1780-1842 Austrian Vn)
- Ŭ·¹¸àƼ, ±³Çâ°î 1, C, WoO.32, 26m, Rome Symphony Orchestra/Francesco La Vecchia,
- Ŭ·¹¸àƼ, ±³Çâ°î 2, D, WoO.33 * Muzio Clementi(1752-1832 Italian-born English)
- Ŭ·¹¸àƼ, ±³Çâ°î 4, D, 26m
- Ŭ·¹¸àƼ, ¼°î, D, 8m
- Ŭ·¹¸àƼ, ÇǾƳë2ÁßÁÖ°î(Duet for piano, 4 hands), F, Op.14-2
- Ŭ·¹¸àƼ, ÇǾƳë¼Ò³ªÅ¸, Op.24-2, ÀÌ °îÀÇ ÁÖÁ¦¸¦ ¸ðÂ¥¸£Æ®´Â ¸¶Àû¿¡¼ ÀÌ¿ë * Muzio Clementi(1752 - 1832)
- Ŭ·¹¸àƼ, ÇǾƳë¼Ò³ªÅ¸, g, Op.34-2, 22m
- Ŭ·À°Ö, ¸ðÀ½°î(2´ëÀÇ Ã¿·Î¸¦ À§ÇÑ), d, Op.22 * Julius Klengel(1859-1933) µ¶ÀÏ Ã¿¸®½ºÆ® °â ÀÛ°î°¡
- Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¹ÙÀ̿ø°À» À§ÇÑ ÄܼƮ ¸ðÀ½°î(Concert Suite for Violin), a, Op.28, 45m, Ilya Kaler(vn)/Russian Philharmonic Orchestra/Thomas Sanderling
- Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¼°î, d, 14m * Sergei Taneyev(1856-1915 Russian), * Sergei Taneyev(1856-1915 Russian)
- Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¼º¾Ç°î "Evening and Prayer"
- Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¾Æ´ÙÁö¿À, C, 6m
- Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¿À·¹½ºÅ×¾ß ¼°î(Oresteia: Overture), Op.6, 17m, ¿ÀÆä¶ó <¿À·¹½ºÅ×¾ß(Oresteia)>, Philharmonia Orchestra/Neeme Jarvi
- Ÿ³×¿¹ÇÁ,¼¼¸£°ÔÀÌ, ¿ÀÆä¶ó <¿À·¹½ºÅ×¾ß(Oresteia)>; /¼°î,
- "Entr'acte: The Temple at Delphi"
- Ÿ·¹°¡, ±âŸ¸¦ À§ÇÑ 3°³ÀÇ ¸¶ÁÖ¸£Ä«, Mattias Jacobsson(Gt), * Francisco Tarrega(1852-1909 Spanish)
- Ÿ·¹°¡, 'º£´Ï½ºÀÇ ÃàÁ¦' ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, Gt
- Ÿ·¹°¡, ¾Æ¶óºñ¾Æ ±â»ó°î(Capricho Arabe), 5m, Gt, $ Pepe Romero(gt)
- Ÿ·¹°¡, ¾Æ¶÷ºê¶ó ±ÃÀüÀÇ Ãß¾ï(Recuerdos de la Alhambra)
- Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°¼Ò³ªÅ¸, g, "¾Ç¸¶ÀÇ Æ®¸±(The Devil's Trill)", 15m, N2 * Giuseppe Tartini(1692-1770 Italian Baroque)
- Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°°ú ÅëÁÖÀúÀ½À» À§ÇÑ ¼Ò³ªÅ¸(Sonata for Violin and Basso Continuo), b, op. 2-4, 12m, {Enrico Gatti(vn), Gaetano Nasillo(vc), Guido Morini(harpsichord)}
- Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, Bb
- Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, d
- Ÿ¸£Æ¼´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î, G
- Ÿ¸£Æ¼´Ï, ÇùÁÖ°î(Ŭ¶ó¸®³Ý°ú Çö¾ÇÀ» À§ÇÑ), JacobÀÌ Æí°î
- ŸÄɹÌÃß, How Slow the Wind, 11m, * Toru Takemitsu(1930-1996)-ÀϺ»ÀÇ µåºß½Ã¶ó°í ÀÏÄþîÁö´Â ÀϺ»ÀÇ ÀÛ°î°¡
- ŸÄɹÌÃß, ¸¶¸²¹Ù ÇùÁÖ°î, Á¤½ÄÀ¸·Î À½¾Ç±³À°À» ¹ÞÁö ¸øÇÔ, ±×ÀÇ ÀÛǰÀº ¼Ò¹ÚÇÏ°í ´ë´ãÇÑ ¸éÀÌ ÀÖ´Ù, 20m
- ŸÆÄ³Ú,Æú, ¸ñ°ü5ÁßÁÖ°î, g, Paul Taffanel(1844-1908 French Fl)
- Å»¸®½º, In pace in idipsum, * Thomas Tallis(1505-1585 English)
- Å»¸®½º, Mass for Four Voices, 19m#3, New York Polyphony
- Å»¸®¾ÆÆä¸®(Ernesto Tagliaferri), ¼º¾Ç°î "¿Á¤"
- Å׿Àµµ¶óŰ½º, ¼º¾Ç°î "±âÂ÷´Â 8½Ã¿¡ ¶°³ª³×(To Treno Fevgi Stis Okto)", * Mikis Theodorakis(1925- Greek)
/Agnes Baltsa#&
- Å׿Àµµ¶óŰ½º, ¿ÀÆä¶ó /"¿À¸£ÅÁ½ºÀÇ Á×À½(Death of Hortense)"
- Å׿ÀÆÄ´Ïµð½º, Rainbow Body, 12m, Christopher Theofanidis(b.1967 American)
- Å×ÀÏ·¯,µõ½º, Through the Looking Glass, Op.12, 31m#, Seattle Symphony/Gerard Schwarz, * Deems Taylor(1885-1966 American)
- ÅÚ·¹¸¸, 5ÁßÁÖ°î(µÎ ´ëÀÇ ¹ÙÀ̿ø°, µÎ ´ëÀÇ ºñ¿Ã¶ó ±×¸®°í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), F, TWV.44:11
- ÅÚ·¹¸¸, °üÇö¾Ç ¸ðÀ½°î, Bb, * Georg Phillip Telemann(1681-1767 German Baroque)
- ÅÚ·¹¸¸, °üÇö¾Ç ¸ðÀ½°î "µ·Å°È£Å×ÀÇ ºÎ¸¦·¹½ºÄÉ(Bourlesque de Quixotte)"(µ·Å°È£Å× Ç³ÀÚ ¸ðÀ½°î), G, TWV 55:G10
- 4) µÑ½Ã³× °øÁÖ¸¦ ÇâÇÑ »ç¶ûÀÇ Åº½Ä
- ÅÚ·¹¸¸, ¹«¹ÝÁÖ ÇÃ·çÆ® ȯ»ó°î(12°³ÀÇ)
- ÅÚ·¹¸¸, ¼°î ¸ðÀ½°î(Overture-Suite), A, TWV.55:A1
- ÅÚ·¹¸¸, ¼°î ¸ðÀ½°î(Overture-Suite), Bb, TWV.55:B10, 26m, # The English Concert/Trevor Pinnock
- ÅÚ·¹¸¸, ¼°î ¸ðÀ½°î(Overture-Suite), C, TWV.55:C6, 24m
- ÅÚ·¹¸¸, ¼°î ¸ðÀ½°î(Overture-Suite), D, TWV.55:D4, 23m, # Collegium Instrumentale Brugense/Patrick Peire
- ÅÚ·¹¸¸, ¼°î ¸ðÀ½°î(Overture-Suite), D, TWV.55:D18**, 19m
- ÅÚ·¹¸¸, ¼°î ¸ðÀ½°î(Overture-Suite), D, TWV.55:D19, 25m
- ÅÚ·¹¸¸, ¼°î ¸ðÀ½°î(Overture-Suite), e, TWV.55:E7
- ÅÚ·¹¸¸, ¼°î ¸ðÀ½°î(Overture-Suite), D, TWV.55:G10, 15m, Collegium Instrumentale Brugense/Patrick Peire
- ÅÚ·¹¸¸, ¼º¾Ç°î: ¿¹·¹¹Ì¾Æ ¾Ö°¡(Lamentations of Jeremiah) 1ºÎ, 2ºÎ
- ÅÚ·¹¸¸, ½ÅÆ÷´Ï¾Æ, D, TWV.44:1, "Spirituosa", 8m
- ÅÚ·¹¸¸, ¿Àº¸¿Í ¹Ù¼Ò ÄÜÆ¼´º¿À¸¦ À§ÇÑ ¼Ò³ªÅ¸, g, TWV.41:g6, "½ÄŹ À½¾Ç:III/5"
- ÅÚ·¹¸¸, ¿Àº¸ÇùÁÖ°î, e, 14m
- ÅÚ·¹¸¸, ¿ÀÆä¶ó <¿ÈÆÈ·¹(Omphale)>; "³ª´Â ÀÚÀ¯·Ó´Ù°í ¸»ÇÏ°í ½Í¾î¿ä(Ich sagte gern ich waere frey)"
- ÅÚ·¹¸¸, Àå¼ÛÄŸŸ: ´Ù´Ï¿¤ ±×´ë ¾ÕÀ¸·Î ³ª¾Æ°¡¶ó (Funeral cantata(Trauerkantate): Du aber Daniel, gehe hin), TWV4:17, 23m#
- ÅÚ·¹¸¸, Æ®·³ÆêÇùÁÖ°î, f, ºñ¹ßµð¿Í ÇÔ²² ¹Ù·ÎÅ©À½¾ÇÀÇ ´ëÇ¥ÀÚ
- ÅÚ·¹¸¸, ÇÃ·çÆ®ÇùÁÖ°î(Concerto for flauto traverso), D, 16m
- ÅÚ·¹¸¸, ÇùÁÖ°î, a, TWV52-a2, 9m
- ÅÚ·¹¸¸, ÇùÁÖ°î(µÎ ´ëÀÇ Fl, Vn, Vc¸¦ À§ÇÑ), D
- ÅÚ·¹¸¸, ÇùÁÖ°î(¸®ÄÚ´õ¿Í ºñ¿Ã¶ó ´Ù °¨¹Ù¸¦ À§ÇÑ), a
- ÅÚ·¹¸¸, ÇùÁÖ°î(¼¼ ´ëÀÇ ¹ÙÀ̿ø°°ú ÇöÀ» À§ÇÑ), F, 14m,
- ÅÚ·¹¸¸, ÇùÁÖ°î(¿Àº¸, Çö, ÄÜÆ¼´©¿À¸¦ À§ÇÑ), f, 8m
- ÅÚ·¹¸¸, ÇùÁÖ°î(ÇÃ·çÆ®, ¹ÙÀ̿ø°, ÿ·Î, ÇöÀ» À§ÇÑ), A, 21m, # Collegium Musicum 90/Simon Standage
- ÅÚ·¹¸¸, ÇùÁÖ°î(ÇÃ·çÆ®, ¹ÙÀ̿ø°, Çö, ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), e, TWV.52:E3
- ÅÚ·¹¸¸, ÇùÁÖ°î(ÇÃ·çÆ®, ¿Àº¸ ´Ù¸ð·¹, ºñ¿Ã¶ó ´Ù¸ð·¹¸¦ À§ÇÑ:Concerto for Flute, Oboe d'Amore, Viola d'Amore, and Strings), E, TWV.53-E1, 16m
- ÅÚ·¹¸¸, ÇùÁÖ°î(ÇÃ·çÆ®, Çö, ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), D
- ÅÚ·¹¸¸, ÇùÁÖ°î(µÎ ´ëÀÇ È¥À» À§ÇÑ), F, TWV.52:F1
- ÅÚ·¹¸¸, ȯ»ó°î(µ¶ÁÖ ¹ÙÀ̿ø°À» À§ÇÑ 12°³ÀÇ) (No.6:e 7m, No.7:D 5m, No.9:b 5m)
- ÅÛÇÃÅÏ,¾Ë·º, Skye Variations, Pf, *Alec Templeton(1909-1963 Welsh)
- Åä·¼¸®, ¼º¾Ç°î "´ç½Åµµ ¾Æ½Ã´Ù½ÃÇÇ(Tu lo sai)", ten.Richar Tucker, * Giuseppe Torelli(1658-1709 Vn,Va&)
- Åä·¼¸®, Æ®·³ÆêÇùÁÖ°î, D
- Åä·¼¸®, ÇÕÁÖÇùÁÖ°î/¹ÙÀ̿ø°À» À§ÇÑ ÇùÁÖ°î(µÎ ´ëÀÇ), Bb, Op.8-4, Op.8(12), 9m, # Catherine Weiss(vn),Simon Standage(vn),Collegium Musicum 90/Simon Standage
- Åä·Î¹Ù, ±âŸ¿Í Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ °£ÁÖ°î, * Federico Moreno Torroba(1891-1982 Spanish)
- Åä·Î¹Ù, ¼º¾Ç°î "½ºÆäÀΠȣŸ( Jota castellana)", ten.Placido Domingo
- Åä·Î¹Ù, ½ºÆäÀÎÀÇ ¼º(Castles of Spain), 14°î ±¸¼º, Gt, 28m:
- Å丶, ¿ÀÆä¶ó <¹Ì´¨>; * Ambroise Thomas(1811-1896 French)
- "±×´ë´Â ¾Æ´Â°¡ Àú ³²ÂÊ ³ª¶ó¸¦(Connais-tu le pays?)"
- "³ª´Â ±Ý¹ßÀÇ Æ¼Å¸´Ï¾Æ(Je suis Titania)", sop.Eva Lind
- "¾È³ç, ¹Ì´¨(Addio, Mignon, fa core)", ten.Giuseppe di Stefano
- Å丶, ¿ÀÆä¶ó <Çܸ´>;
- "±×ÀÇ ¾îµÎ¿î Ç¥Á¤¿¡¼(Dans son regard plus sombre)"-2:°ÅÅõ·çµå ¿ÕºñÀÇ ¾Æ¸®¿À¼Ò, ms. Denyce Graves, sop. June Anderson
- "»ç´À³Ä Á×´À³Ä ±×°ÍÀÌ ¹®Á¦·Î´Ù(Etre ou ne pas etre)"-3:Çܸ´ÀÇ ¾Æ¸®¾Æ, bar. Thomas Hampson
- "¼ú·Î °ÆÁ¤À» Ç®°í(O, vin, dissipe la tristesse)"-2:°Ç¹èÀÇ ³ë·¡, bar. Thomas Hampson, Ambrosian Opera Chorus
- "¿ÀÇʸ®¾î! Çܸ´!(Ophelie!...Hamlet!)"-5:Finale, bar. Thomas Hampson, bass. Samuel Ramey, ms. Denyce Graves
- "Ä£±¸µéÀÌ¿©, ¿©·¯ºÐÀÇ ³îÀÌ¿¡ Àúµµ ÇÔ²²... ÀÌÁ¦ ³» ³ë·¡¸¦ µé¾îº¸¼¼¿ä(A vos jeux mes amis...Et maintenant ecoutez ma chanson)"-4:¿ÀÇʸ®¾îÀÇ ±¤¶õÀÇ Àå¸é, sop. June Anderson, Ambrosian Opera Chorus
- "žç°ú ºûÀ» ÀǽÉÇÒ Áö¶óµµ ³» »ç¶ûÀº ÀǽÉÇÏÁö ¸¶½Ã¿À(Doute de la lumiere)"-1:Çܸ´°ú ¿ÀÇʸ®¾îÀÇ 2Áßâ, sop. June Anderson, bar. Thomas Hampson
- Å丶½Ã´Ï,ºó¼¾Á¶, The Good-Humored Ladies, 20m, Vincenzo Tommasini(b.1878 Italian), Cleveland Orchestra/Louis Lane
- Åäºñ,ºê·¥À£, The Lincoln Tunnel Cabaret for Trombone and Orchestra, (world premiere of the orchestral version:NPO) * Bramwell Tovey(1953- British Cond)
- Åä»ç,ÇíÅä, ÇǾƳ븦 À§ÇÑ 3°³ÀÇ ¼Òǰ, 1976c
- Å伿¸®,¿£¸®ÄÚ, ¼¼·¹³ªµ¥(Serenade), ten.Peter Schreier, * Enrico Toselli(1883-1926 Italian &pf)
- Å佺Ƽ, ¼º¾Ç°î "Chitarrata abruzzese", * Sir Paolo Tosti(1846-1916 Italian-born British)
- Å佺Ƽ, ¼º¾Ç°î "4¿ù(Non t'amo piu)", ten.Giuseppe di Stefano
- Å佺Ƽ, ¼º¾Ç°î "±Í¿©¿î ÀÔ¼ú(A Vucchella)", # ten.Franco Corelli # ten.Joseph Calleja
- Å佺Ƽ, ¼º¾Ç°î "±âµµ(Preghiera)", $ ten.Placido Domingo
- Å佺Ƽ, ¼º¾Ç°î "²Þ(Sogno)", $ bar.Renato Bruson
- Å佺Ƽ, ¼º¾Ç°î "´õ ÀÌ»ó »ç¶ûÇÏÁö ¾ÊÀ¸¸®(Non t'amo piu)", # ten.Giuseppe di Stefano
- Å佺Ƽ, ¼º¾Ç°î "µÎ¹øÂ° ¾ÆÄ§ÀÇ ³ë·¡(Seconda Mattinata)", Ben Heppner(Ten)
- Å佺Ƽ, ¼º¾Ç°î "¸¶·¹Å°¾Æ·¹(Marechiare)", Salvatore di Giacomo ½Ã, # ten.Giuseppe di Stefano
- Å佺Ƽ, ¼º¾Ç°î "¸¶Áö¸· ³ë·¡(L¡¯Ultima Canzone)", ten.Carlo Bergonzi
- Å佺Ƽ, ¼º¾Ç°î "¸ÅȤ(Malia)", # ten.Andrea Bocelli, # Giuseppe di Stefano
- Å佺Ƽ, ¼º¾Ç°î "ºñ¹Ð(Il Segreto)", ten. Alfredo Kraus
- Å佺Ƽ, ¼º¾Ç°î "»ý°¢ÇØ(Penso)", ten.Carlo Bergonzi
- Å佺Ƽ, ¼º¾Ç°î "¼¼·¹³ªµ¥(La Serenata, Serenade)", $ ten.Giuseppe di Stefano, #bar. Hermann Prey
- Å佺Ƽ, ¼º¾Ç°î "½½ÇÄ"
- Å佺Ƽ, ¼º¾Ç°î "¾ÆÄ§ÀÇ ³ë·¡(Mattinata)", Carlo Bergonzi(Ten)
- Å佺Ƽ, ¼º¾Ç°î "¾È³ç(Addio)", ten. Afred Kraus
- Å佺Ƽ, ¼º¾Ç°î "À̺°ÀÇ ³ë·¡(Chanson de L¡¯Adieu)", Edmond Haraucourt ½Ã, # Katia Ricciarelli(sop), # ten.Giuseppe di Stefano
- Å佺Ƽ, ¼º¾Ç°î "ÀÌ»ó(Ideale)", ten.Giuseppe di Stefano
- Å佺Ƽ, ¼º¾Ç°î "ÀÛÀº ÀÔ¼ú(A vucchella)", $ ten.Giuseppe di Stefano
- Å佺Ƽ, ¼º¾Ç°î "Àå¹Ì²É Çâ±â È帣°í(Van gli effluvi le rose)", sop.Stelia Doz
- Å佺Ƽ, ¼º¾Ç°î "Á×°í ½Í³×!(Vorrei morire!)", # ten.Giuseppe di Stefano
- Åè½¼,¹öÁú, °(The River: Suite) * Virgil Thomson(1896-1989 American)
- Åõ¸®³ª, ȯ»óÀû Ãã°î(Danzas fantasticas), Op.22, °üÇö¾Ç°î, 15m, * Joaquin Turina(1882-1949 Spanish)
- Åø¸°¹ö±×, ¹ÙÀ̿ø°ÇùÁÖ°î 1, B, Op.1, 23m, Kreeta-Maria Kentala(vn), # Sixth Floor Orchestra/Jukka Rautasalo, * Erik Tulindberg(1761-1814 Finnish)
- Åõºó, ¿¡½ºÅä´Ï¾Æ Ãã ¸ðÀ½°î(Estonian Dance Suite), E, 13m n2 * Eduard Tubin(1905-1982 Estonian &cond)
- Æ®¶ó¿¡´Ù,Å丶½º, ¿ÀÆä¶ó <¾Æ¸£¹Ì´Ù(Armida)>; /¼°î, * Tommaso Traetta(1727-1779 Italian)
- Æ®·¹µð½Ã, Virtuoso Alice, Pf, 13m * David Del Tredici(1937~ American)
- ƼÆê,¸¶ÀÌŬ, ÄÚ·¼¸®ÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ È¯Å¸Áö¾Æ ÄÜü¸£ÅºÅ×(Fantasia Concertante on a Theme of Corelli), °üÇö¾Ç°î, 18m#, Saint Paul Chamber Orch./Christopher Hogwood, * Michael Tippett(1905-1998 English)
- ƿ¼,ÇØ¸® Æù, °¡°î "Wait 'till the sun shines, Nellie"
- ÆÄ°¡´Ï´Ï, 24°³ÀÇ Ä«ÇÁ¸®Ä¡¿À(µ¶ÁÖ ¹ÙÀ̿ø°À» À§ÇÑ), {Op.1-23:Eb, Op.1-24:a minor}
- ÆÄ°¡´Ï´Ï, 4ÁßÁÖ°î(¹ÙÀ̿ø° ºñ¿Ã¶ó ÿ·Î ±×¸®°í ġŸ¸¦ À§ÇÑ), Op.15
- ÆÄ°¡´Ï´Ï, °íµ¿ ¼Ò¸®(Il palpiti), Op.13, 11m
- ÆÄ°¡´Ï´Ï, ¸ð¼¼È¯»ó°î(Fantasia on the G string; Rossini: Moses-Fantasie), ·Î½Ã´ÏÀÇ ¿ÀÆä¶ó <ÀÌÁýÆ®ÀÇ ¸ð¼¼>ÀÇ ÁÖÁ¦¸¦ G¼±¸¸À» ÀÌ¿ëÇÏ¿© º¯ÁÖ°îdzÀ¸·Î ÀÛ°î, Vn,Pf
- ÆÄ°¡´Ï´Ï, ¹«±Ãµ¿(Moto perpetuo), Op.11, Vn, 4m
- ÆÄ°¡´Ï´Ï, ¹Ù¸£»þ¹Ù ¼Ò³ªÅ¸(Sonata Varsavia), °üÇö¾Ç°î
- ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 1, D, Op.6,¿¬ÁÖ¿¡ »ó´çÇÑ ±â±³°¡ ÇÊ¿äÇÔ, T4 $, $1) Zino Francescatti(vn)/The Philadelphia Orchestra/Eugene Ormandy
- ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 2, b, Op.7, 3M:¶ó įÆÄ³Ú¶ó, 27m$, $ Ivry Gitlis(vn),Radio-Sinfonieorchester Stuttgart des SWR/Stanislaw Skrowaczewski(1972 live)
- ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 3, E, 33m
- ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 4, d, 35m, # Alexandre Dubach(Vn),Orchestre Philharmonique de Monte Carlo/Michel Sasson
- ÆÄ°¡´Ï´Ï, ¹ÙÀ̿ø°ÇùÁÖ°î 6, e, 6VC
- ÆÄ°¡´Ï´Ï, <º£´Ï½ºÀÇ »çÀ°Á¦(Variations on Carnival of Venice)>; ±×¸®¿î ¾î¸Ó´Ï ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ(O mamma, mamma cara), Op.10
- ÆÄ°¡´Ï´Ï, ¼º¾Ç°î "³ª ±×´ë¸¸ »ý°¢ÇØ¿ä, »ç¶ûÀÌ¿©(Io ti penso amore)", Nicole Scherzinger/David Garrett (vn)
- ÆÄ°¡´Ï´Ï, "ÀÌÅä·Ï ¼³·¹´Â °¡½¿(I palpiti -°¡½¿ ¼³·¹ÀÓ):·Î½Ã´Ï ¿ÀÆä¶ó <Ÿũ·¹µð> Áß" ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, <Ÿũ·¹µð> 1¸· ¾Æ¸®¾Æ "Di Tante Palpiti" ÁÖÁ¦ ¼±À²
- ÆÄ°¡´Ï´Ï, þÅä³×¸®¼Ò³ªÅ¸
- ÆÄ°¡´Ï´Ï, Ä«ÇÁ¸®Ä¡¿À 5(¹«¹ÝÁÖ µ¶ÁÖ ¹ÙÀ̿ø°À» À§ÇÑ),a,Op.1-5, 2m * 24°³ÀÇ caprice
- ÆÄ°¡´Ï´Ï, Ä«ÇÁ¸®Ä¡¿À 24, a, "Theme and Variations", Op.1-24
- ÆÄ°¡´Ï´Ï, ÄŸºô·¹, D, Op.17
- ÆÄµ¥·¹ÇÁ½ºÅ°, ¾ß»ó°î, Bb, Op.16-4, * Ignace Jan Paderewski(1860-1941 Polish Pf&Comp)
- ÆÄµ¥·¹ÇÁ½ºÅ°, ÇǾƳëÇùÁÖ°î, a, Op.17, 32m
- ÆÄ¶ó(ºñ¿Ã·¹Å¸), »ý¿¡ ´ëÇÑ °¨»ç(Gracias a la vida), Violeta Parra: ¿©¼º Ä¥·¹ ¹Î¼ÓÀ½¾ÇÀÇ ¼±±¸ÀÚ
- ÆÄ¶ûÅ©, ±³Çâ°î 3, g, Op.36, * Louise Farrenc(1804-1875 French, F)
- ÆÄ¶ûÅ©, ÇǾƳë3ÁßÁÖ(Trio for Flute/Violin, Cello and Piano), e, Op.45
- ÆÄ¶ûÅ©, ÇǾƳë5ÁßÁÖ 2, E, Op.31, Linos ensemble
- ÆÄ¸®¼Ò¶ì,¾Ë·¹»êµå·Î, ¼º¾Ç°î "±×´ë°¡ ³ª¸¦ »ç¶ûÇÏ°íµµ ÇѼû Áþ´Â´Ù¸é[±×´ë°¡ ³ª¸¦ »ç¶ûÇϽŴٸé](Se tu m¡¯ami)", ms.Cecilia Bartoli, * Alessandro Parisotti(1853-1913 Italina &music editor)
- ÆÄ½¬,¿äÇÑ ÇÁ¸®µå¸®È÷, ¼°î ¸ðÀ½°î(Overture Suite), G, Ob, FWV K:G15, 20m# * Johann Friedrich Fasch(1688-1758, German)
- ÆÄ½¬,¿äÇÑ ÇÁ¸®µå¸®È÷, ¿Àº¸ÇùÁÖ°î, g
- ÆÄ½¬,¿äÇÑ ÇÁ¸®µå¸®È÷, Æ®·³ÆêÇùÁÖ°î, D, ¹ÙÈ庸´Ù 3³â´Ê°Ô Ãâ»ýÇÑ(1688B) ÆÄ»þ´Â ºñ¹ßµð ÅÚ·¹¸¸ ¹ÙÈå¿ÍÇÔ²² ¹Ù·ÎÅ©½Ã´ë¸¦ ´ëÇ¥
- ÆÄ¾ß, 4°³ÀÇ ½ºÆäÀÎ ¼Òǰ(ÇǾƳ븦 À§ÇÑ:Cuatro Piezas Espanolas for Piano), 1) Aragonesa 2) Cubana 3) Montanesa 4) Andaluza
- ÆÄ¾ß, »ç¶ûÀº ¸¶¼ú»ç, ¹«¿ë ¸ðÀ½°î, 11°î±¸¼º
- ÆÄ¾ß, »ï°¢¸ðÀÚ:½ÃÀå°ú ¹æ¾Ñ°£Áý ¸¶´©¶ó, ¹«¿ë ¸ðÀ½°î, 3°³ÀÇ ¹«µµ°î±¸¼º
- ÆÄ¾ß, ½ºÆäÀÎ ³ë·¡[¹Î¿ä](7°³ÀÇ);
- 1) ¹«¾îÀÎÀÇ ¿Ê°¨(El pano moruno)
- 2) ¹«¸£½Ã¾ÆÀÇ ¼¼±Íµô¶ó(Seguidilla murciana)
- 3) ¾Æ½ºÅõ¸®¾ÆÀÎÀÇ ³ë·¡(Asturiana)
- ÆÄ¾ß, ½ºÆäÀÎ Á¤¿øÀÇ ¹ã, ±³Çâ¾Çdz Àλó°î, 25m
- ÆÄÀ̽ÿ¤·Î, ¼º¾Ç°î "¾Æ¸§´ä°í ¿µ¸®ÇÑ Áý½Ã ¾Æ°¡¾¾(Chi vuol la zingarella)", ms.Cecilia Bartoli, * Giovanni Paisiello(1740-1816 Italian)
- ÆÄÀ̽ÿ¤·Î, ¼º¾Ç°î "Ç㹫ÇÑ ¸¶À½(Nel cor piu non mi sento)", sop. Katia Ricciarelli
- ÆÄÀ̽ÿ¤·Î, ¿ÀÆä¶ó <¹°¹æ¾Ñ°£ ¾Æ°¡¾¾>;
- "³» ¸¶À½¿¡ ´À²¸ÁöÁö ¾Ê³×(Nel cor piu non mi sento)/´õ ÀÌ»ó ¾Æ¹«°Íµµ ´À³¥ ¼ö ¾ø³×", sop.Elly Ameling
- ÆÄÄÚ, ¼º¾Ç°î, "±×´ë´Â ¿µ¿øÈ÷ ³ªÀÇ °Í" * Roberto Pacco
- ÆÄÇﺧ, ij³í, D, $ Stuttgart Chamber Orchestra/Karl Muenchinger, * Johann Pachelbel(1653-1706 German)
- ÆÄÇﺧ, ij³í "How, where, when", (from canon in D), Cleo Laine(vocal)/James Galway(fl)
- ÆÈ·¹½ºÆ®¸®³ª, ±³È² ¸¶¸£Ã¿·ç½º ¹Ì»ç(Missa Papae Marcelli), 36m, # The Tallis Scholars/Peter Philips
- ÆÈ·¹½ºÆ®¸®³ª, ±¸¼¼ÁÖÀÇ ÀÚºñ·Î¿î ¾î¸Ó´Ï¿©(Alma Redemptoris Mater)
- ÆÈ·¹½ºÆ®¸®³ª, ³Ñ°ÜÁö´ø ³¯ ¹ã(Dominus Jesus in qua nocte)
- ÆÈ·¹½ºÆ®¸®³ª, ½ºÅ¸¹ÙÆ® ¸¶ÅÍ(Stabat Mater)
- ÆÈ·¹½ºÆ®¸®³ª, ¿ì¸®´Â ´Ã»ó Á˸¦ Áþ°í(Peccantem me quotidie)
- ÆÈº¸, ¼º¾Ç°î "±¸¾ÆÆÄ¸®¾Æ(Guapparia)", ten.Giuseppe di Stefano, * Rodolfo Falvo(1873-1937 Italian)
- ÆÈº¸, ¼º¾Ç°î "±×³à¿¡°Ô ³» ¸» ÀüÇØÁÖ¿À(Dicitencello vuie)", ten.Roberto Alagna
- ÆÐ¸®,ÈÞ¹öÆ®, Lady Radnor's Suite, 15m * Sir Charles Hubert Hastings Parry(1848-1918 English)
- ÆÐ¸®,ÈÞ¹öÆ®, ¿µ±¹ ¸ðÀ½°î(An English Suite)
- ÆÛ¼¿, 4¼º ¼Ò³ªÅ¸ 4(Sonata VI in Four Parts), "»þÄÜ´À(Chaconna)", Z.807, ½Ç³»¾Ç, * Henry Purcell(1659-1695 English)
- ÆÛ¼¿, <¸Þ¸® 2¼¼ ¿©¿ÕÀÇ Åº½ÅÀ» À§ÇÑ ¼Û°¡>;
- "Sound the trumpet", ct.Andreas Scholl/ct.Christophe Dumaux
- "Strike the Viol", sop.Karina Gauvin
- ÆÛ¼¿, ¹ÙÀ̿ø°(3´ëÀÇ)°ú ÅëÁÖÀúÀ½À» À§ÇÑ ÆÄ¹Ý g, Z.752
- ÆÛ¼¿, ¼º¾Ç°î "Music for a While", contralto.Helen Watts
- ÆÛ¼¿, ¼º¾Ç°î "The Night is Come", ct. Thomas Michael Allen/bass. Konstantin Wolff
- ÆÛ¼¿, ¼º¾Ç°î "À½¾ÇÀÌ »ç¶ûÀÇ ¾ç½ÄÀ̶ó¸é(If music be the food of love)", ct.Daniel Taylor
- ÆÛ¼¿, ¼º¾Ç°î "Àú³á Âù¹Ì°¡(An Evening Hymn)", ct. Daniel Taylor
- ÆÛ¼¿, ¾ÆÅ׳×ÀÇ Æ¼¸ó(Timon of Athens):Curtain Tune, Z.632, °üÇö¾Ç°î
- ÆÛ¼¿, ¿ÀÆä¶ó <µðµµ¿Í ¿¡³×¾Æ½º(Dido and Aeneas)>; * µðµµ¿Í Æ®·ÎÀÌÀÇ ¿ë»ç ¿¡³×¾Æ½ºÀÇ ºñ·ÃÀ» ´Ù·ë
- ÆÛ¼¿, ¿ÀÆä¶ó <¾Æ´õ ¿Õ>; /"¾Æ¸§´Ù¿î ¼¶"
- ÆÛ¼¿, ¿ÀÆä¶ó <¿äÁ¤ ¿©¿Õ(The Fairy Queen)>, Z.629; ¿øÀÛ/ÇÑ¿©¸§¹ãÀÇ ²Þ
- "¸¸¼¼! À§´ëÇÑ ¼öÈ£½Å²²(YHail! Great Parent)", sop. Lorraine Hunt, ten. Howard Crook,
ten. Mark Padmore, bass. David Wilson-Johnson
- ~"º½(Thus the ever Grateful Spring)"
- ~"¿©¸§(Here¡¯s the Summer)"
- ~"°¡À»(See, See My Many Colour¡¯d Fields)"
- ~"°Ü¿ï(Now Winter Comes Slowly)"
- "»êµé¹Ù¶÷ÀÌ ºÒ¾î¿Í(Ye Gentle Spirits of the Air)", sop. Lorraine Hunt
- "¿À, ¿ï°Ô ³»¹ö·Á µÎ¼¼¿ä(O Let Me Ever, Ever Weep)", sop. Lorraine Hunt
- "ÀÚ, ÀÌÁ¦ ¸¶À»À» ¶°³ªÀÚ(Come, Let Us Leave the Town)"-1:ŸƼ¾Æ³ªÀÇ ¿äÁ¤µé, sop. Lorraine Hunt, bass. Richard Wistreich
- "ÃãÃß°í ³ë·¡ÇÏÀÚ(Sing while we trip it)"-2:ÀÚÀå°¡, sop. Catherline Pierard, ·±´ø ½¬Ã÷ ÇÕâ´Ü
- "They Shall Be As Happy As They`re Fair"-5:Çdz¯·¹ 3Áßâ°ú ÇÕâ, sop. Catherline Pierard, ms. Susan Bickley, bass. David Wilson-Johnson
- ÆÛ¼¿, Àá½Ã µ¿¾ÈÀÇ À½¾Ç, ¾Æ¸®¾Æ
- ÆÛ¼¿, Æ®·³Æê°ú ÇöÀ» À§ÇÑ ¼Ò³ªÅ¸, D, Z.850
- ÆÛ¼¿, Ç®¾îÁø °í¸£µð¿ì½ºÀÇ ¸Åµì(The Gordian Knot Untied: Suite), Z.597
- ÆÛÃ÷,Äɺó, Elegy for Brass, * Kevin Puts(1972-American)
- ÆÞ¸µ,¿¡¸¯, ¹ÙÀ̿ø°ÇùÁÖ°î, D, 23m, # Kreeta-Maria Kentala(vn),Sixth Floor Orchestra/Jukka Rautasalo, *Erik Ferling(1733-1808 Finnish)
- Æä¸£°ñ·¹Áö, °¡°î "´Ï³ª(Nina)"
- Æä¸£°ñ·¹Áö, ¹ÙÀ̿ø°ÇùÁÖ°î, B, 13m cf) Giovanni Battista Pergolesi(1710-1736)
- Æä¸£°ñ·¹Áö, ¼º¾Ç°î: »ìº£ ·¹Áö³ª(Salve Regina), c, 14m, sop.Barbara Schlick/Europa Galante/Fabio Biondi
- Æä¸£°ñ·¹Áö, ½½ÇÄÀÇ ¼º¸ð(Stabat Mater), 12°î ±¸¼º, 43m
1) Stabat mater dolorosa (4:19) (ºñź¿¡ Àá±ä ¾î¸Ó´Ï ¼ °è¼Ì³× - ´«¹°ÀÇ ½ÊÀÚ°¡ °¡±îÀÌ, ¾Æµå´ÔÀÌ °Å±â ¸Å´Þ·Á °è½Ç ¶§¿¡)
2) Cuius animam gementem (3;11) (ź½ÄÇÏ´Â ¾î¸Ó´ÏÀÇ ¸¶À½, - ¾îµÎ¿öÁö°í ¾ÆÇÁ½Å ¸¶À½À» Ä®ÀÌ ¶Õ°í Áö³ª°¬³×)
3) O quam tristis et afflicta (2:43) (¿À ±×Åä·Ï °íÅëÇÏ¸ç »óó ÀÔÀº - ±× ¿©ÀÎÀº º¹µÇ½Å ºÐ, µ¶»ýÀÚÀÇ ¾î¸Ó´Ï)
4) Quae moerebat et dolebat (2;28) (±Ù½ÉÇÏ¸ç ºñź¿¡ Àá°Ü - ±×ºÐÀº ¶°¼Ì³×, ±ÍÇϽŠ¾Æµå´ÔÀÇ Ã³ÇüÀ» º¸¸é¼)
5) Quis est homo qui non fleret (3:19) (±×¸®½ºµµÀÇ Á¸±ÍÇÑ ¾î¸Ó´ÏÀÇ - ÀÌó·³ ¾ÖÅëÇØ ÇϽÉÀ» º¸°í ÇÔ²² ¿ïÁö ¾ÊÀ» »ç¶÷ ´©±¸ ÀÖÀ¸¸®)
6) Vidit suum dulcem natum (3:37) (»ç¶ûÇÏ´Â ¾ÆµéÀ» º¸¾Ò³× - ±×°¡ ¾µ¾µÈ÷ Á׾¸ç ¿µÈ¥À» ¶°³ª º¸³»´Â µ¿¾È)
7) Eia, mater, fons amoris (2:54) (»ç¶ûÀÇ ¿øÃµ µÇ½Ã´Â ¼º¸ð¿©! - ³» ¿µÈ¥À» ¾î·ç¸¸Áö»ç ´ç½Å°ú ÇÔ²² ½½ÆÛÇÏ°Ô ÇϼҼ)
8) Fac, ut ardeat cor meum (2:32) (¿ì¸® ÁÖ ±×¸®½ºµµÀÇ »ç¶ûÀ¸·Î - ³» °¨Á¤À» ´ç½Å²² µ¿È½ÃŰ½Ã°í ³» ¿µÈ¥À» ¹à°í ³Ê±×·´°Ô ÇϼҼ)
9) Sancta mater, istud agas (5:59) (°Å·èÇϽмº¸ð¿©! - ±¸¼¼ÁÖ²²¼ ½ÊÀÚ°¡¿¡ ¸ø ¹ÚÈ÷½Å ±× »óó¸¦ ³» ¸¶À½¿¡µµ ±íÀÌ »õ°ÜÁֿɼҼ)
10) Fac ut portem Christi mortem (3:42) (³» ¸¶Áö¸· ¼û½¬´Â ¼ø°£±îÁö - ´ç½ÅÀÇ ¾ÆµéÀÇ Á×À½À» ³» ¸ö¿¡ »õ±â°Ô ÇϼҼ)
11) Flammis ne urar succensus (2:03) (Á¤°áÇÑ ¼º¸ð ¸¶¸®¾Æ - ÁÖÀÇ ¹«¼¿î ½ÉÆÇ³¯¿¡ ³ª¿Í ÇÔ²² °è¼Å ³»°¡ ºÒ²É¼Ó¿¡ Ÿ¼ Á×°ÔÇÏÁö ¸¶¿É¼Ò¼)
12) Quando corpus morietur (4:15) (³» À°½ÅÀÇ ¼èÇÒÁö¶óµµ - ³» ¿µÈ¥Àº ÁÖÀÇ ±âÈ£·Î õ±¹¿¡¼ ÁÖ¿Í ÇÔ²² Æí¾ÈÇÏ°Ô ÇϼҼ)
- Æä¸£°ñ·¹Áö, ¿ÀÆä¶ó <¸¶´ÔÀÌ µÈ Çϳà(La Serva Padrona)>; /"ÁÖÀδÔÀº Àú¸¦ »ý°¢ÇϽðÚÁÒ(¡®A Serpina penserete¡¯)", /"Ȱ¡³ª¼(Stizzoso, mio stizzoso¡¯)"(¼¼¸£ÇdzªÀÇ ¾Æ¸®¾Æ)
- Æä¸£°ñ·¹Áö, ÇùÁÖ°î, Bb
- Æä¸£Æ®, ±³Çâ°î 3, ºê¸®Æ°¿¡ ´ëÇÑ Ã߸ð, ¿¡½ºÅä´Ï¾Æ ÀÛ°î°¡·Î ¿¤·¹¸£ÀÇ Á¦ÀÚ, Gothenburg Symphony Orchestra/Neeme Jarvi, * Arvo Pa"rt(1935- Estonian)
- Æä¸£Æ®, ºó ¼ÆÇ(Tabula Rasa), 26m, Lithuanian Chamber Orchestra/Saulius Sondeckis
- Æä¸£Æ®, Ã߸ðÀÇ ³ë·¡, ºê¸®Æ°¿¡ ´ëÇÑ Ã߸ð
- Æä¸®³ª½º,Ä«¸¦·Î½º, El Bosque Ha Echado A Andar, Äí¹Ù Å»ýÀÇ Çö´ëÀÛ°î°¡
- Peixun,Chen, Ode to the Snow (from Symphony No.1), 8m
- ÆäÀÎ,Á¸ ³ë¿ï½º, ±³Çâ°î 1, c, Op.23, 40m, # Ulster Orchestra/JoAnn Falletta, * John Knowles Paine(1839-1906 the first American-born composer)
- ÆäÀÎ,Á¸ ³ë¿ï½º, ±³Çâ°î 2, A, Op.34, "º½³¯¿¡(In the Spring), 47m $
- ÆäÀÎ,Á¸ ³ë¿ï½º, ±³Çâ½Ã "ÅÛÆä½ºÆ®", Op.31
- ÆäÁ©,¿äÇÑ Å©¸®½ºÅäÇÁ, ¼Ò³ªÅ¸-½Ã¾ÆÄÚ³ª(Sonata-Ciacona), Bb, 15m, # Musica Antiqua Cologne/Reinhard Goebel, * Johann Christoph Pezel[/Petzold](1639-1694 German Vn Tr)
- Æçµå¸¸,¸ôÅæ, "Christian" Wolf in Cambridge, °¨Á¤¹èÁ¦ ´Ü¼ø,°è¼Ó Á¶±×¸¸ ¼Ò¸®·Î ÀϰüÇÏ¿© ÀÛ°î, crescendo forteµîÀÌ ¾ø´Ù * Morton Feldman(1926-1987 American)
- Æçµå¸¸,¸ôÅæ, ÇÕâ°ú ¾Ç±â¸¦ À§ÇÑ À½¾Ç, 3m
- Æ÷±Û·¯, ±³Çâ°î, d, 19m * Georg Joseph Vogler: ¸ðÂ¥¸£Æ® ½Ã´ëÀÇ µ¶ÀÏ ÀÛ°î°¡
- Æ÷·¹, ·¹Äû¿¥, Op.48;/ 1) Introit et Kyrie (ÀÔ´ç¼Û°ú ÀÚºñ¼Û), 2) Offertoire (ºÀÇå¼Û), 3) Sanctus (°Å·èÇϽôÙ), 4) Pie Jesu(ÀÚºñ·Î¿î ¿¹¼ö)$, 5) Agnus Dei(Çϳª´ÔÀÇ ¾î¸° ¾ç)$, 6) Libera Me(³ª¸¦ ±¸¿øÇϼҼ)$, 7) In Paradisum(³«¿ø¿¡¼)
- Æ÷·¹, ·Î¸Á½º(3°³ÀÇ:3 Romance sans paroles), Op.17
- Æ÷·¹, ¸ðÀ½°î Æç·¹¾Æ½º¿Í ¸á¸®Àܵå; ¹°·¹ Àã´Â ¿©ÀÎ,½ÃÄ¥¸®¾Æ ¹«°î;
- Æ÷·¹, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, A, Op.13, $ Itzhak Perlman/Emanuel Ax
- Æ÷·¹, ¹ß¶óµå, F#, Op.19, Pf Orch
- Æ÷·¹, ºñ°¡(Elegie), c, Op.24, ÿ·Î°î, # Ludwig Hoelscher(vc)/Kurt Rapf(org)
- Æ÷·¹, ¼º¾Ç°î "9¿ùÀÇ ½£", Op.85-1, ÇÁ¶û½º °¡°îÀ» ¸á·Îµð¶ó°í ÇÔ, īƥ¸Áµå(Catulle Mendes: 1842-1909)ÀÇ ½Ã¿¡ °îÀ» ºÙÀÓ
- Æ÷·¹, ¼º¾Ç°î "°¡À»ÀÇ ³ë·¡(Chant d¡¯Automne)", Op.5-1
- Æ÷·¹, ¼º¾Ç°î "±Ýºû ´«¹°(Pleurs d'or)"
- Æ÷·¹, ¼º¾Ç°î "²ÞÀ» ²Û µÚ¿¡(Apres un reve)", Op.7-1, sop.Rene Fleming
- Æ÷·¹, ¼º¾Ç°î "³ªºñ¿Í ²É(Le Papillon et la Fleur)", # sop.Joan Sutherland
- Æ÷·¹, ¼º¾Ç°î "³Ú(Nell)", Op.18-1, Renee Fleming(Sop)
- Æ÷·¹, ¼º¾Ç°î "´Þºû(Clair du lune)", Op.46-2, # bar.Gerard Souzay, ct.Philippe Jaroussky
- Æ÷·¹, ¼º¾Ç°î "¸®µð¾Æ(Lydia)", Op.4-2, Gerard Souzay(Bar)
- Æ÷·¹, ¼º¾Ç°î "¸¸µ¹¸°(Mandoline)", Op.58-1, bar.Gerard Souzay
- Æ÷·¹, ¼º¾Ç°î "ºñ¹Ð(Le Secret)", # ms. Anne Sofie von Otter
- Æ÷·¹, ¼º¾Ç°î "»ç¶ûÀÇ ³ë·¡(Chanson D¡¯Amour)", Op.27-1
- Æ÷·¹, ¼º¾Ç°î "¿ä¶÷(Wiegenlied)", D.498, bar. Gerard Souzay
- Æ÷·¹, ¼º¾Ç°î "¿ì¸®ÀÇ »ç¶ûÀº (Notre Amour)"
- Æ÷·¹, ¼º¾Ç°î "À̻级(Isabel)" * ÆÄ¹Ý´À¿¡ °¡»ç¸¦ ºÙÀÓ.
- Æ÷·¹, ¼º¾Ç°î "À̽ºÆÄÇÑÀÇ Àå¹Ì(Les roses d¡¯Ispahan)", Op.39-4
- Æ÷·¹, ¼º¾Ç°î "Àå ¶ó½ÅÀÇ Âù°¡(Cantique de Jean Racine)", Op.11
- Æ÷·¹, ¼º¾Ç°î "ÆÄ¹Ý´À(Pavane)", Op.50, ct.Brian Asawa
- Æ÷·¹, ¼º¾Ç°î "Vocalise etude", sop.Elly Ameling
- Æ÷·¹, ¾Æ¸§´Ù¿î ³ë·¡(La bonne chanson), ¿¬°¡°îÁý(9°î), Æú º£¸¦·»´À ½ÃÁý '¾Æ¸§´Ù¿î ³ë·¡'¿¡¼ 9Æí ¼±Á¤ ÀÛ°î >Lied 1) Èı¤¿¡ ½ÎÀÎ ¼º³à(Une sainte en son aure'ole), 2) ³¯ÀÌ ¹à¾ÆÁö°í ÀÖ¾î(Puisque l'aube grandit), 3) ½£¼Ó¿¡ ÇÏ¾á ´ÞºûÀÌ ¾î¸®°í(La lune blanche luit dans le bois), 4) Çè³ÇÑ ±æÀ» °ÉÀ» ¶§µµ(J'allais par des chemins perfides), 5) µÎ·Á¿ò¿¡ °¡µæÂ÷(J'ai preseque peur, en ve'rite'), 6) ³»°¡ ¶°³ª±â Àü(Avant que tu net'en ailles), 7) ¹àÀº ¿©¸§ ³¯(Donc, ce sera par un clair jour d` e'te'), 8) ±×·¸Áö ¾Ê¾Æ?(N'est-ce pas?), 9) °Ü¿ïÀº °¡°í(L'hiver a cesse')
- Æ÷·¹, ¾ß»ó°î 1, Eb, Op.33-1, pf, 8m
- Æ÷·¹, ¾ß»ó°î 2, B, Op.33-2, pf, 5m
- Æ÷·¹, ¾ß»ó°î 3, Ab, Op.33-3, pf, 5m# Kathryn Stott(Pf)
- Æ÷·¹, ¾ß»ó°î 6, Db, Op.63, Pf, 9m
- Æ÷·¹, ÁÖÁ¦¿Í º¯ÁÖ(Theme and Variation), c#, Op.73, Pf
- Æ÷·¹, ÿ·Î¼Ò³ªÅ¸, 2, g, Op.117
- Æ÷·¹, ÇǾƳë3ÁßÁÖ°î, Op.120, 18m$, Kathyrn Stott(pf),Priya Mitchell(vn),Christian Poltera(vc)
- Æ÷·¹, ÇǾƳë4ÁßÁÖ°î 1, c, Op.15, 31m#, Emanuel Ax(pf),Isaac Stern(vn),Jaime Laredo(va),Yo-Yo Ma(vc)
- Æ÷·¹, ÇǾƳë4ÁßÁÖ°î 2, g, Op.45, 35m Emanuel Ax(Pf),Isaac Stern(Vn),Jaime Laredo(Va),Yo-Yo Ma
- Æ÷·¹, ȯ»ó°î(ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ), Op.79
- Æ÷·¹, ȯ»ó°î(ÇǾƳë¿Í °üÇö¾ÇÀ» À§ÇÑ), G, Op.111
- Æ÷¸£Æ÷¶ó, ÿ·ÎÇùÁÖ°î 1, G, * Nicola Porpora(1686-1768 Italian)
- Æ÷½ºÅÍ, °¡°î, "Gentle Annie", # ten. Robert White
- Æ÷½ºÅÍ, °¡°î, "Hard Times Come Again No More", # bar. Thomas Hampson
- Æ÷½ºÅÍ, °¡°î, "Nelly Bly", Robert Shaw chorus
- Æ÷½ºÅÍ, °¡°î, "There's a good time coming."
- Æ÷½ºÅÍ, °¡°î, "°íÇâÀÇ ¿¾³ë·¡(Old folks at home - Swanee River)", ½º¿Í´Ï°À¸·Î ¾Ë·ÁÁ® ÀÖÀ½
- Æ÷½ºÅÍ, °¡°î, "±×´ë´Â ³»³ë·¡ÀÇ ¿©¿Õ(Thou Art the Queen of My Song)", Roger Wagner ÇÕâ´Ü
- Æ÷½ºÅÍ, °¡°î, "±Ý¹ßÀÇ Á¦´Ï(I Dream of Jeannie with the light brown hair)", ten.Stuart Burrows, /bar.Thomas Hampson
- Æ÷½ºÅÍ, °¡°î, "²Þ±æ¿¡¼(Beautiful Dreamer)", ms.Marilyn Horne
- Æ÷½ºÅÍ, °¡°î, "³» »ç¶ûÀÌ ²Þ²Ù°í ÀÖ´Â °÷À¸·Î ¿À¶ó(Come Where My Love Lies Dreaming)", ten.John McCormack
- Æ÷½ºÅÍ, °¡°î, "¹êÁ¶¸¦ ¿ï·Á¶ó(Ring de Banjo)"
- Æ÷½ºÅÍ, °¡°î, "»ç¶ûÇÏ´Â ÀÌ¿©, â¹®À» ¿¾îÁÖ¿À(Open Thy Lattice, Love)", Roger Wagner ÇÕâ´Ü
- Æ÷½ºÅÍ, °¡°î, "¾î·Á¿î ½ÃÀýÀº Áö³ª°¡°í"
- Æ÷½ºÅÍ, °¡°î, "¿À! ¼öÀܳª(Oh! Susanna)"
- Æ÷½ºÅÍ, °¡°î, "¿Ãµå ºê·¢ ÁÒ(Old Black Joe)"
- Æ÷½ºÅÍ, °¡°î, "ÀßÀÚ¿ä ³»»ç¶û(Slumber My Darling)", Jan DeGaetani(Ms)
- Æ÷½ºÅÍ, °¡°î, "Ä·ÇÁŸ¿î °æ¸¶(Camptown Races)"
- Æ÷½ºÅÍ, °¡°î, "ÄËÅÍŰ ¿¾Áý(My Old Kentucky Home)"
- Æ÷ÅÍ,ÄÝ, ¹ÂÁöÄà <Ű½º ¹Ì ÄÉÀÌÆ®>; * Cole Albert Porter(1891-1964, American)
- "So In Love", # ms.Julia Migenes
- "³î¶ó¿ö!(Wunderbar!)", sop.Josephine Barstow/bar.Thomas Hampson
- Æ÷ÅÍ,ÄÝ, ¹ÂÁöÄà <Çæ¸®¿ìµå ĵƾ>;
- "³¯ °¡µÎÁö ¸»¾Æ¿ä(Don¡¯t Fence Me In)",# bar.Thomas Hampson
- Æ÷ÅÍ,ÄÝ, ¼º¾Ç°î "True Love", sop.Kiri Te Kanawa
- Æ÷Æ÷, °¡À»²É, ÿ·Î ¼Òǰ
- Æ÷Æ÷, Çë°¡¸®±¤½Ã°î, Op.68, ÿ·Î°î
- ÆùŰ¿¤¸®, Elegy, 12m, # Orchestra of La Scala, Milan/Riccardo Muti
- ÆùŰ¿¤¸®, ¿ÀÆä¶ó <¶ó ÁÒÄÜ´Ù(La Gioconda)>;/ÀüÁÖ°î
- "¸ðµç âÁ¶¹°ÀÇ ºû, ±×´ë¸¦ »ç¶ûÇÕ´Ï´Ù(L'amo come il fulgor del creato)", sop.Montserrat Caballe/ms.Shirley Verrett
- "¿¬ÀÎÀÇ ¸ñ¼Ò¸®Àΰ¡, õ»çÀÇ ¼Ò¸®Àΰ¡?"
- "ÀÚ»ìÀ̶ó´¢!(Suicidio!)", sop.Maria Callas
- "Çϴðú ¹Ù´Ù(Cielo e mar)", ten.Luciano Pavarotti
- Æú·¯½º,½ºÆ¼ºì, The Angels and Shepherds, * Stephen Paulus(1949-2014 American)
- Æþ¼¼, ³²ºÎ ÇùÁÖ°î(Concierto del sur), 25m #, * Manuel Ponce(1882-1948 Mexican)
- Æþ¼¼, ¼º¾Ç°î, "ÀÛÀº º°"
- Æþ¼¼, Sonata Mexicana, (Guitar) $
- Ǫ³Ä´Ï, ¼°î 2, F, * Gaetano Pugnani(1731-1798 Italian)
- Ǫ³Ä´Ï, ¼°î 6, F
- Ǫġ´Ï, Preludio Sinfonico, A, Op.1, 8m#
- Ǫġ´Ï, ±¹È, °üÇö¾Ç°î, µ¿¾çÀû Á¤¼,7m
- Ǫġ´Ï, ¼º¾Ç°î "±×´ë¿¡°Ô(A te)"
- Ǫġ´Ï, ¼º¾Ç°î "³»°¡ ´ç½ÅÀÇ ÇÏ´ÃÀϰſ¹¿ä(Saro il tuo cielo)"
- Ǫġ´Ï, ¼º¾Ç°î "žç°ú »ç¶û"
- Ǫġ´Ï, ¿ÀÆä¶ó <³ªºñºÎÀÎ>;
- "º¢²É°¡Áö Èçµé¾î ²ÉÀÙÀ» ±ò°í(Scuoti quella fronda di ciliebo)"
- "¾È³ç, ²ÉÀÌ ÇÇ´Â »ç¶ûÀÇ Áý"
- "¾î¶² °³ÀÎ ³¯(Un bel di, vedremo)"(2), sop.Mirella Freni
- "Àú³áÀº ´Ù°¡¿À°í(Vienie la sera)..(»ç¶ûÀÇ 2Áßâ)"
- "Çã¹Ö ÄÚ·¯½º(Humming Chorus)", Ambrosian Opera Chorus
- Ǫġ´Ï, ¿ÀÆä¶ó <¶ó ·Ðµð³×(Á¦ºñ)>;
- "µµ·¹Å¸ÀÇ ²Þ", sop.Inva Mula
- Ǫġ´Ï, ¿ÀÆä¶ó <¶ó º¸¿¥>;
- "±×´ëÀÇ Âù¼Õ(Che gelida manina)"-1¸· ¹Ì¹Ì¿Í ·Îµ¹Æ÷ÀÇ ¸¸³² Àå¸é, ten. Rolando Villazon
- "³» À̸§Àº ¹Ì¹Ì"-1¸· ¹Ì¹Ì¿Í ·Îµ¹Æ÷ÀÇ ¸¸³² Àå¸é
- "³»°¡ °Å¸®¸¦ °ÉÀ¸¸é(Quando m¡¯en vo)", sop.Eva Marton, sop.Nino Machaidze
- "´©±¸¼¼¿ä(Chi e la?)"-1¸· ¹Ì¹Ì¿Í ·Îµ¹Æ÷ÀÇ ¸¸³² Àå¸é, ten. Roberto Alagna(·Îµ¹Æ÷)/sop.Angela Gheorghiu(¹Ì¹Ì)
- "ºü»ß´¥ÀÇ Àå³°¨(Viva Parpinol!)"-2¸· ¹ÂÁ¦Å¸ÀÇ µîÀå°ú 6Áßâ, ten.Roberto Alagna(·Îµ¹Æ÷)/sop.Angela Gheorghiu(¹Ì¹Ì)/sop.Elisabetta Scano(¹«Á¦Å¸)
- "¾È³ç, ²ÉÀÌ ÇÇ´Â »ç¶ûÀÇ ÁýÀÌ¿©"
- "¾È³ç, ÀÌÁ¦ µ¹¾Æ°¡·Æ´Ï´Ù(Donde, lieta usci)", # sop.Angela Gheorghiu
- "¿À, ±Í¿©¿î ¾Æ°¡¾¾"-1¸· ¹Ì¹Ì¿Í ·Îµ¹Æ÷ÀÇ ¸¸³² Àå¸é
- "È«ÇØ¹Ù´Ù¸¦ ±×¸®´Â °ÍÀº(Questo Mar Rosso mi)"-1¸· Å©¸®½º¸¶½º À̺êÀÇ Áñ°Å¿î 4Àιæ, ten.Roberto Alagna(·Îµ¹Æ÷)/bar.Simon Keenlyside(¸¶¸£Ã¿·Î)/bar.Ildebrando D¡¯Arcaangelo (Äݸ®³×)/bar.Roberto de Candia(¼î³ª¸£)
- Ǫġ´Ï, ¿ÀÆä¶ó <·¹ ºô¸®>
- Ǫġ´Ï, ¿ÀÆä¶ó <¸¶³ó ·¹½ºÄÚ(Manon Lescaut)>;
- "ºÎµå·¯¿î ·¹À̽º¿¡ ½Î¿© À־(In quelle trine morbide)", sop.Ruth Ann Swensen
- "ÀÏÂïÀÌ º¸Áö¸øÇÑ ¹ÌÀÎ(Donna non vidi mai)"
- "Ȧ·Î ³»¹ö·ÁÁ®¼(Sola, perduta, abbandonata)"
- Ǫġ´Ï, ¿ÀÆä¶ó <¼ºÎÀÇ ¾Æ°¡¾¾(La Fanciulla del West)>;
- Ǫġ´Ï, ¿ÀÆä¶ó <Àð´Ï ½ºÅ°Å°(Gianni Schicchi)>;
- "ºÒ½ÖÇÑ ºÎ¿À¼Ò!(O mio babbino caro)"-ÀüÁÖ°î°ú µµÀÔºÎ, contralto. Vittoria Palombini(ġŸ)/bass.Giuseppe Modesti(½Ã¸ð³×)
- "»¡¸® °øÁõÀÎ µ¥·Á¿À½Ã¿À!(Si corre dal notario!)"-Àð´Ï ½ºÅ°Å°ÀÇ ¾Æ¸®¿¡Å¸, bar. Renato Capecchi(Àð´Ï ½ºÅ°Å°)
- "¿À »ç¶ûÇÏ´Â ³ªÀÇ ¾Æ¹öÁö(O mio babbino caro)", sop.Pilar Lorengar
- "ÇÇ·»Ã¼´Â ²ÉÀÌ ÇǾ´Â ³ª¹«¿Íµµ °°±¸³ª(Firenze e come un albero fiorito)"-¸®´©Ä¡¿ÀÀÇ ¾Æ¸®¾Æ, ten. Agostino Lazzari(¸®´©Ä¡¿À)
- Ǫġ´Ï, ¿ÀÆä¶ó <Å佺ī>;
- "³ë·¡¿¡ »ì°í »ç¶û¿¡ »ì°í(Vissi d¡¯arte)"
- "º°Àº ºû³ª°Ç¸¸(E lucevan le stele)", ten.Jose Carreras
- "¾Æ, Àú µÎ ´«(Ah, quegli occhi!)"
- "¿À, ºÎµå·¯¿î ¼ÕÀÌ¿©(O dolci mani)"-(3)2Áßâ, $ ten. Luciano Pavarotti/sop. Mirella Freni
- "¿À¹¦ÇÑ Á¶È(recondita armonia)", ten.Placido Domingo, bass/Paul Plishka
- "Å× µ¥¿ò(Te Deum)" /½ÂÀüÃàÇϹ̻ç
- Ǫġ´Ï, ¿ÀÆä¶ó <Åõ¶õµµÆ®(Turandot)>;
- "°øÁÖ´Ô, ¾óÀ½Ã³·³ Â÷°¡¿öµµ"
- "µé¾îÁÖ¼¼¿ä,¿ÕÀÚ´Ô(Signore, ascolta!)"
- "¿ïÁö ¸»¾Æ¿ä, ·ù(Non piangere, Liu)", ten.Jose Carreras
- Ǫġũ,À²¸®¿ì½º, Ç÷η»½º ÇàÁø°î(Florentine March), Op.214, °üÇö¾Ç°î, * Julius Fucik(1872-1916 Czech)
- ǪƮ,¾Æ¼, Four Character Pieces after the Rubaiyat of Omar Khayyam, Op.48, 16m
- ǪƮ,¾Æ¼, Francesca da Rimini, Op.24, 14m, # Seattle Symphony/Gerard Schwarz, * Arthur Foote(1853-1937 American Classical)
- ǪƮ,¾Æ¼, ¸ðÀ½°î, E, Op.63
- ǪƮ,¾Æ¼, ÇÃ·çÆ®¿Í Çö¾Ç4ÁßÁÖ¸¦ À§ÇÑ ¾ß»ó°î°ú ½ºÄɸ£Á¶(Nocturne and Scherzo for Flute and String Quartet), 1) Nocturne:"A Night Piece", 2) Scherzo
- Ç«½º, ¼¼·¹³ªµ¥ 3(Serenade for Strings), e, Op.21 * Robert Fuchs(1847-1927 Austrian)
- Ç«½º, ¼¼·¹³ªµ¥ 4(Serenade no 4 for Strings and 2 Horns), g, Op.51, 25m, # Cologne Chamber Orchestra/Christian Ludwig
- Ç«½º, ¼Ò³ªÅ¸(Va), Op.86
- Ç«½º, Ŭ¶ó¸®³Ý5ÁßÁÖ°î(Quintet in Eb major for Clarinet, Two Violins, Viola and Cello), Eb, Op.102, 32m
- Ç«½º,¿äÇÑ ¿äÁ¦ÇÁ, ÆÄ¸£Æ¼Å¸(Partita a 3), C, "Turcaria", K.331, * Johann Joseph Fux(1660-1741 Austrian)
- Ç«½º,¿äÇÑ ¿äÁ¦ÇÁ, Sonata per flauto, due violine e basso continuo, en re mineur
- ÇÁ¶óÀÌ,W.H., ³ªÀ̾ư¡¶ó ½ÉÆ÷´Ï, 19c ¹Ì±¹ ÀÛ°î°¡, ÆøÆ÷¸¦ 11°³ÀÇ ÆÀÆÄ´Ï·Î Ç¥Çö, µåº¸¸£ÀÛÀÇ Ã¿·ÎÇùÁÖ°î(Op.104)¿¡ ¿µÇâ, 13m
- ÇÁ¶óÀ̽º³Ê, ¼º¾Ç°î "Winter Light", /Sarah Brightman, * Zbigniew Preisner(1955- Polish film score composer)
- ÇÁ¶óÀÌÁ(·Î¹öÆ®), ¼º¾Ç°î "Staty with me" * Robert Prizeman
- ÇÁ¶û¼¼, ²É½Ã°è(L'horloge de flore pour oboe et piano(The Flower Clock)), 16m # Lajos Lenczes(Ob),Radio Symphony Orchestra of Stuttgart/Uri Segal, * Jean Francaix(1912-1997 French Neoclassical &Pf)
- ÇÁ¶û¼ò(Auguste Franchomme), ȯ»ó°î "À̺°ÀÇ ³ë·¡"(¿¡ ÀÇÇÑ)(Fantasie sur "Le Chant d'adieus"), 8m
- ÇÁ¶ûÄ긣, ¸ðÀ½°î, F
- ÇÁ¶ûÅ©, ±³Çâ°î, d, ¼øÈ¯Çü½Ä, À¯ÀÏÇÑ ±³Çâ°î, 40m$, $ L'Orchestre de la Suisse Romande/Ernest Ansermet
- ÇÁ¶ûÅ©, ±³ÇâÀû º¯ÁÖ°î, ÇǾƳë¿Í °üÇö¾ÇÇùÁÖ°î
- ÇÁ¶ûÅ©, ¹ÙÀ̿ø°¼Ò³ªÅ¸, A, 30m, Æ÷·¹¿Í ÇÔ²² ÇÁ¶û½º ´ëÇ¥Àû ¹ÙÀ̿ø°°î, 1886³â À¯Áø ÀÌÀÚÀ̸¦ À§ÇØ ÀÛ°îµÊ, 4¾ÇÀå Rondo°¡ À¯¸í, Jacquline du Pre(vc)/Daniel Barenboim(pf)
- ÇÁ¶ûÅ©, ¼º¾Ç°î "»ý¸íÀÇ ¾ç½Ä(Panis Angelicus)", bar.Haakan Hagegaard
- ÇÁ¶ûÅ©, ¿À¶óÅ丮¿À <8°¡Áö Çູ>; 2) ¿ÂÀ¯ÇÑ ÀÚ´Â º¹ÀÌ ÀÖ³ª´Ï
- ÇÁ¶ûÅ©, ÀúÁÖ¹ÞÀº »ç³É±º, ±³Çâ½Ã,15m
- ÇÁ¶ûÅ©, ÀüÁÖ°î ÄÚ¶ö°ú Ǫ°¡, Pf, 19m
- ÇÁ¶ûÅ©, ÀüÁÖ°î Ǫ°¡¿Í º¯ÁÖ°î, Op.18, Pf, 12m$, Paul Crossley(pf)
- ÇÁ¶ûÅ©, ÇÁ½ÃÄÉ(Psyche), M.47, °üÇö¾Ç°î, 28m
- ÇÁ¶ûÅ©, ÇǾƳë5ÁßÁÖ°î, f, 34m#, $1) Marc-Andre Hamelin(pf)/Takacs Quartet, 2) Sviatoslav Richter(pf)/Borodin Quartet
- ÇÁ¶ûÅ©, ȯ»ó°î(¿À¸£°£À» À§ÇÑ), A, µ¶¸³µÈ 3ºÎ·Î ±¸¼º,1858c,17m
- ÇÁ·¹½ºÄڹߵð, Il primo libro delle canzoni: Three canzonas, 9m, * Girolamo Frescobaldi(1583-1643 Ferrara:Northern Italy, late Renaissance and early Baroque)
- ÇÁ·¹½ºÄڹߵð, Canzon terza, Scott Ross(org)
- ÇÁ·¹½ºÄڹߵð, ÅäīŸ(Toccata), D, 5m, Antonio Janigro(vc), Eugenio Bagnoli(pf)
- ÇÁ·¹Å丮¿ì½º,¹ÌÄ«¿¤, Terpsichore: Passameze; Gaillarde; Courante; Pavane de Spaigne, Robert Mealy(vn), * Michael Praetorius(1571-1621 German &org)
- ÇÁ·Îº£¸£°Å, ¸ðÀ½°î 30
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, 5°³ÀÇ ¸á·Îµð(Five Melodies), Op.35b, Vn & Pf
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ±³Çâ°î 1, D, Op.25, "°íÀüÀû" * Sergei Prokofiev(1891-1953 Russian)
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ±³Çâ°î 5, Bb, Op.100, 43m, 1946³â ½ºÅ»¸°»óÀÌ ¼ö¿©µÊ, $1) Royal Concertgebouw Orchestra/Mariss Jansons, 2) Netherlands Radio Philharmonic Orchestra/James Gaffigan
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ±³Çâ°î 7, c#, Op.131, 33m, # Berlin Philharmonic Orchestra/Seiji Ozawa
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ·¯½Ã¾Æ ¼°î(Russian Overture), C, Op.72, 13m, London Philharmonic Orchestra/Walter Weller
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ·Î¹Ì¿À¿Í ÁÙ¸®¿§ ¸ðÀ½°î 2, Op.64bis, 30m, St. Petersburg Philharmonic Orchestra:Yuri Temirkanov
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 1, F, Op.80
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 2, D, Op.94a
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ÙÀ̿ø°ÇùÁÖ°î 1, D, Op.19, 2°îÁß 1¹øÀÌ ¸¹ÀÌ ¿¬ÁÖµÊ, 22m, $ Shlomo Mintz(vn)/Chicago Symphony Orchestra/Claudio Abbad
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ÙÀ̿ø°ÇùÁÖ°î 2, g, Op.63,26m
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¼®È,¹«¿ë°î,43m
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¹ß·¹ <½Åµ¥·¼¶ó ¸ðÀ½°î(Cinderella Suite)> 3, Op.109, /Adagio, Waltz, and Amoroso, Royal Scottish National Orchestra/Neeme Jarvi
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ¾î¸°À̸¦ À§ÇÑ À½¾Ç(Music for Children), Op.65, 12°î; /A Summer Day, Children's Suite for Small Orchestra, Op.65b
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÿ·Î¼Ò³ªÅ¸, C, Op.119
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÿ·Î¿Í °üÇö¾ÇÀ» À§ÇÑ ½ÅÆ÷´Ï¾Æ ÄÜü¸£ÅºÅ×(Sinfonia concertante), e, Op.125, 38m#, # Mstislav Rostropovich(vc)/Royal Philharmonic Orchestra/Malcolm Sargent
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ŰÁ¦ÁßÀ§,°üÇö¾Ç ¸ðÀ½°î(5°î), Op.60, 1) ŰÁ¦ÀÇ Åº»ý 2) ·Î¸Á½º 3) ŰÁ¦ÀÇ °áÈ¥ 4) Æ®·ÎÀÌÄ« 5) ŰÁ¦ÀÇ Á×À½
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳë¼Ò³ªÅ¸ 6, A, Op.82, PS6,7,8:"ÀüÀï¼Ò³ªÅ¸", 26m, $Sviatoslav Richter(pf)
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳë¼Ò³ªÅ¸ 7, Bb, Op.83, 20¼¼±â¸¦ ´ëÇ¥ÇÏ´Â ÇǾƳë¼Ò³ªÅ¸·Î ¾Ë·ÁÁü. $Maurizio Pollini
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳë¼Ò³ªÅ¸ 8, Bb, Op.84, 31m
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳëÇùÁÖ°î 1, Db
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳëÇùÁÖ°î 2, g, Op.16, 30m, $$ Vladimir Ashkenazy(pf),New York Philharmonic/Leonard Bernstein
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇǾƳëÇùÁÖ°î 3, C, Op.26, 27m, # Mikhail Pletnev(pf),Russian National Orchestra/Mstislav Rostropovich, # John Browning(pf)/Boston Symphony Orchestra/Erich Leinsdorf
- ÇÁ·ÎÄÚÇÇ¿¡ÇÁ, ÇÇÅÍ¿Í ´Á´ë,±³Çâ¾ÇÀû À̾߱â, Op.67
- ÇÁ·ÎÈå,ÇÏÀθ®È÷, ¼º¾Ç°î "Das Alpenhorn", * Heinrich Proch(1809-1878 Austrian)
- ÇÁ·¹À̸£, ¼º¾Ç°î "¾ÆÀÌ, ¾ÆÀÌ, ¾ÆÀÌ(Ay, Ay, Ay)"
- ÇÁ¸®µå¸®È÷ ´ë¿Õ, ÇÃ·çÆ®ÇùÁÖ°î 3, C, 14m * Frederick the Great(1712-1786 Prussia)
- ÇÁ¸®Ã÷,°¡½ºÆÄ¸£, ½ÅÆ÷´Ï¾Æ, F, Op.6-5 * Gaspard Fritz(1716-1783 Swiss)
- ÇÁ¸®Ã÷,°¡½ºÆÄ¸£, ½ÅÆ÷´Ï¾Æ, g, Op.6-6, 14m, La Stagione Orchestra of Frankfurt/Michael Schneider
- Ç÷ÎÅä, ¿ÀÆä¶ó ¸¶¸£Å¸(Martha); * Friedrich von Flotow(1812-1883 German)
- "²Þ°ú °°ÀÌ(M¡¯appari)", ten.Luciano Pavarotti
- Ç÷¹¿»,À̱׳ªÃ÷ ¿äÁ¦ÇÁ, ±³Çâ°î, Bb, Benton.125, 26m * Ignaz Joseph Pleyel(1757-1831 Austrian-born French)
- Ç÷¹¿»,À̱׳ªÃ÷ ¿äÁ¦ÇÁ, ±³Çâ°î, G, Benton.130, 29m# Sinfonia Finlandia/Patrick Gallois
- Ç÷¹¿»,À̱׳ªÃ÷ ¿äÁ¦ÇÁ Çö¾Ç4ÁßÁÖ°î 2, c, 20m
- Çø®½º, ÀÚÀå°¡(Wiegenlied), sop. Irmgard Seefried, * Bernhard Flies(1770-? German;doctor of medicine)
- ÇǺñÈ÷, ±³Çâ°î 1, F, Op.17, 35m*, * Zdenek Fibich(1850-1900 Czech) cf(µåº¸¸£ÀÛ, ½º¸ÞŸ³ª)
- ÇǺñÈ÷, ±³Çâ°î 2, Eb, Op.38, 40m#, Czech National Symphony Orchestra/Marek Stilec
- ÇǺñÈ÷, ±³Çâ°î 3, e, Op.53
- ÇǺñÈ÷, º½, Op.13, °üÇö¾Ç°î
- ÇǺñÈ÷, ¼º¾Ç°î "Is This Love?"
- ÇǺñÈ÷, ½Ã°ñ Àλó(Impressions from the Countryside), Op.54, °üÇö¾Ç°î
- ÇǺñÈ÷, ¿ÀÅÚ·Î(Othello), Op.6, °üÇö¾Ç°î, 17m
- ÇǺñÈ÷, Å丸°ú ½£ÀÇ ´ÔÇÁ(Toman and the Wood Nymph), Op.49, °üÇö¾Ç°î, 12m#, Czech National Symphony Orch./Marek Stilec
- ÇǺñÈ÷, ÇØÁú³è(At Twilight), Op.39, °üÇö¾Ç°î
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, Cinco Piezas para Guitarra, 4)Triston * Astor Pantaleon Piazzolla(1921-1992, Argentine Tango comp)
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ±×·£µå Åʰí(Le Grand Tango), 10m, Jan Vogler(vc) & Friends
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¶ß°Å¿î(Caliente), Die 12 Cellisten der Berliner Philharmoniker
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¸®º£¸£Åʰí(Libertango), Pf, Vc, Die 12 Cellisten der Berliner Philharmoniker
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ºÎ¿¡³ë½º¾ÆÀÌ·¹½ºÀÇ ¸¶¸®¾Æ; "³» À̸§Àº ¸¶¸®¾Æ(Yo soy maria)", ¼º¾Ç°î
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ºÎ¿¡³ë½º¾ÆÀÌ·¹½ºÀÇ »ç°è(Cuatro estaciones portenas), 21m
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, »ç¶ûÀÇ 2ÁßÁÖ(Duo de Amor), Die 12 Cellisten der Berliner Philharmoniker
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, »ó¾î(Escualo), Die 12 Cellisten der Berliner Philharmoniker
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¼º¾Ç°î "±æ ÀÒÀº »õ(Los pajaros perdidos)", /ms.Denyce Graves
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¼º¾Ç°î "¸Á°¢(Oblivion)", # bar.Erwin Schrott
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ¼º¾Ç°î "ÀÚ ¾î¼, ´Ï³ª(Vamos, Nina)"
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, "¿Ü·Î¿î, ³Ê¹«µµ ¿Ü·Î¿î(Seul tout seul)",
Francois Salque(vc)/Vincent Peirani(accordion)
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ÅÁ°¡ÂÉ(Tangazo=huge tango), 15m, The New World Symphony/Michael Tilson Thomas
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ÅÊ°í ¿¬½À°î(¿Àº¸ ¼Ö·Î¸¦ À§ÇÑ), no.2:Decide, no.3:Molto marcato e energico
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, ÅʰíÀÇ ¿ª»ç(L'histoire du tango); 1) Bordel 1900, 2) Cafe 1930, 3) Nightclub 1960, 4) ¿À´ÃÀÇ ÄܼƮ(Concert d'aujourd'hui), ±âŸ¿Í ÇÃ·çÆ®¸¦ À§ÇØ ÀÛ°î, ½Ã°£ÀÇ È帧¿¡ µû¸¥ ÅʰíÀÇ º¯ÃµÀ» ¹¦»ç, # Matthias Hoefs(trumpet)/Hamburg Philharmonic Soloists
- ÇǾÆÁ¹¶ó,¾Æ½ºÅ丣, Henry IV: Tanti anna prima "Ave Maria"
- ÇÇ¿¡¸£³×,°¡ºê¸®¿¤, Àü¿ø ÁÖÁ¦¿¡ ÀÇÇÑ °ídz ¼ÓÀÇ º¯ÁÖ°î(Variations in the Old Style on a Pastorale Theme), Op.30, * Gabriel Pierne(1863-1937 French)
- ÇÇ¿¡¸£³×,°¡ºê¸®¿¤, ÇÁ¶õü½ºÄÚÆÄ ½ÅÀÚ¿¡ ºñÄ£ dz°æ(Paysages Franciscains), Op.43, 18m, # BBC Philharmonic Orchestra/Juanjo Mena
- ÇÇþÇϰÕ,ºôÇ︧, ÿ·ÎÇùÁÖ°î 2, a, Op.4, 29m, Alban Gerhardt(vc), Deutsches Symphonie Orchester/Stefan Blunier * Fitzenhagen, Wilhelm(1848-1890 German)
- ÇÇÃ÷³Ê, ±³Çâ°î, C, Op.46, 17m, Seattle Symphony/Gerard Schwarz, * Hans Pfitzner(1869-1949 German)
- ÇÇÃ÷³Ê, ¿ÀÆä¶ó <ÆÈ·¹½ºÆ®¸®³ª(Palestrina)>; ÀüÁÖ°î
- ÇÇÈê,¹ÙÃú¶óÇÁ, ±³Çâ°î, D, Z.16, "Diana", * Vaclav Pichl(1741-1805 Czech &Vn)
- ÇÉÁö, »ýÀÏ(Dies Natalis), Op.8, ¼º¾Ç°î, 26m, Rebecca Evans(sop)/Bournemouth Symphony Orchestra/Vernon Handley
- ÇÉÁö, ÀüÁÖ°î(Prelude for String Orchestra), f, Op.25 * Gerald Finzi(1901-1956 British)
- ÇÉÁö, Ŭ¶ó¸®³ÝÀ» À§ÇÑ 5°³ÀÇ ¹Ù°¡ÅÚ(Five Bagatelles for Clarinet & Piano), Op.23, 1) Prelude, 2)Romance, 3) Carol, 4) Forlana, 5) Fughetta
- ÇÉÁö, Seven Partsongs, Op.17, # The Finzi Singers/Paul Spicer
- ÇÊ,Àö ÇÇ¿¡¸£, °¡À»ÀÇ ºû, ÆÒÆÄÀÌÇÁ °î
- Çʵå,Á¸, ¾ß»ó°î 1 ~ 18, Nos. 1:Eb 2:c 3:Ab 4:A 5:Bb 6:F 7:A 8:Eb 9:Eb 10:e 11:Eb 12:E 13:c 14:C 15:D 16:C 17:C 18:F, ÃÖÃÊÀÇ ¾ß»ó°î ÀÛ°î°¡·Î À¯¸í, ¼îÆØÀÇ ¾ß»ó°î ÀÛ°î¿¡ ¿µÇâ, $ Paul Lewis(pf),Swedish Radio Symphony Orchestra/Daniel Harding, * John Field(1782- 1837 Irish &Pf)
- Çʵå,Á¸, ÇǾƳë¼Ò³ªÅ¸, c, Op.1-3/H.8, 15m
- Çʵå,Á¸, ÇǾƳë¼Ò³ªÅ¸, B, Op.1-4/H.17
- Çʵå,Á¸, ÇǾƳëÇùÁÖ°î 2, Ab, H.31, 32m, #John O'Conor(pf),Scottish Chamber Orchestra/Sir Charles Mackerras
- Çʵå,Á¸, ÇǾƳëÇùÁÖ°î 3, Eb, H.32, 32m, John O'Conor(pf)/Scottish Chamber Orchestra/Sir Charles Mackerras
- Çϸ£Æ®¸¸,¿¡¹Ð, ¼¼·¹³ªµ¥(8°³ÀÇ ¸ñ°ü°ü°ú ÿ·Î, ÄÜÆ®¶ó¹Ù½º¸¦ À§ÇÑ), Bb, Op.43, 20m * Emil Hartmann(1836-1898, Danish)
- Çϸ£Æ®¸¸,¿¡¹Ð, Ä«´Ï¹ß ÃàÁ¦(A Carnival Feast), Op.32, 28m, °üÇö¾Ç°î
- ÇÏÀÌ´ÏÇî, ¼º¾Ç°î »ç³ÉÀÇ ³ë·¡ "¼ö¸¹Àº Áü½ÂµéÀÌ ¸ô·Á¿Â´Ù" * Johann David Heinichen(1683-1729: German Baroque composer)
- ÇÏÀÌ´ÏÇî, ÇùÁÖ°î, G, S.213, Renhard Goebel(Vn)/Musica Antiqua Koeln
- ÇÏÀÌ´ÏÇî, ÇùÁÖ°î(Concerto for Oboe, Violin, 2 Flutes and 2 Horns), F, S.235, 14m#, Musica Antiqua Koln/Reinhard Goebel
- ÇÏÀ̵ç, ±³Çâ°î 1, D, Hob.I:1, 12m
- ÇÏÀ̵ç, ±³Çâ°î 4, D, Hob.I:4,
- ÇÏÀ̵ç, ±³Çâ°î 5, A, Hob.I:5, 14m, Cantilena/Adrian Shepherd
- ÇÏÀ̵ç, ±³Çâ°î 6, D, Hob.I:6 "¾ÆÄ§(Le Matin)", 20m, $ The English Concert/Trevor Pinnock
- ÇÏÀ̵ç, ±³Çâ°î 18, G, Hob.I:18, 14m
- ÇÏÀ̵ç, ±³Çâ°î 19, Eb, 21m
- ÇÏÀ̵ç, ±³Çâ°î 20, C, 14m
- ÇÏÀ̵ç, ±³Çâ°î 22, Eb, "Philosopher"
- ÇÏÀ̵ç, ±³Çâ°î 27, G, Hob.I:27, 14m
- ÇÏÀ̵ç, ±³Çâ°î 28, A, Hob.I:28, 14m
- ÇÏÀ̵ç, ±³Çâ°î 31, D, Hob.I:31, "Hornsignal", 32m#, $ Academy of Ancient Music/Christopher Hogwood, Orchestra of St. Luke's/Sir Charles Mackerras
- ÇÏÀ̵ç, ±³Çâ°î 38, C, Hob.I:38
- ÇÏÀ̵ç, ±³Çâ°î 41, C, 18m
- ÇÏÀ̵ç, ±³Çâ°î 42, D, 28m
- ÇÏÀ̵ç, ±³Çâ°î 43, Eb, "¼ö¼º(Mercury)", 24m
- ÇÏÀ̵ç, ±³Çâ°î 44, e, Hob.I:44, "½½ÇÄ(Trauer/Mourning)", 24m
- ÇÏÀ̵ç, ±³Çâ°î 45, f, Hob.I:45, "°íº°(Farewell)"
- ÇÏÀ̵ç, ±³Çâ°î 47, G, "¹ÝÁøÇà", ¹ÝÀ½°èÀû À½°è »ç¿ë
- ÇÏÀ̵ç, ±³Çâ°î 48, C, "Maria Theresia", 27m, # Orpheus Chamber Orchestra
- ÇÏÀ̵ç, ±³Çâ°î 49, f, "¼ö³(La passione)", Hob.I:49, 16m, $ Orpheus Chamber Orchestra, New York Philharmonic/Alan Gilbert, conductor
- ÇÏÀ̵ç, ±³Çâ°î 51, Bb, Hob.I:51, 22m
- ÇÏÀ̵ç, ±³Çâ°î 52, c, Hob.I:52, 30m
- ÇÏÀ̵ç, ±³Çâ°î 55, Eb, "The Schoolmaster"
- ÇÏÀ̵ç, ±³Çâ°î 57, D, 26m, Philharmonia Baroque Orchestra/ Nicholas McGegan
- ÇÏÀ̵ç, ±³Çâ°î 59, A, "Fire"
- ÇÏÀ̵ç, ±³Çâ°î 60, C, Hob.I:60, "¸ÛûÇÑ »ç¶÷", À¯ÀÏÇÏ°Ô 6M ±¸¼º
- ÇÏÀ̵ç, ±³Çâ°î 73, D, H1:73, "La Chasse(the Hunt)", 22m
- ÇÏÀ̵ç, ±³Çâ°î 82, C, "°õ(The Bear)"
- ÇÏÀ̵ç, ±³Çâ°î 83, g, "¾Ïż(The Chicken)", 25m $
- ÇÏÀ̵ç, ±³Çâ°î 85, Bb, "¿Õºñ", BBC Symphony Orchestra/Ernest Ansermet
- ÇÏÀ̵ç, ±³Çâ°î 86, D
- ÇÏÀ̵ç, ±³Çâ°î 87, A
- ÇÏÀ̵ç, ±³Çâ°î 88, G, 23m
- ÇÏÀ̵ç, ±³Çâ°î 90, C, 26m, Orchestra of the Eighteenth Century/Franz Brueggen
- ÇÏÀ̵ç, ±³Çâ°î 91, Eb, 27m, Freiburg Baroque Orchestra/Rene Jacobs
- ÇÏÀ̵ç, ±³Çâ°î 92, G, "¿Á½ºÆ÷µå"
- ÇÏÀ̵ç, ±³Çâ°î 93, D, 23m#
- ÇÏÀ̵ç, ±³Çâ°î 94, G, "³î¶÷", 2M¿¡¼ À¯·¡
- ÇÏÀ̵ç, ±³Çâ°î 95, c, 20m $
- ÇÏÀ̵ç, ±³Çâ°î 96, D, "±âÀû"
- ÇÏÀ̵ç, ±³Çâ°î 97, C, 23m
- ÇÏÀ̵ç, ±³Çâ°î 98, Bb, 26m, Philharmonia Orchestra/Leonard Slatkin
- ÇÏÀ̵ç, ±³Çâ°î 99, Eb, 28m, Davis/London Sym Orch
- ÇÏÀ̵ç, ±³Çâ°î 100, G, "±º´ë", 2M(Allt)ÀÌ ±º´ëÇàÁø°îÀ» ¿¬»ó½ÃÅ´,20m
- ÇÏÀ̵ç, ±³Çâ°î 101, D, "½Ã°è", Hob.I:101, 27m
- ÇÏÀ̵ç, ±³Çâ°î 102, Bb
- ÇÏÀ̵ç, ±³Çâ°î 103, Eb, "Å«ºÏ ¿¬Å¸(Drum Roll)" 3M, 28m
- ÇÏÀ̵ç, ±³Çâ°î 104, D, "·±´ø", 27m#, The Academy of Ancient Music/Christopher Hogwood
- ÇÏÀ̵ç, ±âŸ4ÁßÁÖ°î, E, Op.2-2,17m
- ÇÏÀ̵ç, ¹Ì»ç, d, Hob.XXII:11, "³Ú½¼ ¹Ì»ç(Lord Nelson Mass)", 40m, # Monteverdi Choir,English Baroque Soloists/John Eliot Gardiner
- ÇÏÀ̵ç, ·±´ø3ÁßÁÖ 1, G, Fl Ce Vn ±¸¼º
- ÇÏÀ̵ç, ¹Ì´º¿§(24°³ÀÇ)(24 Minuets), Hob.IX:16: Nos.10-12
- ÇÏÀ̵ç, ¹ÙÀ̿ø°ÇùÁÖ°î 1, C, Hob.VIIa:1, 18m#
- ÇÏÀ̵ç, ¹ÙÀ̿ø°ÇùÁÖ°î 3, A, Hob.VIIa:3, 21m#
- ÇÏÀ̵ç, ¼º¾Ç°î "She never told her love", ten.Ian Bostridge
- ÇÏÀ̵ç, ¼º¾Ç°î "¸ðµç °Í¿£ ¶§°¡ ÀÖ³ª´Ï"
- ÇÏÀ̵ç, ¼º¾Ç°î "»ç¶ûÀÇ ³ë·¡(Liebeslied)", Elly Ameling(sop)
- ÇÏÀ̵ç, ¼º¾Ç°î "¿øÇÏ´Â »ç¶÷´õ·¯ ¸»Ç϶ó Çϼ¼¿ä"
- ÇÏÀ̵ç, ¼º¾Ç°î "Ȧ·Î »ý°¢¿¡ Àá°Ü"
- ÇÏÀ̵ç, ¼¼·¹³ªµ¥
- ÇÏÀ̵ç, ¿À¶óÅ丮¿À <õÁöâÁ¶>; 3ºÎ ±¸¼º
- "°ÅÄ£ µéÀÌ º¯ÇÏ¿© ÃÊ¿øÀÌ µÇ¾ú³×[½Å·ÏÀÇ ¿ÊÀ» ÀÔ°í](Nun beut die Flur das frische Gruen)"-õ»çâ °¡ºê¸®¿¤ÀÇ ¾Æ¸®¾Æ, sop.Elly Ameling
- "±×¸®ÇÏ¿© Çϳª´Ô²²¼ ÀÚ½ÅÀÇ Çü»ó´ë·Î(Und Gott schuf den Menschen...)", ten.Uwe Heilman
- "¸¸¹Îµé¾Æ ¼Ò¸® ³ô¿© ÁÖ¸¦ Âù¾çÇ϶ó(Singt dem Herren alle Stimmen)"-3ºÎ ¸¶Áö¸· ÇÕâ
- "½Å·ÏÀÇ ¿ÊÀ» ÀÔ°í(Nun beut die Flur)", sop.Elly Ameling
- "ÀÌÁ¦ ½Å¼ºÇÑ ºû¿¡ ÀÇÇØ »ç¶óÁö°í(Nun schwanden vor dem heiligen Strahle)", ten.Werner Krenn
- ÇÏÀ̵ç, ¿À¸£°£ÇùÁÖ°î 1, C, ¿¬ÀÎ Å×·¹Á¦ ÄÌ·¯¿¡°Ô ÇåÁ¤
- ÇÏÀ̵ç, ¿À¸£°£ÇùÁÖ°î, C,20m
- ÇÏÀ̵ç, ¿ÀÆä¶ó <±â»ç ¿À¸¦¶õµµ(Orlando Paladino)>;
- "´«±æ ÇѹøÀÌ¸é ±×°É·Î ³¡(Ad un guardo, a un cenno solo)"-¾ËÄ¡³ªÀÇ ¾Æ¸®¾Æ, Gwendolyn Killebrew(Contralto)
- ÇÏÀ̵ç, ¿ÀÆä¶ó <¹«Àεµ>;
- "´ÞÄÞÇÑ ±¤±â·Î ³ª ±â»µÇϰí ÇѼû Áþ³×(Fra un dolce deliro)", sop.Patricia Petibon
- ÇÏÀ̵ç, Àü½Ã¹Ì»ç(Missa in tempore belli; Mass in Time of War), Hob.22-9, 45m
- ÇÏÀ̵ç, ÿ·ÎÇùÁÖ°î 1, C, Hob.VIIb:1, 1783(51)c, 26m * Jacqueline du Pre'(cello) English Chamber Orchestra/Daniel Barenboim
- ÇÏÀ̵ç, ÿ·ÎÇùÁÖ°î 2, D, Hob.VIIb:2, 27m
- ÇÏÀ̵ç, ÿ·ÎÇùÁÖ°î, D, Op.101
- ÇÏÀ̵ç, Æ®·³ÆêÇùÁÖ°î, Eb, Hob.7e-1,15m$ , À¯ÀÏÇÑ Æ®·³ÆêÇùÁÖ°î, $ Timofey Dokshizer(trumpet),Lion Chamber Orchestra/Fournier
- ÇÏÀ̵ç, ÇǾƳ븦 À§ÇÑ ¾È´ÜÅ×¿Í º¯ÁÖ°î, f, Hob.17-6
- ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 5, g, Hob.XV:1, 15m#, $ Riccardo Minasi(vn)/Maxim Emelyanychev(fortepiano)/Federico Toffano(vc)
- ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 13, Bb, Hob.XV:38, 13m, Riccardo Minasi(vn)/Maxim Emelyanychev(fortepiano)/Federico Toffano(vc)
- ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 39, G, Hob.XV:25, 14m, "Gypsy"
- ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 43, C, Hob.XV:27, 19m#
- ÇÏÀ̵ç, ÇǾƳë3ÁßÁÖ 44, E, Hob.XV:28
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 3, F, Hob.XVI:9
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 10, C, Hob.XVI:1
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 15, E, Hob.XVI:13
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 19, e, Hob.XVI:47bis, 12m
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 31, Ab, Hob.XVI:46, 17m$, Emanuel Ax:Pf
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 32, g, Hob.XVI:44, 14m
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 33, c, Hob.XVI:20
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 45, A, Hob.XVI:30, 13m#, $ Evgeny Kissin(pf)
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 48, C, Hob.XVI:35, 11m
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 53, e, Hob.XVI:34, 11m $ >Alfred Brendel
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 59, Eb, Hob.XVI:49
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 60, C, Hob.XVI:50
- ÇÏÀ̵ç, ÇǾƳë¼Ò³ªÅ¸ 62, Eb, Hob.XVI:52, 21m
- ÇÏÀ̵ç, ÇǾƳëÇùÁÖ°î 4, G, Hob.XVIII:4
- ÇÏÀ̵ç, ÇǾƳëÇùÁÖ°î 11, D, Hob.XVIII:11, 20m, # Andreas Staier(fortepiano),Freiburger Barockorchester/Gottfried von der Goltz
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î, F, Op.3-5, Hob.III:17, ¼¼·¹³ªµ¥(2M È£ÇÁ½ºÅ×ÅÍ ÀÛ°î(attr. Roman Hofstetter))
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 01, Bb, Op.1-1, Hob.III:1, "»ç³É(La Chasse)", 17m
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 22, D, Op.20-4, Hob.III:34, "The Sun"
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 23, f, Op.20-5, Hob.III:35, St. Lawrence String Quartet
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 26, g, Op.20-3, Hob.III:33, 26m, Daedalus Quartet
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 28, Eb, Op.20-1, Hob.III:31, Doric String Quartet
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 30, Eb, Op.33-2 Hob.III:38, "³ó´ã", 4M48m
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 31, b, Op.33-1, Hob.III:37
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 32, C, Op.33-3, Hob.III:9, "»õ"
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 46, f, Op.55-2, Hob.III:61, "¸éµµÄ®4ÁßÁÖ", ÇÏÀ̵çÀº 80°îÀÌ»óÀÇ 4ÁßÁÖ°îÀ» ÀÛ°îÇÔ, 24m#, Amadeus Quartet
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 53, D, Op.64-5, Hob.III:63 "Á¾´Þ»õ", 18m
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 55, D, Op.71-2, Hob.III:70, 15m
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 57, G, Op.54-1, Op.54 55 64¹øÀº "¿äÇÑ Å佺Ʈ Çö¾Ç4ÁßÁÖ°î"À̶ó ÇÔ, Çö¾Ç4ÁßÁÖÀÇ ¾î¸Ó´Ï,18m
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 58, FÀåÁ¶ Op.74-2 Hob.III:73
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 59, g, Op.74-3, Hob.III:74, "Reiter(The Rider)"
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 60, G, Op.76-1, Hob.III:75, Op.76¿¡´Â 6°îÀÌ ÀÖÀ½(¿¡¸£·¹µð 4ÁßÁÖ°îÀ̶ó ÇÔ), # Takacs Quartet
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 61, d, Op.76-2, "5µµ(Fifths)", Hob.III:76
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 62, C, Op.76-3, Hob.III:77 "ȲÁ¦(Emperor)", 26m#, Quartetto Italiano
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 63, Bb, Op.76-4, Hob.III:78 "ÇØµ¸ÀÌ(Sunrise)" $
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 64, D, Op.76-5, Hob.III-79, "¶ó¸£°í(Largo)", 19m
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 66, G, Op.77-1, Hob.III:81, 23m#4, 1) Kodaly Quartet, 2) Smithson Quartet
- ÇÏÀ̵ç, Çö¾Ç4ÁßÁÖ°î 67, F, Op.77-2, Hob.III:82
- ÇÏÀ̵ç, È£¸¥ÇùÁÖ°î, D, 15m
- ÇÏÀ̵ç, È£¸¥ÇùÁÖ°î 3, D
- ÇÏÀ̵ç, ȯ»ó°î, C, Hob.XVII:4, µ¶ÁÖ°î, Wihelm Backhaus(pf)
- ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ±³Çâ°î 11, Bb, P.9, 14m * Johann Michael Haydn(1737-1806 Austrian:Classical period)-Joseph HaydnÀÇ µ¿»ý
- ÇÏÀ̵ç, ±³Çâ°î 25, G, 13m, Slovak Chamber Orchestra/Bohdan Warchal
- ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ±³Çâ°î 29, C, 23m, Bournemouth Sinfonietta/Harold Farberman
- ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ±³Çâ°î 30, D, P.21, MH.399, 15m
- ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ±³Çâ°î 31, F, P.22, 17m
- ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ¹Ì´º¿§(6°³ÀÇ)
- ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, ÇÃ·çÆ®ÇùÁÖ°î, D, MH.81(P.54), 17m
- ÇÏÀ̵ç,¿äÇÑ ¸¶ÀÌŬ, Notturno, F, P.106:MH.185, 16m#
- ÇÏÁö´ÙŰ½º, ¼º¾Ç°î "±Í¿¡ Ä«³×ÀÌ¼Ç ²ÈÀº ¼Ò³à", #ms.Agnes Baltsa * Manos Hadjidakis(1925-1994 Greek)
- ÇÏÁö´ÙŰ½º, ¼º¾Ç°î "±âÂ÷´Â ¶°³ª°í(The Train has Gone)", # sop. Angela Gheorghiu
- ÇÏÂ÷Åõ¸®¾È, gayaneh, ¹«¿ë ¸ðÀ½°î, # Armenian Philharmonic Orchestra/Loris Tjeknavorian, * Aram Khachaturian(1903-1978 Russian)
- ÇÏÂ÷Åõ¸®¾È, µ¶ÁÖ ¹ÙÀ̿ø°À» À§ÇÏ µ¶¹é, (Victor Pikaizen;Vn), 17m
- ÇÏÂ÷Åõ¸®¾È, ¹ß·¹Á¶°î ½ºÆÄ¸£Å¸Äí½º; ¾Æ´ÙÁö¿À(9m)
- ÇÏÂ÷Åõ¸®¾È, ¿ÀÆä¶ó <°¡¸é¹«µµÈ¸> ¸ðÀ½°î(Masquerade Suite); ¿ÐÃ÷
- ÇÏÂ÷Åõ¸®¾È, Ŭ¶ó¸®³Ý, ºñ¿Ã¶ó¿Í ÇǾƳ븦 À§ÇÑ 3ÁßÁÖ°î, g
- ÇÏÂ÷Åõ¸®¾È, ÇÃ·çÆ®ÇùÁÖ°î, Vn CÀ» Àö ÇÇ¿¡¸£ ¶ûÆÈÀÌ Fl CÀ¸·Î Æí°î
- ÇÏÆ¼(ÇØ¹Ðư), ¾ÆÀÏ·£µå(In Ireland), °üÇö¾Ç°î, 8m * Sir Hamilton Harty(1879-1941 Irish)
- ÇÒº¸¸£¼¾,¿äÇÑ, °ídz½º·± ¸ðÀ½°î(Suite ancienne), Op.31, 29m, # Norwegian Radio Orchestra/Ari Rasilainen, °üÇö¾Ç°î * Johan Halvorsen(1864-1935 Norwegain)
- ÇÒº¸¸£¼¾,¿äÇÑ, ±³Çâ°î 3, C, 26m
- ÇÒº¸¸£¼¾,¿äÇÑ, ³ë¸£¿þÀÌ ±¤½Ã°î 2, G
- ÇÒº¸¸£¼¾,¿äÇÑ, ³ë¸£¿þÀÌ µ¿È ±×¸²µé(Norwegian Fairy Tale Pictures), Op.37, °üÇö¾Ç°î
- ÇÒº¸¸£¼¾,¿äÇÑ, ³ë¸£¿þÀÌ ¹«°î(3°³ÀÇ)(Three Norwegian Dances), (Va & Orch)
- ÇÒº¸¸£¼¾,¿äÇÑ, ÃàÈ¥ÇàÁø°î(Wedding March), Op.32-1, Marianne Thorsen(vn),Bergen Philharmonic Orchestra/Neeme Jarvi
- ÇØ¸®½¼,·ç, 7°³ÀÇ Àü¿ø°î(Seven Pastorales), 19m#, Brooklyn Philharmonic Orchestra/Dennis Russell Davies, * Lou Harrison(1917-2003 American)
- ÇØ¸®½¼,·ç, ÿ·Î¿Í ÇÏÇÁ¸¦ À§ÇÑ ¸ðÀ½°î
- ÇÚ½¼,ÇÏ¿öµå, ±³Çâ°î 1, e, Op.22 "³ë¸£µñ(Nordic)", 26m, * Howard Harold Hanson(1896-1981 American)
- ÇÚ½¼,ÇÏ¿öµå, ±³Çâ°î 2, Op.30 "Romantic", 30m, # Saint Louis Symphony Orchestra/Leonard Slatkin
- ÇÚ½¼,ÇÏ¿öµå, ±³Çâ°î 4, Op.34 "Requiem"
- ÇÚ½¼,ÇÏ¿öµå, ¼¼¸£°ÔÀÌ Äí¼¼ºñÃ÷۸¦ Ã߸ðÇÏ´Â ¿¤·¹Áö (Elegy in Memory of Serge Koussevitsky), 13m
- Çåµé¸®(¸®Â÷µå), ¼º¾Ç°î "Come ready and see me" * Richard Hundley
- Ç츣¸¸, ÇÏÇÁÇùÁÖ°î 1, F, Op.9, 18m, Xavier de Maistre(hrp)/Les Arts Florissants/William Christie, * Johann David Hermann(1760?-1846 German?)
- Ç츣Á¶°Õº£¸£Å©, 3ÁßÁÖ°î(Trio for Oboe, Horn, and Piano), d, Op.61, #2
- Ç츣Á¶°Õº£¸£Å©, Çö¾Ç4ÁßÁÖ°î, d, Op.18, 24m * Heinrich von Herzogenberg(1843 - 1900)
- Ç츣Ã÷,¾Ó¸®, ÇǾƳëÇùÁÖ°î 2, c, Op.74, * Henri Herz(1803-1888 Austrian Pf)
- Ç츣ÅÚ,¿äÇÑ ºôÇ︧, Æ®·³ÆêÇùÁÖ°î, D, * Johann Wilhelm Hertel(1727-1789 German)
- Ç, Almira: Suite of Dances, 14m# Academy for Ancient Music
- Ç, Langue, geme, sospira, HWV.188
- Ç, °Ç¹Ý¾Ç±â ¸ðÀ½°î 2, F, HWV.427, 23m
- Ç, °Ç¹Ý¾Ç±â ¸ðÀ½°î 3, d, HWV.428, 24m, # Lisa Smirnova(pf)
- Ç, °Ç¹Ý¾Ç±â ¸ðÀ½°î, g, HWV.432, 22m
- Ç, °Ç¹Ý¾Ç±â ¸ðÀ½°î, d, HWV.437, 10m
- Ç, °ü¾Ç ¾Ó»óºí°ú ÇöÀ» À§ÇÑ ÇùÁÖ°î(2°³ÀÇ) 1(Concerto "a due cori"), Bb, HWV.332, 14m, Ensemble Zefiro/Alfredo Bernardini
- Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), A, Op.1-3, HWV.361
- Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), g, Op.1-10, HWV.368, "Roger"
- Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), F, Op.1-12, HWV.370
- Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 4(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), D, Op.1-13, HWV.371, 6VS, 4m11m, ¹ÙÈåÀÇ ¾ö°ÝÇÔ¿¡ ºñÇØ ÇÀÇ ¼¶¼¼ÇÔ°ú ¿©À¯·Î¿òÀÌ Ç¥ÃâµÈ ÀÛǰ.
- Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 5(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), A, Op.1-14, HWV.372
- Ç, ¹ÙÀ̿ø°¼Ò³ªÅ¸ 6(¹ÙÀ̿ø°°ú ÇÕ½ÃÄڵ带 À§ÇÑ), E, Op.1-15, HWV.373, 10m
- Ç, ¼º¾Ç°î "°¨»çÀÇ ³ë·¡(Dank sei dir, Herr)"
- Ç, »þÄÜ´À(Chaconne), G, HWV.435, Pf, 11m, # Danny Driver(pf)
- Ç, ¼º¾Ç°î "³» ¿µÈ¥ÀÌ ´Ù µè´Â´Ù", HWV.207
- Ç, ¼º¾Ç°î "´ÙÁ¤ÇÑ ½£(Care selve)", ms. Janet Baker
- Ç, ¼º¾Ç°î "º¸¾Æ¶ó, ¿ë»ç°¡ µ¹¾Æ¿Â´Ù(See the conquering hero comes)"
- Ç, ¼º¾Ç°î "»çÁ¦ ÀÚµ¶(Zadok the Priest)", Ambrosian Singers
- Ç, ¼ö»óÀ½¾Ç 2, HWV.349, * ¼°î, ¹Ì´º¿§°ú ºÎ·¹, È¥ÆÄÀÌÇÁÀÇ ¾ÇÀåÀ¸·Î ÀÌ·ç¾îÁö´Â °üÇö¾Ç¸ðÀ½°î ¼¼ °³·Î ±¸¼º(HWV.348-350)
- Ç, ¾ÆÆú·Î¿Í ´ÙÇÁ³×(Apollo e Dafne), HWV.122;
- "½£¼ÓÀ¸·Î °©½Ã´Ù(Mie piante, correte)", bar.Ildebrando D¡¯Arcangelo
- "ÃÖ»óÀÇ ÇູÀº ¿µÈ¥ÀÇ ÀÚÀ¯(Felicissima quest¡¯alma)", sop.Nancy Argenta
- Ç, <¾Ø ¿©¿ÕÀÇ Åº½ÅÀ» À§ÇÑ ¼Û°¡>;
- "Eternal Source of Light Divine", ct.Iestyn Davies/Alison Balsom(trp)
- Ç, ¿À¶óÅ丮¿À <¸Þ½Ã¾Æ(Messiah>, HWV.56
- Ç, ¿À¶óÅ丮¿À <º§»çÀÚ¸£>;
- "¿À ¿µ±¤½º·¯¿î ¿ÕÀÚ¿©(Oh Glorious Prince)", Stockholm Chamber Choir
- Ç, ¿À¶óÅ丮¿À <»ï¼Õ>;
- "ºû³ª¶ó õ»ç¿©(Let the bright seraphim)", Kathleen Battle(Sop),Wynton Marsalis(Trp),Saint Luke Orchestra/John Nelson
- "Let the Bright Seraphim", sop.Kathleen Battle/Wynton Marsalis(trp)
- Ç, ¿À¶óÅ丮¿À <¼Ö·Î¸ó>; /"¼ø·ÊÀÚ¿¡°Ô ¿©¸íÀÌ ¹Ý°©µíÀÌ", /"ÁÖ¸¦ Âù¾çÇ϶ó(Praise the Lord)"
- Ç, ¿À¶óÅ丮¿À <À¯´Ù½º ¸¶Ä«º£¿ì½º>;
- "·ùÆ®¿Í ÇÏÇÁ¸¦ ¿ï¸®°í(So Shall the lute and harp awake)"
- "º¸¾Æ¶ó ¿ë»ç µ¹¾Æ¿Â´Ù(See the Conquering Hero Comes)" ÁÖÁ¦¿¡ ÀÇÇÑ 12°³ÀÇ º¯ÁÖ°î, Adrian Brendel(vc)/Alfred Brendel(pf)
- Ç, ¿À¸£°£ÇùÁÖ°î 2, Bb, Op.4-2,12OC
- Ç, ¿À¸£°£ÇùÁÖ°î 5, F, Op.4-5, HWV.293
- Ç, ¿Àº¸ÇùÁÖ°î 3, g, HWV.387, 10m
- Ç, ¿ÀÆä¶ó <·Îµ¨¸°´Ù(Rodelinda)> * ¹Ù·ÎÅ© ½Ã´ëÀÇ Çǵ¨¸®¿À¿¡ ÇØ´ç;
- "°¨Á¤ÀÇ È¥¶õ¿¡ ºüÁø ½ÅÀÇ ¾ø´Â ¾Æ³»(Confusa si miri)"-º£¸£Å¸¸®µµÀÇ ¾Æ¸®¾Æ(¾ßÄß½º), Andreas Scholl(Ct)
- "°í¿äÇÑ ½Ã³Á¹°°ú »ù¹°µµ ÇÔ²² ¿ï¾îÁÖ³×(Con rauco mormorio)"-º£¸£Å¸¸®µµÀÇ ¾Æ¸®¾Æ(¾ßÄß½º), Bejun Mehta(Ct)
- "±×ÀÇ ¿µÈ¥À» ±«·ÓÈ÷´Â ÆøÇ³¿ì ¼Ó¿¡¼µµ(Fra tempeste funeste a quest'alma)"-¿ì´Æ÷ÀÇ ¾Æ¸®¾Æ(½´³ªÀÌ´õ), Kai Wessel(Ct)
- "³» »ç¶û!(Mio caro bene!)"-·Îµ¨¸°´ÙÀÇ ¾Æ¸®¾Æ, º£¸£Å¸¸®µµÀÇ ·¹Ä¡Å¸Æ¼º¸, ÇÕâ(½´³ªÀÌ´õ), Barbara Schlick(Sop),David Cordier(Ct)
- "ºÒÇàÇÑ ¿î¸íÀº(l'empio rigor del fato)"-·Îµ¨¸°´ÙÀÇ ¾Æ¸®¾Æ(½´³ªÀÌ´õ), Barbara Schlick(Sop)
- "¾Æ, Áö¿ÁÀÌ µû·Î ¾ø±¸³ª(Fatto inferno e il mio)"-±×¸®¸ð¾ËµµÀÇ ·¹Ä¡Å¸Æ¼º¸(½´³ªÀÌ´õ), Christoph Pregardien(Ten)
- "¾îµð ÀÖ³ª¿ä? »ç¶ûÇÏ´Â ÀÌ¿©!(Dove sei? Amato bene!)"-º£¸£Å¸¸®µµÀÇ ¾Æ¸®¾Æ(³ë¸µÅÏ), BDavid Daniels(Ct)
- Ç, ¿ÀÆä¶ó <¸®³¯µµ(Rinaldo)>;
- "¸ÅȤÀûÀÎ ±×´ë ¸ð½À(Scherzano sul tuo volto)"-¾Ë¹Ì·¹³ª¿Í ¸®³¯µµÀÇ ÀÌÁßâ(¾ßÄß½º), Miah Persson(Sop),Vivica Genaux(Ms)
- "»ç¶û½º·± ½ÅºÎ¿©(Cara Sposa)"-¸®³¯µµÀÇ ¾Æ¸®¾Æ(´ÜÅä³×), Andreas Scholl(Ct)
- "»êµé¹Ù¶÷ÀÌ¿©, ȸ¿À¸®¹Ù¶÷ÀÌ¿©(Venti, turbini)"-¸®³¯µµÀÇ ¾Æ¸®¾Æ(ÆÄ¼Ö¸®½º), Philippe Jaroussky(Ct)
- "¿µ¿¹ÀÇ ¼ºÀüÀº °¡ÆÄ¸¥ ¹ÙÀ§ »ê À§¿¡(Sovra balze scoscese e pungenti)"-°íÇÁ·¹µµÀÇ ¾Æ¸®¾Æ(¾ßÄß½º), Lawrence Zazzo(Ct)
- "¿ÀÁ÷ ¹Ì´ö¸¸ÀÌ ¾ÇÀ» À̱ä´Ù(Vinto e sol dalla virtu)"-ÇÕâ(¾ßÄß½º), Miah Persson(Sop),Inga Kalna(Sop)
- "¿å¸Áµµ Å©°í Èñ¸Áµµ °¡µæÇÏ´Ï(Molto voglio, molto spero)"-¾Æ¸£¹Ì´ÙÀÇ ¾Æ¸®¾Æ(È£±×¿ìµå)
- "¿ï°Ô ³»¹ö·ÁµÎ¼¼¿ä(Lascia chi¡¯o pianga)", # ms.Cecilia Bartoli
- "È·ÁÇÑ Æ®·³Æê ¼Ò¸®°¡(Or la tromba in suon festante)"-¸®³¯µµÀÇ ¾Æ¸®¾Æ(È£±×¿ìµå), David Daniels(Ct)
- "Ȧ·Î ¿ï°Ô ÇϼҼ(Lascia ch'io pianga mia cruda sorte)"-¾Ë¹Ì·¹³ªÀÇ ¾Æ¸®¾Æ(·ç¼¼)
- Ç, ¿ÀÆä¶ó <¸®Ä«¸£µµ 1¼¼>;
- "Á¤ÀÇ·Î¿î ¸ðÇè¿¡ ½Â¸®°¡ µû¸£±æ(Dell¡¯onor di giuste imprese)", ct.Pascal Bertin
- Ç, ¿ÀÆä¶ó <¸í¶ûÇÑ »ç¶÷, ¿ì¿ïÇÑ »ç¶÷, ¿ÂÈÇÑ »ç¶÷>;
- Ç, ¿ÀÆä¶ó <º£·¹´Ïü(Berenice)>, HWV.38; /¼°î°ú ¹Ì´º¿§, Áö±×
- Ç, ¿ÀÆä¶ó <¼¼¸£¼¼(Serse)>, HWV.40;
- "±×´Â ³ª¸¦ »ç¶û ¾ÈÇÑ´Ù°í ÇϰÚÁö¸¸(Dira che amor per me)"-¾ÆÅ»¶õŸÀÇ ¾Æ¸®¾Æ(Å©¸®½ºÆ¼), Sandrine Piau(Sop)
- "²ûÂïÇÑ º¹¼ö½ÉÀÌ(Crude furie)"-¼¼¸£¼¼ÀÇ ¾Æ¸®¾Æ(Å©¸®½ºÆ¼), Anne Sofie von Otter(Ms)
- "³» »ç¶ûÀ» »©¾ÑÀ» ¼Ó¼ÀÀ̶ó¸é(Se l¡¯idol mio)"-·Î¹Ð´ÙÀÇ ¾Æ¸®¾Æ(Å©¸®½ºÆ¼), Elizabeth Norbert-Schulz(Sop)
- "³» ½ÅÀǸ¦ ÀÌ·¸°Ô ¸ð¿åÇÏ´Ù´Ï(Troppo oltraggi la mia fede)"-¾Æ¸£»ç¸Þ³×¿Í ·Î¹Ð´ÙÀÇ ÀÌÁßâ(Å©¸®½ºÆ¼), Lawrence Zazzo(Ct),Elizabeth Norbert-Schulz(Sop)
- "´ç½ÅÀÌ ³»°Ô ¾ó¸¶³ª ¼ÒÁßÇÑÁö...(Caro voi siete all¡¯alma)", "´Ù½Ã Æò¿ÂÀ» ã¾Ò³×(Ritorno a noi la calma)"-·Î¹Ð´ÙÀÇ ¾Æ¸®¾Æ¿Í ÇÕâ(Å©¸®½ºÆ¼) , Elizabeth Norbert-Schulz(Sop)
- "»ç¶û½º·± ³ª¹«±×´Ã(Ombra mai fu)"-¼¼¸£¼¼ÀÇ ¾Æ¸®¿À¼Ò(Arioso)(ÆÄ¼Ö¸®½º), Philippe Jaroussky(Ct)
- "»ç¶ûÀ» °í¹éÇÒ °Å¾ß/¾ó¸¶µçÁö °í¹éÇØº¸¶óÁö(Io le diro che l¡¯amo/ Tu le dirai che l¡¯ami)"-¼¼¸£¼¼¿Í ¾Æ¸£»ç¸Þ³×ÀÇ ¾Æ¸®¾Æ(Å©¸®½ºÆ¼), Anne Sofie von Otter(Ms),Lawrence Zazzo(Ct)
- "¾öû³ °íÅë°ú ÁúÅõ!(Gran pena e gelosia!)"-¼¼¸£¼¼¿Í ¾Æ¸¶½ºÆ®·¹ÀÇ ÀÌÁßâ(Å©¸®½ºÆ¼), Anne Sofie von Otter(Ms),Silvia Tro Santafe(Ms)
- "¿ì¾ÆÇÑ ¸öÁþ Çϳª·Î(Un cenno leggiadretto)"-¾ÆÅ»¶õŸÀÇ ¾Æ¸®¾Æ(¼Ò·¼), 1) Amanda Forsythe(Sop) 2) sop.Lucia Popp
- Ç, ¿ÀÆä¶ó <¼¼¸á·¹(Semele)> HWV.58; ¿À¶óÅ丮¿À¿Í ¿ÀÆä¶óÀÇ ¿ä¼Ò°¡ È¥ÇÕ
- "´ç½ÅÀÌ °È´Â °÷¸¶´Ù/´ç½ÅÀÌ ¾îµð¸¦ °¡µçÁö(Where'er you walk)", # sop. Karina Gauvin
- "¿À, ÀáÀÌ¿©, ¿Ö ³ª¸¦ ¹ö¸®°í °¡´Â°¡? (Oh sleep, why dost thou leave me)"
- Ç, ¿ÀÆä¶ó <¾Æ±×¸®Çdzª(Agrippina)>;
- "³ ¾ðÁ¦³ª ÁøÁ¤À¸·Î ³Ê¸¦ »ç¶ûÇÑ´Ü´Ù(Non ho cor che per amarti)-¾Æ±×¸®ÇdzªÀÇ ¾Æ¸®¾Æ", Alexandrina Pendatchanska(Sop)
- "³» ¿µÈ¥Àº ÆøÇ³¿ì ¼Ó¿¡¼ ½¯ °÷À» °¥¸ÁÇϸç(L¡¯alma mia fra le tempeste)-¾Æ±×¸®ÇdzªÀÇ ¾Æ¸®¾Æ", Alexandrina Pendatchanska(Sop)
- "³» ź½ÄÀ» µè´Â À̵éÀÌ¿©(Voi che udite il mio lamento)"-¿ÀÅä³×ÀÇ ¾Æ¸®¾Æ, Bejun Mehta(Ct)
- "¹Ù¶÷ÀÌ ±¸¸§À» ¸ô¾Æ³»µí(Come nube che fugge dal vento)"-³×·ÎÀÇ ¾Æ¸®¾Æ, Jennifer Rivera(Ms)
- "¹Ý¦ÀÌ´Â ÁøÁÖ¿Í ºÎµå·¯¿î ²ÉÀÙÀÌ(Vaghe perle, eletti fiori)"-Æ÷Æä¾ÆÀÇ ¾Æ¸®¾Æ<, ÀÓ¼±Çý(Sop)/li>
- "Ƽº£¸£ °¹°ÀÌ »õ ȲÁ¦¸¦ ¸ÂÀÌÇØ ºû³ª°í(Lieto il Tebro increspi l¡¯onda)"-ÇÕâ, ÀÓ¼±Çý(Sop)/li>
- "ÇÑ ¹ø »óó ÀÔÀº ¸¶À½Àº(Se giunge un dispetto)"-Æ÷Æä¾ÆÀÇ ¾Æ¸®¾Æ, ÀÓ¼±Çý(Sop)
- "Èñ¸ÁÀÌ ³» ¹ÏÀ½À» ¹è½ÅÇÏÁö ¾Ê±â¸¦(Lusinghiera mia speranza)"-¿ÀÅä³×ÀÇ ¾Æ¸®¾Æ, Bejun Mehta(Ct)
- Ç, ¿ÀÆä¶ó <¾Æµå¸ÞÅä(Admeto)>, HWV.22;
- Ç, ¿ÀÆä¶ó <¾Æ¸®¿À´ÜÅ×(Ariodante)>, HWV.33;
- "¹ãÀÌ Áö³ª¸é žçÀÌ ºû³ª°í(Doppo notte atra e funesta)*", ms.Magdalena Kozena
- Ç, ¿ÀÆä¶ó <¾ÆÄ¡½º¿Í °¥¶óÅ×¾Æ>; /"±×³à ´«ÀÇ »ç¶ûÀº ³î°í", /"ÇູÇÑ ¿ì¸®"
- Ç, ¿ÀÆä¶ó <¾Ëü½ºÅ×>
- "Enjoy the sweet Elysian grove"
- "Ä£ÀýÇÑ ¸ð¸£Æä¿ì½º, ¹ãÀÇ ¾Æµé(Gentle Morpheus)", sop.Emma Kirkby
- Ç, ¿ÀÆä¶ó <¾ËÄ¡³ª(Alcina)>, HWV.34;
- "³»°Ô·Î µ¹¾Æ¿ÍÁÖ¿À(Tornami a vagheggiar)", Sop.Kathleen Battle
- "¸»ÇشٿÀ, ³» ¸¶À½ÀÌ¿©(Di, cor mio)", Sop.Lynne Dawson
- Ç, ¿ÀÆä¶ó <ÁÙ¸®¾î½º ½ÃÀú(Giulio Cesare)>, HWV.17;
- "±³È°ÇÑ »ç³É²ÛÀº Àº¹ÐÈ÷ »ç³É°¨À» ³ë¸°´Ù(Va tacito e nascosto)"-½ÃÀúÀÇ ¾Æ¸®¾Æ(¾ßÄß½º), # Andreas Scholl(Ct) # contralto. Marijana Mijanovic
- "±×´ë´Â ³ªÀÇ º°(Tu la mia stella sei)", Kiri Te Kanawa(sop)
- "²ÉÀÌ Èåµå·¯Áø ÃÊ¿ø¿¡ »õ°¡ ¼û¾î À־(Se in fiorito ameno prato)"-2:½ÃÀúÀÇ ¾Æ¸®¾Æ, contralto. Marijana Mijanovic(½ÃÀú)
- "³» ¿î¸íÀ» ½½ÆÛÇϳë¶ó(Piangero, la sorte mia)"-Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¾Æ¸®¾Æ(ĿƼ½º)#, Karina Gauvin(Sop)
- "´«¹° È긱 ¿î¸íÀ¸·Î ž³×(Son nata lagrimar, son nata sospirar)"-ÄÚ¸£³Ú¸®¾Æ¿Í ¼¼½ºÅäÀÇ ÀÌÁßâ(ĿƼ½º),Romina Basso(Ms), Emoke Barath(Sop)
- "´ç½ÅÀ» ¼þ¹èÇØ¿ä, ´ç½ÅÀÇ µÎ ´«À»(V¡¯adoro, pupile)"-2:Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¾Æ¸®¾Æ, ms. Magdalena Kozena
- "¹«±âÀÇ ±¤Ã¤¿¡ ½Î¿© º¹¼ö¸¦ ¸Í¼¼ÇÑ´Ù(Al lampo dell¡¯armi)"-½ÃÀúÀÇ ¾Æ¸®¾Æ(³ë¸µÅÏ), David Daniels(Ct)
- "»ç¶ûÇÏ´Â ´«µ¿ÀÚ¿©(V¡¯adoro, pupile)[´ç½ÅÀ» ¼þ¹èÇØ¿ä, ´ç½ÅÀÇ µÎ ´«À»]"-Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¾Æ¸®¾Æ(ĿƼ½º), Karina Gauvin(Sop)
- "¾Æ¸§´ä±º¿ä, ³» »ç¶û!(Caro! Bella!)"-»ç¶ûÀÇ ÀÌÁßâ
- "¿À, »ç¶ûÀÇ È»ìÀÎ ´«ÀÌ¿©, ±×´ë¸¦ °æ¹èÇϳë¶ó"
- "¿À¸¸ÇÑ ³Ê¸¦ ±æµéÀÏ °Å¾ß(Domero la tua fierezza)"-ÇÁÅç·¹¸¶ÀÌ¿À½º(Åç·Î¸Þ¿À)ÀÇ ¾Æ¸®¾Æ(ĿƼ½º), Filippo Mineccia(Ct)
- "¿ì¸® ¸¶À½À» ±â»Ý°ú Áñ°Å¿òÀ¸·Î ä¿ìÀÚ(Ritorni omai nel nostro core)"-ÇÕâ+Ŭ·¹¿ÀÆÄÆ®¶ó¿Í ½ÃÀú(ĿƼ½º), Karina Gauvin(Sop),Marie-Nicole Lemieux(Ms)
- "ÆøÇ³¿ì¿¡ ½Ã´Þ¸° ¹è°¡ Ç×±¸·Î µ¹¾Æ¿Ô³×(Da tempeste il legno infranto)-Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¾Æ¸®¾Æ(¼Ò·¼)$, Amanda Forsythe(Sop)"
- Ç, ¿ÀÆä¶ó <Å©¼¼¸£Å©¼¼½º>;
- "±× ¾îµð¿¡µµ ¾ø¾ú´ø »ç¶û½º·± ³ª¹«±×´ÃÀÌ¿©"
- Ç, ¿ÀÆä¶ó <Ÿ¸Þ¸¦¶ó³ë>;
- "¹èÀº¸Á´öÇÑ ¾ó±¼·Î ¸ê½Ã¸¦ ¹Þ´õ¶óµµ(A dispetto)", ct.David Daniels
- Ç, ¿Õ±ÃÀÇ ºÒ²É³îÀÌ
- Ç, Æ®¸®¿À¼Ò³ªÅ¸ 2(µÎ ´ëÀÇ ¿Àº¸¿Í ¹Ù¼Ò ÄÜÆ¼´©¿À¸¦ À§ÇÑ), d, HWV.381, 10m
- Ç, Æ®¸®¿À¼Ò³ªÅ¸, G, Op.5-4, HWV.399, 13m $
- Ç, ÇÕ½ÃÄÚµå¸ðÀ½°î 11 Áß »ç¶ó¹æµå
- Ç, ÇÕÁÖÇùÁÖ°î 1, Bb, Op.3-1, HWV.312, * Op.3(HWV.312-317): 6°³ÀÇ ÇÕÁÖÇùÁÖ°î(Concerto Grosso)
- Ç, ÇÕÁÖÇùÁÖ°î 2, Bb, Op.3-2, HWV.313, 12m, Linde-Consort/Hans-Martin Linde
- Ç, ÇÕÁÖÇùÁÖ°î 4, F, Op.3-4, HWV.315, 10m#, The English Concert/Trevor Pinnock
- Ç, ÇÕÁÖÇùÁÖ°î 5, d, Op.3-5, HWV.316, 10m#
- Ç, ÇÕÁÖÇùÁÖ°î 6, D, Op.3-6, HWV.317
- Ç, ÇÕÁÖÇùÁÖ°î 1, G, Op.6-1, HWV.319 * Op.6(HWV.319-330): 12°³ÀÇ ÇÕÁÖÇùÁÖ°î(Concerti Grossi)
- Ç, ÇÕÁÖÇùÁÖ°î 2, F, Op.6-2, HWV.320
- Ç, ÇÕÁÖÇùÁÖ°î 3, e, Op.6-3, HWV.321, 12m#, Aradia Ensemble/Kevin Mallon
- Ç, ÇÕÁÖÇùÁÖ°î 6, g, Op.6-6, HWV.324
- Ç, ÇÕÁÖÇùÁÖ°î 8, d, Op.6-8, HWV.326, 13m
- Ç, ÇÕÁÖÇùÁÖ°î 9, F, Op.6-9, HWV.327
- Ç, ÇÕÁÖÇùÁÖ°î 12, b, Op.6-12, HWV.330
- Ç, ÇÏÇÁÇùÁÖ°î, Bb, Op.4-6, HWV.294, # Ursula Holliger(Hp)/I Musici
- Çï·»´Þ, ÇùÁÖ°î 3(Concerto grosso), F, Op.3-5, 18m, # Archetti Baroque String Ensemble, * Pieter Hellendaal(1721-1799 Anglo-Dutch &Org,Vn)
- È£³Ê,Á¦ÀÓ½º, Legends of the Fall: The Ludlows, * James Horner(1953-2015 American)
- È£¹Ù³×½º, ±³Çâ°î 6, "°Å·èÇÑ ¹®(Celestial Gate)", Op.73, 20m, Manhattan Chamber Orchestra/Richard Auldon Clark, * Alan Hovhaness(1911-2000, American)
- È£¼Õ,¾Ù¸®½º, ¼º¾Ç°î "Èñ¸ÁÀÇ ¼Ó»èÀÓ(Whispering Hope)", # Roger Wagner ÇÕâ´Ü, * Alice S. Hawthorne(1952-1996 American F)
- È£Æä(Michael Hoppe), Ä®¸± Áöºê¶õÀÇ ±âµµÇÏ´Â »ç¶÷, 4m, ÿ·Î, Hoppe - Á¶Áö À©½ºÅÏ, µ¥À̺ø ¶õÃ÷¿Í ÇÔ²² ´º¿¡ÀÌÁö À½¾Ç°è¸¦ ´ëÇ¥, ¿µ±¹ Å»ýÀ¸·Î ¹Ì±¹(LA)¿¡¼ Ȱµ¿,
- È£ÇÁ¸¶À̽ºÅÍ, 5ÁßÁÖ°î 2(Vn, Oboe, Va2, Basson), D, 14m,#, * Franz Anton Hoffmeister(1754-1812 German)
- È£ÇÁ¸¶À̽ºÅÍ, ±³Çâ°î, D, 23m, Orchestra della Svizzera italiana/Howrd Griffiths
- È£ÇÁ¸¶À̽ºÅÍ, ±³Çâ°î, E, 19m
- È£ÇÁ¸¶À̽ºÅÍ, ±³Çâ°î, G, "ÆòÈÀÇ Á¦Àü 1791(La festa della Pace 1791)", # London Mozart Players/Matthias Bamert
- È£ÇÁ¸¶À̽ºÅÍ, ºñ¿Ã¶óÇùÁÖ°î, Bb, 21m
- È£ÇÁ¸¶À̽ºÅÍ, ºñ¿Ã¶óÇùÁÖ°î, D, 21m#, Andra Darzina(va),Urban Camerata
- È£ÇÁ¸¶À̽ºÅÍ, ¾ËÅäÇùÁÖ°î, D, ¸ðÂ¥¸£Æ® ½Ã´ëÀÇ ÀÛ°î°¡, ¿©±â¼ ¾ËÅä´Â ºñ¿Ã¶ó¸¦ ¶æÇÔ
- È£ÇÁ¸¸,·¹¿ÀÆúÆ®, ±³Çâ°î, Bb, B no Bb1, 10m, Northern Chamber Orchestra/Nicholas Ward
- È£ÇÁ¸¸,·¹¿ÀÆúÆ®, ±³Çâ°î, D, B no D4, 12m, Northern Chamber Orchestra/Nicholas Ward, * Leopold Hofmann(1738-1793 Austrian)
- È£ÇÁ½´Å×ÅÍ,·Î¸¸, Çö¾Ç4ÁßÁÖ°î, F, Op.3/5, "Serenade", 15m, * Roman Hoffstetter(1742-1815 German)
- Ȧ½ºÆ®, ±³Çâ°î "ÄÚÃ÷¿ùµå(The Cotswolds)", F, Op.8, 27m, Munich Symphony Orchestra/Douglas Bostock
- Ȧ½ºÆ®, "¸®±× º£´Ù"¿¡ ÀÇÇÑ ÇÕâ Âù°¡( Choral Hymns from the Rig Veda), Op.26
- Ȧ½ºÆ®, ¸ñ°ü5ÁßÁÖ°î, Ab, Op.14, 17m
- Ȧ½ºÆ®, ¹«¾î»çÀÌµå ¸ðÀ½°î(A Moorside Suite), °üÇö¾Ç°î, 14m
- Ȧ½ºÆ®, ¼º¾Ç°î "Joybringer", <Ç༺> Áß ¸ñ¼º¿¡ °¡»ç¸¦ ºÙÀÓ, ten.Peter Hoffmann
- Ȧ½ºÆ®, öÀúÇÑ ¹Ùº¸(Perfect Fool):Ballet music
- Ȧ½ºÆ®, ÇǾƳë¿Í °ü¾Ç±â¸¦ À§ÇÑ 5ÁßÁÖ°î, a, (Pf,Bn,Cl,Hn,Ob), 17m
- Ȧ½ºÆ®, Ç༺; 1)ȼº-ÀüÀïÀÇ ½Å 2)±Ý¼º-ÆòÈÀÇ ½Å 3)¼ö¼º- ³¯°³°¡ ÀÖ´Â »ç½Å 4)¸ñ¼º- Äè¶ôÀÇ ½Å 5)Å伺- ³ë³âÀÇ ½Å 6)õ¿Õ¼º- ¸¶¼úÀÇ ½Å 7)ÇØ¿Õ¼º- ½ÅºñÀÇ ½Å, Op.32, Gustav Holst(1874-1934 English)
- Ȧ½ºÆ®,À̸ð°Õ, The Fall of the Leaf for Solo Celo, 9m, Steven Isserlis(vc) * Imogen Holst(1907-1984 English.F)
- ÈÀÌÆ®,Á¶¼Á, ¹ÙÀ̿ø°ÇùÁÖ°î, f#, 21m, * Jose' White Lafitte/Joseph White(1836-1918 Cuba, Vn)
- ÈĹö,Çѽº, ÇǾƳëÇùÁÖ°î 1, c, Op.36, 33m * Hans Huber(1852-1921 Switzerland)
- ÈÄÇÁ, ±³Çâ°î 2, Ab, 32m, $ Brussels Belgian Radio & TV Philharmonic Orchestra/Silveer Van den Broeck * Jef Van Hoof(1886-1959 Belgium)
- Èɸá, 8ÁßÁÖ ÆÄ¸£Æ¼Å¸(Octet-Partita), Eb, 13m * Johann Nepomuk Hummel(1778-1837 Austrian)
- Èɸá, ´ë7ÁßÁÖ°î(Grosses Septett), Op.74, 37m
- Èɸá, ¸¸µ¹¸° ÇùÁÖ°î, G, S.28, 18m # Alison Stephens(Mnd),London Mozart Players/Howard Shelley
- Èɸá, ¹Ù¼øÇùÁÖ°î
- Èɸá, ¹ÙÀ̿ø°°ú ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ¾Æ´ÙÁö¿À¿Í ·Ðµµ(Adagio and Rondo alla Polacca), 10m, James Ehnes(vn),London Mozart Players/Howard Shelley
- Èɸá, Ŭ¶ó¸®³Ý3ÁßÁÖ°î
- Èɸá, Æ®·³ÆêÇùÁÖ°î, Eb, 18m$, Timofey Dokshizer(tpt)/Moscow Chamber Orchestra/Rudolf Barshai
- Èɸá, Æ÷Ǫ¸®(potpourri), Op.53, (Guitar, Pf)
- Èɸá, ÇǾƳë3ÁßÁÖ°î 4, G, Op.65, 15m, # Beaux Arts Trio
- Èɸá, ÇǾƳëÇùÁÖ°î 2, a, Op.85
- Èɸá, ÇǾƳëÇùÁÖ°î 3, b, Op.89
- ÈÉÆÛµùÅ©, ¼º¾Ç°î "ÇູÀÇ ³ë·¡(Das Lied vom Glueck)", * Engelbert Humperdinck(1854-1921 German)
- ÈÉÆÛµùÅ©, ¼ÎÀͽºÇÇ¾î ¸ðÀ½°î 1, 23m
- ÈÉÆÛµùÅ©, ¿ÀÆä¶ó <ÇîÁ©°ú ±×·¹ÅÚ>; ¼°î
- "¹ãÀÌ µÇ¸é ÀÚ·¯ °¡³×(Abends will ich schlafen gehn)"-Àú³á±âµµ, Charlotte Church
- ÈÖÅÂÄ¿,¿¡¸¯, ¼º¾Ç°î "Sleep, my Child", Eric Whitacre Singers
- ÈÖÅÂÄ¿,¿¡¸¯, ½Å¾ÓÀÇ ³ë·¡ 3°î(Three Songs of Faith), 3) "I thank You God for most this amazing day", Elora Festival Singers/Noel Edison, * Eric Whitacre(1970- American)
- È÷³ª½ºÅ×¶ó, ÆÄ³²ºñ(Panambi), Op.1, ¹ß·¹¸ðÀ½°î, * Alberto Ginastera(1916-1983 Argentine)
- È÷³ª½ºÅ×¶ó, ÇÏÇÁÇùÁÖ°î, Op.25
- Èùµ¥¹ÌÆ®, 4ÁßÁÖ°î(Ŭ¶ó¸®³Ý, ºñÀ̿ø°, ÿ·Î, ÇǾƳ븦 À§ÇÑ), 28m
- Èùµ¥¹ÌÆ®, º£¹ö ÁÖÁ¦¿¡ ÀÇÇÑ ±³ÇâÀû º¯¿ë(Symphonic Metamorphosis on Themes of Carl Maria von Weber), 21m
- Èùµ¥¹ÌÆ®, ºñ¿Ã¶ó¼Ò³ªÅ¸, Op.11-4
- Èùµ¥¹ÌÆ®, ÀÛÀº ½Ç³»¾Ç(5´ëÀÇ °ü¾Ç±â¸¦ À§ÇÑ:Kleine Kammermusik), Op.24-2
- Èùµ¥¹ÌÆ®, ÇÃ·çÆ®¼Ò³ªÅ¸
- Èùµ¥¹ÌÆ®, Ȱ¡ ¸¶Æ¼½º, ¿ÀÆä¶ó Ȱ¡ ¸¶Æ¼½º¿¡¼ 3°î ¹ßÃé ±³Çâ°îÀ¸·Î Æí¼º
- Èú,¾ËÇÁ·¹µå, ÇǾƳëÇùÁÖ°î, A, * Alfred Francis Hill (1869-1960, Australian-New Zealand)
- Èú·¯, ÇǾƳëÇùÁÖ°î 1, f, Op.5, 24m, * Ferdinand Hiller(1811-1885 German), Howard Shelly(pf),Tasmanian Symphony Orchestra
- Èú·¯, ÇǾƳëÇùÁÖ°î 2, f#, Op.69, 20m
- °¡½Ã³ª¹«,
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